Canon IV-S2 User Manual

Page 1
L
JPN. PAT, 176637
Page 2
ll-i jfl
directions tor using
35mni CANON CAMERAS
M od e ls f l - D.
I V - S2
Canon
J
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CONTENTS
Page
I. HOW TO OPERATE YOUR CANON CAMERA
II. HOW TO LOAD AND UNLOAD FILM III. HOW TO CHANGE YOUR CANON LENSES . . IV. HOW TO USE BUILT-IN FLASH SYNCHRONIZER .
V. EVOLUTION OF CANON CAMERAS
AND HOW TO IDENTIFY YOUR CAMERA . .
VI. CANON ACCESSORIES...............................................
• BRIEF HISTORY OF CANON CAMERA CO., INC..
.............................
R
carefully. You can learn how to use your camera in a few minutes
27
3—17
18—24 25—26 27—30
31—37 38—40 41
ead the direction
il
Page 4
CANON CAMERA MODEL I I- F
The operation of your Canon Camera MODEL ll-F is same as those of Model IV-S2 and Model ll-D described in this booklet. For flash photo graphy use Canon Flash Unit made specifically for Models ll-F and IV-S2.

MODEL COMPARISON

MOOEL
1V-S2 ll-F ll-D
SLOW SHUTTER SPEEDS HIGHSHUTTER SPEEDS
1/25
1 to 1 to
1 to 1/25 sec. 1/25to1/500 sec.
sec. 1/25 to
1 725
sec. 1/25 to 1 '500 sec.
1/1 000 sec.

CANON CAMERA CO.. INC. TOKYO, japan

BUILT-IN SYNCHRONIZER
High-Slow Speed Flash & Speedlight High Speed Flash
None Use Canon Flash Unit B-lll
(External Synchronizing Type)
Page 5
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Page 6
DESCRIPTIONS
Lens Focusing Lever
Page lO
Page 7
Exposure Counting Dial
Film Winding Knob .................................................................
Slow Shutter Sp&^d Dial ............................................
Film Speed Indicator ..............................................................
Reversing Lever Shutter Release Button
High Shutter Speed Dial .......................................................
Lens
..............
Rangefinder Window
Depth of Field Scale ....____________
Distance Scale
Accessory Clip ......................................................................
Range-View Finder Window
Lens Aperture Scale ............................................
Film Plane Indicator .....................................................
Base Plate Rangefinder Eyepiece Range-View Finder Magnification Control Lev\
Film Rewinding Knob ..................................
Flash Synchronizer Terminal ................................................
Eye for Neck Strap \
Flash Unit Mounting Bracket ................................................
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Your CANON CAMERA and CANON LENS are the praducts of the highest grade of precision engineering and optical research. The camera is sträng, compact and simple ta operate. As it is a precision instrument, it is advisable that you understand how to operate it by studying the direction carefully.
The superior resolving power of the CANON LENS will produce negatives
of extreme sharpness; the lens will resolve to a higher degree than the emulsion of modern high-grade film.
• USE YOUR CAMERA INTELLIGENTLY
• LEARN TO USE IT IN EVERY POSSIBLE WAY
• TREAT IT WITH RESPECT Although fully guaranteed for five (5) years, it will, with care, last you a lifetime and give you photographs you will be proud to own.
Page 9
HOW TO OPERATE YOUR CATION CAAiERA
1. Remove the Lens Cap. By sure to replooe this Cap when your comero is not in use.
2. See that the Reversing Lever is at the "A" (Advance^ position.
Then turn the Film Winding Knob one complete turn when it will stop By doing so you
will advance one film frame and wind the shutter ot the same time,
NOTE: Always wind the Film Winding Knob just before taking a pi:ture. Do not leave it wound
L
over long periods as this may weaken the Shutter Spring and may cause accidental exposure if the Shutter Release Button is pressed by mistake.
Page 10

Setting The Shutter Speed Dials

There are two Shutter Speed Dials:

fnJet: Msrk
High : for speeds between 1
(1/500 sec. on Model I
Slow : for speeds between
T (Time)
/25 to 1/1000 sec, l-D)& B (Bulb)
1 '25 to 1 sec. &
High Shutter Speed Dial
Correct exposures ore best obtained with on exposure meter or by following the instruction supplied with the film. To operate the camera at any of the speeds shown on the High Shutter Speed Dial, first turn the Film Winding Knob. Raise the dial with thumb and forefinger and turn until the
speed required is exactly opposite the Index Mark and let the dial fall. For 1/1000 sec.,
the dial drops only half the distance of the other speeds. Intermediate speeds can not be used.
N0TE: When the High Shutter Speed Dial is in use the Slow Shutter Speed Dial must be set at 25
{l/25 sec.).
A
Page 11

Slow Shutter Speed Dial

The Slow Shutter Speed Dial will offer speeds between 1/25 to 1 sec. and T (Time) by turning the dial to the correct position so that the required speed registers uppermost opposite the index mark. The Dial is locked only at 25, to release it press Spring Lock with your thumbnail and turn the Dial to your left. Be sure that the High Shutter Speed Dial is set at 25-1 (1/25 sec.).
NOTE: Speeds intermediate between l/25, //d, //4, //2 and I sec. may be obtained by setting the dial
to the estimated position.
Page 12

Time Exposures Longer Than One Second

A time exposure may be obtained by using the B (Bulb) position on the High Shutter Speed Dial. The shutter remains open from the time you press the Shutter Release Button until the pressure is removed. You may olso obtain a time exposure with the Slow Shutter Speed Dial or T (Time). Press the Shutter Release Button and
the shutter will open and remain open until you turn the Slow Shutter Speed Dial to 1. The shutter will close only when this method is used.
NOTE: For speed slower ihen I/25 sec. a solid tripod is essential, and preferably a Canon Camera Holder and Canon Cable Release.
Page 13

Lens Aperture Scale

The Lens Aperture controls the amount of light entering the lens and also the Depth of Field. Set ih« Letrs
Aperture (f-stop) by turning the Aperture Scale i.knurled ring) to the proper position. This is best determined
with an exposure meter or by following the instructions
given with the film. When the Lens Aperture is closed by one stop; the amount of light entering the Lens is decreased by one half, two stops, by one quarter and so on. Therefore
you should adjust the Lens Aperture in conjunction with your shutter speed. Suppose your exposure meter indicates a speed of 1/200 sec. at f : 5.6. If you want to expose for a slower speed say 1/100 sec., then you must close down the Lens Aperture to f ; 8. In other words, as you have doubled the time of the shutter opening, you must reduce the amount of light entering the lens by half to obtain the correct exposure.
Knurled Ring
Page 14
r

Depth of Field Scale

The Distonce Scale and the Depth of Field Scale are used together. Depth of Field means the range of objects which will be in focus on your film. This range varies with the distance of the object of sharp focus and the Lens Aperture. It extends from in front of the object of sharp focus to beyond it. The greater the Lens Aperture, the less will be the Depth of Field. Depth of Field also diminishes as the distance of the object of sharp focus from the film plone decreases. The illustrotlon shows the Lens Aperture at f:1.8 and the Distance Scale at 25 feet. An object at 25 ft is in sharp focus. The Depth of Field Scale shows that the nearest object also in focus is approximately 21 feet and the farthest object in focus is approximately 30 feet. If the Lens Aperture Scale is set at f : 11 the object in focus will extend from 12 feet to infinity (to). See illustration on next page.
Page 15

Infrared Index

R marking indicates the position at which focusing should be set when using an
infrared film. Be sure to use proper infrared filter which is reco.mmended by manufacturer of infrared films, After accurate focusing is done in the usual man ner read the object distance off the Distance Scale of the lens. Then turn the lens so that the object distance will be exactly opposite the R index mark. The lens is now in focus for infrared photography.
Index Marie

Distance Scale

When accurate focus (see page 10) has been made on any object, the actual distance from the film* to the object is shown by the Distance Scale which is marked from
3.5 to infinity (oo) in feet. Lenses with metric scales are provided when specially ordered.
*Shown by fhe Red Doi near the Accessory Clip.
Page 16

