Check www.allen-heath.com for the latest firmware available
Publication AP9372
V1.7
Limited One Year Manufacturer’s Warranty
Allen & Heath warrants the Allen &Heath -branded hardware product and accessories contained in the
original packaging ("Allen & Heath Product”) against defects in materials and workmanship when used
in accordance with Allen & Heath's user manuals, technical specifications and other Allen & Heath
product published guidelines for a period of ONE (1) YEAR from the date of original purchase by the
end-user purchaser ("Warranty Period").
This warranty does not apply to any non-Allen & Heath branded hardware products or any software,
even if packaged or sold with Allen & Heath hardware.
Please refer to the licensing agreement accompanying the software for details of your rights with
respect to the use of software/firmware (“EULA”).
Details of the EULA, warranty policy and other useful information can be found on the Allen & Heath
website: www.allen-heath.com/legal.
Repair or replacement under the terms of the warranty does not provide right to extension or renewal
of the warranty period. Repair or direct replacement of the product under the terms of this warranty
may be fulfilled with functionally equivalent service exchange units.
This warranty is not transferable. This warranty will be the purchaser’s sole and exclusive remedy and
neither Allen & Heath nor its approved service centres shall be liable for any incidental or
consequential damages or breach of any express or implied warranty of this product.
Conditions Of Warranty
The equipment has not been subject to misuse either intended or accidental, neglect, or alteration
other than as described in the User Guide or Service Manual, or approved by Allen & Heath.
Any necessary adjustment, alteration or repair has been carried out by an authorised Allen & Heath
distributor or agent.
The defective unit is to be returned carriage prepaid to the place of purchase, an authorised Allen &
Heath distributor or agent with proof of purchase. Please discuss this with the distributor or the agent
before shipping. If the unit is to be repaired in a different country to that of its purchase the repair may
take longer than normal, whilst the warranty is confirmed and parts are sourced. Units returned should
be packed in the original carton to avoid transit damage.
DISCLAIMER: Allen & Heath shall not be liable for the loss of any saved/stored data in products that
are either repaired or replaced.
Check with your Allen & Heath distributor or agent for any additional warranty information which may
apply. If further assistance is required please contact Allen & Heath Ltd.
Qu Series products comply with the European Electromagnetic
Compatibility directive 2004/108/EC and the European Low Voltage
directive 2006/95/EC.
Any changes or modifications to the product not approved by Allen & Heath
could void the compliance of the product and therefore the users authority to
operate it.
Allen & Heath Limited, Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK
Qu Mixer User Guide 2 AP9372 iss.6
ALLEN&HEATH
http://www.allen-heath.com
IMPORTANT - Read these instructions before starting:
Safety instructions
Before starting, read the Important Safety Instructions printed on the sheets supplied with the
equipment. For your own safety and that of the operator, technical crew and performers, follow
all instructions and heed all warnings printed on the sheet and on the equipment panels.
System operating firmware
The function of the Qu mixer is determined by the firmware (operating software) that runs it.
Firmware is updated regularly as new features are added and improvements made. The
firmware version current when this guide was released is noted in the Contents section.
The latest firmware can be downloaded from the Allen & Heath website, transferred to USB key
and then loaded into the Qu mixer using the Firmware Update utility.
••••
Check the Allen & Heath website for the latest version of Qu firmware.
Software licence agreement
By using this Allen & Heath product and the software within it you agree to be bound by the
terms of the relevant End User Licence Agreement(EULA), a copy of which can be found on
the Allen & Heath website ( www.allen-heath.com/legal ). You agree to be bound by the terms of
the EULA by installing, copying, or using the software.
Further information
Please refer to the Allen & Heath website for further information, knowledgebase and technical
support. You can join our Allen & Heath Digital Community to share knowledge and information
with other Qu users.
General precautions
••••
To prevent damage to the controls and cosmetics, avoid placing heavy objects on the
control surface, obstructing movement of the motorised faders, scratching the surface or
touch screen with sharp objects, or rough handling and vibration.
••••
Protect the equipment from damage through liquid or dust contamination. Avoid dust or
small objects getting into the fader slots. Cover the mixer when it is not being used for a
long period.
••••
Computer and touch screen technology can be affected by extreme cold. If the
equipment has been stored in sub-zero temperatures allow time for it to reach normal
operating temperature before use at the venue. Recommended operating temperature
for Qu is 5 to 35 degrees Celsius.
••••
Avoid using the equipment in extreme heat and direct sunlight. Make sure the mixer
ventilation slots are not obstructed and that there is adequate air movement around the
equipment.
••••
Transport the Qu using a touring grade, purpose designed flightcase with adequate
foam lining and internal support for protection.
••••
Clean the control surface with a soft brush and dry lint-free cloth. Do not use chemicals,
abrasives or solvents.
••••
It is recommended that servicing is carried out only by an authorised Allen & Heath
agent. Contact details for your local distributor can be found on the Allen & Heath
website. Allen & Heath do not accept liability for damage caused by maintenance, repair
or modification by unauthorised personnel.
Qu Mixer User Guide 3 AP9372 iss.6
1. Packed contents
Qu-Pad app for iPad
Cat5 cables
Qu Mixer
Qu-16/24/32 Guide
AP10025
or
RE
GISTER YOUR PRODUCT
Remote Audio Racks
AB168
16 Mic/Line in,
Soft cover
LEDlamp
Safety Sheet
ME Personal Mixing System
19” Rack Ear Kit for Qu
-16
Polyester carry bag
Options and Accessories available
Provides remote audio over dSNAKE Cat5 cable digital snake.
AR2412 24 Mic/Line in, 12 Line out AR84 8 Mic/Line in, 4 Line out
Part: GLD-AR2412 Part: GLD-AR0804
Mains lead • Check this
is correct for your territory
8 Line out Remote
AudioRack.
Part: AB1608
Qu-Pac Guide AP9815
AP9240/CL-1
•
Read this before starting
Right angled 4-pin
XLR LED lamp with
built-in dimmer
Part: LEDlampX
To mount the Qu-16 in a standard 19” rack or
flightcase. These fit over the plastic trims.
Part: QU-16-RK19
ME-1 Personal Mixer
ME-U 10-port PoE hub
For use with dSNAKE remote
audio
AH8823 2m (6.6’) short patch
AH9651 20m (66’) coil
AH9981 50m (165’) drum
AH9650 100m (330’) drum
Qu
Qu-16 AP9931
Qu-Pac AP9933
Qu-You app for iOS devices
Available from the Apple Store
15.3 Qu-16 System Block Diagram ............................................................................................... 79
15.4 Qu-24 and Qu-32 System Block Diagram ............................................................................. 80
15.5 Qu-Pac System Block Diagram ............................................................................................. 81
15.6 System Specifications ........................................................................................................... 82
About this guide
This is the Reference Guide for the Allen & Heath Qu-16, Qu-24, Qu-32
and Qu-Pac digital mixers.
