II. HOW TO LOAD AND UNLOAD FILM
III. HOW TO CHANGE YOUR CANON LENSES . .
IV. HOW TO USE BUILT-IN FLASH SYNCHRONIZER .
V. EVOLUTION OF CANON CAMERAS
AND HOW TO IDENTIFY YOUR CAMERA . .
VI. CANON ACCESSORIES...............................................
• BRIEF HISTORY OF CANON CAMERA CO., INC..
.............................
R
carefully. You can
learn how to use
your camera in a
few minutes
27
3—17
18—24
25—26
27—30
31—37
38—40
41
ead the direction
il
Page 4
CANON CAMERA MODEL I I- F
The operation of your Canon Camera MODEL ll-F is same as those of
Model IV-S2 and Model ll-D described in this booklet. For flash photo
graphy use Canon Flash Unit made specifically for Models ll-F and IV-S2.
MODEL COMPARISON
MOOEL
1V-S2
ll-F
ll-D
SLOW SHUTTER SPEEDS HIGHSHUTTER SPEEDS
1/25
1 to
1 to
1 to 1/25 sec.1/25to1/500 sec.
sec.1/25 to
1 725
sec.1/25 to 1 '500 sec.
1/1 000 sec.
CANON CAMERA CO.. INC. TOKYO, japan
BUILT-IN SYNCHRONIZER
High-Slow Speed Flash & Speedlight
High Speed Flash
Your CANON CAMERA and CANON LENS are the praducts of the highest
grade of precision engineering and optical research.
The camera is sträng, compact and simple ta operate. As it is a precision
instrument, it is advisable that you understand how to operate it by
studying the direction carefully.
The superior resolving power of the CANON LENS will produce negatives
of extreme sharpness; the lens will resolve to a higher degree than the
emulsion of modern high-grade film.
• USE YOUR CAMERA INTELLIGENTLY
• LEARN TO USE IT IN EVERY POSSIBLE WAY
• TREAT IT WITH RESPECT
Although fully guaranteed for five (5) years, it will, with care, last you
a lifetime and give you photographs you will be proud to own.
Page 9
HOW TO OPERATE YOUR CATION CAAiERA
1. Remove the Lens Cap. By sure to replooe this Cap when your comero is not in use.
2. See that the Reversing Lever is at the "A" (Advance^ position.
Then turn the Film Winding Knob one complete turn when it will stop By doing so you
will advance one film frame and wind the shutter ot the same time,
NOTE: Always wind the Film Winding Knob just before taking a pi:ture. Do not leave it wound
L
over long periods as this may weaken the Shutter Spring and may cause accidental exposure if
the Shutter Release Button is pressed by mistake.
Page 10
Setting The Shutter Speed Dials
There are two Shutter Speed Dials:
fnJet: Msrk
High : for speeds between 1
(1/500 sec. on Model I
Slow : for speeds between
T (Time)
/25 to 1/1000 sec,
l-D)& B (Bulb)
1 '25 to 1 sec. &
High Shutter Speed Dial
Correct exposures ore best obtained with on exposure meter or by following the instruction
supplied with the film.
To operate the camera at any of the speeds shown on the High Shutter Speed Dial, first
turn the Film Winding Knob. Raise the dial with thumb and forefinger and turn until the
speed required is exactly opposite the Index Mark and let the dial fall. For 1/1000 sec.,
the dial drops only half the distance of the other speeds. Intermediate speeds can not be used.
N0TE: When the High Shutter Speed Dial is in use the Slow Shutter Speed Dial must be set at 25
{l/25 sec.).
A
Page 11
Slow Shutter Speed Dial
The Slow Shutter Speed Dial will offer speeds between 1/25 to 1 sec. and T (Time) by
turning the dial to the correct position so that the required speed registers uppermost
opposite the index mark. The Dial is locked only at 25, to release it press Spring Lock
with your thumbnail and turn the Dial to your left. Be sure that the High Shutter Speed
Dial is set at 25-1 (1/25 sec.).
NOTE: Speeds intermediate between l/25, //d, //4, //2and I sec. may be obtained by setting the dial
to the estimated position.
Page 12
Time Exposures Longer Than One Second
A time exposure may be obtained by using the B (Bulb) position
on the High Shutter Speed Dial. The shutter remains open
from the time you press the Shutter Release Button until the
pressure is removed.
You may olso obtain a time exposure with the Slow Shutter
Speed Dial or T (Time). Press the Shutter Release Button and
the shutter will open and remain open until you turn the
Slow Shutter Speed Dial to 1. The shutter will close only
when this method is used.
NOTE: For speed slower ihen I/25 sec. a solid tripod is essential,
and preferably a Canon Camera Holder and Canon Cable Release.
Page 13
Lens Aperture Scale
The Lens Aperture controls the amount of light entering
the lens and also the Depth of Field. Set ih« Letrs
Aperture (f-stop) by turning the Aperture Scale i.knurled
ring) to the proper position. This is best determined
with an exposure meter or by following the instructions
given with the film.
When the Lens Aperture is closed by one stop; the
amount of light entering the Lens is decreased by one
half, two stops, by one quarter and so on. Therefore
you should adjust the Lens Aperture in conjunction
with your shutter speed. Suppose your exposure meter
indicates a speed of 1/200 sec. at f : 5.6. If you want
to expose for a slower speed say 1/100 sec., then you
must close down the Lens Aperture to f ; 8. In other
words, as you have doubled the time of the shutter
opening, you must reduce the amount of light entering
the lens by half to obtain the correct exposure.
Knurled Ring
Page 14
r
Depth of Field Scale
The Distonce Scale and the Depth of Field Scale are used
together.
Depth of Field means the range of objects which will be in
focus on your film. This range varies with the distance of the
object of sharp focus and the Lens Aperture. It extends from
in front of the object of sharp focus to beyond it. The
greater the Lens Aperture, the less will be the Depth of Field.
Depth of Field also diminishes as the distance of the object
of sharp focus from the film plone decreases.
The illustrotlon shows the Lens Aperture at f:1.8 and the
Distance Scale at 25 feet. An object at 25 ft is in sharp focus.
The Depth of Field Scale shows that the nearest object also
in focus is approximately 21 feet and the farthest object in
focus is approximately 30 feet. If the Lens Aperture Scale is
set at f : 11 the object in focus will extend from 12 feet to
infinity (to). See illustration on next page.
Page 15
Infrared Index
R marking indicates the position at which focusing should be set when using an
infrared film. Be sure to use proper infrared filter which is reco.mmended by
manufacturer of infrared films, After accurate focusing is done in the usual man
ner read the object distance off the Distance Scale of the lens. Then turn the lens
so that the object distance will be exactly opposite the R index mark. The lens is
now in focus for infrared photography.
Index Marie
Distance Scale
When accurate focus (see page 10) has been
made on any object, the actual distance
from the film* to the object is shown by
the Distance Scale which is marked from
3.5 to infinity (oo) in feet. Lenses with metric
scales are provided when specially ordered.
*Shown by fhe Red Doi near the Accessory Clip.
Page 16
Focusing
If is recommended that the camera be held as illustrated. It should rest comfortably on
the heel of the left hand and be balanced by the right hand. Hold the camera to your
cheek to keep it steady while sighting through the Range-View Finder* Eyepiece. Manipulate
the Focusing Lever with either your left or right forefinger whichever is more comfortable.
More precise focusing is possible by setting the Magnification Control Lever at 1.5 x (see
page 12) and rotating the Milled Focusing Ring as shown in right illustration.
NOTE: The Focusing Lever is released from the infinity Catch on the lens by depressing the knob and
turning. » JPN. PAT. 176637175722
10
Page 17
In correct focus
As you look through the Range-View Finder Eyepiece and rotate the Focusing Lever you
will see two images of the same object. The images move apart or together as the lever
is rotated. Turn the Focusing Lever until the two images of the object on which you are
focusing coincide exactly. Your lens is now in sharp focus on the object. At the same time
all objects in the range shown on the Depth of Field Scale will also be in focus at the
f-stop you select for the exposure.
