Casio PX-310 User Manual

USER’S GUIDE GUÍA DEL USUARIO
Please keep all information for future reference. Guarde toda información para tener como referencia futura.
ES
PX310ES1B
Safety Precautions Before trying to use the piano, be sure to read the separate Safety Precautions”.
Precauciones de seguridad
Antes de intentar usar el piano, asegúrese de leer las Precauciones de seguridad separadas.
This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.
Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania.
CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
P
MA0508-B Printed in China PX310ES1B
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
IMPORTANT SAFETY INSTRUCTIONS
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus.
The power indicator being unlit does not mean the apparatus is completely disconnected from the MAINS. When you need to have the apparatus completely disconnected from the MAINS, you must unplug the power cord. For that purpose, locate the apparatus in a way that secures easy access to the power cord.
NOTICE
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the users author­ity to operate the equipment.
Important!
Please note the following important information before using this product.
• Before using the AD-12 Adaptor to power the unit, be sure to check the AC Adaptor for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children use an AC adaptor that is seriously damaged.
• The product is not intended for children under 3 years.
• Use only CASIO AD-12 adaptor.
• The AC adaptor is not a toy.
• Be sure to disconnect the AC adaptor before cleaning the product.
This mark applies in EU countries only.
CASIO Europe GmbH Bornbarch 10, 22848 Norderstedt, Germany
407A-E-002A
Contents
General Guide ..........................E-2
Attachment of the Score Stand .................. E-2
About the FUNCTION button...................... E-3
Numeric Input Keys and +/– Keys .............. E-4
Playing Back All the demo Tunes ............... E-4
Power Supply ...........................E-4
Using the AC Adaptor ................................. E-4
Connections .............................E-5
Connecting Headphones ............................ E-5
Connecting an audio or musical
instrument amplifier .................................... E-5
Connecting to a PEDAL Jack ..................... E-6
Playing with Different Tones ..... E-7
Selecting and Playing a Tone ..................... E-7
Selecting Main Tones and Variation Tones ... E-7
Recording to and Playing Back
from Song Memory ................. E-20
Recording Your Keyboard Play ................. E-21
Playing Back from Song Memory ............. E-22
Deleting Song Memory Data .................... E-23
Other Settings ........................E-24
Adjusting Accompaniment Volume ........... E-24
Changing the Keyboard Touch ................. E-24
Changing the Piano Key ........................... E-25
Changing the Pitch of the Piano to
Match Another Instrument ........................ E-25
Using Digital Piano Setup Memory ........... E-25
Using MIDI ................................................ E-25
Saving the Song Data You Download
from the Internet ....................................... E-26
Troubleshooting.....................E-28
Selecting an Advanced Tone, GM Tone,
or Drum Set ................................................ E-7
Adjusting the Brilliance of a Tone ............... E-8
Layering Two Tones .................................... E-8
Assigning Different Tones to the Left and
Right Sides of the Keyboard ....................... E-9
Using Tone Effects .................................... E-10
Using the Pianos Pedals .......................... E-11
Playing Rhythms....................E-12
Using Auto Accompaniment...................... E-13
Playing Tunes You
Download from the Internet ....E-16
Practicing a Tune ...................................... E-17
Using Registration Memory ....E-18
What is registration memory? ................... E-18
Specifications.........................E-29
Operational Precautions ....... E-30
Locating the Unit ....................................... E-30
Care of the Unit......................................... E-30
Lithium Battery .......................................... E-30
Setting Control Key Chart .....E-31
Appendix ..................................A-1
Tone List ..................................................... A-1
Rhythm List ................................................. A-2
Drum Assignment List ................................. A-3
Fingered Chord Chart ................................. A-4
MIDI Implementation Chart
407A-E-003A
Company and product names used in this
manual may be registered trademarks of others.
E-1
General Guide
Bottom
1
Back Panel
2 3 4 5
Left Side Panel
67 8 9
0 A
E F G H I J K L M T V WQ R S UN O P
Attachment of the Score Stand
Insert the score stand into the slot at the top of the digital piano as shown in the illustration.
B D
C
E-2
NOTE
Each chapter of this manual starts with an illustration of the pianos console, which shows the buttons and other controllers you need to operate.
FUNCTION
VOLUME
407A-E-004A
General Guide
1
PEDAL connector
2
DAMPER PEDAL jack
3
SOFT/SOSTENUTO PEDAL jack
4
LINE OUT R, L/MONO jacks
5
LINE IN R, L/MONO jacks
6
POWER button
7
DC 12V jack
8
MIDI THRU/OUT/IN terminals
9
PHONES jacks
0
RHYTHM/SONG SELECT buttons
A
TEMPO buttons
B
TONE buttons
C
TONE SELECT buttons
D
REGISTRATION buttons
E
VOLUME knob
F
FUNCTION button
G
INTRO/ENDING button
H
SYNCHRO/FILL-IN button
I
START/STOP, DEMO button
J
RHYTHM, USER SONG button
K
T1/L T2/R button
L
SONG MEMORY button
M
Display screen
N
TRANSPOSE buttons
O
TUNE buttons
P
BRILLIANCE buttons
Q
ADVANCED TONES/GM TONES button
R
VARIATION button
S
SPLIT button
T
REVERB, REVERB TYPE button
U
CHORUS, CHORUS TYPE button
V
BANK button
W
STORE button
NOTE
Key, button, and other names are indicated in the text of this manual using bold type.
About the FUNCTION button
The FUNCTION button makes it possible to perform a variety of useful functions. Note the following general information about using the FUNCTION button.
An indicator lamp above the FUNCTION button flashes while it is depressed. The lamp goes out when you release the FUNCTION button.
Flashing Unlit
The FUNCTION button is always used in combination with another button or keyboard key. You hold down the FUNCTION button as you press another button or keyboard key.
The indicator lamp above the button flashes for a few seconds at high speed to let you know that the setting is complete.
Example: Adjusting the Brilliance of a Tone on page E-8
For details about all the keyboard key functions you can perform with the FUNCTION button, see “Setting Control Key Chart on page E-31.
407A-E-005A
E-3
General Guide
Numeric Input Keys and +/– Keys
For a moment after you hold down the FUNCTION button and then press another button to activate a function, you can use certain keyboard keys to input numbers or to increase (+) and decrease (–) setting values.
Since the keyboard keys operate as switches at this time, notes do not sound when you press keyboard keys.
See To adjust the tempo on page E-12 for an actual example.
Playing Back All the demo Tunes
The following procedure plays back the demo tunes in sequence.
While holding down the FUNCTION
1
button, press the DEMO button at the same time.
This starts sequential playback of the demo tunes.
You can play along with the demo tunes on the keyboard, if you want. Tone assigned to the keyboard is the one that is preset for the demo tune that is playing.
Press the DEMO button again to stop demo
2
tune play.
Power Supply
You can power this digital piano by plugging it into a standard household power outlet. Be sure you turn off power and unplug the power cord from the electrical outlet whenever the digital piano is not in use.
Using the AC Adaptor
Make sure that you use only the AC adaptor specified for this digital piano.
Specified AC Adaptor: AD-12
[Left Side Panel]
DC 12V jack
AC adaptor AD-12
Note the following important precautions to avoid damage to the power cord.
During Use
Never pull on the cord with excessive force.
Never repeatedly pull on the cord.
Never twist the cord at the base of the plug or
connector.
The power cord should not be stretched tight while it is in use.
During Movement
Before moving the keyboard, be sure to unplug the AC adaptor from the power outlet.
During Storage
Loop and bundle the power cord, but never wind it around the AC adaptor.
IMPORTANT!
Make sure that the product is turned off before connecting or disconnecting the AC adaptor.
Using the AC adaptor for a long time can cause it to become warm to touch. This is normal and does not indicate malfunction.
E-4
AC outlet
407A-E-006A
Connections
IMPORTANT!
Whenever connecting external equipment, first set the VOLUME knob of the digital piano and the volume controller of the external equipment to relatively low volume settings. You can later adjust volume to the level you want after connections are complete.
Be sure also to refer to the documentation that comes with the external equipment for its proper connection procedures.
Connecting Headphones
Connect commercially available headphones to the digital pianos PHONES jacks. This cuts off the built­in speakers, which means you can practice even late at night without disturbing others. To protect your hearing, make sure that you do not set the volume level too high when using headphones.
[Left Side Panel]
PHONES jacks
Playing Output from External Equipment through the Piano’s Speakers 1
LINE IN R jack input sounds through the pianos right speaker, while LINE IN L/MONO jack input sounds through the left speaker. Connecting to the LINE IN L/MONO jack only causes the same output to be produced from both speakers. It is up to you to purchase connecting cables that are compatible with the equipment you are connecting.
Connecting to Audio Equipment 2
Use commercially available cables to connect the external audio equipment to the pianos LINE OUT jacks as shown in Figure 2. LINE OUT R jack output is right channel sound, while LINE OUT L/MONO jack output is left channel sound. It is up to you to purchase connecting cables like the ones shown in the illustration for connection of audio equipment. Normally in this configuration you must set the audio equipments input selector to the setting that specifies the terminal (such as AUX IN) to which the piano is connected. Use the pianos VOLUME knob to adjust the volume level.
Headphones
Connecting an audio or musical instrument amplifier
Connecting to an audio or musical instrument amplifier provides even clearer, more powerful sound through external speakers.
Audio amplifier AUX IN, etc.
RIGHT (Red)
LEFT (White)
Tape recorder, MIDI sound source
Standard jacks
INPUT 1
INPUT 2
Guitar amplifier, keyboard amplifier, etc.
