9.14Release Time (48H) .......................................................................................................................... 17
9.15Attack Time (49H).............................................................................................................................. 17
9.16Filter Cut Off (4AH)............................................................................................................................ 18
9.24.1Pitch Bend Sensitivity .......................................................................................................................... 21
10.1All Sound Off (78H) ........................................................................................................................... 22
10.2Reset All Controllers (79H) ................................................................................................................ 22
10.3All Notes Off (7BH) ............................................................................................................................ 23
10.4Omni Off (7CH).................................................................................................................................. 23
10.5Omni On (7DH).................................................................................................................................. 23
15.1.3Master Fine Tuning .............................................................................................................................. 27
15.2Instrument-Specific System Exclusive Messages ............................................................................. 30
2
Part IVInstrument-Specific System Exclusive Messages
16 Format ........................................................................................................................................... 31
16.3.3MOD : Model ID.................................................................................................................................. 32
16.3.4dev : MIDI Device ID 00H - 7FH ........................................................................................................ 32
16.3.7mem : Memory Area ID ....................................................................................................................... 33
16.3.8pset : Parameter Set Number................................................................................................................33
16.3.9blk : Block Number .............................................................................................................................. 33
16.3.10 prm : Parameter ID ............................................................................................................................... 34
16.3.11 idx : Data Index Number ...................................................................................................................... 34
16.3.12 len : Data Length .................................................................................................................................. 34
16.3.13 data : Parameter Data ........................................................................................................................... 35
16.3.14 EOX : End of System Exclusive Message ........................................................................................... 35
As a MIDI device, this Instrument consists of the System Section, Sound Generator Section, and Performance Controller
Section described below.
Each of these sections sends and receives specific MIDI Messages in accordance with its function.
•System Section
– Device settings
– Function status
•Sound Generator Section
– Common
Sound generator common section
System effects
Equalizer and brilliance adjustment function
Mixer master
The System Section consists of a sound generator (sound source), a performance controller part (performance), and functions
that are not directly related to Instrument play. In addition to manipulating Instrument setting parameters, this section is
also used to exchange information.
1.2Sound Generator Section
The Sound Generator Section consists of a common part that does not depend on the channel and a part that is specific
to each channel. Mainly it receives performance information and performs operations.
6
1.2.1Sound generator common section
Note 1:
Note 2:
The common section consists of sound generator setting blocks that do not depend on the sound generator part, such as
system effects, mixer master control, etc.
These can be controlled by system exclusive messages that are basically exclusive to this particular Instrument, but several
parameters also can be controlled by general universal system exclusive messages.
1.2.2Sound Generator Parts
The settings of the sound generator parts can be changed using Instrument-specific system exclusive messages.
This Instrument consists of 36 parts. Of these, channel messages can be used to perform note on operations and to change
settings of only the C Group (C01 through C16).
The relationships between the channel message receive channel and part number are fixed, as shown below.
Group A parts A01 through A04 are referred to as “zones”. See the Instruments User’s Guide for details about zones.
Part Number Part Name MIDI Receive ChMIDI Send ChAssigned FunctionDSP Priority (Note 2)Description
00A01–01-16(Note1)Keyboard (Main)1Upper1
01A02–01-16(Note1)Keyboard (Layer)3Upper2
02A03–01-16(Note1)Keyboard (Split)2Lower1
03A04–01-16(Note1)Keyboard (Layer Split)4Lower2
16B01–01MIDI file playback5Song01
17B02–02MIDI file playback5Song02
18B03–03MIDI file playback5Song03
19B04–04MIDI file playback5Song04
20B05–05MIDI file playback5Song05
21B06–06MIDI file playback5Song06
22B07–07MIDI file playback5Song07
23B08–08MIDI file playback5Song08
24B09–09MIDI file playback5Song09
25B10–10MIDI file playback5Song10
26B11–11MIDI file playback5Song11
27B12–12MIDI file playback5Song12
28B13–13MIDI file playback5Song13
29B14–14MIDI file playback5Song14
30B15–15MIDI file playback5Song15
31B16–16MIDI file playback5Song16
32C0101–MIDI IN5Ext.01
33C0202–MIDI IN5Ext.02
34C0303–MIDI IN5Ext.03
35C0404–MIDI IN5Ext.04
36C0505–MIDI IN5Ext.05
37C0606–MIDI IN5Ext.06
38C0707–MIDI IN5Ext.07
39C0808–MIDI IN5Ext.08
40C0909–MIDI IN5Ext.09
41C1010–MIDI IN5Ext.10
42C1111–MIDI IN5Ext.11
43C1212–MIDI IN5Ext.12
44C1313–MIDI IN5Ext.13
45C1414–MIDI IN5Ext.14
46C1515–MIDI IN5Ext.15
47C1616–MIDI IN5Ext.16
Can be changed by zone editing.
This is the DSP line assignment priority. A smaller value indicates a higher priority. For details, see “11.2.1 DSP Line
Structure and Assignment”.
7
1.2.3MIDI Receive and Registration
Note 1:
The registration (setup) can be switched by MIDI message. For details about messages, see “19.1 Panel Parameter”.
When switching the registration by MIDI message, the parts reflected by the zone parameters are determined in accordance
with the MIDI send channel setting values of the zone parameters.
The following describes an example of how this works.
Zone parameters are reflected by Group B parts during playback of MIDI files by this Instrument, and by Group C parts
during MIDI receipt from an external device.
Common parameters are not affected. Use this Instrument’s registration function to change common parameters.
Also note that Group A parts are given priority for DSP line assignment. If Group A parts use up all the DSP lines, the
DSP settings of part reflected by the zones are ignored.
For details about DSP line assignments, see “11.2.1 DSP Line Structure and Assignment”.
1.3Performance Controller Section
The Performance Controller Section consists of keyboard, pedal, and other real-time controllers, as well as blocks that
generate auto performance and other performance information.
These messages are transmitted to the sound generator in accordance with operations, while they are also being sent out
as MIDI messages.
The channel number of the sent message is in accordance with part settings, etc.
1.3.1Auto Performance MIDI Send
This document covers what operations are sent by messages for each message type. However, since there is wide variation
in the messages that can be sent during an auto performance operation, messages are not covered here.
1.3.2MIDI Send by Registration
The final MIDI messages sent during a registration operation are system exclusive messages that are specific to this
Instrument, which can switch the registration during MIDI receipt.
For details about messages, see “19.1 Panel Parameter”.
Also, messages that can be sent during a registration operation are so diverse and wide-ranging, messages are not covered
in detail here.
8
1.3.3MIDI Send by Assignable Buttons
The message(s) sent when an assignable button is pressed depends on the function assigned to the button. Also, any control
change message can be assigned to an assignable button. Since messages that can be sent by an assignable button operation
are so diverse and wide-ranging, messages are not covered in detail here.
2Conditions that Disable Message Send and Receive
All MIDI message send and receive is temporarily disabled in all of the following cases.
•During Instrument startup
•During SD card formatting
•During storage of registration data
•While “STORAGE” is selected as the “USB DEVICE MODE”.
3Timbre Type Specific Operation
The operation that is performed for a received message depends on the current Timbre Type setting (see “11.1 About Timbre
Type”), which is the operation mode of each sound generator part. Applicable information is provided in the explanations
for each message.
9
Part II
Send
Receive
Channel Message
4Send Channel
For information about the MIDI channels of the channel messages that are sent when this Instrument is played, see
“1.2.2 Sound Generator Parts”. Note, however, that the MIDI channel of the performance information that corresponds to
the keyboard main part can be changed by zone editing.
5Receive Channel
For information about the MIDI channel numbers of channel messages received by each part, see “1.2.2 Sound Generator
Parts”.
The MIDI channel number of a channel message that changes DSP settings also coincides with the MIDI channel of the
part using the DSP. A channel message is not received by a part that is turned off by the Part Enable Parameter value
explained under “20.7 Part Parameters”.
6Note Off
Format
SendReceive
Message Format:
8nH kkH vvH8nH kkH vvH
9nH kkH 00H
n:MIDI Channel Number
kk:Key Number
vv: 40HIgnored
Sent when a key is released.
Recognized as key release information. The velocity value is ignored.
10
7Note On
Send
Receive
Send
Receive
Send
Receive
Format
Message Format: 9nH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Velocity
Sent when a key is pressed.
Recognized as key press information.
8Polyphonic Key Pressure
Format
Message Format: AnH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Pressure Value
This message is not sent by this Instrument.
This message is not received by this Instrument.
9Control Change
Format
Message Format: BnH ccH vvH
n: MIDI Channel Number
cc: Control Number
vv: Value
Sent when a pedal or another controller operation is performed, when settings are changed, when the tone is changed, or
when an auto performance, or other operation is performed.
Receipt changes the controller and settings that correspond to the control number.
11
9.1Bank Select (00H, 20H)
Send
Receive
Send
Receive
Send
Receive
Format
Message Format: BnH 00H mmH (MSB)
BnH 20H llH (LSB)
n: MIDI Channel Number
mm: Value
ll: Value
Sent in the following cases.
•When a tone selection is made
•When a program change message is specified by a zone edit operation
For information about numbers, see the Tone List in the User’s Guide.
Receipt switches the tone bank number stored in Instrument memory. Note, however, that the tone is not changed until a
Program Change message is received.
For details, see “11 Program Change”.
For information about numbers, see the Tone List in the User’s Guide.
9.2Modulation (01H)
Format
Message Format: BnH 01H vvH
n: MIDI Channel Number
vv: Value
See “1.3.3 MIDI Send by Assignable Buttons”.
Receipt adds, to the voice being sounded, modulation of a depth specified by the value. In the case of a tone that already
has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according
to the tone being used.
9.3Portamento Time (05H)
Format
Message Format: BnH 05H vvH
n: MIDI Channel Number
vv: Value
Sent when the portamento time is specified by a zone edit operation.
Receipt changes the time it takes until pitch reaches the target portamento effect pitch.
12
9.4Data Entry (06H, 26H)
Send
Receive
Send
Receive
Note 1:
Send
Receive
Format
Message Format: BnH 06H vvH (MSB)
BnH 26H vvH (LSB)
n: MIDI Channel Number
vv: Value
Sent when there is a change in the parameters assigned to NRPN and RPN.
For details about information assigned to parameters that correspond to NRPN and RPN, see “9.23 NRPN (62H, 63H)”
and “9.24 RPN (64H, 65H)”.
Receipt changes the parameter assigned to RPN. This Instrument does not have a parameter that corresponds to NRPN.
9.5Volume (07H)
Format
Message Format: BnH 07H vvH
n: MIDI Channel Number
vv: Value
Sent when the volume level is specified by a zone edit operation.
Receipt changes the volume level of the corresponding part. Changes the Volume setting of the Part Parameter.
9.6Pan (0AH)
Format
Message Format: BnH 0AH vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.8 Pan Setting Value Table”
in “Part VII Setting Values and Send/Receive Values”.
Sent when pan is specified by a zone edit operation.
Receipt changes the pan setting of the Pan Part Parameter.
13
9.7Expression (0BH)
Send
Receive
Send
Receive
Note 1:
Format
Message Format: BnH 0BH vvH
n: MIDI Channel Number
vv: Value
See “1.3.3 MIDI Send by Assignable Buttons”.
Receipt changes the part volume level.
How this message differs from Volume (07H)
Though this message is operationally identical to that of “9.5 Volume (07H),” the purposes of the two messages are different.
This message is used, for example, for crescendo/decrescendo, and other forms of expression while playing. “9.5 Volume
(07H)” is normally used when you want to make a fixed change in volume level.
9.8General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)
Sent when a DSP parameter value is specified by a zone edit operation.
Receipt changes the value of DSP Parameter 7 [0 to 7] (7-bit parameter) assigned to the part specified by the MIDI Channel
Number. For details about parameters, see “21.3 DSP Parameters”.
Any message received that corresponds to the parameter of a number not being used by the currently selected DSP is ignored.
Received values and parameter setting values
The range of the value of each DSP Parameter 7 array element depends on the selected DSP or array number.
Unlike manipulation of a DSP parameter using a System Exclusive Message, a value received by this control change message
is always in the range of 0 to 127, but the range is changed in accordance with the setting range of the applicable parameter
setting. Because of this, it is impossible for a value to be outside of the range.
Conversion to the parameter setting value from the value received with the message can be represented in general terms
by the expression shown below.
Parameter
Setting Value=Parameter
Minimum Value+(
Parameter
Maximum Value-Parameter
Minimum Value)
Received Value
X
127
For details about Parameter 7 of each DSP, see the explanations under “VI DSP Parameter List”.
14
9.9Hold1 (40H)
Send
Receive
Note 1:
Send
Receive
Format
Message Format: BnH 40H vvH
n: MIDI Channel Number
vv: Value
Sent in the following cases.
•When a pedal that has a sustain (damper) function is operated
•Sent when a MIDI channel is specified by a zone edit operation.
Receipt performs an operation equivalent to a sustain (damper) pedal operation.
Timbre Type Specific Operation
This operation differs in accordance with the Timbre Type (see “11.1 About Timber Type”) setting.
•Timbre Type: Melody
Sustain off/on control is performed in accordance with the value of the received message. For information about
the relationship between setting values and send/receive values, see the “27.1 Off/On Setting Value Table” in
“Part VII Setting Values and Send/Receive Values”.
•Timbre Type: Piano or LM Piano
Continuous control of the following is performed in accordance with the value of the received message.
– Piano note decay rate
– Resonance characteristics and decay rate of Acoustic Resonance effect resonance note
•Timbre Type: Drum
The received message does not affect sound source operation.
9.10Portamento Switch (41H)
Format
Message Format: BnH 41H vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see the “27.1 Off/On Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.
Sent when the portamento on/off setting is specified by a zone edit operation.
Receipt switches portamento between enabled (On) and disabled (Off).
Range of Pitch Change
The range of pitch change for this Instrument’s portamento function is limited. With some tones or keys, portamento may
not be able to drop down to the note assigned to the keys being played.
15
9.11Sostenuto (42H)
Note 1:
Send
Receive
Note 1:
Send
Receive
Format
Message Format: BnH 42H vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see the “27.1 Off/On Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.
Sent in the following cases.
•When a pedal assigned the sostenuto function is operated
•When a MIDI channel is specified by a zone edit operation
Receipt performs an operation equivalent to a sostenuto pedal operation.
9.12Soft (43H)
Format
Message Format: BnH 43H vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see the “27.1 Off/On Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.
Sent in the following cases.
•When a pedal assigned the soft function is operated
•When a MIDI channel is specified by a zone edit operation
Receipt performs an operation equivalent to a soft pedal operation.
16
9.13Filter Resonance (47H)
Note 1:
Send
Receive
Note 1:
Send
Receive
Note 1:
Send
Receive
Format
Message Format: BnH 47H vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.6 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
See “1.3.3 MIDI Send by Assignable Buttons”.
Receipt changes the strength of filter resonance.
9.14Release Time (48H)
Format
Message Format: BnH 48H vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.6 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
Sent when the release time is specified by a zone edit operation.
Receipt makes a relative change in the time it takes for a note to decay to zero after a key is released.
9.15Attack Time (49H)
Format
Message Format: BnH 49H vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.6 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
Sent when the attack time is specified by a zone edit operation.
Receipt makes a relative change in the time it takes for a note to rise to its maximum level.
17
9.16Filter Cut Off (4AH)
Note 1:
Send
Receive
Note 1:
Send
Receive
Note 1:
Send
Receive
Format
Message Format: BnH 4AH vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.6 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
Sent when filter is specified by a zone edit operation.
Receipt changes how the cut-off filter is applied.
9.17Vibrato Rate (4CH)
Format
Message Format: BnH 4CH vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.6 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
Sent when the vibrato rate is specified by a zone edit operation.
Receipt changes Vib Rate of the LFO Parameter.
9.18Vibrato Depth (4DH)
Format
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.6 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
Sent when the vibrato depth is specified by a zone edit operation.
Receipt changes Vib Auto Depth of the LFO Parameter.
18
9.19Vibrato Delay (4EH)
Note 1:
Send
Receive
Send
Receive
Send
Receive
Format
Message Format: BnH 4EH vvH
n: MIDI Channel Number
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.6 –64 - 0 - +63 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
Sent when the vibrato delay is specified by a zone edit operation.
Receipt changes Vib Auto Delay of the LFO Parameter.
9.20Portamento Control (54H)
Format
Message Format: BnH 54H vvH
n: MIDI Channel Number
kk: Source Note Number
See “1.3.3 MIDI Send by Assignable Buttons”.