Focusing

If is recommended that the camera be held as illustrated. It should rest comfortably on the heel of the left hand and be balanced by the right hand. Hold the camera to your cheek to keep it steady while sighting through the Range-View Finder* Eyepiece. Manipulate the Focusing Lever with either your left or right forefinger whichever is more comfortable. More precise focusing is possible by setting the Magnification Control Lever at 1.5 x (see
page 12) and rotating the Milled Focusing Ring as shown in right illustration.
NOTE: The Focusing Lever is released from the infinity Catch on the lens by depressing the knob and
turning. » JPN. PAT. 176637 175722
10
Page 17
In correct focus
As you look through the Range-View Finder Eyepiece and rotate the Focusing Lever you
will see two images of the same object. The images move apart or together as the lever
is rotated. Turn the Focusing Lever until the two images of the object on which you are focusing coincide exactly. Your lens is now in sharp focus on the object. At the same time all objects in the range shown on the Depth of Field Scale will also be in focus at the f-stop you select for the exposure.
1 1
Page 18

Magnification Control'

There are three positions for the Magnification Control Lever; F, lx, and 1.5x. When really sharp focusing is required, turn the Lever to 1.5x when the object will be magnified 1.5 times. Remember, however, the actual image recorded on the film will be the picture seen at the F position of the Lever.
The lx position corresponds to the image seen and recorded by any CANON LENS with a focal length of 100mm. The 1 .5x position shows the image for any CANON LENS with a focal length of 1 35mm.
A certain difference between the picture seen through the
Range-View Finder Eyepiece and the image recorded by the lens is inevitable. For normal photography the difference is immaterial being so slight. But for certain work compensation should be allowed.
JPN PAT. 379444
12
Page 19
When the Lever is set at lx for CANON LENSES with focal length of 100mm, and the object distance is less than 13 feet a special viewfinder with parallax compensation adjust ment should be used.
NOT£: Specially designed Viewfinders to compensate for parallax are available for all CANON LENSES except for the Standaid 50 mm CANON LENSES.
At 1 .5 X with 135 mm CANON LENSES for distance less than 14 feet it is essential to use the special viewfinder available for each type of lens
13
Page 20
Page 21

Exposure & Composition

To expose and compose your picture are the lost steps and perhaps the most important. Be sure lhat the main object in the scene you are photographing is in sharp focus,
For 50 mm CANON LENSES, the image recorded on the fìlnì will be the one seen through the Eyepiece with the Magnification Control Lever at " F Having composed your picture gently press the Shutter Release Butlon with your forefinger. Never jerk while making an exposure. The slightest movement foi an exposure made at 1 25 sec.
or slower will give you a bluried picture By pressing the camera to your cheek, keeping your
elbows into your side and by holding your breath just
before and duiing the actual instant of exposure you will get ail extiemely shai p pictuie.
Theie are two ways to liold the camera. One is for horizontal pictures as shown in this page and the other is for verticol pictures as shown in next page,
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Page 22
NOTE: Make sure your finger does not touch the High
Shutter Speed Dial as it will alter the correct speed. Give particular attention to this when gloves are
Page 23
NOTE: When taking vertical picture care should be taken
that the cover does not swing in front of the lens, lb is recommended to detach the flap from the case.
Page 24
16
Page 25

Double Exposures

Double exposures are normally quite impossible on the CANON CAMERA, but for special effects they are sometimes needed. Expose the first picture as usual. Then while keeping the Shutter Release Button pressed down, turn the High Shutter Speed Dial COUNTER-CLOCK-WISE without lifting the Dial until you hear a "Click” and the Dial turns no further. Release the Shutter Release Button first then the Dial. The Shutter is now completely rewound and the second exposure may be made. This action may be repeated any number of times, and be adjusted to another
speed, if required.
17

Accessory Clip

This is used for fitting attachments such as the Special Viewfinder, Universal Viewfinder, etc. w
Page 26
HOW TO LOAD AND UNLOAD FILM
DO

