BOSS BR-864 User Manual

Owner’s Manual

Thank you, and congratulations on your choice of the BOSS BR-864 8-Track Digital Studio.

Before using this unit, carefully read the sections entitled:

• USING THE UNIT SAFELY (page 2–3)

• IMPORTANT NOTES (page 4–5)

These sections provide important information concerning the proper operation of the unit.

Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

■

Printing Conventions in This Manual

• Text or numerals enclosed in square brackets [ ] indicate buttons.

[PLAY] [REC]

PLAY button REC button

• Reference such as (p. **) indicate pages in this manual to which you can refer.

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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008b

• Use only the specified AC adaptor (PSA series), and make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012c

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet when:

• The AC adaptor or the power-supply cord has

been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

•Protect the unit from strong impact.

(Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.

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019

• Batteries must never be recharged, heated, taken apart, or thrown into fire or water.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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102d

• Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet.

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103b

• Any accumulation of dust between the AC adaptor and the power outlet can result in poor insulation and lead to fire. Periodically wipe away such dust with a dry cloth. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

107d

• Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108b

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet.

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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111: Selection

• If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions (p. 22 ).

• Carefully follow the installation instructions for

batteries, and make sure you observe the correct polarity.

• Avoid using new batteries together with used

ones. In addition, avoid mixing different types of batteries.

• Remove the batteries whenever the unit is to

remain unused for an extended period of time.

• If a battery has leaked, use a soft piece of cloth

or paper towel to wipe all remnants of the discharge from the battery compartment. Then install new batteries. To avoid inflammation of the skin, make sure that none of the battery discharge gets onto your hands or skin. Exercise the utmost caution so that none of the discharge gets near your eyes. Immediately rinse the affected area with running water if any of the discharge has entered the eyes.

• Never keep batteries together with metallic

objects such as ballpoint pens, necklaces, hairpins, etc.

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112

• Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live.

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118

• Should you remove screws, make sure to put them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:

Power Supply: Use of Batteries

301

• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

303a

• The use of an AC adaptor is recommended as the unit’s power consumption is relatively high. Should you prefer to use batteries, please use the alkaline type.

304a

• When installing or replacing batteries, always turn off the power on this unit and disconnect any other devices you may have connected. This way, you can prevent malfunction and/or damage to speakers or other devices.

306b

• Batteries are supplied with the unit. The life of these batteries may be limited, however, since their primary purpose was to enable testing.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a memory card/computer, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a memory card / computer.

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or a memory card once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

IMPORTANT NOTES

561

• Use only the specified expression pedal (Roland EV-5 or BOSS FV-300L; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Before Using Memory Cards (CompactFlash)

Using Memory Cards

704

• Carefully insert the Memory card all the way in—until it is firmly in place.

705

• Never touch the terminals of the Memory card. Also, avoid getting the terminals dirty.

707

• This unit’s memory card slot accepts CompactFlash memory cards. Microdrive storage media by IBM are not compatible.

708

• CompactFlash cards are constructed using precision components; handle the cards carefully, paying particular note to the following.

• To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards.

• Do not touch or allow metal to come into contact with the contact portion of the cards.

• Do not bend, drop, or subject cards to strong shock or vibration.

• Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85° C).

• Do not allow cards to become wet.

• Do not disassemble or modify the cards.

USB

Compatible OS

Windows: Windows Me/2000 or later Macintosh: Mac OS 9.1 or later

Driver

The BR-864 uses a standard DRIVER that is found on OS. The DRIVER will be installed automatically once connected with Computer via USB.

851

• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.

852a

• When exchanging audio signals through a digital connection with an external instrument, this unit can perform recording without being subject to the restrictions of the Serial Copy Management System (SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

853

• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

204

* Microsoft and Windows are registered trademarks of

Microsoft Corporation.

206e

* Screen shots in this documents are reprinted with

permission from Microsoft Corporation.

206j

Windows® is known officially as: “Microsoft® Windows® operating system.”

207

* Apple and Macintosh are registered trademark of Apple

Computer, Inc.

209

* MacOS is a trademark of Apple Computer, Inc.

220

* All product names mentioned in this document are trade-

marks or registered trademarks of their respective owners.

Contents

USING THE UNIT SAFELY ...................................................................... 2

IMPORTANT NOTES.............................................................................. 4

Introduction to the BR-864................................................................. 14

Features..................................................................................................................................... 14

Memory cards supported by your BR-864 ............................................................................. 16

How to remove the card protector .......................................................................................... 16

Panel Descriptions ............................................................................. 17

Front Panel................................................................................................................................ 17

Display....................................................................................................................................... 21

Rear Panel................................................................................................................................. 21

Inserting batteries..................................................................................................................... 22

Quick Start......................................................23

Listening to the demo songs .............................................................. 24

(1) Connecting peripheral devices.......................................................................................... 24

(2) Turn on the BR-864 ............................................................................................................. 25

Adjusting the Display Contrast ..................................................................................................26

(3) Listening to a demo song................................................................................................... 26

Selecting a song ............................................................................................................................. 26

Playing Back a Song......................................................................................................................27

Changing the current position .................................................................................................... 27

(4) Turning off the power ......................................................................................................... 28

Recording/playing back a song......................................................... 29

(1) Preparing the memory card................................................................................................ 29

Turn on the power ........................................................................................................................ 29

Formatting the memory card (initialize) ...................................................................................29

(2) Select the song to record ...................................................................................................30

Recording a new song .................................................................................................................. 30

(3) Connecting instruments..................................................................................................... 31

Choose which jack you will use to connect your instrument.................................................31

Press the INPUT SELECT button of the instrument that you want to record ..................... 31

Turning off the internal microphone..........................................................................................32

Adjusting the input sensitivity.................................................................................................... 32

Adjusting the input level .............................................................................................................33

(4) Using insert effects............................................................................................................. 33

Switch effect patches..................................................................................................................... 33

Recording without insert effects................................................................................................. 34

(5) Using the rhythm guide ......................................................................................................35

Playing the rhythm guide............................................................................................................ 35

Changing arrangements...............................................................................................................35

Changing patterns......................................................................................................................... 36

Changing the tempo of the arrangements or patterns.............................................................36

Contents

Tapping to change the tempo of the arrangements or patterns............................................. 36

(6) Basic recording ................................................................................................................... 37

Selecting the recording track....................................................................................................... 37

About the recording (REC) modes ............................................................................................. 37

Procedure .......................................................................................................................................38

(7) Playing back recorded music............................................................................................. 39

Silencing the sound of specific tracks (Mute) ...........................................................................39

(8) Overdubbing (Recording an additional performance while listening to an existing performance)

(9) Adjusting the sound for each track................................................................................... 40

Setting the positioning (pan) of the sound................................................................................ 40

Adjusting the tone (Track EQ) ....................................................................................................40

Adding width to the sound (Loop Effect) ................................................................................. 41

(10) Bounce (Putting multiple tracks together)...................................................................... 42

(11) Mastering ........................................................................................................................... 43

(12) Turning off the power ....................................................................................................... 44

(13) Removing the memory card............................................................................................. 44

........ 39

Section 1 Recording........................................45

Recording.......................................................................................... 46

Selecting the recording track .................................................................................................. 46

Changing V-Tracks................................................................................................................... 47

Changing the position of the input sound ............................................................................. 47

Recording Operations.............................................................................................................. 48

Repeating Playback (Repeat)............................................................. 49

Setting the repeat portion........................................................................................................ 49

Setting the repeat portion with accurate timing .................................................................... 50

Re-recording only a mistake (Punch-in/out) ....................................... 51

Manually punching in/out ........................................................................................................51

Manually punching in and out using [REC]............................................................................. 51

Manually punching in and out using a foot switch................................................................. 52

Auto punching in and out ........................................................................................................52

Specifying the area for auto punching in/out..........................................................................52

Erasing a registered auto punch in/out location ..................................................................... 53

How to Record............................................................................................................................... 53

Repeatedly Recording Over the Same Location (Loop Recording)..................................... 54

Setting the portion to be repeated ..............................................................................................54

How to Record............................................................................................................................... 54

Canceling an Operation (Undo/Redo) ................................................ 55

Reversing the last operation (Undo)....................................................................................... 55

Canceling the Undo (Redo)...................................................................................................... 55

Using the insert effects ...................................................................... 56

Contents

Effect patches and banks ........................................................................................................56

Editing insert effect settings ................................................................................................... 57

Saving insert effects settings (Write) ..................................................................................... 58

Changing how the insert effects are used according to the mode...................................... 59

Putting multiple tracks together (Bounce)........................................... 60

Using the loop effects/Track EQ......................................................... 62

Selecting the loop effect .......................................................................................................... 62

Adjusting how the loop effect is applied................................................................................ 63

Setting the Track EQ ................................................................................................................ 64

Mastering.......................................................................................... 65

Editing the Mastering Tool Kit settings.................................................................................. 66

Saving the Mastering Tool Kit settings (Write)...................................................................... 67

Displaying the song information........................................................ 68

Displaying the remaining available recording time............................................................... 68

Displaying the memory card usage ........................................................................................ 68

Section 2 Editing............................................. 69

Registering time (Locator Function)..................................................... 70

Registering a locator point ...................................................................................................... 70

Moving to the locator point...................................................................................................... 70

Deleting a locator point............................................................................................................ 70

Search for the music’s start and end (Scrub/Preview) ........................ 71

Scrubbing to find the music starting/ending point ............................................................... 71

Changing the scrub points ...................................................................................................... 72

Enabling use of the Preview function with [REW] and [FF].................................................. 72

Editing the performance on a track (Track Editing) ............................. 73

Copying data (Track Copy)...................................................................................................... 73

Copying the repeated portion (AB)............................................................................................73

Copying by specifying the time (TME/MES)........................................................................... 74

Copying a complete track (ALL).................................................................................................75

Moving data (Track Move)........................................................................................................76

Moving the repeated portion (AB) ............................................................................................. 76

Moving by specifying the time (TME/MES) ............................................................................77

Moving a complete track (ALL)..................................................................................................78

Erasing data (Track Erase) ......................................................................................................79

Erasing the repeated portion (AB)..............................................................................................79

Erasing by specifying the time (TME/MES)............................................................................. 80

Erasing a complete track (ALL) ..................................................................................................81

Exchanging data (Track Exchange)........................................................................................ 82

Contents

Organizing the songs you’ve recorded .............................................. 83

Copying a Song (Song Copy).................................................................................................. 83

Erasing songs (Song Erase).................................................................................................... 83

Saving memory on the memory card (Song Optimize)......................................................... 84

Naming songs (Song Name).................................................................................................... 84

Protecting a song (Song Protect)............................................................................................ 85

Saving the current settings to the song................................................................................. 85

Creating a master tape...................................................................... 86

Recording to a cassette tape recorder (analog connection)................................................ 86

Recording to a digital recorder (digital connection) ............................................................. 86

Disabling digital copying.............................................................................................................86

Section 3 Using the Rhythm Guide.................. 89

About the Rhythm Guide ................................................................... 90

About the patterns.................................................................................................................... 90

Types of patterns...........................................................................................................................90

About the arrangements ..........................................................................................................90

Types of arrangements................................................................................................................. 90

Switching the Rhythm Guide mode ........................................................................................ 91

Performing arrangements and patterns ................................................................................. 91

Selecting arrangements ................................................................................................................ 91

Performing arrangements............................................................................................................ 91

Selecting patterns..........................................................................................................................92

Performing patterns......................................................................................................................92

Changing the tempo of the arrangements or patterns.............................................................92

Tapping to change the tempo of the arrangements or patterns............................................. 92

Creating original arrangements......................................................... 93

Inserting a step ......................................................................................................................... 94

Erasing a step........................................................................................................................... 94

Naming arrangements.............................................................................................................. 94

Copying arrangements............................................................................................................. 95

Erasing arrangements.............................................................................................................. 95

Creating original patterns.................................................................. 96

Note concerning creation of patterns......................................................................................... 96

Creating patterns in Realtime Recording............................................................................... 96

Rehearsing recordings..................................................................................................................98

Deleting unneeded drum sounds............................................................................................... 99

Changing the metronome volume.............................................................................................. 99

Creating patterns in Step Recording .................................................................................... 100

Changing the velocity................................................................................................................. 102

Deleting unneeded drum sounds............................................................................................. 102

Naming patterns ..................................................................................................................... 102

Contents

Copying patterns .................................................................................................................... 103

Erasing patterns ..................................................................................................................... 103

About the drum kits ........................................................................ 104

Performing the drums ............................................................................................................ 104

Selecting drum kits................................................................................................................. 104

Creating original drum kits (Tone Load) .............................................................................. 105

Loading from the tracks............................................................................................................. 105

Copying drum sounds from other drum kits ......................................................................... 107

Changing the position (pan) of the drum sounds.................................................................. 108

Section 4 Effects ...........................................109

Insert Effect Parameter Functions ..................................................... 110

Setting Procedure................................................................................................................... 110

Algorithm List ......................................................................................................................... 111

BANK: GUITAR ....................................................................................................................... 111

1. COSM GTR AMP .................................................................................................................... 111

2. ACOUSTIC SIM ......................................................................................................................111

3. BASS SIM.................................................................................................................................. 112

4. COSM COMP GTR .................................................................................................................112

5. GTR SYNTH.............................................................................................................................112

6. ACOUSTIC GTR .....................................................................................................................112

7. BASS MULTI............................................................................................................................ 113

8. COSM BASS AMP................................................................................................................... 113

9. COSM COMP BSS...................................................................................................................113

BANK: MIC............................................................................................................................... 114

10. VOCAL MULTI..................................................................................................................... 114

11. VOICE TRANS ...................................................................................................................... 114

12. COSM COMP VCL ...............................................................................................................114

BANK: LINE............................................................................................................................. 115

13. STEREO MULTI....................................................................................................................115

14. LO-FI BOX..............................................................................................................................115

BANK: SIMUL.......................................................................................................................... 115

15. VO+GT AMP ......................................................................................................................... 115

16. VO+AC.SIM........................................................................................................................... 116

17. VO+ACOUSTIC....................................................................................................................116

Parameter List......................................................................................................................... 117

Acoustic Guitar Simulator ......................................................................................................... 117

Acoustic Processor......................................................................................................................117

Bass Simulator ............................................................................................................................. 117

Chorus...........................................................................................................................................117

Compressor.................................................................................................................................. 118

COSM Comp (compressor)/Limiter........................................................................................ 118

De-esser ........................................................................................................................................118

Defretter........................................................................................................................................ 118

Delay.............................................................................................................................................119

Contents

Doubling.......................................................................................................................................119

Enhancer.......................................................................................................................................119

Equalizer....................................................................................................................................... 119

Flanger..........................................................................................................................................120

Foot Volume................................................................................................................................. 120

Guitar Synth.................................................................................................................................120

Harmonist ....................................................................................................................................122

Lo-Fi Box.......................................................................................................................................122

Noise Suppressor ........................................................................................................................ 123

Octave...........................................................................................................................................123

Phaser............................................................................................................................................ 123

Pitch Shifter..................................................................................................................................123

Preamp.......................................................................................................................................... 124

Ring Modulator...........................................................................................................................124

Slow Attack.................................................................................................................................. 125

Speaker Simulator....................................................................................................................... 125

Tremolo/Pan ...............................................................................................................................125

Voice Transformer.......................................................................................................................126

Wah ............................................................................................................................................... 126

Mastering Tool Kit Parameter Functions........................................... 127

Setting Procedure................................................................................................................... 127

Algorithm................................................................................................................................. 127

Parameter List......................................................................................................................... 128

Equalizer....................................................................................................................................... 128

Bass Cut Filter..............................................................................................................................128

Enhancer.......................................................................................................................................128

Input..............................................................................................................................................128

Expander ......................................................................................................................................129

Compressor.................................................................................................................................. 129

Mixer............................................................................................................................................. 130

Limiter...........................................................................................................................................130

Output........................................................................................................................................... 130

Loop Effect Parameter Functions ...................................................... 131

Setting Procedure................................................................................................................... 131

Parameter List......................................................................................................................... 132

CHORUS/DELAY/DBLN (Doubling).................................................................................... 132

REVERB........................................................................................................................................ 132

Track EQ Parameter Functions ......................................................... 133

Setting Procedure................................................................................................................... 133

Parameter List......................................................................................................................... 133

Contents

Section 5 Other Convenient Functions ...........135

Using a foot switch or expression pedal .......................................... 136

When using a foot switch ...................................................................................................... 136

When using an expression pedal.......................................................................................... 136

Tuning an instrument (Tuner)........................................................... 137

Changing to the tuner ............................................................................................................ 137

Explanation of the indications that appear while tuning...................................................... 137

Tuning...................................................................................................................................... 138

Setting the reference pitch of the tuner....................................................................................138

Copying difficult songs (Phrase Trainer)........................................... 139

Slowing down the speed (Time Stretch function) ............................................................... 139

Canceling the center sound (Center Cancel function)........................................................ 139

Synchronizing with MIDI devices...................................................... 141

MIDI Fundamentals................................................................................................................. 141

Using the rhythm guide to play an external MIDI sound module....................................... 141

Synchronizing playback with a MIDI sequencer.................................................................. 142

Synchronized playback with the BR-864 as the master.........................................................142

Setting the MTC offset................................................................................................................144

Using MMC .............................................................................................................................. 144

Operating MMC-compatible devices with the BR-864..........................................................144

Mixing the output from an external MIDI device

with the output from your BR-864 (Audio Sub Mix).......................... 146

Initializing the BR-864’s settings...................................................... 147

Initializing all the BR-864’s settings...................................................................................... 147

Initializing the system settings.............................................................................................. 147

Initializing the effect settings ................................................................................................ 148

Initializing the Rhythm Guide Arrangements/Patterns/Drum Kits ..................................... 148

Initializing the Memory Card.................................................................................................. 149

Conserving battery power (Power Save).......................................... 150

Deactivating the power save function .....................................................................................150

Utility parameter list........................................................................ 151

About the System parameters............................................................................................... 151

About the Sync parameters................................................................................................... 151

About the Scrub parameters ................................................................................................. 152

About the effects Insert mode............................................................................................... 153

Contents

Section 6 USB...............................................155

Before Using USB (Overview)........................................................... 156

Compatible OS........................................................................................................................ 156

Composition of data on memory cards................................................................................ 156

Connecting a computer.......................................................................................................... 157

Backing up the BR-864’s data ......................................................... 158

With Windows ......................................................................................................................... 158

With Macintosh ....................................................................................................................... 159

Using the BR-532’s Data ........................................................................................................ 159

Saving BR-864 track data in WAV/AIFF format (WAV/AIFF Export)

With Windows ......................................................................................................................... 161

With Macintosh ....................................................................................................................... 162

............ 161

Loading WAV/AIFF files in BR-864 tracks (WAV/AIFF Import)........... 164

With Windows ......................................................................................................................... 164

With Macintosh ....................................................................................................................... 165

Importing SMFs and creating patterns ............................................. 167

With Windows ......................................................................................................................... 167

With Macintosh ....................................................................................................................... 168

Loading drum sounds from WAV/AIFF files...................................... 170

With Windows ......................................................................................................................... 170

With Macintosh ....................................................................................................................... 172

Section 7 Appendices ...................................175

Arrangement / Pattern List .............................................................. 176

Preset Arrangement List........................................................................................................ 176

Preset Pattern List.................................................................................................................. 177

Parameter List................................................................................. 178

Troubleshooting .............................................................................. 181

Error Messages................................................................................ 183

MIDI Implementation ....................................................................... 185

MIDI Implementation Chart.............................................................. 188

Specifications .................................................................................. 189

Index .............................................................................................. 191

Track Sheet ..................................................................................... 198

Introduction to the BR-864

Features

Simple operation

The BR-864 is designed to be operated as easily as a cassette tape recorder, even by beginners.

Whether you are simply preparing a demo tape, or are getting ready to go to master with your first album, the simple operation of the BR-864 allows you to create digital recordings the very day you take it out of the box.

Digital audio workstation

All processes are fully digital

In addition to a digital mixer and digital recorder, the BR-864 contains four digital effects processors.

It is possible to perform all steps needed for recording, including editing, bouncing tracks, using effects, and mixing down, entirely within the digital realm, so there is no deterioration in the signal quality. In addition, by connecting digital devices like DAT recorder, MD recorder and CD recorder, you can do recording your data with full digital processing.

Using the USB connector also allows you to save the song data you create to a computer.

Equipped with V-Tracks

The BR-864 has eight audio recording tracks, which provides for simultaneous recording on two tracks, or simultaneous playback from eight tracks. Moreover, each track incorporates eight virtual tracks, called “V-Tracks,” for a total recording capability of 8 x 8 = 64 tracks! This increased versatility allows you to do things such as record numerous takes of a guitar solo, which you can later choose from when putting it all together. Also, while playing back eight tracks, you can use the bounce mode to bounce to a V-Track and perform stereo bouncing without needing to erase any data.

What are V-Tracks?

Each track consists of eight virtual tracks, and you can choose any one of these tracks for recording or playback. This means that you can record to up to a maximum of 64 tracks, and then select any eight of them to play back. These virtual tracks that make up the actual tracks are called “V-Tracks.”

fig.00-101

A “Track Sheet” is provided at the rear of this manual (p.

198), which you make copies of, and fill in when recording music to V-Tracks.

Rhythm Guide function

The “Rhythm Guide function” (p. 35, p. 90) makes it easy to capture phrases or musical ideas that come to mind. Simply select an appropriate rhythm pattern, and set the tempo.

In addition to the internal preset rhythm patterns already provided, you can also create your own original rhythm patterns.

By recording using the Rhythm Guide function, editing one measure at a time is greatly simplified.

Four versatile digital effects processors

The BR-864 contains four types of effect units. The effects groups used for recording (insert effects), send

and return (loop effects), tone shaping (Track EQ), and mastering (Mastering Tool Kit) stand as independent effects, and the effects other than the Mastering Tool Kit can be used simultaneously.

This means that the BR-864 does not require any external effect devices to produce a sophisticated song.

The BR-864 has many built-in simulations and effects, including amp modeling with COSM for a wide variety of insert effects. Many effects for vocal, keyboard, and guitar tracks are also included for a vast array of applications.

The loop effects include spatial effects such as chorus and reverb, which are vital for proper stereo mixdown.

The Track EQ is a built-in, two-band EQ whose utility is most fully exhibited in making tone adjustments during mixdown.

The Mastering Tool Kit allows you add compression to songs that have been mixed down and provides a variety of other effects.

For a more detailed explanation of insert and loop effects, refer to “What is an insert effect?” (p. 33), “What is a loop effect?” (p. 41), “Adjusting the tone (Track EQ)” (p. 40), and “What is a Mastering Tool Kit?” (p. 38) respectively.

V-Track1 V-Track2 V-Track3 V-Track4 V-Track5 V-Track6 V-Track7 V-Track8

What is COSM (Composite Object Sound Modeling)?

Technology that virtually reconstructs an actually existing structure or material using a different means is called “modeling” technology. COSM is proprietary Roland technology that creates new sounds by combining various sound modeling technologies.

Editing Functions

With the BR-864, you can perform editing operations such as copying, moving, and erasing, which cannot be done with multitrack recorders that use tapes. This means operations such as copying and repeating a multiple-bar phrase, moving a multiple-bar phrase to another track, and erasing the data of a track, whole or in part, can be performed with ease.

Non-destructive editing

Being a digital recorder, the BR-864 offers non-destructive editing. With non-destructive editing, after performing any editing and recording operations, you can still return your data to its previous state (undo and redo functions).

“Canceling an Operation (Undo/Redo)” (p. 55)

Quick movement to a point

You can assign a marker to any point in a track that you wish (locator function). If you assign markers to locations such as the end of the opening or the beginning of a solo, you will be able to move instantly to the point where you wish to begin listening.

”Registering time (Locator Function)” (p. 70)

Introduction to the BR-864

Full complement of input connectors (jacks)

Your BR-864 is equipped with the input jacks shown below.

GUITAR/BASS:

This high-impedance input jack allows you to directly connect your guitar or bass (accepts 1/4” phone plugs).

MIC:

These jacks allow a mic to be connected. Both standard TRS jacks (p. 21, p. 24) and XLR jacks are provided. A built-in microphone is also included, so you can perform recordings with the BR-864 even when you don’t have a microphone connected.

* The built-in microphone can be turned on or off (p. 32).

LINE:

These jacks accept stereo input from keyboards, CD players, and other devices at line level (RCA phono jacks).

For output, in addition to the LINE OUT jacks (stereo RCA phono jacks), optical DIGITAL OUT connectors are also provided for high-quality digital recording to digital audio recording devices (e.g., CD recorders and MD recorders).

USB:

Connecting your computer here allows you to exchange data between the BR-864 and a computer.

Two-way power supply allows you to record anywhere

You can use the BR-864 powered by batteries (six size AA dry cells) or with the AC adaptor.

And, thanks to its built-in microphone, you can make recordings anywhere and anytime you desire.

Equipped with chromatic tuner (A0 to B6 sound range)

Your BR-864 is also equipped with a chromatic tuner so that you can tune your guitar or bass while it is still connected to the BR-864 (p. 137).

Phrase Trainer Function

When you play back a song you have recorded from the CD player or the MD player, you can slow down the tempo without changing the pitch. Also, you can remove the sound you hear at the center (such as vocals and guitar solo) from the song. (p. 139)

Introduction to the BR-864

Memory cards supported by your BR-864

The BR-864 uses CompactFlash cards as the storage media for recording and playback.

The BR-864 uses 32 MB to 1 GB CompactFlash cards with a

3.3 V power supply.

CompactFlash Type II cards are not compatible.

CompactFlash cards are available at your nearest computer or digital camera shop.

(Recommended Products)

DELKIN DEVICES: eFilm / eFilmPRO Series

CompactFlash products other than those recommended here may not function properly with the BR-864.

Formatting the memory card (CompactFlash)

CompactFlash cards bought at a computer shop, or ones previously used with a digital camera cannot be used as is with the BR-864.

These CompactFlash cards must first be initialized for use with the BR-864.

For more details regarding initializing, see p. 29, p. 149.

How to remove the card protector

To prevent theft of the memory card (CompactFlash), the BR864 is shipped from the factory with a card protector.

fig.00-103

Card Protector

Card Cover

To remove the card protector, use the following procedure.

1. Make sure the card cover is closed, then the BR-864

over.

* When turning the unit upside-down, get a bunch of

newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient the unit so no buttons or controls get damaged.

* When turning the unit upside-down, handle with care to avoid

dropping it, or allowing it to fall or tip over.

2. Using a coin or

flathead screwdriver, unscrew and remove the coin screw from the bottom panel.

234

* CompactFlash and are trademarks of SanDisk Corpo-

ration and licensed by CompactFlash association.

235

* BOSS Corporation is an authorized licensee of the

CompactFlash™ and CF logo ( ) trademarks.

3. Pull out the card

cover in the direction indicated by the arrow.

4. To prevent loss of the

card protector after it is removed, place it as shown in the figure. Insert the card protector in the slot as indicated by the arrow.

5. Turn the BR-864 back

over to its original position.

Should you remove the screws, make sure to put them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

Panel Descriptions

Front Panel

5 6

10 113612

22 21

23 24 25 26

29 30

3233

34 37

1. PEAK indicator

This indicator shows how strong the input level is at the various input jacks (e.g., GUITAR/BASS and MIC).

This indicator lights at a level -6 dB lower than where sound distortion occurs. Adjust the input sensitivity with the SENS knob so that this indicator lights only occasionally, at those moments when you play your guitar (or other instrument) at its loudest.

2. SENS knob

Use this knob to adjust the sensitivity at the input jacks (e.g., GUITAR/BASS, MIC, and LINE).

3. INPUT SELECT buttons

Use these buttons to select the input source (input jack) that you wish to record. The indicator of the selected button will light. You can mute (silence) the input sound by pressing a button that is lit.

GUITAR/BASS:

For selecting either guitar or bass use of the GUITAR/BASS jack.

MIC:

For selecting either the MIC jack when a microphone is connected, or the internal microphone.

* You can turn on and off the internal microphone. (p. 32)

LINE:

For selecting the LINE jack (stereo) for the line inputs, such as keyboards or CD players.

SIMUL:

By pressing the GUITAR/BASS and MIC buttons simultaneously, you can record from both inputs at the same time.

* If the INPUT SELECT setting is changed, the insert effect

bank (p. 33, p. 56) changes automatically.

4. EFFECTS button

Use this button to turn on and off the insert effects (p. 33, p.

56) or call up the screen for editing the various settings.

Panel Descriptions

5. INPUT LEVEL knob

Use this knob to adjust the volume of the input source for recording.

* If you use the INPUT LEVEL knob to turn down the volume

of the input source during recording, the sound will be recorded in the audio track at a low volume, so that noise will be more apparent when you raise the volume of the audio track for playback.If you want to lower the sound of the input source that you are monitoring, lower the volume with the MASTER fader. To change the volume of the music being played back, use the TRACK fader for the respective tracks.

6. TUNER button

Use this button to turn on and off the tuner (p. 137).

7. AUTO PUNCH

This button is used to make settings for the automatic punch in/out function.

ON/OFF button:

This turns the auto punch-in/out function on/off. When this is on, the button indicator will light.

IN button:

For setting the auto punch-in location. Press this button to set the punch-in point. When set, the indicator on this button will light. After the punch-in location is set, you can press this button to automatically move to the punch-in location.

* Press this button while holding down the ON/OFF button to

clear the set punch-in location.

9. ZERO button

Moves you to the time location 00:00:000.0.

10.

REW button

The song will rewind while you hold down the button.

11.

FF button

The song will fast-forward while you hold down the button.

12.

REPEAT button

You can specify a region that you wish to hear, and hear it repeatedly (p. 49).

This feature is useful if you want to repeatedly play back the recording between the punch-in and out locations (p. 51) until you are satisfied or use the phrase trainer (p. 139) to try to copy a difficult phrase recorded from a CD or the like.

13.

STOP button

Stops recording or playback of the song.

14.

PLAY button

Plays back songs. When [REC] is pressed and the REC indicator is flashing, press [PLAY] to start recording. During recording or playback, the indicator on the button lights in green.

15.

REC (Recording) button

OUT button:

For setting the auto punch-out location. Press this button to set the punch-out location at the current location in the track. When set, the indicator on this button will light. After the punch-out location is set, you can press this button to automatically move to the punch-out location.

* Press this button while holding down the ON/OFF button to

clear the set punch-out location.

8. LOCATOR button

Use this button to store any location that you desire. Then, by pressing this button, you can automatically move to that location.

When a location is set, the indicator on this button will light and you will jump to the location each time this button is pressed.

* Press this button while holding down the AUTO PUNCH

ON/OFF button to clear the set location.

This is the Record button. In addition to the Recording operation, it is also used for manual punch-in/out. While in recording standby, the indicator on this button flashes in red, and during recording, it lights in red.

16.

AUDIO TRACK MIXER fader 1–4/5–8

For controlling the volumes of each track during playback.

* Hereafter, the AUDIO TRACK MIXER faders shall be

referred to as the “TRACK faders.”

17.

MASTER fader

Controls the overall volume of the BR-864.

18.

REC TRACK (Recording Track) buttons 1–4/5–8

Use these buttons to select to which track you will record. The button of the track selected will flash in red and then light in red when recording begins. When recording is finished, the button of the selected track will light alternately in orange and green.

The relationship between the indicator and the track conditions is given below.

Off:

This track contains no recorded data.

Panel Descriptions

During creation of Rhythm Guide patterns (p. 96), you can delete rhythm sounds you have input by holding down this button and pressing the REC TRACK button.

21.

REC MODE (Recording Mode) button

This button is used for selecting the recording mode.

• Basic recording (p. 37, p. 46)

• Bounce (Putting multiple tracks together) (p. 42, p. 60)

• Mastering (p. 43, p. 65)

Green:

An audio track that contains recorded data.

Flashing in red:

The track is selected as the recording destination, and is in recording standby.

Red:

This track currently being recorded.

Lighting alternately in orange and green:

This track contains recorded data and is selected for recording.

During creation of Rhythm Guide patterns (p. 96), a rhythm instrument is assigned to each button.

19.

V-TRACK button

Use this button to call up the screen for selecting a V-Track.

“What are V-Tracks?” (p. 14) “Changing V-Tracks” (p. 47)

During creation of Rhythm Guide rhythm patterns (p. 96), the V-TRACK button is used to input rhythm instruments.

22.

TRACK button

This switches Tracks 1–4 and 5–8. The button indicator is lit when Tracks 5–8 are selected.

23.

PAN button

Pressed to access a screen where you can set the pan (left/ right location of the sound) for the playback of each track or for the input sound (p. 40, p. 47).

24.

EQ (Equalizer) button

This adjusts the tone (Low, High) for each track (p. 40, p. 64).

25.

LOOP EFFECTS button

Use this button to call up the screen for setting the send level of each track respective to the loop effects (p. 41, p. 62), switching between reverb and chorus, setting the various parameters, and more.

“Using the Loop Effects/Track EQ” (p. 62) “Loop Effect Parameter Functions” (p. 131)

26.

PHRASE TRAINER button

20.

DELETE/MUTE button

By holding down this button and pressing a REC TRACK button whose indicator is lit in green and orange alternating or green, you can mute that track during playback, regardless of the position of its TRACK fader (p. 39). When you repeat the same action, muting will be defeated. While muted, the REC TRACK button of that track will flash in green and orange alternating or green.

* If a recording track was muted, muting will be defeated when

recording ends.

Use this button to perform the settings for the phrase trainer function.

When using the phrase trainer, you can turn on or off the center cancel function (for removing vocals at the center), or the time stretch function (for slowing down playback).

“Canceling the center sound (Center Cancel)” (p. 139) “Slowing down the speed (Time Stretch Function)” (p. 139)

Panel Descriptions

27.

RHYTHM GUIDE

32.

ENTER/YES button

Here you can make settings for the Rhythm Guide function.

ARRANGE/PATTERN/OFF button:

Pressed to cycle the Rhythm Guide function through the available selections: Arrangement → Pattern → Off.

TONE LOAD button:

This calls up the screen for the rhythm tones Tone Load function.

RHYTHM GUIDE fader:

Adjusts the Volume of the Rhythm Guide.

PROGRAM button:

This calls up the screen for programming arrangements and patterns.

RHYTHM PAD button:

This button switches the TRACK button, V-TRACK button, and TAP button functions to rhythm input.

TAP (TEMPO) button:

By tapping this button, you can set the tempo for the rhythm guide.

Press this button to confirm a selection or a value being entered.

33.

EXIT/NO button

Press this button to return to the previous screen or cancel the last entry.

34.

CURSOR buttons

Press these buttons to move the cursor within the screen.

35.

Headphones jack ( )

Headphones (sold separately) are connected here. When headphones are connected, the same output as that from LINE OUT can be heard from the headphones.

* The headphone volume is adjusted with the MASTER fader.

36.

MIC (Internal microphone)

This microphone can be used for recording with the BR-864.

During creation of Rhythm Guide patterns (p. 96), the TAP button is used to input rhythm instruments.

28.

USB button

Press this to call up the function for transferring data between the BR-864 and your computer when the USB connector is used.

29.

UTILITY button

This button calls up various functions offered by your BR864, such as track editing, song management, and memory card operations.

30.

UNDO/REDO button

For undoing the last-performed recording or editing operation and returning the data to its previous state. By pressing this button once again, you can bring back the canceled recording or re-execute the editing operation (p. 55).

31.

TIME/VALUE dial

You can use this dial to shift the current position within a song (e.g., fast forwarding and rewinding). It is also used to change the values of the various function settings.

“Press the INPUT SELECT button of the instrument that you want record” (p. 31)

“Turning off the internal microphone” (p. 32)

fig.00-202

37 38

37.

MEMORY CARD slot

This slot is where memory cards (CompactFlash) are inserted when you want to save data. You cannot record unless you have a memory card inserted here.

38.

Eject button

Press this button to eject the memory card.

Display

fig.00-203d

1 2

Displays the menu screen, parameter setting screen, or other information, depending on the type of settings being made.

If the screen is difficult to view, see “Adjusting the Display Contrast” (p. 26).

1. MEAS (MEASURE)

Displays the current position within the song. Indicated from left to right are the measure, beat, and clock.

Panel Descriptions

4. FRAME

Displays the frame number of the current position of the song.

At the factory settings, one second is set to 30 frames (nondrop).This is one type of a specification known as MTC (MIDI Time Code), and when you use the BR-864 to play in synchronization with another MIDI device, you will need to set both devices to the same MTC type.

“Synchronizing playback with a MIDI sequencer” (p. 142)

5. REC MODE

The recording mode is indicated here.

6. Level Meter

2. TEMPO

The Rhythm Guide tempo is indicated here.

3. TIME

Displays the time of the current position of the song (hoursminutes-seconds).

Rear Panel

fig.00-204

1011 12

1. GUITAR/BASS jack

During play mode, the volume levels of instruments being input, and volume levels of each track are displayed.

The levels displayed are the levels after the adjustments are made with the INPUT LEVEL knob and TRACK fader (i.e., post fader). You can select the level meter to display each type of level being set.

123456789

3. LINE IN jack

High-impedance input jack to directly connect your guitar or bass.

2. MIC jack (TRS/XLR types)

These jacks allow a mic to be connected.Both standard TRS jacks (p. 24) and XLR jacks are provided.

* If microphones are connected to both jacks, the TRS jack is

given priority.

These are input jacks for analog audio signals.These jacks are used to connect CD players and other audio devices and keyboards, rhythm machines, and other external sound modules.

4. LINE OUT jack

These are output jacks for the analog audio signal. You can connect tape recorders, or other recording devices to record the output analog signal from the BR-864.

Panel Descriptions

5. DIGITAL OUT connector

Optical connector for outputting digital audio signals. The same sound that is output from LINE OUT is also output from DIGITAL OUT. You can connect a DAT recorder or CD recorder to this connector and make digital recordings of the BR-864’s output.

6. FOOT SW/EXP PEDAL jack

This is an input jack for connecting a separately sold foot switch (BOSS FS-5U, Roland DP-2) or expression pedal (BOSS Roland EV-5, BOSS FV-300L).

By using this FOOT SW jack, you can start/stop playback, punch in/out, and more.

When an expression pedal is used, you can control the depth of effects with your foot.

“Using a foot switch or expression pedal” (p. 136).

7. MIDI OUT connector

Connector for sending MIDI data.Connect it to the MIDI IN connector of an external MIDI device (rhythm machine or sound module).

12.

Security Slot ( )

http://www.kensington.com/

Inserting batteries

1. Make sure that the power of the BR-864 is turned off.

2. Remove the battery cover on the rear panel.

* When turning the unit upside-down, get a bunch of

* When turning the unit upside-down, handle with care to avoid

dropping it, or allowing it to fall or tip over.

3. Being careful not to reverse the polarity (+/-), insert six

AA dry-cell batteries into the battery compartment.

* BOSS recommends using longer-life alkaline batteries. * Do not mix new batteries with partially used batteries, and do

not mix batteries of differing types.

* Do not use rechargeable batteries.

8. USB connector

This is the connector for connecting your computer to the BR864 with a USB cable.

9. POWER switch

This is the power switch. It turns the power of the BR-864 on/off.

10.

DC IN (AC Adaptor) jack

Connect the AC adaptor (PSA-series; optional) to this jack.

You must use only the PSA-series AC adaptor. Use of any other adaptor may cause overheating or malfunctions.

11.

Cord Hook

Wrap the cable around this hook so that the AC adaptor cable is not pulled out accidentally.

* If the AC adaptor is disconnected during operation, your

important recorded data may be lost.

4. Close the battery cover.

fig.00-205

When the battery power becomes low, “Battery Low” appears in the display. When this message appears, replace the existing batteries with new ones as soon as possible.

Quick Start

Quick

Start

Listening to the demo songs

(1) Connecting peripheral devices

Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off.

fig.00-301

Mic

CD Recorder etc.

Rhythm Machine etc.

Electric Guitar

Electric Bass

AC Adaptor

(PSA series)

Foot Switch (FS-5U etc.)

Expression Pedal

(Roland EV-5 etc.)

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

● To prevent the inadvertent disruption of power to your

unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

fig.00-302

Audio Set etc.

CD Player etc.

Keyboard etc.

● Feedback could be produced depending on the location

of microphones relative to speakers. This can be remedied by:

1. Changing the orientation of the microphone(s).

2. Relocating microphone(s) at a greater distance

from speakers.

3. Lower the volume.

* Two types of MIC inputs are included, TRS phone type jacks

compatible with balanced input, and XLR type connectors. The pin assignment for the MIC jack is as shown below. Before making any connections, make sure that this pin assignment is compatible with that of all your other devices.

fig.00-303

Listening to the demo songs

* When using the FS-5U foot switch (sold separately), set the

polarity switch as shown below. If the polarity switch is not set correctly, the foot switch may not operate properly.

fig.00-304

Polarity Switch

* If using an expression pedal (EV-5 or FV-300L), set the MIN

volume level to “0.”

● Insert the memory card (CompactFlash) with the gold-

colored contacts facing downward (the side without contacts should be facing upward).

* Carefully insert the memory card all the way in-until it is

firmly in place.

* Do not touch the contacts of the memory card or allow them to

become dirty.

fig.00-305

2. Lower the MASTER fader on the BR-864.

fig.00-306

3. Turn on the device connected to an input jack (i.e.,

GUITAR/BASS, MIC, or LINE IN).

4. Turn on the POWER switch located on the rear panel.

fig.00-307

* Always make sure to have the volume level turned down before

switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.

Quick Start

Before inserting the memory card, be sure to first turn off the BR-864. If a memory card is inserted when the power is turned on, the data in the memory card may be destroyed, or the memory card may become unusable.

(2) Turn on the BR-864

Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

1. Before you turn the power on, make sure of the

following points.

❒ Are all external devices connected properly? ❒ Is the volume on the BR-864 and all other devices

completely lowered?

❒ Is the memory card inserted?

* This unit is equipped with a protection circuit. A brief interval

(a few seconds) after power up is required before the unit will operate normally.

5. Turn on the device connected to the output jack (i.e.,

LINE OUT or DIGITAL OUT).

If you are using the AC adaptor, make sure that the AC adaptor does not become unplugged during operation. If the AC adaptor becomes unplugged accidentally, the recorded data may become damaged.

Play Screen

The Play screen is the most fundamental screen of the BR-864, and is the first screen that appears when the BR864 is turned on (see below).

fig.00-308d

* The BR-864 is shipped with a memory card already inserted in

the slot.

Listening to the demo songs

Adjusting the Display Contrast

Depending on where the BR-864 is situated, the display contents may be difficult to read. If this is the case, perform the procedure given below to adjust the contrast (1 to 32).

fig.00-309

You can turn the TIME/VALUE dial while pressing [UTILITY] to adjust the contrast. Use each procedure as appropriate.

1,4 4

3 2

2,3

1. Press [UTILITY].

2. Press CURSOR [ ] [ ] to move the cursor to “SYS,”

and press [ENTER].

fig.00-310d

(3)

Listening to a demo song

Selecting a song

Upon power-up, the song that was selected before the power was turned off is selected, and the data of that song is loaded. As soon as the data has been loaded, the Play screen appears in the display.

To listen to a demo song, follow the procedure given below.

fig.00-312

1,4 4

3 2

3. Press CURSOR [ ] [ ] to select “LCD Contrast,” and

adjust the contrast with the TIME/VALUE dial.

fig.00-311d

4. After completing the adjustment, press [UTILITY] (or

press [EXIT] repeatedly) to return to the Play screen.

* During updating, “Keep power on!” appears in the upper line

of the display, while the lower line shows what is being processed.

1. Press [UTILITY].

2. Press CURSOR [ ] [ ] to move the cursor to “SEL,”

and press [ENTER].

The Song Select screen appears.

fig.00-313d

3. Turn the TIME/VALUE dial to select “01:Dreamin’.”

TIME

23:59:59-29.900:00:00-00.0

[

ZERO

]

[

STOP

] + [

REW

]

[

STOP

] + [FF]

Section of the song recorded

Listening to the demo songs

Title Composer Copyright Dreamin’ Yutaka Nakano

4. Press [ENTER].

■

If you have changed the recording or editing

Since the BR-864 automatically updates the recorded data and operation content if the recording or editing have been changed, you do not need to perform any special operations for saving.

During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.

* If you try to record or edit data using a protected demo song,

“Protected!” appears.

Playing Back a Song

1. Move the TRACK faders 1/5–4/8 and the RHYTHM

GUIDE fader to the positions shown in the figure below, and lower the MASTER fader.

fig.00-315

By adjusting the TRACK faders, you can listen to the individual sounds recorded to each track one at a time or listen to them at the balance you desire.

Press [FF] to fast-forward the song and press [REW] to rewind the song. Press [ZERO] to move to the time location 00:00:00-00.0.

In addition to the procedures given above, you can also change your current position in the song using the procedures given below.

Changing the current position

Elapsed time display

The value given at “TIME” in the display shows the elapsed time into the song using MTC (MIDI time codes) and is expressed as follows: hours-minutes-seconds-frames-sub frames.

The time code specifications can differ depending on the device. To synchronize operation with another device using MTC, you will first need to match the time code specifications of both devices. At the factory settings, one second is set to 30 frames (non-drop) (p. 142).

Quick Start

2. Press [PLAY].

fig.00-316

The song starts. Slowly increase the MASTER fader and adjust the volume to the desired level.

Use of the demo song supplied with this product for any purpose other than private, personal enjoyment without the permission of the copyright holder is prohibited by law. Additionally, this data must not be copied, nor used in a secondary copyrighted work without the permission of the copyright holder.

Moving to the start of a play

To move to the time where the first sound of a song is recorded, press and hold [STOP] and press [REW].

Each V-Track of the selected track is checked and you move to the time of the first recorded sound for the song.

Press [ZERO] to move to the time location 00:00:00-00.0.

Moving to the end of a play

To move to the time where the last sound of a song is recorded, press and hold [STOP] and press [FF].

Each V-Track of the selected track is checked and you move to the time of the last recorded sound for the song.

fig.00-317

Listening to the demo songs

Moving through a song using hours, minutes, seconds, frames, or sub frames

Press [ ] [ ] to move the cursor to hours, minutes, seconds, frames, or sub-frames display, and turn the TIME/ VALUE dial to change the current time in the song.

Moving through a song in measures or beats

The current position’s measure– beat–clock are displayed at the location “MEAS” (measure) in the display.

* For the demo songs, a Arrangement (p. 35, p. 90) has already

been created and it is set so that measure, beat, clock, and song is properly synchronized.

Press [ ] [ ] to move the cursor to “measure” or “beat” display, and turn the TIME/VALUE dial to change the current measure or beat in the song.

* you cannot move the cursor to Clock (cannot be altered).

(4) Turning off the power

1. Make sure that playback of the song is stopped.

Always make sure that the recorder is stopped before turning off the power to the BR-864. Turning off the power while recording or playback is in progress may result in the deletion of (song) data, mixer settings, and/ or effect patch data.

2. Turn off the power to each device in the reverse order

used for powering up (p. 25).

3. Turn the BR-864’s POWER switch off.

Recording/playing back a song

(1)

Preparing the memory card

The BR-864 writes the recorded data directly to the inserted memory card. Therefore, for recording or playback, the memory card must be inserted.

“Memory cards supported by your BR-864” (p. 16)

Inserting the memory card

Before inserting the memory card (CompactFlash), be sure to first turn off the BR-864. If a memory card is inserted when the power is turned on, the data in the memory card may be destroyed, or the memory card may become unusable.

1. Insert the memory card into the memory card slot.

The supplied memory card still has some remaining space; however, for extended recording, you will need to erase some of the demo song or prepare a new memory card (64 MB or greater is recommended).

* The demo songs are protected.

To delete the demo songs, first remove the protections, then carry out the deletion.

fig.00-401

1 4

2,3,4 2,3

1. Press [UTILITY].

2. Press CURSOR [ ] [ ] to move the cursor to “INI,”

and press [ENTER].

fig.00-402d

Quick Start

“Protecting a song (Song Protect)” (p. 85) “Erasing songs (Song Erase)” (p. 83)

Turn on the power

Use the procedure described in “Turn on the BR-864” (p. 25).

Formatting the memory card (initialize)

* This is not necessary for memory cards that have already been

used with the BR-864.

Newly purchased memory cards, or memory cards that have been used previously with a computer will need to be prepared so they can be used with the BR-864.

Carry out the following steps in the order given to complete the procedure (this preparation process is called “Initializing”).

3. Press CURSOR [ ] [ ] to move the cursor to “CRD,”

and press [ENTER].

“Are you sure?” appears.

fig.00-403d

Recording/playing back a song

4. To continue with the initializing, press [ENTER] (YES).

To cancel the operation, press [EXIT] (NO) (or [UTILITY]).

When [ENTER] (YES) is pressed, initializing begins. When the initializing has been completed, “Completed!”

appears in the display. “Keep power on! Song creating...” then appears in the

display, and a new song is automatically created.

In this case, the data type selected is HiFi (MT2).

When creation of the song is finished, the play screen returns to the display.

* Depending on the capacity of the memory card, initializing

may take more than ten minutes to complete. This is not a malfunction.The progress of the initializing is shown in the display. Do not turn off the BR-864 until the initializing has been completed.

Do not remove the memory card or turn off the BR-864 while the display shows “Keep power on!” Doing so can destroy the data on the memory card and/or render the memory card itself unusable.

(2) Select the song to record

When the memory card contains more than one song, the song that was recorded last is automatically selected.

To record a new song, follow the procedure given below.

Recording a new song

About data types

When you record a new song, the BR-864 allows you to set the data type. This enables you to select the combination of audio quality and recording time that is most suitable for the material you are recording. The following data types can be selected.

* The data type of a song cannot be changed after it is created.

HiFi (MT2) (multitrack 2):

For high-quality recordings. This data type is recommended when you will be doing a lot of track bouncing. Normally you should select this type. Use this type for most of your recordings.

STD (LV1) (live 1):

For recordings that will take longer than what can be provided with the MT2 data type. This is the most suitable setting for recording live performances.

LONG (LV2) (live 2):

Of the three data types, this provides the longest recording time. This is convenient when the card has little recording capacity.

Recording time

The recording times possible for each data type on one memory card are given below (when recording one track).

Data type

32 MB 16 min. 19 min. 24 min. 64 MB 32 min. 39 min. 49 min. 128 MB 65 min. 78 min. 98 min. 256 MB 130 min. 156 min. 196 min. 512 MB 260 min. 312 min. 392 min. 1 GB 520 min. 624 min. 784 min.

* The recording times shown above are approximate. Depending

on the number of songs, the allowable recording time may decrease.

* The recording times shown above are for when only one track

is used. For example, if you record on all eight tracks, the recording time for each track will be 1/8th of the time shown above.

* The CompactFlash memory cards supported by your BR-864

are 32 MB to 1 GB CompactFlash cards for use with a 3.3 V power supply voltage.

Recording time (times approximate) HiFi (MT2)

STD (LV1)

LONG (LV2)

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