Casio PX-330 User Manual

PX-330, AP-620/6 MIDI Implementation

CASIO COMPUTER CO., LTD.

Contents

Part I MIDI Message Overview

1 Product Configuration as a MIDI Device.......................................................................................... 5

1.1 System Section.................................................................................................................................... 5

1.2 Sound Generator Section.................................................................................................................... 5

1.2.1 Sound generator common section .......................................................................................................... 5

1.2.2 Parts........................................................................................................................................................ 6

1.2.3 Part Assignments.................................................................................................................................... 6

1.3 Performance Controller Section .......................................................................................................... 7

1.3.1 Auto Accompaniment and Auto Performance MIDI Send .................................................................... 7

2 Conditions that Disable Message Send and Receive ...................................................................... 7

3 Timbre Type Specific Operation ...................................................................................................... 7

Part II Channel Message

4 Send Channel .................................................................................................................................. 8

5 Receive Channel ............................................................................................................................. 8

6 Note Off ........................................................................................................................................... 8

7 Note On ........................................................................................................................................... 9

8 Polyphonic Key Pressure................................................................................................................. 9

9 Control Change................................................................................................................................ 9

9.1 Bank Select (00H) ............................................................................................................................. 10

9.2 Modulation (01H) ............................................................................................................................... 10

9.3 Portamento Time (05H)..................................................................................................................... 10

9.4 Data Entry (06H, 26H) ....................................................................................................................... 11

9.5 Volume (07H) .................................................................................................................................... 11

9.6 Pan (0AH).......................................................................................................................................... 11

9.7 Expression (0BH) .............................................................................................................................. 12

9.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)..................................... 12

9.9 Hold1 (40H) ....................................................................................................................................... 13

9.10 Portamento Switch (41H) .................................................................................................................. 13

9.11 Sostenuto (42H) ................................................................................................................................ 14

9.12 Soft (43H) .......................................................................................................................................... 14

9.13 Vibrato Rate (4CH) ............................................................................................................................ 14

9.14 Vibrato Depth (4DH) .......................................................................................................................... 15

9.15 Vibrato Delay (4EH)........................................................................................................................... 15

9.16 Portamento Control (54H) ................................................................................................................. 15

9.17 Reverb Send (5BH) ........................................................................................................................... 16

9.18 Chorus Send (5DH) ........................................................................................................................... 16

9.19 NRPN (62H, 63H) .............................................................................................................................. 16

9.19.1 Assignable Functions to NRPN............................................................................................................ 16

9.20 RPN (64H, 65H) ................................................................................................................................ 17

9.20.1 Pitch Bend Sensitivity .......................................................................................................................... 17

9.20.2 Fine Tune..............................................................................................................................................17

9.20.3 Coarse Tune.......................................................................................................................................... 17

9.20.4 Modulation Depth ................................................................................................................................ 18

9.20.5 Null.......................................................................................................................................................18

9.21 All Sound Off (78H) ........................................................................................................................... 18

9.22 Reset All Controllers (79H) ................................................................................................................ 18

10 Mode Messages ............................................................................................................................ 19

10.1 All Notes Off (7BH) ............................................................................................................................ 19

10.2 Omni Off (7CH).................................................................................................................................. 19

10.3 Omni On (7DH).................................................................................................................................. 19

10.4 Mono (7EH) ....................................................................................................................................... 20

10.5 Poly (7FH) ......................................................................................................................................... 20

11 Program Change ........................................................................................................................... 20

11.1 About Timbre Type ............................................................................................................................ 21

11.2 DSP Assignments during Tone Selection.......................................................................................... 21

11.2.1 DSP Line Structure............................................................................................................................... 21

11.2.2 DSP Line Assignment .......................................................................................................................... 21

11.2.3 Use of the Same DSP Line by Multiple Parts ...................................................................................... 21

12 Channel Aftertouch ........................................................................................................................ 22

13 Pitch Bend Change ........................................................................................................................ 22

Part III System Messages

14 Active Sensing ............................................................................................................................... 23

15 System Exclusive Message ........................................................................................................... 23

