Thank you very much for expressing your condence in BEHRINGER products by
purchasing the B-CONTROL.
3B-CONTROL FADER BCF2000/R O TA RY BCR2000 User Manual
9. Do not defeat the safety purpose of the polarized
UNDERTAKING OR REPRESENTATION. THIS MANUAL
ce
electronic components of this product to be free of defects
period is mandated by applicable local laws. If the product
Incase MUSICGroup decides to replace the entire product,
Important Safety
Instructions
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed ser vice personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER IS
PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.
(1) This limited warranty is valid only if you purchased
the product from a MUSIC Group Authorized Reseller in
the country of purchase. A list of authorized resellers can
be found on BEHRINGER’s website behringer. com under
“Where to Buy”, or you can contact the MUSIC Group o
closest to you.
(2) MUSICGroup* warrants the mechanical and
in material and workmanship if used under normal
operating conditions for a period of one (1) year from
the original date of purchase (see the Limited Warranty
terms in §4 below), unless a longer minimum warranty
shows any defects within the speci ed warranty period
and that defect is not excluded under §4, MUSICGroup
shall, at its discretion, either replace or repair the product
using suitable new or reconditioned product or parts.
thislimited warranty shall apply to the replacement
product for the remaining initial warranty period, i.e.,
one (1) year (or otherwise applicable minimum warranty
period) from the date of purchase of the original product.
(3) Upon validation of the warranty claim, the repaired
or replacement product will be returned to the user
freight prepaid by MUSICGroup.
(4) Warranty claims other than those indicated above
are expressly excluded.
PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF
OF PURCHASE COVERING YOUR LIMITED WARRANTY.
THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
OFPURCHASE.
§ 2 Online registration
Please do remember to register your new BEHRINGER
equipment right after your purchase at behringer. com
under “Support” and kindly read the terms and conditions
of our limited warranty carefully. Registeringyour
purchase and equipment with us helps us process
your repair claims quicker and more e ciently.
Thankyouforyour cooperation!
§ 3 Return materials authorization
(1) To obtain warranty service, please contact the
retailer from whom the equipment was purchased.
Should your MUSIC Group Authorized Reseller not be
located in your vicinity, you may contact the MUSICGroup
Authorized Ful ller for your country listed under
4B-CONTROL FADER BCF2000/R O TA RY BCR2000 User Manual
“Support” at behringer. com. Ifyour country is not
• connection or operation of the unit in any way
This warranty does not detract from the seller’s
Warranty service conditions are subject to change without
listed, please check if your problem can be dealt with
by our “OnlineSupport” which may also be found under
“Support” at behringer. com. Alternatively,please submit
an online warranty claim at behringer. com BEFORE
returning the product. All inquiries must be accompanied
by a description of the problem and the serial number
of the product. Afterverifying the product’s warranty
eligibility with the original sales receipt, MUSICGroup
will then issue a ReturnMaterials Authorization
(“RMA”)number.
(2) Subsequently, the product must be returned in
its original shipping carton, together with the return
authorization number to the address indicated by
MUSICGroup.
(3) Shipments without freight prepaid will not
beaccepted.
§ 4 Warranty Exclusions
(1) This limited warranty does not cover consumable
parts including, but not limited to, fuses and batteries.
Where applicable, MUSICGroup warrants the valves or
meters contained in the product to be free from defects
in material and workmanship for a period of ninety (90)
days from date of purchase.
(2) This limited warranty does not cover the product
if it has been electronically or mechanically modi ed
in any way. If the product needs to be modi ed or
adapted in order to comply with applicable technical
or safety standards on a national or local level, inany
country which is not the country for which the
product was originally developed and manufactured,
thismodi cation/adaptation shall not be considered a
defect in materials or workmanship. Thislimited warranty
does not cover any such modi cation/adaptation,
regardless of whether it was carried out properly or not.
Under the terms of this limited warranty, MUSICGroup
shall not be held responsible for any cost resulting from
such a modi cation/adaptation.
