Casio PX3ES1A, PX-3, MA1003-A User Manual

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PX3ES1A

USER’S GUIDE GUÍA DEL USUARIO

Please keep all information for future reference. Guarde toda documentación para futuras consultas.

Safety Precautions Before trying to use the piano, be sure to read the separate “Safety Precautions”.

Precauciones de seguridad

Antes de intentar usar el piano, asegúrese de leer las “Precauciones de seguridad” separadas.

EnglishEspañol

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

This mark applies in EU countries only.

IMPORTANT SAFETY INSTRUCTIONS

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.

The power indicator being unlit does not mean the apparatus is completely disconnected from the MAINS. When you need to have the apparatus completely disconnected from the MAINS, you must unplug the power cord. For that purpose, locate the apparatus in a way that secures easy access to the power cord.

Declaration of Conformity

Model Number: PX-3 Trade Name: CASIO COMPUTER CO., LTD. Responsible party: CASIO AMERICA, INC. Address: 570 MT. PLEASANT AVENUE, DOVER, NEW JERSEY 07801 Telephone number: 973-361-5400 This device complies with Part 15 of the FCC Rules, Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

Important!

Please note the following important information before using this product.

• Before using the AD-A12150LW Adaptor to power the product, be sure to check the AC Adaptor for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children use an AC adaptor that is seriously damaged.

• The product is not intended for children under 3 years.

• Use only the CASIO AD-A12150LW adaptor.

• The AC adaptor is not a toy.

• Be sure to disconnect the AC adaptor before cleaning the product.

Manufacturer: CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome, Shibuya-ku, Tokyo 151-8543, Japan

Responsible within the European Union: CASIO EUROPE GmbH Casio-Platz 1, 22848 Norderstedt, Germany

English

Contents

General Guide........................... E-2

Installing the Music Stand........................................... E-3

PX-3 Configuration ..................................................... E-4

Modes ......................................................................... E-6

Saving Settings and Using Panel Lock....................... E-7

Returning the Digital Piano to Its

Factory Default Settings ............................................. E-7

Power Outlet ............................. E-8

Using an AC Adaptor .................................................. E-8

Connections.............................. E-9

Connecting Headphones ............................................ E-9

Connecting a Pedal .................................................... E-9

Connecting Audio Equipment or an Amplifier ........... E-10

Bundled and Optional Accessories........................... E-10

Selecting and

Playing a Tone........................E-11

To turn on Digital Piano Power ................................. E-11

Listening to Demo Tunes.......................................... E-11

Selecting a Tone....................................................... E-11

Layering and Splitting Tones .................................... E-12

Using Registration Memory...E-34

Registration Data ...................................................... E-34

Registration Memory Operations ..............................E-34

Saving Registration Memory Bank Data to a File .....E-36

Using the Function Menu ......E-38

Function Menu Operations........................................ E-38

Function Menu Settings ............................................E-39

Playing Back a MIDI File ........E-41

MIDI File Playback Operations..................................E-41

Supported Operations During MIDI File Playback .... E-42

Creating a New Card Music Folder ........................... E-44

Using a Memory Card ............E-46

Memory Card Operations.......................................... E-46

Error Messages.........................................................E-48

Connecting to a Computer ....E-49

Minimum Computer System Requirements ..............E-49

Connecting the Digital Piano to Your Computer ....... E-49

Transferring Data between the

Digital Piano and a Computer ...................................E-50

Applying Effects to a Tone....E-17

Reverb and Chorus................................................... E-17

Pitch Bend Wheel ..................................................... E-17

Confirming Common

Parameter Settings.................E-18

Common Parameters Operations ............................. E-18

Common Parameter Settings ................................... E-20

Using the Assignable

Buttons.................................... E-24

Applying Modulation to Notes (ASSIGNABLE 1)...... E-24

Applying Portamento to Notes (ASSIGNABLE 1/2) Changing the Rotary Effect Speed

(ASSIGNABLE 2)...................................................... E-24

By-passing the DSP (ASSIGNABLE 2) .................... E-25

Sending Control Changes (ASSIGNABLE 1/2) ........ E-25

... E-24

Using the Digital Piano as a

MIDI Master Keyboard............E-26

External MIDI Device Connection............................. E-26

Specifying the Zone Configuration............................ E-26

Specifying What Each Zone Controls ....................... E-27

Zone Setups ............................................................. E-27

Reference ................................E-52

Troubleshooting ........................................................E-52

Product Specifications............................................... E-54

Operating Precautions ..............................................E-55

Appendix .................................E-57

Tone List ...................................................................E-57

Drum Assignment List ...............................................E-59

DSP Effect List ..........................................................E-60

DSP Algorithm List ....................................................E-61

MIDI Implementation Chart

Editing Zone Parameters.......E-28

Zone Parameter Operations ..................................... E-28

Zone Parameter Settings.......................................... E-30

Company and product names used in this manual may be registered trademarks of others.

E-1

General Guide

3 4 5 6 bm bn bo bp7 bk

8 9 bl

ck cl cm cn co cp cq cr dm

br bs cs ct dk dl

bq ∗

dp dsdq dr dt ek

BottomLeft Side

Back

E-2

English

• This manual uses the numbers and names below to refer to buttons and controllers.



VOLUME knob



ZONE SELECTOR (LOWER 1), REPEAT button



ZONE SELECTOR (LOWER 2), sREW button



ZONE SELECTOR (UPPER 1), dFF button



ZONE SELECTOR (UPPER 2), PAUSE button



INT/EXT, PLAY/STOP button



ZONE EDIT, PAGE, PART button



ASSIGNABLE 1 button



ASSIGNABLE 2 button



EDIT, TEMPO button



MASTER CONTROL, CARD PLAYER, LOAD/SAVE button



PARAMETER SELECTOR (TRANSPOSE, A) button



PARAMETER SELECTOR (BEND RANGE, B) button



PARAMETER SELECTOR (BRILLIANCE, C) button



PARAMETER SELECTOR (EQ ON/OFF, D) button



Display



TONE, REGISTRATION button



FUNCTION button



w/NO, q/YES button



PIANO, 1 button



ELEC PIANO 1, 2 button



ELEC PIANO 2, 3 button



CLAVI/VIBES, 4 button



ORGAN, 5 button



STRINGS/ENSEMBLE, 6 button



GUITAR/BASS, 7 button



OTHERS/GM, 8 button



LAYER, EXIT button



SPLIT, u button



REVERB, i button



CHORUS, ENTER button



STORE, USB DEVICE MODE button



SD CARD SLOT



PITCH BEND wheel



USB port



MIDI OUT/IN terminals



DAMPER, SOFT/SOSTENUTO PEDAL jacks



DC 12V terminal



LINE OUT R, L/MONO jacks



LINE IN R, L/MONO jacks



POWER button



PHONES jacks



Pedal connector

General Guide

* Installing the Music Stand

Insert the bottom of the music stand into the groove on the top of the Digital Piano’s console.

E-3

General Guide

NOTE

CHORUS

REVERB

ACOUSTIC

RESONANCE

WAVE

GENERATOR

EFFECT

X 36

DSP

X 2

EQUALIZER

DSP Acoustic Resonance Send

DSP Reverb Send

DSP Bypass

Thru

Part

DSP

DSP Chorus Send

Chorus Send

Reverb Send

Acoustic Resonance Send

Output

PX-3 Configuration

Master Control Configuration

The PX-3 Digital Piano is a MIDI master keyboard that uses four zones (UPPER 1, UPPER 2, LOWER 1, LOWER 2) to control the internal sound source (INT) and external MIDI devices (EXT). Each zone performs simultaneous control over one internal sound source part and one external MIDI device channel (when both INT and EXT are ON).

The target (INT/EXT) of each zone control can be turned on or off as desired using the

(INT/EXT) button. Zone



editing (page E-28) lets you configure detailed settings related to how each individual zone controls an internal sound source and/or external MIDI device. In the case of an internal sound source, zone editing can be performed to create sounds by selecting a DSP, configuring DSP settings, editing tones, etc. Following sound creation, signals are output via an equalizer that allows adjustment of centralized common parameter settings (page E-18).

• Which of the four zones are available for use depends on the LAYER and SPLIT on/off status. For details, see

“Layering and Splitting Tones” (page E-12) and “Specifying the Zone Configuration” (page E-26).

E-4

English

Sound Source Configuration

NOTE

The sound source is configured with a total of 36 parts: four parts that correspond to each of the zones, 16 parts for MIDI file playback, and 16 parts that operate as the multi-timbre sound source during receipt of MIDI input.

The following shows the relationships between parts, ports, and MIDI channels.

Port 0 (Parts played by hand)

Part Number MIDI Channel Part Name

1 IN:- - / OUT:01-16

2 IN:- - / OUT:01-16

3 IN:- - / OUT:01-16

4 IN:- - / OUT:01-16

*1 MIDI OUT channel depends on zone editing (page E-28).

Port 1 (MIDI file playback parts)

Part Number MIDI Channel Part Name

17 IN:- - / OUT:01 Song01

...

Upper1

Upper2

Lower1

Lower2

...

General Guide

32 IN:- - / OUT:16 Song16

Port 2 (MIDI IN parts)

Part Number MIDI Channel Part Name

33 IN:01 / OUT:- - Ext.01

...

48 IN:16 / OUT:- - Ext.16

• MIDI messages output from the above Port 0 and Port 1 are grouped and sent from a single MIDI port. Port-

specific send is not supported.

...

E-5

General Guide

IMPORTANT!

NOTE

TONE mode

REGISTRATION mode

MASTER CONTROL mode

TONE mode

REGISTRATION mode

CARD PLAYER mode

Lit in the MASTER CONTROL mode.

Lit in the CARD PLAYER mode.

Lit in the TONE mode.

Lit in the REGISTRATION mode.

Modes

This Digital Piano has two main modes: a MASTER CONTROL mode and a CARD PLAYER mode. Each of these modes has two sub-modes: a TONE mode and a REGISTRATION mode.

Use the MASTER CONTROL mode when playing the Digital Piano in a stand-alone configuration or when using it as a MIDI master keyboard. The setup of the MASTER CONTROL mode can be changed using common parameters (page E-18) and zone parameters (page E-28). Use the CARD PLAYER mode to play back a MIDI file. In the CARD PLAYER mode, you can play on the keyboard along with MIDI file playback. Though the CARD PLAYER mode also supports control of an external MIDI device, parameter settings cannot be configured.

Note that you should be aware of the Digital Piano’s current mode whenever performing an operation. Note the following important points.

• The Digital Piano’s initial power on default mode is the MASTER CONTROL

mode’s TONE mode.

• Each press of the

between the MASTER CONTROL and CARD PLAYER modes. You can determine the current mode by noting which PLAYER) lamp is lit.

• Each press of the

TONE and REGISTRATION modes. You can determine the current mode by noting which

• All of the operations in this user’s guide start from the initial power on default state (MASTER CONTROL, TONE mode). If you start experiencing operation problems, first try returning the Digital Piano to the MASTER CONTROL, TONE mode. If you do not mind losing currently unsaved settings and data, simply turn power off and then back on again.

(MASTER CONTROL/CARD PLAYER) button toggles



(MASTER CONTROL/CARD



(TONE/REGISTRATION) button toggles between the



(TONE/REGISTRATION) lamp is lit.



• The section title bars in this user’s guide also show the mode (MASTER CONTROL or CARD PLAYER, or both) where the operations described in each section can be performed.

E-6

English

NOTE

Saving Settings and Using Panel Lock

Your Digital Piano lets you save its current settings, and lock its buttons to protect against operation errors. For details, see “Backup” and “Panel Lock” (page E-40).

Returning the Digital Piano to Its Factory Default Settings

Perform the following procedure when you want to return the Digital Piano’s stored data and settings to their initial factory defaults.

Turn off the Digital Piano.

While holding down both the  (TONE) and

(FUNCTION) buttons, press the



(POWER) button.



• The Digital Piano will turn on and initialize its

internal system. You will be able to use the Digital Piano in a short while.

General Guide

• See “To turn on Digital Piano Power” (page E-11) for

information about turning Digital Piano power on and off.

E-7

Power Outlet

IMPORTANT!

AC adaptor

Household power

DC 12V terminal

Power cord

Your Digital Piano runs on standard household power. Be sure to turn off power whenever you are not using the Digital Piano.

Using an AC Adaptor

Use only the AC adaptor (JEITA Standard, with unified polarity plug) that comes with this Digital Piano. Use of a different type of AC adaptor can cause malfunction.

Specified AC Adaptor: AD-A12150LW

• Use the supplied power cord to connect the AC adaptor as shown in the illustration below.

Back

Note the following important precautions to avoid damage to the power cord.

During Use

• Never pull on the cord with excessive force.

• Never repeatedly pull on the cord.

• Never twist the cord at the base of the plug or

connector.

• The power cord should not be stretched tight while it is in use.

During Movement

• Before moving the Digital Piano, be sure to unplug the AC adaptor from the power outlet.

During Storage

• Loop and bundle the power cord, but never wind it around the AC adaptor.

• Never connect the AC adaptor (JEITA Standard, with unified polarity plug) that comes with this Digital Piano to any other device besides this piano. Doing so creates the risk of malfunction.

• Make sure the Digital Piano is turned off before plugging in or unplugging the AC adaptor.

• The AC adaptor will become warm to the touch after very long use. This is normal and does not indicate malfunction.

E-8

English

IMPORTANT!

NOTE

Connecting Headphones

PHONES jacks

Commercially available headphones

Mini plug

Left Side

PEDAL jacks

SP-3

Back

Pedal connector

Bottom

• Before connecting headphones, be sure to use the

Connections

Digital Piano’s volume down to a low level. After connecting, you can adjust the volume to the level you want.

(VOLUME) knob to turn the



Pedal Functions

 Damper Pedal

Pressing the damper pedal while playing will cause the notes you play to reverberate for a very long time.

• Whenever a piano tone is selected, pressing this

pedal will activate the Digital Piano’s Acoustic Resonance effect, which causes notes to resonate in the same way they do when the damper pedal on an acoustic piano is pressed. You can adjust the acoustic resonance effect for each individual tone, and you can apply it to other non-piano tones, if you want. For details, see “Acoustic Resonance” (page E-39) and “Acoustic Resonance Send” (page E-32).

 Soft Pedal

Pressing this pedal suppresses notes played on the keyboard after the pedal was pressed, and makes them sound softer.

Connect commercially available headphones to the PHONES jacks. To protect your hearing, make sure that you do not set the volume level too high when using headphones.

Connecting a Pedal

The back of the Digital Piano has two pedal jacks, one for a damper pedal and one for a soft/sostenuto pedal.

To connect to the pedal jack

Depending on the type of operation you want the pedal (SP-3) to perform, connect the pedal’s cable either to the Digital Piano’s DAMPER PEDAL jack or SOFT/SOSTENUTO PEDAL jack. If you want to use both operations (jacks) at the same time, you need to purchase another optionally available pedal.

 Sostenuto Pedal

Only the notes that are played while this pedal are depressed are sustained until the pedal is released.

Pedal Connector

You can connect the optionally available 3-Pedal Unit (SP-32) to the pedal connector on the bottom of the Digital Piano. You can then use the pedals for expression that is similar to that available on an acoustic piano.

NOTE

• The SP-32 Pedal Unit supports half-pedal operation

(pressing the pedal part way). You can adjust the amount of the effect is applied when the damper pedal is pressed part way. For details, see “Half Pedal Effect” (page E-39).

• The optionally available CS-67P special stand is

required in order to use the SP-32 Pedal Unit.

• You can connect a pedal to the SOFT/SOSTENUTO PEDAL jack and apply either a soft or sostenuto

effect to the notes you play. For details, see “Pedal Assign” (page E-39).

E-9

Connections

IMPORTANT!

INPUT 1

INPUT 2

Guitar amplifier

Keyboard amplifier, etc.

Standard plug

Standard jack

LEFT (White) RIGHT (Red)

Tape recorder, MIDI sound source, etc.

Audio amplifier AUX IN jack, etc.

Pin plug

Connecting Audio Equipment or an Amplifier

This Digital Piano outputs notes from its LINE OUT R (right channel output) and LINE OUT L/MONO (left channel output). Connect a keyboard amplifier or other device to direct output to speakers. You can adjust the LINE OUT volume level with the Digital Piano’s

(VOLUME) knob.



• Whenever connecting something to the Digital Piano, first use the volume to a low level. After connecting, you can adjust the volume to the level you want.

• Whenever you connect any device to the Digital Piano, be sure to read the user documentation that comes with the device.

(VOLUME) knob to set the



To input from audio equipment (Figure )

LINE IN R jack input is output from the LINE OUT R jack, and LINE IN L/MONO input is output from LINE OUT L/MONO. Use commercially available connection cords that match the equipment being connected to. Connecting a cord to LINE IN L/MONO only will cause the left and right channels to be mixed and output from both LINE OUT R and LINE OUT L/ MONO.

NOTE

• Input from LINE IN R and LINE IN L/MONO is

output as-is from LINE OUT R and LINE OUT L/ MONO. The Digital Piano’s

(VOLUME) knob



setting does not affect this output.

Bundled and Optional Accessories

Use only accessories that are specified for use with this Digital Piano. Use of unauthorized accessories creates the risk of fire, electric shock, and personal injury.

To output to a musical instrument amplifier (Figure )

Use a commercially available connecting cord to connect the amplifier to the Digital Piano’s LINE OUT L/MONO jack as shown in Figure

. Connecting a



cord to LINE OUT L/MONO only will cause the left and right channels to be mixed and output as mono.

To output to audio equipment (Figure )

Use commercially available connection cords to connect as shown in Figure set the input selector of the audio equipment to the terminal where the Digital Piano is connected (AUX IN, etc.).

. Normally, you should



NOTE

• You can get information about accessories that are

sold separately for this product from the CASIO catalog available from your retailer, and from the CASIO website at the following URL.

http://world.casio.com/

E-10

English

Selecting and Playing a Tone

IMPORTANT!



button

Off position On position

Left Side

MASTER CONTROL

To turn on Digital Piano Power

After ensuring that the  (POWER) button is in the off position, connect the AC adaptor to the Digital Piano.

• For information about connecting the AC adaptor,

see “Power Outlet” (page E-8).

Rotate the  (VOLUME) knob towards MIN to set the volume to a low level.

Connect headphones or other devices to the Digital Piano as necessary (see “Connections” on page E-9).

Listening to Demo Tunes

While holding down the  (PART) button, press the

• This starts demo tune play.

• The Digital Piano has a total of four demo tunes. You

can use the  buttons to jump the beginning of the previous (q) or next (w) demo tune. You can use the Tone Group buttons ( to ) to select a specific demo tune.

• You can play along on the keyboard with demo tune

play. Note, however, that you cannot change the tone assigned to the keyboard. Only the key operations described above are supported.

To stop demo tune playback, press the  (PLAY/STOP) button again.

(PLAY/STOP) button.



Selecting a Tone

Your Digital Piano comes with 250 tones (which include 10 drum sets) built in. Tones are divided into the eight tone groups shown below.

Press the  (POWER) button to turn on the Digital Piano.

• The Digital Piano display screen will appear as

shown below, which indicates that it is ready to play (using initial power on default settings).

• To turn off the Digital Piano, press the  (POWER)

button again.