Please Note
This guide refers to Qu firmware
Heath website for the latest version of firmware and this reference
guide. For more details read the Release Notes available with the
firmware.
Getting Started guides are also available for Qu mixer models.
For information on the AR2412, AR84 and AB168 remote AudioRacks
please refer to their user guides.
Qu Mixer User Guide 6 AP9372 iss.6
V1.7
. Please refer to the Allen &
3. Introduction
3.1 Overview and Features
Building on the heritage of the GLD and flagship iLive digital consoles, the Qu presents exceptional
performance together with an intuitive analogue style user interface with a motorised fader per channel,
knobs and touch screen, total recall of all settings, full input, output and FX processing, USB streaming
and hard drive multitrack recording, digital snake capability and remote wireless control using an iPad.
There are four models in the Qu Digital Audio Mixer Series:
Qu-16 – Compact, rack mountable mixer with 16 mic and 3 stereo line input channels.
Qu-24 – Larger model with 24 mic and 3 stereo inputs. Adds stereo Groups, Matrix and more SoftKeys.
Qu-32 – Largest model with 32 mic and 3 stereo inputs. Adds 2 more stereo Groups.
Qu-Pac – Rack mountable version of the Qu-32 without faders, for iPad control.
800x480 pixel colour touch screen for quick control
Motorised faders for sends on faders, GEQ fader flip and mix recall
Quick copy and reset of processing, mixes and scenes
100 Scene memories
Channel Safes, Global and per Scene Recall Filters
FX, processing and channel User Libraries
Qu-Drive for stereo and 18-track recording/playback to USB hard drive
USB streaming to/from an Apple® Mac or Windows™ PC computer
MIDI DAW Control driver for Mac (converts to HUI or Mackie Control)
USB transfer of Scenes, Libraries, Shows
User assignable Custom Layer
Qu-Pad engineer’s mixing wireless remote app for iPad
Qu-You personal monitoring app for iPhone, iPad, iPod Touch
Compatible with the Allen & Heath ME personal mixing system
User Permissions to restrict operator access
Qu-Control screen for installed sound control (Qu-Pac only)
Qu-24 Qu-32
and
Qu-Pac
Qu Mixer User Guide 7 AP9372 iss.6
3.2 System Architecture and Processing
The following diagrams show the Qu-16, Qu-24 and Qu-32, and the Qu-Pac I/O (inputs and
outputs), audio architecture and processing available. The difference between the models and the
routing capability of each processing section is illustrated. Refer also to the more detailed System
Block Diagrams at the rear of this guide.
Qu-16
Mic/Line Inputs
1 ---------- 16
Mic
Line
Channel SOURCE
Insert
POL0TRIMHPF GATE PEQ COMP
FX Send 1-2
FADER ASSIGN
MUTE
SIGNAL FLOW
Line Inputs
ST1
ST2
L/M
L/M
R
DELAY
ST3
L/R
MUTE
FX Return 1-4
PEQ
MUTE
FADER
FADERASSIGN
PREAMP
GAIN
48V
R
Local InputsdSNAKE USB
Input Channels 1-16, ST1-3
FX
FX
Insert
PRE/POST
SENDS
FX 1-4
PAN
L R
L R
PRE/POST
PAN
Playback
LR, 18 trk
StreamStream
PAFL
ASSIGN
SENDS
PAFLRoute to:
PRE/POST
SENDS
dSNAKE
Qu-Drive
LR, 18 trk
USB B
22 ch24 ch
Route to:
LR
MIX Sends
FX Sends
DIR OUT
LR
MIX Sends
FX Sends
Record
USB dSNAKE
PAFL
Mono 1-4, Stereo 5-6, 7-8, 9-10 Mix
Insert
PEQCOMP
FX
RTA
DELAY
GEQ
Cat5 Digital Snake to AudioRack
Line Outputs
Mix 1-----------10
Main LR
Local Outputs
PAFL MONITOR
PHONESPFL TRIM
PAFL
DELAY
MUTE
FADER
Output BAL
L
R
PAFL
L R
2Trk
LR post
AES Out
Alt Out
L
R
Output PATCHMixInputs
Route to:
Outputs
Qu-24(32)
Mic/Line Inputs
1 ------ 24(32)
PREAMP
Mic
GAIN
Line
48V
Channel SOURCE
POL0TRIMHPF GATE PEQ COMP
Insert
FX
FX Send 1-4
FADER ASSIGN
MUTE
PRE/POST
SENDS
Talkback
Mic
GAIN HPF
Sine
Pink
White
Bandpass
TALKBACK
TALK
SIG GEN
LEV
MUTE
ASSIGN
ASSIGN
SIGNAL FLOW
Line Inputs
ST1
ST2
L/M
L/M
ST3
R
DELAY
L/R
MUTE
FX Return 1-4
PEQ
MUTE
FADER
PAN
PRE/POST
L R
FADERASSIGN
PAN
L R
PAFL
ASSIGN
SENDS
PAFLRoute to:
PRE/POST
SENDS
R
Local InputsdSNAKE USB
Input Channels 1-24, ST1-3
FX
Insert
FX 1-4
Route to:
LR
MIX
Route to:
LR
MIX
dSNAKE
Qu-Drive
Playback
LR, 18 trk
USB B
StreamStream
30 ch32 ch
Route to:
GRP
LR
MIX Sends
FX Sends
DIR OUT
GRP
LR
MIX Sends
FX Sends
Record
LR, 18 trk
USB dSNAKE
Main LR
PEQCOMP
Insert
GEQ
FX
DELAY
MUTE
Cat5 Digital Snake to AudioRack
Line Outputs
Grp 1---4(8)
Mix 1---------------10
Main LR
MTX 1---4
Group 1-2, 3-4, (5-6, 7-8)
PEQCOMP
Insert
GEQ
FX
DELAY
MUTE
Mono 1-4, Stereo 5-6, 7-8, 9-10 Mix
PEQCOMP
Insert
GEQ
FX
DELAY
MUTE
PAFL
Output BAL
L R
FADER
Local Outputs
FADER
PAN
L R
PAFL
Output BAL
L R
FADER
ASSIGN
PRE/POST
SENDS
2Trk
L
R