PIN plugs
Standard plug
Connecting to a Musical Instrument Amplifier 3
Use commercially available cables to connect the amplifier to the pianos LINE OUT jacks as shown in Figure 3. LINE OUT R jack output is right channel sound, while LINE OUT L/MONO jack output is left channel sound. Connecting to the LINE OUT L/ MONO jack only outputs a mixture of both channels. It is up to you to purchase connecting cable like the one shown in the illustration for connection of the amplifier. Use the pianos VOLUME knob to adjust the volume level.
407A-E-007A
E-5
Connections
Connecting to a PEDAL Jack
Depending on the type of operation you want the pedal (SP-3) to perform, connect the pedals cable to the digital pianos PEDAL DAMPER jack or PEDAL SOFT/SOSTENUTO jack. If you want to use both jacks at the same time, you need to purchase another optionally available pedal. See Using the Pianos Pedals on page E-11 for information about using a pedal.
[Back Panel]
PEDAL jacks
SP-3
PEDAL connector
You can connect the optionally available Pedal Unit (SP-30) to the PEDAL connector. You can then use the pedals for expression that is similar to that available on an acoustic piano.
[Bottom]
PEDAL connector
Accessories and Options
Use only the accessories and options specified for this digital piano. Use of non-authorized items creates the danger of fire, electric shock, and personal injury.
E-6
407A-E-008A
Playing with Different Tones
Press the VARIATION button so the
Selecting and Playing a Tone
Your piano has the following types of tones built in.
Main Tones 12
Variation Tones 12
Advanced Tones 40
GM Tones 128
Drum Sets 10
4
indicator lamp above it is lit.
This selects the variation tone assigned to each TONE button.
Example: CLAVI
For information about variation tone assigned to each button, see the Tone List on page A-1.
To toggle between the main tone
5
(VARIATION indicator lamp off) and variation tone (VARIATION indicator lamp on), press the VARIATION button or the TONE button.
Selecting Main Tones and Variation Tones
Press the POWER button.
1
POWER button
Use the VOLUME knob to adjust the
2
volume level.
Press one of the 12 TONE buttons to select
3
the tone you want.
The names of the main tones are marked above the TONE buttons.
Example: To select JAZZ ORGAN
NOTE
Changing the main tone, variation tone or advanced tone selection causes DSP* to switch automatically to the default setting for the newly selected tone. This causes any notes that are sounding at the time of the change to be interrupted momentarily. The DSP* will be set to the default setting for the newly selected tone when the note resumes. (*See page E-10)
Selecting an Advanced Tone, GM Tone, or Drum Set
You can use the following procedure to assign one of the pianos 40 Advanced Tones, 128 GM tones, or 10 drum sets to the ADVANCED TONES/GM TONES button.
Press the ADVANCED TONES/GM TONES
1
button.
This selects the tone that is currently assigned to the ADVANCED TONES/GM TONES button.
The display continues to display the tune or rhythm number.
VOLUME
407A-E-009B
FUNCTION
BRILLIANCE
Use the Tone List on page A-1 to find the
2
advanced tone, GM tone, or drum set number you want.
Example: 008 (MARIMBA)
TONE SELECT
TONE ADVANCED
TONES/GM TONES
REVERBVARIATION
CHORUSSPLIT
E-7
Playing with Different Tones
While holding down the FUNCTION
3
button, press the ADVANCED TONES/GM TONES button. Remember to keep the FUNCTION button depressed.
This causes the tone number of the tone that is currently assigned to the ADVANCED TONES/ GM TONES button to appear on the display.
Example: 080 (GM VIOLIN)
While holding down the FUNCTION
4
button, use the keyboard keys shown below to input the tone number of the tone you want to assign to the ADVANCED TONES/ GM TONES button.
Example: 008 (MARIMBA)
Selecting the ADVANCED TONES/GM TONES Button Variation Tone
To assign a variation tone to the ADVANCED TONES/ GM TONES button, perform the steps under Selecting an Advanced tone, GM Tone, or Drum Set on page E-7. After step 1, however, press the VARIATION button so the indicator lamp above it is lit.
After you assign a tone as the variation tone, you can select it by pressing the ADVANCED TONES/ GM TONES button.
Adjusting the Brilliance of a Tone
You can adjust the clarity and sharpness of a tone to suit your music and personal preferences.
Holding down the FUNCTION button,
1
press the BRILLIANCE buttons to adjust the brilliance of a tone to the level that you want.
This displays the number of the assigned tone.
After inputting the tone number you want,
5
release the FUNCTION button to exit the GM tone setting screen.
NOTE
You can also select a tone by holding down the ADVANCED TONES/GM TONES button as you use the TONE SELECT [ ] and [ ] buttons to scroll through tone numbers on the display.
The tone that you assign to the ADVANCED TONES/GM TONES button is retained until you turn off the keyboard.
If a drum set is assigned to the ADVANCED TONES/GM TONES button, keyboard keys sound drum sounds when you press them. See page A-3 for information about the drum sounds that are assigned to each of the keyboard keys.
[ ] : produces a more mellow sound [
] : produces a brighter sound
To return the brilliance setting to its initial default, hold down the FUNCTION button and press both of the BRILLIANCE buttons at the same time.
Layering Two Tones
Use the following procedure to layer to two tones, so they sound at the same time. Of the two TONE buttons you press to layer two tones, the one on the left is the main tone, while the one on the right is the layered tone.
PREPARATION
If you plan to use a variation tone, perform the procedure on page E-7 to select the variation tone for the applicable TONE button(s) before starting this procedure.
E-8
407A-E-010A
Simultaneously press the TONE buttons of
1
the two tones that you want to layer.
Example: Press GRAND PIANO 1 button and
STRINGS button at the same time.
Playing with Different Tones
Assigning Different Tones to the Left and Right Sides of the Keyboard
You can assign different tones to keys on the left side and the right side of the keyboard.
Low Range High Range
Split Point
If the layer tone is a variation tone, the indicator lamp above the VARIATION button will light.
GRAND PIANO 1
STRINGS
The tones are now layered.
After you are finished using the layered
2
tones, press the one of the TONE buttons again to unlayer them.
NOTE
Note that you cannot layer the main tone and variation tone assigned to the same TONE button.
Adjusting the Volume Balance between Two Layered Tones
While holding down the FUNCTION
1
button, use the keyboard keys shown below to adjust the volume of the layered tones.
STRINGS GRAND PIANO 1
Press the TONE button of the tone you want
1
to select for the high (right) range.
Example: GRAND PIANO 1
Press the SPLIT button.
2
This causes the SPLIT indicator lamp to light.
Press the TONE button of the tone you want
3
to select for the low (left) range.
The keyboard is now split between the two tones.
Example: STRINGS
After you are finished using the split
4
keyboard, press the SPLIT button again to unsplit it.
This causes the SPLIT indicator lamp to go out.
Specifying the Keyboard Tone Split Point
While holding down the SPLIT button,
1
press the keyboard key where you want the left limit of the high range (right) tone to be.
Left limit of the high range
Flash
Low range
High range
C1
407A-E-011A
C2
C3
C4
C5
Initial default (Center)
C6
C7
Volume of the main toneVolume of the layered tone
To return the volume setting to its initial default, hold down the FUNCTION button and press both of the keys at the same time.
C8
NOTE
The split point setting also controls the point where the keyboard splits between the accompaniment keyboard (pages E-14, 15) and the melody keyboard. Moving the split point also affects the sizes of the accompaniment keyboard and the melody keyboard.
E-9
Playing with Different Tones
Using Tone Effects
Reverb: Makes your notes resonate Chorus: Adds more breadth to your notes
Turning Effects On and Off
Each press of the REVERB or CHORUS
1
button toggles the setting as shown below.
You can determine the status of the effects by checking the REVERB and CHORUS indicator lamps.
Lit
On
Unlit
Off
[Chorus]
0: Chorus 1 1: Chorus 2 2: Chorus 3 3: Chorus 4
About DSP
DSP makes it possible to digitally produce complex acoustic effects. The DSP is assigned to each tone whenever you turn on digital piano power.
Turning DSP On and Off
Changing the Effect Type
There are four reverb and four chorus types.
Turn on the effect you want to change.
1
While holding down the FUNCTION
2
button, press the REVERB or CHORUS button to cycle through the effect type settings as shown below.
[Reverb]
0: Room 1 1: Room 2 2: Hall 1 3: Hall 2
While holding down the FUNCTION
1
button, press one of the keyboard keys shown below to turn DSP on or off.
On:
Off:
C
1
C
2
C
3
C
4
C
5
C
6
C
7
C
8
E-10
407A-E-012B
Playing with Different Tones
NOTE
Under initial default settings, DSP is on for the main tone, and layer and split are turned off. DSP can be applied to only one part as shown below.
Initial Defaults Layer Tone DSP On Split Tone DSP On
Main
Tone
On Off Off
Layer
Tone
Off On Off
Split Tone
Off Off On
You can turn chorus on or off for each main tone, layer tone, and split tone part.
You cannot turn reverb on or off for each main tone, layer tone, and split tone part.
Using the Pianos Pedals
The digital piano is equipped with two pedal jacks, one for a damper pedal and one for a soft/sostenuto pedal.
SP-3
Pedal functions
Damper Pedal
Pressing the damper pedal while playing will cause the notes you play to reverberate for a very long time. When GRAND PIANO 1 is selected as the tone, using this pedal causes note to reverberate just like the pedal on an acoustic grand piano.
Soft Pedal
Pressing this pedal while playing weakens notes played on the keyboard after the pedal was pressed, and makes them sound softer.
Sostenuto Pedal
Only the notes of the keys that are depressed when this pedal is pressed are sustained until the pedal is released.
Selecting the Pedal Function
A pedal connected to the pianos PEDAL jack can operate as either a soft pedal or a sostenuto pedal. When you turn on the keyboard, the pedal is initially configured for soft pedal operation. You can perform the following operation to select either soft or sostenuto for the pedal operation.
While holding down the FUNCTION
1
button, use the keyboard keys shown below to select either soft or sostenuto.
