Behringer UB1202, UB802, UB502 User Manual

User Manual

EURORACK

UB1202/UB1002

Ultra-Low Noise Design 12/10-Input 2-Bus Mic/Line Mixer

UB802/UB502

Ultra-Low Noise Design 8/5-Input 2-Bus Mixer

2 EURORACK UB1202/UB1002/UB802/UB502 User Manual

Table of Contents

Important Safety Instructions ...................................... 3

Legal Disclaimer ............................................................. 3

Limited Warranty ...........................................................3

1. Introduction ............................................................... 5

1.1 General mixing console functions ................................ 5

1.2 The user’s manual ............................................................... 5

1.3 Before you get started ...................................................... 5

2. Control Elements and Connectors ........................... 6

2.1 Mono channels .................................................................... 6

2.2 Stereo channels ................................................................... 7

2.3 Connector panel and main section ............................. 7

3. Installation ................................................................. 9

3.1 Mains connection ............................................................... 9

3.2 Audio connections ............................................................. 9

4. Specications ........................................................... 10

3 EURORACK UB1202/UB1002/UB802/UB502 User Manual

9. Do not defeat the safety purpose of the polarized

UNDERTAKING OR REPRESENTATION. THIS MANUAL

ce

electronic components of this product to be free of defects

period is mandated by applicable local laws. If the product

Incase MUSICGroup decides to replace the entire product,

Important Safety Instructions

Terminals marked with this symbol carry
electrical current of su cient magnitude

to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.

This symbol, wherever it appears,

alertsyou to the presence of uninsulated

dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.

This symbol, wherever it appears,

alertsyou to important operating and

maintenance instructions in the
accompanying literature. Please read the manual.

Caution

To reduce the risk of electric shock, donot

remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.

Caution

To reduce the risk of  re or electric shock,

do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects  lled with liquids,
suchas vases, shall be placed on the apparatus.

Caution

These service instructions are for use

by quali ed service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.

or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not  t into your outlet, consult an
electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.

11. Use only attachments/accessories speci ed by
themanufacturer.

12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or
when unused for long periods of time.

14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.

15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER IS
PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED

IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.

ALL RIGHTS RESERVED.
© 2011 MUSICGroupIPLtd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY

§ 1 Warranty

(1) This limited warranty is valid only if you purchased
the product from a MUSIC Group Authorized Reseller in
the country of purchase. A list of authorized resellers can
be found on BEHRINGER’s website behringer. com under
“Where to Buy”, or you can contact the MUSIC Group o
closest to you.

(2) MUSICGroup* warrants the mechanical and

in material and workmanship if used under normal
operating conditions for a period of one (1) year from
the original date of purchase (see the Limited Warranty
terms in §4 below), unless a longer minimum warranty

shows any defects within the speci ed warranty period
and that defect is not excluded under §4, MUSICGroup
shall, at its discretion, either replace or repair the product
using suitable new or reconditioned product or parts.

thislimited warranty shall apply to the replacement
product for the remaining initial warranty period, i.e.,
one (1) year (or otherwise applicable minimum warranty
period) from the date of purchase of the original product.

(3) Upon validation of the warranty claim, the repaired
or replacement product will be returned to the user
freight prepaid by MUSICGroup.

(4) Warranty claims other than those indicated above
are expressly excluded.

PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF
OF PURCHASE COVERING YOUR LIMITED WARRANTY.
THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
OFPURCHASE.

§ 2 Online registration

Please do remember to register your new BEHRINGER
equipment right after your purchase at behringer. com
under “Support” and kindly read the terms and conditions
of our limited warranty carefully. Registeringyour
purchase and equipment with us helps us process
your repair claims quicker and more e ciently.
Thankyouforyour cooperation!

§ 3 Return materials authorization

(1) To obtain warranty service, please contact the
retailer from whom the equipment was purchased.
Should your MUSIC Group Authorized Reseller not be
located in your vicinity, you may contact the MUSICGroup
Authorized Ful ller for your country listed under

4 EURORACK UB1202/UB1002/UB802/UB502 User Manual

“Support” at behringer. com. Ifyour country is not

• connection or operation of the unit in any way

This warranty does not detract from the seller’s

Warranty service conditions are subject to change without

listed, please check if your problem can be dealt with
by our “OnlineSupport” which may also be found under
“Support” at behringer. com. Alternatively,please submit
an online warranty claim at behringer. com BEFORE
returning the product. All inquiries must be accompanied
by a description of the problem and the serial number
of the product. Afterverifying the product’s warranty
eligibility with the original sales receipt, MUSICGroup
will then issue a ReturnMaterials Authorization
(“RMA”)number.

(2) Subsequently, the product must be returned in
its original shipping carton, together with the return
authorization number to the address indicated by
MUSICGroup.

(3) Shipments without freight prepaid will not
beaccepted.

§ 4 Warranty Exclusions

(1) This limited warranty does not cover consumable
parts including, but not limited to, fuses and batteries.
Where applicable, MUSICGroup warrants the valves or
meters contained in the product to be free from defects
in material and workmanship for a period of ninety (90)
days from date of purchase.

(2) This limited warranty does not cover the product
if it has been electronically or mechanically modi ed
in any way. If the product needs to be modi ed or
adapted in order to comply with applicable technical
or safety standards on a national or local level, inany
country which is not the country for which the
product was originally developed and manufactured,
thismodi cation/adaptation shall not be considered a
defect in materials or workmanship. Thislimited warranty
does not cover any such modi cation/adaptation,
regardless of whether it was carried out properly or not.
Under the terms of this limited warranty, MUSICGroup
shall not be held responsible for any cost resulting from
such a modi cation/adaptation.

(3) This limited warranty covers only the product
hardware. It does not cover technical assistance for
hardware or software usage and it does not cover
any software products whether or not contained in
the product. Any such software is provided “AS IS”
unless expressly provided for in any enclosed software
limitedwarranty.

(4) This limited warranty is invalid if the
factory- appliedserial number has been altered or
removed from theproduct.

(5) Free inspections and maintenance/repair work
are expressly excluded from this limited warranty,
inparticular, if caused by improper handling of the
product by the user. This also applies to defects caused
by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, guitar strings,
illuminantsand similar parts.

(6) Damage/defects caused by the following conditions
are not covered by this limited warranty:

• improper handling, neglect or failure to operate the
unit in compliance with the instructions given in
BEHRINGER user or service manuals;

that does not comply with the technical or safety
regulations applicable in the country where the
product is used;

• damage/defects caused by acts of God/Nature
(accident,  re,  ood, etc) or any other condition that
is beyond the control of MUSICGroup.

(7) Any repair or opening of the unit carried out by
unauthorized personnel (user included) will void the
limitedwarranty.

(8) If an inspection of the product by MUSICGroup
shows that the defect in question is not covered by the
limited warranty, the inspection costs are payable by
thecustomer.

(9) Products which do not meet the terms of this
limited warranty will be repaired exclusively at the buyer’s
expense. MUSICGroup or its authorized service center will
inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after
noti cation, MUSICGroup will return the unit C.O.D. with
a separate invoice for freight and packing. Such costs will
also be invoiced separately when the buyer has sent in a
written repair order.

(10) MUSIC Group Authorized Resellers do not sell new
products directly in online auctions. Purchasesmade
through an online auction are on a “buyer beware” basis.
Online auction con rmations or sales receipts are not
accepted for warranty veri cation and MUSICGroup will
not repair or replace any product purchased through an
online auction.

§ 5 Warranty transferability

This limited warranty is extended exclusively to the
original buyer (customer of authorized reseller) andis
not transferable to anyone who may subsequently
purchase this product. No other person (reseller,etc.)
shallbe entitled to give any warranty promise on behalf
of MUSICGroup.

§ 6 Claim for damage

Subject only to the operation of mandatory applicable
local laws, MUSICGroup shall have no liability to the buyer
under this warranty for any consequential or indirect
loss or damage of any kind. In no event shall the liability
of MUSICGroup under this limited warranty exceed the
invoiced value of the product.

§ 7 Limitation of liability

This limited warranty is the complete and exclusive
warranty between you and MUSICGroup. It supersedes
all other written or oral communications related to this
product. MUSICGroup provides no other warranties for
this product.

§ 8 Other warranty rights and
nationallaw

(1) This limited warranty does not exclude or limit the
buyer’s statutory rights as a consumer in any way.

(2) The limited warranty regulations mentioned herein
are applicable unless they constitute an infringement of
applicable mandatory local laws.

(3)

obligations in regard to any lack of conformity of the
product and any hidden defect.

§ 9 Amendment

notice. For the latest warranty terms and conditions
and additional information regarding MUSICGroup’s
limited warranty, please see complete details online at
behringer. com.

* MUSICGroup Macao Commercial O shore Limited of
RuedePequim No. 202-A, Macau Finance Centre 9/J, Macau,
including all MUSICGroup companies

5 EURORACK UB1202/UB1002/UB802/UB502 User Manual

1. Introduction

Congratulations! In purchasing our EURORACK UB502/UB802/UB1002/UB1202
you have acquired a mixing console whose small size belies its incredible
versatility and audio performance.

The range of inputs and outputs comprises microphone inputs (with +48 V
phantom power supply), line inputs, possibilities for connecting eects devices,
connectors for a 2-track master machine (e.g. DAT recorder) and a monitor system
consisting of monitor loudspeaker(s) and power amplier (except for UB502).

IMP “Invisible” mic preamp

The microphone channels are tted with BEHRINGER’s brand new premium
quality IMP invisible mic preamps that boast the following features:

• 130 dB dynamic range for an incredible amount of headroom

• A bandwidth ranging from below 10 Hz to over 200 kHz

forcrystal-clearreproduction of even the nest nuances

• The extremely low-noise and distortionfree circuitry guarantees absolutely

natural and transparent signal reproduction

• hey are perfectly matched to every conceivable microphone with up to 60 dB

gain and +48 volt phantom power supply

• They enable full utilisation of the greatly extended dynamic range of your

24-bit/192 kHz HD recorder, thereby maintaining optimal audioquality

CAUTION!

◊ We should like to draw your attention to the fac t that extreme volumes

may damage your hearing and/or your headphones or loudspeakers.
Turn the MAIN MIX control and PHONES control in the main section fully
counter-clockwise before you switch on the unit. Always be careful to
set appropriate volume levels.

Important notes concerning installation

◊ The sound quality may diminish within the range of powerful

broadcasting stations and high-frequency sources. Increase the
distance between the transmitter and the device and use shielded
cables for all connections.

1.1 General mixing console functions

A mixing console fulls three main functions:

• Signal processing: Preamplication, level adjustment, mixing of eects,

frequency equalization

◊ The block diagram supplied with the mixing console gives you an

overview of the connections between the inputs and outputs, as well
as the associated switches and controls.

For the moment, just tr y and trace the signal path from the microphone input
to the FX send connector. Don’t be put o by the huge range of possibilities;
it’seasier than you think! If you look at the overview of the controls at the same
time, you’ll be able to quickly familiarize yourself with your mixing console and
you’ll soon be making the most of all its many possibilities.

If you need to know more about specic issues, please visit our website at
http://behringer.com, where you’ll nd explanations of (for example) eects and
dynamics applications.

1.3 Before you get started

1.3.1 Shipment

Your mixing console was carefully packed in the factory to guarantee safe
transport. Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage, which may have
occurred during transit.

◊ If the unit is damaged, please do NOT return it to us, but notify your

dealer and the shipping company immediately, otherwise claims for
damage or replacement may not be granted.

1.3.2 Initial operation

Be sure that there is enough space around the unit for cooling purposes and to
avoid over-heating please do not place your mixing console on high-temperature
devices such as radiators or power amps. The console is connected to the
mains via the supplied cable. The console meets the required safety standards.
Blownfuses must only be replaced by fuses of the same type and rating.

◊ Never connect the EURORACK to the power supply unit when the latter

is connected to the mains! First connect the power supply unit to the
console, then connect the power supply unit to the mains.

◊ Please note that all units must be properly grounded. For your own

safety, you should never remove any ground connectors from electrical
devices or power cables, or render them inoperative.

◊ Please ensure that only qualified people install and operate the

mixing console. During installation and operation, the user must have
sufficient electrical contact to earth, otherwise electrostatic discharges
might affect the operation of the unit.

1.3.3 Online registration

• Signal distribution: Summing of signals to the aux sends for eects

processing and monitor mix, distribution to one or several recording tracks,
power amp(s), control room and 2-track outputs

• Mix: Setting the volume level, frequency distribution and positioning of the

individual signals in the stereo eld, level control of the total mix to match
the recording devices/crossover/power amplier(s). Allother mixer functions
can be included in this main function

The interface of BEHRINGER mixing consoles is optimized for these tasks enabling
you to easily keep track of the signal path.

1.2 The user’s manual

The user’s manual is designed to give you both an overview of the controls,
aswell as detailed information on how to use them. In order to help you
understand the links between the controls, we have arranged them in groups
according to their function. The illustrations at the beginning of each chapter
show the controls described in each respective chapter.

Please register your new BEHRINGER equipment right after your purchase
byvisiting http://behringer.com and read the terms and conditions of our
warranty carefully.

Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Shouldyour
BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support area of our website
(http://behringer.com).

Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.

Thank you for your cooperation!

6 EURORACK UB1202/UB1002/UB802/UB502 User Manual

2. Control Elements and Connectors

This chapter describes the various control elements of your mixing console.
Allcontrols, switches and connectors will be discussed in detail.

2.1 Mono channels

2.1.1 Microphone and line inputs

Fig. 2.1: Connector s and controls of mic /line inputs

MIC

Each mono input channel oers a balanced microphone input via the XLR
connector and also features a switchable +48 V phantom power supply for
condenser microphones.

◊ Please mute your playback system before you activate the phantom

power supply to prevent switch-on thumps being directed to your
loudspeakers. Please also note the instructions in chapter 2.3.5
“Phantom power and LED displays”.

LINE IN

Each mono input also features a balanced line input on a ¼" connector.
Unbalanced devices (mono jacks) can also be connected to these inputs.

◊ Please remember that you can only use either the microphone

or the line input of a channel at any one time. You can never use
both simultaneously!

GAIN

Use the GAIN control to adjust the input gain. This control should always be
turned fully counterclockwise whenever you connec t or disconnect a signal
source to one of the inputs.

2.1.2 Equalizer

All mono input channels include a 3-band equalizer, except for the UB502,
whichis equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB.
In the central position, the equalizer is inactive.

EQ

The upper (HI) and the lower band (LO) are shelving lters that increase or
decrease all frequencies above or below their cut-o frequency. The cut-o
frequencies of the upper and lower band are 12 kHz and 80 Hz respectively.
Themid band (UB802/UB1002/ UB1202) is congured as a peak lter with a
centerfrequency of 2.5 kHz.

LOW CUT

In addition, the mono channels (UB1002 and UB1202) are equipped with a steep
LO CUT lter (slope at 18 dB/oct., -3 dB at 75 Hz) designed to eliminate unwanted
low-frequency signal components.

2.1.3 FX sends, panorama and level adjustment

Fig. 2.3: The FX send/panorama/level controls

FX (UB802/UB1002/UB1202 only)

FX sends (or AUX sends) enable you to feed signals via a variable control from
one or more channels and sum these signals to a bus. The bus appears at the
console’s FX send output and can be fed from there to an external eects device.
The return from the eects unit is then brought back into the console on the aux
return connectors (UB802) or normal channel inputs. Each FX send is mono and
features up to +15 dB gain.

As the name suggests, the FX sends of the EURORACK mixing consoles are
intended to drive eects devices (reverb, delay, etc) and are therefore congured
post-fader. This means that the mix between dry signal and eect remains at
the level determined by the channel’s aux send, irrespective of the channel fader
setting. If this were not the case, the eects signal of the channel would remain
audible even when the fader is lowered to zero.

PAN

The PAN control determines the position of the channel signal within the stereo
image. This control features a constant-power characteristic, which means the
signal is always maintained at a constant level, irrespective of position in the
stereo panorama.

LEVEL

Fig. 2.2: The equalizer of the mono input channels

The LEVEL control determines the level of the channel signal in the main mix.

CLIP

The CLIP LED’s of the mono channels illuminate when the input signal is driven
too high, which could cause distortion. If this happens, use the GAIN control to
reduce the preamp level until the LED does not light anymore.

7 EURORACK UB1202/UB1002/UB802/UB502 User Manual

2.2 Stereo channels

2.2.1 Stereo line inputs

Fig. 2.4: Stereo line inputs

LINE IN

Each stereo channel has two balanced line level inputs on ¼" jacks for left and
right channels. If only the jack marked “L” (left) is used, the channel operates in
mono. The stereo channels are designed to handle typical line level signals.

Both inputs will also accept unbalanced jacks.

2.2.2 Equalizer stereo channels (UB802)

The EURORACK UB802 features a stereo 3-band EQ in each stereo channel.
Thelter characteristics and cut-o frequencies are the same as those in the
mono channels.

BAL

The BAL(ANCE) control determines the levels of left and right input signals
relative to each other before both signals are then routed to the main stereo mix
bus. If a channel is operated in mono via the left line input, this control has the
same function as the PAN control used in the mono channels.

LEVEL

The LEVEL control determines the volume of the channel being sent to the
mainmix.

+4/-10

The stereo inputs of the EURORACK UB1002 and UB1202 have an input sensitivity
switch which selects between +4 dBu and -10 dBV. At -10 dBV (home-recording
level), the input is more sensitive (requires less level to drive it) than at +4 dBu
(studio level).

2.3 Connector panel and main section

2.3 .1 Send/Return eects path

Fig. 2.7: FX send /return connec tors

Fig. 2.5: The equalizer of the stereo input channels

A stereo EQ is highly preferable to two mono equalizers. when working on a
stereo signal, as two separate EQ’s will usually produce an unwanted discrepancy
between the lef t and right channels.

2.2.3 FX sends, balance and level adjustment

Fig. 2.6: The F X send/balance/ level controls

FX

The FX sends of the stereo channels function similar to those of the mono
channels. However, since the FX send buses are both mono, a mono sum is rst
taken from the stereo input before it is sent to the FX bus. The UB502 is not
equipped with FX sends.

Fig. 2.8: FX s end/return cont rols

STEREO AUX RETURN

UB802 only: the STEREO AUX RETURN connectors are used to bring the output of
the external eects device (whose input is derived from the aux sends) back into
the console. You can instead use these connectors as additional inputs, but any
eects device will then have to be brought back into the console via a normal
stereo channel. This does, however, give you the ability to use the channel EQ on
the eects return signal if you wish.

◊ When using a stereo channel as effects return path, the FX control of

the relevant channel should generally be turned fully down to avoid
undesirable feedback.

If only the left connector is used, the AUX RETURN automatically operates in
mono. Use the AUX RET(URN) control to determine how much of the eects signal
is sent to the main mix.

FX SEND

The FX SEND output (does not apply for UB502) should be connected to the input
of an external eects unit. The post-fader FX signal you created using the input
channel FX controls is sent to the eects unit via the FX SEND ouput. Use the
FXSEND control of the main section to adjust the overall send level (UB1002 and
UB1202 only).

8 EURORACK UB1202/UB1002/UB802/UB502 User Manual

2.3.2 Monitor and main mix

Fig. 2.9: Moni tor/main mix connecto rs

Fig. 2.10: Monitor cont rol and main mix fad er

PHONES/CONTROL ROOM

The stereo PHONES jack (at the top of the connector panel) is where you
connect headphones. The unbalanced CONTROL ROOM OUT jacks carry the
summed eects and main mix signals, as well as soloed channel signals.
ThePHONES/CONTROL ROOM control adjusts the level of both headphones and
main monitor outputs. The UB502 is not equipped with control room outputs.

MAIN MIX

The MAIN OUT connectors are unbalanced mono jacks. The main mix signal
appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of these
outputs. The EURORACK UB802 and UB502 mixing consoles feature a rotary
control for this purpose.

Alternatively the line or tape output of a hi- amplier with source selection
switch could also be hooked up here, allowing you to easily listen to
additionalsources.

TAPE OUTPUT

These connectors are wired in parallel with the MAIN OUT and carry the main mix
signal (unbalanced). Connect the TAPE OUTPUT to the inputs of your recording
device. The output level is adjusted via the high-precision MAIN MIX fader or
rotary control (UB802).

2.3.4 Signal assignment

Fig. 2.12: Assignment switches of the main section

TAPE TO MIX

When the TAPE TO MIX switch is depressed, the 2-track input is assigned to the
main mix providing an additional input for tape machines, MIDI instruments or
other signal sources that do not require any processing.

TAPE TO CTRL ROOM (502: TAPE TO PHONES)

Press the TAPE TO CTRL ROOM/PHONES switch if you want to monitor the 2-track
input via the CTRL ROOM OUT. This provides an easy way to monitor signals
coming back from tape to ensure that they are recording correctly.

◊ If you are recording a signal via the TAPE OUTPUT and wish to listen

to this simultaneously via the TAPE INPUT, do not use the TAPE TO
MIX switch. Doing this would create a feedback loop, since the signal
would be routed, via the main mix, back to tape via the TAPE OUTPUT.
To monitor the TAPE INPUT, use the TAPE TO CTRL ROOM switch to assign
the tape signal to the monitor(s) or headphones. This will avoid the
tape signal being routed to the TAPE OUTPUT.

2.3.3 Tape connectors

TAPE INPUT

The TAPE INPUTs are used to bring an ex ternal signal source (e.g. CD player,
tape deck, etc.) into the console. They can also be used as a standard stereo line
input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882
canbeconnected.

Fig. 2.11: Tape input/output

FX TO CTRL ROOM

If you want to monitor only the FX send signal in your headphones or monitor
speaker(s), press the FX TO CTRL R switch. This mutes the main mix signal while
routing the FX SEND output to the monitor(s). The EURORACK UB802 and UB502
do not feature this switch.

2.3.5 Phantom power and LED displays

Fig. 2.13: Phantom p ower and control LED s

9 EURORACK UB1202/UB1002/UB802/UB502 User Manual

+48 V

The red +48 V LED lights up when phantom power is on. The PHANTOM switch
activates the phantom power supply on the XLR connectors of all mono channels.

◊ Please do not connect microphones to the mixer (or the

stagebox/wallbox) as long as the phantom power supply is
switched on. Connect the micro-phones before you switch on the
power supply. In addition, the monitor/PA loudspeakers should be
muted before you activate the phantom power supply. After switching
on, wait approx. one minute in order to allow system stabilization.

POWER

The blue POWER LED indicates that the console is powered on.

Level indicator

The high-precision 4-segment display accurately displays the relevant
signallevel.

LEVEL SETTING: To correctly set the gains of the channels, rst set the LEVEL
controls of the input channels to their center positions (0 dB). Then use the GAIN
controls to increase the input amplication until signal peaks show 0 dB on the
level meter.

When recording to digital recorders, the recorder’s peak meter should not
go into overload. While analog recorders can be overloaded to some extent,
creatingonlya certain amount of distortion (which is common and often
desirable), digitalrecorders distort quickly when overloaded. In addition,
digitaldistortion is not only undesirable, but also renders your recording
completely useless.

3.2 Audio connections

You will need a large number of cables for dierent applications. The illustrations
below show how the connectors should be wired. Be sure to use only
high-gradecables.

Please use commercial RCA cables to connect the 2-track inputs and outputs.

You can, of course, also connect unbalanced devices to the balanced
inputs/outputs. To do this, use either mono plugs or stereo plugs with the ring
and sleeve bridged (pins 1 and 3 in the case of XLR connectors).

◊ Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected)

on the MIC input connectors when using the phantom power supply.

Balanced use with XLR connectors

12

3

input

1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)

1

2

3

output

For unbalanced use, pin 1 and pin 3
have to be bridged

Fig. 3.1: XLR connections

◊ The peak meters of your EURORACK display the level virtually

independent of frequency. A recording level of 0 dB is recommended
for all signal types.

3. Installation

3.1 Mains connection

AC POWER IN

Connect the power supply to the 3-pin mains connector on the rear of the
console. Use the AC adapter supplied to connec t the console to the mains.
Theadapter complies with all applicable safety standards.

◊ Please use only the power supply unit provided with the console.

◊ Never connect the EURORACK to the power supply unit while the latter

is connected to the mains! First connect the console to the power
supply unit, then connect the power supply unit to the mains.

◊ Please note that both the power supply unit and the mixing console

heat up considerably during operation. This is completely normal.

Unbalanced ¼" TS connector

Fig. 3.2: ¼" mono plug

strain relief clamp

sleeve

tip

sleeve

(ground/shield)

tip

(signal)

10 EURORACK UB1202/UB1002/UB802/UB502 User Manual

Balanced ¼" TRS connector

strain relief clamp

sleeve
ring
tip

sleeve

ground/shield

ring

cold (-ve)

tip

hot (+ve)

For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.

Fig. 3.3: ¼" stereo plu g

¼" TRS headphones connector

strain relief clamp

sleeve

ring

tip

sleeve

ground/shield

ring

right signal

tip

left signal

4. Specications

Mono Inputs

Microphone Inputs (IMP “Invisible” Mic Preamp)

Type XLR connector, electronically balanced,

discrete input circuit

Mic E.I.N.1 (20 Hz - 20 kHz)

@ 0  source resistance -134 dB / 135.7 dB A-weighted

@ 50  source resistance -131 dB / 133.3 dB A-weighted

@ 150  source resistance -129 dB / 130.5 dB A-weighted

Frequency Response

<10 Hz - 150 kHz -1 dB

<10 Hz - 200 kHz -3 dB

Gain range +10 dB to +60 dB

Max. input level +12 dBu @ +10 dB GAIN

Impedance approx. 2.6 k balanced

Signal-to-noise ratio 110 dB / 112 dB A-weighted

(0 dBu In @ +22 dB GAIN)

Distortion (THD + N) 0.005% / 0.004% A-weighted

Line Input

Type ¼" TRS jack, electronically balanced

Impedance approx. 20 k balanced,

approx. 10 k unbalanced

Fig. 3.4: Stereo plug for headphones connection

Gain range -10 dB to +40 dB

Max. input level +22 dBu @ 0 dB GAIN

Fade-Out Attenuation2 (Crosstalk Attenuation)

Main fader closed 90 dB

Channel muted 89.5 dB

Channel fader muted 89 dB

Frequency Response (Mic In Main Out)

<10 Hz - 90 kHz +0 dB / -1 dB

<10 Hz - 160 kHz +0 dB / -3 dB

Stereo Inputs

Type ¼" TRS jack, electronically balanced

Impedance approx. 20 k

Max. input level +22 dBu

11 EURORACK UB1202/UB1002/UB802/UB502 User Manual

Equalizer

EQ Mono Channels

LOW 80 Hz / ±15 dB

MID 2.5 kHz / ±15 dB

HIGH 12 kHz / ±15 dB

EQ Stereo Channels

LOW 80 Hz / ±15 dB

MID 2.5 kHz / ±15 dB

HIGH 12 kHz / ±15 dB

Send / Return

Aux Sends

Type ¼" TS jack, unbalanced

Impedance approx. 120 

Max. output level +22 dBu

Stereo Aux Returns

Type ¼" TRS jack, electronically balanced

Impedance approx. 20 k balanced /

approx. 10 k unbalanced

Max. input level +22 dBu

Power Supply

Power Consumption

UB1202: 23 W

UB1002: 18 W

UB802: 17 W

UB502: 13 W

Mains Voltage

USA/Canada 120 V~, 60 Hz, MXUL5 adapter

U.K./Australia 240 V~, 50 Hz, MXUK5 adapter

Europe 230 V~, 50 Hz, MXEU5 adapter

Japan 100 V~, 60 Hz, MXJP5 adapter

Physical / Weight

UB1202

Dimensions (H x W x D) approx. 1 ⁄ x 8 ⁄ x 9 ½"

approx. 47 x 220 x 242 mm

Weight (net) approx. 4.73 lbs / 2.15 kg

UB1002

Dimensions (H x W x D) approx. 1 ⁄ x 7 ⁄ x 8 ⁄"

approx. 47 x 189 x 220 mm

Outputs

Main Outputs

Type ¼" TRS jack, unbalanced

Impedance approx. 120  unbalanced

Max. output level +22 dBu

Control Room Outputs

Type ¼" TS jack, unbalanced

Impedance approx. 120 

Max. output level +22 dBu

Headphones Output

Type ¼" TRS jack, unbalanced

Max. output level +19 dBu / 150  (+25 dBm)

Main Mix System Data3 (Noise)

Main mix @ -∞, -106 dB / -109 dB A-weighted
channel fader @ -∞

Main mix @ 0 dB, -95 dB / -98 dB A-weighted
channel fader @ -∞

Weight (net) approx. 3.96 lbs / 1.80 kg

UB802

Dimensions (H x W x D) approx. 1 ⁄ x 7 ⁄ x 8 ⁄"

approx. 47 x 189 x 220 mm

Weight (net) approx. 3.54 lbs / 1.61 kg

UB502

Dimensions (H x W x D) approx. 1 ⁄ x 5 ¼ x 7"

approx. 47 x 134 x 177 mm

Weight (net) approx. 2.53 lbs / 1.15 kg

1

Equivalent Input Noise

2

Measuring co nditions: 1 kHz rel. t o 0 dBu; 20 Hz - 20 kHz; line inpu t; main output; uni ty gain.

3

20 Hz - 20 k Hz; measured at main o utput. Channels 1 - 4 un ity gain; EQ flat; a ll channels on main mix;

channels ¹⁄₃ as far left as p ossible; channels ²⁄₄ as far rig ht as possible; refer ence = +6 dBu.

BEHRINGER i s constantly str iving to maintain the h ighest profess ional standards. A s a result of these e ffort s,
modific ations may be made f rom time to time to exi sting product s without prio r notice. Specif ications and
appearance m ay differ fro m those listed or illus trated.

Main mix @ 0 dB, -84 dB / -87 dB A-weighted
channel fader @ 0 dB

We Hear You