LR post
Route to:
PAFL
Output BAL
L R
ASSIGN
PRE/POST
SENDS
Route to:
MTX Sends
Outputs
Alt Out
L
R
Outputs
AES Out
Output PATCHMixInputsMasters
Route to:
Outputs
LR
MIX Sends
FX Sends
MTX Sends
DELAY
RTA
PAFL MONITOR
PHONESPFL TRIM
PAFL
Talkback
Mic
Sine
Pink
White
Bandpass
TALK
SIG GEN
MUTE
TALKBACK
GAIN HPF
Route to:
GRP
LR
ASSIGN
MIX
MTX
Route to:
ASSIGN
GRP
MIX
MTX
LR
PAFL
LEV
PEQCOMP
Insert
FX
Insert
PEQCOMP DELAY
FX
GEQ
GEQ
Main LR
DELAY
Matrix 1-2, 3-4
MUTE
MUTE
FADER
FADER
PAFLRoute to:
Output BAL
L R
ASSIGN
PRE/POST
SENDS
PAFL
Output BAL
L R
ASSIGN
PRE/POST
SENDS
Outputs
MTX Sends
Route to:
Outputs
Qu Mixer User Guide 8 AP9372 iss.6
Shelf for iPad
10 SoftKeys
2 Group masters
2 Matrix masters
Extra FX Send and Group Mix selects
24 fader strips
4 SoftKeys
16 fader strips
LED colour strips to identify layer
Qu-Pac
Mic/Line Inputs
1 ------ 16
PREAMP
Mic
Line
Channel SOURCE
FX
POL0TRIMHPFGATE PEQ COMP
Insert
FX Send 1-4
VirtualVirtual
FADER ASSIGN
MUTE
PRE/POST
SENDS
RTA
DELAY
SIGNAL FLOW
Line Inputs
ST1
ST2
L/M
L/M
GAIN
48V
R
Local InputsdSNAKE USB
or Ducker
Input CH1-32, ST1-3
Trigger
FX
Insert
FX 1-4
Talkback
PAFL MONITOR
PHONESPFL TRIM
PAFL
R
L/R
DELAY
PEQ
Mic
ST3
Virtual
FADER
MUTE
L R
FX Return 1-4
FADERASSIGN
MUTE
L R
TALKBACK
GAIN HPF
Sine
Pink
MUTE
White
Bandpass
PAN
PRE/POST
PAN
PRE/POST
TALK
SIG GEN
LEV
Playback
Stereo, 18 trk
StreamStream
32 ch32 ch
PAFL
Route to:
GRP
LR
ASSIGN
MIX Sends
FX Sends
SENDS
DIR OUT
PAFLRoute to:
GRP
LR
MIX Sends
FX Sends
SENDS
Route to:
GRP
LR
ASSIGN
MIX
MTX
Route to:
GRP
LR
ASSIGN
MIX
MTX
dSNAKE
Qu-Drive
USB B
PAFL
Record
Stereo, 18 trk
USB dSNAKE
Cat5 Digital Snake to AudioRack
Remote access to any Input/Output including:
CH17-32, Group and MTX Outputs
Line Outputs
Mix 1-----------10
Main LR
FX or Ducker
Insert
Trigger
Group 1-2, 3-4, 5-6, 7-8
PEQCOMP
GEQ
DELAY
MUTE
Mono 1-4, Stereo 5-6, 7-8, 9-10 Mix
PEQCOMP
Insert
GEQ
FX
DELAY
MUTE
Main LR
PEQCOMP
Insert
GEQ
FX
DELAY
MUTE
Matrix 1-2, 3-4
Insert
PEQCOMP
FX
GEQ
DELAY
MUTE
Local Outputs
Virtual
FADER
PAN
L R
PAFL
Output BAL
Virtual
L R
FADER
ASSIGN
PRE/POST
SENDS
PAFLRoute to:
Output BAL
Virtual
L R
FADER
ASSIGN
PRE/POST
SENDS
PAFL
Output BAL
Virtual
L R
FADER
ASSIGN
PRE/POST
SENDS
2Trk
L
R
LR post
Output BAL
PAFL
L R
ASSIGN
PRE/POST
SENDS
Route to:
MTX Sends
MTX Sends
Route to:
Alt Out
L
R
Outputs
Outputs
Outputs
AES Out
Output PATCHMixInputsMasters
Route to:
Outputs
LR
MIX Sends
FX Sends
MTX Sends
3.3 Differences between the Qu models
All four models operate in the same way and have a similar touch screen menu structure. The
larger models add Groups and Matrix. Other differences are shown here:
Qu-16 Qu-24
Qu Mixer User Guide 9 AP9372 iss.6
Qu-32
32 fader strips
4 Group masters
2 Matrix masters
4 DCA Group masters
Extra 2 Group Mix select
s
Larger Touch Screen
15 SoftKeys
Custom assignable Qu
-
Control screen for installed sound control
Custom assignable Select keys
Channel screen provides selection and virtual fader strip
Qu-Pac is the mix engine of the Qu-32 in a compact rack mountable format. It has the same local
connections as the Qu-16 and can be expanded to use the additional Qu-32 channels and outputs
by adding dSNAKE AudioRacks. It does not have faders and is intended for iPad wireless control.
However, all channels and functions can also be controlled directly from the front panel using its
touch screen.
Qu-Pac
Qu Mixer User Guide 10 AP9372 iss.6
Qu-24
4 Group out
Matrix out
Qu-16
32 out, 30 in USB audio streaming
24 out, 22 in USB audio streaming
Qu-32
8 Group out
Matrix out
32 out, 32 in USB audio streaming
Qu-Pac
32 out, 32 in USB audio streaming
Use dSNAKE to a
ccess up to 32 Mic/Line in and other mix outs
Scene, Library and Show memories - All Qu mixer memories are compatible. Files created on
one model can be transferred via USB key and loaded on the other. The extra features of the
bigger models will be ignored when their file is loaded on a Qu-16. The extra features of the bigger
models will be reset to factory default when a Qu-16 file is loaded.
Note - To be compatible, ensure all your Qu mixers are loaded with the same version of firmware
later. Check the Allen & Heath web site for the latest firmware available.
USB Audio - A USB hard drive formatted on one model can be used on the other. Stereo and
multitrack Qu-Drive recordings are compatible. USB B audio streaming is compatible, but note that
the Qu-16 is 24out/22in, the Qu-24 is 32out/30in, and the Qu-32 and Qu-Pac are 32out/32in.