Sostenuto:
Soft:
C1
C2
C3
C4
C5
C6
C7
C8
Adjusting the Effect Applied when the Damper Pedal is Pressed Half Way (With optional SP-30 only)
You can specify to what extent the damper effect should be applied when you press the damper pedal half way. A setting in the range of 0 (no effect) to 42 (same effect as full press) can be specified.
While holding down the FUNCTION
1
button, press one of the keyboard keys shown below to specify the setting you want.
C
1
C
2
C
3
C
4
C
5
C
6
: Decreases the effect: Increases the effect
To return the volume setting to its initial default, hold down the FUNCTION button and press both of the keys at the same time.
C
7
C
8
407A-E-013A
E-11
Playing Rhythms
You can select from among 120 built-in rhythms. Rhythms 0 through 109 include percussion instrument sounds, but rhythms 110 through 119 do not. See the next page for information about how to use rhythms 110 through 119.
Press the RHYTHM button so the RHYTHM
1
indicator lamp (above the button) is lit.
Each press of the button toggles between the upper indicator lamp and lower indicator lamp.
While holding down the FUNCTION
2
button, use the keyboard keys shown below to input a rhythm number.
If you want your accompaniment rhythm to include percussion instrument sounds, select a rhythm in the range of 0 through 109.
NOTE
You can also cycle through the available rhythms in step 2 by holding down the FUNCTION button and pressing the RHYTHM/SONG SELECT [ or [
] button.
Pressing the two RHYTHM/SONG SELECT buttons at the same time selects rhythm 0.
To adjust the tempo
While holding down the FUNCTION
1
button, use the TEMPO [ buttons to change the tempo (speed).
To return to its standard tempo setting, press the TEMPO [ time.
] and [ ] buttons at the same
] and [ ]
]
Press the START/STOP button.
3
This starts the rhythm.
Press the START/STOP button again to stop
4
the rhythm.
NOTE
You can also use keyboard keys to change the tempo setting. (1) While holding down the FUNCTION button,
press the TEMPO button.
(2) While keeping the FUNCTION button
depressed, use the keyboard keys shown below to input a number.
* Tempo Range: 30 to 255
E-12
FUNCTION
SELECT
INTRO/ ENDING
SYNCHRO/ FILL-IN
START/ STOP
RHYTHM
TEMPORHYTHM/SONG
407A-E-014A
Using Auto Accompaniment
With auto accompaniment, the keyboard automatically plays rhythm, bass, and chord parts in accordance with chords you select using simplified keyboard fingerings, or chords you play. Auto accompaniment makes it feel like you have your own private backup group with you all the time.
NOTE
Rhythms 110 through 119 consist of chord accompaniments only, without any drums or other percussion instruments. These rhythms do not sound unless CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected as the accompaniment mode. With such rhythms, make sure that CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected before you try playing chords.
To play with auto accompaniment
Playing Rhythms
Press the SYNCHRO/FILL-IN button.
2
This configures the piano so rhythm and chord accompaniment will start automatically when you press any keys within the accompaniment keyboard range.
Press the INTRO/ENDING button.
3
This configures the piano so accompaniment starts with an intro pattern.
Use a CASIO CHORD fingering to play the
4
first chord within the accompaniment keyboard range.
This will cause the intro pattern for the selected rhythm to play, followed by the auto accompaniment rhythm and chord pattern.
Use CASIO CHORD fingerings to play
5
other chords.
See How to Play Chords on page E-14 for information about how to finger chords with the various chord modes.
You can insert a fill-in pattern while an auto accompaniment is playing by pressing the SYNCHRO/FILL-IN button. A fill-in helps to change the mood of the auto accompaniment pattern.
PREPARATION
Select the rhythm you want to use and adjust the tempo.
Select one of the three chord modes
1
(MODE).
NORMAL:
CASIO CHORD:
Here we will select the CASIO CHORD mode.
See page E-14 for information about how to use
the chord modes.
FULL RANGE CHORD:
FINGERED:
To stop auto accompaniment play, press the
6
INTRO/ENDING button.
This will play an ending pattern for the selected rhythm before stopping auto accompaniment play.
NOTE
You can start or stop auto accompaniment play without an intro or ending pattern by pressing the START/STOP button in steps 3 and 6.
You can adjust the volume of auto accompaniment. For more information see Adjusting Accompaniment Volume on page E-24.
407A-E-015A
E-13
Playing Rhythms
How to Play Chords
The way you finger chords depends on the current chord mode.
Normal
In this mode there is no auto accompaniment, so you can play all of pianos keys for standard-fingering chords or melody notes.
CASIO CHORD
This method of chord play makes it possible for anyone to easily play chords, regardless of previous musical knowledge and experience. The following describes the CASIO CHORD Accompaniment keyboard and Melody keyboard, and tells you how to play CASIO CHORDs.
CASIO CHORD Accompaniment Keyboard and Melody Keyboard
Accompaniment
keyboard
Melody keyboard
Chord Types
CASIO CHORD accompaniment lets you play four types of chords with minimal fingering.
Chord Types
Major chords
Press one accompaniment key. Note that the chord produced when you press an accompaniment keyboard key does not change octave, regardless of which key you use to play it.
Minor chords (m)
To play a minor chord, keep the major chord key depressed and press any other accompaniment keyboard key located to the right of the major chord key.
Seventh chords (7)
To play a seventh chord, keep the major chord key depressed and press any other two accompaniment keyboard keys located to the right of the major chord key.
Example
C Major (C)
##
CCDE F
EFGAABBCCDE FE
#
C minor (Cm)
##
CCDE F
EFGAABBCCDE FE
#
C seventh (C7)
##
CCDE F
EFGAABBCCDE FE
#
IMPORTANT!
The accompaniment keyboard can be used for playing chords only. No sound will be produced if you try playing single melody notes on the accompaniment keyboard.
The split point (page E-9) is the point that separates the Auto Accompaniment area and the melody area of the keyboard. You can change the location of the split point, which also changes the sizes of the keyboard areas.
Minor seventh chords (m7)
To play a minor seventh chord, keep the major chord key depressed and press any other
C minor seventh (Cm7)
##
CCDE F
EFGAABBCCDE FE
#
three accompaniment keyboard keys located to the right of the major chord key.
NOTE
It makes no difference whether you press black or white keys to the right of a major chord key when playing minor and seventh chords.
FINGERED
In this mode, you specify chords by playing them as you would on a piano, inside the accompaniment keyboard range. To specify a C-chord, you would play C-E-G
.
FINGERED Accompaniment Keyboard and Melody Keyboard
E-14
Accompaniment
keyboard
Melody keyboard
407A-E-016A
Playing Rhythms
IMPORTANT!
The accompaniment keyboard can be used for playing chords only. No sound will be produced if you try playing single melody notes on the accompaniment keyboard.
The split point (page E-9) is the point that separates the Auto Accompaniment area and the melody area of the keyboard. You can change the location of the split point, which also changes the sizes of the keyboard areas.
CCm
1
Caug *
2
Cm7 *
5 *1
C7
Cmadd9 CmM7 *
Csus4
Cmaj7 *
C7sus4
2
2
Cdim
2
C7 *
5
Cm7
Cadd9
Cdim7 *
1
NOTE
See the Fingered Chord Chart on page A-4 for details on playing chords with other roots.
*1: Inverted fingerings cannot be used. The lowest
note is the root.
*2: The same chord can be played without pressing
the 5th G.
FULL RANGE CHORD
This accompaniment method makes it possible to play a total of 38 chord variations: the 15 available with FINGERED plus 23 additional variations. The keyboard interprets any input of three or more keys that matches a FULL RANGE CHORD pattern to be a chord. Any multi-key input that is not a FULL RANGE CHORD pattern is interpreted as melody play. Because of this, there is no need for a separate accompaniment keyboard, and the entire keyboard from end-to-end can be used for both melody and chords.
FULL RANGE CHORD Accompaniment Keyboard and Melody Keyboard
Accompaniment keyboard/Melody keyboard
Chords Recognized by This Piano
The following table identifies patterns that are recognized as chords by FULL RANGE CHORD.
Pattern Type
FINGERED
Standard
Fingerings
Example: To play the chord C major and .
Number of Chord Variations
The 15 chord patterns shown under FINGERED on page E-14.
23 standard chord fingerings. The following are examples of the 23 chords available with C as the bass note.
C6 Cm6 C69
DCECFCGC A
D
••••• •
C
BCDmCDmCFmCGmCAmCBm
••••••
DdimCA
7
•••• •
Fm7CGm7C A
CF7C
B
C
C
C
add9
C
C E
1
EG C
NOTE
Except for the chords specified in note*1 above, inverted fingerings (i.e. playing E-G-C or G-C-E instead of C-E-G) will produce the same chords as the standard fingering.
Except for the exception specified in note* all of the keys that make up a chord must be pressed. Failure to press even a single key will not play the desired FINGERED chord.
407A-E-017A
2
above,
E
G C
2
1 ..... Chord C
2 ..... Chord C
C E
NOTE
If there are more than six semitones between the lowest note and the next note to the right, the lowest note is interpreted as a bass note.
E-15
Playing Tunes You Download from the Internet
You can save music data for up to 10 tunes you download from the Internet to the digital pianos user song area (No. 0 through 9). Once you store a song in digital piano memory, you can play it back using the following procedure.
Press the USER SONG button so the USER
1
SONG indicator lamp (below the button) is lit.
Each press of the button toggles between the upper indicator lamp and lower indicator lamp.
While holding down the FUNCTION
2
button, press the keyboard keys shown below to input a tune number.
NOTE
You can also cycle through the available tunes in step 2 by holding down the FUNCTION button and pressing the RHYTHM/SONG SELECT [ [
] button.
Pressing the two RHYTHM/SONG SELECT buttons at the same time selects tune 0.
You cannot use layer or split while playing a tune.
] or
Press the START/STOP button.
3
This starts the playback of the tune.
Press the START/STOP button again to stop
4
tune playback.
FUNCTION
START/ STOP
RHYTHM/ SONG SELECT
T1/L T2/R
USER SONG
E-16
407A-E-018A
Playing Tunes You Download from the Internet
Practicing a Tune
You can turn off the left hand part or right hand part of the user song* and play along on the digital piano. * With song data, the left-hand part is assigned to
MIDI Channel 3, while the right-hand part is assigned to MIDI Channel 4.
PREPARATION
Select the tune you want to practice and adjust the tempo (See To adjust the tempo on page E-12).
The maximum tempo setting for each tune is double the initial default tempo of the tune.
A number of tunes have tempo changes part way through in order to produce specific musical effects.
Use the T1/L T2/R button to turn parts on
1
or off.
The indicator lamps above the button show the current on/off status of the parts.
Press the START/STOP button.
2
This starts playback of the tune, without the part you selected in step 1.
Play the missing part on the piano’s
3
keyboard.
Press the START/STOP button again to stop
4
song playback.
407A-E-019A
E-17
Using Registration Memory
What is registration memory?
Registration memory lets you save up to 32 (4 areas × 8 banks) digital piano setups (tone, rhythm, tempo, etc.) for instant recall whenever you need them.
Registration Memory Setup Data
The following are the settings that can be saved for each registration memory setup.
Tone
Rhythm
Tempo
Layer setting
Split setting
Split point
Effect setting
DSP setting
Brilliance setting
Accompaniment Volume
Transpose setting
Pedal function setting
Damper pedal setting
SYNCHRO/FILL-IN button setting
MODE setting
NOTE
All of the registration memory banks are preset with default data.
Registration memory functions are disabled while you are using the User Song, Song Memory or demo tune function.
How registration memory organizes its data
Registration memory has four banks, and each bank contains four areas. Use the BANK button to select a bank, and the REGISTRATION buttons to select an area.
21
123
1-1Bank 1 1-2 1-3 1-4
2-1Bank 2 2-2 2-3
3-1Bank 3 3-2 3-3 3-4
4-1Bank 4 4-2 4-3 4-4
5-1Bank 5 5-2 5-3 5-4
6-1Bank 6 6-2 6-3 6-4
7-1Bank 7 7-2 7-3 7-4
8-1Bank 8 8-2 8-3
1
Each press of the BANK button cycles through the bank numbers, from 1 to 8.
2
Pressing a REGISTRATION button (1 to 4) selects the corresponding area in the currently selected bank.
NOTE
Storing a new setup to a registration memory area replaces the setup that was previous stored there.
4
2-4
8-4
E-18
STORE
BANK REGISTRATION
407A-E-020A
Using Registration Memory
To store a setup in registration memory
On the digital piano, configure the tone,
1
rhythm, and other settings you want to save as your setup.
See Registration Memory Setup Data (page E-18) for more information.
Use the BANK button to select the
2
registration memory bank where you want to save the setup.
This causes the number of the selected bank to appear on the display for about two seconds. If you do not perform the following step within that time, the bank selection screen will disappear.
Example: Bank 1 selected
To recall a setup from registration memory
Use the BANK button to select the
1
registration memory bank that contains the setup you want to recall.
This causes the number of the selected bank to appear on the display for about two seconds. If you do not perform the following step within that time, the bank selection screen will disappear.
Press the REGISTRATION button (1 to 4)
2
for the area that contains setup you want to recall.
WARNING
The following step will replace the setup currently in the area you select with the new setup. Make sure you do not need the current setup before performing the next step.
While holding down the STORE button,
3
press the REGISTRATION button (1 to 4) that corresponds to the area where you want to store the setup.
You can also change the bank selection at this time by pressing the BANK button while holding down the STORE button.
Example: After button 2 is pressed
Release the REGISTRATION and STORE
4
buttons.
NOTE
If you press a REGISTRATION button without selecting a bank first, the digital piano will recall the setup from the applicable area in the bank you previously last selected.
Registration memory contents are retained even when you turn off digital piano power (page E-25).
407A-E-021A
E-19
Recording to and Playing Back from Song Memory
You can store the notes you play in Song Memory for later playback.
NOTE
You cannot use layer or split with Song Memory record operation.
Tracks
The song memory of this piano records and plays back notes much like a standard tape recorder. There are two tracks, each of which can be recorded separately. Besides notes, each track can be assigned its own tone number. During playback you can adjust the tempo to change the speed of playback.
Start End
Track 1
Track 2
Auto Accompaniment
(rhythm, bass, chords), melody
Melody
Data recorded in track
Song Memory Capacity
You can store a total of up to about 10,000 notes (Track 1 + Track 2) in Song Memory.
Recording stops automatically if the number of notes in Song Memory exceeds the maximum while you are recording. This is indicated by the REC indicator lamp turning off.
Recorded Data Storage
This digital piano has a lithium battery to supply power to retain memory contents even while power is off.* The life of the lithium battery is five years after the date of manufacture of the digital piano. Be sure to contact your CASIO service provider about having the lithium battery replaced every five years.
* Never turn off piano power while a record
operation is in progress.
IMPORTANT!
If the data recorded in a single track uses up all the available Song Memory capacity, you will not be able to record anything in the other track.
Recording new data to a track automatically deletes any data previously stored in that track.
Turning off power while a record operation is in progress deletes anything recorded up to that point.
CASIO COMPUTER CO., LTD. shall not be held responsible for any losses by you or any third party due to loss of data caused by malfunction or repair of this digital piano, or by battery replacement.
SONG MEMORY Button Operation
Each press of the SONG MEMORY button cycles through the functions shown below.
Playback
Standby
Record
Standby
Normal
Other Song Memory Data
The following data is included when recording to Song Memory: keyboard play, selected tone, tempo setting (Track 1 only), pedal operations, reverb and chorus settings, DSP on/off setting, brilliance setting, accompaniment volume setting, selected rhythm (Track 1 only), chord mode (Track 1 only), and intro/ fill-in/ending control (Track 1 only).
INTRO/ ENDING
SYNCHRO/ FILL-IN
START/ STOP
SONG MEMORY
T1/L T2/R
Lit Flash
Unlit
E-20
407A-E-022A
Recording to and Playing Back from Song Memory
Recording Your Keyboard Play
You can record to either track with or without playback of the other track.
To record to one track without playing back the other
Press the SONG MEMORY button so the
1
PLAY indicator lamp is lit.
Select the tone and effects you want to use in your recording, and configure the tempo settings.
Press the SONG MEMORY button so the
2
REC indicator lamp is flashing.
Start playing something on the keyboard.
3
This will automatically start recording.
Actually, there are a variety of different ways
to start the record operation. See Starting the Record Operation below for more information.
When you are finished, press the START/
4
STOP button to stop recording.
If you are using a rhythm, you can stop recording with an ending pattern by pressing the INTRO/ENDING button.
Stopping recording causes the REC indicator lamp to go out, and indicator lamp above the button of the track to which you recorded to light.
To play back the track you just recorded, press the START/STOP button again.
After you are finished recording or playing
5
back, press the SONG MEMORY button so the PLAY lamp or REC lamp turns off.
Starting the Record Operation
You can use any of the following methods to start a record operation in step 2 of the above procedure.
At this time the TRACK 1/ LEFT indicator lamp should also be flashing. This indicates that the piano is standing by for recording to Track
1.
NOTE
If you want to record to Track 2, press the T1/L T2/R button here. This will cause the TRACK2/ RIGHT indicator lamp to flash, which indicates that the piano is standing by for recording to Track 2.
If you want to use a rhythm and/or auto accompaniment during recording (to Track 1 only), select the rhythm and chord mode.
When recording to Track 1 with rhythm or auto accompaniment
Press the START/STOP button to start recording.
Press the SYNCHRO/FILL-IN button to put the
piano into synchro start standby. Recording will start when you finger a chord in the accompaniment range of the keyboard.
Press the INTRO/ENDING button to put the
piano into synchro start standby. Recording will start and an intro pattern will play when you finger a chord in the accompaniment range of the keyboard.
When recording to Track 1 without rhythm or auto accompaniment
Recording will start as soon as you play anything
on the keyboard.
When recording to Track 2
Press the START/STOP button or play something
on the keyboard to start recording.
407A-E-023A
E-21
Recording to and Playing Back from Song Memory
To record to a track while playing back from the other
After you finish recording, you can play back Track 1 and Track 2 at the same time.
Example: To record to Track 2 while playing back the
contents of Track 1
Press the SONG MEMORY button so the
1
PLAY indicator lamp is lit.
Select the tone and effects you want to use while recording.
Press the T1/L T2/R button so TRACK 1/
2
LEFT indicator is lit.
Press the SONG MEMORY button again.
3
This causes the TRACK 1/LEFT indicator lamp to flash. Press the T1/L T2/R button, so it causes the TRACK 2/RIGHT indicator lamp to flash, which indicates that the piano is standing by for recording to Track 2.
Playing Back from Song Memory
Press the SONG MEMORY button so the
1
PLAY indicator lamp is lit.
Use the T1/L T2/R button to select the track
2
you want to play back.
The indicator lamps above the button show the currently selected track.
To play back Track 1, the TRACK 1/LEFT
indicator lamp should be lit.
To play back Track 2, the TRACK 2/RIGHT
indicator lamp should be lit.
To play back Track 1 and Track 2, both the
indicator lamps should be lit.
Press the START/STOP button.
3
This starts playback of the track you selected.
You can change the tempo setting as a track is
playing.
You cannot change the tone setting during playback.
Press the START/STOP button again to stop playback.
E-22
Press the START/STOP button or play
4
something on the keyboard to start simultaneous playback from Track 1 and recording to Track 2.
When you are finished, press the START/
5
STOP button again to stop recording.
407A-E-024A
Recording to and Playing Back from Song Memory
Deleting Song Memory Data
IMPORTANT!
The procedure below deletes all of the data from the selected track. Note that the delete operation cannot be undone. Check to make sure you really do not need the data in Song Memory before you perform the following steps.
Press the SONG MEMORY button so the
1
REC indicator lamp is flashing.
Use the T1/L T2/R button to select the track
2
you want to delete.
The indicator lamps above the button show the currently selected track.
To delete Track 1, the TRACK 1/LEFT indicator lamp should be flashing.
To delete Track 2, the TRACK 2/RIGHT indicator lamp should be flashing.
Hold down the SONG MEMORY button
3
until the REC indicator lamp stops flashing and remains lit.
Press the T1/L T2/R button.
4
This deletes the selected track and enters the standby state.
407A-E-025A
E-23
Other Settings
Adjusting Accompaniment Volume
Perform the following operation to change the volume level of the rhythm and chord accompaniment.
While holding down the FUNCTION
1
button, use the keyboard keys shown below to raise () or lower () the accompaniment volume.
C1
C2
C3
C4
C5
C6
: Raises the accompaniment volume: Lowers the accompaniment volume
C7
C8
Changing the Keyboard Touch
This setting changes the relative touch of the keyboard keys.
While holding down the FUNCTION
1
button, press one of the keyboard keys shown below.
Weak: Strong:
Off:
C
1
Off Weak (Strong sound is produced even when
Normal Strong (Normal sound is produced even when
Normal:
C
2
C
3
C
C
5
4
C
6
C
7
relatively light pressure is applied.)
relatively strong pressure is applied.)
C
8
E-24
FUNCTION
TUNE
TRANSPOSE
407A-E-026A
Other Settings
Changing the Piano Key
Use this setting to raise or lower the overall key of the keyboard in semitone steps.
Holding down the FUNCTION button,
1
press the TRANSPOSE buttons to raise or lower the overall key of the keyboard.
[ ] : Raise
] : Lower
[
NOTE
To return the piano key to C, hold down the FUNCTION button and press the TRANSPOSE [ ] and [ ] buttons at the same time.
After using Transpose to raise the keyboard to a high key, notes played at the highest range of the keyboard may not sound properly for certain tones.
Using Digital Piano Setup Memory
When setup memory is turned on, the digital piano will remember its setup* whenever you turn it off. If you turn off setup memory, settings will be cleared when you turn off the digital piano.

Turning off the digital piano while in the rhythm

mode
The next time you turn on the digital piano, non-local control setting (see Using MIDI below) will be configured in accordance with setup memory.

Turning off the digital piano while in the user song

mode
The next time you turn on the digital piano, the following settings will be configured in accordance with setup memory.
Rhythm selection, accompaniment volume, keyboard touch, pedal type, damper pedal setting, layered tone volume balance, split point, send channel, accomp MIDI out
While holding down the FUNCTION
1
button, press one of the keyboard buttons shown below to turn setup memory on or off.
Changing the Pitch of the Piano to Match Another Instrument
Use this setting to raise or lower the overall pitch of the piano. The setting range is plus or minus 50 cents (100 cents = 1 semitone) from the standard pitch of A4 = 440.0Hz.
Holding down the FUNCTION button,
1
press the TUNE buttons to raise or lower the overall pitch of the piano.
[ ] : Raise
] : Lower
[
* Each press of the button changes the current setting by
approximately 1 cents (1/100 semitone).
NOTE
Holding down the FUNCTION button and pressing the TUNE buttons [ returns tuning to the standard A
] and [ ] at the same time
4 = 440.0Hz.
On:
Off:
C1
C2
C3
C4
C5
C6
C7
C8
Using MIDI
What is MIDI?
The letters MIDI stand for Musical Instrument Digital Interface, which is the name of a worldwide standard for digital signals and connectors that makes it possible to exchange musical data between musical instruments and computers (machines) produced by different manufacturers.
NOTE
For detailed information about MIDI Implementation, visit the
CASIO website at: http://world.casio.com/.
407A-E-027B
E-25
Other Settings
MIDI Connections
To use a computer or other MIDI device to record and playback the MIDI data produced by this keyboard, you must connect the MIDI IN and MIDI OUT terminals of both devices in order to send and receive data. There is a third MIDI terminal named MIDI THRU, which passes any MIDI messages received by the MIDI IN terminal on to another device.
MIDI cable: MK-5
MIDI IN
Computer etc.
Other device
MIDI OUT MIDI IN
MIDI Settings
1
Send Channel
Use this setting to specify one of the MIDI channels (1 through 16) as the Send Channel for sending MIDI messages to an external device.
2
Accomp/Song MIDI Out
Use this setting to specify whether or not MIDI messages for the pianos auto accompaniment and song memory playback should be sent.
3
MIDI IN Chord Judge
Specifies whether chord judge should be performed on accompaniment range MIDI Note On messages received from an external device.
4
Local Control
This setting controls whether or not power is cut off internally from the pianos keyboard and sound source. Turning off Local Control cuts off power to the keyboard and source, which means that the piano does not produce any sound when played. This comes in handy when you want to turn off the piano’s keyboard and use its auto accompaniment feature to accompany an external sequencer or other device
.
While holding down the FUNCTION
1
button, press one the keyboard keys shown below to configure the setting you want.
3
+
C
On:
Off:
C
7
On:
Off:
C
8
6
42
C
1
1
Send Channel
C
2
C
3
– :Decreases value +: Increases value
2
Accomp/Song MIDI Out
Off On
3
MIDI IN Chord Judge
Off On
4
Local Control
Off On
1
C
4
C
5
On:
Off:
Saving the Song Data You Download from the Internet
You can transfer song data from your computer to the digital piano. You can store up to 10 tunes as user songs 0-9. For SMF data you purchase or create, you need to use an SMF Converter to convert it to SMF 0 format before transferring it to the digital piano.
E-26
407A-E-028A
Other Settings
To install the SMF Converter
On the computer to which you plan to
1
connect, install the SMF Converter that comes on the CD-ROM that comes bundled with the digital piano.
On the CD-ROM, double-click SMFConv­e.exe, and then follow the instructions that appear on your computer screen to install SMF Converter.
* Before installing SMF Converter, be sure to read the
contents of the “smfreadme.txt” file in each language folder on the CD-ROM.
For information about using SMF Converter, double­click index.html in the [help] folder, which was created when you installed SMF Converter. You can also access user documentation from the Windows [Start] menu by clicking [Programs] - [CASIO] - [SMF Converter] - [manual].
* A browser that supports frames (like Internet Explorer 4
or Netscape Navigator 4.04 or higher) is required to view the SMF Converter manual.
To connect to a computer
Be sure to turn off the digital piano and your computer before connecting them. You should also set the volume controller of the digital piano to a relatively low volume.
Connect the digital piano’s MIDI interface
1
to your computer’s MIDI interface.
CASIO MUSIC SITE
Internet Service Provider
Minimum Computer System Requirements
* Operating System:
Windows 98SE Windows Me Windows XP
* Storage
At least 10MB free HDD space
* MIDI interface
You can also obtain a copy of the SMF Converter by downloading it at the Web page shown below. After downloading, install the software on your computer.
CASIO MUSIC SITE
http://music.casio.com/
In addition to the software itself, the CASIO MUSIC SITE will also provide you with information about its installation and use. You can also find out about the latest news about your digital piano and other CASIO musical instruments, and much more.
IN
OUT
MIDI IN
MIDI OUT
Turn on the digital piano, and then turn on
2
MIDI Interface
your computer or other connected device.
Start up the software you want to use on
3
your computer.
NOTE
Performing a digital piano operation while transferring data between it and a computer may interrupt the data transfer. Do not perform any digital piano operations while data transfer is in progress.
407A-E-029A
E-27
Troubleshooting
Symptom
No sound produced when keyboard keys are pressed.
Keyboard out of tune.
No sound produced by demo tune play.
Possible Cause
1. VOLUME knob set to MIN.
2. Headphones connected to the digital piano.
3. Local Control turned off.
4. Check the current accompaniment mode setting. Normally, the accompaniment keyboard will not produce any note while CASIO CHORD or FINGERED is selected as the accompaniment mode.
1. The piano key is set to a value other than C.
2. Incorrect pitch setting of the piano.
1. VOLUME knob set to MIN.
2. Headphones connected to the digital piano.
Action
1. Move the VOLUME knob more towards MAX.
2. Disconnect the headphones from the digital piano.
3. Turn on Local control.
4. Change the accompaniment mode to NORMAL.
1. Change the piano key setting to C, or turn the digital piano power off and then back on again.
2. Correct the pitch setting, or turn the digital piano power off and then back on again.
1. Move the VOLUME knob more towards MAX.
2. Disconnect the headphones from the digital piano.
Reference
Page E-7
Page E-5
Page E-26 Page E-14
Page E-25
Page E-25
Page E-7
Page E-5
Memory contents deleted.
No sound produced by connected external MIDI sound source when the digital piano keys are pressed.
A tones quality and volume sounds slightly different depending where it is played on the keyboard.
Lithium battery is dead.
1. The digital piano Send Channel does not match the Send Channel of the MIDI sound source.
2. Volume or expression setting of the external sound source is set to 0.
This is an unavoidable result of the digital sampling process,* and does not indicate malfunction. * Multiple digital samples are taken for the low range, middle range, and high range of
the original musical instrument. Because of this, there may be a very slight difference in tonal quality and volume between sample ranges.
Contact your CASIO Service Provider for replacement of the lithium battery.
1. Change the Send Channel settings so they are identical.
2. Change the volume or expression setting of the external sound source to an appropriate value.
Page E-30
Page E-26
See the
documentation
that comes with
the external
sound source.
E-28
407A-E-030B
Specifications
Model: PX-310
Keyboard:
Polyphony:
Tones: 12 panel tones + 12 variation tones + 40 advanced tones + 128 GM tones + 10 drum
Digital Effects: Reverb (4 types), Chorus (4 types), DSP, Brilliance
Demo Tunes: Sequential looping of all 3 tunes (Original)
Auto Accompaniment: Number of Rhythms: 120
User Songs: Number of Tunes: 10 tunes maximum (Approximately 145 KB*)
Song Memory: Operations: Real-time recording, playback
Registration Memory: Number of Memory Areas: 32 (4 sets × 8 banks)
Pedals: Damper, Soft/Sostenuto (Selectable)
Other Functions: Touch: 3 types, off
MIDI: 16 multi-timbre receive
Input/Output: Headphones: Stereo mini jacks × 2
Speakers: (12cm × 6cm OVAL) × 2 + φ 5cm × 2 (Output: 8.0W + 8.0W)
Power Supply: AC Adaptor: AD-12
Power Consumption: 12V 18W
Dimensions: 132.3 × 27.8 × 13.2cm (52 1/16 × 10 15/16 × 5 3/16 inch)
Weight: Approximately 11.9 kg (26.2 lbs)
88 piano keys (with t
32 notes, maximum
sets; with layer, split
Tempo Range: 30 to 255
Controllers: START/STOP, INTRO/ENDING, SYNCHRO/FILL-IN
Modes: Normal, CASIO CHORD, FINGERED, FULL RANGE CHORD
Accompaniment Volume: Adjustable
Part On/Off: Left hand, right hand
Capacity: Approximately 10,000 notes (2 tracks total)
Memory Backup: Built-in lithium battery (Battery Life: 5 years)
Transpose: 1 octave (F to C to F)
Tuning: A4 = 440.0Hz ±50 cents (adjustable)
Pedal: Standard jacks × 2
LINE OUT (R)(L/MONO): Standard jacks × 2
LINE IN (R)(L/MONO): Standard jacks × 2
Power: 12V DC
MIDI (THRU) (OUT) (IN)
Pedal connector (for optional SP-30 only)
ouch response)
* Based on 1 KB = 1024 bytes
Output impedance: 2.3k Output voltage: 1.0V (RMS) MAX
Input impedance: 9.0k Input voltage: 200mV
Design and specifications are subject to change without notice.
407A-E-031B
E-29
Operational Precautions
Locating the Unit
Avoid the following locations.
Areas exposed to direct sunlight and high humidity
Areas subjected to very low temperatures
Near a radio, TV, video deck, or tuner (unit can
cause interference with audio or video signals)
Care of the Unit
Never use benzene, alcohol, thinner or other such chemicals to clean the exterior of the unit.
To clean the keyboard, use a soft cloth dampened with a weak solution of a mild neutral detergent and water. Wring out all excess moisture from the cloth before wiping.
Lithium Battery
You may notice lines in the finish of the case of this product. These lines are the result of the molding process used to shape the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.
NOTE
Unauthorized reproduction of this manual in its entirety or in part is expressly forbidden. All rights reserved.
CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from use of this product or this manual.
The contents of this manual are subject to change without notice.
This unit is equipped with a lithium battery to provide power needed to retain memory contents while unit power is turned off. Should the lithium battery go dead, all memory contents will be lost whenever you turn unit power off. The normal life of the lithium battery is five years from the time that the battery was installed. Be sure to periodically contact your retailer or authorized service provider to have the lithium battery replaced. Note that you will be charged separately for lithium battery replacement.
Note that CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from corruption or loss of data caused by malfunction or repair of the unit, or from battery replacement.
E-30
407A-E-032A
Setting Control Key Chart
C
1
C
2
C
3
C
4
C
5
C
6
C
7
C
8
Off
Normal
Weak
Soft
Sos
t
e
nuto
Damper Pedal Setting
Accompaniment Volume
Keyboard Touch
Pedal Function
Strong
Normal
FIN
GERED
C
A
S
IO CHORD
0
+
1
2
3
4
5
6
7
8
9
Chord Mode
+/–,
Number Input Keys
+
On
Off
On
Off
O
n
Off
On
Off
On
Off
Accomp/Song M
I
DI
Out
Send C
h
annel
Layered to
n
e
volum
e balance
DSP
*
The notes of the keys sound when pressed, even if the FUNCTION button is depressed.
MI
D
I
IN C
h
ord Ju
dge
Local Control
Setup M
emory
FU
LL-
RANGE
CHORD
*
While the FUNCTION button is depressed, the keyboard keys can be used to perform a variety of different setting functions.
A value next to a note name indicates the relative position of the note on the keyboard as shown below.
407A-E-033A
E-31
Appendix/Apéndice
Tone List/Lista de sonidos
Panel Tones/Sonidos de panel
GRAND PIANO 1 ROCK PIANO E.GRAND 80 ELEC.PIANO 1 ELEC.PIANO 2 60S ELEC.PIANO ROCK ORGAN JAZZ ORGAN STRINGS SYNTH-VOICE SYNTH-BRASS FANTASY
22
2
22
33
3
33
16 16 32 32 16 32 32 16 32 32 16 16
5
4
55
44
0
100 4 2 4 5 4
16 17 49 54 62 88
GRAND PIANO 2
100
DANCE PIANO
48
PIANO PAD
48
DYNO ELEC.PIANO
49
FM ELEC.PIANO
52
VIBRAPHONE
51
DRAWBAR ORGAN
50
CLAVI
48
SYNTH-STRINGS
48
CHOIR
49
SYNTH-PAD
48
NEW AGE
55
44
Advanced Tones/Sonidos avanzados
11
1
11
0
LA PIANO
1
MELLOW PIANO
2
MODERN PIANO
3
HONKY-TONK
4
OCTAVE PIANO
5
POP ELEC.PIANO
6
SYNTH-STR E.PIANO
7
HARPSICHORD
8
MARIMBA
9
ROTARY DRAWBAR
10
ROTARY PERC.ORGAN
11
OVD ROTARY ORGAN
12
CHURCH ORGAN
13
CHAPEL ORGAN
22
2
22
33
3
33
32 16 16 16 16 16 16 32 32 32 16 32 16 32
55
44
5
4
55
44
3
100
2
100
5
100
8
100
9
100
4
50
4
53
6
49
12
48
16
50
17
49
16
52
19
49
19
50
GM Tones/Sonidos GM
11
1
11
GM PIANO 1
40
GM PIANO 2
41
GM PIANO 3
42
GM HONKY-TONK
43
GM E.PIANO 1
44
GM E.PIANO 2
45
GM HARPSICHORD
46
GM CLAVI
47
GM CELESTA
48
GM GLOCKENSPIEL
49
GM MUSIC BOX
50
GM VIBRAPHONE
51
GM MARIMBA
52
GM XYLOPHONE
53
GM TUBULAR BELL
54
GM DULCIMER
55
GM ORGAN 1
56
GM ORGAN 2
57
GM ORGAN 3
58
GM PIPE ORGAN
59
GM REED ORGAN
60
GM ACCORDION
61
GM HARMONICA
62
GM BANDONEON
63
GM NYLON STR.GUITAR
64
GM STEEL STR.GUITAR
65
GM JAZZ GUITAR
66
GM CLEAN GUITAR
67
GM MUTE GUITAR
68
GM OVERDRIVE GT
69
GM DISTORTION GT
70
GM GT HARMONICS
71
GM ACOUSTIC BASS
72
GM FINGERED BASS
73
GM PICKED BASS
74
GM FRETLESS BASS
75
GM SLAP BASS 1
76
GM SLAP BASS 2
77
GM SYNTH-BASS 1
78
GM SYNTH-BASS 2
79
GM VIOLIN
80
GM VIOLA
81
GM CELLO
82
GM CONTRABASS
83
GM TREMOLO STRINGS
84
GM PIZZICATO
85
GM HARP
86
GM TIMPANI
87
22
2
22
33
3
33
32 32 32 16 32 16 32 32 32 32 16 32 32 32 32 16 32 16 16 16 32 16 32 16 32 32 32 32 32 16 16 32 32 32 32 32 32 32 16 32 32 32 32 32 32 32 32 32
55
44
5
4
55
44
0
0
1
0
2
0
3
0
4
0
5
0
6
0
7
0
8
0
9
0
10
0
11
0
12
0
13
0
14
0
15
0
16
0
17
0
18
0
19
0
20
0
21
0
22
0
23
0
24
0
25
0
26
0
27
0
28
0
29
0
30
0
31
0
32
0
33
0
34
0
35
0
36
0
37
0
38
0
39
0
40
0
41
0
42
0
43
0
44
0
45
0
46
0
47
0
66
6
66
11
1
11
NYLON STR.GUITAR
14
STEEL STR.GUITAR
15
JAZZ GUITAR
16
CHORUS CLEAN GUITAR
17
OVERDRIVE GUITAR
18
ACOUSTIC BASS
19
RIDE BASS
20
FINGERED BASS
21
ANALOG SYNTH-BASS
22
VIOLIN
23
HARP
24
STRING ENSEMBLE
25
80S SYNTH-STR
26
TRUMPET
27
11
1
11
88
GM STRINGS 1
89
GM STRINGS 2
90
GM SYNTH-STRINGS 1
91
GM SYNTH-STRINGS 2
92
GM CHOIR AAHS
93
GM VOICE DOO
94
GM SYNTH-VOICE
95
GM ORCHESTRA HIT
96
GM TRUMPET
97
GM TROMBONE
98
GM TUBA
99
GM MUTE TRUMPET
100
GM FRENCH HORN
101
GM BRASS
102
GM SYNTH-BRASS 1
103
GM SYNTH-BRASS 2
104
GM SOPRANO SAX
105
GM ALTO SAX
106
GM TENOR SAX
107
GM BARITONE SAX
108
GM OBOE
109
GM ENGLISH HORN
110
GM BASSOON
111
GM CLARINET
112
GM PICCOLO
113
GM FLUTE
114
GM RECORDER
115
GM PAN FLUTE
116
GM BOTTLE BLOW
117
GM SHAKUHACHI
118
GM WHISTLE
119
GM OCARINA
120
GM SQUARE LEAD
121
GM SAWTOOTH LEAD
122
GM CALLIOPE
123
GM CHIFF LEAD
124
GM CHARANG
125
GM VOICE LEAD
126
GM FIFTH LEAD
127
GM BASS+LEAD
128
GM FANTASY
129
GM WARM PAD
130
GM POLYSYNTH
131
GM SPACE CHOIR
132
GM BOWED GLASS
133
GM METAL PAD
134
GM HALO PAD
135
GM SWEEP PAD
33
3
33
32 16 16 32 16 32 16 32 32 16 16 16
22
2
22
22
2
22
33
3
33
32 32 32 32 32 32 16 32 32 32 32 16 16 32
33
3
33
32 32 32 32 32 32 32 16 32 32 32 32 16 32 32 16 32 32 32 32 32 32 32 32 32 32 32 32 32 16 32 32 16 16 16 16 16 16 16 16 16 32 16 16 16 16 16 32
5
4
55
44
1
100
6
100
7
100 4 5
11 16
7
50 52 90 88
44
4
44
24 25 26 27 27 32 32 33 38 40 46 48 50 56
44
4
44
48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95
2 Tone Name/Nombre de sonidos
3 Maximum Polyphony/Polifonía máxima
49
4 Program Change/Cambio de programa
48 49
5
49
6 Variation Tones/Sonidos de variación
48 48 49 48 49
55
5
55
48 48 48 48 51 49 50 48 52 48 48 49 50 48
55
5
55
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Drum Sets/Ajustes de batería
0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 No./N
55
44
o
Bank Select MSB/MSB de selección de banco
11
1
11
28
TROMBONE
29
STEREO BRASS
30
BREATHY ALTO SAX
31
ALTO SAX
32
TENOR SAX
33
CLARINET
34
FLUTE
35
SAWTOOTH LEAD
36
SQUARE LEAD
37
WAR M PAD
38
SPACE VOICE
39
STAR VOICE
11
1
11
GM RAIN DROP
136
GM SOUND TRACK
137
GM CRYSTAL
138
GM ATMOSPHERE
139
GM BRIGHTNESS
140
GM GOBLINS
141
GM ECHOES
142
GM SF
143
GM SITAR
144
GM BANJO
145
GM SHAMISEN
146
GM KOTO
147
GM THUMB PIANO
148
GM BAGPIPE
149
GM FIDDLE
150
GM SHANAI
151
GM TINKLE BELL
152
GM AGOGO
153
GM STEEL DRUMS
154
GM WOOD BLOCK
155
GM TAIKO
156
GM MELODIC TOM
157
GM SYNTH-DRUM
158
GM REVERSE CYMBAL
159
GM GT FRET NOISE
160
GM BREATH NOISE
161
GM SEASHORE
162
GM BIRD
163
GM TELEPHONE
164
GM HELICOPTER
165
GM APPLAUSE
166
GM GUNSHOT
167
11
1
11
168
STANDARD SET 1
169
STANDARD SET 2
170
ROOM SET
171
POWER SET
172
ELECTRONIC SET
173
SYNTH SET 1
174
SYNTH SET 2
175
JAZZ SET
176
BRUSH SET
177
ORCHESTRA SET
22
2
22
22
2
22
22
2
22
44
33
4
3
44
33
16
57
16
61
16
65
32
65
16
66
16
71
32
73
16
81
16
80
32
89
16
91
16
91
44
33
4
3
44
33
16
96
16
97
16
98
16
99
16
100
16
101
32
102
16
103
16
104
32
105
32
106
32
107
32
108
16
109
32
110
32
111
32
112
32
113
16
114
32
115
32
116
32
117
32
118
32
119
32
120
32
121
16
122
16
123
32
124
32
125
16
126
32
127
44
33
4
3
44
33
0
1
8
16
24
25
30
32
40
48
55
5
55
49 49 50 49 49 49 48 48 48 48 48 49
55
5
55
55
5
55
120 120 120 120 120 120 120 120 120 120
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
407A-E-067A
A-1
Appendix/Apéndice
Rhythm List/Lista de ritmos
1 No./N
o
11
1
11
8 BEAT
000 8 BEAT 1 001 8 BEAT 2 002 8 BEAT 3 003 8 BEAT POP 1 004 8 BEAT POP 2 005 60S SOUL 006 8 BEAT DANCE 007 POP ROCK
16 BEAT
008 16 BEAT 1 009 16 BEAT 2 010 16 BEAT 3 011 SLOW 16 BEAT 012 16 BEAT SHUFFLE 1 013 16 BEAT SHUFFLE 2 014 FUNK 015 LATIN FUSION
POPS
016 POP 1 017 POP 2 018 GUITAR POP 019 SOUL 020 POP SHUFFLE 021 SOUL POP 022 WORLD POP 023 MELLOW R&B 024 60S POP 025 OLDIES POP 026 POP WALTZ
BALLAD
027 8 BEAT BALLAD 1 028 8 BEAT BALLAD 2 029 16 BEAT BALLAD 1 030 16 BEAT BALLAD 2 031 16 BEAT BALLAD 3 032 6/8 BALLAD 033 ROCK BALLAD 034 POP BALLAD 035 OLDIES BALLAD 036 SERENADE
ROCK
037 ROCK 1 038 ROCK 2 039 R&B 040 SHUFFLE ROCK 041 60S ROCK 042 SHUFFLE BOOGIE 043 BLUES 044 TWIST
DANCE
045 TRANCE 046 RAVE 047 TECHNO 048 HOUSE 049 LATIN HOUSE 050 DANCE 051 MODERN R&B 052 HIP-HOP 053 DANCE POP 1 054 DANCE POP 2 055 DISCO SOUL
JAZZ
056 FAST BIG BAND 057 MIDDLE BIG BAND 058 JAZZ COMBO 1 059 SWING 060 SLOW SWING 061 MODERN JAZZ 062 FOX TROT 063 QUICKSTEP 064 JAZZ WALTZ
EUROPIAN
065 POLKA 066 POLKA FOX 067 POP POLKA 068 MARCH 069 GERMAN MARCH 070 WALTZ 1 071 WALTZ 2 072 VIENNESE WALTZ 073 FRENCH WALTZ
2 Rhythm Name/Nombre de ritmo
22
2
22
11
1
11
LATIN/VARIOUS
074 BOSSA NOVA 075 SAMBA 076 MERENGUE 077 CUMBIA 078 CHA-CHA-CHA 079 BEGUINE 080 BOLERO 081 MAMBO 082 RHUMBA 083 TANGO 084 REGGAE 085 SKA 086 LATIN DISCO 087 BLUEGRASS 088 COUNTRY 089 COUNTRY SHUFFLE 090 COUNTRY WALTZ 091 FAST GOSPEL 092 SLOW GOSPEL 093 BROADWAY 094 DIXIE 095 PASODOBLE 096 HAWAIIAN 097 ADANI 098 BALADI 099 SYMPHONY
FOR PIANO
100 PIANO BALLAD 1 101 PIANO BALLAD 2 102 PIANO BALLAD 3 103 EP BALLAD 1 104 EP BALLAD 2 105 BLUES BALLAD 106 MELLOW JAZZ 107 JAZZ COMBO 2 108 RAGTIME 109 BOOGIE-WOOGIE 110 ARPEGGIO 1
111 ARPEGGIO 2 112 ARPEGGIO 3 113 PIANO BALLAD 4 114 6/8 MARCH 115 MARCH 2 116 2 BEAT 117 WALTZ 3 118 WALTZ 4 119 WALTZ 5
22
2
22
NOTE
Rhythms 110 through 119 consist of chord accompaniments only, without any drums or other percussion instruments. These rhythms do not sound unless CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected as the accompaniment mode. With such rhythms, make sure that CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected before you try playing chords.
NOTA
Los ritmos 110 al 119 consisten solamente de acompañamientos de acordes, sin ninguna batería ni otros instrumentos de percusión. Estos ritmos no suenan a menos que CASIO CHORD, FINGERED o FULL RANGE CHORD sean seleccionados como el modo de acompañamiento. Con tales ritmos, asegúrese de que se selecciona CASIO CHORD, FINGERED o FULL RANGE CHORD, antes de tratar de ejecutar los acordes.
A-2
407A-E-068A
Drum Assignment List/Lista de asignación de batería
” ” Indicates the same sound as STANDARD SET 1./” ” Indica el mismo sonido que STANDARD SET 1.
Key/ Note number
C-1
0
C#-1
D-1
2
-1
E
E-1
4
F-1
5
F#-1
G-1
7
-1
A
9
A-1
-1
B
11
B-1
12
C0
C#0
14
D0
E 0
16
E0
17
F0
F#0
19
G0
A 0
21
A0
B 0
23
B0
24
C1
C#1
26
D1
E 1
28
E1
29
F1
F#1
31
G1
A 1
33
A1
B 1
35
B1
36
C2
C#2
38
D2
E 2
40
E2
41
F2
F#2
43
G2
A 2
45
A2
B 2
47
B2
48
C3
C#3
50
D3
E 3
52
E3
53
F3
F#3
55
G3
A 3
57
A3
B 3
59
B3
60
C4
C#4
62
D4
E 4
64
E4
65
F4
F#4
67
G4
A 4
69
A4
B 4
71
B4
72
C5
C#5
74
D5
E 5
76
E5
77
F5
F#5
79
G5
A 5
81
A5
B 5
83
B5
84
C6
C#6
86
D6
E 6
88
E6
89
F6
F#6
91
G6
A 6
93
A6
B 6
95
B6
96
C7
C#7
98
D7
E 7
100
E7
101
F7
F#7
103
G7
A 7
105
A7
B 7
107
B7
108
C8
C#8
110
D8
E 8
112
E8
113
F8
F#8
115
G8
A 8
117
A8
B 8
119
B8
120
C9
C#9
122
D9
E 9
124
E9
125
F9
F#9
127
G9
STANDARD SET 1 STANDARD SET 2
METRONOME CLICK METRONOME BELL
1
METRONOME CLICK METRONOME BELL
3
— —
LOW TOM 2b
6
LOW TOM 1b MID TOM 2b
8
MID TOM 1b HIGH TOM 2b
10
HIGH TOM 1b CRASH CYMBAL 1a CRASH CYMBAL 1b
13
CRASH CYMBAL 1c CRASH CYMBAL 2a
15
CRASH CYMBAL 2b CRASH CYMBAL 2c RIDE CYMBAL 1a
18
RIDE CYMBAL 1b RIDE CYMBAL 1c
20
RIDE CYMBAL 2a RIDE CYMBAL 2b
22
RIDE CYMBAL 2c
— —
25
HIGH Q
27
SLAP SCRATCH PUSH SCRATCH PULL
30
STICKS SQUARE CLICK
32
METRONOME CLICK METRONOME BELL
34
STANDARD1 KICK 2 STANDARD1 KICK 1 SIDE STICK
37
STANDARD1 SNARE 1 HAND CLAP 1
39
STANDARD1 SNARE 2 LOW TOM 2 CLOSED HI-HAT
42
LOW TOM 1 PEDAL HI-HAT
44
MID TOM 2 OPEN HI-HAT
46
MID TOM 1 HIGH TOM 2 CRASH CYMBAL 1
49
HIGH TOM 1 RIDE CYMBAL 1
51
CHINESE CYMBAL RIDE BELL TAMBOURINE
54
SPLASH CYMBAL COWBELL
56
CRASH CYMBAL 2 VIBRA-SLAP
58
RIDE CYMBAL 2 HIGH BONGO LOW BONGO
61
MUTE HIGH CONGA
63
OPEN HIGH CONGA LOW CONGA HIGH TIMBALE
66
LOW TIMBALE HIGH AGOGO
68
LOW AGOGO CABASA
70
MARACAS SHORT HI WHISTLE LONG LOW WHISTLE
73
SHORT GUIRO LONG GUIRO
75
CLAVES HIGH WOOD BLOCK LOW WOOD BLOCK
78
MUTE CUICA OPEN CUICA
80
MUTE TRIANGLE OPEN TRIANGLE
82
SHAKER JINGLE BELL BELL TREE
85
CASTANETS MUTE SURDO
87
OPEN SURDO APPLAUSE APPLAUSE2
90
— —
92
— —
94
— — —
97
— —
99
— — —
102
— —
104
— —
106
— —
STANDARD KICK 1a
109
STANDARD KICK 1b STANDARD KICK 1c
111
STANDARD KICK 1d STANDARD KICK 2a STANDARD KICK 2b
114
STANDARD KICK 2c STANDARD KICK 2d
116
STANDARD1 SNARE a STANDARD1 SNARE b
118
STANDARD1 SNARE c STANDARD1 SNARE d CLOSED HI-HAT a
121
CLOSED HI-HAT b CLOSED HI-HAT c
123
CLOSED HI-HAT d PEDAL HI-HAT a PEDAL HI-HAT b
126
OPEN HI-HAT a OPEN HI-HAT b
— —
— — —
STANDARD2 KICK 2 STANDARD2 KICK 1
STANDARD2 SNARE 1
STANDARD2 SNARE 2
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
ROOM SET
— —
— — —
ROOM KICK 2 ROOM KICK 1
ROOM SNARE 1
ROOM SNARE 2 ROOM LOW TOM 2
ROOM LOW TOM 1
ROOM MID TOM 2
ROOM MID TOM 1 ROOM HI TOM 2
ROOM HI TOM 1
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
POWER SET
— —
— — —
POWER KICK 2 POWER KICK 1
POWER SNARE 1
POWER SNARE 2 POWER LOW TOM 2
POWER LOW TOM 1
POWER MID TOM 2
POWER MID TOM 1 POWER HI TOM 2
POWER HI TOM 1
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
DRUMS SET LIST
ELEC. SET
— —
— — —
ELEC KICK 2 ELEC KICK 1
ELEC SNARE 1
ELEC SNARE 2 ELEC LOW TOM 2
ELEC LOW TOM 1
ELEC MID TOM 2
ELEC MID TOM 1 ELEC HI TOM 2
ELEC HI TOM 1
REVERSE CYMBAL
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
SYNTH SET 1
— —
— — —
SYNTH 1 KICK 2 SYNTH 1 KICK 1 SYNTH 1 RIM SHOT SYNTH 1 SNARE 1 SYNTH HAND CLAP SYNTH 1 SNARE 2 SYNTH 1 LOW TOM 2 SYNTH 1 CHH SYNTH 1 LOW TOM 1 SYNTH 1 PHH SYNTH 1 MID TOM 2 SYNTH 1 OHH SYNTH 1 MID TOM 1 SYNTH 1 HI TOM 2 SYNTH 1 CYMBAL SYNTH 1 HI TOM 1 SYNTH 1 RIDE
SYNTH 1 TAMBOURINE
SYNTH 1 COWBELL
SYNTH 1 HIGH CONGA SYNTH 1 MID CONGA SYNTH 1 LOW CONGA
SYNTH 1 MARACAS
SYNTH 1 CLAVES
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
SYNTH SET 2 JAZZ SET BRUSH SET
— —
— — —
SYNTH 2 KICK 2 SYNTH 2 KICK 1
SYNTH 2 SNARE 1
SYNTH 2 SNARE 2 SYNTH 2 LOW TOM 2 SYNTH 2 CHH SYNTH 2 LOW TOM 1 SYNTH 2 PHH SYNTH 2 MID TOM 2 SYNTH 2 OHH SYNTH 2 MID TOM 1 SYNTH 2 HI TOM 2 SYNTH 2 CYMBAL 1 SYNTH 2 HI TOM 1 SYNTH 2 RIDE 1
SYNTH 2 CYMBAL 2
SYNTH 2 RIDE 2
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
— —
— — —
JAZZ KICK 2 JAZZ KICK 1
JAZZ SNARE 1 HAND CLAP 2 JAZZ SNARE 2
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
Appendix/Apéndice
— —
— — —
BRUSH KICK 2 BRUSH KICK 1
BRUSH TAP BRUSH SLAP BRUSH SWIRL
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
ORCHESTRA SET
— —
— — —
CLOSED HI-HAT PEDAL HI-HAT OPEN HI-HAT RIDE CYMBAL 1
JAZZ KICK 1 CONCERT BASS DRUM
CONCERT SNARE CASTANETS CONCERT SNARE TIMPANI F
TIMPANI F TIMPANI G
TIMPANI A TIMPANI A
TIMPANI B TIMPANI B TIMPANI c
TIMPANI c TIMPANI d
TIMPANI e TIMPANI e TIMPANI f
CONCERT CYMBAL 2
CONCERT CYMBAL 1
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
407A-E-069A
A-3
Appendix/Apéndice
dim m7
5
M7
M
m
7
m7
dim7
Chord
Type
Root
C
D
E
F
G
A
B
C /(D )
(D )/E
F /(G )
(G )/A
(A )/B
aug
sus4
C
D
E
F
G
A
B
C /(D )
(D )/E
F /(G )
(G )/A
(A )/B
m add9
7sus4
mM7
7
5
add9
Chord
Type
Root
A-4
Fingered Chord Chart
Cuadro de acordes digitados (Fingered)
407A-E-070A
Model PX-310 MIDI Implementation Chart Version: 1.0
Function ... Transmitted Recognized Remarks
Basic Default Channel Changed
Default
Mode Messages
Altered
Note Number True voice
Velocity Note ON
Note OFF
After Key’s Touch Ch’s
Pitch Bender
Control Change
0,32 6,38
98,99
100,101
120 121
1-16 1-16
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
21-108
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O
9nH V = 1-127
X
9nH V = 0
X X
X
1
7 10 11 16 17 18 19 64 66 67 71 72 73 74 76 77 78 80 81 82 83 91 93
O X O X X X X X X X
O O*2 O*2
X
X
X
X
X
X
X
X
X
X
X
X
X
X
O
X
O
1-16 1-16
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
0-127
0-127
*1
O
9nH V = 1-127
X
9nH V = 0, 8nH V = **
X
O
O
O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O
*1: Depends on tone
*1: Depende del tono.
**: no relation **: sin relación
Bank select Modulation Data entry Volume Pan Expression DSP Parameter0 DSP Parameter1 DSP Parameter2 DSP Parameter3 Damper Sostenuto Soft pedal Resonance Release Time Attack Time Brightness Vibrato rate Vibrato depth Vibrato delay DSP Parameter4 DSP Parameter5 DSP Parameter6 DSP Parameter7 Reverb send Chorus send NRPN LSB, MSB RPN LSB, MSB All sound off Reset all controller
Program Change :True #
System Exclusive
System : Song Pos Common : Song Sel
: Tune
System : Clock Real Time : Commands
Aux : Local ON/OFF
: All notes OFF
Messages : Active Sense
: Reset
Remarks
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
*2In accordance with pedal
2
*
O
0-127
O
X X X
O O
X X X X
De acuerdo al pedal.
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
O
0-127
O
X X X
X X
X O O
X
O X
: Yes : No
407A-E-071B
Loading...