Standard Warranty ......................................................................................................................................... 4
Two Year Warranty ........................................................................................................................................ 4
Features ..................................................................................................................................................... 6
Packing List ........................................................................................................................ 6
Installation, Connections, Set up ..................................................................................... 7
Some General Notes on Installation .............................................................................................................. 7
Power up State ............................................................................................................................................... 7
Connecting Video Sources ............................................................................................................................ 8
Outputs and Monitoring .................................................................................................................................. 8
RS-232 control ............................................................................................................................................... 9
Tally control .................................................................................................................................................... 9
MIDI control .................................................................................................................................................... 9
SE-500 Front Panel ...................................................................................................................................... 10
Selecting video input formats and adjusting audio levels ........................................... 15
Selecting video output format ...................................................................................................................... 15
Using Video and Audio Monitors .................................................................................................................. 16
Cutting between sources ................................................................................................ 16
Dissolving between sources ........................................................................................................................ 16
Other transitions between sources .............................................................................................................. 16
Controls and Operations ................................................................................................. 18
Video Source ................................................................................................................................................ 18
Color Processor ........................................................................................................................................... 19
MENU ................................................................................................................................ 20
Audio Inputs, Levels, and Meters ................................................................................... 21
Using Transitions ............................................................................................................ 22
Selecting a transition: Fade, Wipe ............................................................................................................... 22
Playing a transition ....................................................................................................................................... 22
Playing a transition autom aticall y ................................................................................................................. 22
List of transitions and parameters ................................................................................. 23
Using Effects .................................................................................................................... 24
Four Camera Shoot: Live Stage Performance / Sporting Event .................................................................. 27
Live Conference ........................................................................................................................................... 28
Live Event Mixing: Club VJ / Concert ........................................................................................................... 29
Using SE-500 with CG-100 for Titles/Graphics/Logos overlay .................................... 30
No power ...................................................................................................................................................... 31
No image at output / black and white output from S (Y/C) ........................................................................... 31
Glossary of Terms ........................................................................................................................................ 32
Service and Support ........................................................................................................ 47
Disclaimer of Product and Services
The information offered in this instructi on m anual is i ntended as a guide only. A t all times, Datavideo Technologies will try to give correct,
complete and suitable information. However, Datavideo Technologies cannot exclude t hat some information i n this manual, from t ime to
time, may not be correct or may be incomplet e. This manual may contain typing errors, omissions or incorrect information. Datavideo
Technologies always recommend that you double check the information in this document for accuracy before making any purchase
decision or using the product. Datavideo Technologi es is not responsible for any omissions or errors, or for any subsequent loss or
damage caused by using the information contained within this manual. Further advice on the content of this manual or on the product
can be obtained by contacting your local Datavideo Office or dealer.
3
Warnings and Precautions
1. Read all of these warnings and save them for later reference.
2. Follow all warnings and instructions marked on this unit.
3. Unplug this unit fr om the wall outlet before cleaning. Do not use l iquid or aerosol cleaners. Use a
damp cloth for cleaning.
4. Do not use this unit in or near water.
5. Do not place this unit on an unstable cart, stand, or table. The unit may fall, causing serious damage.
6. Slots and openings on the cabinet to p, back , and bo ttom ar e provided f or venti lation. T o ensure s afe
and reliable operation of this unit, and to protect it from overheating, do not block or cover these
openings. Do not place this unit on a bed, sofa, rug, or similar surface, as the ventilation openings on
the bottom of the cabinet will be blocked. This unit should never be placed near or over a heat
register or radiator. T his un it should not be p laced in a built -in insta llation unles s proper ventilation is
provided.
7. This product should onl y be operated from the type of power source indicated on the m arking label
of the AC adapter. If you are not sure of the type of power a vailable, consult your Datavideo dea ler
or your local power company.
8. Do not allow a nything to res t on the po wer c ord. D o n ot locate th is uni t wher e th e po wer cor d wil l be
walked on, rolled over, or otherwise stressed.
9. If an extension cord must be used with this unit, make sure that the total of the ampere ratings on the
products plugged into the extension cord do not exceed the extension cord’s rating.
10. Mak e sure that the total amperes of all the units that are plugged into a single wall outlet do not
exceed 15 amperes.
11. N ever pus h objects of an y kind into t his un it through the ca binet vent ilation s lots, as the y may touch
dangerous voltage p oints or short out parts that c ould result in r isk of fire or electric shock . Never
spill liquid of any kind onto or into this unit.
12. Except as specifically explained elsewhere in this manual, do not attempt to service this product
yourself. Opening or removing covers that are marked “Do Not Remove” may expose you to
dangerous voltage points or other risks, and will void your warranty. Refer all service issues to
qualified service personnel.
13. U nplug this product f rom the wall outlet and refer to qua lified service personn el under the follo wing
conditions:
a. When the power cord is damaged or frayed;
b. When liquid has spilled into the unit;
c. When the product has been exposed to rain or water;
d. When the product does not operate normally under normal operating conditions. Adjust only
those controls that are covered by the operating instructions in this manual; improper
adjustment of other controls may result in damage to the unit and may often require
extensive work by a qualified technician to restore the unit to normal operation;
e. When the product has been dropped or the cabinet has been damaged;
f. When the product exhibits a distinct change in performance, indicating a need for service.
4
Warranty
•
•
Standard Warranty
•Datavideo equipm ent is guar anteed against an y manu fac turing def ects for one year f rom the date of
purchase.
•The original purchas e invoice or o ther documentar y evidence shou ld be supplied at the time of an y
request for repair under warranty.
•Damage caused by accident, m isuse, unau thor ized re pairs, s and, gri t or water is not co vered b y this
warranty.
• All mail or transportation costs including insurance are at the expense of the owner.
• All other claims of any nature are not covered.
• Cables & batteries are not covered under warranty.
• Warranty only valid within the countr y or region of purchas e.
• Your statutory rights are not affected.
Two Year Warranty
All Datavideo products purchased after 01-Oct.-2008 qualify for a free one year extension to the
standard Warrant y, providing the prod uct is registere d with Datavid eo within 30 days of purchase . For
information on how to register please visit
office or authorized Distributors
Certain parts with limited lif etime expectancy such as LCD Panels, DVD Drives, Hard Dr ives are only
covered for the first 10,000 hours, or 1 year (whichever comes first).
www.datavideo-tek.com or contact your local Datavideo
Any second year warranty claims must be made to your local Datavideo office or one of its authorized
Distributors before the extended warranty expires.
Disposal
For EU Customers only - WEEE Marking
This symbol on the produc t indicates th at it should not be trea ted as house hold waste. It
must be handed over to the applicable take-back scheme for the recycling of Waste
Electrical and Electronic Equipment. For m ore detaile d inform ation abo ut the rec ycling of
this product, please contact your local Datavideo office.
5
Radio and Television Inter f er enc e
UNITED STATES: The equipment des cribed in this manual gener ates and us es radio f requency energ y. If it
is not installed and used in accordance with t he instructions in this manual, it may cause inter ference with
radio and television reception.
This equipment has been t ested and found t o com ply with the lim its for a Class B digit al devic e, pursua nt to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a r esidential installation. This eq uipment generates , uses, and can radiate radio f requency
energy, and if not installed and used in accordance with these instr uctions, ma y cause harmf ul interference
to radio communications. However, there is no guarantee that interference will not occur in a particular
installation.
If this equipment does caus e harmful interference to radi o or television reception , which can be determined
by turning the equipment off and on, the us er is enc ouraged to try to corr ect th e int erfer ence b y one or m ore
of the following measures:
1. Reorientate or relocate the receiving antenna;
2. Increase the separation between the equipment and the receiver;
3. Connect the equ ipm ent into an o utlet on a circ uit diff erent f rom that to whic h
the receiver is connected.
If necessary, consult your dealer or an experienced radio/TV technician for help and/or additional
suggestions.
N.B.: Changes or modifications not expressly approved by the party responsible for compliance
could void the user’s right to opera te this equipment.
Peripherals used in conj un ction with this e quipm ent m ust b e co nnecte d via shie lded interf ace cabl es. Us e of
unshielded interf ace cables may result in interferenc e to radio and TV receptio n, and may void the user’s
right to operate this equipment.
Introduction
Thank you for purchas i ng Datavideo’s SE-500 Dig ital Video S witcher. W e hope you will be pleased wit h your
purchase, and with what you can ac hieve with this advanced p iece of technology. In order to get the m ost
out of your new switcher, we recommend that you spend some time getting familiar with this manual, as it will
describe in detail all the fu nctions of this unit. In add ition, you’ll find som e useful back ground inform ation on
video and audio, and some detailed examples of ways to use your new switcher.
If you are experienced in video production, you may want to immediately take a look at the Quick Start
section on page 10.
6
Product Overview
The Datavideo SE-500 is a n analog input, digital pr ocessing video switcher . The SE-500 inclu des 4 groups
of video input (4 x composite & 4 x S-Video), a 3 channel audio mixer, 2 micr ophone i nputs , c olor c orr ect ion ,
digital video trans ition effects, MIDI control interf ace, Tally out , RS-232 rem ote control inter face…and man y
more professional features.
A built in TBC in each channel with YUV 4:2:2 frame synchroni zer for Composite, and S (Y/ C) inputs a nd
outputs assures stable and high quality video from virtually any source. A bui lt in R. G.B. Col or Proc es sor and
a Color Corrector for eac h video input, with set tings that are saved, allow you to f ine tune your video. The
SE-500 has 15 different digital effects, which include Quad, Split, PIP, Wipes, and Fade.
Additionally, the SE-500 includes a trul y unique feature “Quad Preview.” This previe w output displays both
tally light signals, and next video effects indicator. The op erator can use one single m onitor to obser ve four
video input sources , camera activities, and video trans ition effects. The SE-500 has all the popular f eatures
of many more expensive m ixers and it is extremely compact in size. Now you can s hoot, mix, and edit, all
within this compact size digital switcher.
With the Data video DAC-6 (DV to Com posite, Y/C, an d Component convert er), VP-314 (DV Rep eater), and
10, 20, 40meter DV cables, you may use DV cameras to feed video from up to 200 meters away.
Features
Digital Processor, high image quality
Four inputs of S-Video (Y/C) and Composite video
Quad video preview monitor output with tally & transition indicators on screen
Optional YUV output – via supplied breakout cable
Quad, Split, PIP, Wipe, and Fade digital video effects
T-Bar control of digital video effect transitions
Color processor for video correction
RS232 remote control
MIDI control interface
Tally output
Audio mixer with two microphone channels and one auxiliary input
Packing List
1. SE-500 switcher x 1
2. S-Video 1.2m Cable x 1
3. AC/DC Switching adapt er x 1
4. BNC to RCA connector x 2
5. Instruction Manual x 1
7
Installation, Connect ions, Set up
Some General Notes on Installa ti on
There are a fe w other things to be aware of when you are insta ll ing and integr ati n g the S E -500. Please make
sure you have read the Warnings and Precautions section on page 3.
The SE-500 sends an d receives analog signals excep t the RS-232, MIDI, and T ally. You need to be aware
that cable lengths, im pedance, crossing power cords, and adaptor s might interfere with video tr ansmission.
The cautions below, with the excep tion of physical damage, wi ll give you the general idea about cabli ng for
analog video or audio.
We strongly recomm end you use analog vi deo and audio c ables that are rou ghly the right lengt h to connec t
between components. The longer the cable, the m ore noise and deterioration of the video signal can be
introduced. We strongl y recommend that you check the integrity of each analog c able before installation b y
using a continuit y tester (available from most electronic and vide o supply stores). Cables can go bad over
time, with use, by som eone walk ing o n them , carts rolling o ver them , or even for n o appar entl y good reaso n.
It will happen eventually. Have a continuity tester handy and save yourself some troubleshooting headaches.
Make sure you don’t ru n video/audio c ables and po wer lines together, on top of each o ther, or across eac h
other. This is another good way to introduce nois e and s igna l degrad ati on.
Cable connectors will e ventuall y become dirty or oxidation will st art. The dirt can cause a bad connec tion or
introduce noise in the signal. It is advisable to buy some electrical contact cleaning products.
Use adaptors if you must, but keep in mind that each connector is one more acc id ent wa iti ng to ha ppe n, one
more place the signal can be degraded or broken.
Finally, for exam ples of how t o connect and integra te the SE-500 int o a var iety of s et ups, tak e a look at the
brief Quick Start on page 10 and the more in depth explanations in S ample Applications on page 30.
Power up State
When you first power up the S E-500, you will need to check each channel ‘s connection and s et the audio
levels. All the setting will be retained except color bar output, see “MENU” on page 21.
At power up, chann el 1 will be the s el ect ed Ma in Vid eo So ur c e a nd channel 2 wil l be the selected S ub Video
Source.
Settings that are ret ained ar e: color corr ection set tings; rem ote contr ol setting; tr ansition s etting; video eff ect
setting, video output settings and background color.
8
Connecting Video Sourc e s
S-Video
¼ Stereo Jack
There are two types of plugs used for video signals on the SE-500: BNC, and S-video.
BNC connectors look like this on the cable end. The connector slides over the connector on
the SE-500 and is loc ked in place wit h a pus h in a nd c l ockwise turn. The bi g v irtue of th es e
connectors, which are the standard for almost all professional video applications, is that
they lock in place and cannot be accidentally dislodged.
S-video plugs (also known as Y/C) have 4 tiny pins in them, which carry a separated Y
(luminance) and C (chroma) video signal and provide a much better quality video signal
than composite. These plugs have a tiny bar in them to assure correct alignment in the
socket. They need to be pressed f irmly in place, but very carefully, as the little pins can
bend easily. Align plug and socket and push straight in, firmly.
BNC
Connecting Audio Sourc e s
The SE-500 uses 2 kinds of plugs for audio connections: RC A and 1/4 inch jack plugs. There are lots of
different names for these plugs. Fortunately for us all, they are not easily confused in the size and shape
departments, so we’ll show you some pictures.
RCA plugs (also sometim es known as phono plugs, cinch, or tulips) ar e used
for line level audio, such as the connections between a CD pla yer and amp.
The SE-500 uses these in stereo pairs, white for left and red for right , at the
audio input and output sections.
1/4 inch jack plugs go t their nam e, som e sa y, because the y used to be us ed to
manually patch together p hone lines in the o ld central switchbo ard days. They
come in mono and s tereo configurations:
the plug, the stereo has two. The SE-500 uses a mono plug on MIC CH1 and mono
plugs for MIC CH2.
If you need to use balanced audio inputs or outputs, for low impedance
microphones or connecti ons with other profes siona l audio g ear, you nee d to use
an impedance m atching device to convert low to high impedance (and/or vice
versa). For example D ata vi deo BAC-03 (on page 45)
the mono has one dark band around
RCA
¼ Mono Jack
Outputs and Monitoring
Your particular set up and application for the SE-500 will determine what video and audio devices you
connect to the outputs. T ake a look at the Sample Applications, page 30 for som e examples. W hile all the
outputs of the S E-500 are very high qualit y, keep in mind that the video quality of the various f ormats, in
descending order, goes like this: Y.U.V. (analog com ponent), Y/C (S-video), and Com posite. Audio output s
are all line level, suitable for connecting to an amp, VCR, or video projector (for example).
9
We can’t stress enough t he im portanc e of good m onito ring s ystem s. If something does n’t l ook or sound righ t
Connecting a Datavideo TLM-70D 7” TFT LCD for
at the last stage of the s ignal path, t he Main ou tput, it c an only be eas ily correc ted if you can pinpoint where
in the signal path the prob lem is being i ntroduced.
Certain set ups will b enef it greatly by being ab le to
monitor the video of each input channel, as well as
the Main output. High quality headphones allow
you to hear the audio with far fewer intermediate
steps and far more accuracy, thanks to the
Headphone control o n the front panel, than go ing
through an amp and speakers. We suggest both
methods of m onitoring, and listen ing to the sound
through a video m onitor’s speak ers is als o a good
idea. Needless to say, if you are outputting to a
record deck, you sh ould be able to eas ily monitor
the output of that device as well.
preview video monitoring, page 44.
Audio Mixer
An Audio Mixer with two mono microphone inputs and stereo Aux input allows you to adjust and
balance the volume from various audio sources.
RS-232 control
The RS-232 Control Port enables control of the SE 500 from a PC or other device thru the RS-232 port.
Connects to PC RS-232 se rial interface for rem ote controlled by PC application sof tware. Refer to the
Appendix detail of RS-232 Remote Control Protocol, page 46.
Tally control
The tally output allows you to send out tally light signals. Refer to the Appendix detail of tally pin outs
cross reference, page 53.
MIDI control
Connects to oth er MIDI devices, suc h as MIDI keyboard, and electronic piano. Refer to the Appendix
detail of MIDI Control Protocol, page 51.
10
Quick Start
8. Video Effect: Freeze
1
2
3
4 5 6
11
7
8
9
15
10
12
14
13
SE-500 Front Panel
1. Audio faders
2. Headphone Socket
3. Audio meters
4. Headphone Volume Control
5. Video Effect: Quad
6. Video Effect: Split
7. Video Effect: PIP
9. Background color selection/Menu
10. Border On/Off
11. T-Bar
12. Transition Effect preview
13. Main Video Source selectors
14. Sub Video Source selectors
15. Transition mode selectors
11
1. Faders: s liders t o contr ol audio le vels f or the Ma in au dio
output mix. Thes e Audio Level pots are the first stage in
the audio signal path. Analog audio comes in through
the 1/4 inc h pho no jac k and RCA conn ectors on t he r ear
panel see Rear Panel, page 14.
2. Headphones jack: accepts a stereo mini jack plug for stereo headphones. The
headphone volume is controlled by the Headphone volume control (4.).
3. Audio Meters: LED style m eters, which show
the signal strength at the Audio Output. The
signal measured is determined by the levels
set with the Faders (1.). The LEDs turn r ed at
+10 dB to indicate c li ppi ng distor ti on. F or more
information, see Audio Inputs, Levels, and Meters, page 24.
4. Headphone volume control: controls Headphone level and s igna l( s)
present at the Head phone jack (2.). Lev el is controlled b y the rotary
knob. For more inform ation, see Using Video and Audio Monitors,
page 16 and Audio Inputs, Levels, and Meters, page 24.
5. Quad Video Effect: com bines four different input sources into one
single output on program monitor.
6. Split Video Effect: split the selected Sub Video Source and the Main
Video Source into left an d right half si ze video screen. Use l eft and right
function key to swap sides. For more information, see UsingEffects: Split, page 29.
7. Picture in Picture: puts th e selected Sub Video Source in a window on
the Main Video Source, with control over window size and placement.
Used in conjunctio n with t he B order k e ys (10.) For more inform ation, see
Using Effects: Picture in Picture, page 29.
8. Freeze Video Effect: will grab the last field from the Main vide o output
and hold it as a still image. For more information, see Using Effects: Freeze, page 29.
12
9. Background: When Background is selected in either the Main or Sub
Video Source (13, 14.), and the button is pressed (and the LED is lit
except with black color background), repeated presses of the color button
cycle through the 8 possible solid backgrounds. For more information,
see Background, page 30.
10. Menu: Press and hold the button “BACKGROUND COLOR” for 2
seconds or more, a menu will pop up. You are able to change the
camera settings, which include Brightness, Contrast, color, Tint (NTSC
only). For more information, see Color Processor, page 21. Press it
again, and you can chang e output format between YU V or S-video out,
select RS232C or MIDI control, and color bar output.
11. Border: controls the border style and color for the Picture in Picture
effect, and the color edge f or the Wipe effect. This control is accessible
when the Picture in Picture controls and Wipe transitions (15.) are
engaged. For more inf ormation, see Using Effects: Picture in Picture,
page 28 and Using Transitions: Wipe page 25.
12. T-Bar: used to manually perform a transition. For more information, see
Playing a Transition, page 25.
13. Preview: preview the selec ted transiti on effec t, and back ground col or by
pressing the “Preview” button.
14. Main Video Source Selector:
Used to select which of the four
video input channels or
background is sent to the Main
video output. For more information see Video Source, page 21.
15. Sub Video Source Selector:
Used to select which of the four
video input channels or
background will be transit ioned to
or used as a sub source in an effect.
14
1. Video In (Channels 1, 2, 3, and 4 are all set up the same way)
a. Composite vid eo input: takes a BNC connec tor from the composite output of a VCR, camera,
DVD player, etc.
b. S-Video (Y/C) in put: takes a standard 4 pin S-video cable from the output of a VCR, camera,
DVD player, etc.
N.B If S-Video (Y/C) is connected it will be automatically selected in priority over Composite.
2. Video Output. These ports carry the Main video output of the SE-500.
a. Composite video out: BNC connector typically connected to a program monitor.
b. S-video out: stan dard 4 pin S-video (Y/C) connect or, typicall y connected to a VCR, projector, or
monitor.
c. Y.U.V. video out: Combine Composite & Y/C with the supplied breakout cable. These BNC
connectors carry the analog component Main video signal, and would typically be connected to a
master recorder (Betacam , DVCPro, or DVCam, for example) , component video monitor, or a
satellite uplink. (See page 16 for more information on connecting these ports to a device.)
d. Quad preview out: BNC connector carrying a quad video signal with effect, Tally light,
background, and speed indicators.
3. RS-232 control: f or PC or other devices to remote c ontrol via RS-232
protocol. Please rea d the Appendix of RS-232 Protocol on page 46 for
more information.
4. Tally Out: send out Red, Amber, and Gree n color tally signals to eac h
channel. Red m eans On-Air, Amber means nex t camera source, Green
means free to move.
5. MIDI Control interface: for connecting to other MIDI devices, such as MIDI
keyboard, and electronic piano. Please read the Appendix of MIDI Control
Protocol, page 51
6. MIC CH2: A ¼” jack connector f or a high impedance analog a udio source,
such as a microphone. MIC inputs 1 and 2: accept ¼” Inch mono plugs,
carrying high impedance signals from one or two mono microphones. With
high impedance MIC, the longer the cable from microphone to the SE-500,
the more noise is introduced into the signal.
7. MIC CH1: When a stereo ¼” jack is connected to C H 1 on l y, the CH1 and CH2 Faders (page 13) will
have equal volum e on each channel. When both CH 1 and CH2 have a MIC connected, each fader
channel will adjust the respective input from the rear panel.
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