• Normally, turning power off and then back on again will return the Digital Piano to its initial power on default settings. If you perform the backup operation (page E-40), turning power back on again will restore the backed up settings. Perform a backup (page E-40) or registration operation (page E-34) to save the keyboard setup if you need to restore it later.

Use the following procedure to select a single tone that is applied across the entire keyboard.

To select a tone

Use the “Tone List” (page E-57) to look up the group and the number of the tone you want to select.

Check to make sure that the lamp above the

(MASTER CONTROL) button is lit.



• If it is unlit, press the  (MASTER CONTROL)

button to light it.

Check to make sure that the both the  (LAYER) and unlit.

• If they are lit, press the  (LAYER) and/or 

(SPLIT) buttons to turn off both lamps.

If the  (UPPER 1) button lamp is unlit, press the lit.



(SPLIT) button lamps are



(UPPER 1) button so its lamp is

E-11

Selecting and Playing a Tone

NOTE

Lit

Tone number Tone name

UPPER 1 INT ON

LAYER OFF

SPLIT OFF

UPPER 1/2 INT ON

LAYER ON

SPLIT OFF

UPPER 1/LOWER 1 INT ON

LAYER OFF

SPLIT ON

UPPER 1/2 INT ON

LOWER 1/2 INT ON

LAYER ON, SPLIT ON

UPPER 1/2, LOWER 1 INT ON

LOWER 2 INT OFF

LAYER ON, SPLIT ON

Check to make sure that the lamp above the

(TONE) button is lit.



Layering and Splitting Tones

You can configure the keyboard so it plays two different tones at the same time (Layer) or to play different tones in the left and right ranges (Split). You can even use Layer and Split in combination with each other.

• If it is unlit, press the  (TONE) button to light the

upper lamp.

Use the  to  (Tone Group) buttons to select the group you want.

• The lamp of the button you press will light.

Use the  (w, q) buttons to select the tone you want. Now you can play on the keyboard using the tone you selected.

Example: To select the “Jazz Organ 2” tone in the

“ORGAN” group

• Pressing w and q at the same time selects tone 001 in the currently selected group.

• Holding down w or q will scroll through tones at high speed.

• Holding down the press w or q will jump 10 tones.

(FUNCTION) button as you



The following describes the various possible Layer and Split combinations.

 One tone across the entire keyboard (page E-11)

Use zone UPPER 1.

UPPER 1

 Two layered tones across the entire keyboard (page

E-13)

Use zones UPPER 1 and UPPER 2 at the same time.

UPPER 1 UPPER 2

 Two tones, one for the left range and one for the

right range of the keyboard (page E-14)

Use zones UPPER 1 and LOWER 1 at the same time.

LOWER 1 UPPER 1

 Four tones, two layered for the left range and two

layered for the right range of the keyboard (page E-15)

Use zones UPPER1, UPPER2, LOWER1, and LOWER 2 at the same time.

E-12

LOWER 1 UPPER 1 LOWER 2 UPPER 2

 Three tones, one for one range and two layered for

the other range of the keyboard (page E-16)

Use all four zones at the same time, but with one zone’s sound turned off by configuring one of the zones with INT OFF to disconnect the internal sound source. The example below shows INT OFF configured for LOWER 2.

LOWER 1

UPPER 1 UPPER 2

English

IMPORTANT!

• You can select a tone for each zone in both the

NOTE

Lit

Unlit

• When using Layer and/or Split to play more than

MASTER CONTROL and CARD PLAYER modes. Note however that some procedures and operations (lamp lighting status) when a tone is selected for each zone in the CARD PLAYER mode are different from those in the case of the MASTER CONTROL mode. Here, explanations are based on selecting a tone for each zone in the MASTER CONTROL mode. For information about selecting tones in the CARD PLAYER mode, see “To select a tone for each zone in the CARD PLAYER mode” (page E-44).

one tone at the same time, you can adjust the volume balance of each zone, perform octave shift for each zone, and configure detailed settings for the effects applied to zones. For details about parameters that can be configured and setting procedures, see “Editing Zone Parameters” (page E-28).

Selecting and Playing a Tone

Press the  (LAYER) button so its lamp is lit.

• At this time the  (UPPER 1) button lamp will go out

and the  (UPPER 2) button lamp will light in its place. This indicates you can select the UPPER 2 zone tone.

Select the UPPER 2 zone tone.

Play something on the keyboard to check how the tones sound layered together.

• At any time you can press the  (UPPER 1) button to

change the UPPER 1 zone tone or the button to change the UPPER 2 zone tone.

To cancel tone layering, press the 

(UPPER 2)



(LAYER) button again so its lamp goes out.

Layering Two Tones

UPPER 1 UPPER 2

Use the “Tone List” (page E-57) to look up the group(s) and numbers of the two tones (UPPER 1 zone tone and UPPER 2 zone tone) you want to use.

Check to make sure that the both the  (LAYER) and unlit.

• If one or both lamps are lit, press the  (LAYER) and

(SPLIT) buttons to turn them off.



Press the  (UPPER 1) button so its lamp is lit.

• This indicates you can select the UPPER 1 zone tone.

(SPLIT) button lamps are



Select the UPPER 1 zone tone.

• For details about selecting tones, see “To select a

tone” (page E-11).

E-13

Selecting and Playing a Tone

Lit

Unlit

Lit

LOWER 1 zone

Split point

UPPER 1 zone

Current split point key name

Splitting the Keyboard between Two Tones

LOWER 1 UPPER 1

Use the “Tone List” (page E-57) to look up the group(s) and numbers of the two tones (UPPER 1 zone tone and LOWER 1 zone tone) you want to use.

Check to make sure that the both the  (LAYER) and unlit.

• If one or both lamps are lit, press the  (LAYER) and

(SPLIT) buttons to turn them off.



(SPLIT) button lamps are



To cancel the keyboard split, press the 

(SPLIT) button again so its lamp goes out.

NOTE

• You also can specify the keyboard split point, which

the location where the keyboard splits between the left range and right range. In initial default split point is at key F

For details, see “To specify the keyboard split point” (page E-14).

Press the  (UPPER 1) button so its lamp is lit.

• This indicates you can select the UPPER 1 zone tone.

Select the UPPER 1 zone tone.

• For details about selecting tones, see “To select a

tone” (page E-11).

Press the  (SPLIT) button so its lamp is lit.

• At this time the  (UPPER 1) button lamp will go out

and the place. This indicates you can select the LOWER 1 zone tone.

(LOWER 1) button lamp will light in its



To specify the keyboard split point

Hold down the  (SPLIT) button until the screen shown below appears.

Press the keyboard key that you want to be the leftmost key in the right side (UPPER 1 zone) range.

• The name of the key you press will appear on the

display as the new split point key name.

• You also can use the  (w, q) buttons to change

the split point key name.

When you are finished, press the  (SPLIT) button.

Select the LOWER 1 zone tone.

Play something on the left and right sides of the keyboard to confirm that the tones are assigned properly.

• At any time you can press the  (UPPER 1) button to

change the UPPER 1 zone tone or the button to change the LOWER 1 zone tone.

E-14

(LOWER 1)



English

To use layer and split together

Lit

Unlit

Lit

LOWER 1 UPPER 1 LOWER 2 UPPER 2

Use the

“Tone List” (page E-57)

to look up the group(s) and numbers of the tones (UPPER 1, UPPER 2, LOWER 1, and LOWER 2 zone tones) you want to use.

Check to make sure that the both the  (LAYER) and

(SPLIT) button lamps are



unlit.

• If one or both lamps are lit, press the  (LAYER) and

(SPLIT) buttons to turn them off.



Press the  (UPPER 1) button so its lamp is lit.

• This indicates you can select the UPPER 1 zone tone.

Selecting and Playing a Tone

Press the  (LAYER) button so its lamp is unlit.

Press the  (SPLIT) button so its lamp is lit.

• This will cause the  (LOWER 1) button lamp to

light. This indicates you can select the LOWER 1 zone tone.

Select the LOWER 1 zone tone.

10.

Press the  (LAYER) button so its lamp is lit.

Select the UPPER 1 zone tone.

• For details about selecting tones, see “To select a

tone” (page E-11).

Press the  (LAYER) button so its lamp is lit.

• This will cause the  (UPPER 2) button lamp to

light. This indicates you can select the UPPER 2 zone tone.

Select the UPPER 2 zone tone.

• This will cause the  (LOWER 2) button lamp to

light. This indicates you can select the LOWER 2 zone tone.

11.

Select the LOWER 2 zone tone.

12.

Play something on the left and right sides of the keyboard to confirm that the tones are assigned and layered properly.

• You can change any of the zone tones at any time by

performing one of the operations shown below.

To change this zone’s tone:

UPPER 1 zone Press the

UPPER 2 zone Press the

LOWER 1 zone Press the  (LOWER 1) button and

LOWER 2 zone Press the  (LOWER 2) button and

Do this:

(UPPER 1) button and

then select a tone.



(UPPER 2) button and



E-15

Selecting and Playing a Tone

NOTE

Lit

Unlit

13.

To cancel layer and split, press  (LAYER) and

(SPLIT) buttons again so their lamps



go out.

• When using Layer and Split at the same time, you

can switch to only a single tone in either of the keyboard ranges by configuring INT OFF for the zone whose tone you do not want to sound. For example, you could perform the steps below to sound zones UPPER 1, UPPER 2, and LOWER 1, without sounding the LOWER 2 zone.

LOWER 1

1. Press the

2. Press the side (left side) lamp goes out.

• Pressing the

(LOWER 1) or  (LOWER 2) button causes the



lamp of the pressed button to light, and the lamps of the other buttons to go out. At this time, the tone name of the zone whose button you press will appear on the display, and you can change the tone, if you want. However, the tones that sound when a keyboard keys are pressed depend on the current Layer and Split on/off settings.

• The

(INT/EXT) button is for specifying what each



zone controls (INT = internal sound source, EXT = external MIDI device). The INT (left) side lamp indicates internal sound source control on/off, while the EXT (right) side indicates external MIDI device control on/off. For details about this button, see “Using the Digital Piano as a MIDI Master Keyboard” (page E-26).

(LOWER 2) button so its lamp is lit.



(INT/EXT) button twice so the INT



(UPPER 1),  (UPPER 2),



UPPER 1 UPPER 2

E-16

English

Applying Effects to a Tone

IMPORTANT!

NOTE

IMPORTANT!

MASTER CONTROL CARD PLAYER

Reverb and Chorus

Your Digital Piano provides four types of reverb and four types of chorus. The reverb and chorus functions have their own dedicated keys for easy on/off operation.

• Each press of the

reverb on and off. The lamp above the button is lit when reverb is on, and unlit when it is off.

• Each press of the

chorus on and off. The lamp above the button is lit when chorus is on, and unlit when it is off.

• Under initial default settings of certain tones, chorus is not applied simply by turning chorus on. This is because the initial default value of the chorus send setting is 0. To apply chorus, change the chorus send value of the zone where you want to use it. For details, see “Effect Settings” (page E-32).

• The reverb and chorus on/off setting is applied to all

zones, but reverb send and chorus send settings can be configured for individual zones. For details, see “Effect Settings” (page E-32).

To change the reverb type

(REVERB) button toggles



(CHORUS) button toggles



To change the chorus type

Hold down the  (CHORUS) button until the screen shown below appears.

Use the  (w, q) buttons to select the chorus type you want.

• You can select one of the following chorus types:

Light Chorus, Chorus, Deep Chorus,



Flanger.



When you are finished, press the 

(CHORUS) button.

Pitch Bend Wheel

The  (PITCH BEND) wheel lets you change the pitch of notes you are playing by rotating the wheel forward or back. Rotating the wheel away from you raises the pitch, while rotating it towards you lowers it. Releasing the wheel causes the pitch of the notes to return to normal automatically.

Hold down the  (REVERB) button until the screen shown below appears.

Use the  (w, q) buttons to select the reverb type you want.

• You can select one of the following reverb types:

Room, Hall, Large Hall, Stadium.



When you are finished, press the  (REVERB) button.

• Do not have the pitch bend wheel rotated as you turn on the Digital Piano.

NOTE

• You also can change the range of the pitch bend wheel. See “Bend Range” (page E-20).

E-17

Confirming Common Parameter Settings

Common menu

Page

Parameter Name

Settings

MASTER CONTROL

Common parameters include transpose, bend range, equalizer, and other global parameters. Common parameters also include the settings of the function assigned to the ASSIGNABLE buttons.

Common Parameters Operations

The common parameter settings appear on the common menu that appears first whenever you turn on the Digital Piano.

• The common menu has five pages. Press the

• Each common menu page includes up to four parameters, each of which corresponds one of the PARAMETER

SELECTOR buttons (

• The “COMMON PARAMETER” list in the upper left of the Digital Piano’s control panel shows the parameters

assigned to each of the PARAMETER SELECTOR buttons.

(A) through  (D)).



(PAGE) button to scroll through the pages.



E-18

English

To change common parameter settings

IMPORTANT!

Lit

Check to make sure that the lamp above the

(MASTER CONTROL) button is lit.



• If it is unlit, press the  (MASTER CONTROL)

button to light it.

Check to make sure that the lamp above the

(ZONE EDIT) button is unlit.



• If the lamp is lit, hold down the  (ZONE EDIT)

button until it goes out.

Use the  (PAGE) button to display the common menu page that contains the parameter whose setting you want to change.

Example: Common menu page 2

Confirming Common Parameter Settings

Use the  (EDIT w, q) buttons to change the setting.

• Pressing w and q at the same time returns the

setting to its initial default.

• Holding down w or q will scroll through the

settings at high speed.

• For details about the meaning and range of each

parameter setting, see “Common Parameter Settings” (page E-20).

If you want to change the settings of other parameters, repeat steps 3 through 5 of this procedure.

Turning off the Digital Piano causes all common parameters to return to their initial default settings. If you need to save a common parameter setup, perform one of the operations described below.

• If you want to restore the current setup the next time you turn on the Digital Piano, perform the backup operation. For details, see “Backup” (page E-40).

• If you don’t need to restore the current setup the next time you turn on the Digital Piano but want to have it on hand for recall when you need it, save the setup to registration memory. For details, see “Using Registration Memory” (page E-34).

• Each press of the

next page.

Press the PARAMETER SELECTOR button (

(A) through  (D)) to select the



(PAGE) button advances to the



parameter whose setting you want to change.

• The brackets around the setting of parameter you

select will change from [ ] to %. This indicates that editing of the setting is enabled.

Example: After the

• Holding down one of the PARAMETER SELECTOR

buttons will display its full name. For example, “LoMdG” will change to “LowMid Gain”.



E-19

Confirming Common Parameter Settings

Common Parameter Settings

This section explains the meaning of each common parameter, and provides information about their setting ranges and initial default values.

• In this section, each parameter is preceded by a number and a letter, like “1-A”. This indicates the common menu

page number (1) and the PARAMETER SELECTOR button you need to press to select it (A).

• The values following the description of a parameter are its setting range. The initial default setting is indicated by

an asterisk (*).

General Settings

■ 1-A Transpose (Trnsp)

Adjusts overall keyboard tuning by semitone units

–12 to 0

to 12 semitones

■ 1-B Bend Range (BendR)

Specifies the range of pitch change that occurs when the pitch bend wheel is rotated.

0 to 2

to 12 semitones

■ 1-C Brilliance (Brila)

Controls the brilliance of the tone. A greater value produces a brighter, harder sound, while a lower value produces a mellower, softer sound.

–3 to 0

to 3

Equalizer Settings

These settings constitute a four-band equalizer for sound compensation.

■ 1-D EQ ON/OFF (EQ)

Specifies whether sound output by the Digital Piano passes (ON) or does not pass (Off) through the equalizer.

OFF, ON

E-20

English

NOTE

■ 2-A to 3-D Band Gain and Frequency Settings

Low Gain (LoG) 2-A Adjusts the low-range gain. –12 to 0

Low Freq. (LoF) 2-B Specifies the frequency of the low-range

LowMid Gain (LoMdG)

LowMid Freq. (LoMdF)

HighMid Gain (HiMdG)

HighMid Freq. (HiMdF)

High Gain (HiG) 3-C Adjusts the high gain. –12 to 0* to 12

High Freq. (HiF) 3-D Specifies the frequency of the high-range

Confirming Common Parameter Settings

Parameter Name Location Description Settings (* indicates default)

to 12

0.2*, 0.4, 0.8 kHz

adjusted by Low Gain.

2-C Adjusts the low mid-range gain. –12 to 0* to 12

2-D Specifies the frequency of the low mid-

range adjusted by LowMid Gain.

3-A Adjusts the high mid-range gain. –12 to 0* to 12

3-B Specifies the frequency of the high mid-

range adjusted by HighMid Gain.

adjusted by High Gain.

1.0*, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 kHz

1.0, 1.3, 1.6, 2.0, 2.5*, 3.2, 4.0, 5.0 kHz

6.0, 8.0, 10* kHz

Assignable Button Settings

These settings specify the functions assigned to the  (ASSIGNABLE 1) and  (ASSIGNABLE 2) buttons. Functions that can be assigned to each button are shown in the “ASSIGNABLE 1 TYPE” and “ASSIGNABLE 2 TYPE” lists on the control panel to the left of the ASSIGNABLE buttons.

• Regardless of the settings you configure for the  (ASSIGNABLE 1) and  (ASSIGNABLE 2) buttons here, you

can use the zone editing procedure (page E-28) to enable or disable each individual zone. For details, see “Control Settings” (page E-33).

E-21

Confirming Common Parameter Settings

■ 4-A Assignable Button 1 Type (Asgn1)

Specifies the function assigned to the  (ASSIGNABLE 1) button. The following describes the functions that can be assigned by each setting.

Setting Assigned Functions

Modulation (Mod) This setting assigns modulation to the button.

(B) and

Portamento (Por) This setting assigns portamento the button. When this function is assigned, portamento is applied

while the  (ASSIGNABLE 1) button is depressed and not applied while the button is released.

Control Change Number 0 to 127

000 to 127)

(CC

This setting assigns a control change number to the button. The MIDI channel for sending a control change or the value sent when the  (ASSIGNABLE 1) button is pressed or released is specified using the  (B),  (C), and  (D) buttons.



The depth of the modulation is specified using the 

*1 To apply modulation only to a particular zone, select “001” (CC#1 = Modulation) as the Asgn1 instead of “Mod”.

Also, specify a control change send MIDI channel that matches the MIDI channel of the zone where you want to apply modulation. For more information, see “Settings when Asgn1/Asgn2 = Control Change Number 0 to 127” (page E-23).

*2 Portamento can be turned on or off for each zone. For details, see “Editing Tones” (page E-31).

■ 5-A Assignable Button 2 Type (Asgn2)

Specifies the function assigned to the The following describes the functions that can be assigned by each setting.

(ASSIGNABLE 2) button.



Settings Assigned Functions

Rotary (Rot) This function, which switches rotation speed, can be assigned for the rotary effect used by the DSP

(see “DSP Type” on page E-30). The speed is “Fast” when the  (ASSIGNABLE 2) button is on (lamp lit) and “Slow” when it is off (lamp unlit).

Portamento (Por) This setting assigns portamento to the button. Portamento is applied when the  (ASSIGNABLE 2)

button is on, and not applied when it is off.

DSP Bypass (Dbp) This setting assigns a function that turns off the DSP of a particular zone. The zone whose DSP is

being turned off is specified with the  (B) button.