(3) This limited warranty covers only the product
hardware. It does not cover technical assistance for
hardware or software usage and it does not cover
any software products whether or not contained in
the product. Any such software is provided “AS IS”
unless expressly provided for in any enclosed software
limitedwarranty.
(4) This limited warranty is invalid if the
factory- appliedserial number has been altered or
removed from theproduct.
(5) Free inspections and maintenance/repair work
are expressly excluded from this limited warranty,
inparticular, if caused by improper handling of the
product by the user. This also applies to defects caused
by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, guitar strings,
illuminantsand similar parts.
(6) Damage/defects caused by the following conditions
are not covered by this limited warranty:
• improper handling, neglect or failure to operate the
unit in compliance with the instructions given in
BEHRINGER user or service manuals;
that does not comply with the technical or safety
regulations applicable in the country where the
product is used;
• damage/defects caused by acts of God/Nature
(accident, re, ood, etc) or any other condition that
is beyond the control of MUSICGroup.
(7) Any repair or opening of the unit carried out by
unauthorized personnel (user included) will void the
limitedwarranty.
(8) If an inspection of the product by MUSICGroup
shows that the defect in question is not covered by the
limited warranty, the inspection costs are payable by
thecustomer.
(9) Products which do not meet the terms of this
limited warranty will be repaired exclusively at the buyer’s
expense. MUSICGroup or its authorized service center will
inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after
noti cation, MUSICGroup will return the unit C.O.D. with
a separate invoice for freight and packing. Such costs will
also be invoiced separately when the buyer has sent in a
written repair order.
(10) MUSIC Group Authorized Resellers do not sell new
products directly in online auctions. Purchasesmade
through an online auction are on a “buyer beware” basis.
Online auction con rmations or sales receipts are not
accepted for warranty veri cation and MUSICGroup will
not repair or replace any product purchased through an
online auction.
§ 5 Warranty transferability
This limited warranty is extended exclusively to the
original buyer (customer of authorized reseller) andis
not transferable to anyone who may subsequently
purchase this product. No other person (reseller,etc.)
shallbe entitled to give any warranty promise on behalf
of MUSICGroup.
§ 6 Claim for damage
Subject only to the operation of mandatory applicable
local laws, MUSICGroup shall have no liability to the buyer
under this warranty for any consequential or indirect
loss or damage of any kind. In no event shall the liability
of MUSICGroup under this limited warranty exceed the
invoiced value of the product.
§ 7 Limitation of liability
This limited warranty is the complete and exclusive
warranty between you and MUSICGroup. It supersedes
all other written or oral communications related to this
product. MUSICGroup provides no other warranties for
this product.
§ 8 Other warranty rights and
nationallaw
(1) This limited warranty does not exclude or limit the
buyer’s statutory rights as a consumer in any way.
(2) The limited warranty regulations mentioned herein
are applicable unless they constitute an infringement of
applicable mandatory local laws.
(3)
obligations in regard to any lack of conformity of the
product and any hidden defect.
§ 9 Amendment
notice. For the latest warranty terms and conditions
and additional information regarding MUSICGroup’s
limited warranty, please see complete details online at
behringer. com.
* MUSICGroup Macao Commercial O shore Limited of
RuedePequim No. 202-A, Macau Finance Centre 9/J, Macau,
including all MUSICGroup companies
5B-CONTROL FADER BCF2000/R O TA RY BCR2000 User Manual
1. Introduction
The B-CONTROL is an extremely exible control surface suitable for a wide array
of applications. Regardless of whether you want to intuitively control your
sequencer software with mixers, plug-ins and vir tual instruments, or if you wish
to use its broad MIDI functions for controlling rack synthesizers, general MIDI
sound generators or eect processors, the B-CONTROL oers you tremendous
ease of use that leaves no wishes open.
To ensure the highest possible operating safety, our equipment is manufactured
according to the highest quality standards in the audio industry.
Additionally, we produce our equipment adhering to the ISO9000 certied
management system.
◊ The following user’s manual is intended to familiarize you with the
unit’s control elements, so that you can master all the functions.