Loading

!mL
Always load in subdued lighi. Before you begin loading, set the Reversing Lever to “A" (Advance) and turn the Film Winding Knob until it stops. Press the Shutter Release Button.
Keep the Lens Cap in place. Open the Baseplate by lifting the lock
handle and turn it in the direction shown by the arrow, from "Close" to " Open "
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1 9
Page 28
Pull out the Take-up Spool,* and slide the read/-cut-leader end up under the Take-up Spool Clip as far as it will go. The glossy side of the film should face the spool. Make sure that the per forated edge of the film is flush with flange of the Take-up Spool. Do not wind the film around the spool. With the Take-up Spool in your left bond and the film magazine in your light hand, draw out the film about
four inches so that the first two per forations ore showing. See diagram plate inside the camera Slide both the film magazine and the Take-up Spool evenly and gently into
iheir coi rect chambers nil the way dov/n The dull 'emulsion') side of I he
fiI m should he f aci ng the lens.
-JPN. PAT. 39 1 935
Page 29
Turn ihe Film Winding Knob slightly to engage the sprockets in the film perforations as shown. The dotted line as shown in the diagram indicates the film path when correctly loaded.
Page 30
Correct Not correct
20
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The Take-up Spool has a spring catch to facilitate
its easier removal from the camera body. By turning the top of the Take-up Spool slightly, it v/ill jump up
and allow you to get a better grip. Re-lock this spring as shown in the illustration after you have loaded your camera and before you replace the Baseplate.
Replace the Baseplate by hooking it into the lug first and lock the Baseplate.
21
Page 32
Keep the Reversing Lever still at '"A". Pull up and turn the Rewinding Lever gently in the direction shown by the arrow in the diagram. When it will not turn further, your film is taut, having taken up the slack film in the magazine. Lastly, turn the Film Winding Knob and press the Shutter Release Button. Repeat this process once again. By doing this you ensure that you will not use the first two frames which have been exposed to
light while you were loading.
See note on page 23 to verify
that you have correctly loaded
the film.
Next set the Exposure Counting Dial at the base of the Film Wind
ing Knob to "1" by turning it
counterclockwise with your thumb
nail catching one of the lugs on the Dial. Each time the Winding
Knob is turned this Dial automa tically registers the next number.
22
Page 33
Next set the Film Speed Indi cator* at the top of the Film
Winding Knob to the speed of your film. This will serve as a reminder that your camera is loaded and will show speed of
the film you are using.
23
« JPN. PAT.
Page 34
NOTE: Each time the Winding Knob is turned the
Rewinding Knob rotates in a reverse direction.
This indicates that the film is properly
passing to the Take-up Spool for the next
exposure, provided you have taken care to make the film taut by tightening the film wound in the magazine. Should the Rewind ing Knob not turn, obviously the sprockets are not engaging the film perforations. You should then rewind the film until it disengages the Take-up Spool, open the Baseplate and reload again.
STOP THE REWINDING MOTION (SEE NEXT PAGE) AS SOON AS THE REVOLVING OF THE SHUTTER RELEASE BUTTON CEASES. THIS WILL PREVENT THE LEADER FROM DRAWING COMPLETELY INTO THE MAGAZINE.
400876
Page 35

Unloading

When the Film Winding Knob no longer turns, you have come to the end of your film roll. DO NOT FORCE IT. Make sure to release the shutter first and then turn the Reversing Lever from '"A" to "'R" (Rewind). Raise the Rewinding Knob and rewind the whole film back into its original magazine. When you have done this, you may open the Baseplate and take out the flm magazine. The film is now ready for developing.
During the rewinding operation the Shutter Release Button turns and stops the moment the film leader is pulled off from the Take-up Spool, Rewind a few
more turns so that the leader will be drawn com
pletely into the magazine.
24
Page 36
HOW TO CHANGE YOUR CANON LENSES

