Feedback Suppressors
FEEDBACK DESTROYER
FBQ1000
Automatic and Ultra-Fast
Feedback Destroyer/Parametric EQ
with 24 FBQ Filters
High-performance 2-channel
Feedback Destroyer and
Parametric EQ
Automatically and “intelligently”
locates and destroys up to
24 frequencies
Ultra-narrow FBQ lters for extremely
eective feedback suppression,
while keeping highest sonic quality
“Set-and-forget” default setting
enables immediate and super-easy
Feedback Destroyer performance
Auto mode continuously monitors
the mix and automatically sets lters
Single-Shot mode automatically
detects and destroys feedback
plus locks the lter until you reset
it manually
Manual mode allows setting of
up to 24 fully parametric lters with
individual frequency, bandwidth
and gain parameters
Extensive MIDI implementation and
user preset memories for instant
program recalls
The FBQ1000 Feedback Destroyer is
the fastest feedback suppressor on the
market, with a response time of less than
0.2 seconds. Whether you use it to kill
feedback dead in its tracks for your mains
and/or monitors, or as a sophisticated
parametric equalizer to ne-tune the
acoustics of your next gig, the FBQ1000
will bring a new level of nesse to your
sound. And if you use in-ear-monitors,
the FBQ1000 is a must-have to protect
your most valuable assets—your ears!
One Smart Solution
Using an ultra-fast feedback detection
algorithm, the FBQ1000 automatically
and “intelligently” locates up to
12 feedback frequencies per channel.
The algorithm then sets extremely narrow
notch lters (up to 1/60th of an octave)
to “destroy” feedback frequencies, leaving
the remainder of your signal virtually
untouched. And with the “Set-and-Forget”
default setting, your Feedback Destroyer
can be up and running in a matter
of seconds.
Ease of Operation
The Auto Mode continuously
monitors the mix, resetting programmed
lters automatically to eliminate the
slightest hint of feedback, without you
having to do anything at all. It just doesn’t
get much easier than that! If you prefer a
more “hands-on” approach, the Manual
Mode allows you to program up to
24 fully parametric lters (with frequency,
bandwidth and gain controls) to optimize
your sound to the room’s acoustics.
Be Prepared
The FBQ1000 is the quick and
easy way to protect yourself and your
audience from live sound’s #1 enemy—
feedback! Plus it’s rack-mountable and
ultra-aordable. With the FBQ1000's
various modes, you can master virtually
any live sound situation or use the
unit as a creative sound-shaping tool.
A single FBQ1000 can protect you from
feedback in both your mono PA mains
and a monitor mix. Check one out at
your nearest BEHRINGER dealer today.
Your ears and your audience will
thank you.
Balanced inputs and servo-balanced
outputs with ¼'' TRS and gold-plated
XLR connectors
High-quality components and
exceptionally rugged construction
ensure long life
Conceived and designed by
BEHRINGER Germany
FEEDBACK
DESTROYER
FBQ1000
Front Panel
Page 2 of 4
Rear Panel
STATUS LEDs
display status
of 12 individual
lters for each
channel
LED METER displays
output signal level,
in Total Bypass
mode, displays
input signal level
DISPLAY shows
preset number
and parameter
values
FILTER MODE
button accesses
four lter
modes: O (OF),
Parametric EQ (PA),
Single-Shot (SI),
and Auto (AU)
JOG WHEEL
scrolls
through presets
and adjusts
parameter values
FILTER SELECT
button enables
JOG WHEEL to
select one of 12
lters per channel
for editing
FINE button
enables JOG WHEEL
to ne-tune
standard ISO
frequencies
ENGINE L and R
buttons select
left and right
audio channels
GAIN button
enables JOG
WHEEL to adjust
amount of boost/
attenuation of
selected lter
(+16 dB to -48 dB)
FREQUENCY
button enables
JOG WHEEL to select
frequency edited in
Parametric EQ mode
STORE button
enables JOG
WHEEL to
scroll through
10 available
preset slots
BANDWIDTH
button enables JOG
WHEEL to adjust
lter bandwidth
(Q factor) of selected
IN/OUT button
activates/
deactivates
Parametric
EQ lters
IEC
power
socket
MIDI OUT THRU/
IN connectors
OPERATING
LEVEL button
switches
between -10 dBV
and +4 dBu
INPUT/OUTPUT jacks
accept balanced or
unbalanced XLR and
¼" connections