AKG PERCEPTION 170 User Manual

PERCEPTION
User Instructions.............................p. 2
Please read the manual before using the equipment!
Mode d’emploi .............................p. 14
Veuillez lire cette notice avant d’utiliser le système!
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Table of Contents
Page
1.1 Precaution ..................................................................................3
1.2 Unpacking ..................................................................................3
2 Description ...........................................................................................3
2.1 Introduction.................................................................................3
2.2 Features .....................................................................................3
2.3 Optional Accessories ...................................................................4
3 Interfacing ............................................................................................5
3.1 General.......................................................................................5
3.2 Pinout.........................................................................................5
3.3 Connecting the Microphone .........................................................5
4 Using Your Microphone.........................................................................6
5 Cleaning................................................................................................6
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Page
The International Page ..........................................................................19
AKG PERCEPTION 170
1
Precaution/Unpacking
!
L
1.1 Precaution
Please make sure that the piece of equipment your microphone will be connected to fulfills the safety regulations in force in your country and is fitted with a ground lead.
1.2 Unpacking
Check that the packaging contains all of the items listed below:
• Microphone
• Stand adapter
• Carrying case
• Mini poster
Should any item be missing, please contact your AKG dealer.
AKG PERCEPTION 170
2 Description
2.1 Introduction
Thank you for purchasing an AKG product. This Manual contains important instructions for setting up and operating your equipment. Please take a few minutes to read the instructions below care- fully before operating the equipment and keep the Manual for future reference. Have fun and impress your audience! The
PERCEPTION 170 condenser microphone built to the same strict qual­ity standards as all other AKG products. Designed on the basis of AKG’s decades of know­how and feedback from sound engineers around the world using AKG studio microphones every day, this general-purpose small-diaphragm microphone brings AKG studio quality to the worlds of recording, live sound, and broadcasting.
is a heavy-duty, rugged true
2.2 Features
Cardioid polar pattern: The microphone is
most sensitive to sounds arriving from in front of it while picking up much less of sounds arriv­ing from the sides or rear (from monitor speak­ers or neighboring instruments). This makes the microphone equally suited for recording and onstage use.
Gold-sputtered diaphragm: The diaphragm is
made of a plastic foil that is gold-sputtered on one side only to prevent shorting to the back electrode even at extremely high sound pres­sure levels.
All-metal body: The all-metal body adds to the
rejection of RF interference so you can use the microphone near transmitter stations and along with wireless microphones or other communi­cations equipment. The extremely rugged, heavy body and sturdy front grill protect the microphone from damage from tough handling on stage.
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High headroom, minimum distortion:
Capable of handling sound pressure levels up to 155 dB without introducing perceptible dis­tortion and built to resist high temperatures and humidity, the microphone will give excellent results in a wide range of applications.
Switchable preattenuation pad: The preat-
tenuation switch (1) on the microphone rear (refer to fig. 1) lets you increase the headroom by 20 dB for distortion-free close-in recording. The preattenuation pad prevents the micro-
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phone's output level, particularly at low fre­quencies, from overloading the miniature transformers used in many mixer input stages, etc.
2.3 Optional Accessories
PF 80 studio pop screen
ST 305 floor stand
Fig. 1: Preattenuation switch (1) on 170
rear.
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PERCEPTION
AKG PERCEPTION 170
3 Interfacing
3.1 General
The microphone uses a true condenser trans­ducer designed for 48-volt phantom powering to DIN 45 596/IEC 268-15. Neither the diaphragm nor the backplate are permanently polarized, so the microphone needs an external power supply.
3.2 Pinout
The microphone provides a balanced output on a 3­pin male XLR connector: Pin 1: ground Pin 2: hot Pin 3: cold
AKG PERCEPTION 170
Fig. 2: Connecting to a balanced input with phantom power.
3.3 Connecting the Microphone
Refer to fig. 2 above.
1. Use an XLR cable to connect the microphone to
a balanced XLR input with phantom power.
2. Switch the phantom power on. (Refer to the user
manual of the unit to which you connected your microphone.)
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4 Using Your Microphone
The
PERCEPTION 170 microphone for recording, broadcast, and onstage use. Every instrument radiates its sound in a specific way.Therefore, to get the best sound it is crucial to experiment with microphone placement.
• When recording wind instruments or vocals,
make sure not to blow or sing directly into the microphone.
• To avoid unwanted wind and pop noise or mois-
ture problems, place an optional PF 80 pop screen from AKG between the microphone and vocalist/instrument.
Keep the microphone dry. Moisture from
blowing or singing directly at the capsule from a short distance, or extremely high humidity
is a general-purpose cardioid
may cause the microphone to start crackling or go very quiet due to partial shorting of the polarization voltage.
High volume instruments: You can use this
microphone for close-in recording of very loud instruments (brass instruments, kick drum, etc.). Use a pen or similar pointed object to set the preattenuation switch to the “-20 dB” position. This switches the preattenuation pad in, enabling the microphone to handle sound pressure levels up to 155 dB.
Low-frequency noise: To suppress low-fre-
quency noise such as air conditioning rumble, footfall noise, or traffic sounds, check whether your mixer provides highpass filters on the microphone channels. If it does, switch the appropriate highpass filter in.
5 Cleaning
• To clean the surface of the microphone body, use a soft cloth moistened with water.
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AKG PERCEPTION 170
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