Dismounting

unscrew without difficulty. The Lens Focusing Lever should be kept locked in the Infinity Catch at all the while.
Immediately the lens has been taken off, place it into a
clean container (Canon Leather Lens Case or Canon Plastic
Lens Case) to prevent the lens elements being scratched or contaminated by dirt or finger marks.
25
place your CANON CAMERA in your hand. Grasp the base of the lens barrel by the Lens Focusing Lever and twist counter-clackwise. The lens will
Page 37
Mounting
Before fitting the new lens into place be sure to un
screw the Lens Dust Cap. First turn the lens counter clockwise a little way and then clockwise. You will find the thread will be introduced more easily. Do not hold the lens by any part other than the base using the Milled Ring or the Lens Focusing Lever. Take care not to use force if the threads bind while turning, as you have crossed the thread.
26
Page 38
m
HOW TO iJSi’.
%
27
i
/’ladk
There are three types of built-in flash synchronization in the Canon camera, model IV-S2 :
1. High shutter speed synchronization.
2. Speedlight synchronization.
3. Slow shutter speed synchronization.
One and three are to be used with any of the synchronized Canon
Flash Units. Two, with Speedlight units.
NOTE: Only the Canon camera MODEL IV-S2 is synchronized. Models ll-D and
lll-A are not synchronized and Canon Flash Unit^ model B~lll must be used.
* JPN PAT. 187594 U.S.A. PAT. 2643597
-----------
Page 39

High Shutter Speed

Synchronization

This system is generally for focal-plane flash bulbs GE No. 6, 31; Sylvania FP-26, 2A ; Westinghouse No. 6 ; etc.. Be sure to keep the Slow Shutter Speed Dial at " 25 " at all times when using this system. For
guide numbers and .Micro Sync settings
please refer to the cards which accompany the instruction booklet for the Canon Flash Unit.
28
WARNING ;
Page 40
Do not press the Shutter Release Button
even though the shutter Is not wound, as
It will fire the flash bulb.
Page 41

Speedlight Synchronization

Speedlight unit (having not more than 10 milli second delay) Is connected with a Canon Extension Cord "A" (15ft) through a Canon Self-Extension
Adapter fitted to the Flash Mounting Bracket* of the camera. Make sure to set the Slow Shutter Speed Dial to "X" keeping the High Shutter Speed Dial at 1/25 sec. DO NOT USE OTHER SPEEDS.
Aperture openings (f-stops) should be determined
by instruction given with the speedlight unit.
* JI“N. PAT 383724
29
WARNING:
Page 42
Do not press the Shutter Release Button except for checking the connection^ even
though the shutter is not wound, as it discharges the speedlight.
Page 43

Slow Shutter Speed

Synchronization

This is generally for peak type flash bulbs such
as GE No. 5,11, 22, 50 ; Sylvania No. 0, 2, 3, 25, 40 ; etc. However, focal-plane flash bulbs can be used just as well. Keep the High Shutter Speed Dial set at 1/25 sec. For settings please refer to the cards which are furnished with the instruction booklet for the Canon Flash Unit.
30
WARNING 1
Page 44
Do not press the Shutter Release Button
even though shutter is not wound.
Otherwise the flash bulb will fire.
Page 45
¥
EVOLUTION OF CANON CAMERAS
AND HOW TO IDENTIFY YOUR CAMERA
1 935-37 Original Model
1937-39' Model S
31
The original model equipped with collapsible viewfinder. Shutter speeds provide 1 '20 to 1 /500 sec. &■ B, Bayonet-type-mount Nikkor 50 mm f : 4.5 mounted.
Exposure counting dial moved to the base of the film winding knob. Slow shutter speeds (1-1 20 sec) installed. Bayonet-type-mount Nikkor 50 mm
f:2,8 lens mounted.
Page 46
1939-42 Model S
Exactly same as the previous model except
bayonet-type-mount Nikkor 50 mm f : 2 lens replaces Nikkor 50 mm f ; 2.8 lens.
Page 47
1942-45 Model S
All the Nikkor lenses replaced by Canon's own Serenar lens, collapsible Serenar 50 mm f : 3.5.
32
Page 48
1945-47 Model J
The model wifh the built-in view finder but without rangefinder. No slow shutter
speed
33
Page 49
1947-48 Model S
Model J was replaced by Model S-ll with
built-in rangefinder. The camera has speeds
1 to 1 /500 sec. & B.
Page 50
1948-50 Model ll-B
Collapsible Serenor 50mm f:2 lens replaces Serenar 50 mm f:3.5 lens. It is distingu ished by a remarkable single window com bined view rangefinder with three degrees of magnification control.
Page 51
1950-52 Model
shutter speeds of 1/1000 sec. as well as T added. Collapsible Serenar 50 mm f : 1.9 lens replaces collapsible Serenar 50 mm
f : 2 lens.
34
Page 52
1950-52 Model (V
Built-in Flash Synchronizer equipped. Rail on one end of the camera to accomodate flash unit. Construction is similar to the Canon HI
SS
Page 53
1952-53 Model lll-A
Serenar 50 mm f : 1 .8 replaces 50 mm f : 1 .9.
If is not synchronized. Film Speed Indicator equipped the top of the Film winding Knob. Click stops on the diaphragm control, and a
non-collopsible mount.
Page 54
1952 Model IV-F
(later renamed as IV-S)
Similai to Canon IV except collapsible Serenar 50 mm f:1.9 replaced by non-coilapslble standard
Serenar 50 mm f : 1 .8 lens,
Page 55
1952 Model ll-A
No slow shufter speeds. 1 25 to 1/500 sec.
& B. New Serenar 50 mm f:3.5 (type 11)
lens mounted.
36
Page 56
r
1952- Model ll-D
No change except slow shutter speeds
t added to the previous model ll-A.
37
Page 57
1952- Model IV-S2
Same as Model IV-S except speedlight (x' synchronization added into the flash synchronizer, and the lock provided on the slow shutter speed dial.
Page 58
38
S'-i * у
ч ï J
с ij3
ïïh
Page 59
135 mm f:3.5
100mm f:3.5 85mm f : 1.5 85mm f : 1.9 50mm f : 1.5
50mm f:1.8 50mm f:3.5 35mm f:2.8 35mm f:3.2
28mm f:3.5
Page 60
39
Page 61
CANON CAMERA HOLDER'"
The Canon CAMERA HOLDER is an
ideal accessory for close-up, tele
photo and long exposure shots. It is
designed to hold the camera sturdy
in a balanced position when using a
tripod. The camera can be easily
seated either vertically or horizontal
ly. Spirit Level assures accurate composition of subject.
384742 384743 U.S.A. PAT 2589392
Page 62
Page 63
CANON AUTO-UP
Ideal for photographing flowers, insects and other small objects. The Canon AUTO-UP is a close-cp lens for use with the Canon 50 mm f : 1 .8 lens Subject lying between 22 inches and 40 inches can be accurately focused with the rangefinder of the camera. It is not necessary to dismount the lens to use the AUTO-UP , simply mount the AUTO­UP onto the 50 mm f : 1.8.
40
Page 64
BRIEF HISTORY OF CANON CAMERA COMPANY, INC.
Canon Camera Company, Inc. was first established as a Research Institute in the year of 1933 for the objacLi\’e of studying and manufacturing the very best miniature cameras in Japan. In 1935, through intensive researches and
designes, the first model named as “ Kannon ” Goddess of Mercy! was produced and put on market with pride
and confidence under the trade name “CANON”. Very little number of cameras were being produced during the early stage but continued efforts have been made
to improve the quality and to increase the production as well as to put out variety of accessories for Canon cameras. Canon Camera Company, Inc. is now equipped with various superfine precision machineries, testing instruments,
and operated by a number of top grade engineers, technicians, and designers. Lifelong experience and natural skill of these staff enable the company to fabricate the entire works within the company. Optical glass dissolving, lens polishing as well as shutter and metal assembling are all done through modern steamlined operation.
I.enses produced by Canon Camera Company, Inc. have been called “SERENAR” but they are now named as “CANON LENSES”.
Canon Camera Company, Inc. is the largest camera manufacturer in Japan with the longest history and the greatest reputation.
Page 65
CA NO N C A ME R A CO M P AN Y , I NC .
No. 2^Z ,'!Mr.4)
Page 66
TOKYO JAPAN
1
2M K-7-53 Printed in Japan Daito -»l M
p:
- f
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