15.1 Universal Realtime System Exclusive Message................................................................................ 23

15.1.1 Master Volume .....................................................................................................................................23

15.1.2 Master Balance .....................................................................................................................................24

15.1.3 Master Fine Tuning .............................................................................................................................. 24

15.1.4 Master Coarse Tuning .......................................................................................................................... 24

15.1.5 Reverb Parameter .................................................................................................................................25

15.1.6 Chorus Parameter .................................................................................................................................25

15.1.7 GM System Message............................................................................................................................ 27

15.1.8 GS Message.......................................................................................................................................... 27

15.2 Instrument-Specific System Exclusive Messages ............................................................................. 27

Part IV Instrument-Specific System Exclusive Messages

16 Format ........................................................................................................................................... 28

16.1 Message Classifications .................................................................................................................... 28

16.2 Basic Message Structure................................................................................................................... 28

16.3 Field Formats..................................................................................................................................... 29

16.3.1 SX : System Exclusive Message Status ............................................................................................... 29

16.3.2 MAN : Manufacturer’s ID.................................................................................................................... 29

16.3.3 MOD : Model ID.................................................................................................................................. 29

16.3.4 dev : MIDI DeviceID 00H - 7FH ......................................................................................................... 29

16.3.5 act : Action ...........................................................................................................................................29

16.3.6 cat : Category ....................................................................................................................................... 30

16.3.7 mem : Memory Area ID ....................................................................................................................... 30

16.3.8 pset : Parameter Set Number................................................................................................................30

16.3.9 blk : Block Number .............................................................................................................................. 30

16.3.10 prm : Parameter ID ............................................................................................................................... 31

16.3.11 idx : Data Index Number ...................................................................................................................... 31

16.3.12 len : Data Length .................................................................................................................................. 31

16.3.13 data : Parameter Data ........................................................................................................................... 32

16.3.14 EOX : End of System Exclusive Message ........................................................................................... 32

17 Parameter Transfer........................................................................................................................ 33

17.1 Two-way Communication .................................................................................................................. 33

17.1.1 Example : Data send in response to send request to the Instrument .................................................... 33

17.2 One-way Communication .................................................................................................................. 33

17.2.1 Example : Data send to Instrument from external source....................................................................33

17.2.2 Example : Data send resulting from Instrument operation .................................................................. 33

Part V Parameter List

18 System Parameters ....................................................................................................................... 34

18.1 System Information Parameter .......................................................................................................... 34

19 Setup Parameter............................................................................................................................ 34

19.1 MIDI Parameter ................................................................................................................................. 34

20 Patch Parameters .......................................................................................................................... 35

20.1 Master Tune Parameters ................................................................................................................... 35

20.2 Master Mixer Parameters .................................................................................................................. 35

20.3 System Chorus Parameter ................................................................................................................ 35

20.4 System Reverb Parameters .............................................................................................................. 36

20.5 System Acoustic Resonance Parameters ......................................................................................... 36

20.6 Brilliance Parameters ........................................................................................................................ 36

20.7 Part Parameters ................................................................................................................................ 37

21 Tone Parameters ........................................................................................................................... 37

21.1 Basic Parameters .............................................................................................................................. 37

21.2 LFO Parameters ................................................................................................................................ 38

21.3 DSP Parameters................................................................................................................................ 39

21.4 Scale Tune ........................................................................................................................................ 39

22 Music Library Parameters .............................................................................................................. 39

Part VI DSP Parameter List

23 Tone with DSP List ........................................................................................................................ 40

24 DSP Algorithm ID Tables ............................................................................................................... 41

24.1 Monaural Tone DSP .......................................................................................................................... 41

24.2 Stereo Tone DSP .............................................................................................................................. 41

25 DSP Parameter Set Types ............................................................................................................ 41

25.1 Tremolo/Auto Pan.............................................................................................................................. 41

25.2 3Band EQ .......................................................................................................................................... 41

25.3 Wide 3Band EQ ................................................................................................................................. 42

25.4 Enhancer ........................................................................................................................................... 42

25.5 Distortion ........................................................................................................................................... 42