1 1
Page 18
Magnification Control'
There are three positions for the Magnification Control Lever;
F, lx, and 1.5x. When really sharp focusing is required,
turn the Lever to 1.5x when the object will be magnified 1.5
times. Remember, however, the actual image recorded on the
film will be the picture seen at the F position of the Lever.
The lx position corresponds to the image seen and recorded
by any CANON LENS with a focal length of 100mm. The 1 .5x
position shows the image for any CANON LENS with a focal
length of 1 35mm.
A certain difference between the picture seen through the
Range-View Finder Eyepiece and the image recorded by the
lens is inevitable. For normal photography the difference is immaterial being so slight.
But for certain work compensation should be allowed.
JPN PAT. 379444
12
Page 19
When the Lever is set at lx for CANON
LENSES with focal length of 100mm, and the
object distance is less than 13 feet a special
viewfinder with parallax compensation adjust
ment should be used.
NOT£: Specially designed Viewfinders to
compensate for parallax are available for all
CANON LENSES except for the Standaid
50 mm CANON LENSES.
At 1 .5 X with 135 mm CANON LENSES for
distance less than 14 feet it is essential to
use the special viewfinder available for each
type of lens
13
Page 20
Page 21
Exposure & Composition
To expose and compose your picture are the lost steps
and perhaps the most important. Be sure lhat the main
object in the scene you are photographing is in sharp
focus,
For 50 mm CANON LENSES, the image recorded on the
fìlnì will be the one seen through the Eyepiece with the
Magnification Control Lever at " F Having composed
your picture gently press the Shutter Release Butlon with
your forefinger. Never jerk while making an exposure.
The slightest movement foi an exposure made at 1 25 sec.
or slower will give you a bluried picture
By pressing the camera to your cheek, keeping your
elbows into your side and by holding your breath just
before and duiing the actual instant of exposure you
will get ail extiemely shai p pictuie.
Theie are two ways to liold the camera. One is for
horizontal pictures as shown in this page and the other
is for verticol pictures as shown in next page,
14
Page 22
NOTE: Make sure your finger does not touch the High
Shutter Speed Dial as it will alter the correct speed.
Give particular attention to this when gloves are
Page 23
NOTE: When taking vertical picture care should be taken
that the cover does not swing in front of the
lens, lb is recommended to detach the flap from
the case.
Page 24
16
Page 25
Double Exposures
Double exposures are normally quite impossible on the CANON CAMERA, but for
special effects they are sometimes needed. Expose the first picture as usual. Then
while keeping the Shutter Release Button pressed down, turn the High Shutter Speed
Dial COUNTER-CLOCK-WISE without lifting the Dial until you hear a "Click” and the
Dial turns no further. Release the Shutter Release Button first then the Dial. The
Shutter is now completely rewound and the second exposure may be made.
This action may be repeated any number of times, and be adjusted to another
speed, if required.
17
Accessory Clip
This is used for fitting
attachments such as
the Special Viewfinder,
Universal Viewfinder,
etc. w
Page 26
HOW TO LOAD AND UNLOAD FILM
DO
Loading
!mL
Always load in subdued lighi. Before
you begin loading, set the Reversing
Lever to “A" (Advance) and turn the
Film Winding Knob until it stops.
Press the Shutter Release Button.
Keep the Lens Cap in place.
Open the Baseplate by lifting the lock
handle and turn it in the direction
shown by the arrow, from "Close" to
" Open "
18
Page 27
1 9
Page 28
Pull out the Take-up Spool,* and slide
the read/-cut-leader end up under the
Take-up Spool Clip as far as it will go.
The glossy side of the film should face
the spool. Make sure that the per
forated edge of the film is flush with
flange of the Take-up Spool. Do not
wind the film around the spool.
With the Take-up Spool in your left
bond and the film magazine in your
light hand, draw out the film about
four inches so that the first two per
forations ore showing. See diagram
plate inside the camera
Slide both the film magazine and the
Take-up Spool evenly and gently into
iheir coi rect chambers nil the way
dov/n The dull 'emulsion') side of I he
fiI m should he f aci ng the lens.
-JPN. PAT. 39 1 935
Page 29
Turn ihe Film Winding Knob slightly to engage the
sprockets in the film perforations as shown.
The dotted line as shown in the diagram indicates
the film path when correctly loaded.
Page 30
Correct Not correct
20
Page 31
The Take-up Spool has a spring catch to facilitate
its easier removal from the camera body. By turning
the top of the Take-up Spool slightly, it v/ill jump up
and allow you to get a better grip. Re-lock this
spring as shown in the illustration after you have
loaded your camera and before you replace the
Baseplate.
Replace the Baseplate by hooking it into the
lug first and lock the Baseplate.
21
Page 32
Keep the Reversing Lever still
at '"A". Pull up and turn the
Rewinding Lever gently in the
direction shown by the arrow
in the diagram. When it will
not turn further, your film is
taut, having taken up the
slack film in the magazine.
Lastly, turn the Film Winding
Knob and press the Shutter
Release Button. Repeat this
process once again. By doing
this you ensure that you will
not use the first two frames
which have been exposed to
light while you were loading.
See note on page 23 to verify
that you have correctly loaded
the film.
Next set the Exposure Counting
Dial at the base of the Film Wind
ing Knob to "1" by turning it
counterclockwise with your thumb
nail catching one of the lugs on
the Dial. Each time the Winding
Knob is turned this Dial automa
tically registers the next number.
22
Page 33
Next set the Film Speed Indi
cator* at the top of the Film
Winding Knob to the speed of
your film. This will serve as a
reminder that your camera is
loaded and will show speed of
the film you are using.
23
« JPN. PAT.
Page 34
NOTE: Each time the Winding Knob is turned the
Rewinding Knob rotates in a reverse direction.
This indicates that the film is properly
passing to the Take-up Spool for the next
exposure, provided you have taken care to
make the film taut by tightening the film
wound in the magazine. Should the Rewind
ing Knob not turn, obviously the sprockets
are not engaging the film perforations. You
should then rewind the film until it disengages
the Take-up Spool, open the Baseplate and
reload again.
STOP THE REWINDING MOTION (SEE NEXT PAGE) AS SOON
AS THE REVOLVING OF THE SHUTTER RELEASE BUTTON
CEASES. THIS WILL PREVENT THE LEADER FROM DRAWING
COMPLETELY INTO THE MAGAZINE.
400876
Page 35
Unloading
When the Film Winding Knob no longer turns, you
have come to the end of your film roll. DO NOT
FORCE IT. Make sure to release the shutter first
and then turn the Reversing Lever from '"A" to "'R"
(Rewind). Raise the Rewinding Knob and rewind the
whole film back into its original magazine. When
you have done this, you may open the Baseplate
and take out the flm magazine. The film is now
ready for developing.
During the rewinding operation the Shutter Release
Button turns and stops the moment the film leader is
pulled off from the Take-up Spool, Rewind a few
more turns so that the leader will be drawn com
pletely into the magazine.
24
Page 36
HOW TO CHANGE YOUR CANON LENSES
Dismounting
unscrew without difficulty. The Lens Focusing Lever should
be kept locked in the Infinity Catch at all the while.
Immediately the lens has been taken off, place it into a
clean container (Canon Leather Lens Case or Canon Plastic
Lens Case) to prevent the lens elements being scratched
or contaminated by dirt or finger marks.
25
place your CANON CAMERA in your
hand. Grasp the base of the lens
barrel by the Lens Focusing Lever and
twist counter-clackwise. The lens will
Page 37
Mounting
Before fitting the new lens into place be sure to un
screw the Lens Dust Cap. First turn the lens counter
clockwise a little way and then clockwise. You will
find the thread will be introduced more easily. Do
not hold the lens by any part other than the base
using the Milled Ring or the Lens Focusing Lever.
Take care not to use force if the threads bind while
turning, as you have crossed the thread.
26
Page 38
m
HOW TO iJSi’.
%
27
i
/’ladk
There are three types of built-in flash synchronization in the Canon
camera, model IV-S2 :
1. High shutter speed synchronization.
2. Speedlight synchronization.
3. Slow shutter speed synchronization.
One and three are to be used with any of the synchronized Canon
Flash Units. Two, with Speedlight units.
NOTE: Only the Canon camera MODEL IV-S2 is synchronized. Models ll-D and
lll-A are not synchronized and Canon Flash Unit^ model B~lll must be used.
* JPN PAT. 187594 U.S.A. PAT. 2643597
-----------
Page 39
High Shutter Speed
Synchronization
This system is generally for focal-plane
flash bulbs GE No. 6, 31; Sylvania FP-26,
2A ; Westinghouse No. 6 ; etc.. Be sure to
keep the Slow Shutter Speed Dial at " 25 "
at all times when using this system. For
guide numbers and .Micro Sync settings
please refer to the cards which accompany
the instruction booklet for the Canon Flash
Unit.
28
WARNING ;
Page 40
Do not press the Shutter Release Button
even though the shutter Is not wound, as
It will fire the flash bulb.
Page 41
Speedlight Synchronization
Speedlight unit (having not more than 10 milli
second delay) Is connected with a Canon Extension
Cord "A" (15ft) through a Canon Self-Extension
Adapter fitted to the Flash Mounting Bracket* of
the camera. Make sure to set the Slow Shutter
Speed Dial to "X" keeping the High Shutter Speed
Dial at 1/25 sec. DO NOT USE OTHER SPEEDS.
Aperture openings (f-stops) should be determined
by instruction given with the speedlight unit.
* JI“N. PAT 383724
29
WARNING:
Page 42
Do not press the Shutter Release Button
except for checking the connection^ even
though the shutter is not wound, as it
discharges the speedlight.
Page 43
Slow Shutter Speed
Synchronization
This is generally for peak type flash bulbs such
as GE No. 5,11, 22, 50 ; Sylvania No. 0, 2, 3,
25, 40 ; etc. However, focal-plane flash bulbs
can be used just as well. Keep the High Shutter
Speed Dial set at 1/25 sec. For settings please
refer to the cards which are furnished with the
instruction booklet for the Canon Flash Unit.
30
WARNING 1
Page 44
Do not press the Shutter Release Button
even though shutter is not wound.
Otherwise the flash bulb will fire.
Page 45
¥
EVOLUTION OF CANON CAMERAS
AND HOW TO IDENTIFY YOUR CAMERA
1 935-37 Original Model
1937-39' Model S
31
The original model equipped with
collapsible viewfinder. Shutter
speeds provide 1 '20 to 1 /500
sec. &■ B, Bayonet-type-mount
Nikkor 50 mm f : 4.5 mounted.
Exposure counting dial moved to the base of
the film winding knob. Slow shutter speeds
(1-1 20 sec) installed. Bayonet-type-mount
Nikkor 50 mm
f:2,8 lens mounted.
Page 46
1939-42 Model S
Exactly same as the previous model except
bayonet-type-mount Nikkor 50 mm f : 2
lens replaces Nikkor 50 mm f ; 2.8 lens.
Page 47
1942-45 Model S
All the Nikkor lenses replaced by Canon's
own Serenar lens, collapsible Serenar
50 mm f : 3.5.
32
Page 48
1945-47 Model J
The model wifh the built-in view finder
but without rangefinder. No slow shutter
speed
33
Page 49
1947-48 Model S
Model J was replaced by Model S-ll with
built-in rangefinder. The camera has speeds
1 to 1 /500 sec. & B.
Page 50
1948-50 Model ll-B
Collapsible Serenor 50mm f:2 lens replaces
Serenar 50 mm f:3.5 lens. It is distingu
ished by a remarkable single window com
bined view rangefinder with three degrees
of magnification control.
Page 51
1950-52 Model
shutter speeds of 1/1000 sec. as well as T
added. Collapsible Serenar 50 mm f : 1.9
lens replaces collapsible Serenar 50 mm
f : 2 lens.
34
Page 52
1950-52 Model (V
Built-in Flash Synchronizer equipped. Rail on one
end of the camera to accomodate flash unit.
Construction is similar to the Canon HI
SS
Page 53
1952-53 Model lll-A
Serenar 50 mm f : 1 .8 replaces 50 mm f : 1 .9.
If is not synchronized. Film Speed Indicator
equipped the top of the Film winding Knob.
Click stops on the diaphragm control, and a
non-collopsible mount.
Page 54
1952 Model IV-F
(later renamed as IV-S)
Similai to Canon IV except collapsible Serenar
50 mm f:1.9 replaced by non-coilapslble standard
Serenar 50 mm f : 1 .8 lens,
Page 55
1952 Model ll-A
No slow shufter speeds. 1 25 to 1/500 sec.
& B. New Serenar 50 mm f:3.5 (type 11)
lens mounted.
36
Page 56
r
1952- Model ll-D
No change except slow shutter speeds
t added to the previous model ll-A.
37
Page 57
1952- Model IV-S2
Same as Model IV-S except speedlight (x'
synchronization added into the flash
synchronizer, and the lock provided
on the slow shutter speed dial.
Page 58
38
S'-i * у
ч ï J
с ij3
ïïh
Page 59
135 mm f:3.5
100mm f:3.5
85mm f : 1.5
85mm f : 1.9
50mm f : 1.5
50mm f:1.8
50mm f:3.5
35mm f:2.8
35mm f:3.2
28mm f:3.5
Page 60
39
Page 61
CANON CAMERA HOLDER'"
The Canon CAMERA HOLDER is an
ideal accessory for close-up, tele
photo and long exposure shots. It is
designed to hold the camera sturdy
in a balanced position when using a
tripod. The camera can be easily
seated either vertically or horizontal
ly. Spirit Level assures accurate
composition of subject.
384742 384743 U.S.A. PAT 2589392
Page 62
Page 63
CANON AUTO-UP
Ideal for photographing flowers, insects
and other small objects. The Canon
AUTO-UP is a close-cp lens for use with
the Canon 50 mm f : 1 .8 lens Subject
lying between 22 inches and 40 inches
can be accurately focused with the
rangefinder of the camera. It is not
necessary to dismount the lens to use
the AUTO-UP , simply mount the AUTOUP onto the 50 mm f : 1.8.
40
Page 64
BRIEF HISTORY OF CANON CAMERA COMPANY, INC.
Canon Camera Company, Inc. was first established as a Research Institute in the year of 1933 for the objacLi\’e of
studying and manufacturing the very best miniature cameras in Japan. In 1935, through intensive researches and
designes, the first model named as “ Kannon ” Goddess of Mercy! was produced and put on market with pride
and confidence under the trade name “CANON”.
Very little number of cameras were being produced during the early stage but continued efforts have been made
to improve the quality and to increase the production as well as to put out variety of accessories for Canon cameras.
Canon Camera Company, Inc. is now equipped with various superfine precision machineries, testing instruments,
and operated by a number of top grade engineers, technicians, and designers. Lifelong experience and natural skill
of these staff enable the company to fabricate the entire works within the company. Optical glass dissolving,
lens polishing as well as shutter and metal assembling are all done through modern steamlined operation.
I.enses produced by Canon Camera Company, Inc. have been called “SERENAR” but they are now named as
“CANON LENSES”.
Canon Camera Company, Inc. is the largest camera manufacturer in Japan with the longest history and the greatest
reputation.
Page 65
CA NO N C A ME R A CO M P AN Y , I NC .
No. 2^Z ,'!Mr.4)
Page 66
TOKYO JAPAN
1
2M K-7-53 Printed in Japan Daito -»lM
p:
- f
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