Receipt of this message first stores the Source Note Number for the next note. When the next Note On is received, the
portamento effect is applied to the note using this Source Note Number as the pitch start point and the Note On event key
number as the end point. If there already is a note being sounded by Source Note Number at this time, the new note on
is not performed and the portamento effect is applied to the pitch of the note being sounded. That is to say that legato
play is performed.
9.21Reverb Send (5BH)
Format
Message Format: BnH 5BH vvH
n: MIDI Channel Number
vv: Value
Sent when reverb send is specified by a zone edit operation.
Receipt changes the Rev Send Part Parameter.
19
9.22Chorus Send (5DH)
Send
Receive
Send
Receive
Format
Message Format: BnH 5DH vvH
n: MIDI Channel Number
vv: Value
Sent when the portamento on/off setting is specified by a zone edit operation.
Receipt changes the Cho Send Part Parameter.
9.23NRPN (62H, 63H)
Format
Message Format: BnH 62H vvH (LSB)
BnH 63H vvH (MSB)
n: MIDI Channel Number
vv: Value
This message is not sent by this Instrument.
This message is not received by this Instrument.
9.23.1Functions Assigned to NRPN
This Instrument does not assign any parameters to NRPN.
9.24RPN (64H, 65H)
Format
Message Format: BnH 64H vvH (LSB)
BnH 65H vvH (MSB)
n: MIDI Channel Number
vv: Value
The following are the parameters assigned to RPN by this Instrument.
Receipt changes Vib Mod Depth of the LFO Parameter.
9.24.5Null
Format
Message Format: BnH 64H 7FH 65H 7F
n: MIDI Channel Number
This message is not sent by this Instrument.
Receipt deselects RPN.
10Mode Messages
10.1All Sound Off (78H)
Format
Message Format: BnH 78H 00H
n: MIDI Channel Number
Sent when an SD card is inserted or removed, and when an SD card operation is performed.
Receipt stops all voices that are sounding.
10.2Reset All Controllers (79H)
Format
Message Format: BnH 79H 00H
n: MIDI Channel Number
This message is not sent by this Instrument.
Receipt initializes each performance controller.
22
10.3All Notes Off (7BH)
Send
Receive
Send
Receive
Send
Receive
Send
Receive
Format
Message Format: BnH 7BH 00H
n: MIDI Channel Number
Sent when a MIDI channel is specified by a zone edit operation.
Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).
10.4Omni Off (7CH)
Format
Message Format: BnH 7CH 00H
n: MIDI Channel Number
This message is not sent by this Instrument.
Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).
10.5Omni On (7DH)
Format
Message Format: BnH 7DH 00H
n: MIDI Channel Number
This message is not sent by this Instrument.
Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).
10.6Mono (7EH)
Format
Message Format: BnH 7EH 00H
n: MIDI Channel Number
This message is not sent by this Instrument.
Receipt of this message stops the currently sounding voice.
23
10.7Poly (7FH)
Send
Receive
Send
Receive
Format
Message Format: BnH 7FH 00H
n: MIDI Channel Number
This message is not sent by this Instrument.
Receipt of this message stops the currently sounding voice.
11Program Change
Format
Message Format: CnH ppH
n: MIDI Channel Number
pp: Program Number
Sent in the following cases.
•When a tone selection is made
•When a program change message is specified by a zone edit operation
For information about numbers, see the Tone List in the User’s Guide.
Receipt changes the tone.
Tone selection is determined by the program value of this message and the Bank Select message value received prior to
this message.
For information about the program number of the actually selected tone, see the Tone List in the User’s Guide.
Also note that receipt of this message may also change the Timbre Type parameter at the same time. For more information,
see “11.1 About Timbre Type” below.
11.1About Timbre Type
The tone selected by each part of this Instrument has a “Timbre Type” parameter that specifies the type of sound source
for the tone. As explained under “21.1 Basic Parameters”, there are four Timbre Types settings: Melody, LM Piano, Piano,
and Drum. The operation for a received channel message differs according to the Timbre Type.
•Timbre Type: Melody
This Timbre Type is for normal melody tones. The damper pedal performs on/off operations.
•Timbre Type: Piano or LM (Linear Morphing) Piano
This Timbre Type is for piano tones. The decay rate of the voice being sounded and Acoustic Resonance effect
characteristics are continually altered in accordance with the damper pedal position. The method for producing sound
in response to the note messages also is different from that of the melody Timbre Type, and operation is optimized
for piano.
•Timbre Type: Drum
This Timbre Type is for drum sounds. The method for producing sound is optimized for drums. The damper pedal
and sostenuto pedal do not work for sounds that do not recognize Note Off. The tuning setting also does not affect
this Timbre Type.
24
11.2About DSP
Send
Receive
Send
Receive
11.2.1DSP Line Structure and Assignment
This Instrument has two DSP lines that can be used simultaneously.
Selecting multiple tones with DSP at the same time creates the possibility that there will not be enough DSP lines. If this
happens, DSP lines will be assigned in accordance with the DSP line assignment priority specified for each part.
When two or more parts have the same priority, the assignment that was made last is given priority.
For details about DSP line assignment priority, see the table under “1.2.2 Sound Generator Parts”.
12Channel Aftertouch
Format
Message Format: DnH vvH
n: MIDI Channel Number
vv: Value
This message is not sent by this Instrument.
Receipt of this message adds modulation to the voice that is sounding.
The modulation effect differs according to the tone being used.
13Pitch Bend Change
Format
Message Format: EnH llH mmH
n: MIDI Channel Number
ll: Value LSB
mm: Value MSB
Sent in the following cases.
•When the bend wheel is operated
•When a MIDI channel is specified by a zone edit operation
Receipt of this message changes the pitch of the currently sounding voice. Pitch bend change sensitivity depends on the
setting configured with “9.24.1 Pitch Bend Sensitivity”.
25
Part III
Send
Receive
Send
Receive
System Messages
14Active Sensing
Format
Message Format: FEH
This message is not sent by this Instrument.
Once this message is received, the Active Sensing mode is entered. If no MIDI message is received for a specified amount
of time, voices being sounded by this Instrument’s sound source are released, the controller is reset, and the Active Sensing
mode is exited.
15System Exclusive Message
Format
Message Format: F0H....F7H
This Instrument sends and receives standard universal system exclusive messages, and system exclusive messages that have
Instrument-specific formats.
15.1Universal Realtime System Exclusive Message
Format
Message Format: F0H 7FH....F7H
15.1.1Master Volume
Format
Message Format: F0H 7FH 7FH 04H 01H llH mmH F7H
ll: Value LSB
mm: Value MSB
This message is not sent by this Instrument.
Receipt changes the Master Volume parameter. Note that the Master Volume parameter cannot be changed with an Instrument
operation.
26
15.1.2Master Balance
Note 1:
Send
Receive
Note 1:
Send
Receive
Send
Receive
Format
Message Format: F0H 7FH 7FH 04H 02H llH mmH F7H
ll: Value LSB (Note1)
mm: Value MSB (Note1)
For information about the relationship between setting values and send/receive values, see “27.8 Pan Setting Value Table”
in “Part VII Setting Values and Send/Receive Values”.
This message is not sent by this Instrument.
Receipt changes the Master Pan parameter. Note that the Master Pan parameter cannot be changed with an Instrument
operation.
15.1.3Master Fine Tuning
Format
Message Format: F0H 7FH 7FH 04H 03H llH mmH F7H
ll: Value LSB (Note1)
mm: Value MSB (Note1)
For information about the relationship between setting values and send/receive values, see “27.7 –100 - 0 - +99 Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
This message is sent when the tuning setting is changed.
Receipt changes the Master Fine Tune8 parameter of Patch.
Acoustic Resonance Actions
Acoustic Resonance acoustic characteristics also alter Fine Tune of the strings that simulate resonance in accordance with
the Master Fine Tune8 value. Because of this, receipt of this message may cause the resonance interval to change temporarily.
15.1.4Master Coarse Tuning
Format
Message Format: F0H 7FH 7FH 04H 04H llH mmH F7H
ll: Send: 00H, Receive: Ignored
mm: Value MSB
This message is not sent by this Instrument.
Receipt changes the Patch Master Coarse Tune parameter.
27
15.1.5Reverb Parameter
Note 1:
Send
Receive
Send
Receive
Note 1:
Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 01H ppH vvH F7H
pp: Parameter
vv: Value
Type Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 01H 00H vvH F7H
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.9 Reverb Type Setting Value
Table” in “Part VII Setting Values and Send/Receive Values”.
This message is sent when the System Reverb Type setting is changed.
Receipt changes the Reverb Type parameter.
