Casio PX-330 User Manual

PX-330, AP-620/6 MIDI Implementation

CASIO COMPUTER CO., LTD.

Contents

Part I MIDI Message Overview

1 Product Configuration as a MIDI Device.......................................................................................... 5

1.1 System Section.................................................................................................................................... 5

1.2 Sound Generator Section.................................................................................................................... 5

1.2.1 Sound generator common section .......................................................................................................... 5

1.2.2 Parts........................................................................................................................................................ 6

1.2.3 Part Assignments.................................................................................................................................... 6

1.3 Performance Controller Section .......................................................................................................... 7

1.3.1 Auto Accompaniment and Auto Performance MIDI Send .................................................................... 7

2 Conditions that Disable Message Send and Receive ...................................................................... 7

3 Timbre Type Specific Operation ...................................................................................................... 7

Part II Channel Message

4 Send Channel .................................................................................................................................. 8

5 Receive Channel ............................................................................................................................. 8

6 Note Off ........................................................................................................................................... 8

7 Note On ........................................................................................................................................... 9

8 Polyphonic Key Pressure................................................................................................................. 9

9 Control Change................................................................................................................................ 9

9.1 Bank Select (00H) ............................................................................................................................. 10

9.2 Modulation (01H) ............................................................................................................................... 10

9.3 Portamento Time (05H)..................................................................................................................... 10

9.4 Data Entry (06H, 26H) ....................................................................................................................... 11

9.5 Volume (07H) .................................................................................................................................... 11

9.6 Pan (0AH).......................................................................................................................................... 11

9.7 Expression (0BH) .............................................................................................................................. 12

9.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)..................................... 12

9.9 Hold1 (40H) ....................................................................................................................................... 13

9.10 Portamento Switch (41H) .................................................................................................................. 13

9.11 Sostenuto (42H) ................................................................................................................................ 14

9.12 Soft (43H) .......................................................................................................................................... 14

9.13 Vibrato Rate (4CH) ............................................................................................................................ 14

9.14 Vibrato Depth (4DH) .......................................................................................................................... 15

9.15 Vibrato Delay (4EH)........................................................................................................................... 15

1

9.16 Portamento Control (54H) ................................................................................................................. 15

9.17 Reverb Send (5BH) ........................................................................................................................... 16

9.18 Chorus Send (5DH) ........................................................................................................................... 16

9.19 NRPN (62H, 63H) .............................................................................................................................. 16

9.19.1 Assignable Functions to NRPN............................................................................................................ 16

9.20 RPN (64H, 65H) ................................................................................................................................ 17

9.20.1 Pitch Bend Sensitivity .......................................................................................................................... 17

9.20.2 Fine Tune..............................................................................................................................................17

9.20.3 Coarse Tune.......................................................................................................................................... 17

9.20.4 Modulation Depth ................................................................................................................................ 18

9.20.5 Null.......................................................................................................................................................18

9.21 All Sound Off (78H) ........................................................................................................................... 18

9.22 Reset All Controllers (79H) ................................................................................................................ 18

10 Mode Messages ............................................................................................................................ 19

10.1 All Notes Off (7BH) ............................................................................................................................ 19

10.2 Omni Off (7CH).................................................................................................................................. 19

10.3 Omni On (7DH).................................................................................................................................. 19

10.4 Mono (7EH) ....................................................................................................................................... 20

10.5 Poly (7FH) ......................................................................................................................................... 20

11 Program Change ........................................................................................................................... 20

11.1 About Timbre Type ............................................................................................................................ 21

11.2 DSP Assignments during Tone Selection.......................................................................................... 21

11.2.1 DSP Line Structure............................................................................................................................... 21

11.2.2 DSP Line Assignment .......................................................................................................................... 21

11.2.3 Use of the Same DSP Line by Multiple Parts ...................................................................................... 21

12 Channel Aftertouch ........................................................................................................................ 22

13 Pitch Bend Change ........................................................................................................................ 22

Part III System Messages

14 Active Sensing ............................................................................................................................... 23

15 System Exclusive Message ........................................................................................................... 23

15.1 Universal Realtime System Exclusive Message................................................................................ 23

15.1.1 Master Volume .....................................................................................................................................23

15.1.2 Master Balance .....................................................................................................................................24

15.1.3 Master Fine Tuning .............................................................................................................................. 24

15.1.4 Master Coarse Tuning .......................................................................................................................... 24

15.1.5 Reverb Parameter .................................................................................................................................25

15.1.6 Chorus Parameter .................................................................................................................................25

15.1.7 GM System Message............................................................................................................................ 27

15.1.8 GS Message.......................................................................................................................................... 27

15.2 Instrument-Specific System Exclusive Messages ............................................................................. 27

2

Part IV Instrument-Specific System Exclusive Messages

16 Format ........................................................................................................................................... 28

16.1 Message Classifications .................................................................................................................... 28

16.2 Basic Message Structure................................................................................................................... 28

16.3 Field Formats..................................................................................................................................... 29

16.3.1 SX : System Exclusive Message Status ............................................................................................... 29

16.3.2 MAN : Manufacturer’s ID.................................................................................................................... 29

16.3.3 MOD : Model ID.................................................................................................................................. 29

16.3.4 dev : MIDI DeviceID 00H - 7FH ......................................................................................................... 29

16.3.5 act : Action ...........................................................................................................................................29

16.3.6 cat : Category ....................................................................................................................................... 30

16.3.7 mem : Memory Area ID ....................................................................................................................... 30

16.3.8 pset : Parameter Set Number................................................................................................................30

16.3.9 blk : Block Number .............................................................................................................................. 30

16.3.10 prm : Parameter ID ............................................................................................................................... 31

16.3.11 idx : Data Index Number ...................................................................................................................... 31

16.3.12 len : Data Length .................................................................................................................................. 31

16.3.13 data : Parameter Data ........................................................................................................................... 32

16.3.14 EOX : End of System Exclusive Message ........................................................................................... 32

17 Parameter Transfer........................................................................................................................ 33

17.1 Two-way Communication .................................................................................................................. 33

17.1.1 Example : Data send in response to send request to the Instrument .................................................... 33

17.2 One-way Communication .................................................................................................................. 33

17.2.1 Example : Data send to Instrument from external source....................................................................33

17.2.2 Example : Data send resulting from Instrument operation .................................................................. 33

Part V Parameter List

18 System Parameters ....................................................................................................................... 34

18.1 System Information Parameter .......................................................................................................... 34

19 Setup Parameter............................................................................................................................ 34

19.1 MIDI Parameter ................................................................................................................................. 34

20 Patch Parameters .......................................................................................................................... 35

20.1 Master Tune Parameters ................................................................................................................... 35

20.2 Master Mixer Parameters .................................................................................................................. 35

20.3 System Chorus Parameter ................................................................................................................ 35

20.4 System Reverb Parameters .............................................................................................................. 36

20.5 System Acoustic Resonance Parameters ......................................................................................... 36

20.6 Brilliance Parameters ........................................................................................................................ 36

20.7 Part Parameters ................................................................................................................................ 37

21 Tone Parameters ........................................................................................................................... 37

21.1 Basic Parameters .............................................................................................................................. 37

21.2 LFO Parameters ................................................................................................................................ 38

21.3 DSP Parameters................................................................................................................................ 39

21.4 Scale Tune ........................................................................................................................................ 39

3

22 Music Library Parameters .............................................................................................................. 39

Part VI DSP Parameter List

23 Tone with DSP List ........................................................................................................................ 40

24 DSP Algorithm ID Tables ............................................................................................................... 41

24.1 Monaural Tone DSP .......................................................................................................................... 41

24.2 Stereo Tone DSP .............................................................................................................................. 41

25 DSP Parameter Set Types ............................................................................................................ 41

25.1 Tremolo/Auto Pan.............................................................................................................................. 41

25.2 3Band EQ .......................................................................................................................................... 41

25.3 Wide 3Band EQ ................................................................................................................................. 42

25.4 Enhancer ........................................................................................................................................... 42

25.5 Distortion ........................................................................................................................................... 42

25.6 Early Reflection ................................................................................................................................. 42

25.7 Rotary ................................................................................................................................................ 43

25.8 Drive Rotary....................................................................................................................................... 43

Part VII Setting Values and Send/Receive Values

26 Setting Value Tables...................................................................................................................... 44

26.1 Off/On Setting Value Table................................................................................................................ 44

26.2 Slow/Fast Setting Value Table .......................................................................................................... 44

26.3 Rotate/Brake Setting Value Table ..................................................................................................... 44

26.4 –64 - 0 - +63 Setting Value Table...................................................................................................... 44

26.5 Pan Setting Value Table.................................................................................................................... 44

26.6 –100 - 0 - +99 Setting Value Table .................................................................................................... 44

26.7 Reverb Type Setting Value Table...................................................................................................... 44

26.8 Chorus Type Setting Value Table...................................................................................................... 45

26.9 Equalizer Mid Frequency Setting Value Table .................................................................................. 45

26.10 Wide Band Equalizer Mid Frequency Setting Value Table................................................................ 45

26.11 Brilliance Gain Setting Value Table ................................................................................................... 46

26.12 DSP Equalizer Gain Setting Value Table .......................................................................................... 46

Part VIII MIDI Implementation Notation

27 Value Notation ............................................................................................................................... 47

27.1 Hexadecimal Notation ....................................................................................................................... 47

27.2 Binary Notation .................................................................................................................................. 47

4

Part I

MIDI Message Overview

1 Product Configuration as a MIDI Device

As a MIDI device, the instrument consists of the System Section, Sound Generator Section, and Performance Controller
Section described below.
Each of these sections sends and receives specific MIDI Messages in accordance with its function.

• System Section

– Device settings

– Function status

• Sound Generator Section

– Common

 Sound generator common section
 System effects
 Brilliance adjustment function
 Mixer master

– Parts

 Sound generator instrument parts
 DSP (insertion effects)
 Mixer channel

• Performance Controller Section

– Keyboard

– Pedal and other real-time controllers

– Auto play function

– Auto Accompaniment

1.1 System Section

The System Section consists of a sound generator (sound source), a performance controller part (performance), and functions
that are not directly related to Instrument play. In addition to manipulating Instrument setting parameters, this section is
also used to exchange information.

1.2 Sound Generator Section

The Sound Generator Section consists of a common part that does not depend on the channel and a part that is specific
to each channel. Mainly it receives performance information and performs operations.

1.2.1 Sound generator common section

The common section consists of sound generator setting blocks that do not depend on the sound generator part, such as
system effects, mixer master control, etc.
These can be controlled by system exclusive messages that are basically exclusive to this particular Instrument, but several
parameters also can be controlled by general universal system exclusive messages.

5

1.2.2 Parts

The settings of the sound generator parts can be changed using Instrument-specific system exclusive messages.
This Instrument consists of 48 parts. Of these, channel messages can be used to perform note on operations and to change
settings of only the C Group (C01 through C16).
The relationships between the channel message receive channel and part number are fixed, as shown in “1.2.3 Part
Assignments”.

1.2.3 Part Assignments

Part Number Part Name MIDI Receive Ch MIDI Send Ch Assigned Function Description

00 A01 - 01(Note1) Keyboard

01 A02 - 02 Keyboard Upper2 (Layer)

02 A03 - 03 Keyboard

03 A04 - 08 Keyboard Harmonize (DSP not supported.)

04 A05 - 05 Recorder Play System track main

05 A06 - 06 Recorder Play System track layer

06 A07 - 07 Recorder Play System track split

07 A08 - - Metronome/Count

08 A09 - 09 Accompaniment Percussion (DSP not supported.)

09 A10 - 10 Accompaniment Drum (DSP not supported.)

10 A11 - 11 Accompaniment Bass (DSP not supported.)

11 A12 - 12 Accompaniment Chord 1 (DSP not supported.)

12 A13 - 13 Accompaniment Chord 2 (DSP not supported.)

13 A14 - 14 Accompaniment Chord 3 (DSP not supported.)

14 A15 - 15 Accompaniment Chord 4 (DSP not supported.)

15 A16 - 16 Accompaniment Chord 5 (DSP not supported.)

16 B01 - 01 (Note2) Recorder/Song Play Ch.01

17 B02 - 02 (Note2) Recorder/Song Play Ch.02

18 B03 - 03 (Note2) Recorder/Song Play Ch. 03 (Left hand track)

19 B04 - 04 (Note2) Recorder/Song Play Ch. 04 (Right hand track)

20 B05 - 05 (Note2) Recorder/Song Play Ch.05

21 B06 - 06 (Note2) Recorder/Song Play Ch.06

22 B07 - 07 (Note2) Recorder/Song Play Ch.07

23 B08 - 08 (Note2) Recorder/Song Play Ch.08

24 B09 - 09 (Note2) Recorder/Song Play Ch.09

25 B10 - 10 (Note2) Recorder/Song Play Ch.10

26 B11 - 11 (Note2) Recorder/Song Play Ch.11

27 B12 - 12 (Note2) Recorder/Song Play Ch.12

28 B13 - 13 (Note2) Recorder/Song Play Ch.13

29 B14 - 14

30 B15 - 15

31 B16 - 16 (Note2) Recorder/Song Play Ch.16

32 C01 01 - MIDI Ch.01

33 C02 02 - MIDI Ch.02

34 C03 03 - MIDI Ch.03

35 C04 04 - MIDI Ch.04

36 C05 05 - MIDI Ch.05

37 C06 06 - MIDI Ch.06

38 C07 07 - MIDI Ch.07

39 C08 08 - MIDI Ch.08

40 C09 09 - MIDI Ch.09

41 C10 10 - MIDI Ch.10

42 C11 11 - MIDI Ch.11

43 C12 12 - MIDI Ch.12

44 C13 13 - MIDI Ch.13

45 C14 14 - MIDI Ch.14

46 C15 15 - MIDI Ch.15

47 C16 16 - MIDI Ch.16

(Note2) Recorder/Song Play

(Note2) Recorder/Song Play Ch.15

(Right-side keyboard in the Duet Mode)

(Left-side keyboard in the Duet Mode)

Upper1 (main)

Lower1 (Split)

Ch.14

6

Note 1:

Can be changed by the Keyboard Channel setting.

Note 2:

Sent during recorder play only.
When there is no data recorded in the applicable recorder track, the MIDI information of the functions of parts with the
same send channel (A01 through A16) is sent.

1.3 Performance Controller Section

The Performance Controller Section consists of keyboard, pedal and other real-time controllers, as well as blocks that generate
auto accompaniment, auto performance, and other performance information.
These messages are transmitted to the sound generator in accordance with operations, while they are also being sent out
as MIDI messages.
The channel number of the sent message is in accordance with Instrument’s part number.

1.3.1 Auto Accompaniment and Auto Performance MIDI Send

This document what operation is sent by a message in the case of each message type. However, since there are so many
messages sent by an auto accompaniment operation when auto performance and Accomp MIDI Out is turned on, those
messages are not covered here.

2 Conditions that Disable Message Send and Receive

All MIDI message send and receive is temporarily disabled in all of the following cases.

• During instrument startup

• During SD card formatting

• During user data initialization

• Immediately after the recorder is exited

• During storage of registration data

• While storage is selected as the USB device mode

3 Timbre Type Specific Operation

The operation that is performed for a received message depends on the current Timbre Type setting (see “11.1 About Timbre
Type”), which is the operation mode of each sound generator part. Applicable information is provided in the explanations
for each message.

7

Part II

Send

Receive

Channel Message

4 Send Channel

For information about the MIDI channels of the channel messages that are sent when this Instrument is played, see
“1.2.3 Part Assignments”.

Note, however, that the MIDI channel of the performance information that corresponds to the keyboard main part can be
changed by the Keyboard Channel setting value.

5 Receive Channel

For information about the MIDI channel numbers of channel messages received by each part, see “1.2.3 Part Assignments”.

The MIDI channel number of a channel message that changes DSP settings also coincides with the MIDI channel of the
part using the DSP. A channel message is not received by a part that is turned off by the Part Enable Parameter value
explained under “20.7 Part Parameters”.

6 Note Off

Format

Send Receive

Message Format:

Sent when a key is released.

Recognized as key release information. The velocity value is ignored.

8nH kkH vvH 8nH kkH vvH

9nH kkH 00H

n: MIDI Channel Number

kk: Key Number

vv: 40H Ignored

8

7Note On

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: 9nH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Velocity

Sent when a key is pressed.

Recognized as key press information.

8 Polyphonic Key Pressure

Format

Message Format: AnH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Pressure Value

This message is not sent by this Instrument.

This message is not received by this Instrument.

9 Control Change

Format

Message Format: BnH ccH vvH

n: MIDI Channel Number

cc: Control Number

vv: Value

Sent when a pedal or another controller operation is performed, when settings are changed, when the tone is changed, or
when an auto performance, Auto Accompaniment, or other operation is performed.

Receipt changes the controller and settings that correspond to the control number.

9

9.1 Bank Select (00H)

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: BnH 00H mmH (MSB)

BnH 20H llH (LSB)

n: MIDI Channel Number

mm: Value

ll: Send: 00H, Receive: Ignored

Sent when a tone is selected.

For information about numbers, see the Tone List in the User’s Guide.

Receipt switches the tone bank number stored in Instrument memory. Note, however, that the tone is not changed until a
Program Change message is received.

For details, see “11 Program Change”.
For information about numbers, see the Tone List in the User’s Guide.

9.2 Modulation (01H)

Format

Message Format: BnH 01H vvH

n: MIDI Channel Number

vv: Value

This message is not sent by this Instrument.

Receipt adds, to the voice being sounded, modulation of a depth specified by the value. In the case of a tone that already
has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according
to the tone being used.

9.3 Portamento Time (05H)

Format

Message Format: BnH 05H vvH

n: MIDI Channel Number

vv: Value

This message is not sent by this Instrument.

Receipt changes the time it takes until pitch reaches the target portamento effect pitch.

10

9.4 Data Entry (06H, 26H)

Send

Receive

Send

Receive

Note 1:

Send

Receive

Format

Message Format: BnH 06H vvH (MSB)

BnH 26H vvH (LSB)

n: MIDI Channel Number

vv: Value

Sent when there is a change in the parameters assigned to NRPN and RPN.
For details about information assigned to parameters that correspond to NRPN and RPN, see “9.19 NRPN” and “9.20 RPN”.

Receipt changes the parameter assigned to RPN. This Instrument does not have a parameter that corresponds to NRPN.

9.5 Volume (07H)

Format

Message Format: BnH 07H vvH

n: MIDI Channel Number

vv: Value

Sent when layer balance is adjusted.

Receipt changes the volume of the corresponding part.

9.6 Pan (0AH)

Format

Message Format: BnH 0AH vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.5 Pan Setting Value Table”
in “Part VII Setting Values and Send/Receive Values”.

Sent in the following cases.

• When Accomp MIDI Out is on

• When Music Library play is stopped

Receipt changes the pan setting of the corresponding part.

11

9.7 Expression (0BH)

Send

Receive

Send

Receive

Note 1:

Format

Message Format: BnH 0BH vvH

n: MIDI Channel Number

vv: Value

Sent in the following cases.

• When Accomp MIDI Out is on

Receipt changes the Expression value.

9.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)

These messages are used to control DSP operation.

Format

Message Format: BnH 10H vvH

BnH 11H vvH
BnH 12H vvH
BnH 13H vvH
BnH 50H vvH
BnH 51H vvH
BnH 52H vvH
BnH 53H vvH

n: MIDI Channel Number (Note1)

vv: Value

DSP Parameter7[0]
DSP Parameter7[1]
DSP Parameter7[2]
DSP Parameter7[3]
DSP Parameter7[4]
DSP Parameter7[5]
DSP Parameter7[6]
DSP Parameter7[7]

This message is not sent by this Instrument.

Receipt change the value of Parameter7 [0-7] (7-Bit Parameter) explained under “21.3 DSP Parameters”. Any message
received that corresponds to the parameter of a number not being used by the currently selected DSP is ignored.

Received values and parameter setting values
The range of the value of each DSP Parameter 7 array element depends on the selected DSP or array number.
Unlike manipulation of a DSP parameter using a System Exclusive Message, a value received by this control change message
is always in the range of 0 to 127, but the range is changed in accordance with the setting range of the applicable parameter
setting. Because of this, it is impossible for a value to be outside of the range.
Conversion to the parameter setting value from the value received with the message can be represented in general terms
by the expression shown below.

Parameter

Setting Value=Parameter

Minimum Value+(

Parameter

Maximum Value-Parameter

Minimum Value)

Received Value

X

127

For details about Parameter 7 of each DSP, see the explanations under “VI DSP Parameter List”.

12

9.9 Hold1 (40H)

Send

Receive

Note 1:

Send

Receive

Format

Message Format: BnH 40H vvH

n: MIDI Channel Number

vv: Value

Sent in the following cases.

• When a pedal that has a sustain (damper) function is operated

• When Accomp MIDI Out is on

Receipt performs an operation equivalent to a sustain (damper) pedal operation.

Timbre Type Specific Operation

This operation differs in accordance with the Timbre Type (see “11.1 About Timber Type”) setting.

• Timbre Type: Melody

Sustain off/on control is performed in accordance with the value of the received message. For information about
the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value Table” in
“Part VII Setting Values and Send/Receive Values”.

• Timbre Type: Piano or LM Piano

Continuous control of the following is performed in accordance with the value of the received message.

– Piano note decay rate

– Resonance characteristics and decay rate of Acoustic Resonance effect resonance note

• Timbre Type: Drum

The received message does not affect sound source operation.

9.10 Portamento Switch (41H)

Format

Message Format: BnH 41H vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.

This message is not sent by this Instrument.

Receipt can be use to switch portamento between enabled (On) and disabled (Off).

13

9.11 Sostenuto (42H)

Note 1:

Send

Receive

Note 1:

Send

Receive

Note 1:

Send

Receive

Format

Message Format: BnH 42H vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.

Sent when a pedal that has a sostenuto function is operated.

Receipt performs an operation equivalent to a sostenuto pedal operation.

9.12 Soft (43H)

Format

Message Format: BnH 43H vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.

Sent when a pedal that has a soft function is operated.

Receipt performs an operation equivalent to a soft pedal operation.

9.13 Vibrato Rate (4CH)

Format

Message Format: BnH 4CH vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.4 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values” of this document.

This message is not sent by this Instrument.

Receipt changes the vibrato rate of the tone that is currently selected by the applicable part.

14

9.14 Vibrato Depth (4DH)

Note 1:

Send

Receive

Note 1:

Send

Receive

Send

Receive

Format

Message Format: BnH 4DH vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.4 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values” of this document.

This message is not sent by this Instrument.

Receipt changes the vibrato auto depth of the tone that is currently selected by the applicable part.

9.15 Vibrato Delay (4EH)

Format

Message Format: BnH 4EH vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.4 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values” of this document.

This message is not sent by this Instrument.

Receipt changes the vibrato auto delay of the tone that is currently selected by the applicable part.

9.16 Portamento Control (54H)

Format

Message Format: BnH 54H vvH

n: MIDI Channel Number

kk: Source Note Number

This message is not sent by this Instrument.

Receipt of this message first stores the Source Note Number for the next note. When the next Note On is received, the
portamento effect is applied to the note using this Source Note Number as the pitch start point and the Note On event key
number as the end point. If there already is a note being sounded by Source Note Number at this time, the new note on
is not performed and the portamento effect is applied to the pitch of the note being sounded. That is to say that legato
play is performed.

15

9.17 Reverb Send (5BH)

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: BnH 5BH vvH

n: MIDI Channel Number

vv: Value

Sent when a GM tone is selected.

Receipt changes Reverb Send.

9.18 Chorus Send (5DH)

Format

Message Format: BnH 5DH vvH

n: MIDI Channel Number

vv: Value

This message is sent at initialization, when the panel tone selection is changed, and when a chorus on/off operation is
performed.

Receipt changes Chorus Send.

9.19 NRPN (62H, 63H)

Format

Message Format: BnH 62H vvH (LSB)

BnH 63H vvH (MSB)

n: MIDI Channel Number

vv: Value

This message is not sent by this Instrument.

This message is not received by this Instrument.

9.19.1 Assignable Functions to NRPN

This Instrument does not assign any parameters to NRPN.

16

9.20 RPN (64H, 65H)

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: BnH 64H vvH (LSB)

BnH 65H vvH (MSB)

n: MIDI Channel Number

vv: Value

The following are the parameters assigned to RPN by this Instrument.

9.20.1 Pitch Bend Sensitivity

Format

Message Format: BnH 64H 00H 65H 00H 06H mmH 26H llH

n: MIDI Channel Number

mm:

Value 0 - 24

ll:

Send: 00H, Receive: Ignored

Sent when the pitch bend range is changed. (PX-330)

Receipt changes Pitch Bend Sensitivity.

9.20.2 Fine Tune

Format

Message Format: BnH 64H 01H 65H 00H 06H mmH 26H llH

n: MIDI Channel Number

mm: Value MSB

ll: Value LSB

This message is not sent by this Instrument.

Receipt changes Channel Fine Tune.

9.20.3 Coarse Tune

Format

Message Format: BnH 64H 02H 65H 00H 06H mmH 26H 00H

n: MIDI Channel Number

mm: Value

This message is not sent by this Instrument.

Receipt changes Channel Coarse Tune.

17

9.20.4 Modulation Depth

Send

Receive

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: BnH 64H 05H 65H 00H 06H mmH 26H 00H

n: MIDI Channel Number

mm: Value

This message is never sent.

Receipt changes the Vibrato Modulation Depth for the tone that is currently selected by the applicable part.

9.20.5 Null

Format

Message Format: BnH 64H 7FH 65H 7F

n: MIDI Channel Number

This message is never sent.

Receipt deselects RPN.

9.21 All Sound Off (78H)

Format

Message Format: BnH 78H 00H

n: MIDI Channel Number

Sent when an SD card is inserted or removed, and when an SD card operation is performed.

Receipt stops all voices that are sounding.

9.22 Reset All Controllers (79H)

Format

Message Format: BnH 79H 00H

n: MIDI Channel Number

Sent in the following cases.

• When the keyboard channel is changed

• When a recorder function is used

• When another mode is entered from the rhythm mode

Receipt initializes each performance controller.

18

10 Mode Messages

Send

Receive

Send

Receive

Send

Receive

10.1 All Notes Off (7BH)

Format

Message Format: BnH 7BH 00H

n: MIDI Channel Number

Sent in the following cases.

• When the keyboard channel is changed

• When a recorder function is used

• When another mode is entered from the rhythm mode

Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).

10.2 Omni Off (7CH)

Format

Message Format: BnH 7CH 00H

n: MIDI Channel Number

This message is never sent.

Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).

10.3 Omni On (7DH)

Format

Message Format: BnH 7DH 00H

n: MIDI Channel Number

This message is never sent.

Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).

19

10.4 Mono (7EH)

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: BnH 7EH 00H

n: MIDI Channel Number

This message is never sent.

Receipt of this message stops the currently sounding voice.

10.5 Poly (7FH)

Format

Message Format: BnH 7FH 00H

n: MIDI Channel Number

This message is never sent.

Receipt of this message stops the currently sounding voice.

11 Program Change

Format

Message Format: CnH ppH

n: MIDI Channel Number

pp: Program Number

Sent when a tone is selected.

For information about numbers, see the Tone List in the User’s Guide.

Receipt changes the tone.
The selected tone is determined by the program value of this message and the Bank Select message value received prior
to this message.

For information about the program number of the actually selected tone, see the Tone List in the User’s Guide.
Also note that receipt of this message may also change the Timbre Type parameter at the same time. For more information,
see “11.1 About Timbre Type” below.

20

11.1 About Timbre Type

The tone selected by each part of this Instrument has a “Timbre Type” parameter that specifies the type of sound source
for the tone. As explained under “21.1 Basic Parameters”, there are four Timbre Types settings: Melody, LM Piano, Piano,
and Drum. The operation for a received channel message differs according to the Timbre Type.

• Timbre Type: Melody

This Timbre Type is for normal melody tones. The damper pedal performs on/off operations.

• Timbre Type: Piano or LM (Linear Morphing) Piano

This Timbre Type is for piano tones.
The decay rate of the voice being sounded and Acoustic Resonance effect characteristics are continually altered in
accordance with the damper pedal position. The method for producing sound in response to the note messages also
is different from that of the melody Timbre Type, and operation is optimized for piano.

• Timbre Type: Drum

This Timbre Type is for drum sounds. The method for producing sound is optimized for drums. The damper pedal
and sostenuto pedal do not work for sounds that do not recognize Note Off. The tuning setting also does not affect
this Timbre Type.

11.2 DSP Assignments during Tone Selection

11.2.1 DSP Line Structure

Though the Instrument has four DSP lines that can be used simultaneously, selecting a tone that uses DSP causes the
required number of DSP lines to become reserved so the tone is configured with the requisite DSP.
Tones listed under “24.1 Monaural Tone DSP” use only one DSP line, while the tones under “24.2 Stereo Tone DSP” use
two DSP lines.
For information about tones that use DSP, see “23 Tone with DSP List”.

11.2.2 DSP Line Assignment

Selecting multiple tones with DSP at the same time creates the possibility that there will not be enough DSP lines. In this
case, the last selected tone with DSP is given priority. Some DSP line(s) already being used will be released so they can
be assigned to the newly selected tone.

11.2.3 Use of the Same DSP Line by Multiple Parts

When all of the settings below are the same for multiple parts that select tones that use DSP, the same DSP line is assigned
to all of the parts in order to maximize DSP line availability. Note, however, that a DSP cannot be shared simultaneously
between parts A01 through B16, and parts C01 through C16.

• Tone Number

• Part Volume

• Part Pan

• All DSP parameters

After the same DSP line is assigned to different parts as described here, Part Volume, Pan, Reverb Send, Chorus Send,
Acoustic Resonance Send, and all DSP parameter settings are common to all parts. Note that changing the settings on any
part will also affect all of the other parts that are sharing the DSP line.
To assign the parts to a different DSP line, you need to change one of the parameters listed above before selecting the tone.

21

12 Channel Aftertouch

Send

Receive

Send

Receive

Format

Message Format: DnH vvH

n: MIDI Channel Number

vv: Value

This message is not sent by this Instrument.

Receipt of this message adds modulation to the voice that is sounding.
The modulation effect differs according to the tone being used.

13 Pitch Bend Change

Format

Message Format: EnH llH mmH

n: MIDI Channel Number

ll: Value LSB

mm: Value MSB

Sent when the bend wheel is operated. (PX-330)

Receipt of this message changes the pitch of the currently sounding voice. Pitch bend change sensitivity depends on the
pitch bend sensitivity configured with RPN.

22

Part III

Send

Receive

Send

Receive

System Messages

14 Active Sensing

Format

Message Format: FEH

This message is never sent.

Once this message is received, the Active Sensing mode is entered. If no MIDI message is received for a specified amount
of time, voices being sounded by the Instrument’s sound source are released, the controller is reset, and the Active Sensing
mode is exited.

15 System Exclusive Message

Format

Message Format: F0H....F7H

The Instrument sends and receives standard universal system exclusive messages, and system exclusive messages that have
Instrument-specific formats.

15.1 Universal Realtime System Exclusive Message

Format

Message Format: F0H 7FH....F7H

15.1.1 Master Volume

Format

Message Format: F0H 7FH 7FH 04H 01H llH mmH F7H

ll: Value LSB

mm: Value MSB

This message is never sent.

Receipt changes the Master Volume parameter. Note that the Master Volume parameter cannot be changed with an Instrument
operation.

23

15.1.2 Master Balance

Note 1:

Send

Receive

Note 1:

Send

Receive

Send

Receive

Format

Message Format: F0H 7FH 7FH 04H 02H llH mmH F7H

ll: Value LSB (Note1)

mm: Value MSB (Note1)

For information about the relationship between setting values and send/receive values, see “26.5 Pan Setting Value Table”
in “Part VII Setting Values and Send/Receive Values”.

This message is never sent.

Receipt changes the Master Pan parameter. Note that the Master Pan parameter cannot be changed with an Instrument
operation.

15.1.3 Master Fine Tuning

Format

Message Format: F0H 7FH 7FH 04H 03H llH mmH F7H

ll: Value LSB (Note1)

mm: Value MSB (Note1)

For information about the relationship between setting values and send/receive values, see “26.6 –100 - 0 - +99 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values” of this document.

This message is sent when the tuning setting is changed.

Receipt changes the Master Fine Tune8 parameter of Patch.

Acoustic Resonance Actions

Acoustic Resonance acoustic characteristics also alter Fine Tune of the strings that simulate resonance in accordance with
the Master Fine Tune8 value. Because of this, receipt of this message may cause the resonance interval to change temporarily.

15.1.4 Master Coarse Tuning

Format

Message Format: F0H 7FH 7FH 04H 04H llH mmH F7H

ll: Send: 00H, Receive: Ignored

mm: Value MSB

This message is never sent.

Receipt changes the Patch Master Coarse Tune parameter.

24

15.1.5 Reverb Parameter

Note 1:

Send

Receive

Send

Receive

Note 1:

Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H ppH vvH F7H

pp: Parameter

vv: Value

Type Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H 00H vvH F7H

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.7 Reverb Type Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.

This message is sent when the System Reverb Type setting is changed.

Receipt changes the Reverb Type parameter.

Time Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H 01H vvH F7H

vv: Value

This message is never sent.

Receipt changes the Reverb Time parameter.

15.1.6 Chorus Parameter

Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H ppH vvH F7H

pp: Parameter

vv: Value

Type Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 00H vvH F7H

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.8 Chorus Type Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.

25

Send

This message is sent when the System Chorus Type setting is changed.

Receive

Send

Receive

Send

Receive

Send

Receive

Send

Receive

Receipt changes the System Chorus Type parameter.

Rate Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 01H vvH F7H

vv: Value

This message is never sent.

Receipt changes the System Chorus Rate parameter.

Depth Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 02H vvH F7H

vv: Value

This message is never sent.

Receipt changes the System Chorus Depth parameter.

Feedback Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 03H vvH F7H

vv: Value

This message is never sent.

Receipt changes the System Chorus Feedback parameter.

Send To Reverb Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 04H vvH F7H

vv: Value

This message is never sent.

Receipt changes the Chorus Send To Reverb parameter.

26

15.1.7 GM System Message

Send

Receive

Send

Receive

Send

Receive

Send

Receive

GM System On Format

1 Message Format: F0H 7EH 7FH 09H 01H F7H

This message is never sent.

Receipt puts the sound source into a GM sound source mode. Also, the Scale Tune Enable setting shown under “20.7 Part
Parameters” for parts C01 through C16 become zero, which disables the temperament (scale) function.

GM System Off Format

Message Format: F0H 7EH 7FH 09H 02H F7H

This message is never sent.

Receipt returns the sound source to its power on default settings.

GM2 System On Format

Message Format: F0H 7EH 7FH 09H 03H F7H

This message is never sent.

Though the Instrument does not support GM2, receipt of the GM2 System On message has the same result as receipt of
the GM System On message.

15.1.8 GS Message

Message Format: F0H 41H ddH 42H 12H 40H 00H 7FH 00H 41H F7H

Note: dd (Device ID) is ignored.

This message is never sent.

Receipt performs the same operation as when the GM System On message is received.

15.2 Instrument-Specific System Exclusive Messages

Format

Message Format: F0H 44H 15H 01H....F7H

Most Instrument parameters and user data, and some operation commands can be controlled using this message.

For more information, see “Part IV Instrument-Specific System Exclusive Messages”.

27

Part IV

Instrument-Specific System Exclusive Messages

16 Format

This section explains the format of the Instrument-specific System Exclusive Messages. See “Part V Parameter List” for
information about what type of data can actually be sent.

16.1 Message Classifications

Basically, the operation that corresponds to Instrument-specific system exclusive messages is parameter data transfer. The
following operations can be performed from an external device using this parameter transfer message.

• Modification of an individual Instrument parameter

• Import of an individual Instrument parameter value

In addition to parameters being used as device setting values, some parameters act as commands when received by the
Instrument and as device status information when sent from the Instrument.

The following table shows the parameter category for each type of transfer.

Function Section Parameter Category Description

System System Commands, Instrument status

Setup Instrument basic settings

Sound Generator Patch Sound source common settings (system effects, master

settings, etc.)
Sound source part settings (tone selection, mixing,
tuning, etc.)

Tone Tone parameter, DSP settings

Scale Tune Scale Tune Table

Music Player Music Library User song data

16.2 Basic Message Structure

Since Instrument-specific System Exclusive messages are sent and received on an individual parameter basis, the Individual
Parameter Transfer method is used, and a number of message types are provided to suit specific operations. The field in
the SysEx message that specifies the message type is the action (act) field. The format of the “body” part of the message
depends on the “act” value.

The table below shows the body format for each action of Instrument-specific system exclusive messages. An actual message
consists of the items indicated by “Y”, from left to right.

act SX MAN MOD dev act body (Depends on act.) EOX

cat mem pset blk pkt prm idx len data

IPRYYYYYYYYYYYYY-Y

IPSYYYYYYYYYYYYYYY

28

16.3 Field Formats

16.3.1 SX : System Exclusive Message Status

Format: 11110000B (F0H)

This is the System Exclusive Message status byte established by the MIDI standard.

16.3.2 MAN : Manufacturer’s ID

Format: 01000100B (CASIO = 44H)

Indicates this Instrument’s manufacturer ID.

16.3.3 MOD : Model ID

Format: MSB 00010101B (15H)

LSB 00000010B (02H)

These two successive bytes (MSB, LSB) indicate the PX-130, 330, 3, 730, 7, 830, and AP-220, 420, 620, 6 model ID.

16.3.4 dev : MIDI DeviceID 00H - 7FH

Format: 0dddddddB

The contents of this field in a received message are compared with the Model’s MIDI Device ID, and receipt of the incoming
message is allowed only when the two IDs match. The default value for this field is 10H. When a message containing
7FH is received, receipt of the message is always allowed, regardless of the Instrument’s ID setting.
MIDI Device ID is a Patch Parameter, and it can be changed with a System Exclusive Message. In this case, the Device
ID of the MIDI System Exclusive Message must be set to 7FH before it is sent.

16.3.5 act : Action

Format: 0aaaaaaaB

This field indicates the operation of the Instrument-specific System Exclusive Message.

aaaaaaaB Action Function

00H IPR Individual Parameter Request

01H IPS Individual Parameter Send

IPR : Individual Parameter Request
Indicates an individual parameter value send request message. When the Instrument receives this action, it uses an IPS
message to return the specified parameter value.

IPS : Individual Parameter Send
Indicates an individual parameter value send message. When the Instrument receives this action, it rewrites the value specified
by the data field with the specified parameter value.

29

16.3.6 cat : Category

Format: 0cccccccB

0cccccccB = Category (7bit)
The category indicates the categories of data handled by the System Exclusive Message. The ID number (ID) of the category
is indicated on the left, while the communication operation (Action) is indicated on the right.

Category Transfer

ID (c) Parameter Set Individual Parameter

00H System A

01H Setup A

02H Patch A

03H Tone A

21H Music Library F

A .. Available (Also including when only some parameters are available.)
F... File Information (Not the data itself. Name, size, and other file information only.)

16.3.7 mem : Memory Area ID

Format: 0mmmmmmmB

Specifies the memory area that is the object of the parameter transfer. The following are defined for this Instrument. Basically,
Instrument-specific System Exclusive messages are valid for user area data only.

mem Data Type Meaning

0 User area Read/write enabled

1 Preset area Read/write disabled

16.3.8 pset : Parameter Set Number

Format: LSB 0nnnnnnnB

MSB 0mmmmmmmB

This field is a 2-byte (LSB, MSB) value indicating the number of the parameter set (mmmmmmmnnnnnnnB, binary) being
transferred.

16.3.9 blk : Block Number

This supplementary number specifies which block is the object when there are multiple blocks within the same parameter set.

Format: 0iiiiiiiB (LSB) 0jjjjjjjB 0kkkkkkkB (MSB)

When there are multiple parameters with the same ID inside the same category, as with the mixer channel volume setting
for example, the block number required to specify to which block data belongs is specified as: kkkkkkkjjjjjjjiiiiiiiB (Binary).

When the parameter block has a multi-dimensional array structure, bit 21 of the block number is divided into prescribed
bit fields based on the rules explained below.

30

Block Bit Field Division

• Case 1

When an array has three or fewer nesting levels and the number of arrays in each dimension is 128 or less, they
are assigned below the three 7-bit fields. Unused regions are filled with zeros.

Example:
parameter [A][B][C]
With a 3-dimensional array parameter that consists of A=8 (3 bits), B=5 (3 bits) and C=10 (4 bits), the block bit
fields are allocated as: Block = 0000aaa 000bbb ccccccc (Binary).

• Case 2

When Case 1 conditions are not satisfied, the minimal number of fields required for each number of arrays is reserved
from the lower bit of the block. Unused regions are filled will zeros.

Example 1:
parameter [A][B][C][D]
With a 4-dimensional array parameter that consists of A=3 (2 bits), B=4 (2 bits), C=3 (2 bits) and D=4 (2 bits)
like the one shown above, the block bit fields are allocated as: Block = 0000000 00000a abbccdd (Binary).

Example 2:
parameter [A][B]
With an A=3 (2bit), B=200 (8bit) 2-dimensional array parameter, the block bit fields are allocated as:
Block = 0000000 000aab bbbbbbb (Binary).

16.3.10 prm : Parameter ID

Format: LSB 0pppppppB

MSB 0qqqqqqqB

The Parameter ID indicates the parameter type. (See “Part V Parameter List”.)

When transferring individual parameters individually (as opposed to bulk transfer), this field is used to identify the parameter
by its parameter ID.

16.3.11 idx : Data Index Number

Format: 0iiiiiiiB

The data index number indicates the first array number of the array where transfer starts.

16.3.12 len : Data Length

Format: 0lllllllB

The value of this field specifies the size of the parameter value stored in the data field. Data length indicates the length
of the array being transferred minus 1 when the parameter contains a character string or other similar array structure.

31

16.3.13 data : Parameter Data

Format: index0 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)

index1 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)

index2 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)

::

indexN 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)

Parameter data indicates the parameter value.
The data array size is len + 1. For a one data item structure, the length depends on the data bit width, as shown below.

dddddB + 1 Number of data

1 - 71

8 - 14 2

15 - 21 3

22 - 28 4

29 - 32 5

Each block of data is packed from the lowest order byte first. In the case of multiple-byte data, the lowest weighted bit
is the LSB of the first “data” block, and the highest weighted bit is the MSB of the final “data” block.

The following shows an example of how data would be divided for transfer in the case of 32-bit data.

76543210

data0: 0 [bit06] [bit05] [bit04] [bit03] [bit02] [bit01] [bit00]

data1: 0 [bit13] [bit12] [bit11] [bit10] [bit09] [bit08] [bit07]

data2: 0 [bit20] [bit19] [bit18] [bit17] [bit16] [bit15] [bit14]

data3: 0 [bit27] [bit26] [bit25] [bit24] [bit23] [bit22] [bit21]

data4: 0 0 0 0 [bit31] [bit30] [bit29] [bit28]

Single Message Size Limit

With the Instrument’s system exclusive message format, the size of a single message cannot exceed 48 bytes.
The data size and the array size, however, can cause a packet to exceed 48 bytes when transferring a single parameter array.
In this case, the IPS and IPR message data length and data index number values can be modified to enable division of a
single parameter value into multiple messages so it can be sent that way.

16.3.14 EOX : End of System Exclusive Message

Format: 11110111B

This is the End of System Exclusive Message status byte established by the MIDI standard.

32

17 Parameter Transfer

There are two parameter operations: Individual Parameter Transfer and Individual Parameter Request.

A single session is concluded only when this Instrument returns an IPS (Individual Parameter Send) in response to an
IPR (Individual Parameter Request) from an external device, or when an external device or this Instrument spontaneously
sends an IPS. If this Instrument received an IPS, the value of the applicable parameter is changed.

Depending on the function of a parameter, Individual Parameter Send may be used to issue a command to the Instrument
or Individual Parameter Request may be used to check Instrument status information.

17.1 Two-way Communication

17.1.1 Example : Data send in response to send request to the Instrument

Data Receiver Data Sender Operation

IPR  Send Request

 IPS Data Transfer

17.2 One-way Communication

17.2.1 Example : Data send to Instrument from external source

Data Sender Data Receiver Operation

 IPS Data Transfer

17.2.2 Example : Data send resulting from Instrument operation

Data Receiver Data Sender Operation

 IPS Data Transfer

33

Part V

Parameter List

How to Read the Tables

Number Base Notation

“Size” indicates the parameter value bit width as a decimal value.
The bit field position of “Block” as a decimal value.
Values used in the explanations under “Description” are all decimal values, unless specified otherwise.
Values other than those described above are all hexadecimal.

R/W field

The R/W field indicates whether an IPR (Individual Parameter Request) read operation or IPS (Individual Parameter Send)
write operation is enabled.

18 System Parameters

These parameters make it possible for an external device to check the status of the Instrument and for an external device
to command some operation of the Instrument.

18.1 System Information Parameter

This parameter is a container for system information.

Parameter ID R/W Block Size Array Min-Def-Max Description

Model 0000 R 000000 7 01 00-00-7F 0...PX-130

1...PX-330

2...PX-730/PX-7

3...PX-830

4...reserved

5...AP-220

6...AP-420

7...AP-620/AP-6

8...PX-3

19 Setup Parameter

Setup Parameters put a device into the setup mode.

19.1 MIDI Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Midi Device Id 006D R/W 000000 7 01 00-7F-7F 0-127

34

20 Patch Parameters

Note 1:

The main function of patch parameters is to configure the settings of the sound source of a device.

20.1 Master Tune Parameters

These parameters configure the Master Tuning Settings.

Parameter ID R/W Block Size Array Min-Def-Max Description

Master Fine Tune8
Master Coarse Tune
Stretch Tune Enable

20.2 Master Mixer Parameters

These parameters configure the Master settings of the mixer.

Parameter ID R/W Block Size Array Min-Def-Max Description

Master Volume
Master Pan
Acou Reso To Chorus
Acou Reso To Reverb
Acou Reso Return
Chorus To Reverb
Chorus Return
Reverb Return
Dsp Cancel

0001
0002
0003

0012
0013
0016
0018
0019
001D
001E
0025
0028

R/W
R/W
R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W

000000




000000










8

01

7

01

1

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

1

01

00-80-FF
00-40-7F
00-01-01

7F-7F

00-

40-7F

00­00-00-7F
00-00-7F
00-40-7F
00-00-7F
00-40-7F
00-40-7F
00-00-01

–100 - 0 - +99(cent)
–24 - 0 - +24(semitone)

0...Disable

1...Enable

0-127
–64 - 0 - +63
0-127
0-127
0-127
0-127
0-127
0-127

0...Normal

1...Cancel

20.3 System Chorus Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Cancel

Type
Rate
Depth
Feedback
Tone

Selects the System Chorus preset type. Receipt of GM/GS Reset selects Chorus3. The value of this type is also linked to
System Chorus parameters, and to the Chorus Send to Reverb and System Chorus Return Level parameters, and its setting
causes these parameters to change to prescribed values. For details about the preset type list, see “26.8 Chorus Type Setting
Value Table”.

0050

0051
0052
0053
0054
0055

R/W

R/W
R/W
R/W
R/W
R/W

000000







1

7
7
7
7
7

01

01
01
01
01
01

00-00-01

00-02-0F
00-0B-7F
00-21-7F
00-00-7F
00-4B-7F

0...Normal

1...Cancel
1-16 (Note1)
0-127
0-127
0-127
0-127

35

20.4 System Reverb Parameters

Note 1:

Note 1:

Note 2:

Note 1:

Parameter ID R/W Block Size Array Min-Def-Max Description

Cancel

Type
Feedback
Er Level
Damp
Tone

Selects the System Reverb preset type. Receipt of GM/GS Reset selects Hall2. This is the value of this Type is also linked
to each of the System Reverb parameters and to the System Reverb Return Level parameter, and changes them to prescribed
values. For details about the preset type list, see “26.7 Reverb Type Setting Value Table”.

0080

0081
0082
0083
0084
0085

R/W

R/W
R/W
R/W
R/W
R/W

000000







1

7
7
7
7
7

01

01
01
01
01
01

00-00-01

00-04-0F
00-40-7F
00-40-7F
00-67-7F
00-65-7F

0...Normal

1...Cancel
1-16 (Note1)
0-127
0-127
0-127
0-127

20.5 System Acoustic Resonance Parameters

Parameter ID R/W Block Size Array Min-Def-Max Description

Cancel

Tuning
Damper Pedal
Wet Level Max
Low Boost Freq
Low Boost Level
High Cut Freq

0030

0031
0032
003B
003C
003D
003E

R/W

R/W
R/W
R/W
R/W
R/W
R/W

000000








1

7

7
16
16
16
16

01

01
01

0000-0800-7FFF

01

0000-0A00-4000

01

0000-7FFF-7FFF

01

0000-2F00-7FFF

01

00-00-01

00-40-7F
00-00-7F

0...Normal

1...Cancel
–100 - 0 - +99(cent) (Note1)
0-127 (Note2)
0x0000-0x7FFF (Note3)
0x0000-0x4000
0x0000-0x7FFF
0x0000-0x7FFF

Changing this parameter configures the Tuning setting of System Acoustic Resonance. When the Instrument’s Master Fine
Tune8 setting is changed, this parameter is reset to the Master Fine Tune8 value.

Changing this parameter performs a Damper Pedal operation on System Acoustic Resonance. When the damper pedal of
the part being used by System Acoustic Resonance is operated, this parameter is reset to the depth of the damper pedal
operation.

Note 3:

The value is set when the damper pedal is completely depressed.

20.6 Brilliance Parameters

Parameter ID R/W Block Size Array Min-Def-Max Description

Type

Mid6 Gain

Selects Master EQ mid 6 (Brilliance) gain. See “26.11 Brilliance Gain Setting Value Table”.

00A0

00AE

R/W

R/W

0000007

01

7

01

00-00-01

00-0C-18

0...For Speaker

1...For Phones
–12 - 0 - +12 (Brilliance) (Note1)

36

20.7 Part Parameters

Note 1:

Parameter ID R/W Block Size Array Min-Def-Max Description

Part Enable

Tone Num
Fine Tune
Coarse Tune
Scale Tune Enable

Volume
Acmp Volume
Pan
Cho Send
Rev Send
Acou Reso Send
Bend Range

00E0

00E1
00E2
00E3
00E4

00E5
00E6
00E7
00E8
00E9
00EA
00EC

R/W

5-0: Part #
R/W
R/W
R/W
R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W

20-6: 0














1

14

7
7
1

7
7
7
7
7
7
7

01

0000-0000-3FFF

01
01
01
01

01
01
01
01
01
01
01

00-01-01

00-40-7F
28-40-58
00-00-01

00-64-7F
00-7F-7F
00-40-7F
00-00-7F
00-28-7F
00-00-7F
00-02-18

0...Off

1...On
0-16383
–100 - 0 - +99(cent)
–24 - 0 - +24(semitone)

0...Disable

1...Enable
0-127
0-127
–64 - 0 - +63
0-127
0-127
0-127
0-24

21 Tone Parameters

21.1 Basic Parameters

Parameter ID R/W Block Size Array Min-Def-Max Description

Name
Timbre Type

Timbre Num
Oct Shift
Line Select

Level
Touch Sens
Sys Fx Send Override

Cho Normal Send
Cho Deep Send
Rev Send
Acou Reso Send

0000
0001

0002
0003
0004

0005
0006
0007

0008
0009
000A
000B

R/W
R/W

R/W
R/W
R/W

R/W
R/W
R/W

R/W
R/W
R/W
R/W

000000
















7
4

14

3
1

7
7
1

7
7
7
7

10
01

0000-0000-3FFF

01
01
01

01
01
01

01
01
01
01

00-20­00-00-

02-04-06
00-00-01

00-7F-7F
00-7F-7F
00-00-01

00-00-7F
00-00-7F
00-28-7F
00-00-7F

7F
0F

Ascii Character

0...Melody

1...Piano

2...Drum

3...reserved

4...LM Piano
0-16383
–2 - 0 - +2

0...Direct

1...DSP
0-127
–64 - 0 - +63

0...No (Note1)

1...Yes
0-127
0-127
0-127
0-127

When a tone is selected whose Sys Fx Send Override parameter setting is “Yes”, the send level setting value to the
System Chorus, System Reverb, and System Acoustic Resonance of the part assigned to this tone is rewritten to the value
that is stored by this tone.

37

21.2 LFO Parameters

Note 1:

Parameter ID R/W Block Size Array Min-Def-Max Description

Vib Wave

Vib Rate
Vib Auto Delay
Vib Auto Rise
Vib Auto Depth
Vib Mod Depth
Vib After Depth
Lfo Wave

Lfo Rate
Lfo Fil Auto Delay
Lfo Fil Auto Rise
Lfo Fil Auto Depth
Lfo Fil Mod Depth
Lfo Fil After Depth
Lfo Amp Auto Delay
Lfo Amp Auto Rise
Lfo Amp Auto Depth
Lfo Amp Mod Depth
Lfo Amp After Depth

000D

000E
000F
0010
0011
0012
0013
0014

0015
0016
0017
0018
0019
001A
001B
001C
001D
001E
001F

R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W

000000





















4

01

7

01

7

01

7

01

7

01

7

01

7

01

4

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

0-00-0F

0

0

0-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-00-0F

00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F

0...Sin

1...Tri

2...Saw Up

3...Saw Down

4...Pulse 1:3

5...Pulse 2:2

6...Pulse 3:1

15...Depends on original
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63
–64 - 0 - +63 (N

in

0...S

1...Tri

2...Saw Up

3...Saw Down

4...Pulse 1:3

5...Pulse 2:2

6...Pulse 3:1

15...Depends on original
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)
–64 - 0 - +63 (Note1)

(Note1)

ote1)

The function of this parameter is to relatively change the original setting value of the tone. The parameter is set to the
maximum value when the maximum is exceeded, and to the minimum when the minimum is exceeded.

38

21.3 DSP Parameters

Note 1:

Parameter ID R/W Block Size Array Min-Def-Max Description

Name
Algorithm

Cho Normal Send
Cho Deep Send
Rev Send
Acou Reso Send
Parameter7
Parameter16

This value is the DSP algorithm ID, which cannot be changed directly at the user level. Changing the DSP Type or Tone
Number causes the algorithm ID of the original DSP to be copied automatically to this area. See “24 DSP Algorithm ID
Tables”.

002D
002E

002F
0030
0031
0032
0034
0035

R/W
R/W

R/W
R/W
R/W
R/W
R/W
R/W

000000










7

14

7
7
7
7
7

16

10

0000-0000-3FFF

01

01
01
01
01
20

0000-8000-FFFF

10

00-20-7F

00-00-7F
00-00-7F
00-28-7F
00-00-7F
00-40-7F

Ascii Character
Serial Number
(Note1)
0-127
0-127
0-127
0-127
0-127
0x0000-0xFFFF

21.4 Scale Tune

Parameter ID R/W Block Size Array Min-Def-Max Description

Note

A Key Mode

0000

0001

R/W

R/W

000000



8

0C

1

01

00-80-FF

00-00-01

–128 - 0 - 127
Array : Note

0....C

1....C#

2....D

3....D#

4....E

5....F

6....F#

7....G

8....G#

9....A

10...A#

11...B

0...Relative

1...Absolute

22 Music Library Parameters

This parameter is a container for Music Library related information.

Parameter ID R/W Block Size Array Min-Def-Max Description

Name
Address
Size

0000
0001
0002

R
R
R

000000




7
32
32

0C
01

00000000-00000000-00FFFFFF

01

00000000-00000000-00FFFFFF

20-20-7F

39

Ascii Character
0-0xFFFFFFFF
0-0xFFFFFFFF

Part VI

DSP Parameter List

23 Tone with DSP List

This is a list of tones that use DSP.

Tone Name Display Mono/Stereo DSP Algorithm

GRAND PIANO MODERN GrPianoModrn Stereo-Stereo Wide-3Band EQ

LA PIANO LA Piano Stereo-Stereo Wide-3Band EQ

MODERN PIANO Modern Piano Stereo-Stereo Wide-3Band EQ

DANCE PIANO Dance Piano Stereo-Stereo Wide-3Band EQ

GRAND PIANO CLASSIC GrPianoClasc Stereo-Stereo Wide-3Band EQ

STRINGS PIANO StringsPiano Stereo-Stereo Enhancer

PIANO PAD Piano Pad Mix-Stereo Enhancer

60’S E.PIANO 60’s E.Piano Mono-Mono Tremolo

DYNO ELEC.PIANO Dyno E.Piano Mono-Stereo Auto Pan

POP ELEC.PIANO Pop E.Piano Mono-Mono Enhancer

VIBRAPHONE Vibraphone Mono-Mono Tremolo

CLAVI Clavi Mono-Mono Enhancer

ROCK ORGAN Rock Organ 1 Mix-Stereo Drive Rotary

JAZZ ORGAN Jazz Organ Mix-Stereo Rotary

DRAWBAR ORGAN DrawbarOrgan Mix-Stereo Rotary

ROTARY DRAWBAR RotaryDrwbar Mix-Stereo Rotary

ROTARY ORGAN Rotary Organ Mix-Stereo Rotary

PERC.ORGAN Perc.Organ Mix-Stereo Rotary

70’S ORGAN 70’s Organ Mix-Stereo Rotary

OVERDRIVE ORGAN OverdriveOrg Mono-Mono Distortion

TREMOLO ORGAN Tremolo Org Mono-Mono Tremolo

SYNTH-STRINGS SynthStrings Mono-Mono 3Band EQ

NEW AGE New Age Mono-Mono 3Band EQ

CHORUS CLEAN GUITAR Cho.CleanGt Mono-Mono Enhancer

OVERDRIVE GUITAR Overdrive Gt Mono-Mono Distortion

TRUMPET Trumpet Mono-Mono Enhancer

TROMBONE Trombone Mono-Mono Enhancer

STEREO BRASS Stereo Brass Mix-Stereo Early Reflection

40

24 DSP Algorithm ID Tables

The lists in this section show the DSP algorithms that are built into the Instrument.

24.1 Monaural Tone DSP

ID Algorithm Input Output Parameter Set Type

0001 Tremolo Mono Mono Tremolo/Auto Pan

0002 3Band EQ Mono Mono 3Band EQ

000B Auto Pan Mono Stereo Tremolo/Auto Pan

0011 Wide 3Band EQ Mono Mono 3Band EQ

0013 Distortion Mono Mono Distortion

24.2 Stereo Tone DSP

ID Algorithm Input Output Parameter Set Type

2001 3Band EQ Stereo Stereo 3Band EQ

200B Early Reflection Mix Stereo Early Reflection

200C Rotary Mix Stereo Rotary

200D Drive Rotary Mix Stereo Drive Rotary

2017 Wide 3Band EQ Stereo Stereo Wide 3Band EQ

25 DSP Parameter Set Types

This section describes the DSP parameter combination patterns of each algorithm specified in the “Parameter Set Type”
column of “24 DSP Algorithm ID Tables”.

Note:

The characteristics of a DSP are different depending on the tone, even if the same algorithm is used. Because of this, the
same algorithm may not produce the same effect for different tones.

25.1 Tremolo/Auto Pan

Parameter Number Parameter Name Value Notes

Parameter7[00] Rate 00 - 7F

Parameter7[01] Depth 00 - 7F

25.2 3Band EQ

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00 - 07 Note1

Parameter7[01] Low Gain 34 - 4C Note2

Parameter7[02] Mid Freq 00 - 07 Note1

Parameter7[03] Mid Gain 34 - 4C Note2

Parameter7[04] High Freq 00 - 07 Note1

Parameter7[05] High Gain 34 - 4C Note2

41

Note 1: See “26.9 Equalizer Mid Frequency Setting Value Table”.

Note 2: See “26.12 DSP Equalizer Gain Setting Value Table”.

25.3 Wide 3Band EQ

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00 - 07 Note1

Parameter7[01] Low Gain 34 - 4C Note2

Parameter7[02] Mid Freq 00 - 07 Note1

Parameter7[03] Mid Gain 34 - 4C Note2

Parameter7[04] High Freq 00 - 07 Note1

Parameter7[05] High Gain 34 - 4C Note2

Note 1: See “26.10 Wide Band Equalizer Mid Frequency Setting Value Table”.

Note 2: See “26.12 DSP Equalizer Gain Setting Value Table”.