25.6 Early Reflection ................................................................................................................................. 42

25.7 Rotary ................................................................................................................................................ 43

25.8 Drive Rotary....................................................................................................................................... 43

Part VII Setting Values and Send/Receive Values

26 Setting Value Tables...................................................................................................................... 44

26.1 Off/On Setting Value Table................................................................................................................ 44

26.2 Slow/Fast Setting Value Table .......................................................................................................... 44

26.3 Rotate/Brake Setting Value Table ..................................................................................................... 44

26.4 –64 - 0 - +63 Setting Value Table...................................................................................................... 44

26.5 Pan Setting Value Table.................................................................................................................... 44

26.6 –100 - 0 - +99 Setting Value Table .................................................................................................... 44

26.7 Reverb Type Setting Value Table...................................................................................................... 44

26.8 Chorus Type Setting Value Table...................................................................................................... 45

26.9 Equalizer Mid Frequency Setting Value Table .................................................................................. 45

26.10 Wide Band Equalizer Mid Frequency Setting Value Table................................................................ 45

26.11 Brilliance Gain Setting Value Table ................................................................................................... 46

26.12 DSP Equalizer Gain Setting Value Table .......................................................................................... 46

Part VIII MIDI Implementation Notation

27 Value Notation ............................................................................................................................... 47

27.1 Hexadecimal Notation ....................................................................................................................... 47

27.2 Binary Notation .................................................................................................................................. 47

Part I

MIDI Message Overview

1 Product Configuration as a MIDI Device

As a MIDI device, the instrument consists of the System Section, Sound Generator Section, and Performance Controller Section described below. Each of these sections sends and receives specific MIDI Messages in accordance with its function.

• System Section

– Device settings

– Function status

• Sound Generator Section

– Common

 Sound generator common section  System effects  Brilliance adjustment function  Mixer master

– Parts

 Sound generator instrument parts  DSP (insertion effects)  Mixer channel

• Performance Controller Section

– Keyboard

– Pedal and other real-time controllers

– Auto play function

– Auto Accompaniment

1.1 System Section

The System Section consists of a sound generator (sound source), a performance controller part (performance), and functions that are not directly related to Instrument play. In addition to manipulating Instrument setting parameters, this section is also used to exchange information.

1.2 Sound Generator Section

The Sound Generator Section consists of a common part that does not depend on the channel and a part that is specific to each channel. Mainly it receives performance information and performs operations.

1.2.1 Sound generator common section

The common section consists of sound generator setting blocks that do not depend on the sound generator part, such as system effects, mixer master control, etc. These can be controlled by system exclusive messages that are basically exclusive to this particular Instrument, but several parameters also can be controlled by general universal system exclusive messages.

1.2.2 Parts

The settings of the sound generator parts can be changed using Instrument-specific system exclusive messages. This Instrument consists of 48 parts. Of these, channel messages can be used to perform note on operations and to change settings of only the C Group (C01 through C16). The relationships between the channel message receive channel and part number are fixed, as shown in “1.2.3 Part Assignments”.