Control Change Number 0 to 127

000 to 127)

(CC

This setting assigns a control change number to the button. The MIDI channel for sending a control change or the value sent when the

(C), and  (D) buttons.

(B),





(ASSIGNABLE 2) button is on or off is specified using the 

*1 Portamento can be turned on or off for each zone. For details, see “Editing Tones” (page E-31).

■ 4-B, 4-C Settings when Asgn1 = Modulation (Mod)

Parameter Name Location Description Settings (* indicates default)

Depth (Button OFF) (OfDep)

Depth (Button ON) (OnDep)

4-B Specifies the modulation depth while the

button is not pressed.

4-C Specifies the modulation depth while the

button is pressed.

to 127

0 to 127

E-22

Confirming Common Parameter Settings

English

■ 4-B, 4-C, 4-D, 5-B, 5-C, 5-D Settings when Asgn1/Asgn2 = Control Change Number 0 to 127

Parameter Name Location Description Settings (* indicates default)

Channel (Ch) 4-B, 5-B Specifies the MIDI channel

control changes.

Value (Button OFF) (OfVal)

Value (Button ON) (OnVal)

4-C, 5-C Specifies the value sent when the button is

released (turned off).

4-D, 5-D Specifies the value sent when the button is

pressed (turned on).

*1 Control change information in principle is sent from the Digital Piano to an external destination over the MIDI

channel specified here. However, when a MIDI send channel of one of the Digital Piano’s zones matches the channel specified here and that zone is configured as INT ON, control change information is sent for the internal sound source that corresponds to that zone.

for sending

1* to 16

0* to 127

■ 5-B Settings when Asgn2 = DSP Bypass (Dbp)

Parameter Name Location Description Settings (* indicates default)

Zone 5-B This setting can be used to select the zone

(Up1: UPPER 1, Up2: UPPER 2, Lo1: LOWER 1, Lo2: LOWER 2) that bypasses the DSP (DSP off) when the (ASSIGNABLE 2) button is on (lamp lit).



Up1

, Up2, Lo1, Lo2

E-23

Using the Assignable Buttons

NOTE

MASTER CONTROL CARD PLAYER

There are two assignable buttons named 

(ASSIGNABLE 1) and (ASSIGNABLE 1) button is designed so it is on while

pressed and off while released. The (ASSIGNABLE 2) button toggles on (lamp lit) and off (lamp unlit) each time it is pressed.

The main use of the assignable buttons is to perform real-time operations, mainly for effects. You can configure settings for the assignable button with the common menu (page E-18).

(ASSIGNABLE 2). The 



Applying Portamento to Notes (ASSIGNABLE 1/2)

Applying portamento causes the pitch to slide between two notes played in succession. It is an effect that is used with strings and woodwind instruments. With the

(ASSIGNABLE 1) button, portamento is applied



while the button is pressed. With the (ASSIGNABLE 2) button, portamento is applied while the button is on.

Common Parameter Information:

4-A Assignable Button 1 Type (Asgn1) (page E-22) 5-A Assignable Button 2 Type (Asgn2) (page E-22)



• For information about how to configure settings, see

“To change common parameter settings” (page E-19).

• The “Common Parameter Information” and “Zone

Parameter Information” items in the explanations in this section show where you need to go for information about the parameters that come under an assignable function.

Applying Modulation to Notes (ASSIGNABLE 1)

Fixed-depth modulation is applied to notes while the

(ASSIGNABLE 1) button is pressed or released.



Common Parameter Information:

4-A Assignable Button 1 Type (Asgn1) (page E-22) 4-B, 4-C Settings when Asgn1 = Modulation (Mod) (page E-22)

Zone Parameter Information:

4-C Portamento ON/OFF (Porta) (page E-31) 4-D Portamento Time (PTime) (page E-31)

Changing the Rotary Effect Speed (ASSIGNABLE 2)

When the rotary effect is being selected by DSP (page E-30), each press of the toggles the rotation speed between fast and slow.

Common Parameter Information:

5-A Assignable Button 2 Type (Asgn2) (page E-22)

Zone Parameter Information:

DSP Settings (page E-30)

(ASSIGNABLE 2) button



E-24

English

NOTE

By-passing the DSP (ASSIGNABLE 2)

While the  (ASSIGNABLE 2) button is on, only the sound of a specified zone is output without passing through the DSP.

Common Parameter Information:

5-A Assignable Button 2 Type (Asgn2) (page E-22) 5-B Settings when Asgn2 = DSP Bypass (Dbp) (page E-23)

• For more information about DSP bypass, see the

flowchart under “Master Control Configuration” (page E-4).

Sending Control Changes (ASSIGNABLE 1/2)

Using the Assignable Buttons

Since control change is a MIDI message, the target of a send operation generally is an external MIDI device. With the  (ASSIGNABLE 1) button, different control change values can be specified for sending at the points the button is pressed and when it is released. With the change values can be specified for sending at the points the button is turned on and when it is turned off.

(ASSIGNABLE 2) button, different control



Common Parameter Information:

4-A Assignable Button 1 Type (Asgn1) (page E-22) 5-A Assignable Button 2 Type (Asgn2) (page E-22) 4-B, 4-C, 4-D, 5-B, 5-C, 5-D Settings when Asgn1/ Asgn2 = Control Change Number 0 to 127 (page E-23)

* You also can configure control change send for the

internal sound source that corresponds to a particular zone. See the note under “4-B, 4-C, 4-D, 5-B, 5-C, 5-D Settings when Asgn1/Asgn2 = Control Change Number 0 to 127” (page E-23).

E-25

Using the Digital Piano as a MIDI Master

IMPORTANT!

NOTE

UPPER 1

LAYER unlit, SPLIT unlit

LAYER lit, SPLIT unlit

LOWER 1 UPPER 1

LAYER unlit, SPLIT lit

LAYER lit, SPLIT lit

Keyboard

A unique MIDI channel can be assigned to each of the Digital Piano’s four zones (UPPER 1, UPPER 2, LOWER 1, LOWER 2) to provide simultaneous control of up to four external MIDI devices.

• This section provides only basic information about how to use the Digital Piano as a MIDI master keyboard. For details about the MIDI specifications of this Digital Piano, see the “MIDI Implementation” document at the website located at the URL below.

http://world.casio.com/

MASTER CONTROL

External MIDI Device Connection

Your Digital Piano is equipped with standard 5-pin DIN connector type MIDI OUT and MIDI IN terminals. It is up to you to purchase optionally available or commercially available MIDI cables when connecting to an external MIDI device.

• The MIDI terminals are disabled while the Digital Piano is connected to a computer via the USB port.

Specifying the Zone Configuration

Press the achieve the zone configuration you want.

• You can change the ranges of the UPPER and LOWER zones using the procedure described under “To specify the keyboard split point” (page E-14).

(LAYER) and  (SPLIT) buttons so their lamps are lit in one of the combinations shown below to



UPPER 1 UPPER 2

LOWER 1 UPPER 1 LOWER 2 UPPER 2

E-26

Using the Digital Piano as a MIDI Master Keyboard

English

NOTE

Lit

Unlit

Lit

Unlit

Specifying What Each Zone Controls

After you use the  (LAYER) and  (SPLIT) buttons to select a zone configuration, you can turn internal sound source control (INT) and external MIDI device control (EXT) on or off as required for each zone. Use the EXT) button to specify what a zone controls.



(INT/

To specify what a zone controls

Press the button that corresponds to the zone whose settings you want to change:  (UPPER 1) button,

• The lamp of the button you press will light.

(UPPER 2) button,  (LOWER 1) button,  (LOWER 2) button.



Use the  (INT/EXT) button to specify what you want the zone you selected in step 1 to control.

• Pressing the  (INT/EXT) button cycles through the available settings, which are indicated by two lamps above the

button as illustrated below.

• The INT side lamp indicates the internal sound source, while the EXT side lamp indicates an external MIDI device. Keep

pressing the button until the lamp(s) of the device(s) you want the zone to control are lit.

If you want to configure other zones, repeat steps 1 and 2 of this procedure as required.

• If you want to use the Digital Piano exclusively as an external MIDI device controller, you can turn off the local

control setting (page E-39), which severs the actual connection between its keyboard and the internal sound source.

Zone Setups

In addition to the MIDI channel, you can configure external MIDI device control settings and internal sound source settings (tone selection, DSP settings) for each individual zone.

• For the procedure to use to select a tone for each zone, see “Layering and Splitting Tones” (page E-12).

• For information about configuring MIDI channel, mixer, DSP, and other detailed settings for each zone, see

“Editing Zone Parameters” (page E-28).

E-27

Editing Zone Parameters

Zone Menu

Page

Parameter Name

Settings

MASTER CONTROL

Your Digital Piano is a four-zone MIDI master keyboard (“Master Control Configuration”, page E-4). A zone is a unit that controls the internal sound source and/or external MIDI device. Just as you can select a different internal sound source tone for each zone, you also can specify a mixer, DSP and other settings for an internal sound source, and you can specify a MIDI channel and other control settings for an external MIDI device.

Zone Parameter Operations

The parameters whose settings can be configured for each zone are called “zone parameters.” To configure zone parameter settings, enter the MASTER CONTROL mode and then hold down the zone menu appears on the display.

(ZONE EDIT) button until the



• The zone menu has eight pages. Press the

• Each zone menu page includes up to four parameters, each of which corresponds one of the PARAMETER

SELECTOR buttons (

• The format of the DPS settings on page 3 of the zone menu is a bit different from the other pages, as shown below.

• The “ZONE PARAMETER” list in the upper left of the Digital Piano’s control panel shows the zone parameters

assigned to each of the PARAMETER SELECTOR buttons.

(A) through  (D)).



(ZONE EDIT) button to scroll through the pages.



E-28

English

To change zone parameter settings

IMPORTANT!

Lit

Check to make sure that the lamp above the

(MASTER CONTROL) button is lit.



• If it is unlit, press the  (MASTER CONTROL)

button to light it.

Hold down the  (ZONE EDIT) button until the zone menu screen shown below appears.

Editing Zone Parameters

Press the button that corresponds to the zone whose settings you want to change:

(UPPER 1) button, (UPPER 2) button,



(LOWER 1) button, (LOWER 2) button.



• The lamp of the button you press will light, which

indicates its zone is selected.

Use the  (EDIT w, q) buttons to change the setting.

• Pressing w and q at the same time returns the

setting to its initial default.

• Holding down w or q will scroll through the

settings at high speed.

• For details about the meaning and range of each

parameter setting, see “Zone Parameter Settings” (page E-30).

If you want to change the setting of the same parameter in other zones, perform steps 5 and 6 again.

• This will cause the  (ZONE EDIT) button lamp to

light.

Use the  (ZONE EDIT) button to display the zone menu page that contains the parameter whose setting you want to change.

Example: Zone menu page 2

• Each press of the

to the next page.

Press the PARAMETER SELECTOR button (

(A) through  (D)) to select the



parameter whose setting you want to change.

• The brackets around the setting of parameter you

select will change from [ ] to %. This indicates that editing of the setting is enabled.

Example: After the

(ZONE EDIT) button advances





If you want to change the setting of another parameter, perform steps 3 through 7 again as required.

After all of the zone parameters are the way you want, hold down the button until the button lamp goes out.

• This will return the menu along the bottom of the

display to the common menu.

Turning off the Digital Piano causes all zone parameters to return to their initial default settings. If you need to save a zone parameter setup, perform one of the operations described below.

• If you want to restore the current setup the next time you turn on the Digital Piano, perform the backup operation. For details, see “Backup” (page E-40).

(ZONE EDIT)



• Holding down one of the PARAMETER SELECTOR

buttons will display its full name. For example, “MidCh” will change to “MIDI Out Ch”.

E-29

Editing Zone Parameters

INT

EXT

INT

EXT

INT / EXT

EXT

INT

Zone Parameter Settings

This section explains the meaning of each zone parameter, and provides information about their setting ranges and initial default values.

• In this section, each parameter is preceded by a

number and a letter, like “1-A”. This indicates the common menu page number (1) and the PARAMETER SELECTOR button you need to press to select it (A).

• In this section, the name of each zone parameter is

followed by and/or .

indicates a setting that applies to internal sound source control.

indicates a setting that applies to external MIDI device control.

• The values following the description of a parameter

are its setting range. The initial default setting is indicated by an asterisk (*).

Mixer Settings

■ 1-A Volume (Vol)

Adjusts the volume level. 0 is mute, 127 is maximum volume.

0 to 127

■ 1-B Pan

Adjusts the pan position. 0 specifies a center pan position, a negative value shifts it to the left, and a positive value shifts it to the right.

–64 to 0

■ 1-C Octave Shift (Oct)

Shifts the pitch upwards or downwards in octave steps. Changing this setting also shifts the note number sent to an external MIDI device.

–2 to 0

to +63

to +2

MIDI Settings

■ 2-A MIDI Out Channel (MidCh)

Specifies the MIDI channel used by each zone when sending MIDI data.

1 to 16 ( LOWER 2: 4)

UPPER1:1, UPPER2:2, LOWER1:3,

■ 2-B Bank MSB (BnkMS)

Specifies the value of the bank MSB that is appended when sending a program change to an external destination with operation 2-D.

to 127

■ 2-C Bank LSB (BnkLS)

Specifies the value of the bank LSB that is appended when sending a program change to an external destination with operation 2-D.

to 127

■ 2-D Program Change (Prog)

Specifies the program change number sent to an external destination. Any time this value is changed, the corresponding numbered program change is sent to an external destination (without affecting the internal sound source).

to 127

DSP Settings

■ 3-A DSP Type (DSP)

Selects tremolo, rotary, or some other DSP type. The DSP type is indicated by “ton” (which is the initial default for each tone) or a number from 1 to 64. Any time the are used to switch the number, the DSP type name that corresponds to the current number will appear on the display. The parameters displayed in 3-B depend on the DSP type selected here.

(EDIT w, q) buttons



E-30

■ 3-B DSP Parameter (Parameter)

In accordance with the DSP type selected in 3-A, displays the name of the parameters whose settings can be configured. When there are multiple parameters, you can use the q) buttons to scroll through them. Perform the operation under 3-C to change the setting of a parameter.

(EDIT w,



English

Editing Zone Parameters

IMPORTANT!

INT / EXT

INT

INT / EXT

■ 3-C Parameter Value (Value)

This item is used to change the setting of the parameter displayed in 3-B.

• For details on information about parameter names and the settings and initial defaults for each parameter under each DSP type number and type name, see “DSP Effect List” (page E-60) and “DSP Algorithm List” (page E-61).

Editing Tones

■ 4-A Coarse Tune (CrsTu)

Changes the pitch in semitone steps.

to 127

to +12 semitones

to +99 cents

, ON

to +63

–12 to 0

■ 4-B Fine Tune (FinTu)

Use this item to adjust the pitch in cent steps (1 cent = 1/100 semitone).

–99 to 0

■ 4-C Portamento ON/OFF (Porta)

Specifies whether or not portamento should be applied to each zone when the assignable button to which portamento is assigned is pressed.

OFF

■ 4-D Portamento Time (PTime)

Specifies the pitch change time when portamento is turned on in 4-C. A smaller number specifies a shorter time, while a larger number specifies a longer time. Portamento is not applied when this setting is 0.

■ 5-A Attack Time (Atack)

Attack time is the time it takes for the sound to reach full volume when a note is played. This item makes relative adjustments to the default attack time (0) of each tone. A larger positive value lengthens the attack time, which produces a slower attack. A larger negative absolute value shortens the attack time, which produces a faster attack.

–64 to 0

■ 5-B Release Time (Relas)

Release time is the time it takes for the sound to fade when a note ends. Adjustment is relative from the initial default setting (0) of each tone. A larger negative absolute value shortens the release time, while a larger positive value lengthens the release time.

–64 to 0

to +63

■ 5-C Filter Cutoff (Flter)

This item is for adjusting how the cutoff filter application is applied to a tone. The cut-off filter is a tone adjustment filter that eliminates (cuts off) all components over a given frequency from within a tone’s overtone components. Adjustment is relative from the initial default setting (0) of each tone. A larger negative absolute value produces a softer sound, while a larger positive absolute value produces a harder, brighter sound.

–64 to 0

to +63

■ 5-D Touch Sense (Sense)

This item is for adjusting how much the sound volume and timbre changes, and how it changes in accordance with keyboard pressure. Setting a larger absolute value causes relatively large change in sound volume and timbre in response to changes in key pressure. If this setting is 0, sound volume and timbre remain constant regardless of key pressure. If the setting is positive, a larger value results in harder notes when stronger pressure is applied, and softer notes when lighter pressure is applied. If the setting is negative, a larger value results in softer notes when stronger pressure is applied, and harder notes when lighter pressure is applied. The change in sound volume and timbre depends on the tone.

–64 to 0 to +63

■ 6-A Vibrato Rate (VbRat)

This item is for adjusting the speed of vibrato applied to notes. A larger negative absolute value decreases the speed, while a larger positive value increases the speed.

–64 to 0

to +63

E-31

Editing Zone Parameters

INT / EXT

INT

INT / EXT

INT

■ 6-B Vibrato Depth (VbDpt)

This item is for adjusting the depth (strength) of vibrato applied to notes. A larger negative absolute value makes vibrato shallower, while a larger positive value makes it deeper.

–64 to 0

to +63

■ 6-C Vibrato Delay (VbDly)

This item is for adjusting the time until vibrato starts to be applied to a note. A larger negative absolute value makes the time it takes before vibrato is applied after a note is played shorter, while a larger positive value makes it longer.

–64 to 0

to +63

■ 6-D Vibrato Waveform (WvFrm)

This item is for selecting the waveform when applying vibrato to notes. You can select from among the following waveforms.

Original (Org*) –– Saw Down (SDw)

Sine (Sin) Pulse 1:3 (P13)

Triangle (Tri) Pulse 2:2 (P22)

Saw Up (SUp) Pulse 3:1 (P31)

* “Org” is the initial default setting for all tones. The

actual default waveform type depends on the tone.

Effect Settings

For details on the meanings of the settings in this section, see the flowchart under “Master Control Configuration” (page E-4).

■ 7-A Reverb Send (RvbSd)

Specifies how much of the signal from the sound source is sent to reverb.

0 to 127 (

■ 7-B Chorus Send (ChoSd)

Specifies how much of the signal from the sound source is sent to chorus.

0 to 127 (

■ 7-C Acoustic Resonance Send (AReso)

Specifies how much of the signal from the sound source is sent to acoustic resonance.

0 to 127 (

■ 7-D DSP ON/OFF (DSP)

Switches DSP for each zone on or off. Selecting OFF disables DSP for that particular zone.

OFF, ON

The DSP of this Digital Piano can be used simultaneously for up to two parts. Each part (“Sound Source Configuration”, page E-5) has a DSP priority, which determines which of the two parts that have DSP turned on should have the DSP effect applied. The following shows the priorities assigned to each part.

default setting depends on the tone)

Priority Part Number Part Name

1 Part 1 Upper1

2 Part 3 Lower1

3 Part 2 Upper2

4 Part 4 Lower2

5 Part 17 to 48

Song01 to Song16,

Ext01 to Ext16

To apply a DSP to one or two lower priority parts (Lower2, for example), turn off DSP ON/OFF for the higher priority parts (Upper1, Lower1, Upper2).