25.4 Enhancer

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00 - 7F

Parameter7[01] Low Gain 00 - 7F

Parameter7[02] Hi Freq 00 - 7F

Parameter7[03] Hi Gain 00 - 7F

25.5 Distortion

Parameter Number Parameter Name Value Notes

Parameter7[00] Gain 00 - 7F

Parameter7[01] Low 00 - 7F

Parameter7[02] High 00 - 7F

Parameter7[03] Level 00 - 7F

25.6 Early Reflection

Parameter Number Parameter Name Value Notes

Parameter7[00] Wet Level 00 - 7F

Parameter7[01] Feedback 00 - 7F

Parameter7[02] Tone 00 - 7F

42

25.7 Rotary

Parameter Number Parameter Name Value Notes

Parameter7[00] Speed 0 - 1 Note1

Parameter7[01] Brake 0 - 1 Note2

Parameter7[02] Fall Accel 00 - 7F

Parameter7[03] Rise Accel 00 - 7F

Parameter7[04] Slow Rate 00 - 7F

Parameter7[05] Fast Rate 00 - 7F

Note 1: See “26.2 Slow/Fast Setting Value Table”.

Note 2: See “26.3 Rotate/Brake Setting Value Table”.

25.8 Drive Rotary

Parameter Number Parameter Name Value Notes

Parameter7[00] Overdrive Gain 00 - 7F

Parameter7[01] Overdrive Level 00 - 7F

Parameter7[02] Speed 0 - 1 Note1

Parameter7[03] Brake 0 - 1 Note2

Parameter7[04] Fall Accel 00 - 7F

Parameter7[05] Rise Accel 00 - 7F

Parameter7[06] Slow Rate 00 - 7F

Parameter7[07] Fast Rate 00 - 7F

Note 1: See “26.2 Slow/Fast Setting Value Table”.

Note 2: See “26.3 Rotate/Brake Setting Value Table”.

43

Part VII

Setting Values and Send/
Receive Values

26 Setting Value Tables

26.1 Off/On Setting Value Table

Transmit Value Receive Value Parameter

00H 00H - 3FH Off

7FH 40H - 7FH On

26.2 Slow/Fast Setting Value Table

Transmit Value Receive Value Parameter

00H 00H - 3FH Slow

7FH 40H - 7FH Fast

26.3 Rotate/Brake Setting Value Table

Transmit Value Receive Value Parameter

00H 00H - 3FH Rotate

7FH 40H - 7FH Brake

26.4 –64 - 0 - +63 Setting Value Table

Transmit/Receive Value Parameter

00H –64

01H –63

::

40H 0

::

7EH +62

7FH +63

26.5 Pan Setting Value Table

Transmit/Receive Value Parameter

00H Left

::

40H Center

::

7FH Righet

26.6 –100 - 0 - +99 Setting Value Table

Transmit/Receive Value Parameter

(MSB-LSB)

00H - 00H –100

::

40H - 00H 0

::

7FH - 7FH +99

26.7 Reverb Type Setting Value Table

Transmit /

Receive Value

00H Room1 -

01H Room2 Room

02H Room3 -

03H Hall1 Large Hall

04H Hall2 Hall

05H Plate1 -

06H Delay -

07H Panning Delay -

08H Plate2 -

09H Plate3 -

0AH Large Room1 -

0BH Large Room2 -

0CH Stadium1 Stadium

0DH Stadium2 -

0EH Long Delay -

0FH Long Panning Delay -

Parameter Display

44

26.8 Chorus Type Setting Value Table

Transmit /

Receive Value

00H Chorus1

01H Chorus2 -

02H Chorus3 Chorus

03H Chorus4 -

04H Feedback Chorus -

05H Flanger1 -

06H Short Delay -

07H Short Delay FB -

08H Soft Chorus -

09H Bright Chorus -

0AH Deep Chorus Deep Chorus

0BH Flanger2 Flanger

0CH Flanger3 -

0DH Flanger4 -

0EH

0FH

Parameter Display

LightChorus

Short Delay

Modulation

Short Delay

Modulation FB

-

-

26.10 Wide Band Equalizer Mid
Frequency Setting Value Table

Parameter Value Frequency

00H 100Hz

01H 130Hz

02H 160Hz

03H 200Hz

04H 300Hz

05H 400Hz

06H 600Hz

07H 800Hz

08H 1.0KHz

09H 1.3KHz

0AH 1.6KHz

0BH 2.0KHz

0CH 3.0KHz

0DH 4.0KHz

0EH 6.0KHz

0FH 8.0KHz

26.9 Equalizer Mid Frequency Setting
Value Table

Parameter Value Frequency

00H 1.0KHz

01H 1.3KHz

02H 1.6KHz

03H 2.0KHz

04H 3.0KHz

05H 4.0KHz

06H 6.0KHz

07H 8.0KHz

45

26.11 Brilliance Gain Setting Value
Table

26.12 DSP Equalizer Gain Setting Value
Table

Parameter Value Gain

00H –12

01H –11

02H –10

03H –9

04H –8

05H –7

06H –6

07H –5

08H –4

09H –3

0AH –2

0BH –1

0CH 0

0DH +1

0EH +2

0FH +3

10H +4

11H +5

12H +6

13H +7

14H +8

15H +9

16H +10

17H +11

18H +12

Parameter Value Gain

34H –12

35H –11

36H –10

37H –9

38H –8

39H –7

3AH –6

3BH –5

3CH –4

3DH –3

3EH –2

3FH –1

40H 0

41H +1

42H +2

43H +3

44H +4

45H +5

46H +6

47H +7

48H +8

49H +9

4AH +10

4BH +11

4CH +12

Note:

The gain value does not exactly correspond to decibels (dB).

Note:

The gain value does not exactly correspond to decibels (dB).

46

Part VIII

MIDI Implementation
Notation

27 Value Notation

27.1 Hexadecimal Notation

MIDI implementation sometimes requires that data be
expressed in hexadecimal format. Hexadecimal values are
indicated by the letter “H” after the value. The hexadecimal
equivalents of decimal values 10 through 15 are expressed
as the letters A through F. The table below shows the
hexadecimal equivalents for decimal values 0 through 127,
which are often used in MIDI messages.

Decimal

Hexadecimal

0 00H 32 20H 64 40H 96 60H

1 01H 33 21H 65 41H 97 61H

2 02H 34 22H 66 42H 98 62H

3 03H 35 23H 67 43H 99 63H

4 04H 36 24H 68 44H 100 64H

5 05H 37 25H 69 45H 101 65H

6 06H 38 26H 70 46H 102 66H

7 07H 39 27H 71 47H 103 67H

8 08H 40 28H 72 48H 104 68H

9 09H 41 29H 73 49H 105 69H

10 0AH 42 2AH 74 4AH 106 6AH

11 0BH 43 2BH 75 4BH 107 6BH

12 0CH 44 2CH 76 4CH 108 6CH

13 0DH 45 2DH 77 4DH 109 6DH

14 0EH 46 2EH 78 4EH 110 6EH

15 0FH 47 2FH 79 4FH 111 6FH

16 10H 48 30H 80 50H 112 70H

17 11H 49 31H 81 51H 113 71H

18 12H 50 32H 82 52H 114 72H

19 13H 51 33H 83 53H 115 73H

20 14H 52 34H 84 54H 116 74H

21 15H 53 35H 85 55H 117 75H

22 16H 54 36H 86 56H 118 76H

23 17H 55 37H 87 57H 119 77H

24 18H 56 38H 88 58H 120 78H

25 19H 57 39H 89 59H 121 79H

26 1AH 58 3AH 90 5AH 122 7AH

27 1BH 59 3BH 91 5BH 123 7BH

28 1CH 60 3CH 92 5CH 124 7CH

29 1DH 61 3DH 93 5DH 125 7DH

30 1EH 62 3EH 94 5EH 126 7EH

31 1FH 63 3FH 95 5FH 127 7FH

Decimal

Hexadecimal

Decimal

Hexadecimal

Decimal

Hexadecimal

27.2 Binary Notation

When a MIDI implementation data value is expressed in
binary, the letter “B” (for “binary”) is affixed at the end of
the value. The table below shows the binary equivalents for
the decimal values 0 through 127, which are often used for
settings.

Decimal

125 7DH 01111101B

126 7EH 01111110B

127 7FH 01111111B

Hexadecimal

0 00H 00000000B

1 01H 00000001B

2 02H 00000010B

3 03H 00000011B

4 04H 00000100B

5 05H 00000101B

6 06H 00000110B

7 07H 00000111B

8 08H 00001000B

9 09H 00001001B

10 0AH 00001010B

11 0BH 00001011B

12 0CH 00001100B

13 0DH 00001101B

14 0EH 00001110B

15 0FH 00001111B

16 10H 00010000B

::

Binary

47

CASIO COMPUTER CO.,LTD.

MA1004-B

6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, Japan