1.2.3 Part Assignments

Part Number Part Name MIDI Receive Ch MIDI Send Ch Assigned Function Description

00 A01 - 01(Note1) Keyboard

01 A02 - 02 Keyboard Upper2 (Layer)

02 A03 - 03 Keyboard

03 A04 - 08 Keyboard Harmonize (DSP not supported.)

04 A05 - 05 Recorder Play System track main

05 A06 - 06 Recorder Play System track layer

06 A07 - 07 Recorder Play System track split

07 A08 - - Metronome/Count

08 A09 - 09 Accompaniment Percussion (DSP not supported.)

09 A10 - 10 Accompaniment Drum (DSP not supported.)

10 A11 - 11 Accompaniment Bass (DSP not supported.)

11 A12 - 12 Accompaniment Chord 1 (DSP not supported.)

12 A13 - 13 Accompaniment Chord 2 (DSP not supported.)

13 A14 - 14 Accompaniment Chord 3 (DSP not supported.)

14 A15 - 15 Accompaniment Chord 4 (DSP not supported.)

15 A16 - 16 Accompaniment Chord 5 (DSP not supported.)

16 B01 - 01 (Note2) Recorder/Song Play Ch.01

17 B02 - 02 (Note2) Recorder/Song Play Ch.02

18 B03 - 03 (Note2) Recorder/Song Play Ch. 03 (Left hand track)

19 B04 - 04 (Note2) Recorder/Song Play Ch. 04 (Right hand track)

20 B05 - 05 (Note2) Recorder/Song Play Ch.05

21 B06 - 06 (Note2) Recorder/Song Play Ch.06

22 B07 - 07 (Note2) Recorder/Song Play Ch.07

23 B08 - 08 (Note2) Recorder/Song Play Ch.08

24 B09 - 09 (Note2) Recorder/Song Play Ch.09

25 B10 - 10 (Note2) Recorder/Song Play Ch.10

26 B11 - 11 (Note2) Recorder/Song Play Ch.11

27 B12 - 12 (Note2) Recorder/Song Play Ch.12

28 B13 - 13 (Note2) Recorder/Song Play Ch.13

29 B14 - 14

30 B15 - 15

31 B16 - 16 (Note2) Recorder/Song Play Ch.16

32 C01 01 - MIDI Ch.01

33 C02 02 - MIDI Ch.02

34 C03 03 - MIDI Ch.03

35 C04 04 - MIDI Ch.04

36 C05 05 - MIDI Ch.05

37 C06 06 - MIDI Ch.06

38 C07 07 - MIDI Ch.07

39 C08 08 - MIDI Ch.08

40 C09 09 - MIDI Ch.09

41 C10 10 - MIDI Ch.10

42 C11 11 - MIDI Ch.11

43 C12 12 - MIDI Ch.12

44 C13 13 - MIDI Ch.13

45 C14 14 - MIDI Ch.14

46 C15 15 - MIDI Ch.15

47 C16 16 - MIDI Ch.16

(Note2) Recorder/Song Play

(Note2) Recorder/Song Play Ch.15

(Right-side keyboard in the Duet Mode)

(Left-side keyboard in the Duet Mode)

Upper1 (main)

Lower1 (Split)

Ch.14

Note 1:

Can be changed by the Keyboard Channel setting.

Note 2:

Sent during recorder play only. When there is no data recorded in the applicable recorder track, the MIDI information of the functions of parts with the same send channel (A01 through A16) is sent.

1.3 Performance Controller Section

The Performance Controller Section consists of keyboard, pedal and other real-time controllers, as well as blocks that generate auto accompaniment, auto performance, and other performance information. These messages are transmitted to the sound generator in accordance with operations, while they are also being sent out as MIDI messages. The channel number of the sent message is in accordance with Instrument’s part number.

1.3.1 Auto Accompaniment and Auto Performance MIDI Send

This document what operation is sent by a message in the case of each message type. However, since there are so many messages sent by an auto accompaniment operation when auto performance and Accomp MIDI Out is turned on, those messages are not covered here.

2 Conditions that Disable Message Send and Receive

All MIDI message send and receive is temporarily disabled in all of the following cases.

• During instrument startup

• During SD card formatting

• During user data initialization

• Immediately after the recorder is exited

• During storage of registration data

• While storage is selected as the USB device mode

3 Timbre Type Specific Operation

The operation that is performed for a received message depends on the current Timbre Type setting (see “11.1 About Timbre Type”), which is the operation mode of each sound generator part. Applicable information is provided in the explanations for each message.

Part II

Send

Receive

Channel Message

4 Send Channel

For information about the MIDI channels of the channel messages that are sent when this Instrument is played, see “1.2.3 Part Assignments”.

Note, however, that the MIDI channel of the performance information that corresponds to the keyboard main part can be changed by the Keyboard Channel setting value.

5 Receive Channel

For information about the MIDI channel numbers of channel messages received by each part, see “1.2.3 Part Assignments”.

The MIDI channel number of a channel message that changes DSP settings also coincides with the MIDI channel of the part using the DSP. A channel message is not received by a part that is turned off by the Part Enable Parameter value explained under “20.7 Part Parameters”.

6 Note Off

Format

Send Receive

Message Format:

Sent when a key is released.

Recognized as key release information. The velocity value is ignored.

8nH kkH vvH 8nH kkH vvH

9nH kkH 00H

n: MIDI Channel Number

kk: Key Number

vv: 40H Ignored

7Note On

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: 9nH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Velocity

Sent when a key is pressed.

Recognized as key press information.

8 Polyphonic Key Pressure

Format

Message Format: AnH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Pressure Value

This message is not sent by this Instrument.

This message is not received by this Instrument.

9 Control Change

Format

Message Format: BnH ccH vvH

n: MIDI Channel Number

cc: Control Number

vv: Value

Sent when a pedal or another controller operation is performed, when settings are changed, when the tone is changed, or when an auto performance, Auto Accompaniment, or other operation is performed.

Receipt changes the controller and settings that correspond to the control number.

9.1 Bank Select (00H)

Send

Receive

Send

Receive

Send

Receive

Format

Message Format: BnH 00H mmH (MSB)

BnH 20H llH (LSB)

n: MIDI Channel Number

mm: Value

ll: Send: 00H, Receive: Ignored

Sent when a tone is selected.

For information about numbers, see the Tone List in the User’s Guide.

Receipt switches the tone bank number stored in Instrument memory. Note, however, that the tone is not changed until a Program Change message is received.

For details, see “11 Program Change”. For information about numbers, see the Tone List in the User’s Guide.

9.2 Modulation (01H)

Format

Message Format: BnH 01H vvH

n: MIDI Channel Number

vv: Value

This message is not sent by this Instrument.

Receipt adds, to the voice being sounded, modulation of a depth specified by the value. In the case of a tone that already has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according to the tone being used.

9.3 Portamento Time (05H)

Format

Message Format: BnH 05H vvH

n: MIDI Channel Number

vv: Value

This message is not sent by this Instrument.

Receipt changes the time it takes until pitch reaches the target portamento effect pitch.

9.4 Data Entry (06H, 26H)

Send

Receive

Send

Receive

Note 1:

Send

Receive

Format

Message Format: BnH 06H vvH (MSB)

BnH 26H vvH (LSB)

n: MIDI Channel Number

vv: Value

Sent when there is a change in the parameters assigned to NRPN and RPN. For details about information assigned to parameters that correspond to NRPN and RPN, see “9.19 NRPN” and “9.20 RPN”.

Receipt changes the parameter assigned to RPN. This Instrument does not have a parameter that corresponds to NRPN.

9.5 Volume (07H)

Format

Message Format: BnH 07H vvH

n: MIDI Channel Number

vv: Value

Sent when layer balance is adjusted.

Receipt changes the volume of the corresponding part.

9.6 Pan (0AH)

Format

Message Format: BnH 0AH vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.5 Pan Setting Value Table” in “Part VII Setting Values and Send/Receive Values”.

Sent in the following cases.

• When Accomp MIDI Out is on

• When Music Library play is stopped

Receipt changes the pan setting of the corresponding part.

9.7 Expression (0BH)

Send

Receive

Send

Receive

Note 1:

Format

Message Format: BnH 0BH vvH

n: MIDI Channel Number

vv: Value

Sent in the following cases.

• When Accomp MIDI Out is on

Receipt changes the Expression value.

9.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)

These messages are used to control DSP operation.

Format

Message Format: BnH 10H vvH

BnH 11H vvH BnH 12H vvH BnH 13H vvH BnH 50H vvH BnH 51H vvH BnH 52H vvH BnH 53H vvH

n: MIDI Channel Number (Note1)

vv: Value

DSP Parameter7[0] DSP Parameter7[1] DSP Parameter7[2] DSP Parameter7[3] DSP Parameter7[4] DSP Parameter7[5] DSP Parameter7[6] DSP Parameter7[7]

This message is not sent by this Instrument.

Receipt change the value of Parameter7 [0-7] (7-Bit Parameter) explained under “21.3 DSP Parameters”. Any message received that corresponds to the parameter of a number not being used by the currently selected DSP is ignored.