Firmware - Different firmware is needed for each model. Choose either the Qu-16, Qu-24, Qu-32
or Qu-Pac file when downloading firmware from the Allen & Heath web site. The firmware version
number will be the same for each update that is made available. The procedure for updating
firmware is the same for all models.
Qu-Pad and Qu-You apps - These iOS apps are compatible with all Qu mixers. They identify the
model and load the appropriate controls when you log in.
Note - Make sure the app version and mixer firmware versions are compatible.
16 Mic/Line
32 Mic/Line in
24 Mic/Line in
16 Mic/Line in
Qu Mixer User Guide 11 AP9372 iss.6
AES digital out
2Trk out
Alt out
LR main out
Lamp
Talkback
Mic in
ST1 and ST2
Analogue Mix outputs
Mic and Line inputs
Network
dSNAKE remote audio
USB B streamin
g
Kensington
Cable
Power On/Off
Mains power input
Mains fuse
Pin2 = hot
stereo line in
4. Connection Overview
The following connections are available on the rear panel of the Qu mixer. The Qu-16 is shown here.
Lock
clamp
4.1 Local Input Connections
Mono Line Input
Sleeve) jack input for plugging in line level signals such as
multitrack players and radio mic receivers. To work with
unbalanced sources use a mono jack or link ring to sleeve
within the TRS stereo jack.
Use DI boxes plugged into the Mic input for high
impedance, low level sources such as acoustic instrument
pickups.
Microphone Input
in a low level source such as a microphone or DI box. 48V
can be switched to the socket for condenser mics and active
DI boxes that require phantom power.
Note - To avoid loud thumps, mute the channel before
plugging in cables or equipment while 48V is turned on.
Stereo Line Input
(Tip, Ring, Sleeve) jack inputs for plugging in line level
stereo sources such as CD players. The L input normals
(switches) through the R input so that you can work with a
mono source by plugging into just the L/M input.
To work with RCA phono connections use jack to RCA
converter plugs.
– Balanced ¼” TRS (Tip, Ring,
– Balanced XLR input for plugging
– ST1 and ST2 balanced ¼” TRS
Talkback Input
plugging in a microphone to route to the mixes for the
engineer to talk to the performers on stage. Phantom power
can be switched to the socket for condenser microphones.
Qu Mixer User Guide 12 AP9372 iss.6
– Dedicated balanced XLR input for
4.2 Local Output Connections
Pin2 = hot
Group, Mix, Matrix outputs
level outputs for the mono and stereo mixes, for example to
feed monitor amplifiers, external processing devices, delay
fill speaker systems and recording devices. These use low
impedance, high quality differential driver circuits for
connection to +4 or 0dBu equipment. Maximum output is
+22dBu.
Professional equipment provides ‘balanced’ connections for
maximum interference rejection over long cable runs. If you
are connecting to ‘unbalanced’ equipment then make sure
the XLR pin 3 (signal cold) is linked to pin 1 (signal ground).
Main LR output
the main Left and Right stereo mix. These typically plug into
the FOH speaker processor, amplifier or powered speakers.
AES out
connection and standard mic (2-core screened) audio cable.
It follows the AES (Audio Engineering Society) digital audio
standard and can connect to any equipment fitted with an
AES input socket. The source to this output is patched using
the Setup / Output Patch / Surface screen. Applications
include the feed to a PA speaker processor, amplifier, stereo
broadcast or recording device equipped with AES input.
Alt out
jacks for connection to +4 or 0dBu equipment such as zone
feeds, fill speakers, broadcast or local monitor. The source
to this output is patched using the Setup / Output Patch /
Surface screen.
– 2-channel digital output using a single XLR
– Stereo ‘alternative’ output on balanced TRS
– Balanced XLR line level outputs for
– Balanced XLR line
4.3 Other Connections
2TRK out
connection to +4 or 0dBu equipment such as stereo
recorders. It follows the post master fader main LR mix.
Lamp
mixer surface. You can use any industry standard 12V, 5W
or lower power lamp. We recommend the Allen & Heath
LEDLamp with built-in thumbwheel dimmer.
USB B
bi-directional audio streaming between the mixer and a
computer. Follows the high speed USB 2.0 standard.
Refer to the Allen & Heath web site for information on
Windows® and Apple® Mac drivers available for Qu.
Network
connection to a computer for MIDI over TCP/IP control of
mixer parameters, or to a wireless router (access point) for
live mixing control using the Allen & Heath Qu-Pad app
running on an iPad, and Qu-You personal monitoring app.
The Lnk indicator flashes to indicate network activity.
– Stereo output on balanced TRS jacks for
– Plug in a 4-pin gooseneck lamp to illuminate the
– Type B USB connection for multi-channel
– Fast Ethernet (100 Mbit/s) port for Cat5 cable
dSNAKE
connection for remote audio using an AR2412, AR84 or
AB168 AudioRacks, and for personal monitoring using the
ME Personal Mixing System.
Qu Mixer User Guide 13 AP9372 iss.6
– The proprietary Allen & Heath ‘digital snake’
4.4 Powering up the mixer
The Qu mixer has an internal universal voltage power supply
unit. This means you can use your mixer in most parts of the
world without the need to modify the unit as long the local
mains supply is within the range:
Mains Voltage = 100 to 240 V.AC
Mains Frequency = 47 to 63Hz
Important - Before starting, read the Safety Instructions
Sheet packed with the mixer. These can also be
downloaded from the Allen & Heath website.
Also read the safety notes printed on the rear of the mixer.
AC MAINS IN
mixer to the local mains supply. Plug in a mains lead with
moulded plug suitable for your territory. A suitable mains
lead is shipped with the mixer.
Note – Do not replace the mains plug or modify the lead in
any way. For your own safety and that of the operator and
performers do not remove or defeat the ground connection.
A cable clamp is provided. You can slot the cable into this
or lock it in place. To lock the cable use a star head Torx
T20 screwdriver to refit the clamp around the cable.
Fuse
– Mains input fuse to protect the mixer circuits in the
unlikely event of a failure or excessive power surge. If you
need to replace the fuse always use one of the same type
and rating as printed on the rear panel. If the replacement
fuse blows then refer to your authorised Allen & Heath
service agent for advice.
Power ON/OFF switch
on. Press again to switch it off.
Switching the mixer on
The rear panel blue Power indicator lights. The mixer takes
just a few seconds to boot up. It restores its previous
settings. LR mix is selected and its processing shown on the
screen.
