DIGITAL MIXING RESHAPED
ALLEN&HEATH
Digital Mixing Reshaped
We have been creating high end mixing consoles for
some of the most discerning ears in the business since
1969. We’re not a software house, we don’t make stomp
boxes or cable testers – creating excellent mixers is, has
been and always will be our great passion. Qu mixers
have been designed by our in-house research and
development team in Cornwall, Great Britain, and are
directly descended from the GLD and iLive digital mixing
directly
systems that have earned the industry’s respect night
after night on tour and in live venues across the globe –
so you can be confident that you’re standing behind a
premium mixer that looks, feels, and sounds like a pro.
Qu mixers harness the full potential of digital mixing
technology, with total recall of settings (including the
all-important fader position and preamp gain),
convenient recording and playback solutions, iPad
control, personal monitoring options and the choice of
local or remote Cat5 I/O.
AnalogiQTM Preamps
The Mixing Experience
Our AnalogiQTM total recall preamps feature zero crossing
detection and an advanced padless 1dB step gain stage,
closely allied to the DSP for optimal gain accuracy and
audio transparency. The analogue signal is captured by
high class, low latency 24bit analogue to digital converters,
matched to high quality 24bit digital to analogue
converters to deliver the required outputs. The AnalogiQ
design has been refined to offer superb transparency,
design
minimal distortion and an ultra-low noise floor, with a warm,
musical sound that is missing from some digital consoles.
TM
Touch Control
The 800 x 480, sixteen million colour Touchscreen and its
dedicated data encoder form the heart of the Qu interface,
providing super-fast, easy access to all settings. The
user-friendly interface has been designed with clarity in mind.
Dedicated keys and screen tabs quickly guide you to meter
and RTA views, FX racks, channel processing, USB audio
control, scenes, setup menus and much more.
Having massive processing power and advanced
functionality is great, but it counts for nothing if you can’t
access the controls you need in a heartbeat. Once you start
using a Qu you’ll sense the years of research into
ergonomics and the hands-on mixing experience that our
team has drawn upon to deliver a wonderfully natural layout
and workflow. It’s not about recreating an analogue
interface, it’s about creating an experience that’s fluid,
interface,
comfortable and intuitive for novices, digital natives and old
school road warriors alike, making all the benefits of digital
mixing technology readily accessible to all.
Fader Automation
Moving faders started as an expensive option in the studio
desks of the 80s, and later became the norm with the advent
of digital technology. Nevertheless some entry-level digital
mixers lack this precious commodity which is a fundamental
part of the Total Recall approach. Fader automation is
essential for rapid mixing, especially when you’re dealing
with multiple monitor mixes – just press a mix key and the
faders immediately fly to the send levels for that mix.
faders immediately fly to the send levels for that mix.
Qu-16, Qu-24 and Qu-32 feature 16, 24 and 32 motorized
ALPS faders respectively, arranged over 2 layers, allowing
instant access to all channels and masters in a compact
space, plus a dedicated master fader which dynamically
follows the mix selection. A third, Custom layer is available
for ad-hoc user strip layout, where any combination of
Inputs, FX Sends, FX Returns, Mix masters and MIDI strips
can be assigned.
can be assigned.
Total Recall
True digital mixing is about being able to save and recall
scenes (snapshots) at the press of a button. Qu can store
up to 100 full Scenes for recall at will. Channels and mixes
can be made Safe from Scene recall. For example, if an
instrument or mic gets swapped out after the soundcheck,
the channel can be made safe to avoid settings being
overridden by Scene recalls. Or if a broadcast feed or
walk-in iPod is added last-minute before the show kicks off,
wal
that mix or channel can be made safe from any scene
change. In addition, single parameter updates can be
blocked using a Recall Filter. So if you tweak the graphic
EQ to reflect the room response when the audience gets in,
you can block this to prevent any overwriting at scene
change.
Custom settings for each EQ, compressor or channel can
be saved as Library presets. This lets you store your tried
and tested setting for your favourite vocal mic or reverb
pattern and apply it to other channels or shows. Libraries,
Scenes and the complete Show configuration can be
saved to a USB key, so you can carry the show with you,
ready to use on another Qu mixer.
Automatic Mic Mixer (AMM)
AMM is vital in applications such as conferences, meetings
and panel discussions where a number of microphones are
open at the same time. Reducing background noise and
minimising the risk of feedback, the Automatic Microphone
Mixer helps the engineer to manage the levels of multiple
mic inputs, ensuring that each speaker’s contribution is
heard clearly. The D-Classic dynamic gain sharing algorithm
is inspired by industry standard automixers. Up to 16
is
microphone sources can be mixed at once, with each
channel having a priority setting which determines its
‘weight’ in the total system gain.
iLive FX
Qu’s dynamics and FX algorithms are derived from the FX
used in our iLive pro touring series. Some of the world’s most
respected audio engineers have chosen to use iLive’s FX on
tour in preference to top-end plug-ins and external FX units.
All Qu models boast 4 stereo iLive FX engines, featuring
lovingly crafted emulations of legendary classic reverbs,
gated reverbs, delays, modulators, flangers and more.
The FX library has the ability to grow with future firmware
releases. FX are returned to the mix on dedicated return
channels, so you’re not tying up your mono and stereo input
channels. Each Stereo FX Return has a dedicated 4 band
PEQ.
Qu-Drive
Forget soundcard drivers and software setup, Qu has an
integrated multitrack USB recorder, providing 18 channels
of 48kHz, 24bit recording and playback straight to / from
your USB hard drive. Capturing multitrack recordings of
your shows has never been so easy. Mixes and FX returns
can be recorded alongside channels, and multitrack audio
can be played back to the mixer for virtual sound-checks.
An
An independent set of controls is provided for quick stereo
recording of the main LR or other mix outputs, and a
2-track USB return can be routed to ST3 for playback of
stereo WAV files such as walk-in music.
The SuperStrip
On Qu-16, Qu-24 and Qu-32 all your key processing tools are
presented in a clean layout on the SuperStrip, with 1 function
per physical control. The SuperStrip is complemented by an
onscreen TouchChannel for intuitive access to full processing
parameters without clutter or complex menu structures.
Processing for Mono and Stereo inputs includes trim,
polarity, HPF, gate, insert, 4 band PEQ, compressor and
delay. All mixes including LR provide Insert, 4 band PEQ, 1/3
dela
octave GEQ, compressor and delay.
On Qu-Pac, the new Channel screen replaces the physical
fader strips. Different tabs provide access to Input Channels,
FX, Groups, Mixes, DCA and Mute Groups. Tap on a channel
to select and the Virtual Fader strip gives control of level,
mute, pan and PAFL for the selected channel. Tap on the
Current Mix box to select a different Mix.
Channel Ducker
An advanced yet easy to use Ducker is now available on
every channel. It can be inserted on the fly on any number
of Inputs and Stereo Groups, providing auto signal
attenuation and then gently restoring the level to aid the
operator in endless applications: reduce the level of
background music when a single microphone or mic mix
is in use, for example during live announcements, or give
a chairman microphone priority over others. Setup is a
a
breeze, with the option to share Ducker settings across
multiple channels when in Gang mode.
USB Audio Streaming
Qu’s built-in interface streams multitrack audio to your Mac or
PC via a flexible patching system: all Input channels and the
Main LR can be recorded at the same time, or you may
choose to record something different such as FX returns or a
pair of mixes.
The returns from the computer can be assigned to the Input
The
channels. The interface is class-compliant on Mac OS X – and
drivers are available for Windows systems. Either way, it will
be recognized straightaway by any DAW supporting ASIO or
Core Audio, including Logic, Cubase, Reaper, and Pro Tools.
Quickly access preamp gain,
HPF frequency, PEQ settings,
gate & compressor threshold,
and PAN. The Source key
toggles between analogue
inputs or USB.
5” 800x480 colour touchscreen
with dedicated navigation keys
and rotary encoder.
GEQ Flip toggles the faders to
Graphic EQ sliders.
Copy, Paste or Reset any section
of processing or a whole channel
or mix. The Fn (Function) key
brings up a popup page relevant
to the current screen.
Qu-Drive multitrack / stereo recording
and playback, data transfer, archiving
and firmware update.
ST3 Mini-jack stereo input
for portable devices.
Fader strips with Mute, Select, PAFL
switches, signal meter, and 100mm
motorised fader. Access all the processing
for each strip with Sel. The Peak indicators
are multi-point – they are triggered by any
signal clip in the channel path.
16 faders in 3 layers give
access to all channels and
masters in a compact space.
Assign any combination of
Inputs, FX sends, FX returns
and Mix masters to the
Custom layer.
Access mix sends on faders with
the dedicated Mix keys.
4 user-assignable SoftKeys for scene
recall, mutes, tap tempo and more.
RACKMOUNTABLE DIGITAL MIXER
FOR LIVE, STUDIO AND INSTALLATION
With 24 sources to the mix including stereo inputs and returns, Qu-16 is the
equivalent of a 30 channel analogue console with extensive outboard equipment
(22 gates, 34 compressors, 12 graphic equalizers and 4 stereo effects)! Add the
unique Qu-Drive recording facilities, dSNAKE connectivity and Total Recall scene
system and you get a true powerhouse in just 19 inches.
9
6
1
2
8
3
7
4
5
Balanced Stereo Inputs
1
2
Ethernet network port for remote / wi-fi control
TM
dSNAKE
3
USB audio streaming, class-compliant on Mac
4
Remote Audio port for digital snake and personal monitoring
All 12 Mix outputs on XLR
5
2TRK Out
6
Patchable Alt Out
7
AES digital stereo output
8
Dedicated Talkback preamp
9
Groups 1-4 are typically used
as subgroups to LR for level
masters and/or processing, for
example to compress a drum
kit or to tame multiple lavalier
microphones with a single
graphic equalizer.
iPad Shelf.
Quickly access preamp gain,
HPF frequency, PEQ
settings, gate & compressor
threshold, and PAN. The
Source key toggles between
analogue inputs or USB.
Welcome to the Matrix – 2
additional stereo outputs
equipped with full processing
add to the extensive I/O of the
Qu-24. It is a ‘mixer within a
mixer’ fed from any
combination of Group 1-4, Mix
1-10, and main LR. It can be
1-10, and main LR. It can be
used to provide a broadcast
feed, a recording mix, or
duplicate the main outputs for
delay stacks and fill / zone
speakers where independent
GEQ and delay is applied.
ST3 Mini-jack
stereo input
for portable
devices.
Fader strips with Mute, Select,
PAFL switches, signal meter,
and 100mm motorised fa
der. Access all the processing
for each strip with Sel.
The The Peak indicators are
multi-point – they are
triggered by any signal clip in
the channel path.
GEQ Flip
toggles the
faders to
Graphic EQ
sliders.
24 faders in 3 layers give
access to all channels
and masters in a
compact space. Assign
any combination of
Inputs, FX sends, FX
returns, Groups, Mix and
Matrix masters to the
Matrix masters to the
Custom layer.
5” 800x480
colour
touchscreen
with dedicated
navigation keys
and rotary
encoder.
Copy, Paste or Reset
any section of
processing or a whole
channel or mix. The Fn
(Function) key brings up
a popup page relevant
to the current screen.
Qu-Drive
multitrack /
stereo
recording and
playback,
data transfer,
archiving and
firmware
firmware
update.
functions such as Mute
Access mix
sends on
faders with
the dedicated
Mix keys.
Qu-24 packs 10
SoftKeys for more
user-assignable
Groups, Tap Tempo,
Scene navigation or
PAFL Clear.
COMPACT DIGITAL MIXER
FOR LIVE, STUDIO AND INSTALLATION
With 32 sources to the mix including stereo inputs and returns, Qu-24 is the equivalent of a 38 channel
analogue console with extensive outboard equipment (30 gates, 50 compressors, 20 graphic
equalizers and 4 stereo effects)! On top of this Qu-24 adds extra SoftKeys, a complete Matrix system
and two stereo Groups. All Groups can be used in Mix mode, allowing Qu-24 to offer up to 9 monitor
mixes (4 mono + 5 stereo).
9
1
8
7
6
3
Balanced Stereo Inputs
1
Ethernet network port for remote / wi-fi control
2
dSNAKE
3
and personal monitoring
USB audio streaming, class-compliant on Mac
4
2
TM
Remote Audio port for digital snake
4
5
All 20 Mix outputs on XLR
5
2TRK Out
6
Patchable Alt Out
7
8
AES digital stereo output
Dedicated Talkback preamp
9
iPad Shelf.
Groups 1-8 are typically used
as subgroups to LR for level
masters and/or processing, for
example to compress a drum
kit or to tame multiple lavalier
microphones with a single
graphic equalizer.
Quickly access
preamp gain, HPF
frequency, PEQ
settings, gate &
compressor
threshold, and PAN.
The Source key
toggles between
toggles between
analogue inputs or
USB.
4 DCA groups for
level control of the
assigned
channels. The
equivalent of VCAs
on analogue
consoles, DCAs
group the level
group the level
and mute controls
of multiple
channels into a
single strip,
without wasting
additional buses.
Copy, Paste
or Reset any
section of
processing
or a whole
channel or
mix. The Fn
(F
(Function)
key brings
up a popup
page
relevant to
the current
screen.
ST3 Mini-jack
stereo input
for portable
devices.
32 faders arranged in 4 banks
and 3 layers give access to all
channels and masters in a
compact space. Assign any
combination of Inputs, FX
sends, FX returns, Groups,
Mix and Matrix masters, MIDI
strips to the Custom laye
strips to the Custom layer.
Fader strips with Mute, Select, PAFL
switches, signal meter, and 100mm
motorised fader. Access all the processing
for each strip with Sel.
The Peak indicators are multi-point – they
are triggered by any signal clip in the
channel path.
GEQ Flip
toggles the
faders to
Graphic EQ
sliders.
7” 800x480
colour
touchscreen
Welcome to the Matrix – 2
additional stereo outputs
equipped with full processing
add to the extensive I/O of the
Qu-32. It is a ‘mixer within a
mixer’ fed from any
combination of Group 1-8, Mix
1-10, and main LR. It can be
1-10, and main LR. It can be
used to provide a broadcast
feed, a recording mix, or
duplicate the main outputs for
delay stacks and fill / zone
speakers where independent
GEQ and delay is applied.
Qu-Drive
multitrack /
stereo
recording and
playback,
data transfer,
archiving and
firmware
firmware
update.
Access mix
sends on
faders with
the dedicated
Mix keys.
Qu-32 packs 10
SoftKeys for more
user-assignable
functions such as
Mute Groups, Tap
Tempo, Scene
navigation or
PAFL Clea
PAFL Clear.
COMPACT DIGITAL MIXER
FOR LIVE, STUDIO AND INSTALLATION
With 4 DCAs and 40 sources to the mix including stereo inputs and returns, Qu-32 is the equivalent of
a 46 channel, 8 groups, 4 VCA analogue console with extensive outboard equipment (38 gates, 62
compressors, 24 graphic equalizers and 4 stereo effects)! All Groups can be used in Mix mode,
allowing Qu-32 to offer up to 11 monitor mixes (4 mono + 7 stereo).
Balanced
1
Stereo Inputs
9
2
1
4
3
All 24 Mix outputs
5 6 7
on XLR
2
Ethernet network port for
remote / wi-fi control
8
6
7
2TRK Out
3
5
Patchable Alt Out
dSNAKETM Remote Audio
port for digital snake and
personal monitoring
AES digital stereo
8
output
USB audio streaming,
4
class-compliant on Mac
Dedicated Talkback
9
preamp
15 SoftKeys for user-assigned
functions such as Mutes, Tap
Tempo, Instant Scene Recall/
Navigation or PAFL Clear.
5” 800x480 colour
touchscreen with
dedicated navigation
keys and rotary
encoder.
Qu-Control brings up a fully customizable
screen which gives access to channels and
settings tailored to the user and application.
Several ‘widgets’ can be assigned to the
page, these include channel levels, mutes
and assignment on/off switches and are
arranged to suit the user requirement, for
example as a source selection and level
example
control of background music to one or
multiple zones.
ST3 Mini-jack
stereo input
for portable
devices.
Ultra-compact chassis for
desktop or rack mounting
(4 rack spaces).
Balanced
1
Stereo Inputs
16 custom select keys
for quick access to any
combination of inputs
and masters.
Ethernet network port for
2
remote / wi-fi control
Copy, Paste or Reset any section
of processing or a whole channel
or mix. The Fn (Function) key
brings up a popup page for the
current screen.
dSNAKETM Remote Audio
3
port for digital snake expansion
and personal monitoring
Channel Screen gives
access to any input /
master / DCA masters
from the front panel.
USB audio streaming,
4
class-compliant on Mac
Qu-Drive multitrack /
stereo recording and
playback, data transfer,
archiving and firmware
update.
All 24 Mix outputs
5 6 7
2TRK Out
on XLR
Patchable Alt Out
AES digital stereo
8
output
Dedicated Talkback
9
preamp
Qu-Pac takes the power and legendary quality of the Qu
family and shrinks it into an uber-compact desk or rack
mount format. Qu-Pac frees you to mix from your iPad,
but the full functions of the mixer can also be accessed
from the front panel and touchscreen.