Received values and parameter setting values The range of the value of each DSP Parameter 7 array element depends on the selected DSP or array number. Unlike manipulation of a DSP parameter using a System Exclusive Message, a value received by this control change message is always in the range of 0 to 127, but the range is changed in accordance with the setting range of the applicable parameter setting. Because of this, it is impossible for a value to be outside of the range. Conversion to the parameter setting value from the value received with the message can be represented in general terms by the expression shown below.

Parameter

Setting Value=Parameter

Minimum Value+(

Parameter

Maximum Value-Parameter

Minimum Value)

Received Value

127

For details about Parameter 7 of each DSP, see the explanations under “VI DSP Parameter List”.

9.9 Hold1 (40H)

Send

Receive

Note 1:

Send

Receive

Format

Message Format: BnH 40H vvH

n: MIDI Channel Number

vv: Value

Sent in the following cases.

• When a pedal that has a sustain (damper) function is operated

• When Accomp MIDI Out is on

Receipt performs an operation equivalent to a sustain (damper) pedal operation.

Timbre Type Specific Operation

This operation differs in accordance with the Timbre Type (see “11.1 About Timber Type”) setting.

• Timbre Type: Melody

Sustain off/on control is performed in accordance with the value of the received message. For information about the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value Table” in “Part VII Setting Values and Send/Receive Values”.

• Timbre Type: Piano or LM Piano

Continuous control of the following is performed in accordance with the value of the received message.

– Piano note decay rate

– Resonance characteristics and decay rate of Acoustic Resonance effect resonance note

• Timbre Type: Drum

The received message does not affect sound source operation.

9.10 Portamento Switch (41H)

Format

Message Format: BnH 41H vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value Table” in “Part VII Setting Values and Send/Receive Values”.

This message is not sent by this Instrument.

Receipt can be use to switch portamento between enabled (On) and disabled (Off).

9.11 Sostenuto (42H)

Note 1:

Send

Receive

Note 1:

Send

Receive

Note 1:

Send

Receive

Format

Message Format: BnH 42H vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value Table” in “Part VII Setting Values and Send/Receive Values”.

Sent when a pedal that has a sostenuto function is operated.

Receipt performs an operation equivalent to a sostenuto pedal operation.

9.12 Soft (43H)

Format

Message Format: BnH 43H vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see the “26.1 Off/On Setting Value Table” in “Part VII Setting Values and Send/Receive Values”.

Sent when a pedal that has a soft function is operated.

Receipt performs an operation equivalent to a soft pedal operation.

9.13 Vibrato Rate (4CH)

Format

Message Format: BnH 4CH vvH

n: MIDI Channel Number

vv: Value (Note1)

For information about the relationship between setting values and send/receive values, see “26.4 –64 - 0 - +63 Setting Value Table” in “Part VII Setting Values and Send/Receive Values” of this document.

This message is not sent by this Instrument.

Receipt changes the vibrato rate of the tone that is currently selected by the applicable part.

9.14 Vibrato Depth (4DH)

Note 1:

Send

Receive

Note 1:

Send

Receive

Send

Receive

Format

Message Format: BnH 4DH vvH

n: MIDI Channel Number

vv: Value (Note1)

This message is not sent by this Instrument.

Receipt changes the vibrato auto depth of the tone that is currently selected by the applicable part.

9.15 Vibrato Delay (4EH)

Format

Message Format: BnH 4EH vvH

n: MIDI Channel Number

vv: Value (Note1)

This message is not sent by this Instrument.

Receipt changes the vibrato auto delay of the tone that is currently selected by the applicable part.

9.16 Portamento Control (54H)

Format

Message Format: BnH 54H vvH

n: MIDI Channel Number

kk: Source Note Number

This message is not sent by this Instrument.

Receipt of this message first stores the Source Note Number for the next note. When the next Note On is received, the portamento effect is applied to the note using this Source Note Number as the pitch start point and the Note On event key number as the end point. If there already is a note being sounded by Source Note Number at this time, the new note on is not performed and the portamento effect is applied to the pitch of the note being sounded. That is to say that legato play is performed.

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