Canon EOS 10D User Manual

INSTRUCTION MANUAL

Be sure to read this Instruction
Manual before using your camera
for the first time. Keep this booklet
handy for easy reference.

E

English Edition

Thank you for purchasing a Canon product.

The EOS 10D is a high-performance, single-lens reflex, AF digital camera with an ultra-fine
CMOS sensor having 6.30 million effective pixels. It is compatible with all Canon EF lenses
and designed for quick and easy shooting at any time. It is full-featured for all types of
shooting, from fully automatic snap shooting to highly creative work. Images can also be
printed directly from the camera.
CompactFlash cards serve as the camera’s recording medium.

Be sure to read this Instruction Manual to familiarize yourself with the features and proper
operation of this camera.

∗ Using CF cards made by Canon is recommended.

Radio and Television Interference (VCCI Statement)

This camera is an information technology device that does not exceed Class B limits for
electromagnetic interference (EMI) in compliance with standards set by Japan’s Voluntary
Control Council for Interference by Information Technology Equipment (VCCI). This device may
still cause interference with radio or television reception when placed near such an appliance.

Test the Camera Before Shooting

Before using the camera, be sure to test it first. Check that the images are properly recorded
on the CF card. If the camera or CF card is faulty and the images cannot be recorded or read
by a personal computer, Canon cannot be held liable for any loss or inconvenience caused.

Copyrights

Copyright laws in your country may prohibit the use of images of people and certain subjects
for anything but private enjoyment. Shooting public performances or exhibitions may also be
prohibited.

Canon and EOS are trademarks of Canon Inc.

•

Adobe and Photoshop are trademarks of Adobe Systems Incorporated.

•

CompactFlash is a trademark of SanDisk Corporation.

•

IBM PC/AT is a trademark or registered trademark of International Business Machines.

•

Macintosh is a registered trademark of Apple Corporation in the United States and other

•

countries.
All other trademarks are the property of their respective owners.

•

2

Equipment Check List

Be sure all the following equipment and accessories have been included with your camera. If
anything is missing, contact your dealer.

¢ EOS 10D camera body (with body cap and lithium backup battery for the date and time)
¢ Eyecup Eb
¢ Battery Pack BP-511 (includes protective cover)
¢ Battery Charger CB-5L
¢ Power cord for battery charger
¢ Interface Cable IFC-300PCU
¢ Video Cable VC-100
¢ Neck Strap EW-100DB (with eyepiece cover)

¢ EOS DIGITAL Solution Disk
¢ Adobe Photoshop Elements Disk

¢ EOS 10D Instructions (which you are reading now)
¢ EOS 10D Software Instructions

Explains how to install the software for transferring images from the camera to a personal
computer, processing RAW images, and image processing.

¢ Battery Pack BP-511 Instructions

Introduction

¢ Warranty card
¢ Quick Operation Guide
¢ EOS 10D Accessories

Introduces major accessories for the EOS 10D.

∗ No CF card is included. Please purchase it separately. CF cards made by Canon are

recommended.

This digital camera supports Exif 2.2 (also called “Exif Print”). Exif Print is a standard for
enhancing the communication between digital cameras and printers. By connecting to an Exif
Print-compliant printer, the camera’s image data at the time of shooting is used and optimized,
yielding extremely high quality prints.

3

Contents

Introduction

Equipment Check List ....................................... 3

Handling Precautions ...................................... 10

Quick Start Guide ........................................... 12

Nomenclature .................................................. 14

Conventions Used in this Manual.................... 20

Before You Start

1

Attaching the Strap ......................................... 21

Recharging the Battery ................................... 22

Installing and Removing the Battery ............... 24

Battery Level Icons ..................................... 24

Using a Household Power Supply................... 26

Mounting and Detaching a Lens ..................... 27

Installing and Removing the CF Card ............. 28

Basic Operation .............................................. 30

Main Switch ................................................ 30

Shutter Button ............................................ 30

Using the Electronic Dials .......................... 31

Menu Operations ............................................ 32

Menu Screen .............................................. 32

Setting Procedure ...................................... 33

Menu Selections and Default Settings ....... 34

LCD Monitor ............................................... 35

Reverting to the Default Settings ................ 35

Dioptric Adjustment ......................................... 36

Holding the Camera ........................................ 36

Fully Automatic Shooting

2

Fully Automatic Shooting .......................... 38

AF-Assist Beam with the Built-in Flash ...... 39

Programmed Image Control Modes ................ 40

Portrait ................................................... 40

Landscape ............................................. 40

Close-up ................................................ 40

Sports .................................................... 41

Night Portrait .......................................... 41

Flash off ................................................. 41

Reviewing Images ................................... 42

Image Review ............................................. 42

Changing the Review Time ........................ 43

Settings for Shooting

3

Image-Recording Quality ......................... 46

Processing ................................................. 47

Simultaneous Capture in RAW and JPEG Formats ...

..........................

...........

..................

21

37

45

Setting the ISO Speed ................................ 49

ISO Speed in the Basic Zone Modes ......... 49

ISO Speed in the Creative Zone Modes ..... 49

Selecting the White Balance ..................... 50

White Balance ............................................ 50

White Balance Settings ................................... 51

Custom White Balance ............................ 52

Setting the Color Temperature ................. 53

White Balance Auto Bracketing ................ 54

Setting Processing Parameters ............... 56

Selecting a Color Space .......................... 58

Selecting sRGB .......................................... 58

Selecting Adobe RGB ................................ 58

File Numbering Methods ......................... 59

Continuous Numbering .............................. 59

Auto Reset .................................................. 59

Setting Auto Rotation ............................... 61

Checking Camera Settings ..................... 62

Focusing

4

Selecting AF Mode .................................... 64

One-Shot AF for Still Subjects .................... 65

Focusing an Off-Center Subject ................. 65

AI Servo AF for Moving Subjects ............... 66

AI Focus AF for Automatic AF Mode Switching ...

Selecting an AF Point ................................. 67

Basic Procedure for AF Point Selection ..... 67

Automatic Selection .................................... 68

Manual Selection ........................................ 68

Registering and Switching an AF Point ... 69

Registering an AF Point ............................. 69

Switching to the Registered AF Point ......... 70

When Autofocus Fails (Manual Focusing) ....... 71

Selecting the Metering Mode and Drive Mode

5

Selecting the Metering Mode ..................... 74

Metering Modes .............................................. 75

Evaluative Metering ............................... 75

Partial Metering ..................................... 75

Center-weighted Average Metering ....... 75

Drive Mode Selection ............................... 76

Self-timer Operation .................................... 77

Using the Eyepiece Cover............................... 78

Advanced Operations

6

48

Program AE ................................................. 80

......................................

.................

63

66

...

73

79

4

Contents

Shutter-Priority AE ..................................... 82

Aperture-Priority AE .................................. 84

Depth-of-field Preview ..................................... 85

Manual Exposure ........................................ 86

Automatic Depth-of-Field AE ................... 88

Setting Exposure Compensation .................... 89

Auto Exposure Bracketing ....................... 90

AE Lock ...................................................... 92

Bulb Exposures ............................................... 93

Mirror Lockup .................................................. 94

LCD Panel Illumination ............................... 94

Shooting with a Flash

7

Using the Built-in Flash ................................... 96

Using the Built-in Flash in the Basic Zone ... 96

Using the Built-in Flash in the Creative Zone ..

Using Red-eye Reduction .......................... 99

FE Lock ................................................ 100

Flash Exposure Compensation ............ 101

Flash Shot with Speedlite 550EX .................. 102

Full Auto Flash ......................................... 103

Taking Flash Shots in Each Shooting Mode .....

High-Speed Sync (FP Flash) ............... 104

FEB (Flash Exposure Bracketing) ............ 104

FE Lock ................................................ 105

Flash Exposure Compensation ............ 105

Modeling Flash ......................................... 105

Wireless Multi-Flash/E-TTL Autoflash Shooting ...

Using Non-Canon Flash Units ...................... 106

TTL and A-TTL Autoflash Speedlites ............ 106

Image Playback

8

Image Playback............................................. 108

Single image ....................................... 108

Image with Shooting Information ....... 109

Index Display ....................................... 110

/ Magnified View ............................... 111

Image Jump ...................................... 112

Automated Playback of Images (Auto playback) ...

Rotating an Image ............................. 114

Connecting to a TV ....................................... 115

Image Protection .................................... 116

Erasing an Image ...................................... 117

Erasing a Single Image ............................ 117

Erasing All Images ................................... 118

Formatting the CF Card ......................... 119

.................

.........................

107

95

103

105

113

Direct Printing from the Camera

9

Direct Printing ............................................... 122

Connect the Camera to the Printer ............... 122

Connecting to a Card Photo Printer ..... 122

Connecting to a Canon BJ Printer ........ 124

Printing .......................................................... 125

Printing Options ............................................ 127

Setting the Quantity .................................. 127

Setting the Printing Style .......................... 127

Tr imming ................................................... 129

DPOF: Digital Print Order Format

10

Print Order ............................................. 132

Selecting the Images to be Printed .......... 133

97

Printing Options ........................................ 135

Direct Printing with DPOF ............................. 137

Menu Settings

11

Menu Settings ........................................ 140

Setting Custom Functions ..................... 145

Custom Function Settings ..................... 146

Clearing All Custom Functions .............. 152

Maintenance

12

Setting the Date and Time ..................... 154

Replacing the Date/Time Battery .................. 155

Cleaning the Image Sensor (CMOS) ........

Reference

13

Basic Terminology ......................................... 160

Function Availability Table ............................. 163

AF Modes and Drive Modes ......................... 163

Exposure Warning List .................................. 164

AE Lock Effects ............................................. 165

Program Line ................................................ 165

Shutter Speed and Aperture Value Readouts ...

On-screen Messages .................................... 167

Error Codes ................................................... 171

Troubleshooting Guide .................................. 172

Major Accessories (optional) ........................ 174

System Map .................................................. 176

Specifications ................................................ 178

Index ............................................................. 182

...........................

..............................

...................................

...

121

Introduction

1

2

3

...

131

4

5

139

6

153

7

8

156

159

9

10

166

11

12

13

5

Digital Camera Model DS6031

This device complies with Part 15 of the FCC Rules. Operation is subject to the following
two conditions: (1) This device may not cause harmful interference, and (2) this device
must accept any interference received, including interference that may cause undesired
operation.

Note:This equipment has been tested and found to comply with the limits for class B

digital devices, pursuant to Part 15 of the FCC Rules. These limits are designed to
provide reasonable protection against harmful interference in a residential installa­tion. This equipment generates, uses and can radiate radio frequency energy and, if
not installed and used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no guarantee that interfer­ence will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the
equipment off and on, the user is encouraged to try to correct the interference by
one or more of the following measures:
— Reorient or relocate the receiving antenna.
— Increase the separation between the equipment and receiver.
— Connect the equipment into an outlet on a circuit different from that to which the

receiver is connected.

— Consult the dealer or an experienced radio/TV technician for help.

The cable with the ferrite core provided with the digital camera must be used with this
equipment in order to comply with Class B limits in Subpart B of Part 15 of the FCC rules.

Do not make any changes or modifications to the equipment unless otherwise specified in
the manual. If such changes or modifications should be made, you could be required to
stop operation of the equipment.

Canon U.S.A. Inc.
One Canon Plaza, Lake Success, NY 11042, U.S.A.
Tel No. [phone]

The Mark is a directive conformity mark of the European Community (EC).

This mark indicates that the product complies with Australia’s EMC regulations.

6

SAFETY PRECAUTIONS

• Before using the camera, please ensure that you have read and understood the safety
precautions described below. Always ensure that the camera is operated correctly.

• The safety precautions noted as follows are intended to instruct you in the safe and
correct operation of the camera and its accessories to prevent injuries or damage to
yourself, other persons and equipment.

• The term “equipment” refers primarily to the camera and its power supply accessories.

WARNINGS

• Do not aim the camera or detached lens only directly into the sun or at other intense light
sources that could injure your eyesight.

• Store this equipment out of the reach of children and infants. Accidental damage to the
camera or batteries by a child could result in serious injury. In addition, placement of the
neck strap around a child’s neck could result in asphyxiation.

• Be particularly careful to keep the lithium battery CR2025 used in the camera out of the
reach of children. Seek medical assistance immediately if a child swallows the battery.

• Do not attempt to disassemble or alter any part of the equipment. Disassembly or
alteration may result in high-voltage electrical shock. Internal inspections, alterations and
repairs should be conducted by qualified service personnel authorized by your camera
distributor or Canon Customer Support.

•To avoid the risk of high-voltage electrical shock, do not touch internal portions of the
equipment that become exposed as a result of damage. Please take the first opportunity
to consult your camera distributor or Canon Customer Support immediately.

• Stop operating the equipment immediately if it should emit smoke or noxious fumes.
Failure to do so may result in fire or electrical shock. Set the camera’s main switch to the
OFF position and remove the camera battery or unplug the power cord from the electrical
outlet immediately. Please consult your camera distributor or the closest Canon Customer
Support.

• Stop operating the equipment if it is dropped or the casing is damaged. Failure to do so
may result in fire or electrical shock. Set the camera’s main switch to the OFF position
and remove the camera battery or unplug the power cord immediately. Please consult
your camera distributor or the closest Canon Customer Support.

• Prevent the equipment from immersion in, water or other liquids. Do not allow liquids to
enter the interior. The camera is not waterproof. If the exterior contacts with liquids or salt
air, wipe it dry with a soft, absorbent cloth. If water or other foreign substances enter the
interior, immediately set the camera’s main switch to the OFF position and remove the
camera battery or unplug the power cord immediately. Continued use of the equipment
may result in fire or electrical shock. Please consult your camera distributor or the closest
Canon Customer Support.

Do not use substances containing alcohol, benzene, thinners or other flammable sub-

•
stances to clean or maintain the equipment. The use of these substances may lead to fire.

• Do not cut, damage, alter or place heavy items on the power cord. Any of these actions
may cause an electrical short circuit, which may lead to fire or electrical shock. Replace a
broken or damaged power cord.

Introduction

7

• Do not handle the power cord if your hands are wet. Handling it with wet hands may lead
to electrical shock. When unplugging the cord, ensure that you hold the rigid portion of
the plug. Pulling the flexible portion of the cord may damage or expose the wire and
insulation, creating the potential for fires or electrical shocks.

• Use of power sources not expressly recommended for this equipment may lead to
overheating, distortion of the equipment, fire, electrical shock or other hazards. Use only
the recommended power accessories.

• Power down the computer and unplug the power cord before attempting to connect the
interface cable, to avoid the risk of electrical shock.

• Do not place the batteries near a heat source or expose them to direct flame or heat.
Neither should you immerse them in water. Such exposure may damage the batteries and
lead to the leakage of corrosive liquids, fire, electrical shock, explosion or serious injury.

• Do not attempt to disassemble, alter, or apply heat to the batteries. There is serious risk
of injury due to an explosion. Immediately flush with water any area of the body, including
the eyes and mouth, or clothing, that comes into contact with the inner contents of a
battery. If the eyes or mouth contact these substances, immediately flush with water and
seek medical assistance.

•Avoid dropping or subjecting the batteries to severe impacts that could damage the
casings. This could lead to leakage and injury.

• Do not short-circuit the battery terminals with metallic objects, such as key holders. This
could lead to overheating, burns and other injuries. Use the supplied battery case to
transport or store the battery pack.

• Before you discard a battery, cover the terminals with tape or other insulators to prevent
direct contact with other objects. Contact with the metallic components of other materials
in waste containers may lead to fire or explosions. Discard batteries in specialized waste
facilities if available in your area.

• Use of batteries not expressly recommended for this equipment may cause explosions or
leaks, resulting in fire, injury and damage to the surroundings. Use only recommended
batteries and accessories.

• Use only the recommended battery charger to charge the Battery Pack BP-511 recharge­able batteries. Use of chargers not expressly recommended may result in overheating,
distortion, fire or electrical shock.

• Disconnect the AC adapter from both the camera and electrical outlet when the camera is
not in use to avoid fires and other hazards.

• The camera terminal of the DC coupler cord is designed for exclusive use with the EOS
10D. Do not use it with other products or batteries. There is a risk of fire and other
hazards.

8

CAUTIONS

•Avoid using, placing or storing the equipment in places subject to strong sunlight or high
temperatures, such as the dashboard or trunk (boot) of a car. Exposure to intense
sunlight and heat may cause the batteries to leak, overheat or explode, resulting in fire,
burns or other injuries. High temperatures may also cause deformation of the casing.
Ensure that there is good ventilation when using the battery charger to charge the battery
pack.

• Do not store the equipment in humid or dusty areas. Storage in these areas could lead to
fire, electrical shock or other damage.

• Be careful not to bang the camera or subject it to strong impacts or shocks that could lead
to injury or damage the equipment when wearing or holding it by the wrist strap.

• Be careful not to cover the flash with your fingers when shooting. In addition, do not touch
the surface of the flash after taking several pictures in rapid succession. Either action
could result in burns.

Preventing Malfunctions

Avoid Strong Magnetic Fields

Never place the camera in close proximity to electric motors or other equipment generating
strong electromagnetic fields. Exposure to strong magnetic fields may cause malfunctions
or corrupt image data.

Avoid Condensation Related Problems

Moving the equipment rapidly between hot and cold temperatures may cause condensation
(water droplets) to form on its external and internal surfaces. You can avoid this by placing
the equipment in an airtight, resealable plastic bag and letting it adjust to temperature
changes slowly before removing it from the bag.

If Condensation Forms Inside the Camera

Stop using the camera immediately if you detect condensation. Continued use may damage
the equipment. Remove the CF card and battery or power cord (if connected) from the
camera and wait until the moisture evaporates completely before resuming use.

Extended Storage

When not using the camera for extended periods of time, remove the battery (except the
CR2025 lithium button battery) and store the equipment in a safe place. Storing the camera
for extended periods with a battery installed will run down the battery and may damage the
camera.

Important Safety Functions and Preventive Measures

• When the CF Card Access Lamp is blinking, do not remove the CF card from the camera.
Since the card is reading and writing data when the lamp is blinking, removal of the CF
card at this time will damage the card.

• Do not use any cable other than that supplied with the camera. Use the supplied interface
cable to connect the camera to a computer. Use of any other cable may lead to a
malfunction.

Introduction

9

Handling Precautions

The Camera

(1) This camera is a precision instrument. Do not drop it or expose it to physical shock.
(2) The camera is not waterproof and should not be used in wet conditions or underwater. If

the camera gets wet, take it to your nearest Canon dealer as soon as possible. If small
amounts of water splash onto the camera, wipe it with a clean dry cloth. If the camera is
exposed to salty air, wipe it thoroughly with a slightly damp cloth.

(3) Never leave the camera close to devices that generate strong magnetic fields, such as

magnets or electric motors. Do not operate or leave the camera in areas where strong
electromagnetic signals are generated, such as near electronic transmission towers.
Exposing the camera to strong electromagnetic signals can cause it to malfunction and
destroy recorded image data.

(4) Do not leave the camera in hot locations, such as in a car sitting in direct sunlight. High

temperatures can damage the camera.

(5) The camera contains precision circuits. Never attempt to disassemble the camera or

service it yourself.

(6) Use a commercially available blower brush to remove any dust that accumulates on the

camera lens, viewfinder, mirror, or focusing screen. Do not use cleaners that contain
organic solvents to wipe off the camera body or lens. If the camera is very soiled, consult
your nearest Canon dealer.

(7) Do not touch the camera’s electrical contacts with your hands. Doing so could corrode the

contacts and interfere with the camera’s normal operation.

(8) If the camera is suddenly brought in from the cold into a warm room, condensation may

form on the camera and internal parts. To prevent condensation, first put the camera in a
sealed plastic bag. Let the camera adjust to the warmer temperature before taking it out of
the bag.

(9) Do not use the camera if condensation forms on it, or you could damage it. If this occurs,

remove the CF card and battery from the camera, and wait until the condensation has
evaporated before using the camera.

(10) If the camera will not be used for an extended period, remove its battery and store the

camera in a cool, dry, well-ventilated location. While the camera is in storage, operate its
shutter periodically to make sure that it is working.

(11) Avoid storing the camera in locations where potentially corrosive chemicals are used,

such as in a laboratory.

(12) If the camera has been in storage for an extended period, check its components before

using it. If you have not used the camera for some time or are planning to take shots you
will not want to lose (overseas vacation, etc.), have the camera checked by your Canon
dealer beforehand, or check for yourself that the camera components are working
properly.

LCD Panel and LCD Monitor

(1) The LCD monitor is manufactured with very high precision technology. However, there

may be a few dead pixels where a black or red pixel is always displayed. They number no
more than 0.01 percent of all effective pixels. They are not a malfunction and do not affect
the images recorded.

(2) Do not press hard on an LCD display or subject it to impacts, as this can cause display

flaws and damage.

10

Handling Precautions

(3) If an LCD display becomes soiled, clean it with a commercially available blower brush, or

wipe it with a soft cloth, taking care not to scratch the screen. If an LCD display becomes
extremely soiled, consult your nearest Canon dealer.

(4) By their nature, LCD displays react more slowly at low temperatures, and may appear

dark at high temperatures. The display will return to normal at room temperature.

Lithium Battery for the Date and Time

(1) Store lithium batteries out of reach of small children. The chemicals in these batteries are

very dangerous if the battery is accidentally swallowed. If this happens, seek medical
attention at once.

(2) Do not use metal instruments such as pliers to hold the battery, or you could cause a short

circuit.

(3) Do not disassemble or heat the battery, or you could rupture it.

CF Card

(1) The CF card is a precision device. Do not drop CF cards or expose them to vibrations.

Doing so could lose the images recorded on them.

(2) Do not store or use CF cards near objects that generate magnetic fields, such as TVs,

speakers, or magnets, or in locations affected by static electricity. Doing so could lose the
images recorded on the CF card.

(3) Do not place CF cards in direct sunlight or close to heating appliances. Doing so can

distort the cards and make them unusable.
(4) Do not spill liquids onto CF cards.
(5) Always store your CF cards in a case or cabinet to protect the data stored on them.
(6) Use only CF cards specified by Canon. Otherwise, you may be unable to record or play

back images.
(7) Do not bend CF cards, or subject them to strong impacts.
(8) Do not store CF cards in hot, dusty, or humid locations, or in locations exposed to static

electricity or magnetic fields.

Introduction

Lens Electrical Contacts

After detaching the lens from the camera, attach the lens caps or put
down the lens with the rear end up to avoid scratching the lens
surface and electrical contacts.

Contacts

11

Quick Start Guide

For detailed instructions, see the reference page indicated in parentheses.

Recharge the battery.

Connect the power cord to the battery

12

charger, then attach the battery. When
the charge lamp stops blinking and
stays lit, the battery is completely
charged. A full battery charge takes
approximately 90 minutes. (

Open the CF card slot
cover.

56

Slide the cover in the direction
shown by the arrow, then open it.
(→p.28)

→

p.22)

Load the battery.

Open the battery compartment
cover and slide the battery pack
into position until it locks into place.
Press the cover closed until it
clicks shut. (→p.24)

Insert a CF card
(optional).

After inserting the CF card, close
the cover. (→p.28)

Focus on the subject.

Look through the viewfinder and

9

place the AF point over the
subject. Then press the shutter
button down halfway to focus.
(→p.30)

12

10

Shoot.

Press the shutter button fully to
shoot. (→p.30)

Quick Start Guide

Introduction

Mount the lens.

Align the red dots on the lens and
camera and turn the lens in the
direction shown by the arrow in the
diagram until it clicks into place.
(→p.27)

Turn the < > switch to
< >.

7

(→p.30)

Set the focus mode
switch on the lens to

43

<AF>.

(→p.27)

Set the Mode Dial to < >
(Full Auto).

8

(→p.38)

To check other images you have taken, see

•

“Reviewing Images” (→p.42) and “Image
Playback” (→p.108).
To erase images you have taken, see

•

“Erasing an Image” (→p.117).

11

Review the image on
the LCD monitor.

The image you just took will be
displayed for about 2 sec. This
display time can also be
changed. (→p.43)

13

Nomenclature

Reference page numbers are indicated by (→✽✽) .

〈 〉 AF mode selection
/White balance button (→64/50)

〈 〉 LCD panel illumination

button (→94)

〈 〉 Drive mode selection
button/ISO speed set button
(→76/49)

〈 〉 Metering mode
selection/Flash exposure
compensation button
(→74/101)

〈 〉 Main Dial (→31)

Shutter button
(→30)

Red-eye
reduction
/Self-timer lamp
(→99/77)

Grip

Battery

(
compartment

DC coupler cord
hole (→26)

Mirror (→94,156)

Contacts (→11)

)

LCD panel (→16)

Lens mount index (→27)

Built-in flash (→96)

Flash-sync contacts

Hot shoe (→102)

Mode dial (→18)

Strap mount

(→21)

〈 〉 Flash

button (→97)

Lens release

button (→27)

Depth-of-field

preview button

(→85)

Lens lock pin

Lens mount

Body cap (→27)

14

Cover

DIGITAL terminal
(→123, See “EOS 10D
Software Instructions.”)

VIDEO OUT terminal
(→115)

PC terminal (→106)

Remote control
terminal (N3)

Nomenclature

Dioptric adjustment knob (→36)

Eyecup (→78)

Viewfinder eyepiece

〈 〉 Menu button
(→32)

〈 〉 Info/Trimming
orientation button
(→62,109/130)

〈 〉 Jump button
(→112)

〈 〉 Direction
switching button
(→111,130)

〈 〉 Playback
button (→108)

〈 〉 Erase
button (→117)

LCD monitor (→35)

〈 〉 Main switch (→30)

Tr ipod socket

Date/time battery compartment cover (→155)

Quick Control Dial switch (→31)

〈 〉 Assist button (→70)

〈 / 〉 AE lock/

FE lock button/

Index/Reduce button

(→92/100/110/111,129)

〈 / 〉 AF point

selector/Enlarge

button (→67/111,129)

Strap mount

(→21)

Access

lamp (→29)

CF card slot

cover (→28)

Battery

compartment

cover release lever (→24)

Battery compartment

cover (→24)

〈 〉 Quick Control Dial (→31)

〈 〉 Setting button (→32)

Introduction

CF card slot cover

CF card slot
(accepts card type I and ll)
(→28)

CF card eject button
(→28)

15

Nomenclature

LCD Panel

Shutter speed ( - , )

Busy ( )

Charging the built-in flash ( )

Date/time battery level warning ( )

Processing Parameters

( - , )

ISO Speed ( , - , )

Camera starting ( )

Image-Recording quality

Large/Fine
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
RAW

White balance

Auto
Daylight
Shade
Cloudy
Tungsten
Fluorescent
Flash
Custom
Color temperature

Battery level

Flash exposure
compensation

AEB

Exposure level indicator

Exposure compensation amount
AEB level

Flash exposure compensation amount

CF card writing status

The above diagram shows the LCD panel with all icons and indicators displayed. In actual
use, the items displayed differ according to the shooting situation.

AF point selection ( )

CF card full warning ( )

CF card error warning ( )

No CF card warning ( )

Error indicator ( )

Cleaning image sensor ( )

Aperture value ( - )

ISO speed

Shots remaining
( - )
Self-timer countdown
( - )
Bulb exposure time
( - )

Custom
function

Beeper

AF mode

AI Focus AF
AI Servo AF

Metering mode

Drive mode

One-Shot AF

Red-eye reduction

Evaluative metering

Partial metering

Center-weighted
average metering

Single-frame

Continuous

Self-timer

16

Nomenclature

Viewfinder Information

New laser matte screen

〈 〉 AE lock / FE lock

AEB in progress

〈 〉 Flash-ready

Improper FE lock warning

〈 〉 High-speed sync

(FP flash)

〈 〉 Flash exposure

compensation

Partial metering circle

Introduction

AF points

(Superimposed display)

〈 〉 Focus confirmation

light

Maximum burst ( - )

Shots remaining ( - )

Exposure level indicator

Exposure compensation
amount

Flash exposure
compensation amount

AEB level

Red-eye reduction lamp-on
indicator

Shutter speed ( - , )
FE lock ( )
Busy ( )

Aperture value ( - )

The above diagram shows the LCD panel with all icons and indicators displayed. In actual
use, the items displayed differ according to the shooting situation.

CF card full warning
( )
CF card error warning
( )
No CF card warning
( )

17

Nomenclature

Mode Dial

The Mode Dial is divided into two functional zones.

C

r

e

a

t

i

v

o

z

I

m

e

g

a

s

a

B

e

z

o

n

e

Full Auto

e

n

e

n

o

z

c

i

11

1 Basic zone

11

All you do is press the shutter button.

•

: Full Auto (→p.38)

Allows you fully automatic shooting—
the camera makes all the settings.

Image zone

Allows you fully automatic shooting
in specific situations.

: Portrait (→p.40)

: Landscape (→p.40)

: Close-up (→p.40)

: Sports (→p.41)

: Night Portrait (→p.41)

: Flash off (→p.41)

18

22

2 Creative zone

22

Lets you make a variety of settings.

: Program AE (→p.80)

: Shutter-priority AE

: Aperture-priority AE (→p.84)

: Manual exposure (→p.86)

: Automatic Depth-of-field AE
(→p.88)

(→p.82)

Nomenclature

Battery Charger
CB-5L

Power cord (→p.22)

Power cord socket (→p.22)

Plug in power cord here.

AC Adaptor Kit
ACK-E2 (optional)

AC Adaptor
AC-E2

Introduction

Battery pack slot (→22)

The battery pack slips into
this slot for recharging.

DC coupler socket (→p.26)

Plug in cord for DC
coupler here.

DC coupler plug (→p.26)

Plug into DC coupler socket
of AC adaptor AC-E2.

DC coupler cord
(→p.26)

DC coupler DR-400

DC coupler
side

Power cord
side

Power cord socket (→p.26)

Connect the power cord
here.

Power cord
(→p.26)

19

Conventions Used in this Manual

In the text, the < > icon indicates the Main Switch.

•

All operations described in this Instruction Manual assume that the
< > switch is already set to < >. Before proceeding with any
operation, first turn the < > switch to < >.

The < > icon indicates the Main Dial.

•

The < > icon indicates the Quick Control Dial.

•

The < > icon indicates the Quick Control Dial switch.

•

Operations with the < > dial assume that the < > switch is
already set to < >. Be sure it is set to < >.

The < > icon indicates the SET button, used to set menu

•

functions and custom functions.

The camera control icons and markings in this booklet correspond to the icons and

•

markings on the camera. See “Nomenclature” on page 14.

For more information, reference page numbers are provided in parentheses (→p.00).

•

The procedures in these Instructions use a Canon EF 24-85mm f/3.5-4.5 USM lens for

•

reference.

The descriptions also assume that the menu functions and custom functions are set to the

•

default settings.

The icons ( ), ( ), and ( ) indicate that the function operates on a timer, and remains

•

in effect after the button is released. The icons represent 4, 6, or 16 seconds respectively.

In general, the pictures used for explaining procedures are taken with a single-lens reflex

•

camera using 35mm film.

These Instructions use the following alert symbols:

•

: The Caution symbol indicates a warning to prevent shooting problems.

: The Note symbol gives supplemental information.

: The Light bulb symbol gives a helpful tip for operating your camera or shooting.

: The Custom Function symbol indicates that there is a relevant Custom Function. For

details, see “Custom Function Settings” on page 146.

20

This chapter explains a few preliminary steps and the basic opera­tion of the EOS 10D camera.

1

1

Before You Star t

Before You Start

Attaching the Strap

Pass the end of the strap through the
strap mount from beneath, then back
in and out of the strap clasp as
shown. Pull the strap to make sure it
does not slip out of the clasp.

•

1

The eyepiece cover is
attached to the strap.

Eyepiece cover

(→p.78)

21

21

Recharging the Battery

Connect the power cord.

Connect the power cord to the charger.

•

Connect the power plug to an AC outlet.

•

Remove the cover.

Store the cover in a place where it will not be lost.

•

If you remove the battery from the camera, be sure

•

to reattach the cover to protect against short circuit.

Attach the battery.

Align the battery’s top edge with the <–> mark on

•

the charger. While pressing down the battery, slide
it in the direction of the arrow.
To detach the battery, follow the above procedure in

•

reverse.

Recharge the battery.

s

When the battery is attached to the charger,
recharging starts automatically and the red lamp
starts blinking.

s

A completely exhausted battery takes about 90
minutes to almost fully recharge.

The blinking frequency of the red lamp indicates the

•

progress of the recharging.

s

After the battery recharging is almost com­pleted, the red lamp will stop blinking and
remain lit. Recharging the battery for another
hour will fully recharge the battery.

After recharging the battery, detach it and unplug

•

the power cord from the power outlet.

<–> mark

Battery charge

0–50%

50–75%

Over 75%

Almost full

Red lamp

Blinks once per
second

Blinks twice per
second

Blinks three times
per second

Stays on

1

2

3

4

22

Recharging the Battery

Do not recharge any battery pack other than Battery Pack BP-511 or BP-512.

•

The battery continues to discharge a low electrical current even while the camera is

•

not used. This may lead to excessive battery discharge and a shorter battery service
life.
When not using the camera, remove the battery and attach the protective cover to
prevent shorting. Before using the camera again, be sure to recharge the battery.

The time required to recharge the battery depends on the ambient temperature and

•

battery’s power level.
If operating time is sharply reduced even after charging normally, the battery pack

•

may have exceeded its useful life. Replace it with a new battery pack.
The battery pack can operate in temperatures from 0°C to 40°C (32°F to 104°F),

•

however for full operating performance, use between 10°C (50°F) and 30°C (86°F) is
recommended. In cold locations such as ski areas, battery performance is temporarily
decreased and operating time may be reduced.

1

Before You Star t

23

Installing and Removing the Battery

Installing the Battery

Load a fully charged BP-511 battery pack into the camera.

Open the battery compartment cover.

1

2

3

Slide the lever in the direction shown by the arrow

•

in the diagram, and open the cover.

Insert the battery into the camera.

Make sure the battery pack is facing the right way,

•

and insert it into the battery compartment.
Insert the battery pack until it locks into place.

•

Close the cover.

Press the cover closed until it clicks shut.

•

Battery Pack BP-512 can also be used.

Battery Level Icons

The level of charge remaining is shown in three stages when the < > switch is set to < >.
(→p.30)

: Charge is sufficient.

: Charge is low.

: Battery pack must be recharged.

24

Installing and Removing the Battery

Battery Life

Temperature

Normal (20°C/68°F) Approx. 650 Approx. 500
Low (0°C/32°F) Approx. 500 Approx. 400

The figures above are based on Canon’s standard testing conditions (w/fully charged

•

battery, EF 50mm f/1.4 USM lens, image review [ON], review time of [2 sec.], and image
quality at [Large

The number of shots may be less than indicated in some cases, due to differences in

•

operating conditions.
The number of shots is reduced by frequent use of the LCD monitor.

•

Holding the shutter button halfway down for long periods to use the AF function

•

without taking a shot can reduce the number of shots.
Regarding the battery life (number of shots) with Battery Grip BG-ED3

•

(optional), refer to the BG-ED3’s instructions.

])

Shooting conditions

No flash use 50% flash use

Removing the Battery

Open the battery compartment cover.

1

Slide the lever in the direction shown by the arrow

•

in the diagram, and open the cover.

1

Before You Star t

Remove the battery pack.

2

3

Slide the battery lock lever in the direction shown by

•

the arrow, and remove the battery.

Close the cover.

Press the cover closed until it clicks shut.

•

25

Using a Household Power Supply

With AC Adapter Kit ACK-E2 (optional), you can connect the camera to a household power
outlet. Then you do not have to worry about exhausting the battery while using the camera.

Place the cord in the groove.

1

2

3

Carefully insert the cord into the groove without

•

damaging it.

Insert the DC coupler into the camera.

Open the cover and lower the covering on the cord

•

hole.
Insert the DC coupler and fit the cord into the cord

•

hole.
Check that the cord is placed tightly in the cord

•

hole, and slide the DC coupler into the compart­ment until it locks into place.
Push down the cover until it clicks.

•

Connect the DC Coupler.

Connect the DC Coupler’s plug to the AC adapter’s

•

socket.

Connect the power cord.

4

Do not connect or disconnect the power cord while the camera's < > switch is set

•

to <

> .

Do not use the DC coupler with any camera other than the EOS 10D, D60, and D30.

•

26

Connect the power cord to the AC adapter.

•

Plug the cord into a power outlet.

•

When you are finished, remove the plug from the

•

power outlet.

Mounting and Detaching a Lens

Mounting a Lens

2

Lens mount index

4

Detaching the Lens

Remove the caps.

1

3

Remove the rear lens cap and the body cap by

•

turning them as shown by the arrow.

Attach the lens.

Align the red dots on the lens and camera and turn

•

the lens as shown by the arrow until it snaps in
place.

On the lens, set the focus mode switch
to <AF>.

If the focus mode switch is set to <MF> (or <M> on

•

older lenses), autofocus will not operate.

Remove the front lens cap.

1

Before You Star t

While pressing the lens release button,
turn the lens as shown by the arrow.

Tu rn the lens until the red dot is at the top, then

•

detach the lens.

Since the EOS 10D’s image coverage is smaller than the

•

normal 35mm film format, the EF lens attached to the
camera will have a telephoto effect equivalent to 1.6 times
of the marked focal length.
AF stands for autofocus.

•

MF or M stands for manual focus.

•

Be careful not to lose the lens caps or body cap.

•

EOS 10D image field
(22.7 x 15.1 mm / 0.89 x 0.59 in)

35 mm image field
(36 x 24 mm / 1.42 x 0.94 in)

27

Installing and Removing the CF Card

The captured image will be recorded onto the CF card (optional).
The camera is compatible with Type I and Type II CompactFlash (CF) cards.

Installing a CF Card

Open the cover.

1

Slide the cover in the direction shown by the arrow,

•

and open it.

mark

Eject button

Number of remaining shots

Label side

Insert the CF card.

2

3

Using CF cards made by Canon is recommended.

•

With the CF card label side (the side with the

•

printed
camera, slide the card in the direction of the
mark, into the slot.

s

The Eject button pops out.

Close the cover.

Close the cover and slide it in the direction shown

•

by the arrow until it clicks shut.

s

When you set the < > switch to < >, the
number of remaining shots will be displayed on the
LCD panel and in the viewfinder.

mark) facing toward the rear of the

The number of remaining shots depends on the remaining capacity of the CF card and
the ISO speed setting.

28

Removing the CF Card

Installing and Removing the CF Card

Open the cover.

1

2

While the access lamp is blinking (“ ” is displayed in the viewfinder and on

•

the LCD panel), do not:

• Shake or hit the camera.

• Open the CF card slot cover.

• Remove the battery.
This is to prevent damage to the image data, CF card, or camera.

The menu cannot be used during image processing after image capture and while the

•

image is being recorded onto the CF card (access lamp blinks). If you press the

> or < > button during this time, “ ” will be displayed on the LCD monitor.

<
If a CF card is used for the first time or “ ” is displayed on the LCD panel, see

•

“Formatting a CF Card” on page 119 to format the card.
Do not use a low-capacity CF card. If the image file size is large, the CF card may not

•

be able to save the image.
A microdrive is a recording medium using a hard disk. It has a large capacity and the

•

price per megabyte is low. However, compared to a CF card equipped with a flash
memory, it is vulnerable to vibration and physical shock. If you use a microdrive, be
careful not to subject the camera to vibration, shake, or physical shock while it is
recording or displaying images.

Set the < > switch to < >.

•

Check that the “ ” message is not shown on the

•

LCD panel.
Make sure the access lamp is off (→p.15), and

•

open the cover.

Remove the CF card.

Press the Eject button.

•

s

The CF card is ejected.
Close the cover.

•

1

Before You Star t

29

Basic Operation

Main Switch

The camera operates only after the < > switch is set to < >.

< >:Set to this position when the camera is in

<

To save battery power, the camera turns off automatically after 1 minute of non-

•

operation (auto power off / →p.142). To turn on the camera again, just press the
shutter button halfway.
Immediately after shooting, if you turn the < > switch to < >, the access lamp

•

may continue blinking for a few seconds while the CF card records the image.
After the image is recorded in the CF card, the access lamp will turn off and the
camera will turn off.

use.

>:The camera does not operate.

Set to this position when not using the
camera.

Shutter Button

The shutter button has two stages. You can press it down halfway or fully. The two levels of
shutter button operation are as follows:

Halfway pressing ( )

Pressing the shutter button down halfway activates
autofocusing (AF), and also activates the automatic
exposure mechanism and sets the shutter speed and
aperture value.
The exposure (the combination of shutter speed and
aperture value) appears on the LCD panel and in the
viewfinder.

Full pressing

This releases the shutter and shoots.

If you press the shutter button halfway and ( ) elapse, press it halfway again and wait a
moment before pressing it fully to shoot. If you press the shutter button fully without
pressing it halfway first or if you press the shutter button halfway and then press it fully
immediately, the camera will still take a moment before it shoots.

No matter what state the camera is in (image playback, menu operation, image
recording, etc., except during direct printing), pressing the shutter button halfway will
instantly make it ready for shooting.

30

Basic Operation

Using the Electronic Dials

The < > or < > dial is for setting shooting settings and selecting and setting menu items.
For < > dial operations, first turn the < > switch to < >. There are two ways to operate
the electronic dial as described below.

Operating the < > Dial

(1) Press a button and turn the < > dial.

When you press a button, its function remains
active while a timer (
can turn the < > dial and view the settings on the
LCD panel. When the timer runs out or you press
the shutter button down halfway, the camera is
ready to shoot.

You can select or set the AF point, AF mode,

•

drive mode, and metering mode.
While looking at the LCD monitor, you can select

•

a menu item, recorded image, etc.

(2) Just turn the < > dial.

While referring to the LCD panel or viewfinder
display, turn the < > dial to set the desired
setting.

Use the dial this way to set the shutter speed and

•

aperture value.

) runs. During this time you

1

Before You Star t

Operating the < > Dial

(1) Press a button and turn the < > dial.

When you press a button, its function remains
active while a timer (
can turn the < > dial and view the settings on the
LCD panel. When the timer runs out or you press
the shutter button down halfway, the camera is
ready to shoot.

You can select the AF point or set the white

•

balance, ISO speed, and flash exposure
compensation.
While looking at the LCD monitor, you can select

•

a menu item, recorded image, etc.

) runs. During this time you

(2) Just turn the < > dial.

While looking at the LCD panel or viewfinder
display, turn the <
setting.

In this way, you can set the exposure compensa-

•

tion amount, <

> dial to set the desired

> mode aperture, etc.

31

Menu Operations

The on-screen menus enable you to set various settings such as the image-recording quality,
date and time, Custom Functions, etc. While looking at the LCD monitor, press the < >
button on the back of the camera and turn the <
button.
For details on the various menu settings, see “Menu Settings” on page 139.

< > button

LCD monitor

Menu Screen

> or < > dial. Then press the < >

< >

< >

< >

32

Menu item

Color-coded menu items

The menu items are color-coded according to the three
menu categories. The menu item’s border color matches the
respective menu category.

Color

Setting type

Red

Blue

Yellow

Shooting

Playback

Setup

Menu items related to shooting.
Menu items related to playing back

recorded images.
Menu items related to basic camera

functions.

Setting

Description

Setting Procedure

Menu Operations

Display the menu.

1

2

3

4

Press the < > button to display the menu. To

•

turn off the menu, press the button again.

Select a menu item.

Tu rn the < > dial to select the item, then press

•

< >.

The selection goes up

The selection goes down

Select the desired setting.

Tu rn the < > dial to select the desired setting.

•

Set the desired setting.

Press < >.

•

1

Before You Star t

Exit the menu.

5

Even while the menu is displayed, you can immediately go back to shooting mode by

•

pressing the shutter button halfway.
You can use either the < > or < > dial for the menu item selection, image

•

playback, direct printing, and printing specification.
To exit, press the shutter button halfway.

•

The menu items and menu settings follow a looping sequence during the selection.

•

The menu can be displayed in one of twelve languages. (→p.143)

•

Pressing the < > button while the menu is displayed switches the menu category

•

to shooting, playback, or setup (in this order). The first menu item of the respective
category will appear.

Press the < > button to exit.

•

33

Menu Operations

Menu Selections and Default Settings

Menu item

Quality

Red-eye on/off
AEB

Shooting (Red)

WB-BKT

Large Large Medium Medium

Small Small

Off

Settings and Description

RAW

On

: Default setting

Ref. page Note

46

✽1

99

✽

2

✽

1

90

✽

1

54

Beep

Custom WB
Color temp.
Parameters

ISO expansion

Playback (Blue)

Protect
Rotate
Print Order
Auto play
Auto power off

On

Off

Set custom white balance
2800 K - 10000 K in 100 K increments
Standard
Set 2

Off

Adobe RGB
Set 3

On

Protects the image from erasure
Rotate recorded image
Order print of recorded image (DPOF)
Plays the images automatically

1 min.
8 min.

2 min.
15 min.

Set 1
Set up

4 min.
30 min.

Off
Review
Review time

Auto rotate
LCD Brightness

Setup (Yellow)

Date/Time
File numbering
Language

Off

2 sec.

8 sec.

On

mm/dd/yy

Continuous

English

Nederlands

Italiano

On
4 sec.
Hold
Off

dd/mm/yy
Auto reset
Deutsch
Dansk
Norsk

On (Info)

yy/mm/dd

Français
Suomi
Svenska

Español
Video system
Format
Custom Functions (C.Fn)
Clear settings
Sensor clean

Firmware Ver.

NTSC

PAL
Format CF card
Custom Function settings
Clear all camera settings

Clear all Custom Functions
Turn off the camera after sensor cleaning

Camera’s Firmware version.

∗1: Does not appear in the menu when the Basic zone (→p.37) is selected.
∗2: Does not appear in the menu in <

>, < > and < > modes.

34

140

52
53
56

141
116
114
131
113
142

42
43

61

143

154

59

143

144
119
146
144
156
144

✽

1

✽

1

✽

1

✽

1

✽

1

✽

1

✽

1

LCD Monitor

Menu Operations

The color LCD monitor on the back of the camera
enables you to review and select recorded images
and set various menu settings.

With the LCD monitor, you can use the < > dial

•

even while the < > switch is < >.
The LCD monitor cannot be used as a viewfinder to

•

shoot.
The LCD monitor’s brightness can be set to one of

•

five levels. (→p.143)

Reverting to the Default Settings

On the menu, select [Clear settings].

1

2

Press the < > button.

•

Tu rn the < > dial to select [Clear settings], then

•

press < >.

Select [Clear all camera settings].

Tu rn the < > dial to select [Clear all camera

•

settings], then press <

1

Before You Star t

>.

Shooting Settings Image Recording Settings

AF mode
AF point selection
Metering mode
Drive mode
Exposure compensation
AEB
Flash exposure compensation
Custom Functions

One-Shot AF
Automatic
Evaluative
Single frame
0 (Zero)
Canceled
0 (Zero)
Settings retained

Clear the settings.

3

Tu rn the < > dial to select [OK], then press < >.

•

Press the < > button to turn off the LCD monitor

•

and exit the menu.

s

The camera’s default settings will be as shown
below.

Quality
ISO speed
White balance
Color temp.
WB-BKT
Parameters
Auto rotate
File numbering

(Large/Fine)

100

(Auto)
5200K
Canceled
Standard
On
Continuous

35

Dioptric Adjustment

By adjusting the diopter to suit your eyesight (with or without eyeglasses), the viewfinder
image will look clearer. The camera’s adjustable dioptric range is –3 to +1 dpt.

Turn the dioptric adjustment knob.

Tu rn the knob left or right so that the AF points in

•

the viewfinder look sharp.
The illustration shows the knob at the standard

•

setting (–1 dpt).

If the camera’s dioptric adjustment still cannot provide a clear viewfinder image, using
Dioptric Adjustment Lens E (10 types) is recommended. (→p.174)

Holding the Camera

To obtain sharp images, hold the camera still to minimize camera shake.

Horizontal shooting Vertical shooting

Firmly grasp the camera grip with your right hand, and press your both elbows lightly

•

against your body.
Hold the lens at the bottom with your left hand.

•

Press the camera against your face and look through the viewfinder.

•

To maintain a stable stance, place one foot in front of the other instead of lining up both feet.

•

36

This chapter describes how to use the camera’s Basic Zone modes
< > < > < > < > < > < > < > for quick and easy shooting.
In these modes, all you do is point and shoot.
In addition, to help prevent mistakes caused by operating the
camera improperly, the < > < > < > < > < > buttons
do not operate so there is no need to worry about accidental errors.

Fully Automatic

Shooting

2

Basic Zone modes set all the camera settings automatically. All you do is
point and shoot.

2

2

Fully Automatic Shooting

Set the Mode Dial to < > < > < >
< > < > < > or < >.

The shooting procedure is the same as with

•

the “< > Full Automatic Shooting” on page

38.

e

n

o

Z

c

i

s

B

a

37

37

Fully Automatic Shooting

You can easily and confidently capture any subject, with no need to do anything but press the
shutter button. The Canon EOS 10D can capture subjects at any of seven AF points, so that
anybody can take great shots easily.

Turn the Mode dial to < >.

The < > AF mode, < > (single) drive

•

mode, < > metering mode, “ ” ISO speed,
and <
One of six image-recording quality settings (except

•

Focus the subject.

Look through the viewfinder and aim any AF point

•

over the subject. Then press the shutter button
halfway.

s

The AF point that achieves focus will flash briefly. At
the same time, the beeper will sound and the focus
confirmation light <●> in the viewfinder will light.

s

The exposure settings will be displayed in the
viewfinder and on the LCD panel.
The number “ ” - “ ” displayed on the left of the

•

focus confirmation light <●> indicates maximum
burst for continuous shooting.
If the CF card is almost full and has room for nine or

•

fewer shots, the remaining number of shots that can
fit on the card will be displayed by “

> white balance will be set automatically.

) can be selected. (→p.46)

” to “ ”.

AF point

Maximum burst

Focus confirmation light

1

2

Shutter speed Aperture

38

3

Shoot.

Compose the shot and check that the exposure

•

settings are not blinking. Then press the shutter
button fully to shoot.

s

The captured image will be displayed for 2 sec. on
the LCD monitor.

Fully Automatic Shooting

If the CF card becomes full, the CF Full message “ ” appears on the LCD

•

panel and in the viewfinder, and the camera will not shoot any more. Replace the CF
card with another CF card that has capacity available.
When the focus confirmation light <●> is blinking, the camera will not shoot. (→p.71)

•

If the automatic pop-up of the built-in flash is obstructed accidentally, error code

•

“
<

The focus and exposure are locked when AF focusing is complete.

•

The camera automatically focuses on the AF point that is on the subject closest to the

•

camera.
If multiple AF points flash in red, it means that all of them have achieved focus at the

•

respective points.
To focus on a subject that is not at any of the seven AF points, see “Focusing an Off-

•

Center Subject” (→p.65).
In the Basic Zone modes (except < > < > < >), the built-in flash will pop up and

•

fire automatically in low-light or backlit conditions. To retract the flash, push it back
down. For more information on the flash, see “Using the Built-in Flash” on page 96.
The self-timer can also be used. (→p.77)

•

You can set the beep that indicates the subject is in focus or the beep that indicates

•

the self-timer is operating to [On] or [Off]. (→p.140)
The LCD panel can be illuminated. (→p.94)

•

” will appear on the LCD panel. If this happens, set the < > switch to

> and < > again.

2

Fully Automatic Shooting

AF-Assist Beam with the Built-in Flash

Under low-light conditions, the built-in flash fires a
brief burst of flashes when you press the shutter
button halfway. This is to illuminate the subject to
enable easier autofocusing,

The AF-assist beam does not function in the < > < > < > modes.

•

The built-in flash’s AF-assist beam is effective up to about 4 meters/13.2 feet.

•

In the Creative Zone modes when the buit-in flash is popped up with the < > button,

•

the AF-assist beam may be emitted.

39

Programmed Image Control Modes

Select a shooting mode to suit the target subject, and the camera will be set to obtain the best
results.

Portrait

This mode blurs the background to make the human subject
stand out.

Holding down the shutter button executes continuous

•

shooting.
To improve the background blur, use a telephoto lens and

•

fill the frame with the subject or have the subject stand
farther away from the background.
The < > AF mode, < > (continuous) drive

•

mode, < > metering mode, “ ” ISO speed, and
<

> white balance will be set automatically.

Landscape

This is for wide scenic views, night scenes, etc.

Using a wide-angle lens will further enhance the depth

•

and breadth of the image.
The < > AF mode, < > (single) drive mode,

•

<

> metering mode, “ ” ISO speed, and < >

white balance will be set automatically.

40

Close-up

Use this mode to take close-up shots of flowers, insects,
etc.

As much as possible, focus the subject at the lens’

•

closest focusing distance.
To obtain a larger magnification, use the telephoto end of

•

a zoom lens.
For better close-ups, an EOS-dedicated macro lens and

•

Macro Ring Lite (both optional) are recommended.
The < > AF mode, < > (single) drive mode,

•

> metering mode, “ ” ISO speed, and < >

<
white balance will be set automatically.

Sports

Night Portrait

Programmed Image Control Modes

This is for sports and fast-moving subjects when you want
to freeze the action.

The camera will first track the subject with the center AF

•

point. Focus tracking will then continue with any of the
seven AF points covering the subject. When focus is
achieved, the beeper will sound softly.
While you hold down the shutter button, focusing will

•

continue for continuous shooting.
The < > AF mode, < > (continuous) drive

•

mode, <
<

This mode is for shooting of people at twilight or at
night.The flash illuminates the subject while a slow sync
speed capture a natural-looking exposure of the back­ground.

If you want to shoot only a night scene (without people),

•

use the <
Te ll the subject to keep still even after the flash fires.

•

If you also use the self-timer (→p.77), the self-timer lamp

•

will flash to indicate that the image was recorded.
The < > AF mode, < > (single) drive mode,

•

<
white balance will be set automatically.

> metering mode, “ ” ISO speed, and

> white balance will be set automatically.

> mode instead.

> metering mode, “ ” ISO speed, and < >

2

Fully Automatic Shooting

Flash off

You can disable the flash when you do not want it to fire.

The built-in flash or any external Speedlite will not fire.

•

The < > AF mode, < > (single) drive mode,

•

<

> metering mode, “ ” ISO speed, and < >

white balance will be set automatically.

If the shutter speed indicator blinks, the shutter speed may be too slow to keep the

•

image from being blurred by camera shake. Be careful to hold the camera steady and
press the shutter button smoothly, or use a tripod. (The shutter speed indicator still
blinks when you use a tripod, but camera shake will not be a problem.)
In the < > mode, use a tripod to prevent camera shake.

•

41

Reviewing Images

Image Review

The image can be displayed on the LCD monitor immediately after you shoot. You can set one
of three image review options: [On] to display the image, [On (Info)] to display both the image
and shooting information, and [Off] to not display the image.

On the menu, select [Review].

1

2

3

Press the < > button.

•

Tu r n the < > dial to select [Review], then press

•

<

>.

Set the Review setting.

Tu rn the < > dial to select the desired setting,

•

then press <

s

The menu will reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

Shoot.

s

The captured image will be displayed on the LCD
monitor.
The image will be displayed for the number of

•

seconds set with [Review time].

>.

Review [On] setting Review [On (Info)] setting (→p.109)

You can also change the number of seconds the image is displayed (review time).

•

For continuous shooting, the captured images will be displayed in succession

•

automatically after image processing. If the <
[Busy...] will be displayed.

42

> button is pressed during that time,

Histogram

Shooting
information

Reviewing Images

MENU

Changing the Review Time

You can set the image review time to [2 sec.], [4 sec.], [8 sec.], or [Hold] which keeps the
image displayed on the LCD monitor.

On the menu, select [Review time].

1

2

Press the < > button.

•

Tu rn the < > dial to select [Review time], then

•

press < >.

Set the Review time setting.

Tu rn the < > dial to select the desired setting,

•

then press < >.

s

The menu will reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

2

Fully Automatic Shooting

The [Hold] setting keeps displaying the image until you press the shutter button

•

halfway. However, if auto power off has been set (→p.142), the camera will turn off
automatically after the auto power off time elapses.
The [Review time] takes effect only when the [Review] setting is [On] or [On (Info)].

•

For continuous shooting, the [Review time] will apply to the last shot.

•

To delete the displayed image, press the < > button and turn the < > dial to [OK].

•

Then press <
To view images captured previously, see “Playback Images.” (→p.107)

•

>.

43

44

This chapter explains the settings for shooting digital images: Image­recording quality, ISO speed, white balance, processing parameters,
color space, file numbering, and auto rotation.

Settings for

Shooting

3

For Basic Zone modes, only the image-recording quality (except < >), file
numbering, auto rotation, and camera setting checking will apply in this
chapter.

3

3

Settings for Shooting

45

45

Image-Recording Quality

You can select one of seven image-recording quality settings. (For the Basic Zone modes,
< > is not selectable.)
Images recorded in the <
image processing. However, <

> < > < > < > < > or < > mode do not require

> images to be processed with a personal computer.

On the menu, select [Quality].

1

Press the < > button.

•

Tu r n the < > dial to select [Quality], then press

•

< >.

Select the image-recording quality.

2

Large/Fine

Records a 6.3-megapixel image with low-compression JPEG. It saves the JPEG image with
the highest image quality. Note that due to the large file size, fewer images can be recorded
on the CF card.

Large/Normal

Records a 6.3-megapixel image with high-compression JPEG. It saves the JPEG image
with a relatively high image quality while enabling more images to be recorded on the CF
card.

Medium/Fine

Converts the approx. 6.30-megapixel image to a 2.80-megapixel image and saves it as a
JPEG image via low compression. While the JPEG images have medium image quality, a
reasonable number of images can be recorded on the CF card.

Medium/Normal

Converts the approx. 6.30-megapixel image to a 2.80-megapixel image and saves it as a
JPEG image via high compression. This mode enables more images than the <
to be recorded on the CF card.

Small/Fine

Converts the approx. 6.30-megapixel image to a 1.60-megapixel image and saves it as a
JPEG image via low compression. Use this mode when the image size is less important
than being able to record more images on the CF card.

Small/Normal

Converts the approx. 6.30-megapixel image to a 1.60-megapixel image and saves it as a
JPEG image via high compression. Use this mode when you want to record a maximum
number of images on the CF card.

RAW

Records the image with lossless compression resulting in about 6.3 megapixels. Use this
mode when you want to use a personal computer to process the image afterward. Due to
the large file size, fewer images can be recorded on the CF card.

Tu rn the < > dial to select the desired image-

•

recording quality, then press <

s

The menu will reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

>.

> mode

46

Image-Recording Quality

Processing

Processing is the alteration of the raw image data captured with the camera’s CMOS image
sensor. For example, the digital image’s white balance and image quality can be altered.
Images recorded in the <
ing by the camera before being saved as a JPEG image. <
according to the white balance and processing parameters set at the time of shooting. A

> image can be processed repeatedly using the provided software.

<

> < > < > < > < > or < > mode undergo process-

> images are processed

Image File Size and CF Card Capacity According to Image­Recording Quality

Image-Recording

Quality

Large/Fine

Large/Normal

Medium/Fine

Medium/Normal

Small/Fine

Small/Normal

+

+

RAW

The image-recording quality (except < >) can also be set in the Basic Zone modes.

•

The image file size and CF card’s maximum capacity are based on Canon’s testing

•

standards (at ISO 100 with [Standard] parameter settings).
The maximum capacity applies to a 128 MB CF card.

•

The image file size and the CF card’s maximum capacity varies depending on the subject,

•

shooting mode, ISO speed, and processing parameters.
On the LCD panel, you can check how many more images the CF card can record.

•

In the < > mode, a JPEG image is also recorded simultaneously and embedded within

•

the RAW image.
The image-recording quality will be memorized in Basic Zone mode and Creative Zone

•

mode respectively.

+

+

+

+

Image Size

(Pixels)

3072 x 2048

(Approx. 6.3 million)

2048 x 1360

(Approx. 2.8 million)

1536 x 1024

(Approx. 1.6 million)

:

3072 x 2048

(Approx. 6.3 million)

Format

JPEG

RAW + JPEG

Compression

Rate

Low

High

Low

High

Low

High

:

Lossless

compression

RAW

Image File Size

(Approx.)

2.4 MB

1.2 MB

1.3 MB

0.7 MB 184 images

0.8 MB

0.4 MB 282 images

6.0 MB

6.4 MB

6.2 MB

6.8 MB

6.7 MB

8.0 MB

Max. Capacity

50 images

103 images

95 images

145 images

19 images

18 images

18 images

16 images

17 images

14 images

(Approx.)

3

Settings for Shooting

To open RAW images with a personal computer or to extract the JPEG image embed­ded in the RAW image file, you must use the dedicated software. For details, see “EOS
10D Software Instructions.”

With C.Fn-08, the image-recording quality of the JPEG image recorded simulta-

•

neously within the RAW image file can be changed. (→p.148)
With C.Fn-01-1, you can set the [Quality] by pressing < > and turning the < >

•

dial. (→p.146)

47

Simultaneous Capture in RAW and JPEG Formats

In the < > image-recording quality mode, a JPEG image is recorded simultaneously and
embedded within the RAW image file. With C.Fn-08 [RAW+JPEG rec.], you can set the image­recording quality of this JPEG image. To extract the JPEG image embedded in the RAW
image file, you will need the dedicated software.

On the menu, select [Custom Functions
(C.Fn)].

1

2

3

Press the < > button.

•

Tu rn the < > dial to select [Custom Functions

•

(C.Fn)], then press <

s

The Custom Function screen will appear.

Select C.Fn-08 [RAW+JPEG rec.].

Tu rn the < > dial to select [RAW+JPEG rec.],

•

then press < >.

Select the image-recording quality for
the JPEG image.

Tu rn the < > dial to select the desired image-

•

recording quality, then press < >.
Press the < > button to return to the menu.

•

Press the < > button again to turn off the LCD

•

monitor.
When the [Quality] is set to < >, a JPEG image

•

will be recorded simultaneously with the set quality
and embedded within the RAW image file.

>.

To extract the JPEG image embedded in the RAW image file, use the dedicated
software. For details, see “EOS 10D Software Instructions.”

48

Setting the ISO Speed

The ISO speed is a numeric indication of the sensitivity to light (→p.158). A higher ISO speed
number indicates a higher sensitivity to light. Therefore, a high ISO speed is suited for moving
subjects or shooting in low-light conditions. However, the image will contain more noise to
make it look coarse or grainy. On the other hand, a low ISO speed will make the image look
finer, but it is not suited for freezing motion or shooting in low light.

ISO Speed in the Basic Zone Modes

The ISO speed is set automatically. (ISO)

Normal (No flash) Varies* 100 Varies* Varies* 400 Varies* Varies*

With built-in flash 400** 100 – 400** – 400** –

With external Speedlite 100 100 100 100 400 100 –

* Automatically set within ISO 100-400. ** For daytime backlit conditions, ISO 100 is set.

ISO Speed in the Creative Zone Modes

You can set the ISO speed to “ ”, “ ”, “ ”, “ ”, or “ ”. If the menu’s [ISO expan­sion] is set to [On], you can also set “

” (ISO 3200).

Press the < > button. ( )

s

1

The current ISO speed will be displayed on the LCD
panel.
In the Basic Zone modes, “ ” will be displayed

•

on the LCD panel.

3

Settings for Shooting

Set the ISO speed.

2

The higher the ISO speed and the higher the ambient temperature, the more noise

•

the image will contain and the larger the image file size will be. Therefore, fewer
images can be recorded on the CF card. On the LCD panel, you can check how many
more images the CF card can hold. (→p.16)
High temperatures, high ISO speeds, or long exposures may cause irregular colors in

•

the image.

In step 2, turning the < > dial will set the drive mode. (→p.76)

While looking at the LCD panel, turn the < > dial

•

to set the desired ISO speed.
To return to shooting, press the shutter button

•

halfway.

49

Selecting the White Balance

The following white balance settings are provided: Auto, daylight, shade, cloudy, tungsten,
fluorescent, flash, custom and color temperature.

Press the < > button. ( )

1

Select the white balance setting.

2

While looking at the LCD panel, turn the < > dial

•

to select the desired white balance setting.
To return to shooting, just press the shutter button

•

halfway.

Auto Daylight Shade Cloudy

Color Temperature

(→53)

In the Basic Zone modes, < > will be set automatically.

•

In step 2, turning the < > dial will select the AF mode. (→p.64)

•

FlashCustom

Fluorescent

Tungsten

White Balance

The three R (red), G (green), and B (blue) primary colors exist in varying proportions in a light
source depending on its color temperature. When the color temperature is high, there is more
blue. And when the color temperature is low, there is more red. As the color temperature
increases from low to high, the color cast changes in the following sequence: red, orange,
yellow, white, and bluish white. For example, if you have a white object under a lit tungsten
light bulb, it will look red or orange in the image. If it is under fluorescent light, it will look
greenish.
To the human eye, a white object still looks white regardless of the type of lighting. The human
eye is highly adaptive to different types of lighting and color temperatures. With a film-based
camera, you can attach a color compensation filter to the lens or use tungsten film to compen­sate for the color cast caused by the light source's color temperature. With a digital camera’s
white balance setting, you can digitally compensate (based on a standard white color) the
color temperature so that the colors in the image look more natural.
The camera’s <

> feature uses the image sensor to set the white balance.

50

White Balance Settings

Icon Application

The camera sets the white balance automatically.

For sunny daylight outdoors.

For shaded areas outdoors. Approx. 7000 K

For cloudy or hazy days and during sunsets.

For tungsten (light bulb) light.

For fluorescent light.

When flash is used.

First you shoot a white object to be used as the
standard for the white balance setting. By using the
white balance data from this image, you can set the
optimum white balance. (→p.52)

Color Temperature (Kelvin)

Approx. 3000-7000 K

Approx. 5200 K

3

Settings for Shooting

Approx. 6000 K

Approx. 3200 K

Approx. 4000 K

Approx. 6000 K

Approx. 2000-10000 K

You can manually set color temperature for 2800­10000 K (in 100 K increments). (→p.53)

With < > selected, shooting under a low color temperature such as tungsten light
may result in a warm, orange color cast. If you cannot obtain the desired effect, set the
white balance to < > or set the color temperature manually. (→p.53)

Approx. 2800-10000 K

51

Custom White Balance

With custom white balance, you shoot a white object that will serve as the standard for the
white balance. By selecting this image, you import its white balance data for the white balance
setting.

Shoot a white object.

The white object should fill the entire partial

•

metering circle.
Set any white balance setting. (→p.50)

•

Shoot the white object so that a standard exposure

•

is obtained. If it is underexposed or overexposed, a
correct white balance setting might not be obtained.

On the menu, select [Custom WB].

Press the < > button.

•

Tu rn the < > dial to select [Custom WB], then

•

press <

Select an image.

Tu rn the < > dial to select the image captured in

•

step 1, then press < >.

s

The image’s white balance data will be imported.
After the setting is completed, the menu will

•

reappear.
To exit the menu and turn off the LCD monitor,

•

press the <

>.

> button.

Pertical metering
zone

1

2

3

Press the < > button. ( )

4

Select the “custom white balance”.

Tu rn the < > dial to select < >.

•

5

For the standard white object, a sheet of plain, white paper is recommended.

You can store on the CF card the images of the standard white object captured under
various lighting. Then while shooting, you can select one of these images with the
[Custom WB] menu command to easily set the white balance best suited for the current
lighting condition.

52

Setting the Color Temperature

You can set the white balance color temperature from 2800 K to 10000 K (in 100 K increments).

On the menu, select [Color temp.].

1

Press the < > button.

•

Tu rn the < > dial to select [Color temp.], then

•

press <

>.

Set the color temperature.

2

Tu rn the < > dial to select the desired color

•

temperature, then press <
The color temperature can be set from 2800 K to

•

10000 K in 100 K increments.
After the setting is completed, the menu will

•

reappear.
To exit the menu and turn off the LCD monitor,

•

press the <

Press the < > button. ( )

> button.

3

Select the “color temperature”.

4

Tu rn the < > dial to select < >.

•

3

Settings for Shooting

>.

Use < > to set the color temperature of natural light. If < > is used to set the

•

color temperature of artificial light, correct white balance might not be obtained.
For < >, if you want to use the reading taken with a color temperature meter, take

•

test shots and adjust the setting to compensate for the difference between the color
temperature meter’s reading and the camera’s color temperature reading.

53

White Balance Auto Bracketing

With just one shot, three images having a different color temperature can be recorded
simultaneously. Based on the current white balance mode’s standard color temperature, the
white balance setting can be changed from 0 to +/–3 stops in whole-stop increments. This is
called white balance bracketing. One stop is equivalent to 5 Mireds of a color conversion filter.
The bracketing sequence starts with a standard color temperature, bluish tone (decreased
compensation), and reddish tone (increased compensation). The images are assigned a file
number and recorded in the CF card.

Set the image-recording quality to any
setting except [RAW]. (→p.46)

1

On the menu, select [WB-BKT].

2

Press the < > button.

•

Tu rn the < > dial to select [WB-BKT], then press

•

<

>.

Standard setting

Bracketing amount

+/–

+/–

+/–

1 stop

2 stops

3 steps

Set the bracketing amount.

3

4

Tu rn the < > dial to select the bracketing amount,

•

then press < >.
You can bracket the white balance up to +/–3 stops

•

in whole-stop increments.

s

After the setting is completed, the menu will
reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

s

During white balance bracketing, the icon for the
current white balance setting will blink.

s

The number of remaining shots displayed on the
LCD panel will be one-third the normal number.

Shoot.

s

With a single shot, three images, each having a
different color temperature, will be recorded in the
CF card.

s

The bracketing sequence will start with the standard
color temperature followed by a bluish tone
(decreased compensation) and reddish tone
(increased compensation).
The current drive mode is used during white

•

balance bracketing. (→p.76) During continuous
shooting, the number of images recorded will be
three times as many as the number of shots taken.
Since three images are recorded for one shot, the

•

CF card will take longer to record the shot.

54

White Balance Auto Bracketing

Canceling White Balance Auto Bracketing

Follow steps 2 and 3 to set the bracketing amount

•

to < >, then press < >.
Yo u can also set the < > switch to < > to

•

cancel white balance bracketing.

3

Settings for Shooting

White balance bracketing will not work if the image-recording quality is < >.

White balance bracketing can be used together with auto exposure bracketing (AEB).
(→p.90) In this case, the three AEB shots will have three white balance bracketed
images recorded for each shot. Therefore, a total of nine images will be recorded on the
CF card.

With C.Fn-9-2/3, you can change the white balance bracketing sequence. (→p.148)

•

C.Fn-9-1/3, prevents the white balance bracketing from being canceled after the

•

< > switch is set to < >. (→p.148)

55

Setting Processing Parameters

The image you capture can be processed automatically by the camera in accordance with the
parameter settings you set (five settings each for [Contrast], [Sharpness], [Saturation], and
[Color tone]). You can register and save up to three sets of processing parameters.
By selecting [Standard], all the parameter settings will be reset to [0].

Settings

–

2:

–

1:

0:

+

1:

+

2:

Parameter

Contrast

Sharpness

Saturation

Color tone

1

2

Setting

Adjusts the
contrast

Adjusts the
sharpness

Adjusts the
color saturation

Adjusts the color
tone

Level

–1 / –2

0

+1 / +2

–1 / –2

0

+1 / +2

–1 / –2

0

+1 / +2

–1 / –2

0

+1 / +2

Settings

Low contrast

Standard contrast

High contrast

Weak sharpness

Standard sharpness

Strong sharpness

Low saturation

Standard saturation

High saturation

Reddish skin tone

Standard color tone

Yellowish skin tone

On the menu, select [Parameters].

Press the < > button.

•

Tu r n the < > dial to select [Parameters], then

•

press < >.

Select [Set up].

Tu rn the < > dial to select [Set up], then press

•

<

>.

The default parameter settings for [Set 1], [Set 2],

•

and [Set 3] are all [0] (Standard).

56

Set No.

Select the Set No.

3

Tu rn the < > dial to select [1], [2], or [3], then

•

press <

>.

Select the parameter.

[Contrast]

[Sharpness]

[Color tone]

[Saturation]

4

Tu rn the < > dial to select the parameter, then

•

press <
The parameter selection will change in the following

•

loop:

Setting Processing Parameters

>.

Set the parameter.

5

6

7

Tu rn the < > dial to set the parameter, then press

•

>.

<
Each parameter can be set to one of five settings.

•

Return to the [Parameters] menu.

Press the < > button twice to return to step 1.

•

Then press <

Select the Set No. that was set.

Tu rn the < > dial to select [Set 1], [Set 2], or [Set

•

3], then press <

s

After the setting is completed, the menu will
reappear.
To exit the menu and turn off the LCD monitor,

•

press the <

>.

>.

> button.

3

Settings for Shooting

With the parameters already set, when you set the < > switch to < >, the camera
will start up and display “
parameter settings will be displayed. If [Set 1], [Set 2], or [Set 3] has been set, “ ”,

”, or “ ” will be displayed. And if [Adobe RGB] (→p.58) has been set, “ ”

“
will be displayed.

With C.Fn-01-2, you can set [Parameters] by pressing < > and turning the < > dial
while looking at the LCD panel. (→p.146)

” on the LCD panel until it is ready for shooting. Then the

57

Selecting a Color Space

The color space indicates the color reproduction range. The camera is compatible with the
sRGB and Adobe RGB color spaces.

Selecting sRGB

For normal shooting, set sRGB for the color space. On the menu for [Parameters], selecting
any setting except [Adobe RGB] will set sRGB as the color space.

On the menu, select [Parameters].

1

2

Press the < > button.

•

Tu rn the < > dial to select [Parameters], then

•

press < >.

Select any setting except [Adobe RGB].

(→p.57)

Tu rn the < > dial to select [Standard], [Set 1],

•

[Set 2], or [Set 3], then press <

s

After the setting is completed, the menu will
reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.
The captured images will then be recorded with

•

sRGB.

>.

Selecting Adobe RGB

Select Adobe RGB if you want to use a personal computer to adjust the color saturation or if
the image will be used for commercial printing with Adobe RGB.

With step 2 above, select [Adobe RGB].

The image will be recorded with Adobe RGB.

•

When Adobe RGB has been set, the processing parameters cannot be set. (→p.56)

•

All the processing parameter settings will be set to [0].
Images captured with [Adobe RGB] will not be appended with the ICC profile. To

•

convert the profile, Adobe RGB must be specified.
When images captured with Adobe RGB are displayed on an sRGB-based LCD

•

monitor, video monitor, or printed with an sRGB printer, the resulting image will look to
have low chroma. The chroma must therefore be adjusted beforehand.

58

File Numbering Methods

The images you take are automatically assigned a file number from 0001 to 9999 and saved in
a folder that can hold up to 100 images. The folders are numbered from 100 to 999 and saved
in the CF card. The automatic file numbering method can be set to [Continuous] or [Auto

reset].

On the menu, select [File numbering].

1

2

Continuous Numbering

The file numbering continues in sequence even after you replace the CF card. Since this
prevents any images from having the same file number, it makes it easier to manage the
images with a personal computer.
Note that if the replacement CF card already
contains images captured with the camera,
the file numbering will start after the highest
file number in that CF card or after the last
captured image’s file number, whichever is
higher.

Press the < > button.

•

Tu rn the < > dial to select [File numbering], then

•

press <

>.

Select the file numbering method.

Tu rn the < > dial to select [Continuous] or [Auto

•

reset], then press <

s

After the setting is completed, the menu will
reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

File numbering after changing the CF card

Next sequential file number

CF card-1

XXX-0001

>.

CF card-2

XXX-0002

3

Settings for Shooting

Auto Reset

Whenever you replace the CF card, the file numbering will be reset to XXX-0001. Since the
image file number starts from 0001 in each CF card, you can use a different CF card for each
day of shooting. Then you can see how
many images you shot each day. Note that if
the replacement CF card already contains
images, the file numbering will start after the
highest file number in that CF card.

File numbering after changing the CF card

CF card-1

XXX-0001

File number is reset

CF card-2

XXX-0001

59

File Numbering Methods

If the 999CANON folder is created, [Folder number full] will appear on the LCD

•

monitor. You can keep shooting up to file No. 9999, however, you should keep a spare
CF card on hand.
If file No. 9999 in folder No. 999 is created, “ ” will be displayed on the LCD

•

panel and in the viewfinder and no more images can be recorded even if the CF card
still has room. Replace the CF card with a new one.

The file numbers are like the frame numbers on a roll of film.

•

For details on file names, see “Basic Terminology.” (→p.161)

•

60

Setting Auto Rotation

During playback, vertical images can be displayed vertically after being rotated clockwise by
90˚ or 270˚ automatically.

On the menu, select [Auto rotate].

1

2

3

4

Press the < > button.

•

Tu rn the < > dial to select [Auto rotate], then

•

press < >.

Set the Auto rotate setting.

Tu rn the < > dial to select [On], then press < >.

•

s

When the setting is completed, the menu will
reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

Take a vertical shot.

For the image review right after image capture, the

•

image will not be displayed vertically on the LCD
monitor. (→p.42)

Playback the image.

Press the < > button.

•

s

The vertical shot will be displayed vertically as
shown on the left.

3

Settings for Shooting

If a vertical image is taken while the camera is pointed up or down, the image might

•

not rotate automatically for playback.
If you take a vertical shot with [Auto rotate] set to [On] and use the menu’s [Rotate]

•

feature to rotate it, the image’s rotate information will be overwritten.

When you change the camera’s orientation between horizontal and vertical, the camera
orientation sensor will make a small sound. This is not a defect.

61

INFO.

When the camera is ready to shoot, press the < > button to view the current camera
settings on the LCD monitor.

Checking Camera Settings

Display the camera settings.

Press the < > button.

•

s

The current camera settings appear on the LCD
monitor.
Press the < > button again to clear the LCD

•

monitor.

Camera Setting Information

Date/time (→p.154)

AEB amount (→p.90)

WB-BKT amount (→p.54)

Processing parameter setting (→p.57)

Image review (→p.42)

Image review time (→p.43)

Color temperature (→p.53)

ISO speed (→p.49)

Auto rotate (→p.61)

Auto power off time (→p.142)

CF card remaining capacity (→p.47)

Flash exposure compensation amount (→p.101)

For viewing image with shooting information during playback, see “Image with Shooting
Information”. (→p.109)

62

The viewfinder has seven AF points. By selecting the optimum AF
point, autofocusing can be executed while you maintain the desired
subject framing. You can also set the AF mode to suit the subject or
intended effect.

Focusing

4

In the Basic Zone modes, only AF lock (→p.65) and manual focusing
(→p.71) apply in this chapter.

4

4

Focusing

First set the < > switch and < > switch to < >.

63

63

Selecting AF Mode

The AF mode is the autofocusing method. The camera has three AF modes: 1. One Shot AF
for still subjects, 2. AI Servo AF for moving subjects, and 3. AI Focus AF that switches
automatically from One-Shot AF to AI Servo AF if the subject starts to move.

Set the lens focus mode switch to
<AF>.

1

Turn the Mode dial to a Creative Zone
mode.

2

Press the < > button. ( )

3

Select the AF mode.

4

While looking at the LCD panel, turn the < > dial

•

to select the desired AF mode.

One Shot AF AI Focus AF AI Servo AF

To return to shooting, press the shutter button

•

halfway.

In step 4, turning the < > dial will set the white balance. (→p.50)

64

One-Shot AF for Still Subjects

AF point

Selecting AF Mode

Focus confirmation light

Pressing the shutter button halfway
activates AF operation and achieves
focus once.

s

The AF point which achieved focus will flash briefly
and the focus confirmation light in the viewfinder will
light at the same time.
With evaluative metering, the exposure setting

•

(shutter speed and aperture) will be set when focus
is achieved. The exposure setting and focus will be
locked as long as the shutter button is pressed
halfway. You can then recompose the shot while
retaining the exposure setting and point of focus.

With C.Fn-10-1, you can disable the AF point from flashing in red (superimposed
display) when focus is achieved. (→p.149)

Focusing an Off-Center Subject

To focus an off-center subject not covered by any of the seven AF points, follow the procedure
below. This technique is called focus lock.
Focus lock works when the AF mode is set to One Shot AF.

Aim the AF point over the subject and press the shutter button
halfway to focus.

1

Keep pressing the shutter button halfway and recompose the
image as desired.

2

Shoot.

3

4

Focusing

If focus cannot be achieved, the focus confirmation light <●> in the viewfinder will blink.
If this occurs, an image cannot be captured even if the shutter button is pressed fully.
Reframe the shot and focus again. Also see “When Autofocus Fails (Manual Focusing)”
on page 71.

65

Selecting AF Mode

AI Servo AF for Moving Subjects

While you press the shutter button
halfway, the camera focuses continu­ously.

This AF mode suits moving subjects when the

•

focusing distance keeps changing.
With predictive AF∗, the camera can also focus

•

track a subject which steadily approaches or
retreats from the camera.
The exposure settings are set immediately before

•

the image is captured.

When focus is achieved, the focus confirmation light <●> in the viewfinder will not

•

light and the beeper will not sound.
If the focus confirmation light <●> in the viewfinder blinks, it means focus has not

•

been achieved.
Focus lock cannot be used.

•

∗ Predictive AF

If the subject approaches or retreats from the camera at a constant rate, the camera tracks the
subject and predicts the focusing distance immediately before the image is captured. This is
for obtaining correct focus at the moment of exposure.

When the AF point selection is automatic, the camera first uses the center AF point to focus.

•

If the subject moves away from the center AF point, focus tracking continues as long as the
subject is covered by another AF point. The active AF point will not flash in red.
With a manually selected AF point, the selected AF point is used for predictive AF.

•

With C.Fn-04-2, holding down the < > button will temporarily stop the AF operation in
the AI Servo AF mode. (→p.146)

AI Focus AF for Automatic AF Mode Switching

The AI Focus AF mode switches automatically from
One-Shot AF to AI Servo AF if the subject starts to
move.
If focus is achieved in the One Shot AF mode and the
subject starts to move continuously, the camera will
detect the movement and switch automatically to AI
Servo AF to focus track the subject.

66

Selecting an AF Point

The AF point can be selected automatically or manually. In the Basic Zone modes and < >
mode, AF point selection will be automatic. In the < > < > < > < > modes, AF point
selection can be set to either automatic or manual.

Automatic Selection

•

From among the seven AF points, the camera selects the AF point automatically to suit the
subject.

Manual Selection

•

You can select any of the seven AF points manually. This is best when you want to be sure
to focus on a particular subject, or to use the speed of the AF focusing function to help you
compose a particular shot quickly.

Basic Procedure for AF Point Selection

Press the < > button. ( )

After pressing the < > button, look at the

•

viewfinder or LCD panel and turn the < > or
<

> dial to select the desired AF point.

Shifts horizontally

Shifts vertically

Automatic Selection

Manual Selection

Automatic Selection

Selecting a horizontal AF point

Press the < > button and turn the < > dial.

•

s

The selected AF point will shift horizontally.

Selecting a vertical AF point

Press the < > button and turn the < > dial.

•

s

The selected AF point will shift vertically.
To return to shooting, press the shutter button

•

halfway or press the < > button again.

4

Focusing

With C.Fn-13-3, you can select an AF point just by turning the < > dial. You need not
press the < > button first. (→p.150)

67

Selecting AF Point

Automatic Selection

Manual Selection

Display all the AF points in red.

Press the < > button, then turn the < > or

•

<

> dial so that the viewfinder display looks as
shown in the illustration.
When you try to select an AF point beyond a

•

peripheral AF point, automatic focusing selection
will be set.
You can also set automatic AF point selection while

•

looking at the LCD panel.

Center AF point selected

With C.Fn-10-1, you can disable the AF point from flashing in red when focus is
achieved. (→p.149)

Display the desired AF point in red.

To select the AF point, see “Selecting an AF Point.”

•

(→p.67)
The selection sequence when the < > and < >

•

dial is turned is shown below.
You can also select the AF point manually while

•

looking at the LCD panel.

Automatic Selection

Automatic

Selection

Automatic Selection

68

Automatic

Selection

Registering and Switching an AF Point

By registering the AF point you often use, you can switch to it instantly. You can register an off­center AF point which suits your preferred framing or automatic selection for the shooting
moment priority. Any of the seven AF points can be registered. Only one AF point can be
registered.

Registering an AF Point

On the menu, select [Custom Functions
(C.Fn)].

1

2

3

Press the < > button.

•

Tu rn the < > dial to select [Cusom Functions

•

(C.Fn)], then press <

s

The Custom Function screen will appear.

Select C.Fn-07 [AF point registration].

Tu rn the < > dial to select [AF point registra-

•

tion], then press <

Register the AF point.

Tu rn the < > dial to select the desired AF point,

•

then press <
4: is automatic AF point selection.

•

s

The selected AF point will be registered.
Press the < > button to return to the menu.

•

To turn off the LCD monitor, press the < >

•

button again.

>.

>.

>.

4

Focusing

The registered AF point is called the HP, for Home Position.

69

Registering and Switching AF Point

Switching to the Registered AF Point

Normally, to switch to the registered AF point, you press the < > button and < > button
simultaneously. However, with C.Fn-13-1/2, you can just press the < > button to switch to
the registered AF point.

Press the < > button and < > button

(1)

simultaneously.

This is the default method with C.Fn-13-0.

•

For the setting procedure, see “Setting Custom Functions”
(→p.145) or see page 69.

(2) Press only the < > button to switch to

the registered AF point.

(→p.150)

C.Fn-13-1

(3) Switch to the registered AF point only

while pressing the < > button.

(→p.150)

C.Fn-13-2

When the < > button is released, it will return to

•

the original AF point.

If C.Fn-13-1/2 and C.Fn-04-1/3 have been set, you can press only the < > button to
switch to the registered AF point and start autofocusing at the same time.

70

When Autofocus Fails (Manual Focusing)

Autofocus can fail to achieve focus (the focus confirmation light blinks) with certain subjects
such as the following:
(a) Low-contrast subjects (blue sky, solid-color walls, etc.).
(b) Subjects in low light.
(c) Extremely backlit reflective subjects (car with a reflective body, etc.).
(d) Overlapping near and far objects (animal in a cage, etc.).

In such cases, do one of the following:

1. Focus an object at the same distance as the subject and lock the focus before recomposing.

2. Set the lens focus mode switch to < MF > (or < M > on older lenses) and focus manually.

(→p.27)

Manual Focusing

Set the lens focus mode switch to <MF>
(or <M > on older lenses).

1

Focus by turning the lens focusing ring
until the subject is in focus in the

2

viewfinder.

If you press the shutter button halfway during manual focusing, the active AF point and

•

the focus confirmation light <●> in the viewfinder will light when focus is achieved.
If focus cannot be achieved with an external Speedlite’s AF-assist beam, select the

•

center AF point. An off-center AF point may not be able to achieve focus.
With USM (Ultrasonic Motor) lenses (except those not having a distance scale), you

•

can use the focusing ring to fine focus after focus is achieved in the One-Shot AF
mode (full-time manual focusing).

4

Focusing

71

72

Evaluative, partial, and center-weighted average metering modes
are provided. For the drive mode, single frame, continuous, and self­timer are provided. Select the mode which best suits the subject or
your creative intentions.

Metering mode

Evaluative metering

Partial metering

Center-weighted average metering

Drive mode

Single frame

Continuous

Self-timer

Selecting the Metering

5

5

Selecting the Metering Mode and Drive Mode

Mode and Drive Mode

In the Basic Zone modes, the metering mode and drive mode are set
automatically. Only the self-timer setting will apply in this chapter.

First set the < > switch to < >.

5

73

73

Selecting the Metering Mode

The EOS 10D uses three modes for metering: Evaluative, Partial, and Center-weighted
average.
The Basic Zone uses evaluative metering. In the Creative zone, any of the three modes can
be selected.

Press the < > button. ( )

1

Select a metering mode.

2

While looking at the LCD panel, turn the < > dial

•

to set the desired metering mode.

: Evaluative

: Partial

: Center-weighted average

Press the shutter button down halfway to return to

•

shooting.

In step 2, turning the < > dial will set the flash exposure compensation amount for the
built-in flash or external Speedlite. (→p.101)

74

Metering Modes

This is an all-around metering mode suited even for
backlit subjects. The viewfinder is divided into 35
metering zones to which all the AF points are linked
for evaluative metering. After detecting the main
subject’s position, brightness, background, front and
back lighting conditions, camera orientation (horizontal
or vertical), etc., the camera sets the proper exposure.

•

•

This mode is effective when the background is much
brighter than the subject (due to backlighting, etc.).
The metering is weighted at the center covering 9% of
the viewfinder area.

•

The metering is weighted at the center and then
averaged for the entire scene.

Evaluative Metering

During manual focusing, evaluative metering is
based on the center AF point.
If the subject brightness and background light level
are very different (strong backlight or spotlight),
partial metering (

) is recommended instead.

Partial Metering

The area covered by partial metering is shown on
the left.

Center-weighted Average Metering

5

Selecting the Metering Mode and Drive Mode

75

Drive Mode Selection

Three drive modes are provided:

Single frame

Continuous:

Self-timer: The self-timer star ts when you press the shutter button fully.

: Only one shot is taken when you press the shutter button.

Continuous shots are taken while you hold down the shutter button fully.

The image is captured 10 sec. later. (→p.77)

Image-Recording Quality

/ / / / /

In the < > mode, the above figures will apply regardless of the C.Fn-08 setting.

•

Figures for the continuous shooting speed and maximum burst are based on Canon’s

•

standard testing conditions (1/250 sec. and faster shutter speeds and ISO 100).

Continuous Shooting Speed

One Shot AF AI Ser vo AF

Approx. 3 fps Approx. 9 shots

Press the < > button. ( )

Maximum Burst

1

Select the drive mode.

2

While looking at the LCD panel, turn the < > dial

•

to set the desired drive mode.

: Single frame

: Continuous

: Self-timer

76

To return to shooting, press the shutter button

•

halfway.

Drive Mode Selection / Self-timer Operation

If the CF card has little room left and cannot fit more than eight images, continuous

•

shooting might not be possible.
During continuous shooting, the captured images are first stored in the camera's

•

internal memory and then successively transferred to the CF card. When the internal
memory becomes full during continuous shooting, “
LCD panel and in the viewfinder and the camera cannot take any more shots. As the
captured images are transferred to the CF card, you will be able to capture more
images. Press the shutter button halfway to check in the viewfinder the current
remaining number of maximum burst (
burst number will not be displayed when there is no CF card in the camera.
If you press the shutter button halfway before all the images in the internal memory

•

are transferred to the CF card (while the access lamp blinks), the image transfer to
the CF card will stop temporarily.
If “ ” is displayed in the viewfinder and on the LCD panel, wait until the

•

access lamp turns off, then replace the CF card.

to ) for continuous shooting. The maximum

” will be displayed on the

The maximum burst during white balance bracketing is also 9 shots.

•

In step 2, turning the < > dial will set the ISO speed. (→p.49)

•

Self-timer Operation

The self-timer is convenient for group shooting. You can use it in any Basic mode or Creative
mode. We recommend using a tripod when you use the self-timer.

Select the self-timer.

1

2

Press the < > button, then look at the LCD

•

panel and turn the < > dial to select < >.

Focus the subject.

Look through the viewfinder and press the shutter

•

button halfway. Check that the focus confirmation
light <●> and exposure settings are displayed.

5

Selecting the Metering Mode and Drive Mode

77

Self-timer Operation / Using the Eyepiece Cover

Shoot.

3

Do not stand in front of the camera when you press the shutter button to start the self­timer. Doing so prevents the camera from focusing on the subject.

You can set the beep that indicates the subject is in focus and the beep that indicates

•

the self-timer is operating to [On] or [Off]. (→p.140)
When using the self-timer to shoot only yourself, lock the focus (→p.65) on an object

•

at about the same distance as where you will be.

Press the shutter button fully.

•

s

The self-timer lamp will start blinking and the
beeper will sound to indicate that the self-timer is
operating.

s

After about 10 sec., the image will be captured.
During the first 8 sec., the lamp blinks and the
beeper beeps slowly.
During the final 2 sec., the lamp stays lit and the
beeper beeps faster.

s

During the self-timer operation, the LCD panel
counts down the seconds until the image is captured.
To cancel the self-timer after it starts, press the

•

<

> button.

Using the Eyepiece Cover

During self-timer or remote control operation when your eye does not cover the viewfinder
eyepiece, stray light may enter the eyepiece and affect the exposure when the image is
captured. To prevent this, use the eyepiece cover (attached to the neck strap) to cover the
eyepiece.

Remove the eyecup.

1

2

78

Grasp both sides of the eyecup and slide it up to

•

remove.

Attach the eyepiece cover.

Slide the eyepiece cover down into the eyepiece

•

groove to attach it.

The Creative zone features shooting modes that let you select the
shutter speed or aperture value and change the exposure yourself,
providing you with more flexibility to set up the camera for a variety
of shooting styles.

C

r

e

a

t

i

v

e

Z

o

n

e

6

6

Advanced Operations

Advanced Operations

Press the shutter button down halfway and release, and a timer will show

•

the exposure setting for approximately 4 seconds on the LCD panel and
viewfinder.
Depth-of-field preview, exposure compensation, AEB, AE lock, and bulb

•

exposures are possible only in Creative Zone modes.
The functions that can be set in Creative Zone modes are listed in the

•

“Function Availability Table” (→p.163).

First set the < > switch and < > switch to < >.

6

79

79

Program AE

1

Like < > (Full Auto) mode, this is a general-purpose
shooting mode. The camera automatically sets the
shutter speed and aperture value to suit the scene’s
brightness. This is called Program AE.

∗

stands for Program

∗ AE stands for Auto Exposure

Set the Mode Dial to < >.

AF point

Maximum burst

Focus confirmation light

Shutter speed

Aperture

Focus the subject.

2

3

Look through the viewfinder and aim any AF point

•

over the subject. Then press the shutter button
halfway.

s

The AF point that achieves focus will flash briefly. At
the same time, the beeper will sound and the focus
confirmation light <●> in the viewfinder will light.

s

The exposure setting will be displayed in the
viewfinder and on the LCD panel.
If the focus confirmation light <●> in the viewfinder

•

blinks, it means focus has not been achieved. See
“When Autofocus Fails” (→p.71).
The number “ ” - “ ” displayed to the left of the

•

focus confirmation light <●> indicates the maxi­mum burst for continuous shooting.
When the CF card is almost full and only nine or

•

fewer shots can be taken, “ ” to “ ” will be
displayed to indicate the remaining number of
shots.

Shoot.

Compose the shot and check that the exposure

•

setting is not blinking. Then press the shutter button
fully to shoot.

s

The captured image will be displayed for 2 sec. on
the LCD monitor.

80

Program AE

Exposure Warnings

If the shutter speed or aperture blinks, it means a correct exposure cannot be obtained.
Although the image can be captured, it may come out too bright or too dark. For details,
see “Exposure Warning List” on page 164.

With automatic AF point selection (→p.68), all the AF points achieving focus will flash.

•

Differences Between < > and < > (Full Auto)

In both the < > and < > modes, the shutter speed and aperture are set automati-

•

cally in the same way.
You can select or set the following functions in the < > mode, but not in the < >

•

mode.

Shooting Functions

AF mode selection

AF point selection

Drive mode selection

Metering mode selection

Program shift

Exposure compensation

AEB

AE lock with <

Depth-of-field preview

Camera setting reset

Custom Functions (C.Fn)

Clear all Custom Functions

Image sensor cleaning

Built-in Flash Functions

Flash On/Off

FE lock

Flash exposure compensation

> button

EX-Series Speedlite Functions

Manual/Multi-Speedlite flash

High-speed sync

FE lock

Flash ratio control

Flash exposure compensation

FEB

2nd-curtain sync

Modeling flash

Image-Recording Functions

< > selection

ISO speed setting

White balance selection

Custom WB image selection

WB-BKT setting

Color temp. setting

Processing parameter setting

6

Advanced Operations

Shifting the Program

In Program AE mode, you can freely change the shutter speed and aperture value

•

combination (program) set by the camera while maintaining the same exposure
value. This is called shifting the program.
To do this, press the shutter button down halfway, then turn the < > dial until the

•

shutter speed or aperture value you want is displayed.
Program shift is canceled automatically after the image is captured.

•

If you are using a flash, you cannot shift the program.

•

81

Shutter-Priority AE

In this mode, you set the shutter speed and the camera automatically sets the aperture value
to suit the brightness of the subject. This is called Shutter-Priority AE.
A fast shutter speed can freeze the motion of a fast-moving subject and a slow shutter speed
can blur the subject to give the impression of motion.

∗

stands for “time value.”

Fast shuter speed Slow shuter speed

Set the Mode Dial to < >.

1

Turn the < > dial to set the desired
shutter speed.

2

82

Focus on the subject.

3

4

Press the shutter button down halfway.

•

s

The aperture value is determined automatically.

Check the display, then shoot.

If the aperture value is not blinking, the exposure is

•

correct.
Compose the shot, then press the shutter button

•

down fully.

Shutter-Priority AE

Exposure Warnings

If the lens’ maximum aperture (lowest f/number like f/3.5) blinks, it indicates underex-

•

posure.
Tu rn the <
blinking.

If the lens’ minimum aperture (highest f/number like f/22) blinks, it indicates overexpo-

•

sure. Turn the <
blinking.

Shutter Speed Display

You can set the shutter speed in half-stop increments as shown below. The shutter
speeds from “
that—for example—“
“

” is 15 seconds.

> dial to set a slower shutter speed until the aperture display stops

> dial to set a faster shutter speed until the aperture display stops

” to “ ” indicate the denominator of the fractional shutter speed, so

” is 1/125 second. For slow speeds, “ ” is 0.7 seconds and

6

Advanced Operations

C.Fn-16-1 enables the safety shift feature. (→p.151)

•

In the shutter-priority AE mode, if a correct exposure cannot be obtained with any
aperture set by the camera, the camera automatically sets a faster or slower shutter
speed. This feature is called safety shift.
With C.Fn-06-1,you can also set the camera so that you can set the shutter speed in

•

1/3-stop increments. (→p.147)

83

Aperture-Priority AE

In this mode, you set the desired aperture and the camera sets the shutter speed automati­cally to suit the subject brightness.
The larger or brighter the aperture (lower f/number) the more blurred the background will
become. This effect is ideal for portraits. The smaller or darker the aperture (higher f/number),
the clearer the focus will be for both near and far objects (wider depth of field).

∗

is an abbreviation for Aperture value.

With a large aperture With a small aperture

Set the Mode Dial to < >.

1

Turn the < > dial to set the desired
aperture.

2

84

Focus on the subject.

3

4

Press the shutter button down halfway.

•

s

The shutter speed is determined automatically.

Check the display, then shoot.

If the shutter speed is not blinking, the exposure is

•

correct.
Compose the shot, then press the shutter button

•

down fully.

Aperture-Priority AE/ Depth-of-field Preview

Exposure Warnings

If the “ ” shutter speed blinks, it indicates underexposure. Turn the < > dial to

•

set a larger aperture (lower f/number) until the shutter speed stops blinking.

If the “ ” shutter speed blinks, it indicates overexposure. Turn the < > dial to

•

set a smaller aperture (higher f/number) until the shutter speed stops blinking.

Aperture Value Display

You can set the aperture in half stops as shown below. The higher the aperture value,
the smaller the aperture opening. The range of aperture settings displayed depends on
the lens mounted on the camera.

If no lens is mounted on the camera, the aperture setting is displayed as “

C.Fn-16-1 enables the safety shift feature. (→p.151)

•

If a correct exposure cannot be obtained in the aperture-priority AE mode with any
shutter speed set by the camera, the camera automatically sets a larger or smaller
aperture. This feature is called safety shift.
With C.Fn-06-1, you can also set the camera so that you can set the aperture value in

•

1/3-stop increments. (→p.147)
With C.Fn-03-1, you can fix the shutter speed at 1/200 second for shooting with a

•

flash. (→p.146)

Depth-of-field Preview

The depth of field is the range of acceptable focus in
front of and behind the point of focus. (→p.160) The
depth of field changes depending on the aperture.
Press the depth-of-field preview button to stop down
the aperture and see the range of acceptable focus in
the viewfinder.

This feature can be used in the Creative zone.

•

Depth-of-field preview will work after you press the shutter button halfway and achieve

•

focus in <
The exposure is locked (AE lock) while the Depth-of-Field Preview button is pressed.

•

>.

”.

6

Advanced Operations

85

Manual Exposure

In this mode, you set both the shutter speed and
aperture as desired. To determine the exposure, refer
to the exposure level indicator in the viewfinder or use
a handheld exposure meter. This method is called
manual exposure.

∗

stands for manual.

Set the Mode Dial to < >.

1

Turn the < > dial to set the desired
shutter speed.

2

Exposure level mark

86

Set the aperture.

3

4

Tu rn the < > switch to < >, then turn the < >

•

dial to set the desired aperture.

Focus on the subject.

Press the shutter button down halfway.

•

s

The exposure level indicator appears in the
viewfinder and on the LCD panel.
The exposure level icon < > lets you see how far

•

you are from the standard exposure level.

Manual Exposure

Determine the exposure.

5

Standard exposure index

: This is the reference point for a standard exposure.

: To set it to the standard exposure level, set a slower shutter speed

or a larger aperture (smaller f/number).

: To set it to the standard exposure level, set a faster shutter speed or

a smaller aperture (larger f/number).

Set the shutter speed or aperture value manually.

•

Exposure level mark

6

If the exposure level indicator < > is flashing at the

•

> or < > position, the exposure is over- or

<
under-exposed by more than two stops.

Shoot.

Compose the shot, then press the shutter button

•

down fully.

6

Advanced Operations

With C.Fn-06-1, you can set the camera so that you can set the shutter speed or
aperture value in 1/3-stop increments. (→p.147)

87

Automatic Depth-of-Field AE

This mode is for obtaining a wide depth of field automatically between a near subject and far
subject. It is effective for group photos and landscapes.
The camera uses the seven AF points to detect the nearest and farthest subjects to be in
focus.

∗

stands for Auto-depth of field.

Set the Mode Dial to < >.

1

Focus the subject.

2

3

Move the AF point over the subject and press the

•

shutter button halfway. ( )
All the subjects covered by the AF points which

•

flashed in red will be in focus.
If you press the depth-of-field preview button while

•

pressing the shutter button halfway, you can see the
depth of field. (→p.85)

Shoot.

As long as the exposure setting is not blinking, a

•

proper exposure will be obtained.
Compose the shot and press the shutter button

•

fully.
In the sample image shown in step 2, all three

•

people will be in sharp focus even though they are
at different distances from the camera.

The < > mode cannot be used if the lens’ focus mode switch is set to < MF > (or

•

<M> on older lenses).
If the aperture value blinks, it indicates that the exposure level is correct but the

•

desired depth of field cannot be achieved. Either use a wide-angle lens or move
further away from the subjects.

In this shooting mode, you cannot freely change the shutter speed and aperture. If

•

the camera sets a slow shutter speed, hold the camera steady or use a tripod.
Regardless of the AF mode setting, ONE-SHOT AF will take effect.

•

If you use a flash, the result will be the same as using < > (Program AE) mode with

•

flash.

88

Setting Exposure Compensation

Exposure compensation is used to alter the camera’s standard exposure setting. You can
make the image look lighter (increased exposure) or darker (decreased exposure). The
exposure compensation amount can be set up to +/–2 stops in 1/2-stop increments.

Turn the Mode Dial to any Creative Zone
mode except < >.

1

Focus the subject and check the expo­sure level.

2

Increased exposure

3

Decreased exposure

Press the shutter button halfway and check the

•

exposure level indicator.

Set the exposure compensation
amount.

Tu rn the < > switch to < >, then look at the

•

viewfinder or LCD panel and turn the < > dial to
set the desired exposure compensation amount.
Tu rn the < > dial while pressing the shutter button

•

halfway or within 4 sec. after pressing and releasing
the shutter button halfway.
“ ” indicates increased exposure, and “ ”

•

indicates decreased exposure.

Standard exposure index

Exposure
level mark

Decreased
exposure

To cancel the exposure compensation, set the

•

exposure compensation amount to <

Increased
exposure

> or < >.

6

Advanced Operations

Shoot.

4

The exposure compensation amount will remain in effect even after you turn the

•

> switch to < >.

<
If the standard exposure setting is 1/125 sec. and f/5.6, setting the exposure compen-

•

sation amount to plus or minus one stop will be the same as setting the shutter speed
or aperture as follows:

Shutter speed
Aperture

To prevent the < > dial from turning inadvertently and changing the exposure

•

compensation amount, set the < > switch to < >.

C.Fn-06-1, enables the exposure compensation amount to be set in 1/3-stop

•

increments. (→p.147)
With C.Fn-13-3, you can hold down the < > button and turn the < > dial to set

•

the exposure compensation amount. (→p.150)

–1 stop ← 0 → +1 stop

250 ← 125 → 60

8.0 ← 5.6 → 4.0

89

Auto Exposure Bracketing

With autoexposure bracketing (AEB), the camera automatically changes the exposure level up
to +/–2 stops in 1/2-stop increments for three successive shots.
In the <
In the <
In the < >, < >, or < > mode, AEB is executed by changing the shutter speed.

> mode, AEB is executed by changing both the shutter speed and aperture.

> mode, AEB is executed by changing the aperture.

Standard exposure (0) Decreased exposure (–1/2 stop) Increased exposure (+1/2 stop)

On the menu, select [AEB].

1

2

AEB range

Press the < > button.

•

Tu rn the < > dial to select [AEB], then press

•

< >.

Set the AEB amount.

Tu rn the < > dial to set the desired AEB amount,

•

then press <

s

The menu will reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

s

The < > and AEB level will appear on the LCD
panel.

>.

standard exposure

decreased exposure

increased exposure

90

3

Shoot.

s

The three bracketed shots will be exposed in the
following sequence: standard exposure, decreased
exposure, and increased exposure.

s

The respective bracketing amount will be displayed
as each bracketed shot is taken.

s

The current drive mode will be used for the
bracketing. (→p.76)

s

During the AEB shooting, the < > icon and AEB
amount will blink.
When AEB is used with the self-timer, the three

•

bracketed shots will be taken in succession after
the 10-second self-timer delay.

Auto Exposure Bracketing

Canceling AEB

Follow steps 1 and 2 to set the AEB amount to

•

< >.
AEB will also be canceled automatically if you turn

•

the <

> switch to < >, change lenses, have
flash-ready, replace the battery, or replace the CF
card.

Neither flash nor bulb exposures can be used in AEB mode.

•

If you set mirror lockup with C.Fn-12-1 (→p.149) and then use AEB, single-frame

•

shooting takes effect even if the drive mode is set to continuous shooting.

If the drive mode is single frame, press the shutter button for each bracketed shot.

•

AEB can also be set in combination with exposure compensation. If you set the

•

exposure compensation amount beyond the displayable range, the indicator will look
as shown below. However, the exposure compensation amount will still remain valid.

> < > < > < >:

For <

Exposure compensation by –2 stops and +/–1 stop AEB

6

Advanced Operations

For <

C.Fn-06-1, enables the exposure compensation amount to be set in 1/3-stop

•

increments. (→p.147)
In this case, the AEB amount will be displayed as shown below.

C.Fn-09-2/3, changes the bracketing sequence to decreased exposure, standard

•

exposure, and increased exposure. (→p.148)
C.Fn-09-1/3, can prevent AEB from being canceled after you turn the < > switch to

•

<
(→p.148)

>:

–2 stops and +/–1 stop AEB

+

/– 1/3 stop AEB

: –1/3 stop : –2/3 stop

>, change lenses, have flash-ready, replace the battery, or replace the CF card.

+

/– 2/3 stop AEB

91

AE Lock

AE lock enables you to lock the exposure at a different place from the point of focus. After
locking the exposure, you can recompose the shot while maintaining the desired exposure
level. This feature is useful for backlit and spotlighted subjects.
AE lock works differently depending on the selected AF point and metering mode. For details,
see “AE Lock Effects” (→p.165).

Focus the subject.

s

1

2

The exposure setting will be displayed in the
viewfinder.

Press the < > button. ( )

s

The < > icon will light in the viewfinder to indicate
that the exposure setting has been locked (AE
lock).
Aim the center of the viewfinder over the subject

•

where the exposure is to be locked, then press the
<

> button.

Each time you press the < > button, it locks the

•

current exposure setting.

AE lock indicator

Compose the shot and shoot.

3

If One-Shot AF and evaluative metering are set, pressing the shutter button halfway to
focus will automatically set AE lock at the same time.

C.Fn-04-1 enables AE lock with the shutter button pressed halfway (instead of the
< > button) and focusing with the < > button. (→p.146)

92

Press the shutter button fully.

•

Bulb Exposures

When bulb is set, the shutter is open during the time you keep pressing the shutter button fully.
Bulb is useful when a long exposure is necessary for capturing night scenes, fireworks, the
night sky, etc.

Set the Mode Dial to < >.

1

Set the shutter speed to “ ”.

2

3

4

Look at the LCD panel and turn the < > dial to

•

select “
The next setting after “ ” is “ ”.

•

Set the aperture.

Tu rn the < > dial to set the desired aperture.

•

Shoot.

Press and hold the shutter button down fully.

•

s

The LCD panel will show the elapsed exposure time
from 1 sec. to a maximum of 999 sec.
Exposure continues as long as you hold down the

•

shutter button.

”.

6

Advanced Operations

Since bulb exposures will have more noise than usual, the image will look rough or
grainy.

With a fully-charged battery, a single bulb exposure can be as long as about 2.5 hours.

By connecting Remote Switch RS-80N3 or Timer Remote Controller TC-80N3 (both
optional) to the camera’s remote control terminal, you need not keep pressing the
shutter button with your finger during bulb exposures. (→p.175)

93

Mirror Lockup

Mirror lockup is enabled with C.Fn-12-1. (→p.149) This prevents mirror-caused vibrations
which may blur the image during close-ups or when a super telephoto lens is used. To set this
Custom Function, see “Setting a Custom Function” on page 145. When mirror lockup is set,
the camera operates as follows.

Press the shutter button fully.

s

1

2

In very bright light such as at the beach or ski ground on a sunny day, shoot promptly

•

after mirror lockup.
During mirror lockup, do not point the camera lens at the sun. The sun’s heat can

•

scorch and damage the shutter curtains.
If you use mirror lockup with the self-timer for a bulb exposure, there will be a shutter

•

release sound when you release the shutter button during self-timer operation. This is
not the sound of the actual shutter release.

When using mirror lockup, Remote Switch RS-80N3 (optional) is recommended.

•

(→p.76)
During mirror lockup, the single drive mode will take effect regardless of the current

•

drive mode setting.
If the self-timer is used with mirror lockup, pressing the shutter button fully the first

•

time will lock up the mirror, then the shot will be taken 2 seconds later.

The mirror will lock up.
After 30 seconds, it will go back down automatically.

•

Press the shutter button fully again.

The image will be captured and the mirror will go

•

back down.
To take another shot with mirror lockup, start from

•

step 1 again.

LCD Panel Illumination

LCD panel illumination is provided.
The <
panel on or off. The illumination stays on for 6 sec. If
you shoot while the panel is illuminated, the illumina­tion will turn off 2 seconds after shooting. If you take a
bulb exposure while the panel is illuminated, the
illumination will turn off immediately.

The illumination will remain on if you press any button for shooting or the Mode dial.

94

> button turns the illumination of the LCD

The EOS 10D can take easy, natural-looking flash shots with correct
subject illumination using E-TTL autoflash (preflash evaluative
metering in memory) using either the camera’s built-in flash or any
EOS-dedicated EX-series Speedlite. The procedure is as easy as a
normal AE shot.
This chapter explains how to take flash shots with the built-in flash
and EOS-dedicated Speedlite 550EX. For details on Speedlite
550EX, see the 550EX Instructions booklet.

Shooting with a

7

Flash

7

7

Shooting with a Flash

First set the < > switch to < >. If necessary, also
set the < > switch to < >.

95

95

Using the Built-in Flash

The built-in flash lets you take the following kinds of flash shots with the ease of a normal AE
shot.

●E-TTL autoflash

With E-TTL autoflash (preflash evaluative metering), optimum flash exposure is obtained for
the subject in focus. In the aperture-priority AE mode, a slow sync speed is set automatically
in low-light situations to obtain a natural-looking, balanced exposure between the subject
and background.

●

FE (Flash Exposure) Lock

FE (flash exposure) lock sets the correct flash exposure for a selected part of the subject.
The FE lock functions as an AE lock with flash.

●

Flash exposure compensation

This function corrects the flash level in much the same way as the Exposure compensation
function. The level of compensation can be up to +/–2 stops in 1/2-stop increments.

Using the Built-in Flash in the Basic Zone

In the Basic Zone modes (except < > < > < >), the built-in flash pops up and fires
automatically in low-light and backlit conditions.
The following procedure applies to the <

> (Full Auto) mode with E-TTL autoflash.

Turn the Mode Dial to < >.

1

96

Flash-ready icon

Focus the subject.

2

3

4

Press the shutter button halfway to focus.

•

s

If necessary, the built-in flash will pop up automati­cally.

Check that the < > icon is lit.

In the viewfinder, check that the < > icon is lit.

•

Shoot.

Press the shutter button fully.

•

s

The built-in flash will fire.
To retract the built-in flash, push it down with your

•

finger.

Using the Built-in Flash

Using the Built-in Flash in the Creative Zone

When using a Creative zone mode, press the < > button to pop up the built-in flash.

: Select < > mode for full autoflash.

The shutter speed and aperture value are determined automatically, just as in <
(Full Auto) mode.

: Select < > mode to manually set a shutter speed slower than 1/200 second.

The camera then automatically sets the flash aperture value to provide the proper
exposure for your shutter speed.

: Select < > mode to manually set the aperture value.

In low-light conditions against a background such as a night sky, you can use automatic
slow-sync settings to properly expose the main subject and the background. The main
subject is captured by the flash, and the background is captured by long exposure using
a slow shutter speed.

Because automatic slow-sync shooting uses a slow shutter speed, always use a

•

tripod.

: Select < > mode to set the shutter speed and the aperture value manually.

The main subject is exposed properly by the flash. The background exposure varies
according to the shutter speed and aperture settings.

: The effect is the same as using flash in < > mode.

>

7

Shooting with a Flash

Built-in Flash Range

(using EF24-85mm f/3.5-4.5 USM lens)

ISO Speed Wide-angle: 24 mm Telephoto: 85 mm

100 Approx. 1-3.7 m (3.3-12.1 ft) Approx. 1-2.9 m (3.3-9.5 ft)
200 Approx. 1-5.3 m (3.3-17.4 ft) Approx. 1-4.1 m (3.3-13.5 ft)
400 Approx. 1-7.4 m (3.3-24.3 ft) Approx. 1-5.8 m (3.3-19 ft)
800 Approx. 1-10.5 m (3.3-34.5 ft) Approx. 1-8.2 m (3.3-27 ft)

1600 Approx. 1-14.9 m (3.3-48.9 ft) Approx. 1-11.6 m (3.3-38 ft)

H: 3200 Approx. 1-21 m (3.3-69 ft) Approx. 1-16.3 m (3.3-53.5 ft)

Flash Sync Speed and Aperture Settings

Mode Shutter speed setting

(Aperture-priority AE) Auto (1/60 to 1/200 sec.) Auto
(Shutter-priority AE) Manual (30 to 1/200 sec.) Auto
(Aperture-priority AE) Manual (30 to 1/200 sec.) Manual
(Manual exposure) Manual (30 to 1/200 sec.) Manual
(Auto. Depth-of-Field AE)

Auto (1/60 to 1/200 sec.) Auto

Aperture (flash aperture) setting

97

Using the Built-in Flash

When using an EX-series Speedlite, press the built-in flash back into the camera

•

before mounting the external flash.
When using the built-in flash, keep at least 1 m/3.3 ft away from the subject. Other-

•

wise the lens barrel may partially obstruct the flash coverage and cause part of the
image to look dark.
When using the built-in flash, detach any hood attahed to the lens. A lens hood will

•

partially obstruct the flash coverage.
When a super telephoto lens or fast, large-aperture lens is attached, the built-in flash

•

coverage might be obstructed.
The built-in flash’s coverage is effective with lens focal lengths as short as 18mm.

•

Lens focal lengths shorter than 18mm will result in flash shot having a dark periphery.
“ ” and < > will be displayed in the viewfinder while the built-in flash is being

•

charged.

E-TTL is an abbreviation for Evaluative-Through-The-Lens.

•

In < > or < > mode, if you set the shutter speed faster than 1/200 sec., the

•

camera will automatically reset it to 1/200 sec.
AF flash exposure is always based on the aperture value at the time the shot is taken,

•

and controlled by E-TTL autoflash linked to the active AF point and weighted for the
main subject.
If the camera finds it difficult to focus, the AF-assist lamp (→p.39) will light automati-

•

cally (except <

C.Fn-05-3 disables the built-in flash from firing. (→p.147)

•

C.Fn-15-1 enables 2nd-curtain sync with the built-in flash. (→p.150)

•

With C.Fn-03-1, the flash sync speed will be fixed at 1/200 sec. in the < > mode.

•

(→p.146)

> < > < >).

98

Using the Built-in Flash

Using Red-eye Reduction

When flash is used in a low-light environment, the subject’s eyes may come out red in the
image. “Red eye” happens when the light from the flash reflects off the retina of the eyes. The
camera’s red-eye reduction feature turns on the red-eye reduction lamp to shine a gentle light
into the subject’s eyes to narrow the pupil diameter or iris. A smaller pupil reduces the chances
of red eye from occurring. Red-eye reduction can be set in any shooting mode except <

> < >.

<

On the menu, select [Red-eye on/off].

1

2

Press the < > button.

•

Tu rn the < > dial to select [Red-eye on/off], then

•

press <

Set the red-eye reduction.

Tu rn the < > dial to select [On], then press < >.

•

s

After the setting is completed, the menu will
reappear.
Press the < > button to exit the menu and turn

•

off the LCD monitor.

>.

>

7

Shooting with a Flash

When you press the shutter button down halfway, the red-eye

•

reduction lamp indicator appears in the viewfinder.
Red-eye reduction will not work unless the subject looks at the

•

red-eye reduction lamp. Tell the subject to look at the lamp.
To increase the effectiveness of red-eye reduction, press the

•

shutter button down fully after the red-eye reduction lamp
(which lights for approximately 1.5 seconds) indicator goes off.
You can shoot anytime by pressing the shutter button down

•

fully, even if the red-eye reduction lamp is on.
Red-eye reduction also operates when you use an EOS-dedicated Speedlite.

•

The effectiveness of red-eye reduction varies from subject to subject.

•

Red-eye reduction is more effective in bright interior locations, with the camera closer to
the subject.

Red-eye reduction

lamp indicator

99

Using the Built-in Flash

FE Lock

FE (flash exposure) Lock obtains and locks the correct flash exposure reading for any part of a
subject. FE Lock is a function in the Creative zone.

Check that the < > icon is lit.

1

2

Press the < > button to pop-up the built-in flash.

•

In the viewfinder, check that the < > icon is lit.

•

Focus on the subject.

Focus on the subject you want to lock the flash

•

exposure on.

Spot metering circle

1

2

If the subject is too far away and beyond the effective range of the flash, the < > icon
will blink. Get closer to the subject and repeat steps

C.Fn-13-4 enables FE lock with just the < > button. (→p.150)

Press the < > button. ( )

3

4

Aim the partial metering circle over the subject

•

where you want to lock the flash exposure, then
press the <

s

The Speedlite fires a preflash and records the
required flash output for this subject in memory.

s

The < > icon lights in the viewfinder.

s

The center AF point will flash in red.

s

In the viewfinder, the display appears as shown in
1 for 0.5 seconds, then changes to 2.
Each time you press the < > button the preflash

•

fires, and the FE lock is applied at the required
exposure level.

Shoot.

Compose the shot and shoot.

•

> button.

2 to 4.

100