E-32

English

Control Settings

INT / EXT

If you are using multiple zones for keyboard play and you want to disable pedal and other controller operations for a particular zone, turn off the settings described in this section for that zone.

Editing Zone Parameters

■ 8-A Pedal

Enables and disables pedal operations.

OFF, ON

■ 8-B Bender (Bend)

Enables and disables the  (PITCH BEND) wheel operations. OFF, ON

■ 8-C Assignable 1 (Asgn1)

Enables and disables the 

(ASSIGNABLE 1) button operations. OFF, ON

■ 8-D Assignable 2 (Asgn2)

Enables and disables the 

(ASSIGNABLE 2) button operations. OFF, ON

E-33

Using Registration Memory

NOTE

Bank number

Lit

Normally, before playing something you need to set up the Digital Piano by configuring a number of different settings, including layer and split on/off, a tone selection for each zone, equalizer settings, and DSP settings. You can save up to 64 Digital Piano setups (which include control panel and internal settings) to registration memory for later recall when you need them. Each setup is saved as “registration data.”

Registration Memory Operations

During registration data save and recall operations, the location of the data in registration memory is specified using a bank number and an area number. Registration memory has eight banks, each of which is divided into eight areas.

MASTER CONTROL CARD PLAYER

Registration Data

The following are the settings that are stored as registration data when you save a Digital Piano setup.

• Layer ON/OFF

• Split ON/OFF

• Split point

• Reverb ON/OFF

• Reverb type

• Chorus ON/OFF

• Chorus type

• Each zone tone number

• Each zone INT/EXT ON/OFF

• All common parameters (page E-18)

• All zone parameters (page E-28)

• Following function menu items (page E-38)

• Touch Response

• Pedal Assign

• Temperament type

• Temperament key note

• Stretch Tuning

• Acoustic Resonance ON/OFF

• Half Pedal Effect

To save a setup as registration data

Configure the Digital Piano with the settings you want to save.

Press the  (REGISTRATION) button so the lamp below it is lit. This is the REGISTRATION mode.

• The Digital Piano’s current mode (MASTER

CONTROL, CARD PLAYER, ZONE EDIT) is not included in registration data. This means that the Digital Piano’s mode does not change when you recall registration data.

• The following function menu settings are not included in registration data. You can, however, perform the backup operation (page E-40) to retain these settings when the Digital Piano is turned off.

• Tuning

• EQ Hold

• Display Contrast

• Song MIDI Out

• Song Volume

• Song Pre-count

• Song Repeat

• The backup operation (page E-40) saves all of the

above function menu settings, as well as all of the settings that are included in registration data.

Use the  (w, q) buttons to scroll through the banks (1 to 8) until the bank where you want to save the registration data is displayed.

E-34

English

NOTE

Area number

Bank number

9 J T

I S _

7 H R & ~

6 G Q

5 F P Z

}

4 E

{

3 D N X

2 C M

1 B L V

)

0 A K U

(

While holding down the  (STORE) button, press one of the number buttons ( through area (1 to 8) where you want to save the registration data.

(8)) to specify the number of the





(1)

Using Registration Memory

To rename a registration memory bank

While holding down the  (FUNCTION) button, press the button.

(REGISTRATION)



To recall a setup saved as registration data

ck cl cm cn co cp cq cr dm

• Pressing a number button immediately executes the

registration data save operation.

• The following shows how the display would appear

if you select Bank 1, Area 3.

Press the  (REGISTRATION) button so the lamp below it is lit. This is the REGISTRATION mode.

Use the  (w, q) buttons to scroll through the banks (1 to 8) until the one you want to rename is displayed.

• This displays a screen for editing the name.

Edit the name.

• The initial default name of all the banks is

“REGIBANKNAME”.

• Use the

cursor left and right, and the scroll through characters at the current cursor position. The following shows the characters that can be used in a name.

• You can specify up to 12 characters for a bank name.

After the name is the way you want, press the

(ENTER) button.



(u) and  (i) buttons to move the



(w, q) buttons to



Use the  (w, q) buttons to scroll through the banks (1 to 8) until the one where the registration data you want to recall is displayed.

Press one of the number buttons ( (1) through area (1 to 8) where the registration data you want to recall is located.

• Pressing a number button immediately recalls and

applies the setup in accordance with the registration data being recalled.

• The following shows how the display would appear

if you select Bank 3, Area 7.

(8)) to specify the number of the



In response to the confirmation message (“Sure?”) that appears, press the button to apply the change or the button to return to the screen in step 3 of this procedure without changing anything.

• To display a bank name, hold down the 

(REGISTRATION) button on the registration mode screen.

(YES)



(NO)



E-35

Using Registration Memory

NOTE

Saving Registration Memory Bank Data to a File

Registration data can be stored to a file in the Digital Piano’s internal memory area or on an SD card. You can store the registration data in a single registration memory bank (eight areas) or the data in all of the registration memory banks (64 areas) to a file.

• When you save registration memory bank data to a

file, a file name is assigned automatically in accordance with the following rules.

• If you save the data in a single bank, the file name

will be in the format: <first 6 characters of bank name><2-digit number specified by you>.CB6.

• If you save the data in all the banks, the file name

will be in the format: <REGIST><2-digit number specified by you>.CR6.

• Before saving registration memory bank data to an

SD card, be sure to first read the important information contained in the following sections of this user’s guide.

• “Card and Card Slot Precautions” (page E-46)

• “To load and remove a memory card” (page E-46)

• “To format a memory card” (page E-46)

To save registration memory bank data to a file

Depending on where you want to save the data file, perform one of the steps shown below.

Depending on the type of operation you want to perform, use the

(u) and  (i)



buttons to display one of the screens shown below.

To save the data in a single bank

To save the data in all banks

Use the  (w, q) buttons to specify the two-digit number you want to append to the name of the file.

Press the  (ENTER) button.

• This saves the file.

• The message “Replace?” will appear if a file with the

same name already exists. If you want to replace the existing file with the one you are saving, press (YES). Press of this procedure without saving.

To exit the LOAD/SAVE mode, press the 

(NO) to return to the screen in step 4



(EXIT) button.



If you are saving the file here:

Internal area Remove the SD card from the

SD card Insert the SD card into the

While holding down the  (FUNCTION) button, press the

• This enters the LOAD/SAVE mode.

Perform this operation:

Digital Piano’s card slot.

(LOAD/SAVE) button.



NOTE

• A registration memory bank data file saved to an SD

card will be placed in the MUSICDAT folder. The MUSICDAT folder is created automatically when you format the memory card on the Digital Piano (page E-46). Note that load, delete, and rename operations cannot be performed on files that are not inside the MUSICDAT folder, or on files in folders that are inside the MUSICDAT folder. Keep this restriction in mind whenever handling SD card files with your computer.

E-36

English

To recall registration memory bank data from a file

If the file is located here:

Internal area Remove the SD card from the

SD card Insert the SD card into the Digital

Depending on where the file is located, perform one of the steps shown below.

Perform this operation:

Digital Piano’s card slot.

Piano’s card slot.

Press the  (REGISTRATION) button so the lamp below it is lit. This is the REGISTRATION mode.

If you are recalling a file that contains data for a single bank, use the scroll through the bank numbers (1 through 8) until the one to which you want to recall the data is displayed.

• If you are recalling a file that contains data for all

banks, you can skip this step.

(w, q) buttons to



Using Registration Memory

To replace the registration data currently in the bank(s) you selected with the registration data in the file, press the return to the screen in step 6 of this procedure without recalling anything, press the

• Pressing the  (YES) button recalls the data from the

(NO) button.



file into the bank(s) and exits the LOAD/SAVE mode.

(YES) button. To



While holding down the  (FUNCTION) button, press the

• This enters the LOAD/SAVE mode.

Depending on the type of operation you want to perform, use the buttons to display one of the screens shown below.

To recall a file that contains data for a single bank

To recall a file that contains data for all banks

(LOAD/SAVE) button.



(u) and  (i)



Use the  (w, q) buttons to display the file that contains the data you want to recall, and then press the

• This will cause the message “Replace?” to appear.

• To cancel the recall operation and exit the LOAD/

SAVE mode, press the  (EXIT) button.

(ENTER) button.



E-37

Using the Function Menu

IMPORTANT!

Item name

“%” indicates the setting.“>ENT” indicates a setting group.

ENTER EXIT

MASTER CONTROL CARD PLAYER

The function menu contains global settings (overall tuning and touch adjustment, local control ON/OFF, etc.) that need to be changed by you relatively infrequently. It also includes some SD card operations (format, etc.)

Function Menu Operations

This section explains operations involving function menu settings. For details about specific function menu items, see “Function Menu Settings” (page E-39).

To change the setting of a function menu item

Press the  (FUNCTION) button.

• The button’s lamp will light, and the display will

change as shown below.

Use the  (w, q) buttons to change the currently displayed setting.

• Holding down the  (FUNCTION) button as you

press w or q will change the setting by a factor of

10.

To exit the function menu, press the  (EXIT) button or the

• Turning off the Digital Piano causes all function menu settings to return to their initial defaults. If you need to save a function menu setup, perform the backup operation. For details, see “Backup” (page E-40).

• Some function menu settings also can be saved to registration memory. For details, see “Using Registration Memory” (page E-34).

(FUNCTION) button.



You can use a number button ( (1) through

(8)) to select another item to change its



setting.

• Each number button corresponds to the numbers of

the items under “Function Menu Settings” (page E-39).

• You also can scroll sequentially through settings with

the  (u) and  (i) buttons.

• “>ENT” to the right of an item indicates a setting

group. In this case, press the enter the setting group. Next, use the (i) buttons to scroll through the items in the group.

(ENTER) button to



(u) and 



E-38

• To exit a setting group, press the

(EXIT) button.



English

Using the Function Menu

00* : Equal 01 :Pure Major 02 :Pure Minor 03 : Pythagorean 04 :Kirnberger 3 05 :Werckmeister 06 :Mean-Tone 07 : Rast 08 : Bayati

09 :Hijaz 10 : Saba 11 : Dashti 12 : Chahargah 13 :Segah 14 :Gurjari Todi 15 : Chandrakauns 16 :Charukeshi

Function Menu Settings

This section explains the meaning of each function menu parameter, and provides information about their setting ranges and initial default values.

• For each item, the initial default setting is indicated

by an asterisk (*).

1 Tuning (Tune)

Use this item to adjust the pitch in cent steps (1 cent = 1/100 semitone).

–99 to 0* to +99 cents

2EQ Hold

Select OFF* to overwrite existing equalizer settings when recalling registration data (page E-34). Select ON to retain existing equalizer settings.

3 Touch Response (Touch)

Select one of the settings below to specify the relationship between key pressure and note volume.

OFF: Constant note volume regardless of keyboard pressure 1 : Strong sound even with light pressure 2* : Normal 3 : Normal sound even with strong pressure

4 Pedal Assign (PedAssign)

Specifies whether the pedal unit connected to the SOFT/SOSTENUTO PEDAL jack is a soft pedal (SFT*) or a sostenuto pedal (SOS).

5 Local Control (LocalCtl.)

Select OFF to disconnect the Digital Piano’s keyboard from the internal sound source.

OFF, ON*

6 Temperament/Effect (Tmpr/Effect)

Temperament (Temper.)

Use this setting to select one of the temperaments (tunings) shown below for the internal sound source. Pressing a keyboard key while this item is displayed will set that key’s note name (C* to B) as the temperament key note.

NOTE

• Equal temperament is always used for MIDI file

playback in the CARD PLAYER mode.

Stretch Tuning (Stretch)

Stretch tuning is a standard piano tuning method that tunes high notes slightly higher and low notes slightly lower. Select ON* for this item to enable stretch tuning or OFF for plain tuning.

Acoustic Resonance (AcoReson.)

Acoustic resonance occurs when the damper pedal is depressed on a grand piano. Select ON* for this item to enable acoustic resonance or OFF to disable it.

Half Pedal Effect (HalfPedal)

Use this item to adjust how much a half-pedal operation (pressing the pedal part way) when using the damper pedal of the optional pedal unit (SP-32). A setting of 00 disables the half pedal effect. Setting 42 applies a full-press effect, even when the pedal is pressed part way.

00 to 24* to 42

E-39

Using the Function Menu

7 Playback/Card (Play/CARD)

Song MIDI Out (MIDI Out)

Select ON* for this item to send MIDI data to an external destination when a Format0 or Format1 SMF file is played back on the Digital Piano. Select OFF to disable send. MIDI data is never sent during playback of a CM2 format file, regardless of what is selected for this setting.

Song Volume (SongVol.)

Use this item to adjust the volume level for playback of MIDI files on the Digital Piano. This item can be used to balance the volume level of MIDI file playback with keyboard play volume. A setting of 00 mutes MIDI file playback.

00 to 42*

Song Pre-count (PreCount)

Select ON for this item to sound a pre-count at the beginning of a song when starting playback of a MIDI file on the Digital Piano. Select OFF* to disable the pre-count.

Song Repeat (SngRepeat)

Select ON for this item to repeat a single song when playing back a MIDI file on the Digital Piano. Select OFF* to disable song repeat.

Card Folder Setting (CardFolder)

See “Creating a New Card Music Folder” (page E-44).

Card Format (CardFORMAT)

See “To format a memory card” (page E-46).

File Delete (FileDELETE)

See “To delete a file” (page E-47).

8 Other (General)

Panel Lock (PanelLock)

Turning on panel lock locks all of the Digital Piano’s buttons (except for the power button and unlock button operations*). Turn on panel lock when you want to protect against unintentional button operations. Turning off the Digital Piano automatically unlocks panel lock. * To unlock the panel, perform the same operation

you perform to turn on panel lock.

Display Contrast (Contrast)

Use this item to adjust display contrast.

00 to 08* to 16

Backup (BackUp)

Changing this item from OFF* to ON, creates a backup data file that contains information about all of the Digital Piano’s current settings. If this item is left ON, the Digital Piano’s setup is configured in accordance with the contents of the currently saved backup data file. For details about the backup data file contents, see the note at the end of “Registration Data” (page E-34).

NOTE

• Changing the backup setting from ON to OFF

deletes the current backup data file. Turning the Digital Piano off and then back on again while the backup setting is OFF will cause all settings to return to their initial power on defaults. Registration memory data and internal memory area data is not affected.

• To update the contents of the backup data file

with your current Digital Piano setup, change the backup setting from ON to OFF and then back to ON again.

File Rename (FileRENAME)

See “To rename a file on a memory card” (page E-47).

E-40

English

Playing Back a MIDI File

IMPORTANT!

CARD PLAYER

You can use the Digital Piano to directly playback a MIDI file stored on an SD card. You also can copy MIDI files to the Digital Piano’s built-in memory (internal memory area) and play it back from there.

• Your Digital Piano supports playback of Format0 and Format1 SMF files and CM2 (CASIO proprietary) format file. Playback of up to 17 tracks of a Format1 SMF file is supported.

• Playback of audio files (WAV, MP3, etc.) is not supported.

MIDI File Playback Operations

To play back a MIDI file from an SD card

Format the SD card on the Digital Piano (page E-46).

• This will cause folders with the names MUSICDAT,

MUSIC__B, MUSIC__C, and MUSIC__D to be automatically created in the SD card’s root directory.

Use your computer to copy the MIDI files you want to play on the Digital Piano into the folders that were created on the SD card in step 1 of this procedure.

Insert the SD card into the Digital Piano’s card slot.

Press the  (CARD PLAYER) button so the lamp below it is lit. This is the CARD PLAYER mode.

• The  (A) button will light, and the name of the first

MIDI file in the MUSICDAT folder will appear on the Digital Piano’s display.

You can use the letter buttons ( (A) through

(D)) to specify an SD card folder.



• A: MUSICDAT, B: MUSIC__B, C: MUSIC__C,

D: MUSIC__D.

Use the  (w, q) buttons to select the MIDI file you want.

To start playback, press the  (PLAY/ STOP) button.

• Press the  (FF) button to perform a fast forward

operation or the Pressing and releasing either button moves one measure, while holding down a button scrolls at high speed.

• Pressing the  (PAUSE) button pauses playback.

Press again to resume song playback.

• For information about other operations that are

supported during playback, see “Supported Operations During MIDI File Playback” (page E-42).

• Playback will stop when the end of the file is reached

(under initial default settings). To stop playback part way through, press the

To exit the CARD PLAYER mode, press the

(CARD PLAYER) button.



• The lamp above the button will light, and the Digital

Piano will return to the MASTER CONTROL mode.

(REW) button for rewind.



(PLAY/STOP) button.



To play back a MIDI file from the Digital Piano’s internal memory area

Copy the MIDI file you want to play to the Digital Piano’s internal memory area.

• For information about how to copy the file, see

“Transferring Data between the Digital Piano and a Computer” (page E-50).

If there is an SD card in the Digital Piano’s card slot, remove it.

E-41

Playing Back a MIDI File

Tempo value

Tap four times

Press the  (CARD PLAYER) button so the lamp below it is lit. This is the CARD PLAYER mode.

• This displays the name of the first MIDI file in the

internal memory area.

• The remaining steps of this procedure are the same as

those starting with step 6 under “To play back a MIDI file from an SD card” (page E-41).

Supported Operations During MIDI File Playback

■ To adjust the tempo by tapping a beat

While holding down the  (FUNCTION) button, tap the q

(TEMPO) button four



times in time with the beat you want to specify.

• The tempo setting will change in accordance with the

timing of your tapping.

• After you use this method to specify the approximate

tempo, you can then use the procedure under “To adjust the tempo using the  (TEMPO w, q) buttons” to adjust the setting to a more exact value.

• The setting will be canceled if you release the

(FUNCTION) button before tapping the q (TEMPO) button four times.





To change the playback tempo

There are two different methods you can use to change the tempo setting: by pressing q (faster) and w (slower) buttons or by tapping a beat with a button.

■ To adjust the tempo using the  (TEMPO

w, q) buttons

Each press of a button increases or decreases the beats per minute value by one.

• Holding down either button changes the value at high speed.

• Pressing both of the the same time will return the song to its default tempo.

• You can specify a tempo value in the range of 20 to

255.

(TEMPO w, q) buttons at



To adjust playback volume in accordance with keyboard play volume

See “Song Volume” (page E-40). For information about how to change the setting, see “To change the setting of a function menu item” (page E-38).

To sound a pre-count at the start of playback

See “Song Pre-count” (page E-40). For information about how to change the setting, see “To change the setting of a function menu item” (page E-38).

E-42

English

Playing Back a MIDI File

NOTE

To practice with either hand (Part Off)

• To perform the procedure below, use a MIDI file that

To repeat play a specific section of a song

has the left-hand part recorded in Channel 3 and the right-hand part recorded in Channel 4.

Enter the CARD PLAYER mode and select the MIDI file you want to play.

Press the  (PART) button.

• This will display the part on/off screen (L-[ON]

R-[ON]) to appear on the display.

Use the  (w, q) buttons to toggle the parts on and off.

• w toggles the left-hand part and q toggles the

right-hand part.

Press the  (PART) button to exit the part on/off screen.

To start playback, press the  (PLAY/STOP) button.

• This starts playback of the part you turned on in

step 2. You can play the part you turned off on the keyboard along with the playback.

To play on the keyboard along with playback

In the MASTER CONTROL mode, select the tones you want to use for each zone you will play on the keyboard.

• See “Selecting a Tone” (page E-11) and “Layering and

Splitting Tones” (page E-12).

Enter the CARD PLAYER mode and start MIDI file playback.

• See “MIDI File Playback Operations” (page E-41).

Play on the keyboard along with playback.

• The parts used for MIDI file playback (Song01

through Song16) are independent of the parts used for Digital Piano keyboard play (Upper1, Upper2, Lower1, Lower2). For more information, see “Sound Source Configuration” (page E-5). This means that playing on the keyboard does not interfere with proper MIDI file playback.

• You can select the tones for each zone you will play

on the keyboard after entering the CARD PLAYER mode. For more information, see “To select a tone for each zone in the CARD PLAYER mode” (page E-44).

Press the  (PLAY/STOP) button to start song playback.

When playback reaches the first beat of the section you want to select for repeat, press the

(REPEAT) button.



• This will cause the  (REPEAT) button lamp to

flash.

When playback reaches the last beat of the section, press the

• The

• You can use the

To exit repeat playback, press the  (REPEAT) button again so its lamp goes out.

• Using the  (w, q) buttons to switch to another

(REPEAT) button lamp will remain lit, which



indicates that repeat playback is being performed. After a one-measure (four beats in the cast of a 4/4 time song) rest, the Digital Piano will start playing the section you selected. Playback of the selected section continues, with a one-measure rest before each playback.

re-start playback of the section.

song also will exit repeat playback.

(REPEAT) button again.



(PLAY/STOP) button to stop and



E-43

Playing Back a MIDI File

To select a tone for each zone in the CARD PLAYER mode

Press the  (LAYER) and  (SPLIT) buttons so their lamps are lit in the combinations shown below and select the tones you want.

To change this zone’s tone:

UPPER 1 zone

UPPER 2 zone

LOWER 1 zone

LOWER 2 zone

Press the  (TONE) button so the lamp above it is lit.

Use the  to  (Tone Group) buttons to select the group you want.

• The lamp of the button you press will light.

Use the  (w, q) buttons to select the tone you want.

Configure the  (LAYER) and

(SPLIT) button lamps like this:



(LAYER): unlit,  (SPLIT): unlit



(LAYER): lit,  (SPLIT): unlit



(LAYER): unlit,  (SPLIT): lit



(LAYER): lit,  (SPLIT): lit



Creating a New Card Music Folder

When you insert an SD card, the Digital Piano searches for MIDI files inside of specific folders on the card. Under initial default settings, the folders that are searched are named “MUSICDAT” (which is assigned to Digital Piano button

(B)), “MUSIC__C” (button (C)), and



“MUSIC__D” (button accesses the contents of the corresponding folder. You can use the procedure below to assign different folders to buttons

• The procedure below creates a new folder and

assigns it to button assignments are stored on the SD card, so if you remove it, the last button assignments you used will be restored the next time you insert the card.

• If you create more than one folder for a button, the

last one you create will be assigned to the button.

• Performing the procedure below does not delete or

affect the content of the folder currently assigned to a button.



To create a new card music folder

(A)), “MUSIC__B” (button



(D)). Pressing a button



(B), (C), and (D).

(B), (C), or (D). Button



Repeat steps 1 through 4 for all of the zones you want to use for keyboard play.

Insert the SD card into the Digital Piano’s memory card slot.

Press the  (FUNCTION) button.

Press the  (7) button.

Use the  (u) and  (i) buttons to display “CardFolder” and then press the (ENTER) button.

• This causes the CARD Folder screen to appear.

Use the  (w, q) buttons to scroll through the button names (B, C, D) until the one for which you want to create a new folder is displayed within the brackets (



E-44

English

9 J T

I S _

7 H R & ~

6 G Q

5 F P Z

}

4 E

{

3 D N X

C M W

1 B L V

)

0 A K U

(

Enter a name for the folder you want to create.

• Use the  (u) and  (i) buttons to move the

cursor left and right, and the  (w, q) buttons to scroll through characters at the current cursor position. The following shows the characters that can be used in a name.

• If you know the name of an existing folder on the SD

card, you can input the name in the above step. This will assign the existing folder to the applicable button without creating a new folder.

After the name is the way you want, press the

(ENTER) button.



Playing Back a MIDI File

In response to the confirmation message (“Sure?”) that appears, press the



button to create the new folder or the button to return to the screen in step 6 of this procedure without creating anything.

• The message “Please Wait” will remain on the

display while the operation is being performed. Do not perform any Digital Piano operation while this message is on the display. “Complete” appears on the display after the operation is complete.

(YES)

(NO)



E-45

Using a Memory Card

IMPORTANT!

Top

You can save Digital Piano registration data to a

commercially available SD memory card, if you want.

MASTER CONTROL CARD PLAYER

Memory Card Operations

 Use a memory card with a capacity of 2GB or less.

Use of a card with a capacity that is greater than 2GB or other types of memory cards is not supported.

 In this manual, mentions of a “memory card” refer

to an SD memory card.

■ Types of Data

Supported

Operations

Save to

Memory

Card

Load from

Memory

Card

Data Type

Registration (page E-34)

Description (File Name Extension)

Digital Piano setups (CB6, CR6)

Card and Card Slot Precautions

• Be sure to observe the precautions provided in the documentation that comes with the memory card.

• Memory cards have a write-protect switch. Use it when you want to protect the data on the card from accidental deletion.

• Avoid using a memory card under the following conditions. Such conditions can corrupt data stored on the memory card.

• Areas subjected to high temperature, high humidity, or corrosive gas

• Areas subjected to strong electrostatic charge and digital noise

• Never touch the contacts of a memory card when loading it or removing it from the Digital Piano.

• Never eject the memory card while data is being written to or loaded from it. Doing so can corrupt the data on the memory card and damage the memory card slot.

• Never insert anything besides a memory card into the card slot. Doing so creates the risk of malfunction.

• Electrostatic charge from your fingers or the memory card to the card slot can cause malfunction of the Digital Piano. If this happens, turn the Digital Piano off and then back on again.

• A memory card can become quite warm after very long use in the memory card slot. This is normal and does not indicate malfunction.

To load and remove a memory card

• A memory card must be positioned correctly when being loaded into the Digital Piano. Trying to force an improperly oriented memory card into the slot can damage the memory card and the slot.

With the top of the memory card facing upwards (so you can see it), carefully insert it into the Digital Piano’s memory card slot (



until stops with a click.

To remove the memory card first press it into the slot further.

This will cause the memory card to disengage and eject partially. Pull the memory card the rest of the way out of the slot.

To format a memory card

• Format a memory card before using it for the first time.

• Before formatting a memory card, make sure it does not have any valuable data stored on it.

• The memory card format operation performed by this Digital Piano is a “quick format”. If you want to completely delete all of the data on the memory card, format it on your computer or some other device.

Insert the memory card you want to format into the Digital Piano’s memory card slot.

Make sure the write-protect switch of the memory card is not in the write-protect position so writing is enabled.

Press the  (FUNCTION) button.

)

E-46

Press the  (7) button.

English

To delete a file

Use the  (u) and  (i) buttons to display “CardFORMAT” and then press the

(ENTER) button.



This will display a confirmation message (SURE?).

• If you want to cancel the format operation, press the

(NO) or  (EXIT) button.



Press the  (YES) button.

• The message “Please Wait” will remain on the

display while the format operation is being performed. Do not perform any Digital Piano operation while this message is on the display. “Complete” appears on the display after formatting is complete.

• Formatting a memory card will cause folders with the

names MUSICDAT, MUSIC__B, MUSIC__C, and MUSIC__D to be automatically created in the card’s root directory.

Insert the SD card into the Digital Piano’s card slot.

• This step is not necessary if you are deleting a file for

the internal memory area.

Press the  (FUNCTION) button.

Press the  (7) button.

Use the  (u) and  (i) buttons to display “FileDELETE” and then press the (ENTER) button.

This displays a screen for selecting a file for deletion.

Use the  (w, q) buttons to select the file you want to delete.

Press the  (ENTER) button.

This will display a confirmation message (SURE?).

• If you want to cancel the delete operation, press the

(NO) or  (EXIT) button.



Press the  (YES) button.

• The message “Please Wait” will remain on the

display while the delete operation is being performed. Do not perform any Digital Piano operation while this message is on the display. “Complete” appears on the display after deletion is complete.



Using a Memory Card

To rename a file on a memory card

Insert the SD card into the Digital Piano’s card slot.

• This step is not necessary if you are renaming a file

for the internal memory area.

Press the  (FUNCTION) button.

Press the  (7) button.

Use the  (u) and  (i) buttons to display “FileRENAME” and then press the (ENTER) button.

This displays a screen for changing the file name.

Use the  (w, q) buttons to select the file you want to rename.

Use the  (u) and  (i) buttons to move the flashing cursor to the character you want to change, and then use the buttons to change the character.

• The characters you can select are shown below.

(

)

{

After the file name is the way you want, press the

This will display a confirmation message (SURE?).

• If you want to cancel the renaming operation, press

Press the  (YES) button.

• The message “Please Wait” will remain on the

(ENTER) button.



the

(NO) or  (EXIT) button.



display while the rename operation is being performed. Do not perform any Digital Piano operation while this message is on the display. “Complete” appears on the display after renaming is complete.

}

6 G Q S

(w, q)



9 J T



E-47

Using a Memory Card

Error Messages

One of the error messages below appears on the display when a problem occurs.

• All mentions of “memory card” in the following table refer to an SD memory card.

Display

Message

Format 1. The current memory card format is not compatible

with this Digital Piano.

2. The memory card capacity is greater than 2GB. 2. Use a memory card with a capacity of 2GB or less.

3. There is something wrong with the memory card. 3. Use a different memory card.

MediaFull 1. There is not enough room available on the memory

card.

2. There is not enough room available in Digital Piano memory.

Media R/W 1. Memory card data is corrupted. 1. Use a different memory card.

2. Digital Piano memory is corrupted. 2. Backup Digital Piano memory data by copying it to your

No Card 1. The memory card is not loaded correctly in the Digital

Piano’s memory card slot.

2. The memory card was removed while some operation was in progress.

No File 1. There is no MUSICDAT folder (page E-41) on the

memory card.

2. There is no loadable or playable data in the MUSICDAT folder, or there is no playable data in a song playback folder (MUSIC__B, etc.)

Not SMF01 You are attempting to play back SMF Format 2 song data. This Digital Piano supports playback of SMF Format0 or Format1

Protect The memory card is write-protected. Use the memory card’s write protect switch to enable writing. ReadOnly A read-only file with the same name you are trying to use

is already stored on the memory card.

SizeOver The data on the memory card is too big to play. This Digital Piano supports playback of song data files with a

WrongDat 1. The memory card data is corrupted. —

2. The memory card contains data that is not supported by this Digital Piano.

Cause Required Action

1. Format the memory card on the Digital Piano (page E-46).

1. Delete some of the files on the memory card to make room for new data (page E-47), or use a different card.

2. Delete some or all user data from Digital Piano memory to make room for new data.

computer, and then turn the Digital Piano off and then back on again.

• Note that you may not be able to backup Digital Piano data in

certain cases.

1. Correctly load the memory card into the memory card slot.

2. Do not remove the memory card while any operation is in progress.

1. Create a MUSICDAT folder on the memory card or format the memory card on the Digital Piano (page E-46).

2. Move the file you want to load or play into the memory card’s MUSICDAT folder. For song playback, you can place the song data into any one of the following folders: MUSIC__B, MUSIC__C, or MUSIC__D.

only.

• Use a different name to save the new file.

• Remove the read-only attribute from the existing file and

overwrite it with the new file.

• Use a different memory card.

maximum size of 320 KB.

E-48

English

Connecting to a Computer

IMPORTANT!

Computer USB port

A connector

B connector

Digital Piano USB port

USB cable

(A-B type)

MASTER CONTROL CARD PLAYER

You can connect the Digital Piano to a computer and exchange MIDI data between them. You can send play data from the Digital Piano to music software running on your computer, or you can send MIDI data from your computer to the Digital Piano for playback.

Minimum Computer System Requirements

The following shows the minimum computer system requirements for sending and receiving MIDI data. Check to make sure that your computer complies with these requirements before connecting the Digital Piano to it.

 Operating System

Windows Windows Vista® Windows® 7 Mac OS® X (10.3.9, 10.4.11 or later, 10.5.6 or later, 10.6.2 or later)

*1 Windows XP Home Edition

Windows XP Professional (32-bit)

*2 Windows Vista (32-bit) *3 Windows 7 (32-bit, 64-bit)

 USB port

XP (SP2 or later)

After starting up your computer, use a commercially available USB cable to connect it to the Digital Piano.

Turn on the Digital Piano.

• If this is the first time you are connecting the Digital

Piano to your computer, the driver software required to send and receive data will be installed on your computer automatically.

Start up your computer’s music software.

Configure the music software settings to select one of the following as the MIDI device.

CASIO USB-MIDI : (For Windows Vista, Windows 7,

Mac OS X)

USB Audio Device: (For Windows XP)

• For information about how to select the MIDI device,

see the user documentation that comes with the music software you are using.

• Never connect to a computer that does not conform to the above requirements. Doing so can cause problems with your computer.

Connecting the Digital Piano to Your Computer

• Make sure you follow the steps of the procedure below exactly. Connecting incorrectly can make data send and receive impossible.

Turn off the Digital Piano and then start up your computer.

• Do not start up the music software on your computer

yet!

• Be sure to turn on the Digital Piano first before starting up your computer’s music software.

NOTE

• Once you are able to connect successfully, there is no problem with leaving the USB cable connected when you turn off your computer and/or Digital Piano.

• This Digital Piano conforms to General MIDI Level 1 (GM).

• For detailed specifications and connections that apply to MIDI data send and receive by this Digital Piano, see the latest support information provided by the website at the following URL.

http://world.casio.com/

E-49

Connecting to a Computer

IMPORTANT!

PIANO drive (Digital Piano memory)

This folder is not a data folder. You should not try to use it for normal Digital Piano operation.

Transferring Data between the Digital Piano and a Computer

You can use the procedure below to transfer registration data from the Digital Piano to a computer for storage. You also can transfer standard MIDI files (SMF) from your computer to Digital Piano memory.

■ Data Types Supported for Data Transfer

Data Type Description (File Name Extension)

MIDI files (page E-41)

Registration (page E-34)

• Turning off the Digital Piano while data is being transferred can cause all data currently stored in Digital Piano memory to be deleted. Take care so power is not turned off accidentally during data transfer operations. If data is deleted, it will take longer than normal for the Digital Piano to power up the next time you turn it on (page E-11).

Remove the memory card from the Digital Piano’s memory card slot (page E-46).

• You will not be able to transfer data between the

One of the following two types of music data

• CASIO format data (CM2)

• Standard MIDI files (MID), SMF Format0 or Format1

Digital Piano setups (CB6, CR6)

Digital Piano and a computer if a card is in the memory card slot.

While holding down the  (FUNCTION) button, press the

(USB DEVICE MODE)



button.

This will enter the storage mode, which enables data transfer with the connected computer. The  (FUNCTION) button lamp will flash and the display will appear as shown below.

• To exit the storage mode at any time, press the

(FUNCTION) button. This is the only button operation that is supported while the Digital Piano is in the storage mode.

• You will not be able to enter the storage mode while

any one of the following operations is in progress. MIDI file playback, data transfer between the Digital Piano and card

If your computer is running Windows XP, double-click “My Computer”.

Under “Devices with Removable Storage”, you should be able to see an icon representing Digital Piano memory or the memory card loaded in the Digital Piano (see below).

Windows Vista, Windows 7: Double-click “Computer”. Mac OS: Skip step 4 and double-click “PIANO” on

your Mac desktop.



Perform steps 1 through 3 under “Connecting the Digital Piano to Your Computer” to connect the piano to your computer (page E-49).

Double-click “PIANO”.

You now should see the folders below.

E-50

English

IMPORTANT!

File name extensions (.MID, .CM2, etc.) are not displayed under initial default Windows settings. Perform the procedure below to turn on display of file name extensions.

(1) Perform one of the following operations to display

folder information.

• Windows XP:

On the [Tools] menu at the top of the folder window, select [Folder Options].

• Windows Vista, Windows 7:

On the left side of the folder window, click [Organize] and then select [Folder and Search Options].

(2) On the Folder Information window, click the [View]

tab.

(3) Under “Advanced Settings”, clear the “Hide

extensions for known file types” check box and then click [OK].

Perform one of the following operations to transfer data.

7-1. To transfer data from Digital Piano

memory to a computer, perform the required operation on your computer to copy the data from Digital Piano memory to another location on your computer.

7-2. To load a MIDI file (.MID or .CM2) from

your computer to Digital Piano memory, copy the file you want to load to the root directory of “PIANO” drive.

7-3. To load a registration data file (.CB6 or

.CR6) from your computer to Digital Piano memory, copy the file you want to load to the “REGISTMR” folder.

Connecting to a Computer

Using Your Digital Piano as a Memory Card Reader

You can display the contents of the memory card currently loaded in the Digital Piano’s card slot and perform copy, delete, and other card operations from your computer.

Insert the memory card into the Digital Piano’s memory card slot.

Perform the procedure starting from step 2 on page E-50.

In step 4 of the procedure, “SD_MMC” will appear in place of “PIANO”. You can double-click “SD_MMC” to display the contents of the card loaded in the Digital Piano card slot, and change it as you like.

Copyrights

The rights of creators and copyright holders of music, images, computer programs, databases, and other data are protected by copyright laws. You are allowed to reproduce such works for personal or noncommercial use only. For any other purpose, all reproduction (including data format conversion), modification, transfer of reproductions, distribution over a network, or any other use without permission of the copyright holder exposes you to claims for damages and criminal prosecution for copyright infringement and violation of the author’s personal rights. Be sure to reproduce and otherwise use copyrighted works only in accordance with applicable copyright laws.

Press the  (FUNCTION) button to exit the storage mode.

• If you are using a Macintosh, drag the PIANO folder

to the Trash and then press the Digital Piano’s (FUNCTION) button.

• The message “ERROR, DATA EXCHANGE” will appear on the display if a problem occurs during data transfer. If this happens, check the message in the “STATELOG” folder (page E-50) on the “PIANO” drive. Next find the same message in the table on page E-48 of this manual to determine the cause of the problem and what action you need to take to avoid it.



E-51

Reference

Troubleshooting

Problem Cause Action See Page

Nothing comes out of the connected headphones or amplifier speakers when I play something.

The pitch of the Digital Piano is off.

Tones and/or effects sound strange. Turning power off and then back on again does not eliminate the problem.

Example:

not change even though I alter key pressure.

I cannot hear any chorus/ reverb effect when I turn on chorus/reverb.

I cannot play back a music file from an SD card.

I cannot transfer data after connecting the Digital Piano to a computer.

I cannot store data to a memory card or load data from a memory card.

Playback stops part way through while transferring song data from my computer.

Note intensity does

The  (VOLUME) knob is set to “MIN”.

The UPPER 1 zone setting is INT OFF.

The Digital Piano’s key setting is something other than 0.

Digital Piano tuning is incorrect. Adjust Digital Piano tuning, or turn Digital

The Coarse Tuning and/or Fine Tuning setting is something other than 0.

A non-standard temperament setting is being used.

Octave shift is enabled. Change the octave shift setting to 0.  E-30

The “Backup” feature is turned on. Turn off “Backup”. Next, turn power off

The chorus send/reverb send setting is 0.