W
With custom settings and Cat5 expansion up to 38 inputs,
Qu-Pac provides a scalable, failsafe solution for
hardworking bands, schools, hotels, corporate events,
live music bars, conferences, personal mixing and many
more scenarios requiring a pro mixing solution in a tiny
footprint.
User permissions and the customizable Qu-Control screen
make Qu-Pac convenient and safe for day-to-day use by
non-technical staff.
All Groups can be used in Mix mode, allowing Qu-Pac to
offer up to 11 monitor mixes (4 mono + 7 stereo).
Qu-Pac has the built-in I/O of a Qu-16 mixer
but with the ‘brain’ of a Qu-32, allowing it to
handle up to 38 inputs when connected to
our family of AudioRacks over up to 120m
of Cat5 cable.
AB168
Optional Audio Rack
Qu-Pad
App for iPad
Qu-Pac
Rack Mounted (easy-fit rack ears included)
Ethernet Network port for
remote wireless control
32x32 USB
audio interface
Assignable footswitch connection
Qu-Drive multitrack / stereo
recording and playback,
data transfer, archiving and
firmware updates
16 XLR mic / TRS line inputs
dSNAKETM Remote Audio
port for digital snake expansion
(up to 32 mics), personal monitoring
and more outputs.
12 Mix Outputs on XLR,
up to 24 via dSNAKE
Balanced Stereo
Input and Stereo
Matrix output
Headphone output
ULTRA COMPACT DIGITAL MIXER
FOR LIVE, STUDIO AND INSTALLATION
Qu-SB is a super-compact digital mixer designed for iPad control, freeing you to mix from anywhere in
the venue and providing a smart, portable solution for bands, AV and installation. The companion
Qu-Pad app is a beautifully elegant, intuitive mixing interface, giving easy access to the full wealth of Qu
features and setup options.
On top of its 18 onboard inputs and 14 outputs, Qu-SB can be expanded up to 32 mono inputs and 24
On
outputs by connecting to one of our family of remote AudioRacks over a single Cat5 cable. Any of the
mixer’s 4 Groups can be used in Mix mode, allowing Qu-SB to offer up to 11 monitor mixes (4 mono +
7 stereo). Couple this with the Qu-You personal monitoring app for Android and iOS, plus the ME-1
personal mixers, and Qu-SB is a fantastic choice for bands looking for the same great monitor sound
wherever they play.
Qu-SB has 18 inputs and 14 outputs on the surface, but
has the ‘brains’ of a Qu-32, allowing it to handle up to 38
inputs and 24 outputs, when connected to our family of
AudioRacks over Cat5 cables up to 120m.
Qu-Pad
App for iPad
AB168
Optional Audio Rack
Qu-SB
Qu-Pad
Add the Qu-Pad iPad app to your Qu setup and you’re free
to adjust the monitors on stage, roam around the venue
whilst tweaking the PA, and then mix the show from the
heart of the audience. Qu-Pad connects to the mixer over
Wi-Fi* and gives instant access to all live mixing
parameters and settings.
*Requires the connection of a Wi-Fi router or access point to the
Qu Network port.
Qu Network port.
Qu-You
Qu-You allows up to seven performers to control their
monitor mixes using an Android device, iPhone, iPad
or iPod Touch, and frees up the engineer to focus on
the audience.
ME Personal Mixing System
Qu mixers are fully compatible with our ME Personal Mixing
System. Any number of ME-1 personal mixers can be
chained from the dSNAKE
AB168 AudioRack if you’ve got one connected to the
dSNAKE
control over their own mix, leaving the engineer free to
focus on the audience experience.
Find out more at allen-heath.com/ME
Find out more at allen-heath.com/ME
TM
port). Each performer can be given tailored
TM
port (or from an AR2412 /
Remote Audio
Qu mixers are self-contained, so if you’ve already got the
analogue cables you’re good to go. If you’re thinking of
trading in the copper multicore for a Cat5 digital snake,
Qu’s dSNAKE
connection to a combination of AR2412, AR84 or portable
AB168 AudioRacks.
TM
port has you future-proofed, allowing
dSNAKETM is our proprietary networking solution, boasting
a transport latency of only 105us over cable runs of up to
120m / 390’. So if you’re mixing FoH you can place your I/O
on the stage and run a single Cat5 cable back to the Qu
mixer in the mix position.
AR2412
24 inputs, 12 outputs
AudioRack with dSNAKE
connection, expansion port
and dedicated EtherCon
connection to the ME personal
mixing system. 3u rack mount.
TM
AR84
8 inputs, 4 outputs AudioRack
with dSNAKE connection.
1u rack mount.
AB168
Portable rugged 16 inputs, 8 outputs
stagebox with dSNAKE
and expansion port.
TM
connection
Qu in the Studio
Qu mixers can sit at the heart of your studio and
double as a tracking desk, audio interface and DAW
controller.
The built-in USB interface can handle up to 32x32*
The
channels full-duplex of high quality 24bit 48kHz
audio. MIDI control is tunnelled over the USB connec-
tion and the Custom layer can be populated with MIDI
strips for direct assignment or ‘learning’ of faders and
Mute, Sel and PAFL keys in the DAW.
You can also download the free DAW Control app for
Mac OS X, which translates the standard MIDI
messages to popular HUI or Mackie Control
protocols, for easier setup and deeper integration
with the mixer.
Add one or more ME-1s for personal foldback mixes
to the recording room.
* 24x22 on Qu-16, 32x30 on Qu-24* 24x22 on Qu-16, 32x30 on Qu-24
ARMed to the Hilt
Digital Mixing Reshaped
Qu mixers are equipped with 5 cores of high efficiency
ARM core processing, with dedicated ARM cores
running the touchscreen display and surface, USB
streaming, Qu-Drive multi-channel USB recording /
playback, Ethernet and fader automation. Between
them the ARM cores provide state-of-the-art
processing, working in parallel to deliver extensive
control, instant-on operation, and lightning-fast
control,
response.
The mixer’s DSP farm exploits next generation dual
core DSPs. With plenty of DSP power under the hood
the channel processing is only using a fraction of
capacity, so Qu is future-proofed, with ample room for
updates and extra functionality.
The DSP architecture employs varied bit depths,
The
tailored to specific algorithms, with 48 bits on critical
EQ functions and a 56 bit accumulator on the mix bus
where it really counts, allowing every nuance of the
audio to be captured in the final mix.
Made from 18 gauge, cold-rolled Zintec steel, Qu’s
distinctive frame is designed for strength and rigidity.
We’ve done unspeakable things to that chassis in the
lab and it’s taken everything we’ve thrown at it – even
being stomped on by our resident ex-tank commander.
Silence is a precious commodity in the live or studio
Silence
environment, which is why nobody wants those
moments of stillness ruined by the whirring of fans
coming from the mix position. Qu’s sleek profile
generates optimal airflow through the mixer, eliminating
the need for any fans.
The shape has some unexpected benefits too. When
we started taking Qu out to gigs we soon found the
space beneath it incredibly useful for keeping our USB
drive, talkback mic, cue sheet and other clutter tucked
out of the way. We’ve even had engineers hanging the
mixer from a handy scaffold bar and mixing vertically.
Applications
Qu-16 + AB168
Rugged digital box for all 16 mono inputs and up to 8
returns, plus Qu-Drive direct recording on USB media.
Qu-Pac + AB168 +Qu-Pad
Qu-Pac as a rackmounted install mixer operated
from the touchscreen, with occasional live shows
benefitting from 32 remote XLR inputs on stage and
wireless tablet mixing.
In the Studio
Qu-16 as a tracking desk, audio interface, monitor
router and DAW Controller.
Accessories
AH9650 – 100m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors
AH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors
AH9651 – 20m EtherFlex Cat5 with locking Neutrik EtherCon connectors
LEDLamp – Variable brightness 18” gooseneck lamp
QU-16-RK19 – Rack mounting kit for Qu-16
QU-SB-RK19X – Rack mounting kit for Qu-SB
AP9262
AP9262 – Dust cover for Qu-16
AP9458 – Dust cover for Qu-24
AP9639 – Dust cover for Qu-32
AP9932 – AB168 Bag
AP9931 – Qu-16 Bag
AP9933 – Qu-Pac Bag
Technical Specifications
allen_heath allenheathofficial
AP9457_5 Allen & Heath reserves the right to alter any information supplied in this document or any other documents supplied hereafter. E&OE
ALLEN&HEATH
www.allen-heath.com
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