After having thoroughly read the user’s manual, store it at a safe place
for future reference.
1.1 Before you get started
1.1.1 Shipment
The B-CONTROL was carefully packed at the assembly plant to assure
secure transpor t. Should the condition of the cardboard box suggest that damage
may have taken place, please inspect the unit immediately and look for physical
indications of damage.
◊ Damaged equipment should NEVER be sent directly to us. Please inform
the dealer from whom you acquired the unit immediately as well as
the transportation company from which you took delivery of the unit.
Otherwise, all claims for replacement / repair may be rendered invalid.
◊ To assure optimal protection of your B-CONTROL during use or
transport, we recommend utilizing a carrying case.
◊ Please always use the original packaging to avoid damage due to
storage or shipping.
◊ Never let unsupervised children play with the B-CONTROL or with
its packaging.
◊ Please dispose of all packaging materials in an environmentally-
friendly fashion.
1.1.2 Initial operation
Please make sure the unit is provided with sucient ventilation, and never place
the B-CONTROL on top of an amplier or in the vicinity of a heater to avoid the
risk of overheating.
A power supply unit which meets the necessar y safety requirements is enclosed
for connecting the B-CONTROL to the mains.
1.1.3 Warranty
Please take a few minutes and send us the completely lled out warranty
card within 14 days of the date of purchase to assure unproblematic warranty
processing in the future. You may also register online at behringer.com.
The serial number needed for the registration is located at the top of the unit.
Failure to register your product may void future warranty claims.
1.2 System requirements
For USB operation:
Up-to-date Windows PC or MAC with a USB connection
◊ The B-CONTROL supports WINDOWS XP and MAC OS X “USB MIDI
compatibility”. Soon, you will be able to download drivers for
other operating systems, for multi unit support, new presets
as well as a WINDOWS editor software free of charge. Just click
behringer.com to get it for free.
◊ The BCF2000 / BCR2000 can also be operated stand-alone without a
PC as a pure MIDI controller. Software control via MIDI is also possible,
provided your computer has a MIDI interface.
1.3 Online registration
Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warranty carefully.
Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Should your
BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the suppor t area of our website
(http://behringer.com).
Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.
Thank you for your cooperation!
2. Introduction to MIDI
2.1 MIDI control for beginners
Application possibilities for both B-CONTROL models, the BCF2000 and
the BCR2000, are truly wide-ranging. We’ll start with a couple of general
explanations and examples that should quickly let you get a good understanding
of MIDI basics.
What exactly does the B-CONTROL do?
Simply put, this a remote control for all kinds of MIDI equipment. Using the faders
(BCF2000 only), encoders (innitely variable rotary controls) and keys, an entire
array of control func tions can be performed. Adjusting these parameters, you can
control various functions of external (hardware or software) equipment in real
time. For example, countless software mixers, sound generators or eects can
be remotely controlled. With these software applications, you are dealing with
simulations of “real” equipment in your computer, whereby they are visually
represented on the computer screen, while the computer takes over the function
of replicating their respective functions.
And how does it work?
You can assign particular MIDI data to each control element on the B-CONTROL;
for example, you can assign the so-called “MIDI-Controller 7” (CC 07) that adjusts
the volume of a MIDI device to one of the controls on your BCF2000 / BCR2000.
If you move / turn the corresponding control on your B-CONTROL, you can hear
how the volume on the receiving MIDI device also changes (provided it is also
connected to an audio output). Keep the following in mind:
◊ MIDI data is only control data and contains no audio information!
6B-CONTROL FADER BCF2000/R O TA RY BCR2000 User Manual
What settings do I have to make? Where? How?
Often, you can assign MIDI control data numbers, the so-called control change
or CC numbers, to individual MIDI parameters. That’s particularly the case with
music software such as software sequencers, mixers and sound generators as
well as the so-called “plug-ins” (eect units or sound generators integrated
into the software).
Basically, you have 2 options:
You either set the desired control numbers at the B-CONTROL and transmit
them to the software you are controlling, or you can set the desired control data
directly on your MIDI device and let the B-CONTROL receive the information about
number assignment using the LEARN procedure.
Example:
On a software synthesizer, you want to control lter frequency, lter resonance
and volume using the MIDI controllers 5, 6 and 7.
To receive MIDI data, you’ll need to perform the following settings on your
software synthesizer:
• set lter frequency to CC 05
• set lter resonance to CC 06 (receive)
• set volume to CC 07 (receive)
To get detailed information on how to assign them, please refer to chapter
4.3.2 “Programming in the EDIT mode” on page 13.
Now, dene in the B-CONTROL the control elements that will control these
3 parameters. You can either use the Learn function if the software synthesizer
gives you the option to send its CC data via MIDI, or you can implement the
following settings manually:
• Assign the push encoder 1 CC 05 to lter frequency control via dial rotation
• Remotely controlling transport functions (playback, forward, stop etc.)
on sequencers, hard disk recorders, drum computers etc.
• Using BCF2000 faders as drawbar control for virtual or digital
organ expanders
• Controlling MIDI-enabled lighting equipment
• Live control of volume and sound parameters on expanders
• Triggering (i.e. playing live) short samples, drum loops, shouts, eects etc.
(such as arpeggiators etc.), DJ software and other “live” sof tware
• Program changes and volume control on sound generators ( just like on a
master keyboard)
• Likewise, applicable to band keyboardists, solo entertainers, organists,
electronic music performers, DJs, sound engineers, home / project studio
owners, theater technicians etc.
2.2 The MIDI standard
The MIDI standard (Musical Instruments Digital Interface) was developed in
the early ’80s to make communication between equipment from dierent
manufacturers possible. Over the years, the MIDI interface has become hugely
popular; it has become a matter of fact that complete studios can be connected
via MIDI.
At the center of any such network is at least one computer that controls
peripheral equipment. You can use the B-CONTROL in such a studio to control
your sequencer or other sof tware tools running on your computer (e.g. software
mixers, VST instruments, eect plug-ins). But even if you don’t use a computer,
you can use the B-CONTROL as a central control surface in your studio for
comfortably editing your rack synthesizers, GM/GS/XG sound generators and
eects equipment.
• Assign the push encoder 2 CC 06 to lter resonance control via dial rotation
• Assign the push encoder 3 CC 07 to volume control via dial rotation
How do I wire the B-CONTROL?
Several classic examples can be found in the explanations of dierent operating
modes (see chapter 4.1 “The Operating Modes”). Basically, the following applies:
• If you want to control hardware MIDI equipment, use the MIDI connectors
• To control software MIDI equipment, you can either use the MIDI connectors
on your B-CONTROL – provided your computer has a MIDI interface –
or you can use a USB connection
• To remotely control both hardware and software equipment,
several combination modes are available. These are explained in chapter 4.1
What kinds of equipment can I control with the
B-CONTROL?
You can basically control any device suppor ting the MIDI format. Both hardware
and software MIDI devices are controlled exactly the same. The only dierence is
in the wiring.
Here are a couple of suggestions on how you can use
your B-CONTROL:
• Editing sound parameters of (virtual) synthesizers, sound samplers,
GM/GS/XG sound generators
• Controlling parameters on eects equipment / software plug-ins such as
eects processors, reverbs, compressors, equalizers etc.
The MIDI connections in the back of your B-CONTROL feature the standard 5-pin
DIN connectors. You will require MIDI cables to connect your B-CONTROL to other
MIDI equipment. In general, commercially available ready-to-use cables can and
should be used. Their length should not exceed 15 m (50 ft.).
MIDI IN: Used for receiving MIDI data (parameter feedback, SysEx data),
or to mix MIDI signals with the B-CONTROL signals (merge function).
MIDI OUT A / B: Data for controlling other MIDI equipment can be sent through
the MIDI outputs.
◊ The B-CONTROL has two MIDI outputs. MIDI OUT B can be configured
as MIDI Thru, so that the incoming data at MIDI IN can be passed
through unaffected.
2.4 The MIDI format
Although your B-CONTROL is ver y easy to use, it still makes sense to review
some information about this data format. Each MIDI command, also called
message, consists of a status byte and up to two data bytes. The status byte
denes the command type, and the data bytes contain the corresponding values.
Dierent types of MIDI messages used by the B-CONTROL are explained next:
Note messages:
Among keyboard hotshots, Note On and Note O messages are among the
essential MIDI messages. Playing MIDI instruments from a master keyboard
or computer is only possible with these messages. The B-CONTROL can also
send Note Messages; however, this is not absolutely necessary to play music.
This way, note events are also used to trigger drumloops or individual notes from
a sampler. Many eects processors also allow rhythmic entering of delay times or
song tempos with note commands.
7B-CONTROL FADER BCF2000/R O TA RY BCR2000 User Manual
Note On and Note O messages have the following
data format:
Status By teData By te 1Data Byte 2
Note O&8n (n = channel #)Note #Velocity
Note On&9n (n = cha nnel #)Note #Velocity
Table 2.1: Data format of Note O n and Note O messag es
The value range for channel numbers is between 1 and 16; for data bytes it
is 0 to 127. Even though Note O messages are not really used by keyboarders
anymore, the B-CONTROLs support sending this status information.
Velocity corresponds to the key pressure, and therefore to the volume of a
touch-sensitive keyboard (piano). Since the B-CONTROL does not feature
touch-sensitive keys, the velocity value is transmitted with a xed value that can
be set during programming.
◊ A note command can only be assigned to keys, footswitches and push
functions of the encoder.
Control Change (CC):
Control Change Messages are some of the most “powerful” MIDI messages.
Using them, a vast number of parameters and functions can be recalled and
automated. Individual control elements (faders, rotary dials, keys etc.) can be
assigned to CC messages on your B-CONTROL. Because not only keys but also
faders and rotar y dials can be used, control values can be controlled in real time
either statically or dynamically. A list with the standard controller numbers can
be found in this user manual’s appendix.
NRPN:
Program Change Messages and MIDI Bank Select:
Program change messages are used to recall programs / presets in MIDI devices
connected to your B-CONTROL. 128 program numbers can be recalled. For devices
with more than 128 presets, use the bank select function, which lets you select a
storage bank before sending a program change.
Running Status:
Because the MIDI interface is a serial data transmission format (meaning that
its data is transmitted as a succession of individual data segments), it became
apparent very quickly that it may not be fast enough. To avoid perceptible delays
in the output of MIDI data, Running Status was designed. It suppresses the
transmission of the status byte when the same MIDI messages are transmitted
in succession. This means that, for example, during a continuous change of
the data byte of a controller (e.g. volume), the status byte is only sent once.
The only thing that is transmitted are the changes in the data byte. This goes on
until another status byte is sent. 8 bits are saved for each message sent.
SysEx Dump:
System-Exclusive data refer to a function that makes transmission of nonspecic
data via MIDI possible. This is often used for reading out memory contents and
storing them externally.
The status byte notes the data type (SysEx); the rst three data bytes are a
manufacturer ID, so that when you have a large MIDI network, you can still “talk”
to the correct MIDI device.
To make using several identical B-CONTROLs at the same time possible, you can
assign a device number (device ID) in the global setup menu to each B-CONTROL,
which assures that only the correct device receives the data intended for it.
Additionally, controllers that have no standardized assignment can also be
used, and can therefore be assigned according to no predetermined rule.
These controllers are called NRPNs (Non-Registered Parameter Numbers).
NRPNs are further subdivided into MSB (Most Signicant Byte) and LSB
(Least Signicant Byte) in order to achieve a higher resolution. A lower resolution
is particularly easy to observe during fader movement of a mixer, in which 7-bit
(= 128 values) jumps in the signal level can be heard. By subdividing NRPNs
into MSB and LSB, you can achieve 14-bit resolution of faders and rotary dials,
which means that the movement of a fader is divided into more than 16,000
steps (214)! In addition to NRPNs, there are also RPNs (Registered Parameter
Numbers). RPN commands are dened as GM (general MIDI), GS (Roland) and
XG (Yamaha) MIDI standards.
Pitch Bend:
The pitch-bend wheel of a keyboard is used for tone modulation and has its own
commands in the MIDI format.
Af ter Touch:
MIDI keyboards featuring After Touch can respond to varying key pressure even
after you release the key (i.e. after the keystroke is over) and can send this data
via MIDI. This function either reacts key-specic (key pressure) or it reacts to all
notes at the same time (channel pressure).
MIDI Machine Control (MMC):
With MIDI Machine Control, you can assign transport func tions of a sequencer or
drum computer (e.g. start, stop, FFW / RWD) and locator points to individual keys
with a permanently adjustable time position (locate, punch in / out points).
3. Control Elements and
Connections
In this chapter, we will describe various control elements of your B-CONTROL.
All controls and connectors are explained in detail, and we’ll give you useful tips
on how to use them.
(1) The 8 innitely variable PUSH ENCODERS are used to send MIDI data.
They have two functions (turn and press) that can be assigned to dierent
MIDI commands.
(2) Each of these 16 KEYS can send one MIDI command.
(3) The four-digit LED display indicates the current operating software version
briey during startup. After that, it shows the selected preset number.
When in play mode, activating one of the control elements indicates
value changes on the LED in real time. When in programming mode,
it indicates the type of MIDI commands, program / channel numbers and
parameter values.
(4) Using the ENCODER GROUP keys, four so-called encoder groups per preset
can be recalled, so that eight PUSH encoders for a total of 64 dierent MIDI
functions are at your disposal.
(5) These LEDs indicate the following:
MIDI IN, OUT A and OUT B illuminate if MIDI data ows through the
respective connectors.
USB Mode illuminates if a USB connection to a computer is active
(your computer must be on).
The FOOT SW LEDs illuminate if the footswitch is pressed.
FOOT CTRL LED (BCF2000 only) illuminates when the footcontroller is
actuated (MIDI data is sent).
8B-CONTROL FADER BCF2000/R O TA RY BCR2000 User Manual
(3)(1)
(2)
(10)
(7)
(4)
(5)
(6)
(8)
(9)
BCR2000BCF2000
Fig. 3.1: The control sur face of the B-CON TROLs
(13)
(14)
(15)
Fig.3.2: The b ack of the BCF2000 (con trol elements (13) to (17)coincide with the BCR200 0)
(6) Permanently xed functions are assigned to this key section:
STORE saves presets.
LEARN gets you to the LEARN mode.
EDIT gets you to the EDIT mode.
Using the EXIT key, you exit a programming level (edit mode / global setup).
Use it also to cancel a store or copy procedure.
(16)(17)(12)(11)
CAUTION
TO REDUCE THE RISK OF ELECT RIC SHOCK
DO NOT REMOVE COVER. NO U SER-SERVICEABLE PA RTS
INSIDE: REFER SERVICIN G TO QUALIFIED PERSONNEL.
CAUTION
TO REDUCE THE RISK OF FIRE OR EL ECTRIC SHOCK
NOT EXPOSE THIS EQU IPMENT TO RAIN OR MOISTURE.
DO
OUT AINOUT B/THRUCONTROLLERSWITCH
B–CONTROL
BCF2000
USB •MI DI •FA DER • CONTROLLER
型 号:
BCF2000
MIDI控制器
制造商:
Behringer
Holdings (Pte
中国制造
Ltd
警告
电击危险
请勿打开机盖
)
(7) The eight 100-mm faders of the BCF2000 are freely assignable for controlling
MIDI commands. They are motorized, so they automatically slide into the
predetermined position when you switch to another preset. If the software
you are controlling or the MIDI device to which your B-CONTROL is connec ted
support parameter feedback, the fader positions change automatically.
(8) Using the PRESET keys, 32 presets can be recalled. The preset number is
shown in the display.
(9) These four keys can be assigned to any MIDI command of your choice.
Loading...
+ 16 hidden pages
You need points to download manuals.
1 point = 1 manual.
You can buy points or you can get point for every manual you upload.