Time Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 01H 01H vvH F7H
vv: Value
This message is not sent by this Instrument.
Receipt changes the Reverb Time parameter.
15.1.6Chorus Parameter
Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 02H ppH vvH F7H
pp: Parameter
vv: Value
Type Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 02H 00H vvH F7H
vv: Value (Note1)
For information about the relationship between setting values and send/receive values, see “27.10 Chorus Type Setting
Value Table” in “Part VII Setting Values and Send/Receive Values”.
28
Send
This message is sent when the System Chorus Type setting is changed.
Receive
Send
Receive
Send
Receive
Send
Receive
Send
Receive
Receipt changes the System Chorus Type parameter.
Rate Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 02H 01H vvH F7H
vv: Value
This message is not sent by this Instrument.
Receipt changes the System Chorus Rate parameter.
Depth Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 02H 02H vvH F7H
vv: Value
This message is not sent by this Instrument.
Receipt changes the System Chorus Depth parameter.
Feedback Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 02H 03H vvH F7H
vv: Value
This message is not sent by this Instrument.
Receipt changes the System Chorus Feedback parameter.
Send To Reverb Format
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H
01H 02H 04H vvH F7H
vv: Value
This message is not sent by this Instrument.
Receipt changes the Chorus Send To Reverb parameter.
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15.1.7GM System Message
Send
Receive
Send
Receive
Send
Receive
Send
Receive
GM System On Format
1 Message Format: F0H 7EH 7FH 09H 01H F7H
This message is not sent by this Instrument.
Receipt puts the sound source into a GM sound source mode. Also, the Scale Tune Enable setting shown under “20.7 Part
Parameters” for parts C01 through C16 become zero, which disables the temperament (scale) function.
GM System Off Format
Message Format: F0H 7EH 7FH 09H 02H F7H
This message is not sent by this Instrument.
Receipt returns the sound source to its power on default settings.
GM2 System On Format
Message Format: F0H 7EH 7FH 09H 03H F7H
This message is not sent by this Instrument.
Though this Instrument does not support GM2, receipt of the GM2 System On message has the same result as receipt of
the GM System On message.
Receipt performs the same operation as when the GM System On message is received.
15.2Instrument-Specific System Exclusive Messages
Format
Message Format: F0H 44H 15H 01H....F7H
Most Instrument parameters and user data, and some operation commands can be controlled using this message.
For more information, see “Part IV Instrument-Specific System Exclusive Messages”.
30
Part IV
Instrument-Specific System Exclusive Messages
16Format
This section explains the format of the Instrument-specific System Exclusive Messages. See “Part V Parameter List” for
information about what type of data can actually be sent.
16.1Message Classifications
Basically, the operation that corresponds to Instrument-specific system exclusive messages is parameter data transfer. The
following operations can be performed from an external device using this parameter transfer message.
•Modification of an individual Instrument parameter
•Import of an individual Instrument parameter value
In addition to parameters being used as device setting values, some parameters act as commands when received by this
Instrument and as device status information when sent from this Instrument.
The following table shows the parameter category for each type of transfer.
Function Section Parameter Category Description
SystemSystemCommands, Instrument status
SetupInstrument basic settings
Sound GeneratorPatchSound source common settings (system effects, master
Since Instrument-specific System Exclusive messages are sent and received on an individual parameter basis, the Individual
Parameter Transfer method is used, and a number of message types are provided to suit specific operations. The field in
the SysEx message that specifies the message type is the action (act) field. The format of the “body” part of the message
depends on the “act” value.
The table below shows the body format for each action of Instrument-specific system exclusive messages. An actual message
consists of the items indicated by “Y”, from left to right.
actSXMAN MODdevactbody (Depends on act.)EOX
catmempsetblkpktprmidxlendata
IPRYYYYYYYYYYYYY-Y
IPSYYYYYYYYYYYYYYY
31
16.3Field Formats
16.3.1SX : System Exclusive Message Status
Format: 11110000B (F0H)
This is the System Exclusive Message status byte established by the MIDI standard.
16.3.2MAN : Manufacturer’s ID
Format: 01000100B (CASIO = 44H)
Indicates this Instrument’s manufacturer ID.
16.3.3MOD : Model ID
Format: MSB00010101B (15H)
LSB00000010B (02H)
These two successive bytes (MSB, LSB) indicate the PX-130/330/3/730/7/830, AP-220/420/620/6 model ID.
16.3.4dev : MIDI Device ID 00H - 7FH
Format: 0dddddddB
The contents of this field in a received message are compared with the Model’s MIDI Device ID, and receipt of the incoming
message is allowed only when the two IDs match. The default value for this field is 10H. When a message containing
7FH is received, receipt of the message is always allowed, regardless of this Instrument’s ID setting.
MIDI Device ID is a Patch Parameter, and it can be changed with a System Exclusive Message. In this case, the Device
ID of the MIDI System Exclusive Message must be set to 7FH before it is sent.
16.3.5act : Action
Format: 0aaaaaaaB
This field indicates the operation of the Instrument-specific System Exclusive Message.
aaaaaaaB ActionFunction
00H IPRIndividual Parameter Request
01H IPSIndividual Parameter Send
IPR : Individual Parameter Request
Indicates an individual parameter value send request message. When this Instrument receives this action, it uses an IPS
message to return the specified parameter value.
IPS : Individual Parameter Send
Indicates an individual parameter value send message. When this Instrument receives this action, it rewrites the value specified
by the data field with the specified parameter value.
32
16.3.6cat : Category
Format: 0cccccccB
0cccccccB = Category (7bit)
The category indicates the categories of data handled by the System Exclusive Message. The ID number (ID) of the category
is indicated on the left, while the communication operation (Action) is indicated on the right.
CategoryTransfer
ID (c)Parameter SetIndividual Parameter
00HSystemA
01HSetupA
02HPatchA
03HToneA
12HScale TuneA
14HRegistrationA
15HRegistration BankA
A .. Available (Also including when only some parameters are available.)
16.3.7mem : Memory Area ID
Format: 0mmmmmmmB
Specifies the memory area that is the object of the parameter transfer. The following are defined for this Instrument. Basically,
Instrument-specific System Exclusive messages are valid for user area data only.
memData TypeMeaning
0User areaRead/write enabled
1Preset areaRead/write disabled
16.3.8pset : Parameter Set Number
Format: LSB0nnnnnnnB
MSB0mmmmmmmB
This field is a 2-byte (LSB, MSB) value indicating the number of the parameter set (mmmmmmmnnnnnnnB, binary) being
transferred.
16.3.9blk : Block Number
This supplementary number specifies which block is the object when there are multiple blocks within the same parameter set.
Format: 0iiiiiiiB (LSB)0jjjjjjjB0kkkkkkkB (MSB)
When there are multiple parameters with the same ID inside the same category, as with the mixer channel volume setting
for example, the block number required to specify to which block data belongs is specified as: kkkkkkkjjjjjjjiiiiiiiB (Binary).
When the parameter block has a multi-dimensional array structure, the 21 bits of the block number are divided into prescribed
bit fields based on the rules explained below.
33
Block Bit Field Division
•Case 1
When an array has three or fewer nesting levels and the number of arrays in each dimension is 128 or less, they
are assigned below the three 7-bit fields. Unused regions are filled with zeros.
Example:
parameter [A][B][C]
With a 3-dimensional array parameter that consists of A=8 (3 bits), B=5 (3 bits) and C=10 (4 bits), the block bit
fields are allocated as: Block = 0000aaa 000bbb ccccccc (Binary).
•Case 2
When Case 1 conditions are not satisfied, the minimal number of fields required for each number of arrays is reserved
from the lower bit of the block. Unused regions are filled will zeros.
Example 1:
parameter [A][B][C][D]
With a 4-dimensional array parameter that consists of A=3 (2 bits), B=4 (2 bits), C=3 (2 bits) and D=4 (2 bits)
like the one shown above, the block bit fields are allocated as: Block = 0000000 00000a abbccdd (Binary).
Example 2:
parameter [A][B]
With an A=3 (2 bits), B=200 (8 bits) 2-dimensional array parameter, the block bit fields are allocated as:
Block = 0000000 000aab bbbbbbb (Binary).
16.3.10prm : Parameter ID
Format: LSB0pppppppB
MSB0qqqqqqqB
The Parameter ID indicates the parameter type. (See “Part V Parameter List”.)
When transferring parameters individually (as opposed to bulk transfer), this field is used to identify the parameter by its
parameter ID.
16.3.11idx : Data Index Number
Format: 0iiiiiiiB
The data index number indicates the first array number of the array where transfer starts.
16.3.12len : Data Length
Format: 0lllllllB
The value of this field specifies the size of the parameter value stored in the data field. Data length indicates the length
of the array being transferred minus 1 when the parameter contains a character string or other similar array structure.
For a one data item structure, the length depends on the data bit width, as shown below.
dddddB + 1Number of data
1 - 71
8 - 142
15 - 213
22 - 284
29 - 325
Each block of data is packed from the lowest order byte first. In the case of multiple-byte data, the lowest weighted
bit is the least significant digit of the first data byte, and the highest weighted bit is the most significant digit of
the final data byte.
The following shows an example of how data would be divided for transfer in the case of 32-bit data.
With this Instrument’s system exclusive message format, the size of a single message cannot exceed 48 bytes.
The data size and the array size, however, can cause a packet to exceed 48 bytes when transferring a single parameter array.
In this case, the IPS and IPR message data length and data index number values can be modified to enable division of a
single parameter value into multiple messages so it can be sent that way.
16.3.14EOX : End of System Exclusive Message
Format: 11110111B
This is the End of System Exclusive Message status byte established by the MIDI standard.
35
17Parameter Transfer
There are two parameter operations: Individual Parameter Transfer and Individual Parameter Request.
A single session is concluded only when this Instrument returns an IPS (Individual Parameter Send) in response to an
IPR (Individual Parameter Request) from an external device, or when an external device or this Instrument spontaneously
sends an IPS. If this Instrument received an IPS, the value of the applicable parameter is changed.
Depending on the function of a parameter, Individual Parameter Send may be used to issue a command to this Instrument
or Individual Parameter Request may be used to check Instrument status information.
17.1Two-way Communication
17.1.1Example : Data send in response to send request to this Instrument
Data ReceiverData SenderOperation
IPR Send Request
IPSData Transfer
17.2One-way Communication
17.2.1Example : Data send to Instrument from external source
Data SenderData ReceiverOperation
IPSData Transfer
17.2.2Example : Data send resulting from Instrument operation
Data ReceiverData SenderOperation
IPSData Transfer
36
Part V
Parameter List
How to Read the Tables
Number Base Notation
“Size” indicates the parameter value bit width as a decimal value.
The bit field position of “Block” as a decimal value.
Values used in the explanations under “Description” are all decimal values, unless specified otherwise.
Values other than those described above are all hexadecimal.
R/W field
The R/W field indicates whether an IPR (Individual Parameter Request) read operation or IPS (Individual Parameter Send)
write operation is enabled.
18System Parameters
These parameters make it possible for an external device to check the status of this Instrument and for an external device
to command some operation of this Instrument.
18.1System Information Parameter
This parameter is a container for system information.
Selects the System Chorus preset type. Receipt of GM/GS Reset selects Chorus3. The value of this type is also linked to
System Chorus parameters, and to the Chorus Send to Reverb and System Chorus Return Level parameters, and its setting
causes these parameters to change to prescribed values. For details about the preset type list, see “27.10 Chorus Type Setting
Value Table”.
Selects the System Reverb preset type. Receipt of GM/GS Reset selects Hall2. This is the value of this Type is also linked
to each of the System Reverb parameters and to the System Reverb Return Level parameter, and changes them to prescribed
values. For details about the preset type list, see “27.9 Reverb Type Setting Value Table”.
Tuning
Damper Pedal
Wet Level Max
Low Boost Freq
Low Boost Level
High Cut Freq
Changing this parameter configures the Tuning setting of System Acoustic Resonance. When this Instrument’s Master Fine
Tune8 setting is changed, this parameter is reset to the Master Fine Tune8 value.
Changing this parameter performs a Damper Pedal operation on System Acoustic Resonance. When the damper pedal of
the part being used by System Acoustic Resonance is operated, this parameter is reset to the depth of the damper pedal
operation.
Note 3:
The value is set when the damper pedal is completely depressed.
00(0)...Both Off
01(1)...External Only
10(2)...Internal Only
11(3)...Both On (Note1)
0-127
-64 - 0 - +63
-2 - 0 - +2
1-16 (Note1)
0-127
0-127
0-127
0....DSP# 1
:
63...DSP# 64
64...Default DSP of
Tone (Note2)
0-127
0-127
0-127
-12 - 0 - +12
-99 - 0 - +99
0...Off
1...On
0-127
-64 - 0 - +63
-64 - 0 - +63
-64 - 0 - +63
-64 - 0 - +63
-64 - 0 - +63
-64 - 0 -
-64 - 0 - +63
0...Original
1...Sin
2...Tri
3...Saw Up
4...Saw Down
5...Puls 1:3
6...Puls 2:2
7...Puls 3:1
0-127
0-127
0-127
0...Off
1...On
0...Off
1...On
0...Off
1...On
0...Off
1...On
0...Off
1...On
+63
Does not apply to Group C (C01 through C16) parts.
DSP types correspond to DSP numbers. For information about the relationship between DSP numbers and DSP algorithms,
see the Instrument’s User’s Guide. The DSP Type 64 algorithm is the one applied to the current tone, and it is equivalent
to this Instrument’s DSP type “ton” setting (initial default setting for each tone). For information about DSP algorithm
applied to each tone, see the Instrument’s User’s Guide.
When a tone is selected whose Sys Fx Send Override parameter setting is “Yes”, the send level setting value to the
System Chorus, System Reverb, and System Acoustic Resonance of the part assigned to this tone is rewritten to the value
that is stored by this tone.
Vib Rate
Vib Auto Delay
Vib Auto Rise
Vib Auto Depth
Vib Mod Depth
Vib After Depth
Lfo Wave
Lfo Rate
Lfo Fil Auto Delay
Lfo Fil Auto Rise
Lfo Fil Auto Depth
Lfo Fil Mod Depth
Lfo Fil After Depth
Lfo Amp Auto Delay
Lfo Amp Auto Rise
Lfo Amp Auto Depth
Lfo Amp Mod Depth
Lfo Amp After Depth
The function of this parameter is to relatively change the original setting value of the tone. The parameter is set to the
maximum value when the maximum is exceeded, and to the minimum when the minimum is exceeded.
Cho Normal Send
Rev Send
Acou Reso Send
Parameter7
This value is the DSP algorithm ID, which cannot be changed directly at the user level. Changing the DSP Type or Tone
Number causes the algorithm ID of the original DSP to be copied automatically to this area. See “25 DSP Algorithm ID
Tables”.
000000
7
14
7
7
7
7
10
0000-0000-3FFF
01
01
01
01
20
00-20-7F
00-00-7F
00-28-7F
00-00-7F
00-40-7F
43
Ascii Character
Serial Number
(Note1)
0-127
0-127
0-127
0-127
Equalizer Low Gain
Equalizer Lowmid Gain
Equalizer Highmid Gain
Equalizer High Gain
Equalizer Low Frequency
Equalizer Lowmid Frequency
Equalizer Highmid Frequency
Equalizer High Frequency
Equalizer Onoff
See “27.14 Equalizer Gain Setting Value Table”.
See “27.11 Equalizer Low Frequency Setting Value Table”.
Note 3:
See “27.12 Equalizer Mid Frequency Setting Value Table”.
Note 4:
See “27.13 Equalizer High Frequency Setting Value Table”.
This section describes the DSP parameter combination patterns of each algorithm specified in the “Parameter Set Type”
column of “25 DSP Algorithm ID Tables”.
Note:
The characteristics of a DSP are different depending on the tone, even if the same algorithm is used. Because of this, the
same algorithm may not produce the same effect for different tones.
26.1Equalizer
Parameter NumberParameter NameValueNotes
Parameter7[00]EQ1 Freq00 - 07Note1
Parameter7[01]EQ1 Gain34 - 4CNote2
Parameter7[02]EQ2 Freq00 - 07Note1
Parameter7[03]EQ2 Gain34 - 4CNote2
Parameter7[04]EQ3 Freq00 - 07Note1
Parameter7[05]EQ3 Gain34 - 4CNote2
Note 1: See “27.12 Equalizer Mid Frequency Setting Value Table”.
Note 2: See “27.15 DSP Equalizer Gain Setting Value Table”.
26.2Compressor
Parameter NumberParameter NameValueNotes
Parameter7[00]Depth00 - 7F
Parameter7[01]Attack00 - 7F
Parameter7[02]Release00 - 7F
Parameter7[03]Level00 - 7F
26.3Limiter
Parameter NumberParameter NameValueNotes
Parameter7[00]Limit00 - 7F
Parameter7[01]Attack00 - 7F
Parameter7[02]Release00 - 7F
Parameter7[03]Level00 - 7F
26.4Enhancer
Parameter NumberParameter NameValueNotes
Parameter7[00]Low Freq00 - 7F
Parameter7[01]Low Gain00 - 7F
Parameter7[02]High Freq00 - 7F
Parameter7[03]High Gain00 - 7F
48
26.5Chorus
Parameter NumberParameter NameValueNotes
Parameter7[00]Rate00 - 7F
Parameter7[01]Depth00 - 7F
Parameter7[02]Feedback00 - 7FNote1
Parameter7[03]Wet Level00 - 7F
Parameter7[04]Polarity00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
26.6Tremolo
Parameter NumberParameter NameValueNotes
Parameter7[00]Rate00 - 7F
Parameter7[01]Depth00 - 7F
26.7Early Reflection
Parameter NumberParameter NameValueNotes
Parameter7[00]Wet Level00 - 7F
Parameter7[01]Feedback00 - 7F
Parameter7[02]Tone00 - 7F
26.8Rotary
Parameter NumberParameter NameValueNotes
Parameter7[00]Speed00 - 7FNote1
Parameter7[01]Brake00 - 7FNote2
Parameter7[02]Fall Accel00 - 7F
Parameter7[03]Rise Accel00 - 7F
Parameter7[04]Slow Rate00 - 7F
Parameter7[05]Fast Rate00 - 7F
Note 1: See “27.3 Slow/Fast Setting Value Table”.
Note 2: See “27.4 Rotate/Brake Setting Value Table”.
49
26.9Drive Rotary
Parameter NumberParameter NameValueNotes
Parameter7[00]Overdrive Gain00 - 7F
Parameter7[01]Overdrive Level00 - 7F
Parameter7[02]Speed00 - 7FNote1
Parameter7[03]Brake00 - 7FNote2
Parameter7[04]Fall Accel00 - 7F
Parameter7[05]Rise Accel00 - 7F
Parameter7[06]Slow Rate00 - 7F
Parameter7[07]Fast Rate00 - 7F
Note 1: See “27.3 Slow/Fast Setting Value Table”.
Note 2: See “27.4 Rotate/Brake Setting Value Table”.
26.103-Phase Chorus
Parameter NumberParameter NameValueNotes
Parameter7[00]Rate 100 - 7F
Parameter7[01]Depth 100 - 7F
Parameter7[02]Rate 200 - 7F
Parameter7[03]Depth 200 - 7F
Parameter7[04]Wet Level00 - 7F
26.11Auto Pan
Parameter NumberParameter NameValueNotes
Parameter7[00]Rate00 - 7F
Parameter7[01]Depth00 - 7F
26.12Stereo Phaser
Parameter NumberParameter NameValueNotes
Parameter7[00]Resonance00 - 7F
Parameter7[01]Manual00 - 7FNote1
Parameter7[02]Rate00 - 7F
Parameter7[03]Depth00 - 7F
Parameter7[04]Wet Level00 - 7F
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
50
26.13Phaser
Parameter NumberParameter NameValueNotes
Parameter7[00]Resonance00 - 7F
Parameter7[01]Manual00 - 7FNote1
Parameter7[02]Rate00 - 7F
Parameter7[03]Depth00 - 7F
Parameter7[04]Wet Level00 - 7F
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
26.14Distortion
Parameter NumberParameter NameValueNotes
Parameter7[00]Gain00 - 7F
Parameter7[01]Low00 - 7F
Parameter7[02]High00 - 7F
Parameter7[03]Level00 - 7F
26.15Auto Wah
Parameter NumberParameter NameValueNotes
Parameter7[00]Input Lvl00 - 7F
Parameter7[01]Resonance00 - 7F
Parameter7[02]Manual00 - 7F
Parameter7[03]Depth00 - 7FNote1
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
26.16LFO Wah
Parameter NumberParameter NameValueNotes
Parameter7[00]Input Lvl00 - 7F
Parameter7[01]Resonance00 - 7F
Parameter7[02]Manual00 - 7F
Parameter7[03]Rate00 - 7F
Parameter7[04]Depth00 - 7F
26.17Flanger
Parameter NumberParameter NameValueNotes
Parameter7[00]Rate00 - 7F
Parameter7[01]Depth00 - 7F
Parameter7[02]Feedback00 - 7FNote1
Parameter7[03]Wet Level00 - 7F
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
51
26.18Multi01 (Enhancer - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]EnLowFreq00 - 7F
Parameter7[01]EnLowGain00 - 7F
Parameter7[02]En HiFreq00 - 7F
Parameter7[03]En HiGain00 - 7F
Parameter7[04]Cho Rate00 - 7F
Parameter7[05]Cho Depth00 - 7F
Parameter7[06]Chorus FB00 - 7FNote1
Parameter7[07]ChoWetLvl00 - 7F
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
26.19Multi02 (Chorus - Tremolo)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cho Rate00 - 7F
Parameter7[01]Cho Depth00 - 7F
Parameter7[02]Chorus FB00 - 7FNote1
Parameter7[03]ChoWetLvl00 - 7F
Parameter7[04]Trem Rate00 - 7F
Parameter7[05]TremDepth00 - 7F
Parameter7[06]ChoPolari00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
26.20Multi03 (Compressor - Enhancer)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]EnLowFreq00 - 7F
Parameter7[05]EnLowGain00 - 7F
Parameter7[06]En HiFreq00 - 7F
Parameter7[07]En HiGain00 - 7F
52
26.21Multi04 (Compressor - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]Cho Rate00 - 7F
Parameter7[05]Cho Depth00 - 7F
Parameter7[06]Chorus FB00 - 7FNote1
Parameter7[07]ChoWetLvl00 - 7F
Parameter7[08]Cho Polari00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
26.22Multi05 (Phaser - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]Pha Reso00 - 7F
Parameter7[01]PhaManual00 - 7FNote1
Parameter7[02]Pha Rate00 - 7F
Parameter7[03]Pha Depth00 - 7F
Parameter7[04]PhaWetLvl00 - 7F
Parameter7[05]Cho Rate00 - 7F
Parameter7[06]Cho Depth00 - 7F
Parameter7[07]Chorus FB00 - 7FNote1
Parameter7[08]ChoWetLvl00 - 7F
Parameter7[09]Cho Polari00 - 7FNote2
Parameter7[10]Pha Skip00 - 7FNote3
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
Note 3: See “27.1 Off/On Setting Value Table”.
53
26.23Multi06 (Phaser - Auto Pan)
Parameter NumberParameter NameValueNotes
Parameter7[00]Pha Reso00 - 7F
Parameter7[01]PhaManual00 - 7FNote1
Parameter7[02]Pha Rate00 - 7F
Parameter7[03]Pha Depth00 - 7F
Parameter7[04]PhaWetLvl00 - 7F
Parameter7[05]APan Rate00 - 7F
Parameter7[06]APanDepth00 - 7F
Parameter7[07]Pha Skip00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.1 Off/On Setting Value Table”.
26.24Multi07 (Chorus - Flanger)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cho Rate00 - 7F
Parameter7[01]Cho Depth00 - 7F
Parameter7[02]Chorus FB00 - 7FNote1
Parameter7[03]ChoWetLvl00 - 7F
Parameter7[04]Fln Rate00 - 7F
Parameter7[05]Fln Depth00 - 7F
Parameter7[06]FlangerFB00 - 7FNote1
Parameter7[07]FlnWetLvl00 - 7F
Parameter7[08]ChoPolari00 - 7FNote2
Parameter7[09]FlnPolari00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
54
26.25Multi08 (Auto Wah - Phaser)
Parameter NumberParameter NameValueNotes
Parameter7[00]AWh Input00 - 7F
Parameter7[01]AWh Reso00 - 7F
Parameter7[02]AWhManual00 - 7F
Parameter7[03]AWh Depth00 - 7FNote1
Parameter7[04]Pha Reso00 - 7F
Parameter7[05]PhaManual00 - 7FNote1
Parameter7[06]Pha Rate00 - 7F
Parameter7[07]Pha Depth00 - 7F
Parameter7[08]PhaWetLvl00 - 7F
Parameter7[09]AWh Skip00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.1 Off/On Setting Value Table”.
26.26Multi09 (Distortion - Phaser)
Parameter NumberParameter NameValueNotes
Parameter7[00]Dist Gain00 - 7F
Parameter7[01]Dist Low00 - 7F
Parameter7[02]Dist High00 - 7F
Parameter7[03]DistLevel00 - 7F
Parameter7[04]Pha Reso00 - 7F
Parameter7[05]PhaManual00 - 7FNote1
Parameter7[06]Pha Rate00 - 7F
Parameter7[07]Pha Depth00 - 7F
Parameter7[08]PhaWetLvl00 - 7F
Parameter7[09]Dist Skip00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.1 Off/On Setting Value Table”.
55
26.27Multi10 (Distortion - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]Dist Gain00 - 7F
Parameter7[01]Dist Low00 - 7F
Parameter7[02]Dist High00 - 7F
Parameter7[03]DistLevel00 - 7F
Parameter7[04]Cho Rate00 - 7F
Parameter7[05]Cho Depth00 - 7F
Parameter7[06]Chorus FB00 - 7FNote1
Parameter7[07]ChoWetLvl00 - 7F
Parameter7[08]Cho Polari00 - 7FNote2
Parameter7[09]Dist Skip00 - 7FNote3
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
Note 3: See “27.1 Off/On Setting Value Table”.
26.28Multi11 (Compressor - Auto Wah)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]AWh Input00 - 7F
Parameter7[05]AWh Reso00 - 7F
Parameter7[06]AWhManual00 - 7F
Parameter7[07]AWh Depth00 - 7FNote1
Parameter7[08]AWh Skip00 - 7FNote2
Parameter7[09]Routing00 - 7FNote3
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.1 Off/On Setting Value Table”.
Note 3: See “27.5 Routing Setting Value Table”.
56
26.29Multi12 (Compressor - LFO Wah)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]LWh Input00 - 7F
Parameter7[05]LWh Reso00 - 7F
Parameter7[06]LWhManual00 - 7F
Parameter7[07]LWh Rate00 - 7F
Parameter7[08]LWh Depth00 - 7F
Parameter7[09]LWh Skip00 - 7FNote1
Parameter7[10]Routing00 - 7FNote2
Note 1: See “27.1 Off/On Setting Value Table”.
Note 2: See “27.5 Routing Setting Value Table”.
26.30Multi13 (Distortion - Auto Pan)
Parameter NumberParameter NameValueNotes
Parameter7[00]Dist Gain00 - 7F
Parameter7[01]Dist Low00 - 7F
Parameter7[02]Dist High00 - 7F
Parameter7[03]DistLevel00 - 7F
Parameter7[04]APan Rate00 - 7F
Parameter7[05]APanDepth00 - 7F
Parameter7[06]Dist Skip00 - 7FNote1
Parameter7[07]APan Skip00 - 7FNote1
Note 1: See “27.1 Off/On Setting Value Table”.
26.31Multi14 (Distortion - Tremolo)
Parameter NumberParameter NameValueNotes
Parameter7[00]Dist Gain00 - 7F
Parameter7[01]Dist Low00 - 7F
Parameter7[02]Dist High00 - 7F
Parameter7[03]DistLevel00 - 7F
Parameter7[04]Trem Rate00 -
Parameter7[05]TremDepth00 - 7F
Parameter7[06]Dist Skip00 - 7FNote1
Parameter7[07]Trem Skip00 - 7FNote1
Note 1: See “27.1 Off/On Setting Value Table”.
7F
57
26.32Multi15 (Compressor - Auto Pan)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]APan Rate00 - 7F
Parameter7[05]APanDepth00 - 7F
Parameter7[06]APan Skip00 - 7FNote1
Note 1: See “27.1 Off/On Setting Value Table”.
26.33Multi16 (Compressor - Tremolo)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]Trem Rate00 - 7F
Parameter7[05]TremDepth00 - 7F
Parameter7[06]Trem Skip00 - 7FNote1
Note 1: See “27.1 Off/On Setting Value Table”.
26.34Multi17 (Compressor - Phaser)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]Pha Reso00 - 7F
Parameter7[05]PhaManual00 - 7FNote1
Parameter7[06]Pha Rate00 - 7F
Parameter7[07]Pha Depth00 - 7F
Parameter7[08]PhaWetLvl00 - 7F
Parameter7[09]Pha Skip00
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.1 Off/On Setting Value Table”.
- 7FNote2
58
26.35Multi18 (Phaser - Distortion)
Parameter NumberParameter NameValueNotes
Parameter7[00]Pha Reso00 - 7F
Parameter7[01]PhaManual00 - 7FNote1
Parameter7[02]Pha Rate00 - 7F
Parameter7[03]Pha Depth00 - 7F
Parameter7[04]PhaWetLvl00 - 7F
Parameter7[05]Dist Gain00 - 7F
Parameter7[06]Dist Low00 - 7F
Parameter7[07]Dist High00 - 7F
Parameter7[08]DistLevel00 - 7F
Parameter7[09]Pha Skip00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.1 Off/On Setting Value Table”.
26.36Multi19 (Phaser - Chorus - Auto Pan)
Parameter NumberParameter NameValueNotes
Parameter7[00]Pha Reso00 - 7F
Parameter7[01]PhaManual00 - 7FNote1
Parameter7[02]Pha Rate00 - 7F
Parameter7[03]Pha Depth00 - 7F
Parameter7[04]PhaWetLvl00 - 7F
Parameter7[05]Cho Rate00 - 7F
Parameter7[06]Cho Depth00 - 7F
Parameter7[07]Chorus FB00 - 7FNote1
Parameter7[08]ChoWetLvl00 - 7F
Parameter7[09]APan Rate00 - 7F
Parameter7[10]APanDepth00 - 7F
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
59
26.37Multi20 (LFO Wah - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]LWh Input00 - 7F
Parameter7[01]LWh Reso00 - 7F
Parameter7[02]LWhManual00 - 7F
Parameter7[03]LWh Rate00 - 7F
Parameter7[04]LWh Depth00 - 7F
Parameter7[05]Cho Rate00 - 7F
Parameter7[06]Cho Depth00 - 7F
Parameter7[07]Chorus FB00 - 7FNote1
Parameter7[08]ChoWetLvl00 - 7F
Parameter7[09]ChoPolari00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
26.38Multi21 (Auto Wah - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]AWh Input00 - 7F
Parameter7[01]AWh Reso00 - 7F
Parameter7[02]AWhManual00 - 7F
Parameter7[03]AWh Depth00 - 7FNote1
Parameter7[04]Cho Rate00 - 7F
Parameter7[05]Cho Depth00 - 7F
Parameter7[06]Chorus FB00 - 7FNote1
Parameter7[07]ChoWetLvl00 - 7F
Parameter7[08]ChoPolari00 - 7FNote2
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
60
26.39Multi22 (Compressor - Distortion - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]Dist Gain00 - 7F
Parameter7[05]Dist Low00 - 7F
Parameter7[06]Dist High00 - 7F
Parameter7[07]DistLevel00 - 7F
Parameter7[08]Cho Rate00 - 7F
Parameter7[09]Cho Depth00 - 7F
Parameter7[10]Chorus FB00 - 7FNote1
Parameter7[11]ChoWetLvl00 - 7F
Parameter7[12]Cho Polari00 - 7FNote2
Parameter7[13]Dist Skip00 - 7FNote3
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
Note 3: See “27.1 Off/On Setting Value Table”.
26.40Multi23 (LFO Wah - Distortion - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]LWh Input00 - 7F
Parameter7[01]LWh Reso00 - 7F
Parameter7[02]LWhManual00 - 7F
Parameter7[03]LWh Rate00 - 7F
Parameter7[04]LWh Depth00 - 7F
Parameter7[05]Dist Gain00 - 7F
Parameter7[06]Dist Low00 - 7F
Parameter7[07]Dist High00 - 7F
Parameter7[08]DistLevel00 -
Parameter7[09]Cho Rate00 - 7F
Parameter7[10]Cho Depth00 - 7F
Parameter7[11]Chorus FB00 - 7FNote1
Parameter7[12]ChoWetLvl00 - 7F
Parameter7[13]Cho Polari00 - 7FNote2
Parameter7[14]Dist Skip00 - 7FNote3
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
7F
Note 3: See “27.1 Off/On Setting Value Table”.
61
26.41Multi24 (Auto Wah - Distortion - Chorus)
Parameter NumberParameter NameValueNotes
Parameter7[00]AWh Input00 - 7F
Parameter7[01]AWh Reso00 - 7F
Parameter7[02]AWhManual00 - 7F
Parameter7[03]AWh Depth00 - 7FNote1
Parameter7[04]Dist Gain00 - 7F
Parameter7[05]Dist Low00 - 7F
Parameter7[06]Dist High00 - 7F
Parameter7[07]DistLevel00 - 7F
Parameter7[08]Cho Rate00 - 7F
Parameter7[09]Cho Depth00 - 7F
Parameter7[10]Chorus FB00 - 7FNote1
Parameter7[11]ChoWetLvl00 - 7F
Parameter7[12]Cho Polari00 - 7FNote2
Parameter7[13]Dist Skip00 - 7FNote3
Note 1: See “27.6 –64 - 0 +63 Setting Value Table”.
Note 2: See “27.2 –/+ Setting Value Table”.
Note 3: See “27.1 Off/On Setting Value Table”.
26.42Multi25 (Compressor - Distortion - Auto Pan)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]Dist Gain00 - 7F
Parameter7[05]Dist Low00 - 7F
Parameter7[06]Dist High00 - 7F
Parameter7[07]DistLevel00 - 7F
Parameter7[08]APan Rate00 - 7F
Parameter7[09]APanDepth00 - 7F
Parameter7[10]Dist Skip00
Parameter7[11]APan Skip00 - 7FNote1
Note 1: See “27.1 Off/On Setting Value Table”.
- 7FNote1
62
26.43Multi26 (Compressor - Distortion - Tremolo)
Parameter NumberParameter NameValueNotes
Parameter7[00]Cmp Depth00 - 7F
Parameter7[01]CmpAttack00 - 7F
Parameter7[02]Cmp Reles00 - 7F
Parameter7[03]Cmp Level00 - 7F
Parameter7[04]Dist Gain00 - 7F
Parameter7[05]Dist Low00 - 7F
Parameter7[06]Dist High00 - 7F
Parameter7[07]DistLevel00 - 7F
Parameter7[08]Trem Rate00 - 7F
Parameter7[09]TremDepth00 - 7F
Parameter7[10]Dist Skip00 - 7FNote1
Parameter7[11]Trem Skip00 - 7FNote1
Note 1: See “27.1 Off/On Setting Value Table”.
63
Part VII
Setting Values and Send/
Receive Values
27Setting Value Tables
27.1Off/On Setting Value Table
Transmit ValueReceive ValueParameter
00H00H - 3FHOff
7FH40H - 7FHOn
27.2–/+ Setting Value Table
Transmit ValueReceive ValueParameter
00H00H - 3FH-
7FH40H - 7FH+
27.6–64 - 0 - +63 Setting Value Table
Transmit/Receive ValueParameter
00H–64
01H–63
::
40H0
::
7EH+62
7FH+63
27.7–100 - 0 - +99 Setting Value Table
Transmit/Receive ValueParameter
(MSB-LSB)
00H - 00H–100
::
40H - 00H0
::
7FH - 7FH+99
27.3Slow/Fast Setting Value Table
Transmit ValueReceive ValueParameter
00H00H - 3FHSlow
7FH40H - 7FHFast
27.4Rotate/Brake Setting Value Table
Transmit ValueReceive ValueParameter
00H00H - 3FHRotate
7FH40H - 7FHBrake
27.5Routing Setting Value Table
Transmit ValueReceive ValueParameter
00H00H - 3FHComp-Wah
7FH40H - 7FHWah-Comp
27.8Pan Setting Value Table
Transmit/Receive ValueParameter
00HLeft
::
40HCenter
::
7FHRight
64
27.9Reverb Type Setting Value Table
Transmit /
Receive Value
00HRoom1-
01HRoom2Room
02HRoom3-
03HHall1Large Hall
04HHall2Hall
05HPlate1-
06HDelay-
07HPanning Delay-
08HPlate2-
09HPlate3-
0AHLarge Room1-
0BHLarge Room2-
0CHStadium1Stadium
0DHStadium2-
0EHLong Delay-
0FHLong Panning Delay-
ParameterDisplay
27.11Equalizer Low Frequency Setting
Value Table
Parameter ValueFrequency
00H200Hz
01H400Hz
02H800Hz
27.12Equalizer Mid Frequency Setting
Value Table
Parameter ValueFrequency
00H1.0KHz
01H1.3KHz
02H1.6KHz
03H2.0KHz
04H2.5KHz
05H3.2KHz
06H4.0KHz
07H5.0KHz
27.10Chorus Type Setting Value Table
Transmit /
Receive Value
00HChorus1
01HChorus2-
02HChorus3Chorus
03HChorus4-
04HFeedback Chorus-
05HFlanger1-
06HShort Delay-
07HShort Delay FB-
08HSoft Chorus-
09HBright Chorus-
0AHDeep ChorusDeep Chorus
0BHFlanger2Flanger
0CHFlanger3-
0DHFlanger4-
0EH
0FH
ParameterDisplay
LightChorus
Short Delay
Modulation
Short Delay
Modulation FB
-
-
27.13Equalizer High Frequency Setting
Value Table
Parameter ValueFrequency
00H6.0KHz
01H8.0KHz
02H10.0KHz
65
27.14Equalizer Gain Setting Value
Table
27.15DSP Equalizer Gain Setting Value
Table
Parameter ValueGain
00H–12
01H–11
02H–10
03H–9
04H–8
05H–7
06H–6
07H–5
08H–4
09H–3
0AH–2
0BH–1
0CH0
0DH+1
0EH+2
0FH+3
10H+4
11H+5
12H+6
13H+7
14H+8
15H+9
16H+10
17H+11
18H+12
Parameter ValueGain
34H–12
35H–11
36H–10
37H–9
38H–8
39H–7
3AH–6
3BH–5
3CH–4
3DH–3
3EH–2
3FH–1
40H0
41H+1
42H+2
43H+3
44H+4
45H+5
46H+6
47H+7
48H+8
49H+9
4AH+10
4BH+11
4CH+12
Note:
The gain value does not exactly correspond to decibels (dB).
Note:
The gain value does not exactly correspond to decibels (dB).
66
Part VIII
MIDI Implementation
Notation
28Value Notation
28.1Hexadecimal Notation
MIDI implementation sometimes requires that data be
expressed in hexadecimal format. Hexadecimal values are
indicated by the letter “H” after the value. The hexadecimal
equivalents of decimal values 10 through 15 are expressed
as the letters A through F. The table below shows the
hexadecimal equivalents for decimal values 0 through 127,
which are often used in MIDI messages.
Decimal
Hexadecimal
000H3220H6440H9660H
101H3321H6541H9761H
202H3422H6642H9862H
303H3523H6743H9963H
404H3624H6844H10064H
505H3725H6945H10165H
606H3826H7046H10266H
707H3927H7147H10367H
808H4028H7248H10468H
909H4129H7349H10569H
100AH422AH744AH1066AH
110BH432BH754BH1076BH
120CH442CH764CH1086CH
130DH452DH774DH1096DH
140EH462EH784EH1106EH
150FH472FH794FH1116FH
1610H4830H8050H11270H
1711H4931H8151H11371H
1812H5032H8252H11472H
1913H5133H8353H11573H
2014H5234H8454H11674H
2115H5335H8555H11775H
2216H5436H8656H11876H
2317H5537H8757H11977H
2418H5638H8858H12078H
2519H5739H8959H12179H
261AH583AH905AH1227AH
271BH593BH915BH1237BH
281CH603CH925CH1247CH
291DH613DH935DH1257DH
301EH623EH945EH1267EH
311FH633FH955FH1277FH
Decimal
Hexadecimal
Decimal
Hexadecimal
Decimal
Hexadecimal
28.2Binary Notation
When a MIDI implementation data value is expressed in
binary, the letter “B” (for “binary”) is affixed at the end of
the value. The table below shows the binary equivalents for
the decimal values 0 through 127, which are often used for
settings.
Decimal
1257DH01111101B
1267EH01111110B
1277FH01111111B
Hexadecimal
000H00000000B
101H00000001B
202H00000010B
303H00000011B
404H00000100B
505H00000101B
606H00000110B
707H00000111B
808H00001000B
909H00001001B
100AH00001010B
110BH00001011B
120CH00001100B
130DH00001101B
140EH00001110B
150FH00001111B
1610H00010000B
::
Binary
67
CASIO COMPUTER CO.,LTD.
MA1007-A
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
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