Avid Command 8 User Guide

Command|8 Guide
for Pro Tools TDM and LE Systems on Windows or Macintosh
Digidesign
2001 Junipero Serra Boulevard
Daly City, CA 94014-3886 USA
tel: 650·731·6300
fax: 650·731·6399
tel: 650·731·6100
fax: 650·731·6384
Product Information (USA)
tel: 650·731·6102
tel: 800·333·2137
International Offices
Visit the Digidesign Web site
for contact information
Web Site
www.digidesign.com
Copyright
This guide is copyrighted ©2004 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign.
DIGIDESIGN, AVID and PRO TOOLS are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. All other trademarks are the property of their respective owners.
Product features, specifications, system requirements and availability are subject to change without notice.
PN 932012395-00 REV A 04/04
DECLARATION OF CONFORMITY
We Digidesign,
3401-A Hillview Avenue
Palo Alto, California 94304-1348, USA
650-842-7900
declare under our sole responsibility that the product
Command|8
complies with Part 15 of FCC Rules.
Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures:
• Reorient or locate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
Command|8
Tested To Comply
With FCC Standards
Any modifications to the unit, unless expressly approved by Digidesign, could void the user's authority to operate the equipment.
Canadian Compliance Statement:
This Class B digital apparatus complies with Canadian ICES­003
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada
Australian Compliance
European Compliance

contents

Chapter 1. Introduction
Command|8 Features
Included with Command|8
System Requirements and Compatibility
About www.digidesign.com
MIDI Control Surface Terms
About This Guide
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Chapter 2. Installing and Configuring Command|8
Before You Begin
Installation Guidelines
Example Setups
Command|8 Back Panel
Connecting Command|8 to Pro Tools and Your Computer
Installing Software for Command|8
Connecting Analog Audio for Monitoring
Connecting a Footswitch
Connecting MIDI Devices
Configuring MIDI
Enabling Command|8 in Pro Tools
Communication Test
Troubleshooting
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Contents
iii
Chapter 3. Command|8 Overview
Command|8 Operating Modes
Command|8 Control Surface
LCD Display
Fader Strips
Console and Channel View Controls for Pan, Sends, and Inserts
Transport, Navigation, and Zoom Controls
Monitoring Controls
Modifiers Switches
Standalone Switch
USB and MIDI Activity LEDs
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
. . . . . . . . . . . . . . . . . . . . . . 24
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Chapter 4. Using Command|8 with Pro Tools
Controlling the Transport
Undo and Redo
Navigating
Recording
Sends
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Plug-Ins and Inserts
Software Synths and Rewire Applications
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Chapter 5. Using Stand-Alone Mode
Overview of Stand-Alone Mode
Stand-Alone Mode QuickStart
Selecting Stand-Alone Mode
Mapping
Editing MIDI Maps
Presets to Save and Recall Maps
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Command|8 Guide
iv
Appendix A. Utility Functions
Accessing Utility Mode
Fader Tests
LED Tests
LCD Display Test
Switch Test
Encoder Test
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Index
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Contents
v
Command|8 Guide
vi
chapter 1

Introduction

Welcome to Command|8, a control surface for developed in collaboration between Digidesign and Focusrite. Command|8 is a compact, and flexible control surface for Pro Tools TDM and LE systems, and supported Avid systems.

Command|8 Features

Some of the main features of Command|8 in­clude:
• Eight fader strips, each featuring a motorized, touch-sensitive fader, rotary encoder, LEDs, and Solo, Mute, and Channel Select switches.
• Analog monitoring section with output and level control for mains and headphones. Two pairs of analog inputs are provided, one for your main mix from Pro Tools, and one for al­ternate sources (such as CD, Mini-Disc, and DAT players).
• One MIDI In port and two MIDI Out ports providing 16 channels of MIDI input, and 32 channels of MIDI output.
• USB port for direct USB MIDI communication with Pro Tools.
• Large, bright LCD for data display.
• 1/4-inch Punch In port for footswitch control of recording.
•Transport controls and mode switches.
•Windows switches for Pro Tools display.
• Navigation and Zoom controls.
•Tactile control of track volume, pan, send level, send pan, and record status, as well as PRE (Digidesign mic preamplifier) gain.
• Fast and convenient access to sends, inserts, plug-in pages, pan settings, and other track functions.
• Five Function keys to access Utility, Fader Mute, and MIDI mapping functions.
• AC power supply designed specifically for Command|8.
• Stand-alone mode with snapshot save and re­call, lets you use Command|8 to control any device that supports MIDI Continuous Con­troller messages. Custom MIDI mapping can be programmed as needed, and up to eight snapshots can be saved locally in Com­mand|8.

Included with Command|8

Items included with Command|8 are:
• Command|8 control surface
• Command|8 Guide
• USB cable
• Power adapter
• Pro Tools software for Command|8
• Registration card
Chapter 1: Introduction
1

System Requirements and Compatibility

Command|8 can be used with any supported Pro Tools TDM or Pro Tools LE system for tactile control of recording and mixing. Command|8 can also be used in Stand-alone mode and mapped to control most digital audio worksta­tions or devices that support MIDI.
Digidesign can only assure compatibility and provide support for hardware and software it has tested and approved.
For a list of Digidesign-qualified computers, op­erating systems, and third-party devices, refer to the latest compatibility information on the Digidesign Web site (www.digidesign.com/com­pato).

Digidesign Registration

Make sure to complete and return the registra­tion card included with Command|8. This is your best way to receive news of updates and other Digidesign product information. (See also “About www.digidesign.com” on page 2.)

About www.digidesign.com

The Digidesign Web site (www.digidesign.com) is your best source for information to help you get the most out of your Pro Tools system. The following are just a few of the services and fea­tures available.
Support
or Customer Service; download software up­dates and the latest online manuals; browse the Compatibility documents for system require­ments; search the online Answerbase or join the worldwide Pro Tools community on the Digi­design User Conference.
Training and Education
courses available online or find out how you can learn in a classroom setting at a certified Pro Tools training center.
Products and Developers
products; download demo software or learn about our Development Partners and their plug­ins, applications, and hardware.
News and Events
design or sign up for a Pro Tools demo.
Contact Digidesign Technical Support
Study on your own using
Learn about Digidesign
Get the latest news from Digi-
Command|8 Guide
2
To learn more about these and other resources available from Digidesign, visit our Web site (www.digidesign.com).

MIDI Control Surface Terms

About This Guide

Here are a few terms that apply to the use of a MIDI control surface with Pro Tools.
Bank
A group of similar controls (such as faders, rotary controls, or switches) that are arranged in discrete channel strips. With Command|8, you can operate one bank of controls at a time.
Bank Size or Bank Width
Corresponds to the number of fader strips on your MIDI control sur­face. Command|8 has eight fader strips.
Bank Swap
The process by which you switch control from one on-screen bank of channel strip faders to another.
Global Controls
Controls that perform single functions that never change. For example, the transport switches affect all tracks, and do not change when you switch banks.
Control Surface Focus
When you select a track, send, plug-in, or output window for editing on a control surface, it becomes the
cus
. This distinction is indicated by a colored
control surface fo-
outline surrounding the top panel of the win­dow in Pro Tools.
This guide assumes you have already installed Pro Tools, and that you already have an under­standing of its features and operating conven­tions as explained in the
Guide
.
Pro Tools Reference

Conventions Used in This Guide

This guide uses the following conventions to in­dicate Pro Tools on-screen menu choices and key commands:
:
Convention Action
File > Save Session Choose Save Session
from the File menu
Control+N Hold down the Control
key and press the N key
Control-click Hold down the Control
key and click the mouse button
Right-click (Windows) Click with the right
mouse button
Command|8 features a Modifiers section that provides the following modifier-key equiva­lents:
Command|8 Modifier Modifier Key Equivalents
Windows Macintosh
SHIFT/ADD Shift Shift
OPT(ALT)/ALL Alt Option
/(CTL) Control Command
CTL/CLUTCH Start Control
Chapter 1: Introduction
3
The following symbols are used to highlight im­portant information:
User Tips are helpful hints for getting the most out of Command|8.
Warnings include information that could affect the performance of Command|8 hardware or Pro Tools session data.
Shortcuts show you useful keyboard or mouse shortcuts.
Cross References point to other related sec­tions in this guide or the Pro Tools guide.
Command|8 Guide
4
chapter 2
Installing and Configuring Command|8
This chapter explains how to install and config­ure Command|8.

Before You Begin

Before installing Command|8 for use with Pro Tools:
Make sure Pro Tools is correctly installed and
operating before installing Command|8. Pro Tools software includes software for Com­mand|8, installed by default as part of the Easy Install option.
If you did a Custom Install of Pro Tools, you may need to reinsert your Pro Tools In­staller CD while installing Command|8, as noted later in this chapter.

Installation Guidelines

Unpack Command|8 from its shipping con­tainer, being careful not to lose any included components or information sheets. Read all in­cluded material for any updates or other impor­tant information.
Place Command|8 on a flat surface near your computer monitor. Make sure not to block the back, sides, or front of Command|8 to maintain proper ventilation. If mounting Command|8 in studio furniture, be sure to leave adequate space around the vents at the rear and front.
When installing Command|8, be aware of the following guidelines and options:
• Pro Tools does not support the use of more than one Command|8 at a time. In other words, two or more Command|8 units cannot be enabled simultaneously in Pro Tools.
• Command|8 must be the only MIDI control surface enabled within Pro Tools.
• Command|8 can be used in combination with non-MIDI control surfaces with some limita­tions. See “Command|8 with Other Control Surfaces” on page 7 for more information.
• Command|8 can also be used as a stand-alone MIDI control surface to control software synths and Rewire applications, supported Avid systems, and any device that supports MIDI Continuous Controller (CC) communi­cation. See Chapter 5, “Using Stand-Alone Mode” for installation and operational infor­mation about stand-alone use.
Chapter 2: Installing and Configuring Command|8
5

Example Setups

Figure 1 shows Command|8 connected for use with Pro Tools, acting as a control surface, MIDI inter­face, and monitor controller.

Command|8 with Pro Tools Setup

Main Monitors
Audio outputs to Pro Tools
Audio outputs to Pro Tools
MIDI sound module
MIDI synth
Pro Tools
to Main Monitor Inputs
CD, DAT, Mini-Disc or other
Figure 1. Connecting Command|8 as a Pro Tools control surface, MIDI interface, and monitor controller
to Ext Source Inputs
In this setup, the Command|8 USB port is con­nected to the host computer. This provides the communication necessary for Command|8 fad­ers, encoders, and switches to control Pro Tools sessions (as well as compatible Rewire applica­tions running within the Pro Tools mix envi­ronment).
Mix output
USB to CPU
MIDI
Speaker Outputs
Headphones
Analog audio is from Pro Tools is sent from an audio interface (such as an HD I/O, Digi 002 Rack, or Mbox) to the Command|8 Main Monitor inputs. The Command|8 Speaker Outputs are connected to powered monitors for control room monitoring. An additional stereo source is also connected to the Command|8 Ex­ternal Source Inputs. The Control Room and
A MIDI keyboard and sound module are con­nected to the Command|8 MIDI In and MIDI Out ports. Because Command|8 utilizes USB MIDI communication, you can use all three MIDI ports to integrate MIDI keyboard and other controllers, sound modules, and samplers into your Pro Tools sessions.
Headphone controls let you select between in­put sources (Main, or External), with control room Level, Mono, and Mute control. The Headphone output follows the control room in­put source selection, with its own separate level control that only affects the top panel Head­phone port.
Command|8 Guide6

Command|8 with Other Control Surfaces

CHANNEL VIEW
INSERT PAN/SENDDYNAMICS
EQ
SEL SEL SEL SEL SEL SEL SEL SEL
PAGE MASTER BYPASS
CONSOLE VIEW
REC
PAN
SEND INSERT
ESC
UNDO STANDALONE
DISPLAY
A
B
C
D
E
1394
MIDI
INOUT1
OUT2
LR
METER
ENTER
SAMPLE RATE
44.1 48
88.2
96
RECPLAYFFW STOPREWRTZ
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
BANK
NUDGE
ZOOM
(UTILITY) F1
(NAMING) F2
(SNAPSHOT) F3
(FADER MUTE) F4
(FOCUS) F5
FLIP
MASTER FADERS
WINDOWS
PLUG-IN MIX
EDIT
PLAY/ REC MODE
LOOPPLAY LOOP REC QUICKPUNCH
MODIFIERS
SHIFT/ADD
COMM/CTL/CLUTCH
OPTION/ALL
z
+6
0
-10
-15
-20
-30
-90
-40
-60
-5
+3
+6
0
-10
-15
-20
-30
-90
-40
-60
-5
+3
+6
0
-10
-15
-20
-30
-90
-40
-60
-5
+3
+6
0
-10
-15
-20
-30
-90
-40
-60
-5
+3
+6
0
-10
-15
-20
-30
-90
-40
-60
-5
+3
+6
0
-10
-15
-20
-30
-90
-40
-60
-5
+3
+6
0
-10
-15
-20
-30
-90
-40
-60
-5
+3
L
R
IN
OUT
1 GAIN 2 GAIN 3 GAIN 4 GAIN
HEADPHONE
MONO ALT SRC TO IN 7-8
ALT SRC TO MON
MUTE
LINE/ INST
MIC
MONITOR
LEVEL LEVEL
Digi 002 and Command|8
When used as a MIDI control surface with supported Digi 002 and Digi 002 Rack systems, Com­mand|8 faders function as additional faders (9–16, when left justified). Figure 2 shows fader mapping when Command|8 is used with a Digi 002. (Plug-ins cannot be edited on Command|8 when used with a Digi 002.) Use Command|8 for expanded fader control, or remote transport and monitoring.
Digi 002
Command|8
Faders 1–8
Faders 9–16
Figure 2. Digi 002 (or Digi 002R) and Command|8 fader mapping
ProControl or Control|24 and Command|8
Command|8 can be used simultaneously with ProControl or Control|24 as a remote Transport for iso­lation rooms, drum booths, and other locations for remote control of play and record functions. When used with ProControl or Control|24, Command|8 faders overlap (duplicate) the left-most eight faders currently banked on Control|24.
Figure 3 shows basic connections when adding Command|8 to a Control|24 system (connections for ProControl would be similar).
Control Room Monitors
Control|24
Figure 3. Control|24-based Pro Tools system with Command|8 as a remote transport and monitor controller
Mic input
USB to CPU
Alt or monitor outputs
Command|8 in vocal booth or other
Chapter 2: Installing and Configuring Command|8 7

Command|8 Back Panel

The figure below shows the Command|8 back panel connectors and switches.
+4/–10 switches
Main Ext
Monitor Inputs
Figure 4. Command|8 rear panel

Connecting Command|8 to Pro Tools and Your Computer

This section lists the basic steps required to con­nect Command|8 to Pro Tools. Detailed instruc­tions for each step can be found later in this chapter.
Installing Command|8 for Pro Tools involves the following:
1
Connect AC power (see “Connecting AC
Power” on page 9).
In
Out 1 Out 2
L RL L RR
Source
Outputs
Audio
6
Connect MIDI devices (see “Connecting MIDI
MIDI
Power Socket
Devices” on page 12).
7
Configure MIDI (see “Configuring MIDI” on
page 13).
8
Configure Pro Tools (see “Enabling Com-
mand|8 in Pro Tools” on page 14).
For complete instructions to use Command|8 in stand-alone mode, see Chapter 5, “Using Stand­Alone Mode.”
Punch In
USB
Power switch
2
Connect USB (“Connecting USB” on page 9).
3
Install Command|8 software (see “Installing
Software for Command|8” on page 9).
4
Connect audio for monitoring (see “Connect-
ing Analog Audio for Monitoring” on page 11).
5
Connect a footswitch for punch recording (see
“Connecting a Footswitch” on page 12).
Command|8 Guide
8

Connecting AC Power

Connecting USB

Connect power using the included power sup­ply cable. Command|8 is not powered through its USB connection.
The Command|8 power supply is available in three configurations (90– 120v for Japan and USA, 220–230 Europe, and 220 for UK); if travelling or ordering a replacement unit, be sure to specify the country in which you plan to use Command|8.
To connect power to Command|8:
1
Make sure the power switch is in the Off posi-
tion (down).
2
Connect the threaded end of the included power supply cable to the Power socket on the Command|8 rear panel. Use two hands, one to insert and guide the plug in the socket, and the other to ensure that the ring threads smoothly and seats securely on the socket.
Only use the included power supply cable to connect Command|8 power. Additional power supplies are available from your Digidesign dealer. Use of any other cable or power supply may damage your unit.
Command|8 communicates with Pro Tools through a USB connection to the host com­puter. Command|8 does not require a powered USB connection. All power is supplied through its AC connection.
To connect USB:
1
Start up your computer, logging in as Admin-
istrator.
2
Make sure Command|8 is powered on (see “Connecting AC Power” on page 9 for more in­formation).
3
Connect one end of the included USB cable to
the USB port on the rear panel of Command|8.
4
Connect the other end of the USB cable to an
available USB port on your computer.
5
When prompted to install software, see the appropriate Windows or Macintosh installation instructions that follow.

Installing Software for Command|8

3
Plug the power supply into an available AC
power outlet.
The Command|8 analog output section au­tomatically mutes during power-up and power-down.
Command|8 software is included on your Pro Tools Installer CD-ROM, and this software is required to use Command|8 with Pro Tools.
On Macintosh systems that only intend to use Command|8 in standalone mode, no software installation is required (Com­mand|8 does not require a custom driver on Macintosh systems using standalone mode).
Chapter 2: Installing and Configuring Command|8 9

Windows Software for Command|8

The Pro Tools Installer includes the option “Command8 Controller and Driver.”
If you enabled the Command|8 option when in­stalling Pro Tools, all software required by Com­mand|8 is installed automatically.
If you installed Pro Tools and did not select this option, first use your Pro Tools Installer CD­ROM to install the required Command|8 soft­ware. If Pro Tools was already installed, be sure to Modify your installation. (See the
Started guide
tem for complete Pro Tools software installation information.)
To install Command|8 software on Windows:
1
Connect power and USB as instructed in “Connecting AC Power” on page 9 and “Con­necting USB” on page 9.
2
Make sure you have already installed Pro Tools, including the Command|8 options, and restarted your computer. Start up your com­puter with Administrator privileges.
3
When the Found New Hardware Wizard ap­pears, ignore the prompt — leave the Found New Hardware Wizard dialog open on screen.
4
Insert the Pro Tools Installer into your CD­ROM drive.
5
Launch the Pro Tools Installer, and choose to Modify the installed components.
6
When prompted, select the Command8 Con­troller and Driver option.
that came with your Pro Tools sys-
Getting
USB Ports and Command|8 Software
If you move your Command|8 USB cable to a different USB port on your computer, you must reinstall the Command|8 software.
The Pro Tools Installer creates a Command8 folder in your Digidesign direc­tory. This folder contains copies of all the software you need to reinstall Command|8. Use the contents of this folder if your Pro Tools Installer is not available.

Macintosh Software for Command|8

To install Command|8 software on Macintosh:
1
Start up your computer using your Adminis-
trator account.
2
Check to make sure the Command|8 Person­ality file is installed (Applications / Digidesign / Controllers/Command|8).
3
If it is not, insert the Pro Tools Installer into your CD-ROM drive and launch the Install Pro Tools application. Choose Custom Install and select the Controllers option to install all Controller Personality files.

Firmware for Command|8

Command|8 can be updated for new features and capabilities by updating its firmware. In­structions for updating Command|8 firmware can be found in the Read Me document that ac­companies each release of updated firmware.
7
When asked about driver signing, click Con-
tinue.
8
Click Finish.
9
Restart your computer.
Command|8 Guide
10
Check the Digidesign Web site (www.digide­sign.com) for news of updated Command|8 firmware, as well as download and installation instructions.
A firmware updater application and associ­ated Read Me file are included as part of the Command|8 software package.

Connecting Analog Audio for Monitoring

Input Connections

To monitor Pro Tools through Command|8:
1
Connect your Pro Tools stereo mix outputs (usually Outputs 1–2) to the Command|8 Main Left and Right monitor inputs on the back panel. The Main inputs are balanced, TRS in­puts.
2
Configure Main inputs for –10 dBV or +4 dBu operation, as appropriate, using the button be­tween the Left and Right inputs.
Analog audio connections let you use Com­mand|8 for control room and headphone mon­itoring. Analog audio connections are not re­quired for Command|8 to control Pro Tools mixing functions.
The Command|8 analog audio features are for monitoring only. Command|8 is not an audio interface for Pro Tools systems.

Monitoring Overview

Command|8 provides the following analog au­dio connectors.
Input
•Two pairs of balanced, TRS inputs, labelled Main and Ext Source on the rear panel of Command|8. Each input pair is switchable be­tween –10 dBV or +4 dBu operation.
Output
•Two channels of balanced, TRS output to con­nect to powered speakers, a monitor amplifier or other monitor equipment. Outputs are switchable between –10 dBV or +4 dBu.
• One stereo Headphone output, which mirrors the currently selected monitor input source (see “Monitoring Controls” on page 29).
To be able to monitor another stereo device through Command|8:
1 Connect the analog outputs of a CD, DAT, or
other device to the Ext Source Left and Right in­puts on the back panel.
2 Configure the Ext Source inputs for –10 dBV
or +4 dBu operation, as appropriate, using the button between the Left and Right inputs.

Output Connections

To connect Command|8 to your monitoring system:
1 Be sure to mute, turn down, or power off your
monitors or monitoring system.
The Command|8 analog output section au­tomatically mutes during power-up and power-down.
2 On the Command|8 top surface, turn the
Control Room Level knob all the way down.
3 Configure the Command|8 Main outputs for
–10 dBV or +4 dBu operation, as appropriate, us­ing the –10/+4 button between the two output ports on the back panel.
Chapter 2: Installing and Configuring Command|8 11
4 Connect the Main Left and Right outputs on
the Command|8 back panel to the inputs of powered monitors, a monitor amplifier, or other monitor equipment.

Headphones

To connect headphones:
Connect a pair of headphones to the Head-
phones port next to the Control Room section.
The Headphones Level knob controls head­phone level only. This Headphone output is de­signed to power a single pair of standard-quality headphones, and is not designed to drive pow­ered speakers or headphone distribution ampli­fiers.

Connecting a Footswitch

The Punch In connector on the Command|8 rear panel supports footswitch control of Track­Punch and QuickPunch audio punch-in and punch-out recording features. Both continuous on/continuous off and instantaneous on/off pedals with a 1/4-inch TRS connector are sup­ported.
To connect a footswitch:
Connect a footswitch to the Punch In connec-
tor.

Connecting MIDI Devices

Command|8 provides 16 channels of MIDI in­put and 32 channels of MIDI output through the MIDI IN 1, MIDI OUT 1, and MIDI OUT 2 connectors on the back panel. The connectors accept standard 5-pin MIDI cables.
Command|8 driver software, installed when you install Pro Tools (or stand-alone) software, is re­quired for MIDI communication to function. These drivers are recognized by Windows Multi­media and the Device Manager (Windows), and by AMS (Macintosh).
Use the following instructions to integrate Command|8 with other MIDI equipment.
To connect MIDI devices to Command|8 for Pro Tools:
1 Using standard 5-pin MIDI cables, connect
the MIDI Out port of a MIDI keyboard or other MIDI device to the MIDI In 1 port of your Com­mand|8, and connect the MIDI In port of your MIDI device or controller to MIDI Out 1 port of your Command|8.
2 Connect MIDI Out 2 of Command|8 to the
MIDI In port of an additional MIDI device (such as a groove box or sound module).
3 To monitor or record the audio output of your
MIDI devices within Pro Tools, connect the au­dio outputs of your devices to available audio inputs on your Pro Tools audio interface.
USB MIDI Communication and Command|8 Operating Modes
When connected to Pro Tools through USB, Command|8 is recognized as a MIDI Control Surface and MIDI interface (the Command|8 MIDI connectors are available as MIDI In and Out ports).
Command|8 Guide12
Configuring MIDI
After connecting Command|8 and installing its software, you may want to update your MIDI system. This may be necessary when using Com­mand|8 as both a control surface and as a MIDI interface.
• On Windows, Command|8 should be auto­matically recognized once Pro Tools and Command|8 software is installed and the computer is restarted. If necessary, configure the Device Manager to enable or troubleshoot USB MIDI devices and ports. (See “Windows MIDI Troubleshooting” on page 17.)
• On Macintosh, configure AMS to make Com­mand|8 MIDI ports and devices attached to them available in Pro Tools (see “Configuring AMS” on page 13).
Configuring Windows Device Manager
(Windows Only)
In Windows, make sure you have enabled the USB port for Command|8 using the Device Man­ager. Make sure you have installed all necessary Command|8 software. See “Installing Software for Command|8” on page 9 for instructions.
2 Make sure you have connected any additional
MIDI keyboards or sound modules to the Com­mand|8 5-pin MIDI ports on the back panel. (See “Connecting MIDI Devices” on page 12.)
3 Make sure you have installed the most recent
version of Pro Tools and the included Com­mand|8 software. (See “Installing Software for Command|8” on page 9.)
4 Launch AMS.
5 Make sure that Command|8 is recognized, is
online, and that its three ports are available in AMS.
6 Configure AMS for any devices attached to the
Command|8 MIDI In and Out ports by connect­ing their device icons to the appropriate Com­mand|8 ports.
Do not connect any AMS devices to Com­mand|8 Port 1. Port 1 is reserved for Com­mand|8-to-Pro Tools control surface communi­cation.
The following shows an example AMS Setup for Command|8 and Pro Tools, with two MIDI de­vices attached to the back panel MIDI ports of the Command|8. Note how Command|8 port 1 is not assigned to any external devices.
Configuring AMS
(Macintosh Only)
On Macintosh systems, use AMS to check MIDI communication and update your AMS setup.
To update AMS for Command|8:
1 Make sure power and USB are connected as in-
structed. (See “Connecting Command|8 to Pro Tools and Your Computer” on page 8.)
Chapter 2: Installing and Configuring Command|8 13
The following table shows how AMS lists Com­mand|8 MIDI ports:
Command|8 port equivalents in AMS
AMS (in/out) Command|8 back panel ports
Port 1 none (reserved for control surface
communication via USB MIDI)
Port 2 Midi In 1, Midi Out 1
Port 3 Midi Out 2
7 Save and close your updated AMS setup.
See the Getting Started Guide that came with your system, and your Apple documen­tation, for more information about AMS.

Enabling Command|8 in Pro Tools

5 Choose C|8 Surface (Windows) or Port 1 (Mac-
intosh) in the Receive From and Send To selec­tors.
Choosing the a port (Windows)
To enable Command|8 in Pro Tools:
1 Make sure your computer, Pro Tools hardware,
and Command|8 are powered on and operating correctly.
2 Launch Pro Tools.
3 Choose Setups > Peripherals and open the
MIDI Controllers window.
4 Choose Command|8 from the Type pop-up
menu.
Command|8 Guide14
Choosing a port (Macintosh)
MIDI Out1 and MIDI Out2 are the back panel 5-pin MIDI connectors. C8 Surface (Windows) and Command|8 Port 1 (Mac­intosh) represent the USB MIDI connection between Pro Tools and Command|8. For more information, see “Configuring MIDI” on page 13.
On Macintosh, Command|8 Port 1 must only be used for control surface communi­cation. If using Command|8 as a MIDI in­terface as well as a control surface, check all MIDI tracks to make sure they are assigned to Port 2, or Port 3. Do not assign MIDI tracks to Port 1.
6 If Command|8 choices are not available, click
Cancel, then check all USB, MIDI, and power connections to and from Command|8. Make sure all software is installed and try again.
7 Click OK.
Configuring Command|8 MIDI Interface Connections
The following example shows how to configure Pro Tools to integrate a MIDI device connected to Command|8 MIDI ports. This example shows how the Digidesign PRE microphone preamp is connected to Command|8 and configured in Pro Tools for MIDI remote control of channel gain.
For more information, see “Controlling PRE” on page 37).
To enable a PRE connected to Command|8:
1 Make sure you have connected MIDI correctly
between PRE and the MIDI In and MIDI OUT 1 ports on Command|8.
2 Make sure Command|8 is installed and has
been enabled in Pro Tools (see “Enabling Com­mand|8 in Pro Tools” on page 14).
3 Choose Peripherals > Setup, and open the Mic
Preamp page.
4 Configure the Mic Preamp window by doing
the following (see the Digidesign PRE Guide for details).
• On Windows, choose Command|8 MIDI Out and In 1 for the Receive From and Send To ports.
• On Macintosh, choose Port 2 Out and In.
• For each port, choose the MIDI channel ap­propriate for your PRE and channel.
Enabling a PRE connected to Command|8 MIDI ports
PRE defaults to MIDI channel 1, but can be configured to communicate on any of the 16 available MIDI channels. Check your unit (using the front panel MIDI CHAN/IO switch) if you are unsure.
5 Click OK.

Enabling Input Devices

(Macintosh Only)
On Macintosh, you must enable the MIDI con­trol surface as an input device in Pro Tools.
To enable an input device:
1 Choose MIDI > Input Devices.
2 Select the Command|8 MIDI control surface.
3 Click OK.
If Command|8 is not listed, check that it is still enabled (see “Enabling Command|8 in Pro Tools” on page 14).
Chapter 2: Installing and Configuring Command|8 15
Loading...
+ 47 hidden pages