Note – To avoid loud thumps, do not switch the mixer on or
off while the PA speakers are powered. Always switch the
amplifiers on last, and switch them off first.
– Standard IEC socket for connecting the
– Press to switch the mixer
– Press the ON/OFF switch.
Switching the mixer off
screen. Touch Shut Downto safely complete processes
such as parameter storing and USB data transfer or
recording. Once complete, press the ON/OFF switch to turn
the mixer off.
Qu Mixer User Guide 14 AP9372 iss.6
– First select the Home
5. Connecting dSNAKE Remote Audio
dSNAKE carries:
The Qu mi
xer provides a locking Neutrik
The Qu mixer provides local sockets on its rear panel for all audio inputs and outputs. It can also work
with remote audio by connecting over a single cable ‘digital snake’ to an Allen & Heath AudioRack, or to
the Allen & Heath ME Personal Mixing System.
5.1 Connecting to a remote AudioRack
The Qu can connect to an Allen & Heath AudioRack so that the audio can be plugged into a rack on
stage and routed to the mixer over a single Cat5 cable ‘digital snake’ plugged into its dSNAKE port.
The ‘digital snake’ – dSNAKE provides a convenient,
single Cat5 cable alternative to the typical heavy
••••
Up to 38 remote input signals
••••
Up to 16 remote output signals
••••
40 personal mixing sends
••••
Preamp control – Gain, Pad, 48V
EtherCon socket to protect the
connections and ensure suitability for
touring. Use a touring grade cable fitted
with locking EtherCon plugs.
Maximum cable length = 120m (396’)
depending on cable type. Recommended
maximum length = 100m (330’).
analogue copper multicore to connect many inputs
and outputs on stage. One cable carries multiple
channels of audio in both directions together with
remote control of the preamps.
Cat5 cable – Use STP (shielded twisted pair) Cat5e or
higher cables. Those with both foil and braided
screens provide shielding from interference and are
generally more rugged. Stranded core cables are less
prone to damage when kinked or repeatedly coiled.
Remote Inputs - dSNAKE inputs are mapped one-toone to the Qu input channels. They are not patchable.
Note- dSNAKE does not add channels to the mixer.
Choose either Local (rear panel) or dSNK (remote)
input for each channel.
Remote Outputs - Qu outputs can be patched to the
output sockets on the remote racks. These duplicate
the outputs on the Qu rear panel.
Qu Mixer User Guide 15 AP9372 iss.6
Connecting Qu to the AudioRack
your Cat5 ‘digital snake’ into the Qu mixer dSNAKE port. Plug the
other end into the dSNAKE port of the AudioRack.
Connecting a second AudioRack
AB168 AudioRacks include an EXPANDER port. You can use this
to connect to an AR84 or AB168 AudioRack.
Note – The AR2412 AudioRack cannot be used as an expander in
a Qu system.
Note – You can connect up to two AudioRacks in a Qu system.
This includes the main rack and one expander rack.
Once connected and powered up, the Qu touch screen should
display the ‘dS’ icon in its toolbar to show that one or more
dSNAKE devices are recognised by the system.
– Plug one end of
– The AR2412 and
Available AudioRacks:
EXPANDER
– To connect to a
EXPANDER
– To connect to an
EXPANDER
– To connect to
AB168 16 Mic/Line in, 8 Line out - Floor, shelf or rack mount
The AB168 AudioRack can be used as a stage box on the floor or a surface, or mounted in a 19” rack
using the optional rack ears.
AR2412 24 Mic/Line in, 12 Line out - Rack mount
AR84 8 Mic/Line in, 4 Line out - Rack mount
Inputs – Use the Preamp screen Fnkey Source page
to choose either the local (rear panel) socket or a
remote (dSNAKE) socket for each channel source.
Red buttons show local sources selected, yellow
buttons show dSNAKE sources.
dSNAKE inputs can be patched to channels using the
Setup / I/O Patch / dSNAKE In screen. This means
that any AudioRack input can be patched to any
channel. Sockets can be patched to more than one
channel. The reset default is one-to-one mapping of
sockets to channels.
Note – Adding an AudioRack does not expand the
number of Qu channels available.
Outputs – The Qu mixer outputs will appear
simultaneously at its rear panel sockets and also at the
sockets on the remote rack. AudioRack output sockets
are patchable. Qu outputs can be patched to the rack
sockets using the Setup / I/O Patch / dSNAKE Out
screen.
second AB168 to add more
input and output sockets. Also
compatible with the Allen &
Heath ME personal mixing
system.
dSNAKE – To connect to the Qu
mixer using a Cat5 digital snake.
AR84 or AB168 to add more
input and output sockets.
MONITOR – To connect to the
Allen & Heath ME personal
mixing system.
dSNAKE – To connect to the
Qu mixer using a Cat5 digital
snake.
the Expander port of the
AR2412, or connect directly to
the Qu mixer via its dSNAKE
port.
Qu Mixer User Guide 16 AP9372 iss.6
5.2 Qu Systems
Qu-24
Qu-24+AR84
–
8 remote inputs.
Qu-24+AR2412
–
Access all 24
Qu-24+AR241
2+AR84
–
Adds
Qu-24+AB168
–
Digital snake
Qu-24+2x AB168
–
Expands
Qu-16
Qu-16+AR84
–
8 remote inputs.
Qu-16+AR2412
–
Access all
Qu-16+AB168
–
Provides a
Qu-16+2x AB168
–
A second
The Qu mixer has sockets for all its inputs and outputs on its rear panel and can therefore be used
without any additional rack. However, if you wish to use a digital snake to connect remote stage audio to
the mixer using a single Cat5 cable then there are several rack options available. The following diagrams
show suggested combinations:
– All inputs and outputs
are available locally. Use on
stage or with an analogue
snake.
Qu-16
rugged digital snake and stage
box for all 16 mic inputs and up
to 8 returns.
Qu-16
dSNAKE
AB168
– All inputs and outputs
are available locally.
Qu-24Qu-24
the ST1-3 stereo mic inputs near
the stage.
Qu-24
dSNAKE
CH1-24Out1-12
AR2412
1-6 = ST1-3
AR84
CH1-16Out1-8
Out13-167-8 = unused
Provides 4 outputs, ideal for
feeding a stereo PA and two
monitors.
Qu-16
dSNAKE
AR84
Provides 4 outputs
dSNAKEdSNAKE
AR84
for 16 mic inputs on stage.
Qu-24
dSNAKE
EXPANDER
AB168
CH1-16 Out1-8
CH1-8Out1-4
Qu-16
dSNAKE
AB168
CH1-8Out1-4
inputs and outputs near the
stage. ST1-3 provide stereo mic
inputs.
Qu-16
dSNAKE
1-16 = CH1-16
17-22 = ST1-3
23-24 = unused
AR2412
stage box expands the first to
access ST1-3 on its first 6 inputs
and provides more outputs.
Inputs 7-16 are not used.
CH1-16Out1-8Out9-16
mic inputs near the stage.
with a second stage box to
access all inputs.
1-6 = ST1-3
7-16 = unused
EXPANDER
Qu-24
CH1-24Out1-12
AR2412
Qu-24
dSNAKE
CH1-16 Out1-8
AB168
Out1-12
1-8 = CH17-24
9-14 = ST1-3
15-16 = unused
EXPANDER
Out9-16
Qu Mixer User Guide 17 AP9372 iss.6
ME Personal Mixing System
Parallel connection
D
aisy chain
connection
ME-1 mixer.
Qu-32
Qu-32+AR8
4 – 8 remote inputs.
Qu-32+AR2412
–
Access to 24
Qu-32+AB168
–
Digital snake
Qu-32+2x AB168
–
Add a
stage.
Qu-32+AR2412+AR84
–
Qu-32+AR2412+AB168
–
stereos.
Qu-Pac
– All inputs and outputs
are available locally.
Qu-32Qu-32Qu-32
– Same engine as
Qu-32 but has 16 inputs and
same outputs as Qu-16 available
locally. Use dSNAKE to access
the others.
for 16 mics on stage.
Qu-32Qu-32
dSNAKE
AB168
CH1-16Out1-8
Provides all 32 mic inputs near
the stage.
Qu-32Qu-32
dSNAKE
CH1-24Out1-12
AR2412
AR84
Out13-16CH25-32
Provides 4 outputs
dSNAKEdSNAKE
EXPANDER
AR84
CH1-8Out1-4
second AB168 for 32 mics on
dSNAKE
CH1-16 Out1-8
AB168
Access to all inputs including
dSNAKE
CH1-24Out1-12
AR2412
mic inputs near the stage.
CH1-24Out1-12
AR2412
Out9-16
CH17-32
EXPANDER
1-8 = CH25-32
9-14 = ST1-3
15-16 = unused
EXPANDER
Out9-16
– The Qu system can interface directly or via the ME-U hub to ME-1 personal
mixers using any available dSNAKE, EXPANDER or MONITOR port.
Qu Mixer
dSNAKEdSNAKE
Qu MixerQu MixerQu Mixer
dSNAKE
AR2412
MONITOR
AB168
ME SystemME SystemME SystemME System
ME-U hub
Use the ME-U hub or a
standard PoE hub to
power and connect to
several ME-1 mixers
using individual Cat5
ME-D
ME-1
PoE
ME-1
cables.
Qu Mixer User Guide 18 AP9372 iss.6
PSU
EXPANDER
dSNAKE
AB168
PSU
Connect to Link In of the
PSU
first ME-1 mixer. Connect
EXPANDEREXPANDER
its Link Out to daisy chain
to the next. Use the power
units provided with each
5.3 The ME Personal Mixing System
Power unit
EXPANDER port
MONITOR port
Daisy chain
dSNAKE
dSNAKE
Daisy chain other M
E-1
The Allen & Heath ME Personal Mixing System can be used with the Qu mixer. This provides
customisable personal monitor control for individual musicians and performers on stage.
ME-1 personal mixer – A compact personal mixer
able to work with up to 40 channels. Features built-in
headphones and monitor output. Intuitive and easy to
operate, its 16 select keys can be configured to
provide as much or as little control as the musician
needs.
The 40 ME channels are mapped from the Qu input
channel direct outputs, FX and mixes to dSNAKE. Qu
sends audio and stereo status information. Channels
can be chosen and grouped to ME-1 keys using the
setup function available on the ME-1 mixer.
Multiple ME-1 mixers can be connected in series
(daisy chained) by linking the output of one to the
input of the next. Alternatively, they can be connected
in parallel and powered over their Cat5 cables using a
standard PoE Ethernet switch or the Allen & Heath
ME-U hub. The ME connects directly to a dSNAKE
compatible port using a Cat5 cable.
Connecting ME to the AR2412 AudioRack - ME-1 mixers, a standard Ethernet switch or the ME-U hub
can be plugged into either or both the AR2412 MONITOR and EXPANDER ports.
Connecting ME to the Qu mixer - ME-1 mixers, a standard Ethernet switch or the ME-U hub can be
plugged directly into the Qu dSNAKE port if you are not using this to connect to an AudioRack. Power can
be provided over the Cat5 by the ME-U or a PoE switch.
Find out more about the ME Personal Mixing System at www.allen-heath.com
Qu Mixer User Guide 19 AP9372 iss.6
6. Qu-16, 24, 32 Operational Overview
Fader Flip
TouchChannel
Screen select
SuperStrip
Fader Strips
Touch Screen
Master Strip
Mix assign
SoftKeys
Layer select
Copy/Paste/reset
Mix select
Mix keys
Channel select
Sel key
Engineer’s monitor
Qu-Drive
Funct
ion key (
Fn )
This section provides an overview of the Qu fader mixer layout and operation to help you get started
quickly. The Qu-16 mixer is shown here. Similar applies to the Qu-24 and Qu-32.
6.1 Fader Strips
The Qu mixer has a group of fader strips, one per channel. These
provide access to the input and master channel levels and
processing.
The main channel levels, master levels and all sends to the FX
and mixes can be easily viewed and adjusted using the faders.
The faders can also be used to adjust the Graphic EQ while in
Fader Flip mode.
The faders are motorised and instantly move to show the current
settings when the layer or function is changed.
Layers
alongside the layer select keys. Indicators next to the keys show which layer is active.
Note – There is an option in the Setup / Control / Custom Layer screen to enable ‘Custom Layer only’.
This lets you choose which channels the user should have access to.
– There are three Layers. These provide access to inputs and masters as identified by the labels
Press the lower key to access the mono channels.
Press the upper key to access the 3 stereo channels, FX returns, FX sends and Mix masters.
Press both keys together to access the user assignable Custom layer.
Qu Mixer User Guide 20 AP9372 iss.6
Mute key
all mixes including LR, groups, effects and stage monitors. The key lights red
when muted. It flashes when muted by a Mute or DCA Group master.
– Press to turn off the channel audio signal. This affects the send to
Sel key (select)
be adjusted using the SuperStrip controls. The touch screen will display the
settings and provide additional controls if either the Processing or Routing screen
is active. The Sel key is also used for:
Assign mix routing – Hold down the ‘Assign’ key and press Sel keys to
assign channels to the mix currently selected in the Master Strip. The Sel
keys light green to show channels assigned to the selected mix.
Assign Pre/Post fade sends – Hold down the ‘Pre Fade’ key and press Sel
keys to toggle channel sends pre or post fader for the mix currently selected
in the Master Strip. The Sel keys light green to show channels set pre-fade.
Copy channel processing – Hold down the Copy key and press a channel
Sel key to copy its processing settings. Then hold down the Paste key and
press one or more Sel keys to instantly paste those settings to other
channels.
Reset channel processing – Hold down the Reset key and press a channel
Sel key to instantly reset all its processing to factory default.
Reset Graphic EQ band – Press Sel to reset the associated GEQ frequency
band to 0dB while in GEQ Flip mode.
PAFL key
on the main meters. The meter PAFL indicator lights. Press PAFL again to turn it
off. A SoftKey can be assigned to clear all active PAFL selections. Options are
available in the Setup / Audio / PAFL screen to choose how you want PAFL to
work:
Additive mode – Pressing a PAFL key automatically cancels any previous
selection. Turn Additive on to PAFL more than one channel at a time.
Sel follow PAFL – Link the Sel switch so that pressing PAFL automatically
selects the processing for that channel.
LR to PAFL – Routes the main LR mix to the monitor when there is no PAFL
selected.
Output AFL – This option sets the mix strip PAFL keys to monitor AFL (afterfade listen). With this option turned off these keys monitor PFL (pre-fade
listen). The default is AFL so that you can check mixes after the master fader.
Input AFL – This option sets the input strip PAFL keys to monitor AFL (afterfade listen). With this option turned off these keys monitor PFL (pre-fade
listen). PFL is the usual setting for inputs so that you can check and set their
gain before you bring up the faders.
– Press to listen to a channel using headphones and check its level
– Press to access the Channel Processing. Parameters can
Channel meter
you are mixing. These display channel level before the fader and mute control:
Pk – Lights red to warn that the signal is too hot and gain or trim should be
reduced. It turns on 3dB before clipping to warn you before audible
distortion. Pk senses the signal at several points within the channel.
0 – Lights when the signal reaches nominal 0dBu allowing a healthy 18dB
headroom. This is the normal level for mixing.
Sig – Lights to show signal presence. It turns on at -26dBu.
Fader
This can be the main channel fader or a send to an effect or mix depending on
which Mix Select key is active in the Master Strip.
The faders can also control the Graphic EQ frequency bands while in GEQ Flip
mode. The range of frequencies accessed by the faders is highlighted in the touch
screen and labelled at the top of the faders. The centre 0dB flat position is marked
on the fader scale.
Qu Mixer User Guide 21 AP9372 iss.6
– Controls the level of the input channel, FX or mix master assigned to it.
– The strip meters let you keep an eye on signal levels while
6.2 The Master Strip
Qu provides a dedicated fader strip for the Mix Masters. It presents the fader and controls for the mix
currently selected using the Mix keys alongside. The sends to the selected mix are presented on the
channel faders. They move to show the current settings. This provides a very quick way to access each
mix without the need to switch to the Masters layer.
Mute key
key lights red when the audio is muted.
Sel key (select)
GEQ, Compressor, Delay) and its Routing parameters using the
SuperStrip and Touch Screen. The screen presents related parameters
while its Processing or Routing key is active.
The Sel key can also be used to:
Copy mix processing – Hold down the Copy key and press the
Sel key to copy the processing settings. Then select a different
Mix, hold down the Paste key and press the Sel key to instantly
paste those settings to that mix.
Reset mix processing – Hold down the Reset key and press the
Sel key to instantly reset all its processing to factory default.
Assign all sources – Hold down the Assign key and press the Sel
key to toggle all sources on (assigned) or off to the mix.
Set all sources Pre or Post-Fade – Hold down the Pre Fade key
and press the Sel key to toggle all sources Pre or Post Fade.
PAFL key
level on the main meters. The meter PAFL indicator lights. Press PAFL
again to turn it off. A SoftKey can be assigned to Clear All active PAFL
selections. Options are available in the Setup screen to choose how
you want PAFL to work. The default setting is AFL (after-fade listen).
– Press to turn off the mix master audio signal. The Mute
– Press to access the mix Processing (PEQ,
– Press to listen to a mix using headphones and check its
Mix meter
signal level. This is ‘post-fader’ and displays the level after the fader and
mute control to follow the signal available at the output of the mixer.
Pk – Lights red to warn that the signal is too hot and mix level
should be reduced. It turns on 3dB before clipping to warn you
before audible distortion.
0 – Lights when the signal reaches nominal 0dBu allowing a
healthy 18dB headroom. This is the normal level for mixing.
Sig – Lights to show signal presence. It turns on at -26dBu.
Fader
is +10dB boost available. Normal setting is around the ‘0’ position.
Mix Select keys
the master strip. Only one can be active at any time. Press a key to
select a mix. The channel faders move to become the sends to the
selected mix. Channels can be assigned using the Sel keys. Press the
key again turn return to the main LR mix.
LR sets the strip to control the main LR mix. This is the normal
selection for mixing the FOH (main PA) sound.
FX sets the strip to control the FX internal effects send master.
The Qu-16 has 2 FX buses. The Qu-24 and Qu-32 have 4 FX
buses.
Mix, Grp sets the strip to control one of the mono or stereo mix or
Group masters. Groups are not available on the Qu-16.
The Mix key can also be used to copy or reset any of the FX and Mix
send levels, pan and assignments. This does not affect the Pre/Post
settings.
– The strip meter lets you keep an eye on the mix master
– Controls the level of the mix master currently selected. There
– These select which mix master is presented on
Qu Mixer User Guide 22 AP9372 iss.6
6.3 Working with the sends on faders:
Sends on faders
Pre/Post
Assign
Toggle individual sources
Toggle all sources
Hold and then press
Sel
Qu-16
Qu-24 and 32
••••
Select a Mix - Press a Mix key. The master strip presents the
mix fader and controls. The channel faders move to present
the sends to that mix.
••••
Adjust Send levels – For Mix and FX sends. Move the
channel faders. These become the sends to the selected mix.
••••
Adjust Send pans - While a stereo Mix is selected, press a
channel Sel key and use the Pan control to pan its send in
the mix.
••••
Assign sends to the mix – Hold the Assign key to view the
current channel assignments (routing) to the mix. The Sel
keys light when the channel is assigned to the mix. To toggle
individual assignments on or off, press channel Sel keys
while holding Assign.
••••
To toggleall assignments on or off - Hold the Assign key
and press the master strip Sel key.
••••
Set sends Pre or Post fader – For Mix and FX sends. Hold
the Pre Fade key to view the current channel pre/post fade
settings for the mix. The Sel keys light when set to Pre-fade.
To toggle individual sends pre or post, press the channel Sel
keys while holding Pre Fade. It is typical to use Pre-fade for
monitor sends and Post-fade for effects sends.
••••
To toggleall sources Pre or Post Fade - Hold the Pre Fade
key and press the master strip Sel key.
••••
Group mixes – Selecting a Grp mix lets you assign channels
and FX returns to the group. The LR mix channel faders and
pan positions remain active. Groups are not available on the
Qu-16.
••••
Press the Mix key again or press LR to return to the main
mix, or press another Mix key to adjust a different mix.
Note Always remember to return to the main LR mix once you
have finished adjusting monitor or effects levels.
Qu Mixer User Guide 23 AP9372 iss.6
7. Qu-Pac Operational Overview
SoftKeys
Touch Screen
Live mixing
screens
System screens
ST3 Input
Custom Select keys
Fn key Copy/Paste/Reset keys
Screen rotary control
Qu-Drive USB
Phones
Alt Out
Channel screen
This section provides an overview of the Qu-Pac faderless mixer layout and operation to help you get
started quickly. The Qu-16 mixer is shown here. Similar applies to the Qu-24 and Qu-32
Channel select
Virtual fader strip
Mix select
Touch Screen
be controlled from the Qu-Pac front panel. The colour touch screen provides quick
access to these functions. The top presents tabs for the available pages. The bottom
presents a toolbar showing status information.
Screen Rotary
It highlights orange to show it is selected. Turn the Rotary to adjust its value.
Fn key
Its function, if available, is shown in the screen toolbar above the key. For example,
the Fn key provides quick access to the Libraries while in Processing screens.
- Press to open an option pop-up page for the currently selected screen.
Live mixing screens
functions such as level control and signal processing:
- All live mixing, setup and memory management functions can
- Adjusts the value of parameters on screen. Touch a parameter.
- These screens provide quick access to live mixing
Qu-Control - User assignable custom screen for simple
level, mute and on/off control. A user permission can be set
so that this is the only control available to the ‘Basic User’, for
example bar staff control of zone music source and level at a
venue.
Processing – Follows the active Sel key or button to open
the signal processing screens. This includes the Preamp,
Gate, Ducker, PEQ, GEQ, Compressor, Delay, FX
parameters and more.
Routing – Follows the active Sel key or button to open the
routing assignment screens.
Channel – Follows the active Sel key or button to open a
virtual ‘fader strip’ on screen. This replaces the physical
faders of the other Qu mixer models. It provides a way to
work with the faders when not mixing using an iPad.
The Channel screen presents tabs and Sel buttons to access
any Qu input or output channel, and the DCA and Mute
Group masters.
You can also use this screen to select a different
example to adjust monitor or FX send levels.
Mix, for
Qu Mixer User Guide 24 AP9372 iss.6
System screens
recording and memories:
- These screens provide access to the mixer setup, Qu-Drive
Home – Pages of housekeeping functions including safe
Shut Down, Lock Surface, change and set up User Profile,
view Meters and RTA, and work with Qu-Drive stereo and
multitrack recording and playback.
FX – View, load and set up the 4 internal effects units. The
Back Panel view lets you patch each unit as inserted or
send/return. These can provide reverbs, delay and
modulation effects types.
Scenes – Name, store and recall to/from 100 Scene
memories. You can block selected parameters from scene
recall by setting a global as well as per-scene Filters. You
can protect selected channels from recall by making them
Safe.
Setup – Access menus to configure Qu-Pac. Includes PAFL
options, Talkback, Signal Generator, Custom Sel keys,
SoftKeys, Network, MIDI, Output Patching and more. You
can transfer Scene, Library and Show data to a USB storage
device, calibrate the faders and screen, format a USB drive
for recording, and update the mixer firmware.
Press and hold the Setup key and turn the screen Rotary for
the dimmer function to adjust screen and indicator
brightness.
Copy/Paste/Reset keys
parameters. To copy – Hold down the Copy key and press the key associated with
the parameters you wish to copy. Then hold down the Paste key and press Sel key
(for processing) or Mix key (for send levels, pan and assign) of the channel or mix to
copy to. To Reset – Hold down the Reset key and press an associated key:
Custom Select keys
any combination of channels, masters and DCAs. For example, assign only those
that you are using for your show. Space is provided for a label strip. Assign these
keys using the Setup / Control / Custom Sel screen.
SoftKeys
functions such as mutes, tap tempo, scene recall and navigation, Qu-Drive transport
control, PAFL clear or Talk. Default is keys 1-4 assigned as Mute Groups 1-4, and
key 15 assigned as Talk for talkback to stage. Assign these keys using the Setup /
Control / SoftKeys screen.
ST3 Input
playback source such as an iPod, phone or laptop.
- 15 SoftKeys can be user assigned for quick access to various
- Convenient front panel stereo mini jack input for plugging in a local
Qu-Drive USB socket
for stereo or 18-track multitrack recording direct to a USB storage device.
Note – Qu-Drive audio recording and multitrack playback require the USB storage
device to support high sustained transfer rates. Not all USB devices will guarantee
flawless performance. To find out more please refer to the ‘Understanding Qu-Drive
and USB’ document in the Qu Knowledgebase on the Allen & Heath web site.
- These let you copy or reset processing or mix
+ Input strip Sel key = HPF, Gate, PEQ, Comp, Delay
+ Mix strip Sel key = PEQ, GEQ, Comp, Delay
+ Master Mix key = Send levels, Pans, Assign
+ touch Scene item in list = Scene name and contents
Note Copy/Reset of Mix does not affect the Pre/Post fader
settings.
- 16 Sel keys can be user assigned for quick access to
- For Scene, Library and Show data transfer, and also
Phones
listen to the mixer PAFL (monitor) signal.
Alt Out
panel. The source to this output is patched using the Setup / Output Patch /
Surface screen. For example you could access a stereo Matrix output here.
Qu Mixer User Guide 25 AP9372 iss.6
- Level trim and standard ¼” jack socket for plugging in headphones to
- Level control for the stereo ‘alternative’ local output available on the rear
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