The file you are trying to play is not a format supported by this Digital Piano.

— • Check to make sure that the USB cable

— See “Error Messages” on page E-48. —

Digital noise from the USB cable or power cord caused data communication between your computer and Digital Piano to be interrupted.

Rotate the  (VOLUME) knob more towards “MAX”.

Change the UPPER 1 zone setting to INT ON. If you are using Layer and/or Split, change the setting of the zone you are using to INT ON.

Change the key setting to 0, or turn Digital Piano power off and then back on again.

Piano power off and then back on again.

Change the setting(s) to 0 or turn Digital Piano power off and then back on.

Change the temperament setting to “00:Equal”, which is the standard modern tuning.

and then back on again.

Change the chorus send/reverb send setting to a greater value.

This Digital Piano supports playback of Format0 or Format1 SMF files, or CM2 (CASIO proprietary format) files only. Playback of WAV and MP3 files, or other format MIDI files is not supported.

is connected to the Digital Piano and computer, and that the correct device is selected with your computer’s music software.

• Turn off the Digital Piano and then exit the music software on your computer. Next, turn the Digital Piano back on and then restart the music software on your computer.

Stop song playback, disconnect the USB cable from the Digital Piano, and then reconnect it. Next, try playing back the song again. If this does not solve the problem, quit the MIDI software you are using, disconnect the USB cable from the Digital Piano, and then reconnect it. Next, restart the MIDI software and then try playing back the song again.

 E-11

 E-27

 E-20

 E-39

 E-31

 E-39

 E-40

 E-32

 E-41

 E-49

E-52

English

A tone’s quality and volume sounds slightly different depending where it is played on the keyboard.

When I press a button, the note that is sounding cuts out momentarily or there is a slight change in how effects are applied.

Even though I play on different ranges of the keyboard, the notes do not change octaves.

Reference

Problem Cause Action See Page

This is an unavoidable result of the digital sampling process,* and does not indicate malfunction.

* Multiple digital samples are taken for the low range, middle range, and high range of the

original musical instrument. Because of this, there may be a very slight difference in tonal quality and volume between sample ranges.

Performing a button operation while playing back a MIDI file can cause such phenomena when the Digital Piano switches internal tone effects. It does not indicate malfunction.

The ranges of certain tones are limited, which means that octaves change normally up to a certain low note or high note. With such a tone, the notes of the lowest octave will be repeated to the left of the lowest possible note, and the highest octave will be repeated to the right of the highest possible note. This is due do limitations in the range of the original musical instrument for each tone, and does not indicate malfunction of the Digital Piano.

E-53

Reference

Product Specifications

Model PX-3

Keyboard 88-key piano keyboard, with Touch Response (3 types)

Maximum Polyphony 128 notes

Tones 250 (with Layer and Split)

Effects DSP, Reverb (4 types), Chorus (4 types), Brilliance (–3 to 0 to 3), Acoustic Resonance

Mixer UPPER 1, UPPER 2, LOWER 1, LOWER 2; the volume level of each zone can be adjusted independently.

Assignable buttons 2

Demo Songs 4 original songs (played back sequentially and repeatedly)

Registration 8 areas × 8 banks

Pedals Damper, Soft/Sostenuto (switchable)

Other Functions • Transpose: ±1 octave (–12 to 0 to 12)

• Tuning: A4 = 440.0 Hz ±99 cents

• Octave Shift: ±2 octaves

• Temperaments: 17 types

• Stretch Tune

• Panel Lock

MIDI 16 multi-timbre received, GM Level 1 standard

Pitch Bend Wheel Pitch Bend Range: 00 to 12 semitones

SD Memory Card • SD memory card slot

• Supported SD Memory Cards: Up to 2GB

• Functions: SMF playback, file storage, file recall, card format

Inputs/Outputs • PHONES jacks: Stereo mini jacks × 2

Power Requirements AC Adaptor: AD-A12150LW

Power Consumption 12V = 18W

Dimensions 132.2 (W) × 28.6 (D) × 13.5 (H) cm (52

Weight Approximately 10.8kg (23.8lbs)

• Pedal Jacks: Standard jacks × 2

• MIDI OUT/IN terminals

• LINE OUT R, L/MONO jacks: Standard jacks × 2

Output impedance: 2.3K Output voltage: 1.8V (RMS) MAX

• LINE IN R, L/MONO jacks: Standard jacks × 2

Input impedance: 9.0K Input voltage: 200mV

• Power: 12V DC

• USB port: Type B

• Pedal connector (for optional SP-32 only)

/16 × 11 1/4 × 5 5/16 inch)



* Based on 1KB = 1024bytes, 1MB = 10242 bytes

• Specifications and designs are subject to change without notice.

E-54

English

Operating Precautions

Be sure to read and observe the following operating precautions.

■ Location

Avoid the following locations for this product.

• Areas exposed to direct sunlight and high humidity

• Areas subjected to temperature extremes

• Near a radio, TV, video deck, or tuner

• The above devices will not cause malfunction of the

product, but the product can cause interference in the audio or video of a nearby device.

■ Setup Generated Distortion

Though the DSP and equalizer functions of the Digital Piano let you apply various effects to built-in tones, certain setting combinations may result in distortion of notes.

■ User Maintenance

• Never use benzine, alcohol, thinner, or other

chemical agents to clean the product.

• To clean the product or its keyboard, wipe with a

soft cloth moistened in a weak solution of water and a mild neutral detergent. Wring all excess moisture from the cloth before wiping.

■ Included and Optional Accessories

Use only accessories that are specified for use with this product. Use of unauthorized accessories creates the risk of fire, electric shock, and personal injury.

■ Weld Lines

Lines may be visible on the exterior of the product. These are “weld lines” that result from the plastic molding process. They are not cracks or scratches.

Reference

• Any reproduction of the contents of this manual,

either in part or its entirety, is prohibited. Except for your own, personal use, any other use of the contents of this manual without the consent of CASIO is prohibited under copyright laws.

• IN NO EVENT SHALL CASIO BE LIABLE FOR

ANY DAMAGES WHATSOEVER (INCLUDING, WITHOUT LIMITATION, DAMAGES FOR LOSS OF PROFITS, BUSINESS INTERRUPTION, LOSS OF INFORMATION) ARISING OUT OF THE USE OF OR INABILITY TO USE THIS MANUAL OR PRODUCT, EVEN IF CASIO HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

• The contents of this manual are subject to change

without notice.

■ AC Adaptor Handling Precautions

• Use a power outlet that is easily accessible so you

can unplug the AC adaptor when a malfunction occurs or whenever else you need to do so.

• The AC adaptor is intended for indoor use only. Do

not use it where it might be exposed to splashing or moisture. Do not place any container, such as a flower vase, that contains liquid on the AC adaptor.

• Store the AC adaptor in a dry place.

• Use the AC adaptor in an open, well-ventilated area.

• Never cover the AC adaptor with newspaper, a table

cloth, a curtain, or any other similar item.

• Unplug the AC adaptor from the power outlet if you

do not plan to use the Digital Piano for a long time.

• Never try to repair the AC adaptor or modify it in

any way.

• AC adaptor operating environment

Temperature: 0 to 40°C Humidity: 10% to 90% RH

• Output polarity: &

■ Musical Instrument Etiquette

Always be aware of others around you whenever using this product. Be especially careful when playing late at night to keep the volume at levels that do not disturb others. Other steps you can take when playing late at night are closing windows and using headphones.

E-55

Reference

AC Adaptor Handling Precautions

Model: AD-A12150LW

1. Read these instructions.

2. Keep these instructions on hand.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this product near water.

6. Clean only with a dry cloth.

7. Do not install near radiators, heat registers, stoves, or any other source of heat (including amplifiers).

8. Use only attachments and accessories specified by the manufacturer.

9. Refer all servicing to qualified service personnel. Servicing is required after any of the following occurs: when the product is damaged, when the power supply cord or plug is damaged, when liquid is spilled into the product, when a foreign object falls into the product, when the product is exposed to rain or moisture, when the product does not operate normally, when the product is dropped.

10. Do not allow the product to be exposed to dripping or splashing liquid. Do not place any object containing liquid on the product.

11. Do not allow the electrical load output to exceed the label rating.

12. Make sure the surrounding area is dry before plugging into a power source.

13. Make sure the product is oriented correctly.

14. Unplug the product during lightning storms or when you do not plan to use it for a long time.

15. Do not allow product ventilation openings to become blocked. Install the product in accordance with the manufacturer’s instructions.

16. Take care the power cord is located where it will not be stepped upon or bent severely, particularly in locations close to plugs and convenience receptacles, and in locations where it exits from the product.

17. The AC adaptor should be plugged into a power outlet as close to the product as possible to allow immediate disconnection of the plug in case of emergency.

The symbol below is an alert indicating un-insulated hazardous voltage inside the product’s enclosure, which may be sufficient to constitute the risk of electric shock to users.

’

The symbol below is an alert indicating the presence of important operating and maintenance (servicing) instructions in the documentation that accompanies the product.

E-56

English

Appendix

Tone List

Sequential

Number

01 PIANO 001 GRAND PIANO 1 0 48 Equalizer 02 PIANO 002 GRAND PIANO 2 0 49 – 03 PIANO 003 ROCK PIANO 1 48 – 04 PIANO 004 MELLOW PIANO 0 50 Equalizer 05 PIANO 005 BRIGHT PIANO 1 49 Equalizer 06 PIANO 006 MONO PIANO 1 0 51 – 07 PIANO 007 MONO PIANO 2 0 52 – 08 PIANO 008 LA PIANO 1 50 Equalizer 09 PIANO 009 COMP.PIANO 0 53 Compressor 10 PIANO 010 DANCE PIANO 1 51 Equalizer 11 PIANO 011 STRINGS PIANO 0 54 Enhancer 12 PIANO 012 PIANO PAD 0 55 Enhancer 13 PIANO 013 HONKY-TONK 3 48 – 14 PIANO 014 OCTAVE PIANO 3 49 – 15 PIANO 015 HARPSICHORD 6 48 –

16 PIANO 016

17 ELEC PIANO 1 001 ELEC.PIANO 1 4 48 Stereo Phaser 18 ELEC PIANO 1 002 ELEC.PIANO PURE 4 49 – 19 ELEC PIANO 1 003 ELEC.PIANO 2 4 50 3-Phase Chorus 20 ELEC PIANO 1 004 DYNO ELEC.PIANO 4 51 – 21 ELEC PIANO 1 005 60’S E.PIANO 4 52 – 22 ELEC PIANO 1 006 PHASER EP 4 53 Stereo Phaser

23 ELEC PIANO 1 007 TREMOLO EP 4 54

24 ELEC PIANO 1 008 COMP.EP 4 55 Compressor 25 ELEC PIANO 1 009 WAH EP 4 56 Auto Wah 26 ELEC PIANO 1 010 PHASER 60’S EP 4 57 Stereo Phaser 27 ELEC PIANO 1 011 TREMOLO 60’S EP 4 58 Auto Pan 28 ELEC PIANO 1 012 STRINGS EP 4 59 – 29 ELEC PIANO 2 001 FM E.PIANO 1 5 49 – 30 ELEC PIANO 2 002 FM E.PIANO 2 5 48 – 31 ELEC PIANO 2 003 CHORUS EP 5 50 Phaser - Chorus 32 ELEC PIANO 2 004 MELLOW E.PIANO 5 51 Stereo Phaser 33 ELEC PIANO 2 005 POP ELEC.PIANO 5 52 Enhancer 34 ELEC PIANO 2 006 SYNTH-STR.EP 5 53 – 35 ELEC PIANO 2 007 ELEC.GRAND 1 2 48 – 36 ELEC PIANO 2 008 ELEC.GRAND 2 2 49 Stereo Phaser 37 CLAVI/VIBES 001 CLAVI 1 7 48 – 38 CLAVI/VIBES 002 CLAVI 2 7 49 – 39 CLAVI/VIBES 003 WAH CLAVI 7 50 Auto Wah 40 CLAVI/VIBES 004 PHASER CLAVI 7 51 Stereo Phaser 41 CLAVI/VIBES 005 COMP.CLAVI 7 52 Compressor 42 CLAVI/VIBES 006 VIBRAPHONE 11 48 – 43 CLAVI/VIBES 007 TREMOLO VIBES 11 49 Tremolo 44 CLAVI/VIBES 008 MARIMBA 12 48 – 45 ORGAN 001 JAZZ ORGAN 1 17 48 Rotary 46 ORGAN 002 JAZZ ORGAN 2 17 49 Rotary 47 ORGAN 003 ROCK ORGAN 1 18 48 Drive Rotary 48 ORGAN 004 ROCK ORGAN 2 18 49 Rotary 49 ORGAN 005 PERC.ORGAN 1 17 50 Rotary 50 ORGAN 006 PERC.ORGAN 2 17 51 Rotary 51 ORGAN 007 PERC.ORGAN 3 17 52 Rotary 52 ORGAN 008 DRAWBAR ORGAN 1 16 48 Rotary 53 ORGAN 009 DRAWBAR ORGAN 2 16 49 Rotary 54 ORGAN 010 DRAWBAR ORGAN 3 16 50 Rotary 55 ORGAN 011 ELEC.ORGAN 1 16 51 Rotary 56 ORGAN 012 ELEC.ORGAN 2 16 52 Rotary 57 ORGAN 013 ELEC.ORGAN 3 16 53 Rotary 58 ORGAN 014 70’S ORGAN 17 53 Rotary 59 ORGAN 015 OVERDRIVE ORGAN 16 54 Distortion 60 ORGAN 016 TREMOLO ORGAN 16 55 Auto Pan 61 ORGAN 017 CHURCH ORGAN 19 48 – 62 ORGAN 018 CHAPEL ORGAN 19 49 –

Group Name

STRINGS/ ENSEMBLE

Group

Number

001 STEREO STRINGS 48 48 Early Reflection

002 STRINGS 48 49 –

003 WARM STRINGS 48 50 –

004 STRING ENSEMBLE 48 51 –

005 SLOW STRINGS 49 48 –

006 SYNTH-STRINGS 1 50 48 Equalizer

Tone Name

COUPLED HARPSICHORD

Program

Change

6 49 –

Bank

Select

MSB

DSP Algorithm

Phaser - Auto Pan

Sequential

Group Name

Number

STRINGS/

ENSEMBLE STRINGS/

ENSEMBLE 83 GUITAR/BASS 001 STEEL STR.GUITAR 1 25 48 – 84 GUITAR/BASS 002 NYLON STR.GUITAR 24 48 – 85 GUITAR/BASS 003 12 STR.GUITAR 25 49 –

86 GUITAR/BASS 004 JAZZ GUITAR 26 48

87 GUITAR/BASS 005 CLEAN GUITAR 27 48

88 GUITAR/BASS 006 DISTORTION GT 29 48

89 GUITAR/BASS 007 ACOUSTIC BASS 32 48 – 90 GUITAR/BASS 008 RIDE BASS 32 49 – 91 GUITAR/BASS 009 FINGERED BASS 33 48 – 92 GUITAR/BASS 010 FRETLESS BASS 35 48 – 93 OTHERS/GM 001 STEREO BRASS 61 48 Early Reflection 94 OTHERS/GM 002 BRASS SECTION 61 49 – 95 OTHERS/GM 003 SYNTH-BRASS 1 62 48 – 96 OTHERS/GM 004 SYNTH-BRASS 2 63 48 – 97 OTHERS/GM 005 80’S SYNTH-BRASS 62 49 – 98 OTHERS/GM 006 SQUARE LEAD 1 80 48 Early Reflection 99 OTHERS/GM 007 SQUARE LEAD 2 80 49 –

100 OTHERS/GM 008 SAW LEAD 1 81 48 Early Reflection 101 OTHERS/GM 009 SAW LEAD 2 81 49 – 102 OTHERS/GM 010 SAW LEAD 3 81 50 – 103 OTHERS/GM 011 MELLOW SAW LEAD 81 51 – 104 OTHERS/GM 012 PULSE LEAD 1 80 50 – 105 OTHERS/GM 013 PULSE LEAD 2 80 51 – 106 OTHERS/GM 014 SINE LEAD 80 52 – 107 OTHERS/GM 015 ALTO SAX 65 48 – 108 OTHERS/GM 016 TENOR SAX 66 48 – 109 OTHERS/GM 017 BREATHY ALTO SAX 65 49 – 110 OTHERS/GM 018 CLARINET 71 48 – 111 OTHERS/GM 019 FLUTE 73 48 – 112 OTHERS/GM 020 TRUMPET 56 48 Enhancer 113 OTHERS/GM 021 GM PIANO 1 0 0 – 114 OTHERS/GM 022 GM PIANO 2 1 0 – 115 OTHERS/GM 023 GM PIANO 3 2 0 – 116 OTHERS/GM 024 GM HONKY-TONK 3 0 – 117 OTHERS/GM 025 GM E.PIANO 1 4 0 – 118 OTHERS/GM 026 GM E.PIANO 2 5 0 – 119 OTHERS/GM 027 GM HARPSICHORD 6 0 – 120 OTHERS/GM 028 GM CLAVI 7 0 – 121 OTHERS/GM 029 GM CELESTA 8 0 – 122 OTHERS/GM 030 GM GLOCKENSPIEL 9 0 – 123 OTHERS/GM 031 GM MUSIC BOX 10 0 – 124 OTHERS/GM 032 GM VIBRAPHONE 11 0 – 125 OTHERS/GM 033 GM MARIMBA 12 0 – 126 OTHERS/GM 034 GM XYLOPHONE 13 0 – 127 OTHERS/GM 035 GM TUBULAR BELL 14 0 – 128 OTHERS/GM 036 GM DULCIMER 15 0 –

Group

Number

007 SYNTH-STRINGS 2 51 48 Stereo Phaser

008 70’S SYNTH-STR. 50 49 –

009 80’S SYNTH-STR. 50 50 –

010 VIOLIN SECTION 49 49 –

011 ORCHESTRA PAD 48 52 Early Reflection

012 CHOIR 52 48 –

013 SYNTH-VOICE 54 48 –

014 VOICE PAD 54 49 Phaser

015 WARM PAD 89 48 –

016 WARM VOX 89 49 –

017 FANTASY 88 48 –

018 NEW AGE 88 49 Equalizer

019 POLYSYNTH PAD 90 48 –

020 ATMOSPHERE PAD 99 48 –

Tone Name

Program

Change

Bank

Select

MSB

DSP Algorithm

Compressor Chorus

Compressor Phaser

Compressor Distortion - Auto Pan

E-57

Appendix

Sequential

Group Name

Number

129 OTHERS/GM 037 GM ORGAN 1 16 0 – 130 OTHERS/GM 038 GM ORGAN 2 17 0 – 131 OTHERS/GM 039 GM ORGAN 3 18 0 – 132 OTHERS/GM 040 GM PIPE ORGAN 19 0 – 133 OTHERS/GM 041 GM REED ORGAN 20 0 – 134 OTHERS/GM 042 GM ACCORDION 21 0 – 135 OTHERS/GM 043 GM HARMONICA 22 0 – 136 OTHERS/GM 044 GM BANDONEON 23 0 –

137 OTHERS/GM 045

138 OTHERS/GM 046

139 OTHERS/GM 047 GM JAZZ GUITAR 26 0 – 140 OTHERS/GM 048 GM CLEAN GUITAR 27 0 – 141 OTHERS/GM 049 GM MUTE GUITAR 28 0 – 142 OTHERS/GM 050 GM OVERDRIVE GT 29 0 – 143 OTHERS/GM 051 GM DISTORTION GT 30 0 – 144 OTHERS/GM 052 GM GT HARMONICS 31 0 – 145 OTHERS/GM 053 GM ACOUSTIC BASS 32 0 – 146 OTHERS/GM 054 GM FINGERED BASS 33 0 – 147 OTHERS/GM 055 GM PICKED BASS 34 0 – 148 OTHERS/GM 056 GM FRETLESS BASS 35 0 – 149 OTHERS/GM 057 GM SLAP BASS 1 36 0 – 150 OTHERS/GM 058 GM SLAP BASS 2 37 0 – 151 OTHERS/GM 059 GM SYNTH-BASS 1 38 0 – 152 OTHERS/GM 060 GM SYNTH-BASS 2 39 0 – 153 OTHERS/GM 061 GM VIOLIN 40 0 – 154 OTHERS/GM 062 GM VIOLA 41 0 – 155 OTHERS/GM 063 GM CELLO 42 0 – 156 OTHERS/GM 064 GM CONTRABASS 43 0 –

157 OTHERS/GM 065

158 OTHERS/GM 066 GM PIZZICATO 45 0 – 159 OTHERS/GM 067 GM HARP 46 0 – 160 OTHERS/GM 068 GM TIMPANI 47 0 – 161 OTHERS/GM 069 GM STRINGS 1 48 0 – 162 OTHERS/GM 070 GM STRINGS 2 49 0 – 163 OTHERS/GM 071 GM SYNTH-STRINGS 1 50 0 – 164 OTHERS/GM 072 GM SYNTH-STRINGS 2 51 0 – 165 OTHERS/GM 073 GM CHOIR AAHS 52 0 – 166 OTHERS/GM 074 GM VOICE DOO 53 0 – 167 OTHERS/GM 075 GM SYNTH-VOICE 54 0 – 168 OTHERS/GM 076 GM ORCHESTRA HIT 55 0 – 169 OTHERS/GM 077 GM TRUMPET 56 0 – 170 OTHERS/GM 078 GM TROMBONE 57 0 – 171 OTHERS/GM 079 GM TUBA 58 0 – 172 OTHERS/GM 080 GM MUTE TRUMPET 59 0 – 173 OTHERS/GM 081 GM FRENCH HORN 60 0 – 174 OTHERS/GM 082 GM BRASS 61 0 – 175 OTHERS/GM 083 GM SYNTH-BRASS 1 62 0 – 176 OTHERS/GM 084 GM SYNTH-BRASS 2 63 0 – 177 OTHERS/GM 085 GM SOPRANO SAX 64 0 – 178 OTHERS/GM 086 GM ALTO SAX 65 0 – 179 OTHERS/GM 087 GM TENOR SAX 66 0 – 180 OTHERS/GM 088 GM BARITONE SAX 67 0 – 181 OTHERS/GM 089 GM OBOE 68 0 – 182 OTHERS/GM 090 GM ENGLISH HORN 69 0 – 183 OTHERS/GM 091 GM BASSOON 70 0 – 184 OTHERS/GM 092 GM CLARINET 71 0 – 185 OTHERS/GM 093 GM PICCOLO 72 0 – 186 OTHERS/GM 094 GM FLUTE 73 0 – 187 OTHERS/GM 095 GM RECORDER 74 0 – 188 OTHERS/GM 096 GM PAN FLUTE 75 0 – 189 OTHERS/GM 097 GM BOTTLE BLOW 76 0 – 190 OTHERS/GM 098 GM SHAKUHACHI 77 0 – 191 OTHERS/GM 099 GM WHISTLE 78 0 – 192 OTHERS/GM 100 GM OCARINA 79 0 – 193 OTHERS/GM 101 GM SQUARE LEAD 80 0 – 194 OTHERS/GM 102 GM SAW LEAD 81 0 – 195 OTHERS/GM 103 GM CALLIOPE 82 0 – 196 OTHERS/GM 104 GM CHIFF LEAD 83 0 – 197 OTHERS/GM 105 GM CHARANG 84 0 – 198 OTHERS/GM 106 GM VOICE LEAD 85 0 – 199 OTHERS/GM 107 GM FIFTH LEAD 86 0 – 200 OTHERS/GM 108 GM BASS+LEAD 87 0 – 201 OTHERS/GM 109 GM FANTASY 88 0 – 202 OTHERS/GM 110 GM WARM PAD 89 0 – 203 OTHERS/GM 111 GM POLYSYNTH 90 0 – 204 OTHERS/GM 112 GM SPACE CHOIR 91 0 – 205 OTHERS/GM 113 GM BOWED GLASS 92 0 – 206 OTHERS/GM 114 GM MET AL PAD 93 0 – 207 OTHERS/GM 115 GM HALO PAD 94 0 – 208 OTHERS/GM 116 GM SWEEP PAD 95 0 –

Group

Number

Tone Name

GM NYLON STR.GUITAR

GM STEEL STR.GUITAR

GM TREMOLO STRINGS

Bank

Program

Select

Change

MSB

24 0 –

25 0 –

44 0 –

DSP Algorithm

Sequential

Group Name

Number

209 OTHERS/GM 117 GM RAIN DROP 96 0 – 210 OTHERS/GM 118 GM SOUND TRACK 97 0 – 211 OTHERS/GM 119 GM CRYSTAL 98 0 – 212 OTHERS/GM 120 GM ATMOSPHERE 99 0 – 213 OTHERS/GM 121 GM BRIGHTNESS 100 0 – 214 OTHERS/GM 122 GM GOBLINS 101 0 – 215 OTHERS/GM 123 GM ECHOES 102 0 – 216 OTHERS/GM 124 GM SF 103 0 – 217 OTHERS/GM 125 GM SITAR 104 0 – 218 OTHERS/GM 126 GM BANJO 105 0 – 219 OTHERS/GM 127 GM SHAMISEN 106 0 – 220 OTHERS/GM 128 GM KOTO 107 0 – 221 OTHERS/GM 129 GM THUMB PIANO 108 0 – 222 OTHERS/GM 130 GM BAGPIPE 109 0 – 223 OTHERS/GM 131 GM FIDDLE 110 0 – 224 OTHERS/GM 132 GM SHANAI 111 0 – 225 OTHERS/GM 133 GM TINKLE BELL 112 0 – 226 OTHERS/GM 134 GM AGOGO 113 0 – 227 OTHERS/GM 135 GM STEEL DRUMS 114 0 – 228 OTHERS/GM 136 GM WOOD BLOCK 115 0 – 229 OTHERS/GM 137 GM TAIKO 116 0 – 230 OTHERS/GM 138 GM MELODIC TOM 117 0 – 231 OTHERS/GM 139 GM SYNTH-DRUM 118 0 – 232 OTHERS/GM 140 GM REVERSE CYMBAL 119 0 – 233 OTHERS/GM 141 GM GT FRET NOISE 120 0 – 234 OTHERS/GM 142 GM BREATH NOISE 121 0 – 235 OTHERS/GM 143 GM SEASHORE 122 0 – 236 OTHERS/GM 144 GM BIRD 123 0 – 237 OTHERS/GM 145 GM TELEPHONE 124 0 – 238 OTHERS/GM 146 GM HELICOPTER 12 5 0 – 239 OTHERS/GM 147 GM APPLAUSE 126 0 – 240 OTHERS/GM 148 GM GUNSHOT 127 0 – 241 OTHERS/GM 149 STANDARD SET 1 0 120 – 242 OTHERS/GM 150 STANDARD SET 2 1 120 – 243 OTHERS/GM 151 ROOM SET 8 120 – 244 OTHERS/GM 152 POWER SET 16 120 – 245 OTHERS/GM 153 ELECTRONIC SET 24 120 – 246 OTHERS/GM 154 SYNTH SET 1 25 120 – 247 OTHERS/GM 155 SYNTH SET 2 30 120 – 248 OTHERS/GM 156 JAZZ SET 32 120 – 249 OTHERS/GM 157 BRUSH SET 40 120 – 250 OTHERS/GM 158 ORCHESTRA SET 48 120 –

Group

Number

Tone Name

Program

Change

Bank

Select

MSB

DSP Algorithm

NOTE

• See the “Drum Assignment List” (page E-59) for the

percussion instrument assigned to each keyboard key when a drum set (Sequential Number 241 to 250) is selected.

E-58

English

Key/Note Number

• “” indicates a key is assigned the same tones as it is for STANDARD SET.

Closed Hi-Hat

Pedal Hi-Hat

Open Hi-Hat

Ride Cymbal 1

Jazz Kick 1

Concert BDConcert SD

Castanets

Concert SD

Timpani F

Timpani G

Timpani G#Timpani A

Timpani A#Timpani B

Timpani c

Timpani c#Timpani d

Timpani d#Timpani e

Timpani fConcert Cymbal 2Concert Cymbal 1

Appendix

Jazz Kick 2

Synth2 Kick 2

Synth1 Kick 2

Elec. Kick 2

Brush Kick

Brush Side Stick

Brush Snare 1

Brush Slap

Brush Snare 2 

Jazz Kick 1 Jazz Snare 1 Jazz Snare 2

Synth2 Kick 1

Synth1 Rim Shot

Synth2 Snare 1



Synth2 Snare 2

Synth2 Low Tom 2

Synth2 Closed Hi-Hat 1

Synth2 Low Tom 1

Synth1 Kick 1

Synth1 Rim Shot

Synth1 Snare 1

Synth1 Hand Clap

Synth1 Snare 2

Synth1 Low Tom 2

Synth1 Closed Hi-Hat 1

Synth1 Low Tom 1

Elec. Kick 1 Elec. Snare 1 Elec. Snare 2

Elec. Low Tom 2 Elec. Low Tom 1 Elec. Mid Tom 2 Elec. Mid Tom 1

Brush Crash Cymbal 1



Brush Ride Cymbal 1



Brush Ride Bell

Brush Tambour ine

Brush Splash Cymbal



Brush Crash Cymbal 2



Brush Ride Cymbal 2







Synth2 Closed Hi-Hat 2

Synth2 Mid Tom 2

Synth2 Open Hi-Hat

Synth2 Mid Tom 1

Synth2 High Tom 2 Synth2 High Tom 1 Synth1 Cowbell Synth1 Maracas 

Synth1 Closed Hi-Hat 2

Synth1 Mid Tom 2

Synth1 Open Hi-Hat

Synth1 Mid Tom 1

Synth1 High Tom 2

Synth1 Crash Cymbal

Synth1 High Tom 1

Synth1 Ride Cymbal

Synth1 Tambourine Synth1 Cowbell Synth1 High Bongo

Elec. High Tom 2 Elec. High Tom 1 Reverse Cymbal

Synth1 Low Bongo

Synth1 Mute Hi Conga

Synth1 Open Hi Conga

Synth1 Open Low Conga Synth1 Maracas 

Synth1 Claves







Power Kick 2

Room Kick 2

Standard2 Kick 2

High Q

Slap

Scratch Push

Scratch Pull

27 1

Sticks

303234 1

STANDARD SET 1 STANDARD SET 2 ROOM SET POWER SET ELECTRONIC SET SYNTH SET 1 SYNTH SET 2 JAZZ SET BRUSH SET ORCHESTRA SET

Square Click

Metronome Click

Metronome Bell

Standard1 Kick 2

Power Kick 1Power Snare 1Power Snare 2

Room Kick 1 Room Snare 1

Standard2 Kick 1Standard2 Snare 1

Standard1 Kick 1

Room Low Tom 2Room Low Tom 1Room Mid Tom 2Room Mid Tom 1



Room Snare 2

Room Low Tom 2 Room Low Tom 1 Room Mid Tom 2 Room Mid Tom 1



Standard2 Snare 2



Side Stick

Standard1 Snare 1

Hand Clap

Standard1 Snare 2

Low Tom 2

Standard2 Closed Hi-Hat



Closed Hi-Hat

Low Tom 1

424446 2

Room High Tom 2 Room High Tom 1

Room High Tom 2 Room High Tom 1 

Standard2 Pedal Hi-HatStandard2 Open Hi-Hat



Pedal Hi-Hat

Mid Tom 2

Open Hi-Hat

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

545658 3





Cowbell

Crash Cymbal 2

Vibraslap

Ride Cymbal 2

High Bongo

Low Bongo

Mute High Conga

Open High Conga

Open Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle

Long Low Whistle

Short Guiro

Long Guiro

Claves

High Wood Block

Low Wood Block

Mute Cuica

Open Cuica

Mute Triangle

Open Triangle

Shaker

666870

Jingle Bell

Bell Tree

Castanets

85 6



Mute Surdo

Open Surdo

Applause 1

Applause 2

87 6

28293133353638404143454748505253555759606264656769717274767779818384868889

Drum Assignment List

E1F1G1A1B1C2D2E2F2G2A2B2C3D3E3F3G3A3B3C4D4E4F4G4A4B4C5D5E5F5G5A5B5C6D6E6F6

E-59

Appendix

DSP Effect List

The table below shows the DSP types that can be configured for each zone using zone parameters (page E-28).

• The “DSP No.” column shows the DSP type numbers that appear on page 3 of the zone menu, and “Screen

Name” shows the name (abbreviated) that appears on the screen. “DSP Name” shows the full version of the screen name.

• For information about the parameters of a DSP type, note the value for it shown in the “Algorithm No.” column,

and then refer to the corresponding item in the DSP Algorithm List (pages E-61 to E-66). Also note that algorithms 01 through 17 are single effects, while numbers with M before them are multi effects.

• The following two parameters are common to all of the DSP types in the table below.

Reverb Send (0 to 127)

Specifies how much of the sound that passes the DSP is sent to reverb.

Chorus Send (0 to 127)

Specifies how much of the sound that passes the DSP is sent to chorus.

DSP No.

Dynamics Fx

[1] Equalizer Equalizer 01

[2] Compressor 1 Compressor 1 02

[3] Compressor 2 Compressor 2 02

[4] Limiter Limiter 03

[5] Enhancer Enhancer 04

[6] Comp-Enhancer Compressor - Enhancer M03

Reflection

[7] Reflection Reflection 07

Phaser

[8] Phaser 1 Phaser 1 12

[9] Phaser 2 Phaser 2 12

[10] Phaser 3 Phaser 3 13

[11] Comp-Phaser Compressor - Phaser M17

Chorus/Flanger

[12] Chorus 1 Chorus 1 05

[13] Chorus 2 Chorus 2 05

[14] Chorus 3 Chorus 3 10

[15] Flanger Flanger 17

[16] Comp-Chorus Compressor - Chorus M04

[17] Enha-Chorus 1 Enhancer - Chorus 1 M01

[18] Enha-Chorus 2 Enhancer - Chorus 2 M01

Pha/Cho/Flanger Combination

[19] Phaser-Chorus 1 Phaser - Chorus 1 M05

[20] Phaser-Chorus 2 Phaser - Chorus 2 M05

[21] Chorus-Flan 1 Chorus - Flanger 1 M07

[22] Chorus-Flan 2 Chorus - Flanger 2 M07

Pan/Tremolo Fx

[23] Tremolo Tremolo 06

[24] Chorus-Tremolo Chorus - Tremolo M02

[25] Comp-Tremolo Compressor - Tremolo M16

[26] Dist-Tremolo Distortion - Tremolo M14

[27] Auto Pan Auto Pan 11

[28] Comp-Auto Pan Compressor - Auto Pan M15

[29] Dist-Auto Pan Distortion - Auto Pan M13

[30] Phaser-APan 1 Phaser - Auto Pan 1 M06

[31] Phaser-APan 2 Phaser - Auto Pan 2 M06

[32] Pha-Cho-AutoPan Phaser - Chorus - Auto Pan M19

Rotary Fx

[33] Rotary 1 Rotary 1 08

[34] Rotary 2 Rotary 2 08

[35] Od Rotary 1 Overdrive Rotary 1 09

[36] Od Rotary 2 Overdrive Rotary 2 09

Screen Name DSP Name

Algorithm

No.

DSP No.

Wah Fx

[37] LFO Wah LFO Wah 16

[38] Auto Wah Auto Wah 15

[39] Comp-LFO Wah Compressor - LFO Wah M12

[40] Comp-Auto Wah Compressor - Auto Wah M11

[41] LFO Wah-Chorus LFO Wah - Chorus M20

[42] Auto Wah-Cho 1 Auto Wah - Chorus 1 M21

[43] Auto Wah-Cho 2 Auto Wah - Chorus 2 M21

[44] Auto Wah-Phaser Auto Wah - Phaser M08

Distortion Fx

[45] Crunch Crunch 14

[46] Overdrive Overdrive 14

[47] Distortion Distortion 14

[48] Phaser-Dist Phaser - Distortion M18

[49] Crunch-Phaser Crunch - Phaser M09

[50] Ovrdrive-Phaser Overdrive - Phaser M09

[51] Crunch-Chours Crunch - Chorus M10

[52] Ovrdrive-Chorus Overdrive - Chorus M10

[53] Dist-Chorus 1 Distortion - Chorus 1 M10

[54] Dist-Chorus 2 Distortion - Chorus 2 M10

[55] Comp-Dist-Cho 1 Compressor - Distortion - Chorus 1 M22

[56] Comp-Dist-Cho 2 Compressor - Distortion - Chorus 2 M22

[57] LWah-Dist-Cho 1 LFO Wah - Distortion - Chorus 1 M23

[58] LWah-Dist-Cho 2 LFO Wah - Distortion - Chorus 2 M23

[59] AWah-Dist-Cho 1 Auto Wah - Distortion - Chorus 1 M24

[60] AWah-Dist-Cho 2 Auto Wah - Distortion - Chorus 2 M24

[61] Cmp-Dist-APan 1

[62] Cmp-Dist-APan 2

[63] Cmp-Dist-Trem 1

[64] Cmp-Dist-Trem 2

Screen Name DSP Name

Compressor - Distortion - Auto Pan 1

Compressor - Distortion - Auto Pan 2

Compressor - Distortion - Tremolo 1

Compressor - Distortion - Tremolo 2

Algorithm

No.

M25

M26

E-60

Appendix

English

DSP Algorithm List

Single-effect Algorithms

01: Equalizer

This is a three-band equalizer.

Parameter Value Ranges:

0 :Equalizer 1 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])

Adjusts the center frequency of Equalizer 1.

1 :Equalizer 1 Gain (–12 to 0 to +12)

Adjusts the gain of Equalizer 1.

2 :Equalizer 2 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])

Adjusts the center frequency of Equalizer 2.

3 :Equalizer 2 Gain (–12 to 0 to +12)

Adjusts the gain of Equalizer 2.

4 :Equalizer 3 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])

Adjusts the center frequency of Equalizer 3.

5 :Equalizer 3 Gain (–12 to 0 to +12)

Adjusts the gain of Equalizer 3.

Note: The Gain value is not a dB value.

02: Compressor

Compresses the input signal, which can have the effect of suppressing level variation and making it possible to sustain dampened sounds longer.

Parameter Value Ranges:

0 :Depth (0 to 127)

Adjusts compression of the audio signal.

1 :Attack (0 to 127)

Adjusts the attack amount of the input signal. A smaller value causes prompt compressor operation, which suppresses the attack of the input signal. A larger values delays compressor operation, which causes the attack of the input signal to be output as-is.

2 :Release (0 to 127)

Adjusts the time from the point the input signal drops below a certain level until the compression operation is stopped. When an attack feeling is desired (no compression at the onset of sound), set this parameter to as low a value as possible. To have compression applied at all times, set a high value.

3 :Level (0 to 127)

Adjusts the output level. Output volume changes in accordance with the Depth setting and the characteristics of the input tone. Use this parameter to correct for such changes.

03: Limiter

Limits the input signal level so it does not rise above a preset level.

Parameter Value Ranges:

0 : Limit (0 to 127)

Adjusts the volume level of the limit at which limiting is applied.

1 :Attack (0 to 127)

Adjusts the attack amount of the input signal.

2 :Release (0 to 127)

Adjusts the time from the point the input signal drops below a certain level until the limit operation is stopped.

3 :Level (0 to 127)

Adjusts the output level. Output volume changes in accordance with the Limit setting and the characteristics of the input tone. Use this parameter to correct for such changes.

04: Enhancer

Enhances the profiles of the low range and high range of the input signal.

Parameter Value Ranges:

0 :Low Frequency (0 to 127)

Adjusts the low range enhancer frequency.

1 :Low Gain (0 to 127)

Adjusts the low range enhancer gain.

2 :High Frequency (0 to 127)

Adjusts the high range enhancer frequency.

3 :High Gain (0 to 127)

Adjusts the high range enhancer gain.

05: Chorus

This is a stereo chorus effect using a sine wave LFO.

Parameter Value Ranges:

0 :LFO Rate (0 to 127)

Adjusts the LFO rate.

1 :LFO Depth (0 to 127)

Adjusts the LFO depth.

2 :Feedback (–64 to 0 to +63)

Adjusts the strength of feedback

3 :Wet Level (0 to 127)

Adjusts the level of the effect sound.

4 : Polarity (–, +)

Reverses the LFO signal of one channel, which changes the expanse of sound.

06: Tremolo

Adjusts the volume of the input signal using an LFO.

Parameter Value Ranges:

0 : Rate (0 to 127)

Adjusts the tremolo rate.

1 :Depth (0 to 127)

Adjusts the tremolo depth.

07: Early Reflection

Extracts the initial reflection sound from reverberation sound.

Parameter Value Ranges:

0 :Wet Level (0 to 127)

Adjusts the level of the effect sound.

1 :Feedback (0 to 127)

Adjusts the repeat of the reflected sound.

2 :Tone (0 to 127)

Adjusts the tone of the reflected sound.

E-61

Appendix

08: Rotary

This is a rotary speaker simulator.

Parameter Value Ranges:

0 :Speed (Slow, Fast)

Switches the speed mode between fast and slow.

1 :Brake (Rotate, Stop)

Stops speaker rotation.

2 :Fall Acceleration (0 to 127)

Adjusts acceleration when the speed mode is switched from fast to slow.

3 :Rise Acceleration (0 to 127)

Adjusts acceleration when the speed mode is switched from slow to fast.

4 :Slow Rate (0 to 127)

Adjusts the speaker rotation speed in the slow speed mode.

5 :Fast Rate (0 to 127)

Adjusts the speaker rotation speed in the fast speed mode.

09: Drive Rotary

This is an overdrive - rotary speaker simulator.

Parameter Value Ranges:

0 :Overdrive Gain (0 to 127)

Adjusts overdrive gain.

1 :Overdrive Level (0 to 127)

Adjusts the overdrive output level.

2 :Speed (Slow, Fast)

Switches the speed mode between fast and slow.

3 :Brake (Rotate, Stop)

Stops speaker rotation.

4 :Fall Acceleration (0 to 127)

Adjusts acceleration when the speed mode is switched from fast to slow.

5 :Rise Acceleration (0 to 127)

Adjusts acceleration when the speed mode is switched from slow to fast.

6 :Slow Rate (0 to 127)

Adjusts the speaker rotation speed in the slow speed mode.

7 :Fast Rate (0 to 127)

Adjusts the speaker rotation speed in the fast speed mode.

11: Auto Pan

Performs continual left-right panning of the input signal using an LFO.

Parameter Value Ranges:

0 : Rate (0 to 127)

Adjusts the panning rate.

1 :Depth (0 to 127)

Adjusts the panning depth.

12: Stereo Phaser

This is a stereo phaser that modulates the phase using a sine wave LFO.

Parameter Value Ranges:

0 :Resonance (0 to 127)

Adjusts the strength of the resonance.

1 : Manual (–64 to 0 to +63)

Adjusts the reference phaser shift amount.

2 : Rate (0 to 127)

Adjusts the LFO rate.

3 :Depth (0 to 127)

Adjusts the LFO depth.

4 :Wet Level (0 to 127)

Adjusts the level of the effect sound.

13: Phaser

This is a monaural phaser that modulates the phase using a sine wave LFO.

Parameter Value Ranges:

0 :Resonance (0 to 127)

Adjusts the strength of the resonance.

1 : Manual (–64 to 0 to +63)

Adjusts the reference phaser shift amount.

2 : Rate (0 to 127)

Adjusts the LFO rate.

3 :Depth (0 to 127)

Adjusts the LFO depth.

4 :Wet Level (0 to 127)

Adjusts the level of the effect sound.

10: 3-Phase Chorus

This is a 3-phase chorus effect using two LFOs with different sine wave rates.

Parameter Value Ranges:

0 :Rate 1 (Fast LFO State) (0 to 127)

Adjusts the rate of LFO 1.

1 :Depth 1 (Fast LFO Depth) (0 to 127)

Adjusts the depth of LFO 1.

2 :Rate 2 (Slow LFO State) (0 to 127)

Adjusts the rate of LFO 2.

3 :Depth 2 (Slow LFO Depth) (0 to 127)

Adjusts the depth of LFO 2.

4 :Wet Level (0 to 127)

Adjusts the level of the effect sound.

14: Distortion

This effect provides Distortion + Amp Simulator.

Parameter Value Ranges:

0 :Gain (0 to 127)

Adjusts the input signal gain.

1 :Low (0 to 127)

Adjusts the low-range gain. The cutoff frequency depends on the DSP type.

2 :High (0 to 127)

Adjusts the high gain. The cutoff frequency depends on the DSP type.

3 :Level (0 to 127)

Adjusts the output level.

E-62

Appendix

English

15: Auto Wah

This is a “wah” effect that can automatically shift the frequency in accordance with the level of the input signal.

Parameter Value Ranges:

0 :Input Level (0 to 127)

Adjusts the input level. The input signal can become distorted when the level of the sound being input, the number of chords, or the Resonance value is large. Adjust this parameter to eliminate such distortion.

1 :Resonance (0 to 127)

Adjusts the strength of resonance.

2 :Manual (0 to 127)

Adjusts the wah filter reference frequency.

3 :Depth (–64 to 0 to +63)

Adjusts the depth of the wah in accordance with the level of the input signal. Setting a positive value causes the wah filter to open in direct proportion with the level of the input signal, producing a bright sound. Setting a negative value causes the wah filter to close in direct proportion with the level of the input signal, producing a dark sound. Even when the wah filter is closed, high level input will cause it to reopen.

16: LFO Wah

This is a “wah” effect that can automatically affect the frequency using an LFO.

Parameter Value Ranges:

0 :Input Level (0 to 127)

1 :Resonance (0 to 127)

Adjusts the strength of resonance.

2 :Manual (0 to 127)

Adjusts the wah filter reference frequency.

3 :LFO Rate (0 to 127)

Adjusts the LFO rate.

4 :LFO Depth (0 to 127)

Adjusts the LFO depth.

Multi-effect Algorithms

A multi-effect is one connected to multiple single effects (page E-61). “M01: Multi01 (Enhancer - Chorus)”, for example, is a multi-effect connected to two single effects: Enhancer and Chorus. The parameters included in a multi-effect algorithm are the same as the each of the connected single-effect algorithms. However, the following two parameters are specific to multi effects.

*** Skip (Off, On)

This parameter is included in M05, M06 (Phaser Skip), M08 (Wah Skip), etc. It makes it possible for one of the effects of a multi effect (such a Wah in the case of Wah Skip) to be bypassed. Turning this parameter on causes the corresponding effect to be bypassed. Note that depending on whether *** Skip is On or Off, there may be some difference in the level of notes that pass through the multi effect. Whether or not the level difference occurs depends on the settings of the other parameters of the multi effect. Adjust the Level, Depth, and other parameters for the skipped effect as required.

Routing

This parameter is included in M11 and M12. It swaps the routing of the effect.

The following shows only the parameters of multieffect algirithms (M01 through M26).

17: Flanger

This is a flanger that uses a sine wave LFO.

Parameter Value Ranges:

0 :LFO Rate (0 to 127)

Adjusts the LFO rate.

1 :LFO Depth (0 to 127)

Adjusts the LFO depth.

2 :Feedback (–64 to 0 to +63)

Adjusts the strength of feedback

3 :Wet Level (0 to 127)

Adjusts the level of the effect sound.

M01: Multi01 (Enhancer - Chorus)

0 :Enhancer Low Frequency 1 :Enhancer Low Gain 2 :Enhancer High Frequency 3 :Enhancer High Gain 4:Chorus Rate 5:Chorus Depth 6 :Chorus Feedback 7 : Chorus Wet Level

M02: Multi02 (Chorus - Tremolo)

0:Chorus Rate 1:Chorus Depth 2 :Chorus Feedback 3 : Chorus Wet Level 4:Tremolo Rate 5:Tremolo Depth 6:Chorus Polarity

E-63

Appendix

M03: Multi03 (Compressor - Enhancer)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4 :Enhancer Low Frequency 5 :Enhancer Low Gain 6 :Enhancer High Frequency 7 :Enhancer High Gain

M04: Multi04 (Compressor - Chorus)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4:Chorus Rate 5:Chorus Depth 6:Chorus Feedback 7 :Chorus Wet Level 8:Chorus Polarity

M05: Multi05 (Phaser - Chorus)

0 :Phaser Resonance 1:Phaser Manual 2:Phaser Rate 3:Phaser Depth 4 :Phaser Wet Level 5:Chorus Rate 6:Chorus Depth 7:Chorus Feedback 8 :Chorus Wet Level 9:Chorus Polarity 10 :Phaser Skip

M06: Multi06 (Phaser - Auto Pan)

0 :Phaser Resonance 1:Phaser Manual 2:Phaser Rate 3:Phaser Depth 4 :Phaser Wet Level 5 :Auto Pan Rate 6:Auto Pan Depth 7 :Phaser Skip

M07: Multi07 (Chorus - Flanger)

0:Chorus Rate 1:Chorus Depth 2:Chorus Feedback 3 :Chorus Wet Level 4 :Flanger Rate 5 :Flanger Depth 6 :Flanger Feedback 7 :Flanger Wet Level 8:Chorus Polarity 9 :Flanger Polarity

M08: Multi08 (Auto Wah - Phaser)

0 :Wah Input Level 1 :Wah Resonance 2:Wah Manual 3 :Wah Depth 4 :Phaser Resonance 5:Phaser Manual 6:Phaser Rate 7:Phaser Depth 8 :Phaser Wet Level 9:Wah Skip

M09: Multi09 (Distortion - Phaser)

0:Distortion Gain 1:Distortion Low 2 :Distortion High 3:Distortion Level 4 :Phaser Resonance 5:Phaser Manual 6:Phaser Rate 7:Phaser Depth 8 :Phaser Wet Level 9:Distortion Skip

M10: Multi10 (Distortion - Chorus)

0:Distortion Gain 1:Distortion Low 2 :Distortion High 3:Distortion Level 4:Chorus Rate 5:Chorus Depth 6 :Chorus Feedback 7 : Chorus Wet Level 8:Chorus Polarity 9:Distortion Skip

M11: Multi11 (Compressor - Auto Wah)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4 :Wah Input Level 5 :Wah Resonance 6:Wah Manual 7 :Wah Depth 8:Wah Skip 9 : Routing (C-W: Comp-Wah, W-C: Wah-Comp)

M12: Multi12 (Compressor - LFO Wah)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4 :Wah Input Level 5 :Wah Resonance 6:Wah Manual 7:Wah LFO Rate 8 :Wah LFO Depth 9:Wah Skip 10 :Routing (C-W: Comp-Wah, W-C: Wah-Comp)

E-64

Appendix

English

M13: Multi13 (Distortion - Auto Pan)

0:Distortion Gain 1:Distortion Low 2 :Distortion High 3:Distortion Level 4 :Auto Pan Rate 5:Auto Pan Depth 6:Distortion Skip 7:Auto Pan Skip

M14: Multi14 (Distortion - Tremolo)

0:Distortion Gain 1:Distortion Low 2 :Distortion High 3:Distortion Level 4 :Tremolo Rate 5 :Tremolo Depth 6:Distortion Skip 7 :Tremolo Skip

M15: Multi15 (Compressor - Auto Pan)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4 :Auto Pan Rate 5:Auto Pan Depth 6:Auto Pan Skip

M16: Multi16 (Compressor - Tremolo)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4 :Tremolo Rate 5 :Tremolo Depth 6 :Tremolo Skip

M17: Multi17 (Compressor - Phaser)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4 :Phaser Resonance 5:Phaser Manual 6:Phaser Rate 7:Phaser Depth 8 :Phaser Wet Level 9 :Phaser Skip

M18: Multi18 (Phaser - Distortion)

0 :Phaser Resonance 1:Phaser Manual 2:Phaser Rate 3:Phaser Depth 4 :Phaser Wet Level 5:Distortion Gain 6:Distortion Low 7 :Distortion High 8:Distortion Level 9 :Phaser Skip

M19: Multi19 (Phaser - Chorus - Auto Pan)

0 :Phaser Resonance 1:Phaser Manual 2:Phaser Rate 3:Phaser Depth 4 :Phaser Wet Level 5:Chorus Rate 6:Chorus Depth 7 :Chorus Feedback 8 : Chorus Wet Level 9 :Auto Pan Rate 10 :Auto Pan Depth

M20: Multi20 (LFO Wah - Chorus)

0 :Wah Input Level 1 :Wah Resonance 2:Wah Manual 3:Wah LFO Rate 4 :Wah LFO Depth 5:Chorus Rate 6:Chorus Depth 7 :Chorus Feedback 8 : Chorus Wet Level 9:Chorus Polarity

M21: Multi21 (Auto Wah - Chorus)

0 :Wah Input Level 1 :Wah Resonance 2:Wah Manual 3 :Wah Depth 4:Chorus Rate 5:Chorus Depth 6 :Chorus Feedback 7 : Chorus Wet Level 8:Chorus Polarity

M22: Multi22 (Compressor - Distortion - Chorus)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4:Distortion Gain 5:Distortion Low 6 :Distortion High 7:Distortion Level 8:Chorus Rate 9:Chorus Depth 10 :Chorus Feedback 11 :Chorus Wet Level 12 :Chorus Polarity 13 :Distortion Skip

E-65

Appendix

M23: Multi23 (LFO Wah - Distortion - Chorus)

0 :Wah Input Level 1 :Wah Resonance 2:Wah Manual 3:Wah LFO Rate 4 :Wah LFO Depth 5:Distortion Gain 6:Distortion Low 7 :Distortion High 8:Distortion Level 9:Chorus Rate 10 :Chorus Depth 11 :Chorus Feedback 12 :Chorus Wet Level 13 :Chorus Polarity 14 :Distortion Skip

M24: Multi24 (Auto Wah - Distortion - Chorus)

0 :Wah Input Level 1 :Wah Resonance 2:Wah Manual 3 :Wah Depth 4:Distortion Gain 5:Distortion Low 6 :Distortion High 7:Distortion Level 8:Chorus Rate 9:Chorus Depth 10 :Chorus Feedback 11 :Chorus Wet Level 12 :Chorus Polarity 13 :Distortion Skip

M25: Multi25 (Compressor - Distortion - Auto Pan)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4:Distortion Gain 5:Distortion Low 6 :Distortion High 7:Distortion Level 8 :Auto Pan Rate 9:Auto Pan Depth 10 :Distortion Skip 11 :Auto Pan Skip

M26: Multi26 (Compressor - Distortion - Tremolo)

0:Compressor Depth 1:Compressor Attack 2 :Compressor Release 3:Compressor Level 4:Distortion Gain 5:Distortion Low 6 :Distortion High 7:Distortion Level 8 :Tremolo Rate 9 :Tremolo Depth 10 :Distortion Skip 11 :Tremolo Skip

E-66

Function Transmitted Recognized Remarks

Basic Channel

1 - 16 1 - 16

Default Changed

Note Number

0 - 127 0 - 127

0 - 127*1True voice

Program Change

0 - 127:True #

After Touch

Control Change

X X

Pitch Bender

System Exclusive

Key’s Ch’s

Velocity

9nH v = 1 - 127

8nH v = 64

9nH v = 1 - 127

9nH v = 0, 8nH v =

Note ON Note OFF

Mode

Mode 3

Default Messages Altered

System Common

X X X

: Song Pos : Song Sel : Tune

Aux

Messages

Remarks

X X

X O O X

: Local ON/OFF : All notes OFF : Active Sense : Reset

System Real Time

O O

X X

: Clock : Commands

Model PX-3 Version : 1.0

Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO

O : Yes X : No

° ± µ

¶¬³¸

· ±° ±± ±¶ ±· ±¸ ±¹ ¶´ ¶µ ¶¶ ¶·

·±

·²

·³

·´

·¶

··

·¸ ¸° ¸± ¸² ¸³ ¸´ ¹± ¹³

±°°¬±°±

±²° ±²±

°±²·

Вболуемегф Нпдхмбфйпо РптфбнеофпФйне ДбфбеофтщМУВ¬НУВ*³ Цпмхне Рбо Ешртеууйпо ДУРРбтбнефет°*³ ДУРРбтбнефет±*³ ДУРРбтбнефет²*³ ДУРРбтбнефет³*³ Дбнрет РптфбнеофпУчйфги Упуфеохфп Упжфредбм ЖймфетТеупобоге ТемебуеФйне БффбглФйне ЖймфетГхфПжж Цйвтбфптбфе Цйвтбфпдерфи Цйвтбфпдембщ ДУРРбтбнефет´*³ ДУРРбтбнефетµ*³ ДУРРбтбнефет¶*³ ДУРРбтбнефет·*³ РптфбнеофпГпофтпм Тецетвуеод Гиптхууеод ТРОМУВ¬НУВ*³ Бммупходпжж Теуефбммгпофтпммет

ǲ ǲ*² ǲ ǲ ǲ ǲ ǲ*² ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ*² ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ*² ǲ ǲ ǲ ǲ*² ǲ ǲ*²

ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ ǲ

MIDI Implementation Chart

** : no relation ** : sin relación

*1 : Depends on tone *2 : One of these Control Change messages is sent when the corresponding function is assigned to the

ASSIGNABLE 1 or ASSIGNABLE 2 button.

*3 : For details, see MIDI Implementation at http://world.casio.com/.

*1 : Depende del tono *2 : Se envía uno de estos mensajes de cambio de control cuando se asigna la función correspondiente

al botón ASSIGNABLE 1 o ASSIGNABLE 2.

*3 : Si desea más información, vea Implementación MIDI en http://world.casio.com/.

This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania.

MA1003-A Printed in China PX3ES1A

Casio PX3ES1A, PX-3, MA1003-A User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual