Casio PX-S3000, PX-S1000 User Manual
PX-S1000/PX-S3000
MIDI Implementation
CASIO COMPUTER CO., LTD.
Contents
I Overview 3
1 Product Configuration as a MIDI Device 3
1.1 System Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
1.2 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
1.3 Sound Generator Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
2 Timbre Type Specific Operation 5
3 Controlling Send/Receive of MIDI Messages in Each Instrument Part 5
4 Conditions that Disable Message Send and Receive 5
II Channel Message 6
5 Note Off 6
6 Note On 7
7 Control Change 7
7.1 Bank Select (00H,20H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.2 Modulation (01H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.3 Portamento Time(05H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.4 Data Entry (06H,26H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.5 Volume (07H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.6 Pan (0AH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.7 Expression (0BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.8 Damper Pedal (Sustain) (40H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.9 Portamento On/Off(41H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
7.10 Sostenuto (42H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
7.11 Soft Pedal (43H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
7.12 Filter Resonance(47H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
7.13 Release Time (48H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
7.14 Attack Time (49H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
7.15 Filter Cutoff (4AH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
7.16 Vibrato Rate (4CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
7.17 Vibrato Depth (4DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
7.18 Vibrato Delay (4EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
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7.19 Portamento Control(54H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
7.20 High Resolution Velocity Prefix (58H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
7.21 Reverb Send Level (5BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
7.22 Chorus Send Level (5DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
7.23 Delay Send Level (5EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
7.24 RPN (Registered Parameter Number) LSB/MSB (64H,65H) . . . . . . . . . . . . . . . . 14
7.25 All Sound Off (78H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
7.26 Reset All Controllers (79H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
7.27 All Notes Off (7BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
7.28 Omni Mode Off (All Notes Off) (7CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
7.29 Omni Mode On (All Notes Off) (7DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
7.30 Mono Mode On (Poly Mode Off) (All Notes Off) (7EH) . . . . . . . . . . . . . . . . . . . 16
7.31 Poly Mode On (Mono Mode Off) (All Notes Off) (7FH) . . . . . . . . . . . . . . . . . . . 16
8 Program Change 17
9 Channel Pressure (Aftertouch) 17
10 Pitch Bend 18
III System Message 19
11 Active Sensing 19
12 System Exclusive Message 19
12.1 Universal Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 19
12.2 Universal Non Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . 21
IV Setting Values and Send/ Receive Values 22
13 Setting Value Tables 22
13.1 Off/On Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
13.2 Sustain Pedal Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
13.3 –64 - 0 - +63 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
13.4 Pan Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
13.5 Fine Tuning Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
13.6 Reverb Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
13.7 Chorus Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
V MIDI Implementation Notation 24
14 Value Notation 24
14.1 Hexadecimal Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
14.2 Binary Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
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Part I
Overview
1 Product Configuration as a MIDI Device
As a MIDI device, this Instrument consists of the System Section, Sound Generator Section, and Performance Controller Section described below. Each of these sections can send and receive specific MIDI
Messages in accordance with its function.
1.1 System Section
The System Section manages the Instrument status and user data.
1.2 Performance Controller Section
The Performance Controller Section performs keyboard play and controller operations, and generates
performance messages. Basically, generated performance messages are sent to external destinations
while also being transmitted to the Sound Generator Section. The channel number of the sent channel
message is in accordance with the Instrument’s MIDI setting. For details about the MIDI setting, see
the Instrument’s User’s Guide.
1.3 Sound Generator Section
The Sound Generator Section mainly performs receive of performance information and sound source
setting information. It consists of a common part that does not depend on the channel and a musical
instrument part that is independent of each channel.
1.3.1 Sound Generator Common Block
The common block consists of system effects, master control, etc. These can be controlled by effect
function, or general universal system exclusive messages.
1.3.2 Instrument Part Block
The instrument part section is devided into A, B, C group for every 16 parts, and it consists of a total of
48 parts. The settings of each part can be changed using channel messages. Of these, only the C group
can be controlled by external channel messages.
The functions assigned to each part are shown below.
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Port Part number MIDI Receive Ch MIDI Transmit ch Assigned Function Details
A 01 - 1-16 Upper1/Arpeggiator* A 02 - 1-16 Upper2 A 03 - 1-16 Lower1 A 04 - - - A 05 - 1-16 Auto Harmonize* A 06 - 6 - A 07 - 7 - A 08 - 8 Metronome A 09 - 9 Accomp* Percussion
A 10 - 10 Accomp* Drum/Metronome*
A 11 - 11 Accomp* Bass
A 12 - 12 Accomp* Chord1
A 13 - 13 Accomp* Chord2
A 14 - 14 Accomp* Chord3
A 15 - 15 Accomp* Chord4
A 16 - 16 Accomp* Chord5
Port Part number MIDI Receive Ch MIDI Transmit Ch Assigned Function Details
B 17 - - Auto
Play/Recorder
B 18 - - Auto
Play/Recorder
B 19 - - Auto
Play/Recorder
System Track Upper1/Arpeggiator*
System Track
Upper2
System Track
Lower1
B 20 - - - B 21 - - Auto
Play/Recorder*
System Track Auto
Harmonize*
B 22 - - - B 23 - - - B 24 - - Pre count B 25 - - - B 26 - - - B 27 - - - B 28 - - - B 29 - - - B 30 - - - B 31 - - - B 32 - - - -
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Port Part number MIDI Receive Ch MIDI Transmit Ch Assigned Function Details
C 33 1 - MIDI/Auto
C 34 2 - MIDI/Auto
C 35 3 - MIDI/Auto Play -
C 36 4 - MIDI/Auto Play -
C 37 5 - MIDI/Auto Play -
C 38 6 - MIDI/Auto Play -
C 39 7 - MIDI/Auto Play -
C 40 8 - MIDI/Auto Play -
C 41 9 - MIDI/Auto Play -
C 42 10 - MIDI/Auto Play -
C 43 11 - MIDI/Auto Play -
C
C 45 13 - MIDI/Auto Play -
C 46 14 - MIDI/Auto Play -
C 47 15 - MIDI/Auto Play -
C 48 16 - MIDI/Auto Play -
Note: * = PX-S3000 only.
44
12
-
Play/Recorder
Play/Recorder*
MIDI/Auto Play -
Recorder Solo
Track1
Recorder Solo
Track2*
2 Timbre Type Specific Operation
The sound source operation performed for a sound generator instrument receive message may depend
on the value of the Timbre Type (see “About the Timbre Type” in “8 Program Change”) of each part’s
operation mode. For details, see the explanation for each message.
3 Controlling Send/Receive of MIDI Messages in Each Instru-
ment Part
Send and receive of MIDI messages for each instrument part can be controlled by global Instrument
MIDI settings and Instrument-specific system exclusive messages. See the Instrument’s User’s Guide for
details.
4 Conditions that Disable Message Send and Receive
The main conditions when MIDI message send and receive are disabled by the Instrument are thosedescribed
below.
• While the instrument is accessing flash memory.
• While “Wait” or “Bye” are displayed on the LCD screen. (PX-S3000)
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Part II
Channel Message
Instrument Velocity Resolution The upper seven bits of the 14-bit resolution correspond to the
Note On/Off message, while the lower seven bits correspond to the High Resolution Velocity Prefix
message.
Note On/Off High Resolution Velocity Prefix
Upper 7 bits
14bits
The initial default value for the lower 7 bits is 00H. Receipt of a High Resolution Prefix message
causes the lower seven bits to be set, but note on/off is not performed.
Receipt of a Note On/Off message causes the upper seven bits to be set with note on/off performed
with 14-bit resolution Velocity.
The High Resolution Velocity Prefix message corresponds the message immediately following the Note
On/Off message, and the lower seven bits are cleared to 00H immediately following note on/off by the
Note On/Off message. 7-bit resolution note on/off using only the Note On/Off message also continues
to be supported.
For details about each message, see ” 5 Note Off”, ”6 Note On”, and ”7.20 High Resolution Velocity
Prefix”.
Lower 7 bits
5 Note Off
Format
Message Format: 8nH kkH vvH
9nH kkH 00H(receive only)
n: MIDI Channel Number
kk: Key Number
vv: velocity
Transmit Sent when something is played on the keyboard or when play is performed using the Arpeggiator, etc. The key number changes in accordance with on the Transpose function and Octave Shift
function.
Receive Receipt stops a note being sounded by a note on message.
When a High Resolution Velocity Prefix message is received immediately prior to the Note Off message
and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note off of the note being
sounded is performed.
For information about the relationship between the Note On/Off message and High Resolution Velocity Prefix message, see ”Instrument Velocity Resolution” at the beginning of part II.
Note off by making the Note On Velocity 00H is identical to note off by the combination of High
Resolution Velocity prefix message 40H and Note Off Message 40H.
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Note: This Instrument has a function that assumes connection of an external device that sends Note Off Velocity as a fixed
value. Note Off Velocity 00H is replaced with 40H until a Note Off message with a Velocity value other than 00H is received. This
function is enabled when the Instrument is turned on, and disabled by receipt of a Note Off message with a Velocity value other
than 00H.
6 Note On
Message Format: 9nH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Velocity
Transmit Sent when something is played on the keyboard or when play is performed using the Arpeggiator, etc. The key number changes in accordance with on the Transpose function and Octave Shift
function.
Receive Receipt sounds a note of the corresponding instrument part.
When a High Resolution Velocity Prefix message is received immediately prior to the Note On message
and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note on is performed.
For information about the relationship between the Note On/Off message and High Resolution Velocity Prefix message, see ”Instrument Velocity Resolution” at the beginning of part II.
7 Control Change
Message Format: BnH ccH vvH
n: MIDI Channel Number
cc: Control Number
vv: Value
For details about messages, see each section of this manual that covers them.
7.1 Bank Select (00H,20H)
Message Format: BnH 00H mmH (MSB)
BnH 20H llH (LSB)
n: MIDI Channel Number
mm: MSB Value(Note1)
ll: LSB Value(Transmit:00H, Receive:Ignored)
Note1: For details about the relationship between the MSB value and the tone, see the Tone List that comes with the
Instrument.
Transmit Sent when a tone setup number is selected.
Receive Receipt causes a change in the tone bank number stored in Instrument memory, but the
tone is not actually changed until a Program Change message is received. For details, see “8 Program
Change”.
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7.2 Modulation (01H)
Message Format: BnH 01H vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when the knob is operated by setting. (PX-S3000)
Receive Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In
the case of a tone that already has modulation applied, receipt of this message increases the modulation
depth. The modulation effect differs according to the tone being used.
7.3 Portamento Time(05H)
Message Format: BnH 05H vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when the knob is operated by setting. (PX-S3000)
Receive Receipt changes the portamento application time.
7.4 Data Entry (06H,26H)
Message Format: BnH 06H mmH (MSB)
BnH 26H llH (LSB)
n: MIDI Channel Number
mm: MSB Value
ll: LSB Value
Transmit Sent when there is a change to the parameter assigned to RPN.
Receive Receipt changes the parameter assigned to RPN.
7.5 Volume (07H)
Message Format: BnH 07H vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when part volume is used.
Receive Receipt changes the part volume.
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