Boss Modulation MD-200 User Manual

Owner’s Manual

Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (the leaet “USING THE UNIT SAFELY” and the Owner’s Manual (p. 19)). After reading, keep the document(s) where it will be available for immediate reference.

Panel Descriptions

Top Panel

3 4

7 8 9 10

11 12

1 Display

Shows the parameters and the values.

2 [RATE] knob

Adjusts the speed at which the eect sound changes, or switches memories.

The display changes each time you press the knob. Rate (frequency) & Rate (tempo/frequency) & Memory & Rate (frequency) …

Example indications

Rate (frequency)

0.01 Hz = “0.01”, 1 Hz = “1.00”, 10 Hz = “10.0”

Rate (tempo/frequency)

tempo: 120 = “120.”, tempo: 1000 = “1.0K.”, tempo: 10000 = “10K.”

* When the mode is ROTARY, this switches the speaker’s rotation

speed between SLW (slow) and FST (fast).

Memory

MANUAL = “MAN”, memory 1–9 = “M-1”–“M-g”, memory 10–99 = “M10”–“Mgg”, memory 100–127 = “M.00”–“M.27”

Panel Descriptions

3 [DEPTH] knob

Adjusts the depth to which the eect sound is modulated.

* When the mode is ROTARY, this adjusts the amount of preamp

distortion. When the mode is SLICER, this adjusts the balance between the eect sound and the direct sound.

4 [E. LEVEL] knob

Adjusts the volume of the eect sound.

In some modes, this adjusts the balance between eect sound and direct sound.

5 Mode knob

Selects the eect.

Mode Explanation

CHORUS (CHO)

CE-1 CHORUS (CE1)

FLANGER (FLG)

PHASER (PHS)

VINTAGE PHASER

(VPH)

CLASSIC VIBE (CVB)

Chorus sound using cutting-edge BOSS technology.

A chorus sound that models the CE-1.

Produces a anging eect.

Produces a phase eect.

Models the MXR PHASE90 produced during the 1970s.

Models the Uni-Vibe.

Mode Explanation

VIBRATO (VIB)

TREMOLO (TRM)

ROTARY (ROT)

AUTO WAH (AWH)

SLICER (SLI)

OVERTONE (OVT)

Vibrato with a unique eect.

An eect that cyclically changes the volume.

Realistically reproduces the sound of a rotary speaker.

Cyclically modulates a lter to automatically create a wah eect.

Cyclically cuts the sound to create a variety of slice patterns.

Adds new overtones to create resonance and depth not present in the original sound.

Panel Descriptions

6 PARAM [1]–[3] knob

Set the parameters. The parameters dier depending on the mode.

Holding down the [RATE] knob and turning the [DEPTH], [E. LEVEL], and PARAM [1] to [3] knobs, to indicate the parameter name (abbreviation) on the display while changing the value.

Mode PARAM 1 PARAM 2 PARAM 3

CHORUS (CHO)

CE-1 CHORUS (CE1)

FLANGER (FLG)

PHASER (PHS)

VINTAGE PHASER

(VPH)

SWT

(SWEETNESS)

Higher values create a more enveloping sound.

TYP

(TYPE)

CHO: Chorus sound of the CE-1 VIB: Vibrato sound of the CE-1

(RESONANCE)

RES

Adjusts the amount of resonance (feedback).

(RESONANCE)

RES

Adjusts the amount of resonance (feedback).

TYP

(TYPE)

THR (THRU): Only phaser sound.

(CRUNCH): Distortion is added.

CRH

LOC (LOW CUT FREQUENCY)

Adjusts the tonal character of the low-frequency region.

LO (LOW LEVEL)

Adjusts the tonal character of the low-frequency region.

MAN (MANUAL)

Adjusts the center frequency at which the eect is applied.

MAN (MANUAL)

Adjusts the center frequency at which the eect is applied.

DRV (DRIVE)

Adjusts the amount of distortion when CRH (CRUNCH) is selected.

HIC (HIGH CUT FREQUENCY)

Adjusts the tonal character of the high-frequency region.

HI (HIGH LEVEL)

Adjusts the tonal character of the high-frequency region.

LOC (LOW CUT FREQUENCY)

Cuts the frequency components below the specied frequency.

With the FLT (at) setting, the low cut lter is not applied.

LOC (LOW CUT FREQUENCY)

Cuts the frequency components below the specied frequency.

With the FLT (at) setting, the low cut lter is not applied.

TON (TONE)

Adjusts the tonal character when CRH (CRUNCH) is selected.

Panel Descriptions

Mode PARAM 1 PARAM 2 PARAM 3

CLASSIC VIBE (CVB)

VIBRATO (VIB)

TREMOLO (TRM)

ROTARY (ROT)

AUTO WAH (AWH)

(TYPE)

TYP

THR (THRU): Only phaser sound.

(FUZZ): Distortion is added.

FUZ

(TONE)

TON

Higher values produce more complex modulation.

TYP

(TYPE)

TRM (TREMOLO): Cyclically modulates

the volume.

(PAN): By alternately changing

PAN

the volume of left and right, this produces the impression that the sound is moving between the left and right speakers when heard in stereo. (If you don't use stereo output, this will

not produce the intended eect.)

SLW

(SLOW SPEED)

Adjusts the SLW (slow) rotation speed.

(RESONANCE)

RES

Adjusts the depth of the wah eect in the region of the center frequency.

DRV (DRIVE)

Adjusts the amount of distortion when FUZ (FUZZ) is selected.

D/E (DIRECT/EFFECT BALANCE)

Adjusts the volume of the direct sound and the eect sound.

WAV (WAVEFORM)

Selects the type of wave.

FST (FAST SPEED)

Adjusts the FST (fast) rotation speed.

FRQ (FREQUENCY)

Species the center frequency of the wah eect.

TON (TONE)

Adjusts the tonal character when FUZ (FUZZ) is selected.

TON (TONE)

Adjusts the tonal character.

TON (TONE)

Adjusts the tonal character.

R/H (ROTOR / HORN BALANCE)

Adjusts the balance between the horn and the rotor.

TYP (FILTER TYPE)

LPF: Low-pass lter. Only the low-

frequency region is passed.

HPF: High-pass lter. Only the

high-frequency region is passed.

BPF: Band-pass lter. Only a

specic frequency region is passed.

Panel Descriptions

Mode PARAM 1 PARAM 2 PARAM 3

SLICER (SLI)

OVERTONE (OVT)

7 [TAP DIVISION] button

Species the rate as a note value relative to the BPM.

Preventing accidental operation (panel lock)

By long-pressing the [TAP DIVISION] button, you can switch between enabling (unlocking) or disabling (locking) operation of the knobs and buttons.

If you attempt an operation while the unit is locked, the display indicates “LCK.”

PTN

(PATTERN)

Selects the pattern at which the sound is sliced.

LWR

(LOWER LEVEL)

Adjusts the overtone one octave below.

ATK (AT TACK )

Adjusts the attack volume of the slice pattern.

UNI (UNISON LEVEL)

Adjusts the volume at which sound that is slightly pitch-shifted is added to the direct sound.

8 TAP DIVISION indicator

Indicates the rate as a note value, relative to quarternotes (100%) of the interval at which you press the pedal.

TAP DIVISION indicator

ª ˇ ¸ ˙

(

( (

(

( (

(

( (

DTY (DUTY)

Adjusts the length of sound for the slice pattern.

UPR (UPPER LEVEL)

Adjusts the overtone one octave above.

Explanation

TRI

Whole note (25%)

Whole-note triplet (38%)

Half note (50%)

Half-note triplet (75%)

Quarter note (100%)

Quarter-note triplet (150%)

(

( (

Eighth note (200%)

Eighth-note triplet (300%)

Panel Descriptions

9 [MEMORY] button

Switches or saves memories (MANUAL, 1–127) (p. 10).

The memory is switched each time you press the [MEMORY] button. You can also switch memories by holding down the [MEMORY] button and turning the [RATE] knob.

10 MEMORY indicator

Indicates the currently selected memory.

If a memory 5–127 is selected, the indicator is unlit.

11 [ON/OFF] switch

Turns the eect on/o.

12 [MEMORY/TAP] switch

Switches memories (p. 10).

Long-press the [MEMORY/TAP] switch to select tap mode.

By pressing the switch in time with the tempo of the song you're performing, you can specify a speed of modulation that matches the song.

When the mode is ROTARY, this switches the rotation speed of the speaker.

MEMO

The function of the footswitch can be changed by “MFC” (MEMORY FUNCTION).

Panel Descriptions

Rear Panel (Connecting Your Equipment)

* To prevent malfunction and equipment failure, always turn down the

volume, and turn o all the units before making any connections.

A B C

INPUT (A/MONO, B) jacks

Connect your guitar, bass, or eect unit here.

Use the A/MONO and B jacks if connecting an eect unit that has stereo output. Use only the A/MONO jack if using this unit in mono.

Turning On/O the Power

The INPUT A/MONO jack also operates as the power switch. The power turns on when you insert a plug into the INPUT A/MONO jack.

When powering up

Power-up equipment such as your guitar amp last.

When powering down

Power-down equipment such as your guitar amp rst.

* Before turning the unit on/o, always be sure to turn the volume

down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

B OUTPUT (A/MONO, B) jacks

Connect this jack to your amp or monitor speakers.

Use only the OUTPUT A/MONO jack if using this unit in mono. Even sound that is input in stereo is output in mono.

The input/output jacks can be used to utilize the insert loop function (p. 13).

C CTL 1, 2/EXP jack

Using the jack as CTL 1, 2

You can connect a footswitch (sold separately: FS-5U, FS-6, FS-7) and use it to tap-input the rate or switch memories (p. 11).

Panel Descriptions

Using the jack as EXP

You can connect an expression pedal (sold separately: EV-30, Roland EV-5, etc.) and use it to control the rate or the volume of the eect sound (p. 13).

* Use only the specied expression pedal. By connecting any other

expression pedals, you risk causing malfunction and/or damage to the unit.

D DC IN jack

An AC adaptor (sold separately: PSA-S series) can be connected to this jack.

* Use only the specied AC adaptor (sold separately: PSA-S series)

and plug it into an AC outlet of the correct voltage.

* If the AC adaptor is connected while power is on, the power supply

is drawn from the AC adaptor.

Side Panel (Connecting Your Equipment)

MIDI jacks

Use a TRS/MIDI connecting cable (sold separately: BMIDI-5-35) to connect an external MIDI device. You can use an external MIDI device to switch the memories of this unit.

* Do not connect an audio device here. Doing so will cause

malfunctions.

F USB port (for program updates only)

Connect your computer using a commercially available USB cable that supports USB 2.0.

* Do not use a micro USB cable that is designed only for charging a

device. Charge-only cables cannot transmit data.

* This is used only for program updates.

Saving and Switching Memories

Saving to Memory

Here’s how to save eect settings that you edited.

1. Long-press the [MEMORY] button.

The display indicates “Wrt.”

2. Turn the [RATE] knob to select the save-

destination (MAN, 1–127).

You can also select the save-destination by pressing the [MEMORY] button.

If you decide to cancel, press the [TAP DIVISION] button.

3. Long-press the [MEMORY] button to conrm

the save-destination.

The memory is saved.

* If you save to MAN, the settings of the panel are applied as the

values for MODE, DEPTH, E.LEVEL, and PARAM 1–3.

Switching Memories

Here’s how to recall a saved memory.

1. Press the [MEMORY] button to select a

memory.

Each time you press the button, you cycle through the memories in the order of “MAN (manual) 0 1 0 2 0 3 0 4 ...1270 MAN...”

You can also switch memories by holding down the [MEMORY] button and turning the [RATE] knob.

* The MEMORY indicator is unlit if a memory 5–127 is selected.

MEMO

You can specify the memory switching range by editing the

ETF (EXTENT FROM)

What is “MAN” (manual)?

This unit normally applies the eect according to the settings that are saved in memory, but if you select MAN (manual) the eect is applied according to the positions of the panel knobs. Even in this case, the rate and TAP DIVISION recall the settings that are written to MAN (this can be changed).

and

ETT (EXTENT TO)

settings (p. 14).

Overall Settings (Menu)

Basic Operation

1. Press the [TAP DIVISION] button and

[MEMORY] button simultaneously.

You enter menu mode.

2. Turn the [RATE] knob to select a parameter, and

then press the [RATE] knob.

The value is displayed.

3. Turn the [RATE] knob to edit the value.

4. Press the [RATE] knob.

5. Press the [TAP DIVISION] button and

[MEMORY] button simultaneously.

You exit menu mode.

Assigning functions to external pedals

You can connect footswitches (sold separately: FS-5U, FS-6, FS-7) to the CTL 1, 2/EXP jack, and use them to tap-input the rate or to switch memories.

Use the menu items “C1F” or “C2F” to make these settings (p.

12).

FS-5U FS-6, FS-7

CTL 1

CTL 2 C TL 1

FS-5U

FS-5U×2

CTL 2 CTL 1

FS-6, FS-7

CTL 2

CTL 1

Overall Settings (Menu)

MEMORYMEMORY

Menu Parameter List

About the

5 Can be set and saved for each memory by the “Saving to Memory” (p.

10) operation. If you do not perform this operation, the settings are lost when you switch memories.

5 Can be set and saved for each memory if the preference (SWP/MEP/C1P/

C2P/EPP) is set to MEM (MEMORY). To save, refer to “Saving to Memory” (p. 10). If set to SYS (SYSTEM), the settings common to the unit are used. Function settings are saved automatically.

Parameter Explanation

tHd

(TEMPO HOLD)

mark

oFF: Operates using the tempo/rate of

the memory.

on: Operates using the tempo/rate of the

previous memory.

Parameter Explanation

Specify the functions of the [ON/OFF]

SWF

(ON/OFF SWITCH FUNCTION)

MFC

(MEMORY SWITCH FUNCTION)

C1F

(CTL1 FUNCTION)

C2F

(CTL2 FUNCTION)

switch, [MEMORY/TAP] switch, and footswitches connected to the CTL 1, 2/ EXP jack.

* The functions that can be assigned dier

depending on the switch.

oFF: No operation.

(ON/OFF SWITCH) : Turns the eect on/o.

(MOMENT) : The eect is on only while you

MoM

hold down the switch.

(MANUAL) : Selects manual.

MAn

(MEMORY 1) –M-g (MEMORY 9) : Selects

M-1

memory 1–9.

(MEMORY 10) –Mgg (MEMORY 99) : Selects

M10

memory 10–99.

(MEMORY 100) –M.27 (MEMORY 127) : Selects

M.00

memory 100–127.

(MEMORY UP) : Increments the memory

MUP

number according to the MEMORY EXTENT setting.

If you long-press the switch, it operates

as tap tempo.

Mdn (MEMORY DOWN) : Decrements the memory

number according to the MEMORY EXTENT setting. If you long-press the switch, it operates as tap tempo.

(MEMORY UP, ON/OFF) : Increments the memory

MUP.

number according to the MEMORY EXTENT setting. Long-press the switch to turn the eect on/o.

(MEMORY DOWN, ON/OFF) : Decrements the

MDN.

memory number according to the MEMORY EXTENT setting. Long-press the switch to turn the eect on/o.

(TAP TEMPO) : Operates as tap tempo.

tAP

Overall Settings (Menu)

MEMORYMEMORY

Parameter Explanation

EPF

(EXPRESSION FUNCTION)

EPN

(EXPRESSION MIN)

EPM

(EXPRESSION MAX)

Species the function of an expression pedal connected to the CTL 1, 2/EXP jack.

oFF: No operation.

(RATE) : The same operation as the

RAT

[RATE] knob.

(DEPTH) : The same operation as the

DPT

[DEPTH] knob.

(E.LEVEL) : The same operation as the

Elv

[E.LEVEL] knob.

(PARAM1) : The same operation as the

PR1

[PARAM 1] knob.

(PARAM2) : The same operation as the

PR2

[PARAM 2] knob.

(PARAM3) : The same operation as the

PR3

[PARAM 3] knob.

Species the variable range of the parameter controlled by EXPRESSION FUNCTION. The variable range diers depending on the parameter.

Parameter Explanation

Selects the position at which the external eect unit is connected.

OFF: The insert loop function is not used.

(PRE) : Connect before the MD-200’s

PRE

eect.

Guitar&External Eector&MD-200&

PST (POST) : Connect after the MD-200’s

eect.

Guitar&MD-200&External Eector&

ILP

(INSERT LOOP POSITION)

Insert Loop Function

AMP

You can connect an external eect unit between the OUTPUT A/MONO jack and the INPUT B jack, and use it in conjunction with the MD-200’s eect.

For some eect types, you can specify “before or after distortion.”

External Eector

Guitar

Overall Settings (Menu)

Parameter Explanation

INS

(INSERT LOOP SWITCH)

SWP

(ON/OFF SWITCH FUNCTION PREFERENCE)

MEP

(MEMORY SWITCH FUNCTION PREFERENCE)

C1P

(CTL1 FUNCTION PREFERENCE)

C2P

(CTL2 FUNCTION PREFERENCE)

EPP

(EXPRESSION FUNCTION PREFERENCE)

ETF (EXTENT FROM)

ETT (EXTENT TO)

G/B

(GUITAR/BASS MODE)

Turns the insert loop function on/o.

OFF, ON

MEM (MEM) : The setting in memory is used.

(SYS) : The controller’s function is xed

SYS

regardless of memory.

Specify the memory switching range (MEMORY EXTENT FROM–TO).

(MANUAL), M-1 (MEMORY 1) –M.27

MAN

(MEMORY 127)

Species the response of the FLANGER, PHASER, and AUTO WAH.

(Guitar): Settings suitable for guitar.

GTR

(Bass): Settings suitable for bass.

BAS

Parameter Explanation

CMD

(CHORUS CONTROL MODE)

Species the function of E.LEVEL when CHORUS or CE-1 CHORUS are selected as the mode.

If this is set to ELV (EFFECT LEVEL), the E.LEVEL knob adjusts the balance between the direct sound and the eect sound.

If this is set to TTL (TOTAL LEVEL), the E.LEVEL knob adjusts the combined volume of the direct sound and the eect sound. In this case, the direct sound and eect sound are mixed at a ratio of 1:1.

Species the MIDI receive channel.

RCH

(MIDI RECEIVE CHANNEL)

If this is “oFF,” MIDI messages are not received.

1–16, oFF

Species the MIDI transmit channel. If this is “oFF,” MIDI messages are not

TCH

(MIDI TRANSMIT CHANNEL)

transmitted. If this is RECEIVE, the same setting as the

receive channel is used.

1–16, RCv

Pin (PC IN)

Species whether program changes are received (on) or not received (oFF).

(RECEIVE), oFF

Overall Settings (Menu)

Parameter Explanation

Pot (PC OUT)

CCI (CC IN)

CCO (CC OUT)

Species whether program changes are transmitted (on) or not transmitted

(oFF).

Correspondence between memories and program numbers

Memory Program number

MAN

MEMORY 1–127

Species whether control changes are received (on) or not received (oFF).

By receiving CC messages, this unit lets you use MIDI to control the same operations as a knob or footswitch.

Species whether control changes are transmitted (on) or not transmitted

(oFF).

2–128

Parameter Explanation

RTC (RATE CC) DPC (DEPTH CC) ELC (E.LEVEL CC) P1C (PARAM1 CC) P2C (PARAM2 CC) P3C (PARAM3 CC) SWC

(ON/OFF SWITCH CC)

Specify the controller number corresponding to each controller.

oFF, 1–31, 64–95

MEC (MEMORY CC) C1C (CTL1 CC) C2C (CTL2 CC) EPC (EXPRESSION CC) EFC

(EFFECT ON/OFF CC)

SYN (SYNC)

Species the tempo clock to which this unit will synchronize.

(INTERNAL): Synchronize to the internal

int

tempo.

(AUTO): Normally synchronize to

Aut

the internal tempo, but if MIDI clock is being input via the MIDI IN connector, synchronize the tempo to MIDI clock. If you’re using the MD-200 as a slave device, choose the “Aut” setting.

Overall Settings (Menu)

Parameter Explanation

RTS

(REALTIME SOURCE)

MTH (MIDI THRU)

P1–Pg

(P1–P9)

P10–Pgg

(P10–P99)

P.00–P.28

(P100–P128)

Species the source of realtime messages that are output to the MIDI OUT jack.

(INTERNAL) : Internal realtime messages

int

are the source.

(MIDI) : Realtime messages from the

Mid

MIDI IN jack are the source.

Species whether MIDI messages received at the MIDI IN connector are retransmitted without change from the MIDI OUT connector (on) or are not retransmitted

(oFF).

Specify the memory corresponding to the received program number. Bank select is ignored (received regardless).

If this is OFF, the eect turns o.

OFF, MAN, M-1–M.27

Appendix

Returning to the Factory Settings (Factory Reset)

Here's how to return the MD-200 to its factory-set state.

1. While holding down the [ON/OFF] switch and

[MEMORY/TAP] switch, turn on the power (insert a plug into the INPUT A/MONO jack).

The display indicates “FCt.”

2. Press the [MEMORY/TAP] switch.

The display indicates “Sur.”

If you decide to cancel, press the [MEMORY] button.

3. Press the [MEMORY/TAP] switch.

The factory reset is executed.

4. When the display indicates “FIn,” turn the

power o and on again.

Installing Batteries

Insert the batteries as shown below, being careful to orient the batteries correctly.

* Batteries should always be installed or

replaced before connecting any other devices. This way, you can prevent malfunction and damage.

* If operating this unit on batteries, please

use alkaline batteries.

* Even if batteries are installed, the unit

will turn o if you connect or disconnect the power cord from the AC outlet while the unit is turned on, or if you connect or disconnect the AC adaptor from the unit. When this occurs, unsaved data may be lost. You must turn o the power before you connect or disconnect the power cord or AC adaptor.

* When turning the unit over, be careful so

as to protect the buttons and knobs from damage. Also, handle the unit carefully; do not drop it.

* If you handle batteries improperly, you risk explosion and uid leakage.

Make sure that you carefully observe all of the items related to batteries that are listed in “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (leaet “USING THE UNIT SAFELY” ).

* “Lo” will appear on the display if the batteries are low. Replace them with

new ones.

Appendix

Attaching the Rubber Feet

You can attach the rubber feet (included) if necessary.

Attach them in the locations shown in the illustration.

* Using the unit without rubber feet may damage the oor.

Main Specications

BOSS MD-200: Modulation

Power Supply

Current Draw

Expected Battery Life Under Continuous Use

Dimensions

Weight

Accessories

Options

* This document explains the specications of the product at the time that

the document was issued. For the latest information, refer to the Roland website.

Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)

225 mA

Alkaline: Approx. 4 Hours

* These gures will vary depending on the actual

conditions of use.

101 (W) x 138 (D) x 63 (H) mm / 4 ( W) x 5-7/16 (D) x 2-1/2 (H) inches

101 (W) x 138 (D) x 65 (H) mm / 4 ( W) x 5-7/16 (D) x 2-9/16 (H) inches (including rubber foot)

680 g / 1 lb 8 oz (including batteries)

Owner’s Manual Leaet “USING THE UNIT SAFELY” Alkaline battery (AA, LR6) x 3 Rubber foot x 4

AC adaptor: PSA-S series Footswitch: FS-5U Dual footswitch: FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 MIDI/TRS connecting cable: BMIDI-5-35

USING THE UNIT SAFELY/IMPORTANT NOTES

CAUTION

Keep small items out of the reach of children

To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.

• Included Parts Rubber feet (p. 18)

Repairs and Data

• Before sending the unit away for repairs, be sure to make a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.

Additional Precautions

• Any data stored within the unit can be lost as the result of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.

• Roland assumes no liability concerning the restoration of any stored content that has been lost.

• Do not use connection cables that contain a built-in resistor.

USING THE UNIT SAFELY/IMPORTANT NOTES

Intellectual Property Right

• This product includes third party open source software.

“License”); You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0

• Roland, BOSS are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

• In this manual, company names and product names of the respective owners are used because it is the most practical way of describing the sounds that are emulated using DSP technology.

Boss Modulation MD-200 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual