Casio VZ-8M User Manual

niGITAL

SYNTHESIZER

OPERATION

MANUAL

DE

MANUAL

OPERACION

1

117

r

r

tern,

manual

DIGITAL

SYNTHESIZER

im

your

often.

highly

ition)

Modular

new

VZ-8M,

innovative

Sound

be

sure

digital

Source

sys-

to

read

this

CAUTION

RISK

OF

ELECTRIC

DO

NOT

CAUTION:

SHOCK,

USER-SERVICEABLE

TO

DO

QUALIFIED

to

reduce

NOT

REMOVE

PARTS

SERVICE

PERSONNEL."

SHOCK

OPEN

the

risk

COVER

INSIDE.

(OR

REFER

of

electric

BACK).

SERVICING

NO

CONTENTS

4

Main

Features

6

About

this

Manual

7

Important

9

Theory:

13

Theory:

17

Operating

19

Menus

20

About

21

Function

25

Function

25

45

67

69

76

Performance/Editing

78

Performance/Editing

80

Performance/Editing

82

Performance/Editing

84

MIDI — Musical

86

Initializing

87

VZ

93

Initialized

101

OPERATION

108

Care

109

Features

113

Specifications

Terms

Flow

of

Operations

iPD

Modular

System

Controls

and

Functions

Function

VOICE

EFFECT

OPERATION

TOTAL

Sound

of

Indexes

Index

Practice

Index

PARAMETER

menu

MEMORY

CONTROL

Instrument

the

VZ-8M

Seminar:

Data

MEMORY

Your

Unit

and

Functions

Sound

Exercise

menu

in

the

in

the

in

the

in

the

The

System

menu

EFFECT

Normal

Combination

Operation

Multi

Digital

elements

NAMES/VOICE

menu

Mode

Mode

Memory

Channel

Interface

of

sound

Mode

Mode

synthesis

NAMES

ng

flash

with

arrowhead

intended

j'd^ngerous

ipf

sufficient

persons.

exclamation

alert

the

user

intenance

ing

the

product.

to

alert

the

voltage"

within

magnitude

point

within

an

to

the

presence

(servicing)

instructions

symbol,

user

the

to

constitute

equilateral

of

within

an

equilateral

to

the

presence

product's

important

in

the

enclosure

a

risk

of

triangle

is

operating

literature

of

unin-

that

electric

intended

and

accom-

Main

A

Amazing

Casio's

all-new

ules"

(Ml

waveforms.

audible

The 8 iPD

are 4 internal

The

waveforms

or

one

of

Z*

Instant

128

presets

you

incredible

tips.

What's

RAM

card,

Features

Synthesis

"Interactive

to

M8).

Each

In

the

iPD

sounds

or

to

sound

source

lines — A,

generated

the

waveforms

Recall

give

you a wide

tonal

expansion

more,

you

for

even

Versatility

Phase

of

these

modules

system,

modify

can

of

can

greater

the

waves

modules

by

work

B, C and D.

both

modules

be

used

up

to

range

potential

store

up

freedom

Thanks

Distortion"

wave

generated

generated

in

associated

in

to

modulate

320

Sounds

of

vocal

—

to

64

of

timbral

to

Casio's

(iPD)

sound

source

contains

versatility.

up

sounds

a

DCO

by

any

by

other

modules.

pairs

that

any

line

can

be used

the

other

for

and

320

And

with

to

128

patches

and

64

operation

expression.

and a DCA,

module

are

together

RING

Operation

the

and

All-new

system

can

called

modulation

iPD

Sound

actually

and

be

"Internal

in

consists

is

capable

used

in

Lines,"

three

different

or

as

Memories

use

of

an

optional

128

multi-patch

memories

setups

on

on-board

Source

of 8 independent

of

generating

either

of

two

ways;

or

simply

"lines."

ways.

They

the

PHASE

ROM

of a succeeding

card,

the

are

literally

memory

at

or

"mod

independent

to

produce

There

can

be

mixed,

line.

VZ-8M

gives

your

finger

an

optional

Player-selectable

The

VZ-8M

using.

polyphony,

emulating

teristics

lets

you

Just

select

a

for

realistic

the

individual

necessary

Multi-Channel

The

VZ-8M

sound

timbral

Built-in

The

VZ-8M's

trolled

U

"Player-friendly"

Virtually

PARAMETER

of

these

settings.

features

sources.

These

MIDI

expansion,

Panning

built-in

panning

and

all

of

the

menu,

functions

To

alter

Keyboard,

select

from 3 different

sound

and

choose

keyboard

strings

of a guitar,

for

playing

Casio's

can

with

MIDI

Performance

exclusive

then

be

monophonic

Function

panning

Auto

function

panning.

Menus

VZ-8M's

is

sounds

editing

EFFECT

further

broken

or

programming,

Guitar & Wind

MIDI

performance

the

performance

performance.

wind

multi-channel

divided

MIDI

Each

and

and

menu

and

down

The

"G"

while

the

"W"

controllers.

mode

into

constituent

performance,

lets

you

choose

panning

effect

Functions

programming

TOTAL

into

you

operations

CONTROL

"parameters,"

simply

MIDI

mode — the

performance

performance

polyphonies

from

adds

alter

Performance

modes,

according

"K"

performance

mode

mode

which

can

accept

and

ensembled

or

total

8-note

three

different

spacial

realism

are

organized

menu — that

which

are

the

value

of

Modes

to the

type

of

MIDI

mode

arranges

lets

you

play

the

provides

MIDI

constants

these

the

natural

up

to 8 timbres

in

any

format

polyphony

panning

and

feature a variety

effects;

ambience

into

three basic

that

have

parameters

using value

controller

same

sound

after-touch

from

separate

you

can

be

Fixed

to

your

menus — the

of

"functions."

changeable

you're

sounds

in

in

mono,

charac

MIDI

desire.

Multi-

selected.

panning,

sound.

Con

VOICE

Each

values

keys.

full

or

Jj^

/

Combination

The

VZ-8M's

or

patch

split

1/2/3/4)

8

The

positional

so

using

y

Choose

an

and

You

Velocity

VZ-8M

there's

puts

cross

no

audible

velocity

Optional

from

optional

impressive

64

operation

Mode

"Combination"

configurations.

can

set

effect

Split & Positional

powerful

fade.

split.

ROM & RAM

128

patches

memories.

multi-voice

Set

up

"split

ROM

and

Provides

mode

(1 + 2, 3 +

and

amp

multi-layered

point"

Layered

lets

you

mix

4, 1 + 2 + 3 +

levels

independently

Cross

Fade

performance

voices

with

the

cross

fade

Cards

or

RAM

cards

for

expanded

128

different

What's

operation

more,

VZ-8M

and

Split

Voicing

together

with

up

to 8 different

4,

1+2+3 + 4 + 5 + 6+7 + 8,

for

each

patch.

in

your

hands,

with

up

to 3 split

function,

sound

memories.

patches

points,

or

control

storage

With a RAM

can

be

used

patches

advanced

and

multiple

and

recall

in a Casio

in

1/3, 1 +

features

"fade"

voices

capabilities.

card,

PG

any

of 9 different

2/3,

1/3 + 4,

such

as

velocity

the

voices

into

through

you

can

series

velocity

Each

ROM

store

up

guitar

patch

mix

1+2/3+4,

split

and

one

another

message

card

holds

to

64

patches

synth.

Whil.

tal

sy

it

do

a

ref«

Whei

to

co

MID

Once

need

"The

with

Semi:

Next.

throu

Whei

capal

Be

su

will

*

The!

Fort

Most

you'l

own

About

While

you

may

tal

synthesizer

it

does

an

"electronic"

a

reference

When

you

take

to

connect

MIDI

Once

need

"Theory:

with

Seminar"

Next,

through

When

capabilities,

Be

will

The

For

it

and

you're

to

have a basic

iPD

basic

sound

as

you

should

the

you're

sure

to

work

give

you a fairly

FUNCTION

this

reason,

this

not

realize

that

has a lot

musical

to

provide

to

plug

ready

Modular

well.

"Operating

ready

you'll

instructions

the

unit

out

an

external

it

in

immediately

to

begin

knowledge

Sound

synthesis

familiarize

System

to

start

need

to

through

the

solid

INDEXES

be

sure

to

Manual

it

quite

yet,

this

unit

is

an

incredibly

more

in

common

instrument.

on

of

its

box

for

keyboard,

studying

terms

yourself

using

learn

"Function

guitar

to

see

the

of

its

iPD

System"

and

theory,

with

Controls"

the

advanced

how

understanding

will

be

an

keep

this

manual

with a personal

This

manual

the

most

basic

the

first

time,

or

wind

controller

how

it

sounds.

true

power

of

this

modular

thoroughly

the operating

for

to

use

Index

invaluable

sound

—

be

sure

to

an

introduction

editing

and

the

"FUNCTION

Practice

of

handy

Exercise"

basic

synthesis

aid

in

whenever

complex

computer

is

intended

operations.

you'll

probably

equipped

synth

module,

source

system.

if

you're

study

the

system

controls.

to

these

sound

INDEXES".

as

digi

than

only

as

want

with

you'll

Read

not

familiar

"VZ

Sound

Read

controls.

data

storage

well.

These

operations.

all

editing

operations.

editing

sounds.

H

Most

importantly,

you'll

only

be

able to

own

musical

performance.

remember

realize

that

this

the

true

manual

power

is

of

this

meant

as a reference

unit

as

you

apply

only

it

to

your

—

Important

Terms

Jl

Throughout

—

be

you

understand

through

all

understanding

this

manual

familiar

with.

the

these

words

basic

of

MENU

FUNCTION

PARAMETER

VALUE

MODULE

INTERNAL

LINE

you

will

Before

jumping

usage

of

and

become

this

unit.

encounter

these

familiar

A

displayed

are

(VOICE

Any

PARAMETERS,

02

A

constant

data

setup.

The

The

of

Sound

as

an

2

(Ml

and

terms

(words)

into

the

operations,

terms

in

this

with

them — you'll

list

of

three

basic

Menus

menu),

EFFECT

of

the

items

and

in

VOICE

that

level

iPD

as

independent

source

INTERNAL

M4

PARAMETER

control

affects

the

or

setting

sound

source

MODULES

and

M2)

form

form

LINE

which

which

you

it's

important

manual.

the

Take a few

find

it

will

various

which

listed

is

FUNCTIONS

can

menu,

and

on

the

identified

menu

features

various

assigned

features

—

but

LINE,

Internal

B,

etc.

variable

components

to

an

8

independent

interrelated

work

together

or

simply

Line A —

may — or

to

moments

enhance

be

selected;

TOTAL

menus.

by a two-digit

contains

individual

—

in

"line."

may

not

make

sure

that

to

read

your

over

you

can

use

the

VOICE

CONTROL

Each

Function

number.

parameters

levels.

These

parameters

of a

sound,

but

also

parameter.

"modules."

oscillators

"pairs."

For

known

with

These

pairs

example,

in

this

manual

to

edit

sounds.

PARAMETER

menu

(TOTAL

contains

For

example,

related

to

control

aspects

These

can

controls.

form

Module 1 and

as

menu).

a

variety

Function

detuning.

not

of

the

overall

be

thought

what

is

known

Module

LINE

A.

There

menu

of

only

M3

EXTERNAL

PHASE

PATCH

OPERATION

MEMORY

ENVELOPE

MODE

In

addition

lize

A

can

Phase."

With

synthesizer

this

synthesizer.

ed

sound

An

setup",

and

preset

A

voltage

by

controllers,

A

particular

ic

operational

the

these

to

using

the

the

output

to

modulate

be

used

to

modulate

(Refer

to

"Theory:

analog

synthesizers,

blocks

or

term

has

come

to

In

this

manual,

data

coming

operation

velocity

OPERATION

serves

memory

complete

operation

with

split,

MIDI

memories.

which

changes

and

are

operational

modes,

MEMORY

an

independent

modules

output

of

any

LINE

to

create

the

succeeding

LINE

iPD

Modular

a

"patch"

were

hard-wired

refer

to

completed

you

can

from

modules 1 through

is

literally

a

specifications

settings,

as a function

used

function

including

etc.

to

shape

or

the

mode, and

purpose

line.

For

B.

This

configuration

Sound

literally

think

full

for

condition.

NORMAL

referred

(hooked

sound

of

"patch"

"multi-timbral

multiple

The

onboard

of

time.

the

amplitude

In

mode,

the

MULTI

described

later in this

audible

example,

System"

up).

data

8.

patches

memory

Envelopes

(volume)

"VZ

sounds,

the

is

known

for

details.)

to

the

way

With

digital

which

can

be

as

referring

setup"

or

(when

desired),

allows

are

generally triggered

and

language",

the

COMBINATION

CHANNEL

manual.

you

can

uti

output

of

LINE

as

"External

in

which

various

synthesizers,

output

by

the

to

any

complet

"performance

keyboard

storage

of

128

pitch

of a note.

there

are 4 bas

mode,

mode.

Each

of

PERFORMANCE

MODE

There

are 3 basic

the

basic

operational

parameter

to

"match"

example,

board

(Wind)

setups

the

selected

if

you're

performance

MIDI

performance

"MIDI

Performance

"modes".

programmed

sound

using a MIDI

mode.

The

for

each

with

the

keyboard,

In

addition

modes.

Modes",

"Performance

type

to

which

should

Modes"

sound

individually,

of

MIDI

controller

you'll

want

to

"K",

there

are

not

which

select

"G"

be

confused

are

actually preset

can

you

are

the

(Guitar)

with

be

selected

using.

For

"K"

or

key

and

"W"

KMODE

GMODE

WMODE

VOICE-09

EFFECT-05

CONTROL-04

OPE

EFFECT

PROG

MOD

NO

KEYS

WHEEL

Short

for

"Keyboard

Short

for

"Guitar

Short

for

"Wind

Mode" — one

Throughout

ital

letters.

menu — the

Throughout

ital

letters.

—

the

Throughout

ital

letters.

trol"

Indicates

"OPE

mode's

Short

thesis

Short

this

text,

In

this

case,

"AMP

this

text,

In

this

case,

"DEF

CONTROL"

this

text,

In

this

case,

menu — the

the

EFFECT

EFFECT-01"

EFFECT

for

"Program

and

for

menu — the

editing

"Modulation

Mode" — one

Mode" — one

the

names

VOICE-09

ENV"

function.

the

names

EFFECT-05

function.

the

names

CONTROL-04

"MIDI

CHANNEL"

menu

in

represents

Number

operations.

Wheel".

of

of

three

of

three

of

each

indicates

of

each

indicates

of

each

indicates

the

OPERATION

function

"OP

TUNE"

Keys".

These

three

VZ-8M

VZ-8M

VZ-8M

of

the

function

of

the

MIDI

MIDI

three

main

"09"

three

main

function

of

the

three

main

function

function.

MEMORY

"01"

in

the

function.

keys

are

used

MIDI

performance

performance

performance

"menus"

in

the

"Voice

"menus"

"05"

in

the

"menus"

"04"

in

mode.

OPERATION

in a variety

modes.

modes.

is

listed

Parameter"

is

listed

"Effect"

is

listed

the

"Total

For

MEMORY

of

sound

modes.

in

cap

in

cap

menu

in

cap

Con

example,

syn

DEF

CONTROL

PAGE

KEYS

COMBI

MULTI

M

ON/OFF

MODE

CH

MODE

KEY

Short

for

"Definable

Used

to

"scroll"

Short

for

synthesis,

Short

for

Short

for

"Module

ules

ON

and

or

"Combination

editing

"Multi

OFF.

Control".

advance

up

and

Mode" — one

and

performance.

Channel

ON/OFF

Mode" — another

Key" — keys

down

the

of

the 4 basic

used

selected

VZ

menu.

operational

of

the

basic

operational

to

turn

the

VZ's

modes

sound

source

used

in

modes.

mod

Theory:

Flow

of

Operations

ji

Although

designed

you'll

In

order

initial

the

the

Simply

these

mode,

and

You

the

front

ing

modes.

menu)

cator

ply

But

the

relationship

the

VZ-8M

so

that

actual

be

amazed

at

how

to

appreciate

understanding

basic

order

most

of

this

speaking,

correspond

the

COMBINATION

the

MULTI

can

select

panel.

To

or

EFFECT

lights.

To

press

the

TOTAL

before

you

following

between

of

of

operations

synthesizer.

operations

to

the

CHANNEL

any

of

these

After

selecting

select

either

menu,

select

the

start

pressing

text.

This

the

features

the

four

TOTAL

CONTROL

should

a

complex

operations

simple

beauty

its

basic

basic

modes

the

press

are

quite

the

unit

is

to

of

the

VZ,

"flow

of

you

will

probably

can

be

divided

operational

mode,

the

OPERATION

mode.

by

pressing

the

MODE,

VOICE

the

PARAMETER

EDIT

CONTROL

key.

keys,

take a few

give

you a clearer

different

basic

modes.

operating

system,

it

simple — after a few

operate,

operations"

and

how

versatile

it's

important

want

into

four

"modes" — the

to

have a clear

—

in

other

to

follow

different

NORMAL

MEMORY

the

corresponding

you

can

select

any

of

menu

key

so

that

the

key's

LED

menu

(TOTAL

moments

understanding

menu),

to

read

has

been

hours

it

is.

words

to

make

types

—

mode

key

on

the

edit

(VOICE

indi

sim

through

of

the

WRITE

TOTAL

COPY/INIT

CONTROL M ON/OFF

EOIT

BANK

SHIFT

NORMAL

The

NORMAL

mal"

single-patch

layering

The

NORMAL

—

the

can

"play"

editing

In

the

tained

mance.

MENUs

ing.

Whenever

working

The

NORMAL

created

put

individually

range

of

tility.

You

can

values

memory.

programming

MODE

mode

and

memory

mode

PLAY

sub-mode

or

perform

MENUs

PLAY

in

If

through

the

for

to

sub-mode,

the

VZ's

you

want

which

contain

you've

in

the

"MENU"

mode

the

for

sound

also

use

the

existing

Or

create

values.

synthesizer

preset,

patches

is

what

you

might

that

does

capabilities

can be

and

normally

edit

and

you

internal

to

edit

a

wide

selected

is

the

modular

1-patch

effects in

NORMAL

entirely

of

the

further

the

MENU

in

this

create

individual patches.

can

freely

or

card-memories,

the

sound,

you

range

of

any

of

sub-mode.

basic

performance

sound

source

performance.

this

mode,

mode

and

writing

new

sounds

think

of

if

you've

not

feature

the

extensive

VZ.

broken

down

into

sub-mode.

mode,

choose

simply

In

other

or

use

any

any

of

the

and

select

any

"FUNCTIONS"

the

three

editing

MENUs,

mode,

where

system

can

be

selected

You

can

make

for

expanded

to

create

them

in

by

initializing

performance

new

patches

either

the

internal

a

memory

used a "nor

sound

two

sub-modes

words,

you

of

the

three

sounds

con

use

it

in

perfor

of

the

editing

for

sound

edit

you're

"patches"

and

out

use

of

the

wide

versa

by

altering

or card

area

and

WRITING

PATCHES

TO

MEMORY

Once

you've

of

64

internal

RAM

card

created

sounds

memory

which

areas

holds

you

in

as

many

want

to

the

NORMAL

as

64

save,

you

can

mode,

sounds.

write

them

or

to

an

optional

to

one

f

One

important

is

that

you're

patch

at a time,

time,

and

write

thing

to

remember

working

with

edit

one

patch

an

individual

when

you

only 1 patch

at a time,

patch

at a time — you

perform

to

memory.

select

the

NORMAL

with

can

recall

one

patch

mode

one

at

a

NORMAL

One

patch

MODE

at a time

!

RE/

•LL

JfPV

f

COMBINATION

The

COMBINATION

perience),

created

featuring

al

The

modes — the

The

sub-modes

timbral

In

NORMAL

to

complished

which

formance/Editing

A

as

Effects

more,

control

or

"work

in

the

keyboard

effect

specifications

COMBINATION

PLAY

PLAY

sub-mode

are

setup

data.

this

work

area,

mode

create

a

multi-timbral

by

feature

both

variety

of

the

well

as

velocity

can

also

relative

of

"balance"

MODE

mode

is a "buffer"

area"

where

NORMAL

selected

(preset,

choosing

functions

be

amplitude

mode

split

point,

for

each

mode

can

sub-mode

is

selected

for

further

you

can

select

or

those

setup.

from

SPLIT

and

in

the

Combination

can

split

for

each

set

individually

levels

within

the

(for

those

you

can

"combine"

to

make

detailed,

velocity

for

The

any

LAYERED

be

split

specifications,

patch

in

the

setup.

be

further

broken

and

MENU

normal

editing

up

to 8 different

you've

sub-modes.

performance,

of

sound,

created),

"arrangement"

of 9

different

Mode").

used

to

determine

patch

in

for

each

can

be

set

multi-patch

KEY

patch

arrangements

the

sound.

patch

for

each

sound.

with

computer

the

patches

multi-timbral

and

down

into

while

effect,

patches

and

created

arrange

of

these

sounds

ASSIGN

keyboard

in

patch,

split

this

mode.

allowing

ex

you've

setups

individu

two

sub-

the

MENU

and

multi-

in

the

them

freely

is

ac

settings,

(see

"Per

points,

What's

total

combination]

MODE

I

Ii+2/3 K PST1

R-l:UZ

EP

H+2/3+4 K PST1

fl-UUZ

EP

WRITING

PATCHES

0

MEMORY

This

unit

is

designed

the

patches

you

altogether.

One

mode

portant

where

MULTI

The

makes

The

(1)

with

ferred

and

Areas

8

areas

Each

(maximum

fied

you

use

hear,

you

can

choose a replacement

important

is

you

thing

that

you're

point

is

that

can

"work"

CHANNEL

MULTI

VZ

(2)

area),

CHANNEL

advanced

is

8-note

uses the

with

(1

is

AREA

use

capable

or

polyphony

same

8-note

—8)

is

assigned

monophonic.

can

be

number

output

level,

so

that

you

can

in

the

multi-patch

to

remember

working

the

COMBINATION

on

one

when

with

up

to 8 patches

"combined"

MODE

mode

is

basically

of

MIDI — the

receiving

wherein

MIDI

channel

polyphony,

an

assigned

of

note

and

Musical

MIDI

performance

all

(MIDI

wherein

individual

an

independent

which

may

the

MIDI

quickly

and

conveniently

sound — if

patch

you

you

or

delete

select

the

don't

it

from

COMBINATION

at a time.

mode

is

only a "work

(multi-patch)

a

performance

Instrument

notes

and

mode 3 —

each

of

the

timbre.

In

sound, a polyphonic

sound

at

Receive

sound

Digital

messages

performance

omni

MIDI

this

status,

one

time

channel

arrange

like

what

the

sound

Another

mode,

two

Multi

for

number.

im

area,"

at a time.

which

Interface.

basic

ways;

data

trans

OFF/poly),

Channel

each

of

the

value

the

speci

COMBINATION

1-8

fl-l:UZ

8

polyphonic

patches

at a time!

EP

Area

MODE

PST1

MUM

OUT

OPERATION

Once

patch

or a MIDI

of

64

r

The

OPERATION

only

the

modes

related

the

multi-patch

ing

performance.

This

mode

BINATION

have

The

OPERATION

modes -the

is

selected

for

further

memory.

Now

picture

1

—Write,

2 — "Combine"

MEMORY

you've

created

in

the

NORMAL

setting

in

built-in

been

that

in

Operation

MEMORY

individual

and

details

is

created

patches

MIDI

settings

of

effect

setups

actually

and

MULT

in

MEMORY

PLAY

for

normal

editing

you

understand

becomes

clearer;

edit

and

patches

the

COMBINATION

MODE

a

sound

you

want

to

mode, a cpmbined

the

MULTI

Memories.

in

and

and

used

CH

them.

sub-mode

performance,

of

sound

recall

to

CH

mode

mode

is

used

and

combined

the

MULTI

control

panel

settings.

patches

in

the

individual

you've

concurrence

modes,

as

mode

can

and

MENU

while

and

effect

basic

theory

patches

make

multi-timbral

mode.

save — whether

sound

—•

to

memorize

sounds

CH

mode,

This

created,

with

the

it

stores

be

further

sub-modes.

the

MENU

data

in

of

VZ

using

setups

it's

an

in

the

COMBI

you

can

write

and

created

in

the

it

also

holds

is

where

for

instant

NORMAL

and

recalls

broken

down

The

PLAY

modes

the

selected

operations,

the

NORMAL

(combined

individual

mode

it

to

one

recall

not

first

two

sound-

you

"store"

recall

dur

and

COM

data

which

into

sub-

mode

are

selected

operation

the

"BIG"

mode.

sounds)

The

MIDI

"Pe

programmed

the

selected

example,

or

keyboard

tar)

and

Keyboard

formance

phonic

characteristics

Guitar

mode,

performance,

of

MIDI

string

received

sounds

NOTE:

be

set

data

fo

soi

if

you

pei

"W"

»

Pc

mode

perforr

i

Perf

o

patches;

rr

Guitar,

is

assigne

entireh

are

moi

When

i

for

MON

for

each

s

r

3 — Create

4

—Write

up

to 8 MIDI

patches,

any

of

64

the

OPERATION

"Multi

Areas"

combined

operation

sounds

memories

MEMORY

in

the

MULTI

and

multi-channel

and

recall

mode.

CHANNEL

them

for

mode.

|

PATCH 1 | |

PATCH 2 | | PATCH 3 | | PATCH 4 . | |

0+2/3+4 K PST1

R-isUZ

CHn

MIDI

settings

performance

|

PATCH 1 | | PATCH 2 | | PATCH 3 | |

CHn+l

to

in

11111111

fl-ls'JZ

EP

MIDI

OUT

/

CH

n+2

EP

PATCH 8 |

PATCH 4 | | PATCH

8

PST1

Wind

mode,

Perfor

MIDI

af

formance

the

"W"

shows

set

between

controller,

with

NOTE:

troller

capab

"K"

and

"(

mode,

he

how

the

between

val>

values

repr

wind

instr

When

should

b<

The

MIDI

"Performance

programmed

the

selected

example,

or

keyboard

tar)

and

for

each

sound

if

you're

using

performance

"W"

(Wind)

Modes"

sound

with

the

"a

MIDI

mode.

MIDI

are

actually

individually,

type

of

MIDI

keyboard,

In

addition

performance

preset

which

can

be

controller

you'll

want

to

"K",

there

modes.

parameter

selected

you

to

setups,

to

"match"

are

using.

For

select

the

"K"

are

"G"

(Gui

/0^\

Keyboard

formance

phonic

characteristics

Guitar

mode,

performance,

of

MIDI

string

received

sounds

NOTE:

be

set

data

Performance

mode,

patches

performance,

of

Performance

patches

is

for

for

and

matched

Guitars,

assigned

entirely

are

more

When

in

MONO

each

string.

and

matched

MIDI

keyboards.

Mode — In

multi-patch

to

the

including

an

individual

independently

natural

"G"

than

performance

performance,

Casio

Mode — In

multi-patch

to

sounds

performance

PG

MIDI

for

each

with

allowing

the

"K"

sounds

are

the

performance

the

"G"

or

"Guitar"

are

setup

for

capabilities

and

MG

series

channel,

poly

mode,

MIDI

string.

In

addition,

performance.

the

transmitting

independent

or

"Keyboard"

setup

for

capabilities

per

MIDI

poly

and

performance

MIDI

monophonic

and

characteristics

guitars.

As

each

guitar

bend

messages

string

guitar

transmission

are

release

should

of

bend

[KEYBOARD

MODE]

VZ-8M

NORMflL

fl-lsUZ

1+2/3+4

R-isUZ

(GUITAR

MODE]

VZ-8M

NORMflL

fi-lsUZ

1+2/3+4

R-inUZ

K

EP

K

EP

8

EP

G

EP

MIDI

KEYBOARD

PST1

PST1

MIDI

GUITAR

--1ststring

--2nd

•

.-4th

•-5th

■•

\

string

-3rd

-6th

\

string

string

string

/

string

/

|

PST1

PST1

Wind

Performance

mode,

MIDI

aftertouch

formance

the

"W"

shows

set

between

controller,

with

NOTE:

troller

capabilities

"K"

and

"G"

modes,

mode,

however,

how

the

SENS

between

values

of

values

of

"92"

reproducing

wind

instruments.

When

in

"W"

should

be

set

so

Mode — In

data

is

and

characteristics

MIDI

this

same

parameter

"0" and

and

"99"

the

delicate

performance

that

after

the

"W"

automatically

of

MIDI

data

changes

data

changes

affects

aftertouch

"91".

The

changes

make

it

easier

dynamic

FIG-A

<

NORMAL

AFTER

TOUCH

MAX

AMP

MIN

touch

XSENSITIVITY»O

MIN

»MAX

MIDI

DATA

mode,

data

can

or

"Wind"

adapted

wind

as

shown

as

shown

in

to

perform

changes

>

-SENSmVITY»99

the

transmitting

be

used

performance

to

match

the

controllers.

in

characteristics

these

which

to

In

FIG-A.

in

FIG-B.

characteristics

using a wind

are

possible

MAX

AMP

MIN

MIN

wind

affect

volume.

(WIND

per

both

In

the

MODE]

VZ-8M

This

when

NORMflL

fl-l:UZ

1+2/3+4

fl-lsUZ

FIG-B

<WIND

MODE

AFTER

TOUCH

>

„

SENSITMTYoO

''''/''<—[-SENSITMTY=91

-MAX

MIDI

DATA

con

MAX

AMP

W

PST1

EP

W

PST1

EP

SENSITIVITY»92

•SENSITMTY=99

MIDI

DATA

Theory:

At

the

heart

of

new

"iPD"

(interactive

the

most

out

of

least

the

basic

iPD

the

VZ's

amazing

Phase

your

unit,

theory

behind

Modular

Distortion)

it

is

vitally

this

new

MODULES

The

iPD

sound

source

system

actually

(Ml

to

M8).

Each

module

independent

can

think

the

wave

contains

waveforms.

of

the

generated

a

DCO

(©)

If

modules

as

oscillators

by any

module

and a DCA,

you're

sound

synthesis

sound

important

sound

source.

consists

familiar

can

of 8 independent

and

is

with

with

controls.

be

used

Sound

capabilities

source.

that

you

capable

analog

In

in

either

is

an

all-

In

order

to

get

understand

modules

of

generating

synthesis,

the

iPD

of

you

system,

two

ways;

System

at

LINES

Generally

that

lines — A,

The

in

three

forms

as

diagrammed

l

I;!'1

To

relationship

LINE A consists

modules

forms,

mats — MIX

(phase).

MIXED

When

put

1 — to

2 — to

are

called

produce

modify

speaking,

the 8 sound

"Internal

B, C and

waveforms

can

show

they

generated

different

are

ways.

be

used

to

modulate

at

the

how

the

modules

between

entirely

can

the

of

two

independent

be

utilized

(mixed

WAVEFORM

MIX

is

selected,

together,

according

MIX:

Ml + M2

audible

waves

Lines,"

D,

as

by

The

right.

two

different

output),

sounds

generated

source

or

simply

shown

to

both

modules

waveforms

the

other

((§))

in

each

line

modules

modules — Ml

and

together

in

RING

OUTPUT

the

waveforms

to

the

formula

by

other

modules

modules

the

can

for

are

which

generate

any

(ring

generated

work

in

"lines."

right.

in

any

be

RING

interrelated,

of

given

There

(®)

line

can

mixed,

or

modulation

make

up

and

M2.

totally

independent

three

different

modulation)

by

Ml

below.

(©)

associated

are 4 internal

be

used

one

let's

LINE

and

and

pairs

together

of

the

wave

or

PHASE,

analyze

While

output

M2

the

A.

these

wave

for

PHASE

are

out

■»-

A

This

may

look a bit

to

think

of

MIX

format,

RING

These

TION,

You've

the

often

MODULATION

same

which

probably

term.

used

complex

Ml

and

M2

both of

two

waveforms

is

created

RING

MOD:

heard

Typically,

in

synthesizing

at

as

individual

these

oscillators

can

according

M2 + M2 x Ml

ring

modulation

it

creates

gongs,

first,

but

it's

really

not.

oscillators

sound

also

be

output

to

the

a

"clangorous"

bells

and

(which

together.

using

formula

—

other

shown

even

if

you

or

metallic

ringing

It

may

be

easiest

they

are).

In the

RING

MODULA

below.

(®)

don't

recognize

sound

and

is

percussive

sounds.

PHASE

The 2 waveforms

PHASE,

according

in

LINE A (Ml

to

the

and

formula

shown

M2)

can

below.

also

be

output

((§))

using

Ml

\-*»\

M2

PHASE:

In

this

format,

modulate

to

The

(DCA)

degree

related

Naturally,

—

modify

the

"read"

the

degree

envelope

of

changes

parameters such

these

LINE

A,

the

External

When

the

External

modules

module

Now

start

tionships

contain

late

7

put

To

(Ml

in

the

that

you

to

imagine

between

independent

other

modules.

to

modulate

through

illustrate

M2(M1)

only

other.

M2

waveform.

of

RING

of

in

same

LINE

other

Internal

Phase

and

M2

succeeding

have a basic

just

the

module

module

this

more

one

oscillator

In

this

case,

and

PHASE

related

modules.

sound

,as

key

functions

B,

LINE C and

Lines

Phase

format

in

our

internal

grasp

how

versatile

sound

sounds

Theoretically,

8,

so

8!

closely,

is

heard,

as

M2

is

produced

effect

is

dependent

(In

addition,

(waveform)

Follow,

and

through

example)

of

source

from

that

the

take a look

are

affected

Velocity,

formulas

LINE

D.

External

is

selected,

is

used

line — M4

how

the

modules,

each

you

only

in

the

system

VZ

actually

you

module,

can

actually

sound

at

apply

the

as

one

oscillator

using

to

amp

by

etc.)

to

And

they

Phase

line

output

the

phase

LINE

B,

is

organized,

is.

Because

can

create

or

use

use

modules 1 through

you

actually

the following

is

used

Ml

as

the

phase

on

the

amplifier

envelope,

amp

envelope-

(©)

all 4 internal

can

be

used

processing.

of

the

of

the

second

in

our

example.

you

of

the

patches

modules

which

to

modu

hear

is

examples.

to

the

lines

to

two

can

rela

out

(7)

Diagram

DCA

LEVEL

(Ex.

1)

a

FREQUENCY

M1:M2«=1:16

EXT.

PHASE

of

ENVELOPE

RING

1+2

3H

relationship

M1

between

and

timbre.

DCA

ENVELOPE

(Ex.

2)

PHASE

▲

WAVEFORM

-SINE

LINE

(MIX)

■►LINEB

A

(PHASE)

P

(EXAMPLE

In

this

i.e.

the

together,

Before

read

through

tice

Exercise"

illustration

the

modular

is

possible

If,

in

this

play

changes

be

output

Remember

they

simply

A

does

Notice

lighted

1)

state

the

internal

waveforms

as

actually

at

to

state,

from

that

become

not

that

the

on

the

of

shown

on

experimenting

"Operating

and

the

the

right

sound

system,

view

M5 ~ M8

EXTERNAL

to that

shown

LINE

LINEs

the

sound,

but

modules

display.

line

of

both

LINEs A and B are

both

modules

the

display.

with

System

"VOICE-00"

is

designed

shows

PHASE

on

A.

(©)

which

are

phase

of

becomes

which

in

each

((§))

(®)

the

modular

Controls,"

function

to

help

only

Ml

simultaneously

from

the

right,

and

used

as

external

the

succeeding

the

phase

are

producing

line

are

output

sound

system,

the

"Function

index.

Note

you

understand

through

LINE A is

of

audible

M4,

with

Ml ~ M4.

specified,

the

resulting

phase

do

line.

In

our

LINE

B.

sounds

set

to

MIX

—

"mixed"

be

sure

to

Index

Prac

also that

the

In

actuality,

waveform

not

example,

appear

the

theory

of

it

the

dis

can

sound

—

LINE

high

Q@

LINE

INT

)

LINE

INT

1+2

M1M2

LINE=MIX

M3M4

LINE=MIX

3+H

'14-

(EXAMPLE

In

this

is

set

to

If,

in

this

display

can

be

but

is

used

With

only

dependent

plexity — using

consisting

output

from

M8

2)

state,

the

internal

PHASE — i.e.

state,

EXTERNAL

changes

output

from a single

to

through

only

as

one

oscillator

oscillators,

the

of

sounds

all

the

way

line

of

LINE A is

M3

becomes

PHASE

that

shown

on

the

LINE

B.

Once

the

phase

of

LINE

you

can

produce

you

can

create

patches

oscillators

from

oscillator

back

together

all 8 modulators,

with a "chain"

to

Ml.

(@)

set

to

MIX,

the

phase

of

M4.

from

LINE A is

right,

and

the

resulting

again,

LINE A does

B.

(@)

only

one

sound.

with

varying

to create a "fat"

or

to

create

an

individual

of

modulation

while

LINE

B

(@)

specified,

not

But

degrees

layered

the

waveform

sound,

with 8 in

of

com

patch

sound

stretching

09

LINE

INT

1+2

3*H

M3M4

LINE=PHRSE

The

nui

mind,

u

are

usec

The

VZ

lets

you

use

all 8 modules

nations

a

that a "patch"

from

of

MIX,

complex

1

through

sonic

8.

the

unit.

RING

matrix

is

simply

Or,

in

•15-

entirely

and

PHASE

which

is

called

the

completed

simpler

terms,

independently

output

from

each

a

"patch".

tone data

an

individual

Once

coming

"sound"

—

using

combi

LINE

to

create

again,

remember

from

modules

being

output

The

number

mind,

when

are

used

to

of

possible

you

consider

shape

the

waveform

combinations

the

versatility

used

to

of

the

being

output

create a patch

control

from

boggles

parameters

each

module.

the

which

(©)

16-

Operating

In

some

ways,

your

storing

and

generating

processing"

of

as a collection

of

the

The

functions.

mine

on

the

With a computer,

sor

board

is

maintained

unit.

main

interface

These

the

various

unit

basically

to

move

to

to

input

of

functions

characteristics

you

different

commands,

System

VZ

is

very

similar

to a computer,

a

large

amount

by

the

system

programs

with

the

operating

contain

consists

of

generally

positions

values,

of

digital

"Operating

System,"

that

control

system

a

number

of

the

sounds.

inputting

execute

in

text,

values

a

certain

the

displayed

etc. (this

can

of

explanation.)

Your

unit

works

much

in

the

same

way,

and

it

"Operating

tions a computer

Look

view

ganized.

tive

right.

System

at

the

MENUs

of

how

the

Notice

basic

MODEs

The

MODE

Controls"

keyboard

or

shown

MENUs,

that

listed

side

and

these

menus

on

the

shows

which

are

used

mouse

would

to

the

right;

this

FUNCTIONS

are

divided

left,

and

the

in

which

modes

to

perform.

into

various

operative.

Controls.

as

it

is

capable

sound

data.

This

which

you

the

overall

be

found

in

parameters,

In

fact,

for

program,

page,

is,

of

features

perform

list

gives

within

sections,

which

sound

these

parameters.

and

and

use

course a simplified

a

number

the

same

you a bird's-eye

the

menus,

with

FUNCTIONS

the

various

functions

of

"data

can

think

operation

the

menu

deter

synthesis

use a cur

the

key

of

basic

func

are

or

the

rela

on

the

are

NORMAL

COMBI-.

NATION

MULTI

CHANNEL

OPERATION

MEMORY

EFFECT

00

MIDI

CHANNEL

01

PORTAMENTO/

02

PITCH

BEND

03

AFTER

TOUCH

04

MOD

WHEEL

05

DEF

CONTROL

06

FOOT

VR

07

FOOTSW

08

VEL

TABLE

09

PAN

10

LEVEL

11

PITCH

12

SPLIT

POINT

13

VELSPUT

14

VELINVERSE

15

POSCROSSFADE

16

DELAY

TRIG

17

TOTAL

VIBRATO

18

VIBRATO

19

TOTAL

TREMOLO

20

TREMOLO

21

COMBI

COPY

00

OPMEM

NAME

01

OPMEM

TUNE

SOLO

SELECT

INV

INV

With

jj

atth

whei

soun

simp

To

a

the

(

left

Once

the

c

You

the

v

decre

is

ret

(Note

as

wt

is

he

Whei

ply

p

TRO

Notic

select

ation

Diffn

tion

ingS}

with

i

1

To

work

in

the

to

work

in,

by

After

you've

selected

to

enter,

by

pressing

Now

that

you've

FUNCTION

PAGE

selected

the

PAGE

[▼]

key.

containing

keys.

You

menu

[A]

operating

pressing

with

key.

system,

one

of

the

mode,

EDIT

key

specified

can

these

To

the

the

parameters

scroll

continuously

keys.

scroll

down

you

first

choose

the

MODE

you

must

or

TOTAL

MODE

keys.

specify

CONTROL

and

MENU,

you

want

through

To

scroll

up

(increment

(decrement

numbers),

what

MODE

what

MENU

key.

choose

to access

the

by

functions

numbers),

press

you

want

you

want

the

actual

using

the

in

any

press

the

PAGE

OPERATION

MEMORY

NORMAL

WRITE

TOTAL

COPY/INIT

CONTROL M ON/OFF

PAGE

COMBI-

NATION

CHANNEL

EOIT

CURSOR

MULTI

COMPARE/

BANK

VALUE

RECALL

SHIFT

With

some

functions,

at

the

top

right-hand

when

the

selected

sound

source

module

simply

press

the

To

alter

the

various

the

CURSOR

left

in

Once

you've

the

cursor,

You

can

the

value

decrement

is

reached,

(Note

that

as

well,

is

held

When

ply

press

TROL

Notice

selected

ation

Effect

keys.

the

lower

moved

you

can

increment

keys.

If

automatically

scrolling

this

works

however

down.)

you

want

any

of

key.

that

when

in

that

MENU

mode,

you'll

notice a module

corner

of

the

display.

function

corresponding

section

scrolling

to

the

you

features

individually.

a

parameter

To

select

PROGRAM

PARAMETERS

These

keys

of

the

to a parameter

use

the

VALUE

or

decrement

you

hold a value

at

high

stops

automatically.

with

the

continues

exit

from

any

MODE

keys,

reselect

is

recalled.

contained

let

you

menu.

which

keys

the

value

key

speed.

When

"function"

in

an

function,

the

EDIT

a

particular

(Function

however.)

indicator

These

(for

indicators

which

the

module

key

(Al -H8).

in

any

move

up

or

down,

you

want

to

input

values.

one

step

at a time

down,

the

values

the

lowest or

list

in

each

of

endless

loop

menu

or

mode,

key,

or

the

MENU , the

"00"

always

example,

can

you

function,

to

set

the

as

long

TOTAL

function

selected

"M2")

appear

only

be

set

for

each

want

to

edit,

you

and

right

or

edit

with

by

pressing

increment

highest

value

three

menus,

as

the

you

can sim

CON

you

in

Oper

use

or

or

key

last

CURSOR

PAGE

WRITE

TOTAL

COPY/INIT

CONTROL M ON/OFF

CURSOR

EOIT

VALUE

BANK

SHIFT

Difficult?

tion

ing

with

Not

at

Index

Practice

System

Controls"

your

VZ's

all!

operating

If

it's

not

entirely

Exercise".

—

This

the

VZ

controls

system.

will

clear,

try

going

through

familiarize

which

you

are

used

with

to

"communicate"

the

"Func

the

"Operat

•18'

Menus

Within

each

functions

that

For

which

module

alter

is

further

have

changeable

example,

affect

(oscillator).

the

values

and

Menu

you

will

broken

values

in

VOICE

the

of

menu,

characteristics

To

alter

the

various

function.

When

the

tions

which

MAL,

COMBI,

the

OPE

EFFECT

in

the

OPERATION

EFFECT

control

menu

built-in

and

MULTI

menu

are

MEMORY

Functions

find a number

down

into

or

settings.

you

of

the

the

characteristics

parameters

is

chosen,

"sound

CH

used

to

of

"Functions."

"parameters,"

can

select

sound

produced

contained

you

can

select

effects".

modes.

These

In

make

settings

which

from a variety

by

of

the

sound,

in

each

from a variety

can

be

addition,

for

Operation

mode.

Each

of

are

constants

of

functions

each

individual

you

VOICE

of

used

in

the

2

functions

Memories

these

simply

menu

func

NOR

from

VOICE

PARAMETER

LINE

WAVE

FORM

DETUNE

ENVELOPE

ENV

DEPTH

KF

LEVEL

VEL

LEVEL

VIBRATO

OCTAVE

ENVELOPE

ENV

DEPTH

KF

LEVEL

VEL

LEVEL

TREMOLO

AMP

SENS

TOTAL

LEVEL

KF

RATE

VEL

RATE

PITCH

VEL

AMP

VEL

RATE

VOICE

NAME

INIT

VOICE

SENS

RATE

jj

®—

When

the

tions

which

*

include

such

Take a look

of

how

MENUs

VOICE

EFFECT

TOTAL

It's

important

every

MODE — notice

relative

MODEs

ticular

function,

also

notice

which

the

TOTAL

(PARAMETER)

CONTROL

provide

"overall"

parameters

at

the

as

tuning,

MENUs,

and

this

FUNCTIONS

menu — SOUND

control

menu

CONTROL

that

function

menu — TOTAL

to

remember

listed

the

related

each

that

that

the

on

the

operational

FUNCTION

operates.

menu

is

chosen,

over

MIDI

"menu

are

you

the

VZ-8M's

settings,

hierarchy"

organized.

EDITING

—

EFFECT-RELATED

CONTROL

not

all

FUNCTIONS

menus

are

divided

left.

Remember

INDEX

that

mode

must

lists

the

can

select

from

func

performance.

They

etc.

gives

you a clear

view

FUNCTIONS

FUNCTIONS

FUNCTIONS

can

be

accessed

into

sections,

when

you

first

be

operational

with

choose a par

specified.

You'll

modes

in

the

in

OPERATION

MEMORY

COMBI

NATION

MULTI
CHANNEL

00

OPMEM

01

OPMEM

TOTAL

CONTROL

00

MASTER

01

TRAN8POSE

02

MEMORY

03

SAVE/LOAD

04

MIDI

05

MIDI

06

CARD

NAME

TUNE

TUNE

PROTECT

CHANNEL

DATA

FORMAT

^

r

About

In

the

following

menus.

The

portant

information

lhiwfcidQr

SmviTY

Whtn

SENSITIVITY

Tte

CURVE

«r«r«»

VELOCITY

TW

bortoatal

nha

tht

Whta

fuocttoo

wbttho

or

dMdttl

wpt

b M mint

TkU

Kttlni b itoUI.

©Function

This

number

on

the

menu

©Function

This

name

it

is

listed

©Individual

This

list

shows

Function,

can

be

made

as well

SITIVITY

tion

can

be

©Explanation

This

text

provides

the

function,

©0/S

(Operating

Indicates

function

settings

the

and

for

Function

section,

function

RATE

Mains b (total

to

tadiacp

is

No.

IT

("VEL

and

CUKVE

It

MiWiwtoa

At

SENSHTVITYb

paTKMUt

Ira

RATE

sdi

*f

tht

VELOCITV

to

tat

ratt

rax

of

ttptta

tat

No.

II

f"P

VEL

ooi

tht

VEL

RATB

of

tht

PITCH

VOICED.

tfftctini

Number

corresponds

table

Name

corresponds

the

menu

parameters

all

for

each

parameter

set

at

of

as

well

basic

move

each

you

"indexes"

on

the

VEL

RATE

(rftaid I cart-

RATE

both

cat

000

tad

OCA

RATi

SENS"),

tht

SEN-

railed,

tat

fa*-

you

ctoow

from

eat

cwxn»«^riow>«lbcto».

COR

VE

npratan

cawtoot

(DCO/DCA)

RATE"),

you

on

nm

wU

iffM

tht

BNV

(DCO

cowtopt)

wtkh

iU

I nodufct

(MI • Mil.

to

on

the

to

table

and

the

parameters

as the

range

parameter.

in

the

any

level

function/parameters

a

brief

explanation

as

its

System)

keys

and

through

parameter.

©Domain

GLOBAL — In

which

means

tem,

and

Reception

SIGN 1 data.

Reception

the

primary

some

the

settings

all

the

sounds

in

the

COMBI

in

the

"G"

channel

functions,

effect

in

performance

set

in

will

find

information

listed

on

the

function

(DCO/DCA)

To

ENABLE

Within

whether

dMdual

b M ulna

nodakt

To

BNASLB

ttapty

prat

of

I

prat

in

»tkt

b»

the

preceding

the

on

of

and

its

(nafct

cflttM

da

VEL

RATB

runoim

No.

It

r"A

VBL

not

tht

VBL

RATB

of

tht

AMP

VOICB4*.

ThaM

iadMdMlh.

tht

VBL

RATB

Iht

cunor

to

tat

kty

(~B" b dbplaytd).

kay

r** b tfbpkyai).

dt&tr.Nou.

Aoavw.

RATE"),

cum

BNV

atunp

(ot

any

dnlnd

of

{OCA

can

(Am

wtt

tup

iup

To

or

itepi

(Ml-Mt>

mo*t

tht

VES

tat

NO

mp

number

page.

name

of

the

the

preceding

value

range

contained

values

For

in

or

settings

example,

VELOCITY

between 0 and

of

the

individual

control

controls

the

parameters.

operation

used

display

hierarchy

settings

the

are

entire

operating

it.

mode

is

limited

mode

EFFECT-00.

Indexes

on

each "function"

following

parameters,

to

toy

you

on

ipajfy

affM

tht

bt

aiadt

for

atca

la

tat

amlopt.

potkloa

dbaMt,

dnpty

Umt

m

the

function

function

pages

as

In-

aad

as

page.

the

selected

which

the

SEN

RATE

func

31.

purpose

to

of

select

the

to

edit

"Global,"

sys

to

KEY

AS

is

limited

to

contain a variety

shown

MODULAR — In

for

ting

LINE — In

module

M1M2,

PATCH — In

fect

presently

play.

keys.

8-PATCH

used

8

patches

8-PATCH

used

patches

1,

signments

patches

when

AREA — When

Area

each

with

©Related

Lists

related

RATE

functions

TY

function).

©Modes

Lists

COMBINATION,

ates.

hand

related

©Menu

This

the

indicates

function

menu.

REMEMBER....

These

function

parameters

volumes

actually

standing,

CISE

for

below;

each

iPD

is

said

to

other

"LINE"

for

example).

each

patch

being

You

can

MIX

in

the

COMBI

globally.

MIX

in

the

COMBI

in

"couples". In

for

example,

are;

in

each

either

is

number

area

independently.

the

PROG

Functions

the

other

with

the

(VOICE-18)

as

function),

all

of

the

(See

the

column

to

the

"tab"

at

function

that

can

indexes

and

are

to

provide a technical

affect

be

sure

found

all

three

of

im

some

functions,

module

individually.

be

"modular."

functions,

(remember,"

the

COMBI

independently.

edited

is

shown

select

a

patch

settings

In

settings

are

this

is a set

mode,

some

In

this

highlighted

to

edit

with

GLOBAL — When

mode,

some

parameters

COUPLE — When

mode,

certain

parameters

this

case,

settings

will

also

affect

patch

1<*5,

2<-*6,

3<->7,

4<->8.

"couple"

are

highlighted

selected.

parameters

in

the

MULTI

NO

editing

selected

VOICE-17

and

VOICE-09

"operational

etc. — in

menu

table

of

the

FUNCTIONS

the

edge

can

be

accessed

the

VELOCITY

be

accessed

provide

parameter.

interrelated,

are

displayed

CH

mode,

You

can

select

keys.

functions

function.

function

(the

that

In

is

closely

VEL

(the

modes" — NORMAL,

which

on

the

preceding

menu

hierarchy

on

the

of

the

page

shows

in.

In

RATE

in

the

VOICE

only

basic

information

Many

of

and

it

this

RATE

DCA

this

these

would

explanation

the

on

to

the

sounds.

go

To

through

next

page.

gain a practical

the

PRACTICE

ji

can

be

made

this

case,

the

set

made

for

each

of

modules

parameters

case,

on

the

PROG

an

8-patch

an

8-patch

made

5.

The

Note

on

the

along

the

data

an

area

are

closely

case,

related

SENSITIVI

ENVELOPE

the

function

page.

shows

the

right.)

which

case,

SENSITIVITY

PARAMETER

functions

take

of

—

af

the

patch

the

dis

NO

mix

affect

all

mix

affect

the

for

patch

couple

as

that

both

display

with

the

affects

to

edit

inter

the P VEL

to

such

oper

The

left-

MODEs

"menu"

"VOICE"

on

each

and

literally

how

they

under

EXER

•20-

is

is

Function

Index

Practice

Exercise

About

The

as a guide

carefully,

you

a

Practice

How

parameters

For

RATE

VEL

PARAMETER

DCA

The

corresponding

at

the

The

page

PARAMETER

MAL

Since

which

to

sound.

Try

Now,

of

procedure

the

Function

following

with

basic

to

this

RATE

envelopes,

Function

the

edge

function

related

is

an

to

actual

editing

executing

an

understanding

understanding

Exercise:

use

example,

for

Using

Function

in

the

VOICE

let's

the

DCA

SENS

menu.

as

Indexes

to

the

of

the

page

can

be

MODEs

(item ® on

menu,

operating

the

parameters

is

actually

choosing

•To

do

this

•Next,

press

"G7"),

play

how

velocity

mode

goal

of

for

the

audibly

and

"dependent"

hear

how

PRESET

first

select

the

BANK

then

the

some

notes

affects

1

listed

below.

example

the

Indexes

envelope.

function

shown

three

accessed

are

opposite

our

DCA

changes

Index

operations

of

Function

assume

Notice

are

(item ® on

listed

function

is

practice

(1)

the

key

"5"

with

this

Practice

of

how

you

operations.

of

the

editing

when

PARAMETER

in

arranged

editing

page).

selected

envelope,

in

patch

PRESET

followed

key

varying

sound.

Be

as

you

how

you

operations.

Indexes

editing

that

you

Looking

that

the

in.

at

at

listed

as

this

second

in

three

MENUs.

opposite

the

bottom

In

#

17)

can

(when

exercise

you'll

on

these

the

various

number

(1)

by

(labelled

degrees

Once

Exercise

can

use

the

Function

sure

to

go

through

go.

This

will

not only

can

utilize

the

indexes,

the

VELOCITY

menu.

want

to

"edit"

the

the

menu

table,

function

function

column.

main

page)

this

only

the

is

want

settings.

parameters

G-5 — "VZ

area

the

E5).

of

you've

17

on

affects

both

sections

You'll

notice a black

which

lists

edge of

case,

NORMAL

to

by

"G"

the

VOICE-17

be

used

when

key

edit

the

to

choose a patch

This

will

will

TOUCH."

pressing

key

the

program

velocity,

got

it

down,

Indexes

this

exercise

provide

but

also

RATE-related

VELOCITY

you'll

find

the

the

VOICE

DCO

and

in

this

manual,

"tab"

which

"menu"

(D—kr

function

index

(VOICE

the

NOR

LED

is

lit).

RATE-related

to

edit

make

it

easier

influence the

SHIFT

key.

key

(labelled

and

take

note

go

on

to

For

this

example,

i

the

NORMAL

Take a look

System

function.

to

refer

at

item

controls

that

You'll

find

to

this

list

•21?

we'll

key.

<§)

on

are

used

this

handy

as

you

work

in

the

the

function

in

editing

when

working

work

through

NORMAL

index.

the

parameters

this

mode,

This

lists

contained

in

any

function.

exercise

as

so

first

press

the

Operating

in

this

(Be

sure

well.)

NORMflL

G-5:UZ

K

PST1

TOUCH

|O/S I EDIT-g^j-PAGE-CURSOR-VALUE

2

Next,

specify

pressing

If

you've

previously

you

selected

ample,

In

this

Now

Index.

means

to

affecting

Many

ULE

module

that

are

ule

by

Use

Look

in

each

values

you

a

function

on

the

last

let's

assume

state,

take a look

You'll

that

settings

only a single

functions

number

that

is

made

pressing

the

PAGE

at

item ® in

function,

can

be

can

look

(Note

same

that

you

want

to

work

the

EDIT

key

and

the

pressing

worked

will

you

can

at

notice

made

feature a "modular"

will

appear

presently

will

affect

any

the

as

well

set.

You'll

up

individual

that

index.)

in

the

VOICE

automatically

you

last

select

item ® in

that

the

in

module,

at

selected

only

PROG

keys

to

index.

as

related

find

be

worked

function

the

VELOCITY

"Domain"

this

function

single

the

right

("Ml

this

module.

NO

key.

select

VOICE-17

Here

are

information

this

comes

parameters

VOICE

menu

functions

in

the

VOICE

PAGE

menu

sub-mode,

recalled

in

number

at

this

VOICE-00

with

RATE

is

listed

as

being

affect

all

line,

etc.).

domain.

of

"for

listed

In

these

the

display.

example) — and

You

can

select

(VEL

all

the

such

in

handy

easily

without

17

through

menu

sub-mode

DOWN

the

point.

For

(LINE).

the

PAGE

SENS

"Global."

sounds

(as

cases, a MOD

This

indicates

any

a

different

RATE

SENS).

parameters

as

the

range

in

VZ-8M

actually

19

are

by

key.

function

our

ex

keys.

Function

This

opposed

the

settings

mod

contained

in

which

editing,

as

accessing

all

listed

EFFECT+PflGE

UOICE

98

Mode

Keyboard

Guitar

Wind

+PRGE

LINE

INT

LINE=PHflSE

Domain

UP

DOWN

M1M2

Normal

\l}

GLOBAL

19

MODULAR

Ml

17

UEL

RflTE

SENS=

Parameters

17

(VEL

RATE

SENS

CURVE=1-8

18

(P

ENA

19

(A

ENA

SENS)

(SENSITIVITY)=0-31

VEL

RATE)

= E/»

VEL.

RATE)

E/

SENS

0

6 7

4

Try

changing

VALUE

be

'i

entirely.

|

when

|TThe

CURVE

ITY

RATE

r

changing

)

VALUE

keys.

set

between

,

SENSITIVITY

As

SENSITIVITY

the

controller

parameter

curves,

the

keys.

ft..

j'Press

the

'(P

VEL

RATE).

\

the

next

}

whether

t

PITCH

(Ml ~ M8).

the

SENSITIVITY

As

shown

"0" and

is

set

to a value

is

raised,

is

played

with a strong

lets

you

as

shown

CURVE

PAGE

function

or

not

ENV

parameter

Set

it

at a value

[A]

(VOICE-18,

the

VEL

(DCO

envelope).

Note

in

the

Function

"31."

Set

of

the

envelope

choose

from

on

the

function

value

of

key

once

listed

RA

TE

curve

This

that

the

parameter

it

to a value

"0",

(fast)

"4".

again,

setting

PITCH

value

Index,

this

of

velocity

rate

attack

one

index.

by

using

on

the

will

affect

will

becomes

(high

of 8 different

the

and

select

same

the

is

global,

envelope

by

using

the

parameter

about

can

"22."

be

disabled

more

acute

"velocity").

VELOC

cursor

key

and

VOICE-18

index),

you

can

individual

steps

affecting

is

set

using

all

IT

UEL

RflTE

SENS

SENS=22

IT

UEL

RflTE

SENS

CURUE=1

IT

UEL

RflTE

SENS

CURUE=4

18 P UEL

ENfl=*****##*

RflTE

1;!'

1 i .

I

To

ENABLE

step

in

sition

Step

numbers

To

DISABLE

For

our

VOICE-19

Using

or

not

ENV

however,

Notice

ally,

as

hand

You

can

(make

the

DCO

and

press

1

example,

(remember,

VOICE-19

the

VEL

(DCA

envelope)

only 2 steps

that

these

indicated

corner

of

select

effective)

envelope,

the

YES

through

the

settings,

however,

"AMP

RA

TE

settings

by

the

the

display.

any

module

the

simply

key.

8

are

displayed

simply

skip

our

goal

ENVELOPE"

curve

will

which

is

have

been

can

be

module

with

VEL

RATE

move

the

from

press

the

this

function

is

to

alter

function,

affect

the

set

using

set,

so

only 2 are

made

for

each

number

the

PROG

which

settings

for

any

cursor

to

the

desired

left

to

right.

NO

key.

(VOICE-18)

only

DCA-related

you

can

specify

individual

VOICE-09.

steps

Note

displayed.

module

(Ml -M8)

appears

NO

at

the

keys.

particular

step

po

and

go

to

settings...).

whether

of

the

AMP

that

here,

individu

upper

right-

A

YES/SUS

V

NO/ENO

19

fl

UEL

RflTE

ENfl=:+:*

Ml

8

For

our

example,

PROG

NO

key

(BANK

ing

only

H8

individual

6

To

ENABLE

the

selected

move

To

disable,

For

our

example,

the

envelope.

the

step

display.

respond

bled,

Now,

RATE

Next,

functions

In

LOPE

tions

to

an

play a few

curve

take a look

this

case,

(VOICE-09)

will

try

key.

To

key)

followed

on.

In

this

module

while

the

module

the cursor

simply

try

Notice

Note,

each

active

"E"

replaces

notes

and

sensitivity

at

which

are

both

the

affect

the

selecting

turn

to

that

item ® in

closely

are

VELOCITY

MODULE 8 by

OFF

all

other

by

the

PROG

way,

you

can

editing,

VEL

(M8),

the

press

enabling

however,

step

the

and

as

RATE

for

turn

desired

the

NO

the

there

are

no

that

position

asterisk.

chords

again.

have

affected

the

related

DCO

ENVELOPE

listed.

Naturally,

RATE

pressing

modules,

NO

keys

focus

on

the

others

will

any

step in

OFF

the M ON/OFF

step

position

the

press

Al

through

DCA

not

affect

the

DCA

and

press

key.

VEL

RATE

for

all 4 active

identifying

there

(4,

in

function

to

the

the

"numbers"

are

asterisks

this

case).

When a step

Notice

how

the

the

sound.

index.

This

VELOCITY

(VOICE-03)

settings

of

these

function,

and

corresponding

the M ON/OFF

G7,

leav

envelope

("#")

RATE

and

vice-versa.

for

this

the

sound.

envelope

key

and

the

assigned

which

changes

section

DCA

envelope

of

simply

YES

key.

steps

in

to

cor

is

ena

in

the

lists

the

function.

ENVE

func

E 5 F 8 6 7 H

□

H

S

P

P P

19

fl

UEL

RflTE

ENFNEEEE

Related

17;

VOICE-03,

18;

VOICE-03,

19;

VOICE-09,

Functions

09.

17

17

18,

19

8

•23*

7

Next,

to

followed

sitivity,for

Again,

play a few

sound.

If

you

want

to

hear

edited),

press

the

ing,

the

original

edited

version.

Since

8

may

for

a

want

cisions.

To

access

tings,

simply

sound

the

"modular"

want

this

particular

direct

impact

to

the

LINE

press

turn

ON

all 8 modules,

by

the

PROG

NO

keys

and

all

steps

in

each

module's

notes*

and

chords

and

observe

• -

the

"original

COMPARE/RECALL

can

domain

(settings

to

have a look

on

look

at

the

configuration

the M ON/OFF

sound"

be

played.

of

the

settings

made

sound.

the

selected

line

configuration

(the

key.

Press

made

for

each

at

how

the

This

modular

patch's

when

making

(BANK)

press

the M ON/OFF

ENABLE

AMP

sound

When

it

once

module

iPD

sound,

the

envelope.

the

changes

as

it

the

indicator

again

using

these

independently),

modules

LINE

configuration

and

when

making

modular

key.

key

curve

and

sen

in

the

overall

•

was

before

you

is

flash

to

return to the

parameters

are

organized

you

may

editing

parameter

is

you

has

often

de

set

P

PY

1*2

3*4

56'

19 n

UEL

RRTE

ENfl=EEEE

MS

£

MB

Depending

tings

^HASE,

HASE.

Modular

LO

on

how

are

made

in

►us

symbols

"*"

indicates

The

numbers

highlighted

Sound

For

this

you

want

TION

MEMORY

MEMORY

I

exit

to

another

Now

assume

tion

again

MAL

key

it-selected

i

in

the

i

Note

that

gjts

you

press

the

INTERNAL

using

the

iPD

sound

appear

System"

example,

FUNCTION

OPE

on

the

display.

RING,

" + "

indicates

corresponding

on

the

display.

in

assume

to

move

immediately

mode.

key.

mode,

simply

that,

you

(for

some

followed

EFFECT

function

the

EDIT

(For

this

manual.)

that

To

do

press

want

to

reason).

by

the

EDIT

in

each

menu)

VOICE-19

key

followed

LINE

and

EXTERNAL

source

LINE

function

For

example,

MIX

and

to

the

modules

details,

you've

to

performance

so,

simply

the

go back

To

do

key

menu

is

held

(VEL

by

which

refer

now

press

MODE

and

so,

simply

and

PAGE

(with

the

in

memory

RATE

the

PAGE

LINE

set

(VOICE-00),

"-*"

indicates

"P"

indicates

actually

to

"Theory:

finished

in

the

the

OPERATION

EXT

sound

iPD

editing

and

OPERA-

key.

edit

this

same

func

press

the

NOR

DOWN

execution

and

AMP)

[T]

key.

of

the

instantly

is

recalled

key.

2

as

1*2

3*4

OPERATION

MEMORY

P P

5*6

COMBI-

NORMAL

NATION

£

H+B

MULTI

CHANNEL

l

this

example

i

same

for

all

function,

only

covers a single

functions.

be

If

sure

to

you

have

refer

function,

any

difficulties

back

to

this

the

basic

operations

when

working

example.

•24-

Function

Index

h

•:

i

,;

■'.

INT

LINE = MIX/RING/PHASE

EXT

PHASE = ON/OFF

06

LINE

INT

LINE=RING

Use

this

function

four

Internal

The

INT

RING,

waveforms

a

diagram

ration

When

key

(C3~H8)

want

the

M3

In

addition,

you

turn

for

modules

ing

the

Lines,

LINE

or

PHASE

produced

on

the

in

modular

you

want

of

to

view

(for

or

M4

this

the

EXTERNAL

M3-M8.

cursor

selector).

key.

Parameters

M1M2

to

specify

as

well

parameter

settings,

by

each

display

form

(FIG-A).

to

view

another

either

module

example,

function

You

)

the

line

as

External

lets

you

which

module

shows

the

in

to

view

features

PHASE

can

access

LINE

(for

M3-M8)

LINE

INT

LINE=PHflSE

configuration

Phase

choose

determines

are

output.

internal

line,

press a PROG

the

particular

the

next

a

"toggle"

function

this

function

M3M4

for

all

relationships.

from

MIX,

how

the

Note

that

line

configu

NO

line

you

line,

press

either

which

lets

ON

or

OFF

by

press

O/S

EDIT-^^-PAGE-CURSOR-VALUE

Mode

Keyboard

Guitar

Wind

:i

LINE

EXT

PHRSEON

To

view

the

overall

ON/OFF

as

display.

PHASE

MIX,

PHASE.

The

are

(For

tem,

Note

modules

(BANK)

EXT

PHASE

For

example,

of

line

"*"

indicates

modules

highlighted

more

which

information

refer

to

"Theory:

that

when

are

reset

Domain

M3M4

line

configuration,

key.

As

shown

as

designated

notice

that

M3M4.

on

this

Also,

RING

modulation,

are

actually

the

display.

on

the

iPD

Modular

function

to

factory

settings

is

Related

Functions

Normal

LINE

1*2

press

the

in

FIG-D,

by a "P"

M1M2

note

producing

modular

initialized,

(mixed

LINEs

symbol

is

used

that " + " indicates

and

audible

sound

Sound

on

as

the

"->"

indicates

sounds

source

System".)

data

for

internal

A

M

used

the

EXT

f:

sys

all

8

line).

When

EXTERNAL

the

specified

(FIG-C).

LINE

PHASE

is

is

ON,

modulated

by

the

second

the

previous

module

in

LINE

01

WAVEFORM

Related

Functions

Parameters

FORM = SINE/SAW1

01

'

FORM=SINE

With

*

which

the

basic

i

sound

8

basic

^various

$Note

dependently.

SAW5/NOISE1

WflUE

FORM

this

function,

are

produced

timbre — one

(pitch,

timbre

waveforms.

types

of

that

waveforms

Ml

you

by

each

and

(See

waveforms.)

can

can

of

information

Ik---

COPY/INITIALIZE

>This

function

I

which

lone

module

ule

to a SINE

features

allow

you

to

to

another,

wave.

COPY

"copy"

and

/SAW2/SAW3/SAW4/

/NOISE2

81

NflUE

FORM

M2

FORM=SflNl

choose

the

basic

waveforms

module.

the

volume).

be

waveform

to

Waveforms

three

basic

You

below

selected

and

for

INITIALIZE

specifications

"initialize"

determine

elements

can

each

of

any

choose

from

for

details

module

functions

from

the

selected

mod

on

in

O/S

EDIT-^^j-PAGE-CURSOR-VALUE

Mode

Keyboard

Guitar

Wind

01

CQPY+M-M8

INIT^

To

COPY

module,

the

waveform

the

WRITE

key

corresponding

To

INTIALIZE

and

the

itialize.

the

YES

ed

for

the

YES

the

waveform

first

select

you

key

(FIG-C)

the

module

Next,

containing

hold

key. A SINE

FORM

Domain

Ml

of

the

selected

VOICE-01

want

to

the

selected

down

wave

parameter.

and

the

to

copy

from.

and

then

press

module

the

you

module,

the

(initialized

first

waveform

WRITE

setting)

Normal

MODULAR

module

module

want

key

to

another

containing

Next,

hold

the

PROG

to

copy

select

VOICE-01

you

want

and

then

will

be

^

down

NO

into.

to

in

press

select

ft*

,

About

Waveforms

You

can

choose

from 8 different

These

waveforms

Sine -the

monics

Saw

higher

the

present.

1-5 -A

in

decreasing

most.)

Noise 1-A

resembling

Noise 2 -Anothr

"static".

have

purest

waveform

A

"pure"

"buzzing"

amplitude.

waveform

static.

noise

waveforms.

the

following

possible

whistling

type

consisting

waveform

types

with

type

of

waveform

(Saw 1 has

of

all

harmonics

which

of

characteristics.

only

the

fundamental

of

sound.

with

the

least

does

have

harmonics

amount

present,

the

present

of

uppr

producing

fundamntal

frequency

a

pitch

and

no

from

the

fundamental

harmonics

non-pitched

present

and

type

along

other

har

on

Saw 5 has

of

sound

with

the

•26*

DETUNE

Related

Functions

if:.

1

iill:

PITCH

ON:

OFF:

FIX = ON/OFF

RANGE=

HARMONIC = V63 ~ 63

TUNE= + /-

0-11

92

DETUNE

PITCH

This

function

each

module.

"thick"

The

PITCH

This

lets

ments,

pitch

Parameters

HARMONIC:

tuned

quency.

adjusted

At a value

detuning

With

a

total

Fine

POLARITY

be

tuned

OCTAVE

NOTE

tone

FINE

ments

When

parameters,

monic

"L"

harmonic

monic

(FIG-C)

Parameters

RANGE

range"

instrument

a

range

By

selecting

sound

mately

as

it's

the

FIX=OFF

lets

you

By

sound,

you

by

is

produced

module

When

to

PITCH

of

Tuning.

(NOTE):

(100-cent)

TUNING

(approximate).

detuning

of

marks

value

of

will

C#

frequency

OCT

detuning

or

emphasize

FIX

parameter

simulate

fixing

the

by

with

PITCH

Used

will

sound

the

harmonic

appropriate

of

"1,"

the

is

effected.

FIX

set

four

different

(POL):

above

(+)

(OCT):

Used

Used

increments.

(FINE):

is

the

resulting

the

standard

to

the

right

is

slightly

(differs

with

PITCH

(xl

or

the

of

1/16):

fixed-pitch

pitch

(and

approximately

the " x

be

shifted

6.

(In

some

is

value

in

Parameters

xl/xVi6

(POLARITY),

(NOTE),

Ml

0-63

02

DETUNE

TUNE=+3?1@?56

establish

the

frequency

any

to

set

standard

to

Used

or

to

effected

frequency.

of

higher

with

OCTAVE

1/16"

to a range

too

this

the

pitch

some

modules,

certain

"harmonic",

can

also

be

"attack"

note

FIX

the

in

comparison

sound

of

one

module

number.

set

to

OFF

harmonic

with

level

is

set,

corresponding

frequency

OFF,

the

TUNE

settings;

below

to

harmonic

Polarity,

to

specify

(-)

raise

pitch

raise

or

Used

to

alter

with

will

whether

the

in

lower

pitch

the

not

Because of

the

HARMONIC

or

lower

than

detuning).

FIX

set

to

When

sound

ON

set

to

will

correspond

parameter

F#

-1

to

C#

parameter

cases,

low

case.)

is

equal

the

sound

for

the

(FIG-D),

human

O/S

0-5

(OCT),

(FINE)

Mi

B

independently

you

can

set

in

this

of

certain

so

that

(normal

level

at

which

the

standard

other

parameters

levels

automatically.

is

specified

parameter

Octave,

the

standard

1-octave

fixed pitch

in

1.6-cent

NOTE

be

an

this,

indicate that

the

displayed

"xl",

setting),

10.

the

to

F#

-5

will

not

ear.

for

create

a

etc.

function.

instru

the

same

detuning)

the

de

fre

are

and

no

features

Note

and

module

will

frequency.

increments.

in

half

incre

and

FINE

"exact"

har

"H"

and

the

har

the

"octave

to

the

MIDI

within

fixed-pitch

to

approxi

be

audible,

Try

raising

EDIT—

Domain

Mode

Keyboard

Guitar

Wind

2

DETUNE

Mi

HfiRMONIi>ilH

PITCH

(Fixed

Frequency)

OCT-5

NOTE-4

RNE-0

With

PITCH

a

total

Tuning.

OCTAVE:

the

NOTE

OCTAVE

NOTE

tone

(100-cent)

range

FINE

increments.

COPY/INITIALIZE

This

function

which

module

initialized

To

COPY

to

another

taining

down

responding

To

INITIALIZE

and

the

to

initialize.

the

YES

(DETUNE

FIX

of

four

different

Used

to

parameter

parameter

(NOTE):

Used

increments.

is

limited

TUNING

to

(FINE):

features

allow

you

to

to

another,

setting

(DETUNE

the

detuning

module,

the

detune

the

WRITE

to

the

module

key.

the

containing

Next,

Detuning

OFF).

set

to

ON,

settings;

raise

pitch

is

set

can be

to

raise

between

COPY

"copy"

and

to

specifications

first

select

settings

you

key

and

module

selected

the

hold

down

settings

—CURSOR—VALUE

Normal

MODULAR

02

DETUNE

"

RflNGE=

OCT-10

NOTE-7

FINE-0

the

TUNE

parameter

Octave,

in

1-octave

to a value

set

between

or

(When

"0"

Used

and

detune

"reset"

OFF).

VOICE-02

want

then

press

you

want

module,

detuning

the

will

increments.

higher

"0"

lower

fixed

OCT

is

set

and

"7.")

to

alter

pitch

INITIALIZE

specifications

the

selected

of

the

and

to

copy

from.

the

PROG

to

copy

first

select

specifications

WRITE

be

reset

key

to

Ml

*1/16

D

features

Note

and

Fine

(When

than

"7",

and

pitch

to

module

selected

the

module

NO

into.

and

initialized

the

"9".)

in

half

"10,"

this

in

1.6-cent

functions

from

one

to

an

module

con

Next,

hold

key

cor

VOICE-02

you

want

then

press

values

•27-

03

PITCH

ENV

(DCO)

Related

VOICE—04,

Functions

05,

17,

18

R1-R8

L1-L8

SS=SUSTAIN

ED = END(NOkey)

93

PITCH

Rl=99

The

DCO

for

all 8 modules.

means

in

the

A

level

dard

pitch

values

the

pitch.

SS

& ED

t

In

addition

jB)

and

£step

in

•To

enter

||When

Frwill

be

*;

step

immediately

'o

delete

ENU

Ll=+13

envelope

that

RATEs

envelope.

value

of

played

cause

the

POINTS

to

RATE

ED

(End,

the

DCO

an SS

point

a

sustain

point

sustained

e"

point

a

sustain

Parameters

(RATE) = 0-99

(LEVEL)=

-63-

STEP

(YES

83

Rl=99

determines

The

and

"0"

on

keyboard).

pitch

and

FIG-C)

envelope.

is

until

following

(as

in

point,

the

change

unit

features

LEVELS

indicates

to

rise,

LEVEL

in

any

inserted

a

note

ADSR

8-step

can

no

change

This

while

values,

points

can

step,

press

in

the

off

message

the

SS

type

press

the

+63

key)

PITCH

be

negative

envelope,

step

pitch

YES

ENU

Ll=+13

in

pitch

envelopes,

set

at

up

in

means

SS

(Sustain,

be

specified

the

YES

is

received.

then

envelopes).

(VALUE

SS

over

time

which

to 8 points

pitch,

(stan

that

positive

values

lower

FIG-

at

(VALUE

the

PITCH

becomes

A)

O/S

S3

R2=84

As

there

point

is

to

any

be

deleted.

Note

that

its

LEVEL

•To

delete

ply

move

T)

key

matically.

any

Note

depends

When

represents

down).

INITIALIZE

The

To

the

key

INITIALIZE

module

ize.

Next,

YES

EDIT-^^j-PAGE-CURSOR-VALUE

Domain

Mode

Keyboard

Guitar

Wind

PITCH

ENU

L2=+ 0 EC-

are

up

to 8 steps

initially

step,

that

this

key.

set

in

however

ED

points

can

value.

the

end

point

the

cursor

to

once

again.

The

the

actual

change

on

the

setting

depth

is

at

its

more

than a 5-octave

the

patch,

containing

hold

the

down

in

the

step

8.

The

subsequent

be

set

for

from

any

the

step

and

end

point

effected

of

the

envelope

maximum, a value

first

specifications

the

WRITE

Normal

GLOBAL

DCO

envelope,

end

point

can

steps

will

automatically

any

step,

step

(1

through

press

the

returns

to

by

the

level

depth

in

of

change

in

select

VOICE-03

you

want

key

and

then

the

end

be

moved

regardless

NO

step 8 auto

VOICE-04.

-63

pitch

of

7),

sim

(VALUE

parameter

to + 63

(up

or

and

the

to

initial

press

the

To

enter

an

£ALUE

ED

T)

point

key.

in

any

step,

simply

press

the

Note

NO

ENVELOPE

in

that

the

PITCH

when

this

of

the

ENV

function

selected

of

is

initialized,

module

VOICE-18

the

PITCH

as

well

as

enabled

are

initialized.

steps

•28-

PENV

DEPTH

(DCO)

Related

Functions

VOICE-03,

05

DEPTH

RANGE = WIDE/NARROW

04 P ENU

DEPTH

DEPTH=53

This

function

RANGE.

LOPE

(VOICE-03).

The

ENVELOPE

"shift"

DCO

ENVELOPE

the

envelope

value

of

LOPE

contains

Both

of

these

settings

the

"0",

set

which

level

of

the

is

produced

the

pitch

in

VOICE-03.

Parameters

= 0-63

84 P ENU

RRNGE=WIDE

two

parameters

parameters

are

DEPTH

entire

parameters

as

is

affect

specified

parameter

envelope

(03).

At a value

set

in

VOICE-03.

not

changed

DEPTH

—

DEPTH

the

DCO

ENVE

in

function

can

be

used

produced

by

DCO

using

of

"63",

And

ENVE

O/S

(Envelope

and

The

either

03

used

equal

5

octaves.

to

in

25-cent

the

decreased

at

a

EDIT—

Mode

Keyboard

Guitar

Wind

set

using

VOICE-03

(Actual

envelope

RANGE

WIDE

in

to

parameter

or

NARROW.

setting

the

ENVELOPE

100

cents

and

When

NARROW

increments,

to

approximately

—CURSOR—VALUE

Domain

parameters)

level

shifted

down)

is a toggle

When

WIDE

LEVEL

the

maximum

is

selected,

and

the

maximum

more

than

Normal

GLOBAL

which

can

be

is

selected,

in

VOICE-03

setting

range

LEVEL

is

setting

+/-1

octave.

set

to

units

are

is + /

-

changed

range

is

I

l!

!;

I

'.liii-rMi

U.,.;.

I

Functions

:E-03,

05

05

P

KF

LEVEL

(DCO)

Related

VOICE-03,

Functions

04,

16

lal

1AL

an be

elected,

DICE-03

nge

L

ting

-1

=

set

to

units

are

is + /

-

is

changed

range

is

octave.

KEY

LI~L6

05 P KF
KEY1=C2

The

parameters

Keyboard

produced

VOICE-04.

means

BOARD

LEUEL

Ll=5@

Follow

using

The

that

LEVELS

FOLLOW

in

unit features

Parameters

l~KEY6 = C0~C9

(LEVEL) = 0-63

this

function

(KF)

the

can

CURVE.

are

used

affects

the

DCO

parameters

6-step

be

Pitch

In

VOICE-03

in

keyboard

set

at 6 points

Envelope

set

to

determine

envelope

VOICE-03

follow,

in

how

(pitch)

and

which

the

KEY

O/S

Mode

Keyboard

Guitar

Wind

@5 P KF

KEY2=C4

The

key

Range

curve

can

EL"

parameter

is

increased,

LEUEL

L2=25

parameter

(CO -C9).

be

moved

value

while

Domain

B

represents

In

this

in

harf-tone

is

it

is

positions

state,

each

increments.

increased,

decreased

-

KEY

the

as

the

FOLLOW

Normal

GLOBAL

in

the

Key

"POINT"

contour

value

CURVE

in

As

the

of

the

is

decreased.

Setting

the

KF

"LEV

curve

Overall

contour

r

Contour

disappears

_

J

11

L_,J

l__l± I I

J