Casio VZ-8M User Manual

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19

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78

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Performance/Editing

82

Performance/Editing

84

MIDI — Musical

86

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87

VZ

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101

OPERATION

108

Care

109

Features

113

Specifications

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sound

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independently

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so

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to

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frequency.

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the

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tone

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range

FINE

increments.

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function

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down

responding

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to

initialize.

the

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parameter

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increments.

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allow

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setting

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the

detuning

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detune

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set

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settings;

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pitch

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key

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hold

down

settings

—CURSOR—VALUE

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02

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the

TUNE

parameter

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in

1-octave

to a value

set

between

or

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and

detune

"reset"

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you

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lower

fixed

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to

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features

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the

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initialized

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half

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values

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03

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ENV

(DCO)

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05,

17,

18

R1-R8

L1-L8

SS=SUSTAIN

ED = END(NOkey)

93

PITCH

Rl=99

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DCO

for

all 8 modules.

means

in

the

A

level

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pitch

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pitch.

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DCO

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point

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sustain

point

sustained

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on

keyboard).

pitch

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envelope.

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note

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8-step

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points

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press

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envelope,

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select

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module

VOICE-18

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PITCH

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well

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enabled

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steps

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DEPTH

(DCO)

VOICE-03,

05

DEPTH

RANGE = WIDE/NARROW

04 P ENU

DEPTH

DEPTH=53

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function

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LOPE

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ENVELOPE

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DCO

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the

envelope

value

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LOPE

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settings

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pitch

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parameters

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envelope

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function

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increments,

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level

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GLOBAL

which

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parameters

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LEUEL

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using

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that

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unit features

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this

function

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the

can

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DCO

parameters

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in

keyboard

set

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set

to

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envelope

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key

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parameter

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increased,

LEUEL

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parameter

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value

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positions

state,

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in

the

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value

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contour

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l__l± I I

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P

VEL

LEVEL

(DCO)

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04,

05

SENS

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06 P UEL

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function

to

contour

(pitch)

words,

determine

dynamics

LEUEL

4

features

the

velocity

envelope's

these

settings — SENSITIVITY

how

responsive

with

regards

[CURVES]

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(SENSITIVITY)

2

basic

level

message

level

for

all

all 8 modules

to

changes

=

0-31

sens-3i

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curve-i

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parameters

control

modules

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pitch.

set

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parameters)

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strong

with

weak

envelope

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the

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CURVE

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to

key

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attack

level

shifted

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used

DCO

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velocity

parameter

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touch

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"0",

velocity

attack

of

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locity

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time.

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down)

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velocity

message

the

selected

message

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indicates

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curves

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lets

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by

velocity

lets

curves,

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set

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over

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have

no

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maximum

parameter

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determine

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how

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time.

range

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sensitivity.

used

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pitch

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choose

determine

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control.

totally

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contour

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pitch. A setting

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to

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one

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in

the

figures

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changes

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of

DCO

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to

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over

SENS = 31

Velocity

SENS = 0

SENS = 31

SENS

=

SENS9

31

SENS

MIN

SENS = 0

SENS=3I

XSENS

=

07

VIBRATO

(DCO)

Parameters

WAVE = TRIANGLE/SAW

DEPTH=0~99

RATE = 0-99

DELAY=0-99

MULTI = ON/OFF

87

UIBRflTO

SAW

DOWN/SQUARE

WRUE=TRIRNGLE

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log

synthesizer.

and

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waveform.

tion -WAVE,

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of

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vibrato

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mation

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value,

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function

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oscillation

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deeper

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corresponds

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DEPTH,

DEPTH

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adds a "vibrato"

five

basic

RATE,

lets

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and

TRIANGLE.

details

on

parameter

(how

strong

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vibrato

be

generated.

settings.)

UP/

87

UIBRflTO

DEPTH*

to

low

frequencies

effect

parameters

DELAY

choose

are 4 —

various

to

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vibrato

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sure

3

the

LFO

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to

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within

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to

raise

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of

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to

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Keyboard

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Wind

DOWN

DELAY

initial

before

MULTI

either

ON

effect

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this

for

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unison

SQUARE

parameter

note

on

begins.

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vibrato

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note's

or

is

parameter

or

OFF.

engaged

vibrato

delay

and

subsequently).

sounds.

parameter

all

notes,

or

independently).

is

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message

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larger

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applied.

features

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independent

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to

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Normal

GLOBAL

to

set

the

point

value,

the

a

toggle

which

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set

to

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keys

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note

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effect

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when

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period

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time

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longer

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set

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are

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useful

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RATE

parameter

foscillation.

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The

[WAVEFORMS]

Triangle

Saw

Square -produces

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i

is

used

higher

the

-

produces a smooth

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frequency.

to

set

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faster

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pitch

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rise

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pitch

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between

and

down

pitch

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down

from

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original

variation.

fundamental

above

pitch

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frequency.

to

the

fundamental

pitch.

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OCTAVE

OCTAVE = -2/

68

OCTflUE=

This

function

which

is

used

modules

tave

(A4=442Hz).

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can

in

(M1~M8)

for

all 8 modules

raise

or

1-octave

9

features

to

raise

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1"

for

the

lower

the

increments.

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only

one

parameter

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overall

globally.

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at

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assuming

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octave

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octave

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8

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pitch

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).

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of 2 octaves,

Mode

Keyboard

Guitar

Wind

08

OCTnUE=+l

--CURSOR-VALUE

Domain

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GLOBAL

B

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09

AMP

ENV

(DCA)

Functions

11,

17,19

Parameters

R1-R8

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SS=SUSTAIN

ED = END

99

RMP

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use

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all

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ENU

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and

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volume

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RATE

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point

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STEP

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R4=60

8

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attack

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EXT

PHASE

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timbre

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step

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of

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at

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the

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fiMP

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delete

move

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key

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hold

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copy

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destination

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Note

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L8= 0 ED

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function

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module,

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detune

the

WRITE

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data

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module.

the

module

RATE)

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key.

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point

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step

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key

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11,

12,

module,

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specifications

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WRITE

for

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reset

to

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as

are

Normal

MODULAR

step

(1

through

press

the

returns

INITIALIZE

specifications

the

selected

of

the

selected

want

to

copy

then

press

the

module

is

carried

14,

17)

is

first

select

key

the

well

as

initialized.

7),

sim

NO

(VALUE

to

step 8 auto

functions

from

one

module

and

the

module

from.

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the

MODULE

you

want

out,

complete

copied

into

the

VOICE-09

you

want

and

then

press

and

VOICE-19

values.

AMP

ENVE

enabled

steps

to

in

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a

sustain

point,

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ED

point

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key.

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step,

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press

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YES

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in

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step,

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in

the

DCA

envelope,

step

8.

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end

point

subsequent

steps

will

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key

press

the

NO

the

end

can

be

moved

automatically

•34-

10

.

Parameters

ENV

DEPTH

(DCA)

O/S

EDIT—DOWN"

VOICE—09,

11

PAGE—CURSOR—VALUE

Domain

11

P'iP

iii-i

10-ENU

DEPTH

DEPTH=99

This

function

the

DCA

VOICE-09

no

direct

or

lowers

volume

er

the

modules

«:■

;,•,.••

lets

envelopes

(DCA

effect

its

overall

level

of

the

ENV

DEPTH

independently.

,i.

}:■■ ■ •.

ENV DEPTH = 0-99

Ml

you

raise

or

lower

the

for

all 8 modules,

Envelope).

on

the

"level".

selected

level.

Note

actual

envelope,

Simply

module

is

Settings

■

•

that

speaking,

decreased

can

entire

contour

created

this

function

but

simply

the

overall

as

you

be

made

for

.

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of

using

has

raises

low

all

8

Mode

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envelope

set

using

envelope

level

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in

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parameters)

shifted

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fie-.

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parameters

1

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MCE-10.

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i

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LEVELS

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in

this

function

(KF)

affects

using

the

parameters

unit

features 6-step

can

be

set

CURVE.

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fn

VOICE-09

are

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to

determine

the

DCA

envelope

in

VOICE-09

keyboard

at 6 points

envelope

follow,

in

set

LEVEL

how

(loud-

and

which

the

KEY-

The

settings

way

(VOICE-05).

MODULE

for

this

function

is

in

the

DCO

But,

DCA

independently.

are

made

in

(pitch)

KF

LEVEL

-KEY

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LEVEL

can

CURVE

exactly

the

same

function

be

set

for

each

r

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contour

decreased

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0

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•36-

12

VEL

LEVEL

(DCA)

Functions

10,

EFFECT—14

11

13

SENS

CURVE=1~8

12

UEL

LEUEL

SENS=15

This

function

to

contour

er)

envelope's

words,

determine

given

module

The

CURVE

different

velocity

lets

you

of

"0",

to

velocity

maximum

features

the

key-touch

level,

these

settings

how

responsive

will

parameter

velocity

control

over

select

values

the

selected

control

sensitivity.

Parameters

(SENSITIVITY)

=

0-31

Ml

Amp,

2

basic

parameters

control

over

the

for

each

module

—

SENSITIVITY

the

be

to

key

lets

curves,

which

time.

The

between

module

message. A setting

(Ml

waveform

touch

you

produced

dynamics.

choose

determine

SENSITIVITY

"0"

and

"31".

will

be

totally

of

O/S

SENS-10

envelope

with

weak

attack

which

are

used

DCA

(amplifi

~M8).

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other

and

CURVE

from

the

contour

by

any

of

—

any

8

of

parameter

At a setting

unresponsive

"31"

indicates

EDIT—

Mode

Keyboard

Guitar

Wind

Amp.

envelope

with

strong

attack

Amp,

envelope

with

weak

attack

The

CURVE

velocity

These

curves

with

key

Notice

one

module

differently

Note

that

mode

in

(KF.

ENV.)

parameter

curves

(contours)

determine

velocity.

that

if

you

choose — for

and

curve 8 for

according

the

degree

VOICE-10

Domain

is

as

how

the

another,

to

the

of

this

effect

(AMP

ENV)

—CURSOR—VALUE

Normal

MODULAR

used

to

select

one

of

shown

in

the

figures

amplitude

actually

example — curve 7 for

each

will

sound

velocity

message.

is

dependent

as

well

on

as

in

VOICE-11

the

8

below.

changes

quite

settings

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<.volume

13

TRI

WflUI

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fects

the

character!

to

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settings

made

control

tings

create

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ofthetren

DOWN,

fc

ind<

th<

in

th

anc

WAV

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for

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ch

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SENS

/_

Velocity

=

SENS

SENS = 0

"31

SENS

=

SENS = 3!

SENS = 3I

3

t—/—,

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MINi

SENS = 3!

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MAX

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SENS = 31

—►SENS

MAX

I

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can

us

|tremolo

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os<

value,

t

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level

b

Functions

-09,

10,

11

FECT-14

13

TREMOLO

VOICE—14

113

one

of

the

8

figures

below.

$

dually

changes

—

curve 7 for

viil

sound

quite

lent

on

set

tsinVOICE-1

Parameters

WAVE = TRIANGLE/SAW

DEPTH = 0-99

RATE = 0~99

DELAY = 0-99

MULTI = ON/OFF

TREMOLO

WflUE=TRIflNGLE

>lo

is a form

thc

DCA

ite a "tremolo"

for

parameters

independently

the

depth

i*

in

the

TREMOLO

and

control

fAVE

tremolo

SAW

details

changes.)

use

{.oscillation

""

the

SAW

DOWN/SQUARE

13

DEPTH*14

of

low-frequency

to

produce

The

parameters

for

of

each

the

parameter

oscillation.

UP,

and

on

how

the

DEPTH

(how

deeper

the

,

no

tremolo

'ore

altering

cyclical

in

effect

globally.

in

VOICE-14

each

module.

module

function

"actual"

lets

TRIANGLE.

various

strong

tremolo

will

independently,

(VOICE-13)

tremolo

you

choose

There

are 4 —

types

parameter

the

effect.

be

generated.

other

parameter

TREMOLO

oscillation

changes

this

Note,

(AMP

This

the

(See

of

to

tremolo

O/S

UP/

which

af-

The

in

volume

function

SQUARE,

waveforms

set

(If

are

however,

SENS)

can

allows

you

while

are

used

oscillation.

basic

waveform

information

affect

the

"depth"

is).

The

larger

this

parameter

Be

sure

to

settings.)

tremolo

used

tremolo

that

be

The

to

from

set-

oscillation

to

lay

The

to

SAW

tremolo

be-

sages are

dent

of

parameter

of

all

received

raise

EDIT—^^—PAGE—CURSOR—VALUE

Domain

Mode

Keyboard

Guitar

Wind

SQUARE

RATE

DELAY

before

MULTI

either

(not

messages

keys,

parameter

oscillation.

effect.

initial

key

begins.

tremolo

ON

effect

received,

synchronized

received

is

regardless

(in

unison

The

parameter

depression

The

larger

is

applied.

parameter

or

is

set

features

OFF.

When

engaged

so

that

with

previously

to

OFF,

of

or

independently).

is

used

higher

is

used

to

until

the

MULTI

independently

each

note's

tremolo

or

tremolo

when

the

Normal

GLOBAL

to

set

the

"speed"

the

value,

the

faster

set

the

period

of

the

point

where

tremolo

value,

the

longer

the

a

toggle

which

can

is

set

to

ON,

as

Note

On

tremolo

delay

subsequently).

oscillation

note

is

indepen

and

oscillation

When

is

synched

on

messages

of

the

time

de

be

set

the

mes

this

for

are

|H

REFORMS]

-

produces

Up -produces

r

Down -produces

-

produces

a

smooth

a

repeating

a

repeating

an

"on

"pulsating"

rise

and

then

volume

"swoop"

and

off"

volume

shift.

cutoff

in

volume.

down

in

volume.

characteristic.

•38-

AMP

SENS

(DCA)

Functions

VOICE-13

19

::•

J

15

SENS

14

flMP

SENS

SENS=0

This

function

TY,

which

sitivity"

to

the

TIVITY

the

effects

(Related

VOICE-13

EFFECT-03

EFFECT-04

EFFECT-05

EFFECT-06

EFFECT-03

EFFECT-04

EFFECT-05

EFFECT-06

EFFECT-19

features

is

set

independently

level

determines

effects

listed

determines

have

in

Functions)

TREMOLO

DCA

DEPTH

Parameters

(SENSITIVITY)

=

0-7

Ml

only

one

parameter,

for

each

module.

how

"sensitive"

below.

(Or,

in

simpler

the

degree

of

"depth"

the

specified

ENV

module.)

DEPTH

BIAS

(After

BIAS

(Modulation

BIAS

(Definable

BIAS

(Foot

(Total

Tremolo)

(After

(Modulation

(Definable

(Foot

SENSITIVI-

This

"sen-

each

module

terms,

or

"strength"

Touch)

VR)

Touch)

Control)

VR)

is

SENSI

Wheel)

Control)

Wheel)

O/S

14

flMP

EDIT—

Keyboard

Guitar

Wind

SENS-7

When

SENSITIVITY

fects

listed

sound.

At a value

Mode

SENS

below

Domain

M2

is

set

will

not

of

"7",

—CURSOR-VALUE

Normal

MODULAR

B

to a value

affect

the

of

"0",

the

specified

effects

will

the

all

ef-

module's

be

strongest.

15

TOTfit

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This

functio

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which

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of

the

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usec

unit

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•39-

Functions

O1CE-13

03-06,

19

15

TOTAL

LEVEL

(DCA)

-VATUE

lal

LAR

",theallef-

ed

module's

)e

strongest.

Parameters

LEVEL = 0-99

15-TOTflL

LEUEL

LEUEL=65

This

function

which

of

the

features

is

used

to

unit

(for

control

all

modules,

only

one

the

overall

M1~M8).

parameter,

amplitude

TOTAL

(volume)

O/S

LEV,

level

EDIT—gg^j-PAGE—CURSOR—VALUE

Domain

Mode

Keyboard

Guitar

Wind

15

TOTflL

LEUEL

Normal

GLOBAL

LEUEL=99

This

parameter

imum

possible

volume

—

even

mum

amplitude

of

"99".

acts

as a "governer",

volume

level

control.

when

With a value

the

volume

level

can

which

can

of

"0",

slider

is

set

be

selected

controlling

be

no

to

MAX.

by

the

attained

inputting

with

sound

is

The

max-

the

output

maxi

a

level

•40«

16

KF RATE

(DCO/DCA)

Functions

05,

09,

11

KEY

R1-R6

16

KF

KEY1=C1

This

used

is

and

you

in

the

time)

These

lopes

RflTE

Rl=22

function

to

directly

VOICE-11).

can

the

RATE

for

(VOICE-03

features

create a KEY

specify

curve(s).

(remember,

each

settings

are

Parameters

l~KEY6 = C0~C9

(RATE)

a

FOLLOW

to

the

KF

Notice

KEYs

The

KF

rate

point

in

global,

and

VOICE-09).

= 0-99

total

of 6 "POINTs",

LEVEL

that

with

and

LEVELs

RATE

function

and

the

curve.

affecting

CURVE.

the

level

attDCO

This

functions

(VOICE-05

LEVEL

together

functions,

for

each

is

used

and

DCA

O/S

16

KEY6=F7

In

which

are

function

POINT

to

specify

determine

enve

steps

or

"decay"

is

low,

VOICE-03

EDIT—

Mode

Keyboard

Guitar

Wind

KF

RflTE

R6=99

where

the

is

effected.

the

rate

of

and

VOICE-09.

—CURSOR—VALUE

Domain

rate

value

is

higher, a rapid

In a position

the

envelope

Normal

GLOBAL

where

is

equal

"attack"

the

rate

value

to

that

set

in

(DCO)

(DCA)

KEY

Setting

Range

17,

18,

19

VEL

Parameters

RATE

(DCO/DCA)

0/S

VOICE—03,

18;

VOICE-03,

19;>VOICE-09,

EDIT—5£^j-PAGE—CURSOR—VALUE

Functions

09,

18,

19

17

^^

r

17

(VEL

RATE

SENS

(SENSITIVITY)

CURVE=1~8

18

(P

VEL

ENA=E/*

19

(A

VEL

ENA=E/*

17

UEL

RflTE

SENS=15

This

function

trol

velocity

envelopes

While

ules),

or

disabled

envelopes.

Within

SITIVITY

When

be

disabled

lope

rate

is

played

The

CURVE

different

The

horizontal

additive

creased,

increased

features

RATE,

created

the

velocity

RATE

you

can

choose

for

each

function

No.

and

CURVE

SENSITIVITY

entirely.

becomes

with a

strong

parameter

VELOCITY

axis

values

to

the

rate

of

further.

SENS)

=

:0~31

RATE)

SENS

18 P UEL

ENfl=E*E

parameters

in

correspondence

using

VOICE-03

setting

whether

step

17

("VEL

parameters

is

set

As

SENSITIVITY

more

acute

(fast)

lets

RATE

of

the

VELOCITY

the

rate

steps

in

which

are

with

and

VOICE-09.

is

global

(affects

RATE

control

in

both

the

DCO

RATE

SENS"),

can

be

to a value

curves,

of

"0",

is

when

the

external

attack

(high

you

choose

as

diagrammed

raised,

CURVE

parameter.

the

envelope

As

(DCO/DCA)

RflTE

Pitch

envelope

with

strong

used

to

con

To

ENABLE

DCO

and

DCA

all 8 mod

is

enabled

and

the

SEN

selected.

velocity

the

keyboard

"velocity").

from

one

below.

represents

the

value

in

the

position

able,

set

less

displayed.)

DCA

lope

(The

Within

whether

dividual

will

is

set

enve

of

is

in

are

8

module

To

ENABLE

simply

press

Notice

to

the

"E"

Mode

Keyboard

Guitar

Wind

—\ / \

attack V V

envelope,

simply

changes

rate

using

the

step

which

/

(make

effective)

simply

and

press

the

press

the

than 8 steps,

If

of

function

or

not

steps

the

parameter

as

illustrated

steps 1 and 4 become

No.

19

the

VEL

of

the

VOICE-09.

(M1-M8)

move

YES

NO

that

display.

individually.

the

VEL

the

cursor

key

("E"

key

("*"

there

are

Note,

corresponds

Domain

17

1

18

J

19

fl

UEL

ENR=E*E

the

VEL

RATE

move

the

cursor

YES

key

("E"

is

displayed).

NO

key

("*"

is

displayed).

following

in

("A

VEL

RATE

AMP

ENV

These

RATE

to

the

is

displayed).

is

displayed).

no

identifying

however,

to

END

is

set

as

in

FIG-C,

with a strong

acute).

RATE"),

curve

(DCA

settings

can

for

any

step

desired

To

"numbers"

that

each

active

Normal

GLOBAL

MODULAR

RflTE

Ml

for

any

step

to

the

desired

step

To

dis

(If

you

POINT

FIG-B,

will

envelope)

be

in

step

there

step

are

not

the

enve

attack

you

can

specify

affect

the

in

which

made

for

each

the

envelope,

position

disable,

and

simply

assigned

are

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or

position.

Within

function

whether

dividual

is

set

using

This

setting

No.

or

not

the

steps

of

the

VOICE-03.

is

global,

[CURVES]

18

("P

VEL

RATE"),

VEL

RATE

curve

PITCH

SENS-31

ENV

(DCO

affecting

all 8 modules

SENS-0

SENS«=0

you

can

specify

will

affect

the

in

envelope)

which

(Ml

~M8).

SENS = 31

SENS«0

SENS

=

SENS

MIN

SENS = 31

SENS = 0

«"-->*

SENS

MAX

8

SENS

XSENS=O

SENS

MAX

•42-

VOICE

NAME

21

28

NfiME

fi-1:

This

function

created

using

Parameters

Alphabet = A~Z

Numeral = 0-9

Marks = " ♦ ",

"-'

PST1

is

used

to

assign a name

other

VOICE

menu

to the

"patches"

functions.

O/S

EDIT—DOWN~~

Mode

Keyboard

Guitar

Wind

20

NflME

PAGE—CURSOR-VALUE

Domain

PSTi

fl-l:SYNTH-UQICEl

B

The

names

you

choose

may

bers,

and

may

be

up

to

Character

alphanumeric

cally

input

characters

by

holding

is

carried

either

contain

12

out

and

VALUE

both

characters

using

the

marks

being

key

down.

Normal

GLOBAL

letters

and

num-

in

length.

VALUE

keys,

displayed

cycli

with

21

INIT

*

EXECU1

[Thisfunctio

I

ijfy

executing

■

internal

t

once

key

function

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key

I

The

I

tings

194,

men

initializ

indicate

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to

i

and

the:

display;

will

all

of

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:

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■

•43-

Functions

21

INIT

VOICE

rs

and

num-

gth.

E

keys,

with

played

cycli-

Parameters

EXECUTE?

PUSH

YES

UOICE

EXECUTE?

j

function

>y,

executing

1

memory's

|once

initialization

^indicator

on

1

j^and

then

3

display

5

will

Lof

this

(YES)

is

used

to

this

function,

COMPARE/RECALL

is

completed,

comes

ON,

has

not

already

to

the

[EXECUTE?]

press

it

once

appears

as

in

all

be

reset

to the

manual.

intialize

FIG-B.

o/s

(YES)

KEY!

all

VOICE

initialized

the

COMPARE/RECALL

if

the

COMPARE/RECALL

been

selected.)

prompt

again

to

execute

Parameter

initialize^values

MENU

data

is

loaded

area.

by

pressing

initialization.

values

shown

data.

to

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(Note

that

the

YES

and

set-

on

page

EDIT—DOWN""

Mode

Keyboard

Guitar

Wind

21

INIT

UOICE

PUSH

YES

PAGE—CURSOR—VALUE

Domain

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GLOBAL

KEY!

•44-

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89

MIDI

CHRNNEL

CHRNNEL=

The

MIDI

CHANNEL

receive

channel

MAL

mode,

Note

that

(MIDI

CHANNEL)

or

COMBI

channel

for

COMBI

if

function

mode,

using

TOTAL-04.

Parameters

CHANNEL=1~16

MIDI

1

function

the

basic

mode

04

in

is

set

it

will

CHRNNEL=

is

used

operating

and

the

to

ON

be

impossible

modes — the

MULTI-CH

TOTAL

in

either

MIDI

Rl:8:

CHANNEL

1

to

assign

the

MIDI

NOR

mode.

CONTROL

the

to

menu

NORMAL

set

the

MIDI

O/S

Mode

K

W

89

EDIT—PAGE—CURSOR—VALUE

Normal

GLOBAL

MIDI

CHRNNEL

-TOTRL=ON

It's

important

function

parameter

Notice

is

displayed

not be

changes

tered

(the

the

number

In

the

and

MIDI

trated

to

remember

is

held

in

settings.

that

in

the

"G"

as

shown

moved.

MULTI

in

Notice

automatically

number

on

the

on

CH

channel

FIG-B.

Combination

4

mix/split 8 mix

GLOBAL

MIDI

CH

1-

Operation

Performance

in

FIG-D,

also

when

the

right

left).

mode,

are

all

CHRNNEL* 1-6

that

the

channel

Memory

Mode,

however

that

the

number

the

number

being

5

"strings"

the

Area

Number,

shown

on

Functions

TOTAL—04

Multi

CHRNNEL

set

using

along

with

the

parameter!

the

cursor

on

the

on

the

left

higher

polyphony

the

display,

channel

AREA

this

other

can

right

j

is al

than]

I

as

illus-1

01

8

To

select

the

Area

Number,

MIDI

channel

tomatically

number

when

the

use

on

the

upper

Area

Number

the

PROG

right

side

is

altered.

NO

keys.

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changes

au-|

Functions

OTAL—04

01

PORTAMENTO/SOLO

HflNNEL

= 1-6

D

it

using

this

with

other

2

parameter

cursor

can-

>n

the

right

le

left

is

al-

higher

than

polyphony

ay,

as

illus-

Dkt

changes

i.

.he

au-

Parameters

PORTAMENTO = ON / OFF

PORTM

[Guitar]

81

SOLO = ON/OFF

POLY / MONO = POLY/MONO

PORTM/SOLO

TIME = 0-99

MODE=TIME

PORTRMEHTO=ON

The

parameters

control

built-in

The

PORTAMENTO

which

is

OFF.

NOTE:

"ON",

in

TOUCH,

The

PORTM

time"

between

the

pitch

sage

received.

longer

the

Note

that

portamento

on

the

patch

The

PORTM

"constant"

parameter

pitch

to

the

distance

in

this

function

portamento

parameter

used

to

turn

the

portamento

The

PORTAMENTO

order

to

control

MOD

WHEEL,

TIME

parameter

notes — in

to

"glide"

The

portamento

even

when

effect

or

sound

MODE

which

is

set

to

glide

between

other

from

higher

time.

the

PORTM

can

affect

which

parameter

portamento

TIME

notes

the

portamento

DEF

one

the

CONST,

notes.

CONST/

RATE

CONST

01

PT/S

H+2

PORTflMENTO=ON

are

used

to

establish

and

"solo"

effects.

is a "toggle"

effect

simply

parameter

CONTROL

determines

words,

note

value

TIME

the

overall

is

being

determines

is

constant — regardless

(FIG-E)

must

time

using

or

the

"portamento

the

time

to

the

this

parameter,

is

set

sound,

edited.

based

on.

the

time

required

and

(or

switch)

ON

or

be

set

to

AFTER

FOOT

VR.

that

it

takes

note

mes

the

to

"0",

the

depending

whether

When

the

this

for

of

O/S

EDIT—PAGE—CURSOR—VALUE

Domain

Mode

Normal

K

GLOBAL

W

01

PORTM/SOLO

4

mix/split 8 mix

PATCH

GLOBAL

POLY/MOHO=MOHO

The

SOLO

parameter

the

solo

function

note

priority"

than

one

note

the

only

the

last

When

the

SOLO

fect

can

only

played

without

When

the

"G"

tamento

With

function

SOLO

parameter

independently

With

SOLO

parameter

only

when a NOTE

ous

NOTE

message

MIDI

channel

The

POLY/MONO

formance

polyphonically

played

to

ed

Mode.

during

MONO,

only

notes

monophonically.

is a toggle

ON

or

OFF.

effect.

When

on

message

one

received

parameter

be

attained

breaks

in

performance

operates

OFF:

for

each

MIDI

ON:

ON

message

is

still

(string).

parameter

When

set

through

"release"

each

time).

through

Combination

GLOBAL

91

PT/S

fll:4:

PORTflMENTO=OH

which

can

be

used

The

solo

function

this

function

is

received,

to

is

set

by

legato

between).

mode

as

follows;

Portamento

channel

Portamento

is

ON

Oegato

can

to

POLY,

MIDI

When

each

MIDI

v

is

ON

the

system

sound.

to

ON,

Portamento

performance

is

selected,

sweep

(each

string).

sweep

generated

be

channel

while a previ

play),

regardless

set

in

the

notes

(notes

this

parameter

channel

Multi

channel

AREA

1

to

turn

is a "last

and

more

will

cause

ef

(notes

the

por

executed

of

"G"

Per

are

sound

can

be1

is

set

are

sound

,When

the

PORTM

| , CONST,

.constant.

the

rate

(FIG-F)

FIG-E

f-fixedH

MODE

or

"speed"

parameter

of

portamento

FIG-F

is

set

to

glide

becomes

RATE

time

POLY

MONO

OFF

ON

When

PORTAMENTO-related

received,

operations

automatically

OFF

MIDI

mode

switch

messages

to

this

function.

•46-

are

PITCH

BEND

03

ri

I1

r

BEND

RELEASE = ENA/DIS

62

PITCH

BEND

This

function

and

RELEASE — which

external

to

raise

The

BEND

er

the

ternal

minimum

fect

on

can

bend

up

and

The

RELEASE

the

external

sounds

BEND

RflNGE=

features

MIDI

instrument

or

lower

pitch.

RANGE

maximum

MIDI

pitch,

down.

which

limit

instrument,

value

of

while

notes a maximum

parameter

keyboard

are

sustained

Parameters

RANGE=0~48

@2

2

two

parameters

are

pitch

parameter

that

pitch

in

"0",

the

at

the

maximum

lets

pitch

bend

BEND

—

used

to

bend

can

be

used

can

be

half-step

pitch

bend

value

of

48

half-steps

you

choose

wheel

after

the

keyboard

O/S

U+2

RflN6E=

BEND

RANGE

determine

wheel

bended

increments.

wheel

can

how

the

can

be

used

to

raise

or

low

by

an

ex

At

the

has

no

of

"48",

you

(4

octaves),

whether

be

or

not

used

to

bend

is

released.

ef

EDIT—PAGE—CURSOR—VALUE

K

GLOBAL

W

02

PITCH

Normal

BEND

4

mix/split 8 mix

PATCH

GLOBAL

Mode

RELEflSE=ENfl

When

this

parameter

notes

only

before

fore

the

release

When

set

to

ENA

that

is

still

sounding

point

in

DCA

ing

key

on

the

In

the

"G"

performance

sound

programmed

5

MIDI

channels.

be

received

When

received,

by

PITCH

operations

is

set

actually

point

in

(enable),

(portion

curve) — even

external

to

The

pitch

each

string

BEND-related

automatically

Domain

Combination

GLOBAL

02

BEND

to

DIS

(disable),

receiving

DCA

keyboard.

mode,

MIDI

independently.

note

curve).

you

can

of

sound

after

releasing

(FIG-C)

parameters

Channel 1 affect

bend

message,

MIDI

switch

fil:4:

RflNGE=

you

off

message

also

bend

following

the

correspond

however,

mode

messages

to

this

Multi

channel

AREA

1

2

can

bend

(be

any

note

the

release

set

for

the

other

can

are

function.

SENSITIVIT (NORMAL,

'

CHANNEL

\

(COMBINAT

VIB

DEPTH

VIBRATE = «

03

RFTER

SENS=2

This

function

MIDI

controll

is

used

to

cor

TheSENSHT

sitive"

the

is

high

amount

are

ter

In

the

a

range

input,

The

I

you

message

;■

Note

using

I

the

which

already

function),

AFTER

vibrato

ter

|The

1

1VIB

)N:

}FF:

IB

DN:

PITCH

-ON:

DFF:

RTM

FF:

ext

(at a le

of

pn

being

com;

touch

func

COMB!

of -S

after

to

other

pan

determine

(and

that

these

after

touc

effects

"de

are

alreac

set a \

so

vi

TOUC

depth

touch.

following

various

DEPTH

Vibrato

RATE

Vibrato

i

PORTM

v

<

so

:

d

After

toi

=

ri

After

toi

BEND

Pitch

b(

"99")

After

toi

Pitch

be

bend

ran

TIME

t

PORTM

•47«

03

AFTER

TOUCH

VOICE-14

Parameters

SENSITIVITY

(NORMAL,

CHANNEL)=0-99

(COMBINATION)

VIB

VIBRATE=ON/OFF

83

MULTI-

=

-99-

DEPTH=ON/OFF A ENV

flFTER

TOUCH

+99

SENS=28

This

function

MIDI

is

used

The

SENSITIVITY

sitive"

is

high

amount

are

being

ter

touch

In the

a

range

input,

The

other

you

determine

message

Note

using

the

effects

which

already

function),

:

AFTER

|

vibrato

:ter

touch.

if

|The

following

ftrol

various

|VIB

|ON:

^OFF:

|>ON:

F:

-ON:

F:

jhON:

DRTM

F:

is

used

to

specify

controller

to

the

(at a level

COMBINATION

after

that

after

are

"after

control.

external

of

pressure

controlled

function

touch",

parameter

controller

of

"99",

on

the

by

after

is

totally

mode,

of

-99

to

+99

touch

parameters

which

(and

how

these

effects

touch.

"deeper"

already

set a VIB

so

vibrato

TOUCH

depth

will

chart

sound

(FIG-Q.

is

inversed.

in

this

effects

they

will

may

In

this

case,

or

"stronger"

engaged.

DEPTH

is

engaged

"VIB

DEPTH"

be

increased

lists

how

effect

and

is

for

example),

key

touch.

non-operational.

function

will

be

already

after

For

value

after

functions.

DEPTH = ON/OFF

Vibrato

depth

set

in

VOICE-07

After

touch

message

RATE = ON/OFF

Vibrato

rate

set

After

touch

message

BEND = -

Pitch

bent

"99")

After

Pitch

l

bend

down

touch

message

bent

up

range

does

TIME = ON/OFF

:

PORTM

time

PORTM

time

does

in

VOICE-07

does

ON/OFF/ + ON

(max = 1

does not

(max = 1

not

correspond

set

in

EFFECT-01

is

not

affected

PITCH = +

PORTM

TREM

63

ON / -

TIME=ON/OFF

DEPTH = ON / OFF

RATE=ON/OFF

BIAS=ON/OFF

flFTR

H+2

SENS=+28

the

sensitivity

the

used

to

after

to

engage

At a level

you

can

When

be

controlled

affected).

be

engaged — even

touch

than

example,

in

VOICE-07

in

your

parameter

even

further

touch

of

effects

that

determine

touch.

it

only

the

effect(s)

of

set

this

negative

are

toggles,

by

can

be

the

normal

let's

assume

patch.

If

ON,

when

can

be

increased

not

control

vibrato

increased

not

control

octave

by

vibrato

with

affect

pitch

with

sensitivity

to

EFFECT-02

is

increased

after

touch

O/S

ON / OFF

Mode

G

W

an

external

after

how

If

sensitivity

takes a small

which

"0",

the

parameter

values

which

after

without

used

to

settings

you

(VIBRATO

you

turn

then

you

use

used

to

depth

rate

Note

touch

PORTM/SOLO

parameter

"sen

TREM

ON:

OFF:

TREM

af

ON:

OFF:

in

are

AMP

ON:

let

OFF:

In

make

differently

curve

have

touch

Notice

the

"92"

the

af-

con-

Note

BIAS

that

Tremolo

Amplitude

sage,

the

in

and

dently,

dent

sensitjvity

of

"99")

setting.

settings

the

above

♦1

In

only

fect

♦2

In

ITY

message

the

EDIT—PAGE—CURSOR—VALUE

Domain

Normal

GLOBAL

PORTM

function

is

first

set

DEPTH = ON/OFF

depth

RATE = ON/OFF

rate

Tremolo

ENV

Amplitude

message

characteristics

rate

BIAS = ON/OFF

envelope

with

max.

envelope

"W"

Performance

than

with

FIG-D

shows

the

changes

"99"(FIG-E).

Combination

4

mix/split 8 mix

PATCH

TIME

can

to

"ON".

set

in

is

not

set

in

VOICE-13

is

not

affected

bias

level

bias

the

other

how

the

when

set

in

these

For

PATCH

PATOi*2

(EFFECT-01)

VOICE-13

affected

as

Mode,

between

characteristics

further

*2

M1N

MIDI

only

be

set

by

is

by

increased

set

in

VOICE-09

is

not

affected

aftertouch

two

performance

SENS

parameter

values

details,

DATA

to

is

increased

after

increased

after

by

FIG-E

<

SPECIAL

AFTER

TOUCH

that

TREM

can

be

DEPTH,

set

(AMP

also

affect

parameters.

"K"

PITCH

patches

only

mode,

(BEND)

(1~8)

"G"

or

the

PORTAMENTO

(1-8)

levels

in

VOICE-14

COMBI

the

COMBI

of

patches

SENSITIVITY

SENSITIVITY-92

MIDI

DATA

TREM

for

each

SENS).

after

touch

ON/OFF

and A ENV

independently.

"W"

mode,

globally.

92 -99

•SENSITIVITY=:99

RATE

module

(Ml

Naturally,

message

and

BIAS

ON/OFF

TIME

Multi

channel

AREA

SENSITIVITY»O

•SENSITIVITY

-99

(K, 6 mode)

-91

(W

mode)

►MAX

"ON"

when

the

"Portamento"

touch

message

touch

message

after

touch

mes

by

after

touch

reacts

slightly

modes.

affects

of

"0"

between

refer

The

after-

and

"91".

values

to

page

12.

Cd

of

I

S

>

and

AMP

ENV

~M8)

indepen

these

characteristics

SENSITIVITY

indepen

for

parameter

and

SENSITIV

parameter

of

af

affect

•48-

04

MOD

WHEEL

VOICE—14

05

Parameters

SENSITIVITY

(NORMAL,

CHANNEL)=0~99

(COMBINATION)

VIB

84

MULTI-

=

-99-

DEPTH=ON/OF? A ENV

RATE=ON/OFF

MOD

WHEEL

+99

SEN§=50

The

parameters

fects

that

control

implementation

DEFINABLE

change

These

parameters

EFFECT-03

ing

that

MIDI

control

wheel,

instead

For

details

TOUCH".

in

this

function

will

be

controlled

No. 1 message

chart) (or

WHEEL 1 message).

(AFTER

the

effects

change

of

on

these

by a modulation

when

are

exactly

TOUCH) — the

are

controlled

No. 1 message

After

Touch

parameters,

PITCH=

PORTM

TREM

84

+ON/-ON/OFF

TIME=ON / OFF

DEPTH=ON/OFF

RATE=ON/OFF

BIAS=ON/OFF

MOD

i+2

SEHS=+50

are

used

to

specify

wheel

(see

accompanying

connecting

the

same

as

those

only

difference

during

performance

using a modulation

(both

can

be

used...).

see

"EFFECT-03

B

the

ef

or

MIDI

to

VZ-1,

set

in

be

by

AFTER

O/S

Mode

K

W

vz-i

DEF

Note

BIAS

dently,

these

No. 1 message

♦1

In

of

fect

♦2

In

SITIVITY

parameter

EDIT—PAGE—CURSOR—VALUE

Normal

GLOBAL

WHEEL

1

that

TREM

levels

can

be

in

VOICE-14

independent

control

COMBI

only

COMBI

"K"

the

PITCH

to the

patches

"G"

of

affect

Domain

Combination

4

mix/split 8 mix

PATCH

DEPTH,

set

for

each

(AMP

settings

of

mode,

COUPLE*!

COUPLER

TREM

RATE

module

SENS).

also

affect

the

above

ON/OFF

and A ENV

in

couples.

or

"WV

only

the

patches

(1&5,

mode,

PORTAMENTO

(1-8)

Mult!

channel

I

AREA

and

AMP

ENV

(Ml ~ M8)

As

with

MIDI

parameters.

and

BIAS

ON/OFF

indepen

after

touch,

control

change

]

SENSITIVITY

parameters

2&6,

3&7,

and

]

af

4&8)

I

SEN

TIME]

globally.

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A

Functio

voice-i;

DEF

CONTROL

VOICE—14

Multi>$

Parameters

,

MULTI-

L)=0~99

\TION)=

-99-

+99

I=ON/OFF A ENV

\TE=ON/OFF

DEF

CONTROL

^parameters

Ithat

-

31

parameters

\

that

{MIDI

r

details

JCH".

in

this

function

will

be

controlled

messages

BLE

T-03

the

'

Touch

(for

chart),

WHEEL 2 message.

are

(AFTER

effects

are

Control

message

on

these

by

details

or

when

exactly

TOUCH) — the

controlled

change

No.

or

parameters,

PITCH=

PORTM

TREM

+ON/-ON/OFF

TIME=ON / OFF

DEPTH=ON/OFF

RATE=ON/OFF

BIAS = ON/OFF

05

DEF

0+2

SENS=+50

are

used

to specify

MIDI

Control

see

accompanying

connecting

the

same

during

12-31

modulation

see

"EFFECT-03

change

MIDI

to

as

those

only

difference

performance

messages,

wheel

message.

O/S

Mode

K

W

vz-i

DEF

the

VZ-1,

set

instead

AFTER

Note

ef-

BIAS

No.

dently,

im-

these

No.

(The

TOTAL-05,

in

be-

♦1

by

♦2

EDIT—PAGE—CURSOR—VALUE

Normal

GLOBAL

WHEEL

2

that

TREM

levels

can

in

VOICE-14

independent

12-31

MIDI

In

COMBI

of

only

the

fect

to

the

In

COMBI

SITIVITY

parameter

4

PATCH

DEPTH,

be

set

for

(AMP

settings

message

control

the

MIDI

"K"

mode,

PITCH

patches

"G"

or

of

only

affect

the

Domain

Combination

mix/split 8 mix

COUPLE*!

COUPLE*2

TREM

RATE

and

each

module

SENS).

also

affect

control

change

DATA

ON/OFF

and A ENV

in

couples.

"W"

the

patches

(Ml

~M8)

As

with

MIDI

Control

of

the

above

number

function.)

mode,

PORTAMENTO

(1-8)

can

and

SENSITIVITY

BIAS

parameters

(1&5,

2&6,

ON/OFF

globally.

Multi

channel

AREA

AMP

ENV

indepen

after

touch,

change

parameters.

be

using

af

3&7,

4&8)

and

SEN

TIME

Si

•50-

06

FOOT

VR

VOICE-14

07

Parameters

SENSITIVITY

(NORMAL,

CHANNEL)=0~99

(COMBINATION)

VIB

VIBRATE=ON/OFF

66

MULTI-

=

DEPTH=ON/OFF

FOOT

-99-

UR

SENS=58

The

parameters

fects

that

4

message

or

when

ble

resistor" — Foot

These

parameters

EFFECT-03

ing

that

No. 4 messages,

in

this

function

will

be

controlled

(see

accompanying

connecting

the

effects

to

VZ-1,

VR)

are

exactly

(AFTER

TOUCH) — the

are

controlled

instead

PITCH=

PORTM TREM

+99

TREM

AENVBIAS=ON/OFF

by

MIDI

Foot

message.

of

After

+ON/-ON/OFF

TIME=ON/OFF

DEPTH=ON/OFF

RATE=ON/OFF

vz-i

rear

panel

are

used

to

specify

Control

implementation

Control

the

same

by

MIDI

Touch

("foot

as

those

only

difference

Control

messages.

the

ef

change

No.

chart),

varia

set

in

be

change

O/S

Mode

W

For

details

TOUCH".

Note

BIAS

dently,

these

No. 4 message

♦1

In

of

fect

♦2

In

SITIVITY

parameter

EDIT—PAGE—CURSOR—VALUE

Normal

GLOBAL

VZ-1

optional

on

these

that

TREM

levels

can

be

in

VOICE-14

independent

control

COMBI

only

COMBI

"K"

the

PITCH

to the

patches

"G"

of

affect

Domain

Combination

4

mix/split 8 mix

PATCH

COUPLE*!

COUPLE*2

06 F UR

SENS=-20

VP-10/jj

parameters,

DEPTH,

set

for

(AMP

settings

mode,

and A ENV

in

or

only

the

see

"EFFECT-03

TREM

RATE

each

motiule

SENS).

also

affect

MIDI

of

the

above

ON/OFF

couples.

"W"

the

patches

(1&5,

mode,

PORTAMENTO

(1-8)

Multi

channel

AREA

0+2

AFTER

and

AMP

ENV

(Ml -M8)

As

with

parameters.

and

BIAS

ON/OFF

globally.

indepen

after

touch,

Control

SENSITIVITY

2&6,

change

parameters

af

3&7,

4&8)

and

SEN

TIME

07

FOOT

SI

=SUSTF

The

parameters

fects

that

will

be

sage

number

implementation

sustain-pedal

keyboard.

The

following

utilized;

r

SUSTAIN:

I

T

SOSTENUTO:

:

DISABLE:

ir

ch

Soui

FOC

recei

I

FOC

Functions

fOICE—14

07

FOOTSW

U+2

29

T-03

AFTER

dAMPENV

M8)indepen-

1

after

touch,

ontrol

change

teters.

ENSITIVITY

>arameters

:6,

3&7,

FF

and

;

af-

4&8)

SEN-

Parameters

FOOT

SW = SUSTAIN

07

FOOT

SW

=SUSTflIN

The

parameters

fects

that

sage

number

implementation

sustain-pedal

keyboard.

The

following

utilized;

SUSTAIN:

'!

SOSTENUTO:

DISABLE:

in

this

function

will

be

controlled

64

(refer

chart).

They

messages

chart

Sound

FOOT

to

lists

what

is

sustained

SW

ON

received.

Sound

is

ON

data

FOOT

SW

ON

sustained

is

SOSTENUTO

DISABLE

VZ-1

optional

SP-2

are

used

to

specify

by

MIDI

control

to

accompanying

are

also

a connected Casio

FOOT

before

message

until

only

received.

data

cannot

change

used

when

SW

messages

or

after

receiving

OFF

message

until

FOOT

be

received.

O/S

Mode W Normal

@7

the

ef

mes

MIDI

sending

MIDI

can

be

the

is

SW

EDIT—PAGE—CURSOR—VALUE

Domain

Combination

4

mix/split 8 mix

GLOBAL

F

SW

fl+2

PATCH

=SOSTENUTO

Multi

channel

AREA

s

•52«

08

VEL

TABLE

SELECT

09

08

UEL

TflBLE

TfiBLE

The

parameter

locity

plished

the

VALUE

By

altering

tually

mitting

can

be

NO.1

at

which

by

selecting

the

"correct"

MIDI

made

Parameters

TABLE

SEL

in

this

function

MIDI

IN

one

of 8 built-in

keys.

MIDI

IN

velocity

or

"modify"

device,

for

from

the

following

No. = 1-

is

used

data

is

received.

"tables"

data,

the

velocity

use

with

8

to

specify

the

This

is

accom

(curves),

it

is

possible

curve

of

the

VZ-8M.

Velocity

Selection

Tables;

O/S

Mode

W

@8

ve

using

to

ac

trans

NOTE;

4.

7.

8.

EDIT—PAGE—CURSOR—VALUE

Normal

GLOBAL

UEL

TflBLE

VELOCITY

5

With

this

er

to

produce

Reversed

Velocity

mode).

totally

4

fil:

HO.8

/

->

IN

VELOCITY

table,

you

sound.

curve

OFF

Domain

Combination

mix/split 8 mix

GLOBAL

[VEL

TABLES]

must

play

with a hard

(For

use with

"W"

Multi

channel

AREA

attack

in

ord-

]

performance]

09

PAN

AREA

ice

rff

FIX:

PANPOT

CONTROL:

I

CONTROL

~

=AFTER/FT

PAN

RANGE

3

PflN

MODE=FIX

The

parameters

the

"panning

ning

position

Output

Depending

channel

<:

Parameters

MODE = FIX/CONTROL/AUTO

l/2=-15~0~ + 15

1/2

(CONTROLLER)

VR/MOD/DEF/

1/2=L/R/C-L/R/C

AUTO:

PAN

1/2=ON/OFF

RATE=0~63

DEPTH=0~31

CONTROL

=AFTER/FOOTVR/

MOD/DEF/OFF

@9

(CONTROLLER)

PflN

PRNP0T2=+15

in

the

PAN

mode",

Channels

on

1

or

as

for

VZ-8M

the

mode

channel

2,

function

well

as

sound

selected,

as

shown

are

used

specify

the

actual

source

outputs 1 and

sounds

are

output

in

the

chart

O/S

Mode

K

W

to specify

L/R

through

below;

Parameters

pan

PANPOT

2.

1

or

with

left,

the

Parameters

CONTROL

device

the

(aftertouch),

(definable

RANGE

troller

ning

FIX

LSPEAKER

EDIT—PAGE—CURSOR—VALUE

Normal

GLOBAL

AUTO

DEPTH

with

1/2:

2.

Note

negative

and

positive

right.

with

to

be

assigned

VALUE

control)

1/2:

will

be

direction.

4

LEVEL

-

controlled

mode

Used

to

that

"0"

values

(up

values

mode

1/2:

Allows

to

keys.

There

FT

VR,

or

Establishes

able

to

Note

that

RSPEAKER

Domain

Combination

mix/split 8 mix

GLOBAL

by

controller

set

specify

is

equivalent

to

(up

set

selection

PANPOTl

are

MOD

PAN.

the

pan

the

|

to

"FIX"

localization

-15)

panning

to

+15)

to

"CONTROL"

5 possible

(modulation

"range"

the

sound,

"C"

CONTROL

LSPEAKER R SPEAKER

from

to a "center"

the

sound

panning

of

the

external

(channel

1

sounds) with

choices,

wheel),

within

which

as

well as

stands

for

Multi

channel

AREA

TIME

OUTPUT

setting,

to

the

sounds

to

control

AFTER

DEF

the

con

the

pan

"center".

8

§|1

Reception

channels

|jJ2

Sounds

if

areas

mance,

C,

l

the

sr,

l

the

[modulation

nual"

in

"G"

between

are

output

1 ~ 4

and

areas 5 -

respectively.

y,

you

must

select

CONTROL

FIX

fixing

CONTROL

1

both

1

of

each

or

AUTO,

mode,

the

PAN

the

position

mode,

by

an

independent

wheel,

panning

during

panpots

channel

performance

MIDI

through

one

function

of

the

each

foot

can

be

over

mode

is

limited

CH

and

MIDI

CH + 5.

channel

8 are

of

"panpot"

of

external

VR,

performance.

programmed

1

and 2 separately

set

for

4-poly

perfor-

three

PAN

"modes"

acts

as a two-channel

for

each

channel,

the

two

panpots

controller,

etc.

This

In

can

such

allows

actual

the

AUTO

to

"pan"

time — automatically.

to

six

—

be

as

the

Parameters

PAN

POT

simply

POT

RATE:

parameter

value,

DEPTH:

used

deeper

CONTROL:

be

In

ning

depth,

as

VZ-8M

with

mode

1/2:

Allows

selection

will

pan

automatically.

turns

the

function

(channel).

Universal

is

used

to

the

faster

panning

Universal

to

set

panning

the

panning

Establishes

used

to

manually

order

to

utilize

in

the

MULTI

the

MIDI

channel

that

set

in

TOTAL-04.

set

to

"AUTO"

of

whether

This

is a toggle

ON

or

OFF

for

both

PANPOT

set

panning

for

both

"speed" — the

is

performed.

channels.

"depth" — the

effect.

the

external

adjust

AUTO

and

external

CH

controller

mode

or

to

of

the

controller

\

VZ-8M

(FIG-C)

or not

selected

PAN

switch

which

for the

selected

PAN

channels.

This

parameter

higher

the

controller

PAN

depth.

to

control

auto-panning

must

This

higher

value,

which

pan

be

the

same

1

i

the

is

the

can

•54<

10

LEVEL

VOICE-15

H

■;■

■il

10

LEU

LEUEL=9'

The

parameters

volume

nation

after

Up

number

ASSIGN

levels

of

Mode.

Naturally,

entering

to 8 "levels"

this

of

patches

specifications).

Parameters

LEVEL = 0-99

/

3+4

in

this

function

the

patches

Mode.

are

set

which

"combined"

this

function

in

this

function,

are

combined

are

used

to

set

in

the

can

only

be

depending

(according

O/S

Mode

K

W

19

LEUEL=85

relative

Combi

accessed

on

to

the

KEY

If

minimum

patch

imum

the

relative

bined

EDIT—PAGE—CURSOR—VALUE

Domain

Normal

LEU

Hls4s

value

will

not

sound,

volume

sound.

level.

volume

Combination

4

mix/split 8 mix

PATCH

1

of

"0"

is

assigned,

while a value

These

levels

of

"99"

settings

all

can

patches

making

the

indicates

be

Muiti

channel

AREA

I

corresponding

a

max

used

to

"mix"

up

the

com

The

POLAR

will

be

The

OCTAV

bined

increments.

raisei

pitch

■1

I1

,

•55«

PITCH

POLARITY=

OCTAVE = 0-5

NOTE = 0-11

FINE = 0-63

11

PITCH 1 /

MTUNE=+1,

^The

parameters

the

pitch

of

in

the

Combination

be

accessed

The

POLARITY

will

be

raised

K

'

The

OCTAVE

bined pitch

increments.

0,7

in

this

all

patches

Mode.

after

entering

parameter

(+)

or

■•■-.

parameter

by a maximum

•

Parameters

+

H+4

function

used

lowered

are

used

to

create

a

"combined

Naturally,

this

is

used

this

mode.

used

to

specify

(-).

......■■

to

raise

of 5 octaves,

to

raise

or

lower

sound"

function

or

can

only

whether

lower

pitch

the

com

in

1-octave

O/S

Mode

K

W

11

The

bined

increments.

The

justments

ing

"fine"

can

EDIT—PAGE—CURSOR—VALUE

Normal

PITCH

TUNE=+2,

NOTE

pitch

FINE

be

fll:4:

9,

parameter

by a maximum

parameter

in

1.6-cent

tuning

adjustments,

created.

Domain

Combination

4

mix/split 8 mix

PATCH

1

0

is

used

to

raise

or

of

1100

cents,

is

used

to

make

"fine

increments

(approximate).

a

"thick"

Multi

channel

AREA

lower

the

com

in

100-cent

tuning"

ensemble

ad

By

mak

sound

•56-

S12

SPLIT

POINT

Parameters

POINT = CO

The

parameters

board

split"

Depending

three

keyboard

tion.

When

only

configurations

parameter — the

When

the

ed,

the

display

three

split

highlighted.

is

to

be

DLE

split

highlighted.

PER

split

in

this

points

in

on

KEY

ASSIGN

split

points

one

split

point

in

FIG-A,

SP

KEY

ASSIGN

appears

points.

Notice

This

indicates

set

for

the

"LOWER"

point,

move

Likewise,

point

can

function

the

Combination

is

this

POINT

configuration

as

in

that

the

cursor

when 3 & 4 are

be

set.

~C9

MIDDLE

SP

r-UPPERS?

r

/ I / J /

are

used

to

Mode.

specifications,

are

assigned

used,

function

parameter.

FIG-C.

area

that

the

split

using

as

in

the

contains

in

FIG-B

In

this

numbers 1 and 2 are

"POINT"

point.

so

that

"2" and "3"

highlighted,

4

specify

"key

either

one

this

func

KEY

ASSIGN

only

is

select

case,

there

parameter

For

the

MID

the

UP

O/S

Mode

K

W

12

P0INT=E3

Key

split

UPPER

or

MIDDLE

LOWER

If

the

ASSIGN

one

contain

"layered"

FIG-D.

To

are

input a split

(SPLIT

the

EDIT

tion

which

VALUE

EDIT—PAGE—CURSOR—VALUE

Domain

Normal

SPLIT

I/i/3/4

Combination

4

mix/split 8 mix

PATCH(Split) ; —

PATCH(Split) i —

12

SPLIT

CHECK

ranges

for

these

split

points

are

SPLIT

POINT=DO -C9

SPLIT

POINT = C#0~B8

SPLIT

POINT = CO

parameters

any

POINT)

in

this

function

configuration

keyboard

without

key.

Next,

contains

keys.

has

split

being

split — the

point,

you

by

pressing

choose a KEY

a

keyboard

(chromatic)

~Bb

8

are

accessed

been

selected

point — when

display

must

first

exit this

the

COMBINATION

ASSIGN

split

point

Multi

channel]

POINT

KEYRSSIGN!

as

shown

below;

J

when a KEY'

which

does

not

patches

appears

by

pressing

are

as

in

function

key

or

configura

the

13

VEL

SPLIT

ALUE

ion

8

SPLIT

ECK

5

are

(chromatic)

B8

j

accessed

elected

—

when

e

display

first

it

point

Multi

mix

channel

POINT

KEYRSSIGN!

as

shown

below;

when a KEY

which

does

not

patches

appears

exit this

TION

N

by

pressing

are

as

in

function

key

configura-i

the

13

RflN6E=

Jhe

parameters

^■velocity

Depending

and

four

parameters.

|

By

'

assigning

Ll ~ 127)

ate

a

isound.

lel

that

or

PUT"

I

KEY

I

patches

(ASSIGN

[(such

Parameters

U-SP

1+2+3+4

RANGE=

1-127

13

1-127

in

this

function

split"

characteristics

on

KEY

ASSIGN

velocity

split

"ranges"

maximum

to

each

patch

in a combined

"velocity

If

is

that

ASSIGN

(such

as

range"

velocity

outside

function,

configurations

"1/3"

message

this

range,

this

function

as

VEL

configurations

as

"

1

+

2"

or

"1/2/3/4").

are

in

specifications,

and

minimum

wherein

is

transmitted

the

differs

SPLIT

containing

or

"

1

/

3

containing

U-SP

RflNGE=

used

the

Combination

are

the

specified

from

can

l+B+3+4

1-127

to

specify

VZ-8M

Mode.

between

assigned

sound,

specified

using

"velocity"

values

you

can

patch

at a velocity

patch

will

the

"KEYBOARD

only

be

used

"layered"

+

4),

as

opposed

only

to

"split"

points

O/S

Mode

K

W

13

If

the

ASSIGN

one

only

these

patches,

If

are

cre

you

will

the

lev-

a

not

patches

keys.

with

( + )

KEY

EDIT—PAGE—CURSOR—VALUE

Normal

U-SP

RRN6E=

parameters

configuration

keyboard

the

you

want

specified

must

first

COMBINATION

KEY

ASSIGN

(for

4

mix/split 8 mix

PATCH(Layered);

PATCH(Layered)

0234B678

1-127

in

this

split

points — without

display

to

in

example,

appears

use

velocity

the

present

exit this

function

key

configuration

"1 + 2")

Domain

Combination

COUPLE

j

COUPLE

13

UEL

CHECK

function

has

are

been

as

in

split

KEY

(VEL

or

the

KEYRSSIGN!

accessed

selected

and

ASSIGN

EDIT

which

by

which

FIG-D.

no

layered

SPLIT)

key.

contains

pressing

Multi

channel

SPLIT

when a KEY

contains

any

"layered"

patches

configuration,

by

pressing

Next,

choose

layered

the

VALUE

•58-

14

VEL

INVERSE

VOICE-12

15

ii:

■

IS'

■

INVERSE = ON/OFF

14

UEL

il+2/3+4

INUERSE=ON

The

parameters

want

to

in

VOICE-12

ing

on

KEY

toggles

are

VERSE

sound.

By

"inverting"

patch,

the

so

that

modules

receiving

nal

keyboard

rate.

In

selected

C.

Note

that

tion,

as

tions

containing

or

"1

/3+4"),

containing

"1/2/3/4").

in

this

literally

function

it

"invert"

for

each

ASSIGN

contained

On

the

VELOCITY

velocity

in a patch

a

fairly

high

attack)

other

words,

patch

is

virtually

this

function

can

only

be

"layered"

as

opposed

only

"split"

Parameters

14

UEL

||234|67£

INUERSE=OFF

function

patch

specifications,

in

or

characteristics

velocity

are

used

let

you

choose

the

velocity

in a combined

this

function,

Off

for

previously

turned

the

velocity

reversed,

is

similar

with

(+)

to

KEY

points.

level

between

which

each

patch

LEVEL

are

actually

"triggered"

rate

message

OFF

characteristics

as

to

the

KEY

ASSIGN

patches

ASSIGN

(such

whether

curves

sound.

two

turn

in

the

combined

curve

for

"inverted"

(strong

by a high

illustrated

VEL

SPLIT

configura

(such

as

configurations

as

"1/3"

O/S

Mode

K

W

you

If

the

created

Depend

and

the

any

only

exter

velocity

for

in

ASSIGN

only

four

patches,

IN

If

you

first

COMBINATION

given

KEY

patches

by

NOTE:

module

the

tion

FIG-

—

lar

—

func

"1+2"

or

EDIT—PAGE—CURSOR—VALUE

Normal

INVERSE = OFF

Vol

Velocity

parameters

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Increase

in

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Cycle

Particle

Density

Waves

are

lowl

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as

our

its

pitch

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|

Very

|lWAVEFORM|

r,

n

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|a

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though,

sine

wave,

as

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way,

basically,

l~1

VZ-8M

familiar

f

that

you

i

would

probably

(=timbre)

it,

take a look

that

the

so,

if

it

is

of

the

same.

we

will

hear

we

can

divide

ITYPE

I

Sine

wave

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p

Square

offers

a

with

Waves

have a basic

in

at

wave

total

of 8 different

the

characteristics

and

idea

like

to

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this

diagram.

square

the

But

the

waveforms

Harmonics

know

to

create

wave

still

same

wavelength,

because

sound

the

air

as

an

entirely

into

Bright

Simple

three

waveforms.

of

each

—

of

what

sound

how

you

can

the

kind

travels

at

the

same

our

ears

will

interpret

particles

as

Shaping

is

and

of

are vibrating

different

types,

[INSTRUMENTS

Flute,

Violin,

Clarinet,

You'll

you

how

determine

sound

"timbre".

shown

whistle

trumpet

oboe

become

use

the

Timbre

it

is

generated,

the

shape

you

want,

Decrease

speed

in

below.

I

ex-

VZ-8M.

of

in

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VA=B+C

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i

figure

illustrates

i

form a saw-tooth

|which

is

oscillating

|

in

pitch),

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i

we

combine B and

:

saw-tooth

5

as

additional

nental

wave

at

twice

at

only

wave,

sine

are

added.

the

process

wave. B is

half

C,

but

it

waves

of

the

frequency

the

amplitude

the

result

will

gradually

at

1/3, 1/4, 1/5,

combining

basic

of B (making

is

waveform

two

sine

wave,

while C is a wave

it

one

(volume)

approach a perfect

of

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A. A is

etc.

the

level

waves

in

order

octave

higher

still

not a per-

saw-tooth

of

the

fun-

•90-

In

this

manner,

waves

to a basic

integral

as

"harmonics."

The

waveform,

of

harmonics

sounds

with,

of

different

for the

any

sine

multiples

countless

of

and

added

their

different

harmonics,

characteristic

waveform

wave.

the

thus

to

can

be

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frequency

the

timbre

the

basic

sine

timbres

and

it

is

these

timbres.

created

by

adding a number

such

as C with

of

the

fundamental

are

actually

wave.

that

reach

harmonics

determined

In

simple

our

which

of

sine

frequencies

wave

terms,

ears

include a variety

that

are

known

by

the

kind

almost

all

are

responsible

i

Saw-tooth

Harmonic

components

i

Square

Harmonic

components

•Graphs

the

called

wave

o.l

wave

such

as

harmonic

"harmonic

the

components

2f

3f

4f 5f

6f 7f

(f)

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r

(I)

ones

above

which

of a wave

spectrums".

form

show!

are

j

ENVELOPES:

The

word

"envelope"

tant

term

in

Sound

may

understanding

thesis.

Literally

of

pitch

To

the

over

beginning,

Think

decaying,

a

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time — including

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RATE

speaking,

time.

In

and

timbre

understand

violinist

time.

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now

it

flute.

an

the

VZ-8M,

of a sound

envelopes

bows a string,

there

were

no

pitch

of a piano.

would

be

then,

are

the

VZ-8M

lets

you

and

LEVEL

"envelope"

envelopes

more

no

variance,

If a piano

very

what

variations

create

specifications

over

time

be

new

to

you — but

sound,

and

especially

is a voltage

are

used

over

time.

clearly,

think

the

volume,

changes

difficult

determine

envelope

pitch

over

and no

end!

note

were

to

distinguish

the

overall

in

pitch,

contours

at

up

time,

it's

an

extremely

important

that

changes

to

shape

both

the

of

the

sound

of a violin.

and

even

timbre

the

sound

would

to

sound

continuously

it

from

"shape"

volume

in

to 8 points

of

the

and

timbre.

up

to 8 steps

in

the

impor

in

sound

syn

as a function

amplitude,

When

change

slightly

have

no

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the

sound

of

sound

over

by

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envelope.

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Volume

Curves

Volume)

AS.

of

Various

piano

L

if

7f

8! 9f

L

>ve

which

i

wave

form

DUS

101

1

show

|

are

1

RATE

The

RATE

indicates

of

each

step

in

the

of

nearly

90°,

while a RATE

value

used

is

an

absolute

proportion

a

rise

while a gentle

with

or

fall.

This

the

means

incline

(level

i

LEVEL

s

at

\

low

1*0

understand

ok

parameter

each

step.

for

the

DCA

RATEs

and

the

at a typical

amplitude

the

slope

(interior

envelope.

A

value

value,

RATE

value,

that a steep

results

in a slow

indicates

For

the

DCO

envelope,

LEVEL

LEVELS

relationship

envelope

angle

in

RATE

value

of

"0"

indicates

the

slope

increases

regarless

up

envelope,

of

incline

results

level

change.

to

what

LEVEL

is

equal

Interact

between

RATEs

shown

relation

of

whether

point

on

to

horizontal

"99"

indicates

nearly

and

decreases

the

in a quick

the

envelope

means

to

the

amplitude

and

LEVEls,

the

right.

0°.

pattern

level

pitch

axis)

a

slope

Since

the

in

direct

shows

change,

rises

or

height,

(volume)

take a close

Violin

Flute

Tin

iical

Sounds

;

on

f

be

classified

1

vibrations

|

very

few)

I

irregular

Lharmonics)

vs.

the

type

of

as

being

(i.e.

sound

are

considered

vibrations

whose

pitch

Noise

characteristic

either

"musical"

in

to

be

(i.e.

can

vibrations

or

"noise".

which

components

musical,

sounds

therefore

while

with

many

not

be

it

other

sounds

measured

is

based

on, a sound

Sounds

with

regular

than

harmonics

caused

by

com-

components

that

are

classified

SYSTEM

INITIALIZED

DATA

P.

•94«

[NORMAL

PORTAMENTO/SOLC

PITCH

BEND

MOD

WHEEL

DEF

CONTROL

FOOTVR

FOOTSW

VEL

TABLE

VEL

SPLIT

VELINV

DELAY

TRIG

lINORMAL

OPERATION

VOICE

No.

NAME

VOICE

No.

NAME

MODE]

No.

PST1

A-1

EFFECT

OPERATION

VOICE

No.

NAME

VOICE

No.

NAME

MENU

NAME

VOICE

INITIALIZED

(OPERATION

[NIT

NORMAL

No.

NAME

No.

NAME

OPERATION

I

TUNE

VOICE

DATA

No.

NAME

No.

NAME

MEMORY

•-,0,0,0

PST 2 H-6)

MODE

K.G.W

KEY

ASSIGN

NORMAL

PAN

SPLIT

POINT

POS

X-FADE

MODE

PAN1

PAN

2

CONTROL

1

CONTROL

2

RANGE

1

RANGE

2

RATE

DEPTH

CONTROL

SP

POINT

LOWER

SP

MIDDLE

SP

UPPER

SP

EFFECT

POS

(FROM)

POS

(TO)

L

POS

(FROM)

L

POS

(TO)

M

POS

(FROM)

M

POS

(TO)

U POS

(FROM)

U

POS

(TO)

FIX

O(OFF)

MOD

L-R

R-L

OFF

Value

with

MODE

AUTO

in

parentheses.

set

to

AFTER

TOUCH

LEVEL

PITCH

VIBRATO

INV

TREMOLO

INV

ON/OFF

TOTAL

VIBRATO

TOTAL

TREMOLO

SENSITIVITY

VIB

DEPTH

VIBRATE

PITCH

PORTM

TREM

A

ENV

LEVEL

POLARITY

OCTAVE

NOTE

FINE

INVERSE

TIME

DEPTH

RATE

BIAS

WAVE

20

OFF

y

DEPTH

y

z z

RATE

z

DELAY

z

MULTI

•96-

[COMBINATION

OPERATION

No.

VOICE

No.

NAME

VOICE

No.

NAME

PST

1.

PST1

MODE]

A-1

E-1

EFFECT

OPERATION

VOICE

No.

NAME

VOICE

No.

NAME

PST1

MENU

NAME

B-1

F-1

INITIALIZED

(OPERATION

INIT

VOICE

No.

NAME

VOICE

No.

COMB!

OPERATION

PST1

C-1

PST 1 6-1

HJNE

DATA

VOICE

No.

NAME

VOICE

No.

NAME

MEMORY

+

.0,0.0

PST1

D-1

PST 1 H-1

PST 2 H-7)

J

OPERATION

I

I'M-

MODE

K.G.W

KEY

ASSIGN

COMBI

1+2

PAN

.97.

T 2 H-7)

lue

with

MODE

set

HO

in

to

parentheses.

EFFECT

MENU

INITIALIZED

DATA

(OPERATION

MEMORY

PST 2 H-8)

•98-

[NORMAL/COMBINATION

OPERATION

No.

NAME

VOICE

No.

NAME

MODE

K.G.W

KEY

ASSIGN

MODE]

VOICE

No.

NAME

VOICE

No.

NAME

OPERATION

NAME

VOICE

No.

NAME

VOICE

No.

NAME

OPERATION

TUNE

VOICE

No.

NAME

VOICE

NAME

NO.

MODE

LTI

CH

MODE]

I

No.

^operation

name

["operation

tune

I

MODE

PAN

MODE

CONTROL

'100<

Casio VZ-8M User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual