Thank you very much for ex pressing your con dence in our products by
purchasing one of our equalizers. This 2-channel high-end equalizer was
designed with our experience and know-how in lter technology spanning
many years. Our analog and digital equalizers are used the world over in various
reputable studios, P.A. systems and radio and TV stations. Just like with the
rest of our product line, when we started designing the new ULTRAGRAPH PRO
models, we had put forth uncompromizing demands in terms of controls, sound,
technical data and t-and-nish qualit y.
3ULTRAGRAPH PRO FBQ620 0/FBQ3102/FBQ1502 User Manual
9. Do not defeat the safety purpose of the polarized
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
Important Safety
Instructions
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed ser vice personnel only.
Toreduce the risk of electric shock do not per form any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
4ULTRAGRAPH PRO FBQ620 0/FBQ3102/FBQ1502 User Manual
1. Introduction
FBQ Feedback Detection System
The FBQ Feedback Detection System is one of the most outstanding characteristcs
of our graphic equalizers. This ingenious circuitry lets you immediately recognize
and eliminate feedback frequencies. The FBQ Feedback Detection System
uses the LEDs in the frequency band faders to indicate the critical frequencies.
Thisway, what once used to be a labor-intensive search for feedback frequencies
is now an activity that even a child could master.
In normal operation, the fader LEDs indicate frequency ranges with the highest
energy levels, therefore replacing a separate audio analyzer. If you keep an eye
on the LEDs while you play back your music (or during the sound check before
a show), you can easily identify those frequency ranges showing the highest
energy levels. Similarly, increased signal levels on individual frequency bands
indicate a higher likelihood that feedback may occur.
All three models feature a dedicated subwoofer output with adjustable cut-o
frequency. You can also adjust the fader range from ±6 to ±12 dB for each
channel independently.
The FBQ1502 requires just one rack space, yet it oers you tons of eective
methods for adjusting the sound characteristics, and is ultra-compact and
extremely simple to operate.
The FBQ3102 features 31 frequency bands per channel as well as adjustable
high-pass and low-pass lters. These lters further augment the adjustability
options available to you.
1.1 Before you get started
1.1.1 Shipment
The ULTRAGRAPH PRO was carefully packed at the factory to assure secure
transport. Should the condition of the cardboard box suggest that damage may
have taken place, please inspect the unit immediately and look for physical
indications of damage.
◊ Damaged units should NEVER be sent directly to us. Please inform the
dealer from whom you acquired the unit immediately as well as the
transportation company from which you took delivery of the unit.
Otherwise, all claims for replacement/repair may be rendered invalid.
1.1.2 Initial operation
Please make sure the unit is provided with sucient ventilation, and never place
the ULTRAGRAPH PRO on top of an amplier or in the vicinity of a heater to avoid
the risk of overheating.
◊ Before plugging the unit into a power socket, please make sure you
have selected the correct voltage:
The fuse compartment near the power plug socket contains three triangular
markings. Two of these triangles are opposite one another. The voltage
indicated adjacent to these markings is the voltage to which your unit has
been set up, andcan be altered by rotating the fuse compartment by 180°.
ATTENTION: Thisdoes not apply to export models that were for example
manufactured only for use with 120 V!
With its integrated limiters, noise generator and the adjustable subwoofer
output with signal level display and its 62 lighted 45 mm faders, the FBQ6200 is
our top model in this category.
Future-oriented BEHRINGER technology
To assure the highest possible degree of usability, all our equipment is
manufactured adhering to the highest quality standards in the audio
industry. Your equalizer has been manufactured under ISO9000 certied
managementsystem.
Relay-controlled hard bypass
The so-called hard bypass relays were integrated into the development concept
of the FBQ6200 and the FBQ3102. These relays assure that your equalizer is
automatically switched into bypass mode in the event of loss of power or faulty
power delivery. These fail-safe relays also produce a slight delay during powering
up in order to avoid dangerous switch-on thumps.
Balanced inputs and outputs
The BEHRINGER ULTRAGRAPH PRO models feature electronic servo-balanced
inputs and outputs. The servo func tion performs automatically, recognizingwhen
unbalanced signals are connected and internally converts the nominal signal
level so that no signal level dierence between input and output signals occurs
(6 dB correction).
◊ The following user’s manual is intended to familiarize you with the
unit’s control elements, so that you can master all the functions.
After having thoroughly read the user’s manual, store it at a safe place
for future reference.
◊ If you alter the unit’s voltage, you must change the fuse accordingly.
The correct value of the fuse needed can be found in the
chapter “Specifications”.
◊ Faulty fuses must be replaced with fuses of appropriate rating without
exception! The correct value of the fuse needed can be found in the
chapter “Specifications”.
Power is delivered via the cable provided with the unit. All requiered safety
precautions have been adhered to.
◊ Please make sure that the unit is grounded at all times. For your own
protection, you should never tamper with the grounding of the cable or
the unit itself.
1.1.3 Warranty
Please take a few minutes and send us the completely lled out warranty
card within 14 days of the date of purchase. You may also register online at
behringer.com. The serial number needed for the registration is located on the
rear of the unit. Failure to register your product may void future warranty claims.
1.2 The user’s manual
The user’s manual is designed to give you both an overview of the control
elements, as well as detailed information on how to use them. In order to help
you understand the links between the controls, we have arranged them in groups
according to their function. Should you need detailed information about specic
topics not covered in this manual, please visit our website at behringer.com.
Forexample, additional information about power amps and eects processors is
found there.
5ULTRAGRAPH PRO FBQ620 0/FBQ3102/FBQ1502 User Manual
2. Control Elements and Connectors
2.1 Front panel
In this chapter we will describe various control elements of your equalizer.
Allcontrols and connectors are explained in detail, and you will also nd useful
hints on how to best use them. Since the three equalizers in the FBQ series
are fairly similar, let’s start with the control elements of the FBQ1502 and
the FBQ3102 that are similar to the control elements found on the FBQ6200.
TheFBQ6200 additionally features extra control elements that will be explained
in detail later on.
(1) The INPUT/OUTPUT LEVEL METER lets you keep an eye on the signal level
in order to avoid distortion. Depending on the position of the I/O METER
IN/OUT switch (2), the display shows either the input or the output signal
(switchdepressed) level. When the signal level reaches roughly +18 dB,
thatis, 3dBbelow clipping starts to occur, the red CLIP LED lights up.
The level meter on the FBQ1502 displays only the output signal level.
◊ Attention: extreme frequency boosts in connec tion with a high input
signal level may lead to over driving your equipment. Should this
occur, it is necessary to reduce the input signal level by using the
INPUT control.
(2)(1)(3)
(2) The I/O METER IN/OUT switch lets you alternate between displaying the
input and the output signal level. When the switch is depressed, the output
signal level is shown. The FBQ1502 does not feature this switch.
(3) When you press the FBQ switch, the FBQ feedback detection system
is activated. The frequency (or frequen cies) that evoke feedback is/are
indicated by means of a lighted fader LED. All other LEDs are toned down.
Now, simply lower the respective frequency range somewhat until you
eliminate the feedback and the LED no longer lights up.
(4) The AUDIO IN/OUT switch is used to enable or disable the entire equalizer
section. The FBQ1502 does this electronically, while the FBQ3102 and the
FBQ6200 feature a relay-driven hard bypass function. As long as the switch
is not depressed or while the equalizer is not powered up, the inputs and the
outputs are directly connected to one another. The AUDIO IN/OUT switch is
used to alternate between A and B, i.e. to compare the original unprocessed
signal with the processed signal.
(5) The INPUT control is used to adjust the input signal level. You can
boost/attenuate the signal level from +15 to -15 dB.
(6) The LOW CUT control is used to adjust the lower cut-o frequency of your
ULTRAGRAPH PRO. The high-pass lter (18 dB/oct.) covers the range between
10 and 400 Hz, whereby the lter lets the signal pass through unprocessed,
when the control is in the 10 Hz position.
The FBQ1502 features a switchable high-pass lter (LOW CUT) instead of a
low cut control, and its cut-o frequency is 25 Hz.
(4)
(5)(6)(7)
(3)
(1)
(4) (5)
Fig. 2.1: Front panel cont rol elements of th e FBQ3102 (above) and o f the FBQ1502 (below)
(6)
(8)(9)
(7) The HIGH CUT control is used to adjust the upper cut-o frequency of your
ULTRAGRAPH PRO. The low-pass lter (18 dB/oct.) covers the range between
2.5 and 30 kHz, whereby the lter lets the signal pass through unprocessed
when the control is in the 30 kHz position.
◊ Use the high-pass and low-pass filters to define the frequency range
you wish to process. This provides you with an efficient way to limit the
bandwidth you work with.
(8) The RANGE switch lets you alternate between the maximum value
of lowering/increasing of individual frequencies from 12 dB to 6 dB
(switchdepressed).
(9) These are the 31SLIDING CONTROLS (FBQ1502: 15 sliding controls per
channel) for individual frequency bands. When in “0” position, the particular
frequency range is not processed at all. To boost a frequency range, pull the
sliding control upward; to attenuate, pull the sliding control downward.
◊ To emphasize a frequency range, you don’t necessarily have to move
its respective sliding control upward; try lowering surrounding
frequency ranges instead. This way, you avoid causing the next piece of
equipment in your sound path to overdrive. You also preserve valuable
dynamic reserve (“headroom”).
Sliding controls feature LEDs that indicate the signal level of their particular
frequency ranges through their varying illumination intensity: what better
way to show critical frequencies that evoke feedback. How to best use
your ULTRAGRAPH PRO to detect these critical frequencies is described in
chapter3.2.1.
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