Yamaha Audio MU80 User Manual

Effect Program List

REVERB

No. Effect Type Features

1 NO EFFECT Effect off. 2 HALL1 Concert hall reverb. 3 HALL2 Concert hall reverb. 4 ROOM1 Small room reverb. 5 ROOM2 Small room reverb. 6 ROOM3 Small room reverb. 7 STAGE1 Reverb for solo instruments. 8 STAGE2 Reverb for solo instruments.

9 PLATE Simulated steel plate reverb. 10 WHITE ROOM Distinctive short reverb with initial delay. 11 TUNNEL Simulation of long tunnel-like space. 12 CANYON Long, cavernous reverb. 13 BASEMENT Small, highly reflective room reverb.

CHORUS

No. Effect Type Features

1 NO EFFECT Effect off.

2 CHORUS1 Conventional chorus program with rich, warm chorusing.

3 CHORUS2 Conventional chorus program with rich, warm chorusing.

4 CHORUS3 Conventional chorus program with rich, warm chorusing.

5 CELESTE1 Three-phase LFO for richer, more pronounced chorusing.

6 CELESTE2 Three-phase LFO for richer, more pronounced chorusing.

7 CELESTE3 Three-phase LFO for richer, more pronounced chorusing.

8 FLANGER 1 Pronounced three-phase modulation with slight metallic sound.

9 FLANGER 2 Pronounced three-phase modulation with slight metallic sound. 10 SYMPHONIC Exceptionally rich & deep chorusing. 11 PHASER Pronounced, metallic modulation with periodic phase change.

VARIATION

No. Effect Type Features

1 NO EFFECT Effect off.

2 HALL1 Concert hall reverb.

3 HALL2 Concert hall reverb.

4 ROOM1 Small room reverb.

5 ROOM2 Small room reverb.

6 ROOM3 Small room reverb.

7 STAGE1 Reverb for solo instruments.

8 STAGE2 Reverb for solo instruments.

9 PLATE Simulated steel plate reverb. 10 DELAY L,C,R Three independent delays, for the left, right and center stereo positions. 11 DELAY L,R Initial delay for each stereo channel, and two separate feedback delays. 12 ECHO Stereo delay, with independent Feedback Level controls for each channel. 13 CROSS DELAY Complex effect that sends the delayed repeats “bouncing” between the left and right channels. 14 ER1 Early reflections only. 15 ER2 Early reflections only. 16 GATE REVERB Gated reverb effect, in which the reverberation is quickly cut off for special effects. 17 REVERSE GATE Similar to Gate Reverb, but with a reverse increase in reverb. 18 KARAOKE1 Deep echo effects, suited especially for Karaoke-type vocals. 19 KARAOKE2 Deep echo effects, suited especially for Karaoke-type vocals. 20 KARAOKE3 Deep echo effects, suited especially for Karaoke-type vocals. 21 CHORUS1 Conventional chorus program with rich, warm chorusing. 22 CHORUS2 Conventional chorus program with rich, warm chorusing. 23 CHORUS3 Conventional chorus program with rich, warm chorusing. 24 CELESTE1 Three-phase LFO for richer, more pronounced chorusing. 25 CELESTE2 Three-phase LFO for richer, more pronounced chorusing. 26 CELESTE3 Three-phase LFO for richer, more pronounced chorusing. 27 FLANGER 1 Pronounced three-phase modulation with slight metallic sound. 28 FLANGER 2 Pronounced three-phase modulation with slight metallic sound. 29 SYMPHONIC Exceptionally rich & deep chorusing. 30 ROTARY SPEAKER Rotary speaker simulation. Rotation speed can be controlled using AC1 (Assignable Controller 1). 31 TREMOLO Rich Tremolo effect with both volume and pitch modulation. 32 AUTO PAN Several panning effects that automatically shift the sound position (left, right, front, back). 33 PHASER Pronounced, metallic modulation with periodic phase change. 34 DISTORTION Hard-edge distortion. 35 OVERDRIVE Mild, warm distortion. 36 AMP SIMULATOR Simulated guitar amplifier sound. 37 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls. 38

*2BAND EQ(STEREO) 39 AUTO WAH(LFO) Repeating filter sweep “wah” effect; also serves as pedal wah (with AC1). 40 PITCH CHANGE Independent left, right channel pitch change. 41 AURAL EXCITER Enhances the sound by giving it greater definition, presence and clarity. 42 TOUCH WAH Wah effect that varies filter sweep according to input level (or touch); also serves as pedal wah (with AC1). 43 TOUCH WAH+DIST Same as Touch Wah, but with added Distortion. 44 COMPRESSOR Affects the dynamics of the sound by smoothing out the high-volume peaks and soft-volume dips. 45 NOISE GATE Eliminates any noise or hum in the signal. 46 THRU Effect bypass; no effect applied.

*2BAND EQ(STEREO) voice cannot be used with A/D input.

DISTORTION

No. Effect Type Features

1 THRU Effect off. 2 DISTORTION Hard-edge distortion. 3 OVERDRIVE Mild, warm distortion. 4 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls.

Stereo EQ program with low and high frequency controls; ideal for tweaking drum parts. (Cannot be used with A/D input.)

MU80 Effect Parameter List

Parameter Range Value

HALL1,HALL2 ROOM1,ROOM2,ROOM3 STAGE1,STAGE2 PLATE

1 Reverb Time 0.3~30.0s 0-69 Table#4 This determines the time or length of the Reverb effect. 2 Diffusion 0~10 0-10 This determines the density and complexity of the reflections that make up the

3 Initial Delay 0~63 0-63 Table#5 This determines the time delay between the direct sound and the first of the many 4 HPF Cutoff Thru~8.0kHz 0-52 Table#3 The High Pass Filter allows you to filter out low frequency sounds from the

5 LPF Cutoff 1.0k~Thru 34-60 Table#3 The Low Pass Filter allows you to filter out high frequency sounds from the

6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 Rev Delay 0~63 0-63 Table#5 12 Density 0~4 0-4 13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10

15 16

HINT : LPF Cutoff Judicious use of the Low Pass Filter helps to create a more natural Reverb sound, since many actual performance environments have a relatively “dead”

WHITE ROOM TUNNEL CANYON BASEMENT

1 Reverb Time 0.3~30.0s 0-69 Table#4 See above. 2 Diffusion 0~10 0-10 See above. 3 Initial Delay 0~63 0-63 Table#5 See above. 4 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above. 5 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above. 6 Width 0.5~10.2m 0-37 Table#11 7 Height 0.5~20.2m 0-73 Table#11 8 Depth 0.5~30.2m 0-104 Table#11 9 Wall Vary 0~30 0-30

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 Rev Delay 0~63 0-63 Table#5 12 Density 0~4 0-4 13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10 15 Feedback Level -63~+63 1-127

DELAY L,C,R

1 Lch Delay 0.1~715.0ms 1-7150 Left channel initial delay time. 2 Rch Delay 0.1~715.0ms 1-7150 Right channel initial delay time. 3 Cch Delay 0.1~715.0ms 1-7150 Center channel initial delay time. 4 Feedback Delay 0.1~715.0ms 1-7150 Time delay of all delayed repeats following the initial delayed repeat. 5 Feedback Level -63~+63 1-127 Level of feedback delays.

6 Cch Level 0~127 0-127 7 High Damp 0.1~1.0 1-10 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above. 12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.

13 14 15 16

CAUTION! : FB Level Be careful when setting this parameter, since extreme values may result in uncontrollable feedback. NOTE : FB Level This parameter is not available for the Symphonic effect.

DELAY L,R

1 Lch Delay 0.1~715.0ms 1-7150 Right channel initial delay time. 2 Rch Delay 0.1~715.0ms 1-7150 Center channel initial delay time. 3 Feedback Delay 1 0.1~715.0ms 1-7150 Time delay of all delayed repeats (for Delay 1) following the initial delayed repeat. 4 Feedback Delay 2 0.1~715.0ms 1-7150 Time delay of all delayed repeats (for Delay 2) following the initial delayed repeat. 5 Feedback Level -63~+63 1-127 Level of both feedback delays. 6 High Damp 0.1~1.0 1-10 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above. 12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.

13 14 15 16

ECHO

1 Lch Delay1 0.1~355.0ms 1-3550 Left channel initial delay time. 2 Lch Feedback Level -63~+63 1-127 Level of left channel feedback delays (following initial delay). 3 Rch Delay1 0.1~355.0ms 1-3550 Right channel delay time. 4 Rch Feedback Level -63~+63 1-127 Level of right channel feedback delays (following initial delay). 5 High Damp 0.1~1.0 1-10 Damping or filtering out of high frequencies in delay sound. 6 Lch Delay2 0.1~355.0ms 1-3550 7 Rch Delay2 0.1~355.0ms 1-3550 8 Delay2 Level 0~127 0-127 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above. 12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.

sound in which the high frequency reflections are absorbed. On the other hand, you may wish to create a more “live” reverb sound by setting the High Pass Filter Cutoff above to emphasize the high frequencies.

Table No.

AC1

Control

Reverb effect. Lower values result in a clearer, simpler Reverb sound, while higher values result in a thicker, richer sound.

reflections that make up the Reverb sound. Reverb sound, “passing” only the high frequencies above the cutoff point.

This parameter determines the frequency cutoff point for the filter. Higher values effectively take the bass sounds out of the Reverb effect.

Reverb sound, “passing” only the low frequencies below the cutoff point. This parameter determines the frequency cutoff point for the filter. Lower values effectively take the treble sounds out of the Reverb effect.

A setting of 0 results in no delayed repeats after the initial delay.

MU80 Effect Parameter List

Parameter Range Value

CROSS DELAY

1 L->R Delay 0.1~355.0ms 1-3550 Time of delay fed from left channel to right.

2 R->L Delay 0.1~355.0ms 1-3550 Time of delay fed from right channel to left.

3 Feedback Level -63~+63 1-127 Level of feedback delays.

4 Input Select L,R,L&R 0-2 Determines input for initial delay: Left, Right, or Left & Right.

5 High Damp 0.1~1.0 1-10 Damping or filtering out of high frequencies in delay sound.

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.

12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.

EARLY REF1,EARLY REF2

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 Selects the pattern of early reflections: S-H (Small Hall), L-H (Large Hall), Rdm

2 Room Size 0.1~7.0 0-44 Table#6 Apparent room size. Affects length of reflections.

3 Diffusion 0~10 0-10 See above.

4 Initial Delay 0~63 0-63 Table#5 See above.

5 Feedback Level -63~+63 1-127 See above.

6 HPF Cutoff Thru~8.0kHz 0-52 See above.

7 LPF Cutoff 1.0k~Thru 34-60 See above.

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 Liveness 0~10 0-10

12 Density 0~3 0-3

13 High Damp 0.1~1.0 1-10

GATE REVERB REVERSE GATE

1 Type TypeA,TypeB 0-1 Selects the type of gate reverb.

2 Room Size 0.1~7.0 0-44 Table#6 Apparent room size. Affects length of reverb.

3 Diffusion 0~10 0-10 See above.

4 Initial Delay 0~63 0-63 Table#5 See above.

5 Feedback Level -63~+63 1-127 See above.

6 HPF Cutoff Thru~8.0kHz 0-52 See above.

7 LPF Cutoff 1.0k~Thru 34-60 See above.

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 Liveness 0~10 0-10

12 Density 0~3 0-3

13 High Damp 0.1~1.0 1-10

KARAOKE1,2,3

1 Delay Time 0~63 0-127 Table#7 Time between delayed repeats.

2 Feedback Level -63~+63 1-127 See above.

3 HPF Cutoff Thru~8.0kHz 0-52 See above.

4 LPF Cutoff 1.0k~Thru 34-60 See above.

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

CHORUS1,2,3 CELESTE1,2,3

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 This determines the amount of phase shift, or to what degree the modulated signal

2 LFO PM Depth 0~63 0-63 See above.

3 Feedback Level -63~+63 1-127 See above.

4 Delay Offset 0~127 0-127 Table#2 See above.

6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

14 LFO AM Depth 0~127 0-127

NOTE : Delay Ofst This parameter is not available for the Phaser effect.

FLANGER1,FLANGER2

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above.

2 LFO Depth 0~127 0-127

3 Feedback Level -63~+63 1-127

4 Delay Offset 0~63 0-63 Table#2

6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

Table No.

AC1

Control

(Random), Rvs (Reverse), Plt (Plate), Spr (Spring).

is out of phase with the dry signal. Lower values result in the signal being more out of phase, and hence create a stronger Phaser effect.

MU80 Effect Parameter List

Parameter Range Value

7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 12 EQ Mid Gain -12~+12dB 52-76 13 EQ Mid Width 1.0~12.0 10-120 14 LFO Phase Difference -180~+180deg 4-124 15 16

NOTE : Delay Ofst This parameter is not available for the Phaser effect.

SYMPHONIC

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above. 2 LFO Depth 0~127 0-127 3 Delay Offset 0~127 0-127 Table#2 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 12 EQ Mid Gain -12~+12dB 52-76 13 EQ Mid Width 1.0~12.0 10-120 14 15 16

NOTE : Delay Ofst This parameter is not available for the Phaser effect.

ROTARY SPEAKER

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 • Apparent speed of rotary speaker.

2 LFO Depth 0~127 0-127 Depth of rotary speaker effect. 3 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 9 EQ High Gain -12~+12dB 52-76 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 12 EQ Mid Gain -12~+12dB 52-76 13 EQ Mid Width 1.0~12.0 10-120 14 15 16

TREMOLO

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 • Speed of tremolo effect.

2 AM Depth 0~127 0-127 Depth of tremolo effect on volume. (AM = Amplitude Modulation) 3 PM Depth 0~127 0-127 Depth of tremolo effect on pitch. (PM = Pitch Modulation) 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 9 EQ High Gain -12~+12dB 52-76 10

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120 14 LFO Phase Difference -180~+180deg 4-124 15 16

AUTO PAN

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 • Speed of auto pan effect.

2 L/R Depth 0~127 0-127 Depth of left/right stereo separation. 3 F/R Depth 0~127 0-127 Depth of apparent front/rear image separation. (This parameter is only effective

4 PAN Direction L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5 Direction of auto pan effect: L<—>R (shifts back and forth between left and right),

5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 9 EQ High Gain -12~+12dB 52-76 10

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 12 EQ Mid Gain -12~+12dB 52-76 13 EQ Mid Width 1.0~12.0 10-120 14 15 16

NOTE If Variation Connection is set to SYS, the Variation Pan parameter should be set to C (Center) for optimum use of Auto Pan.

PHASER

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above. 2 LFO Depth 0~127 0-127 See above. 3 Phase Shift Offset 0~127 0-127 See above. 4 Feedback Level -63~+63 1-127 See above. 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

Table No.

AC1

Control

when Pan Direction below is set to Lturn or Rturn.) L->R (shifts continually from left to right), L<-R (shifts continually from right to

left), Lturn (simulated 3D panning effect in which sound circles counterclockwise), Rturn (simulated 3D panning effect in which sound circles clockwise), L/ R (alternates between left and right).

MU80 Effect Parameter List

Parameter Range Value

11 Stage 4,6,8, 4-8

12 Diffusion Mono/Stereo 0-1

DISTORTION OVERDRIVE

1 Drive 0~127 0-127 • This determines the intensity of the Distortion effect.

2 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

3 EQ Low Gain -12~+12dB 52-76

4 LPF Cutoff 1.0k~Thru 34-60

5 Output Level 0~127 0-127 This determines the level of the Distortion effect.

7 EQ Mid Frequency 100Hz~10.0kHz 14-54

8 EQ Mid Gain -12~+12dB 52-76

9 EQ Mid Width 1.0~12.0 10-120

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

GUITAR AMP SIMULATOR

1 Drive 0~127 0-127 • See above.

2 AMP Type Off,Stack,Combo,Tube 0-3 Type of amplifier simulated: Stack (huge amp/speaker setup), Combo (compact

3 LPF Cutoff 1.0k~Thru 34-60

4 Output Level 0~127 0-127 See above.

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

MONO EQ(3BAND)

1 EQ Low Gain -12~+12dB 52-76 Amount of boost or cut of low frequencies.

2 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 Central frequency for mid-range adjustment.

3 EQ Mid Gain -12~+12dB 52-76 Amount of boost or cut of mid-range frequencies.

4 EQ Mid Width 1.0~12.0 10-120 Band width of mid-range frequencies.

5 EQ High Gain -12~+12dB 52-76 Amount of boost or cut of high frequencies.

6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

7 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3

STEREO EQ(2BAND)

1 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 Central frequency for low adjustment.

2 EQ Low Gain -12~+12dB 52-76 Amount of boost or cut of low frequencies.

3 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 Central frequency for high adjustment.

4 EQ High Gain -12~+12dB 52-76 Amount of boost or cut of high frequencies.

11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3

12 EQ Mid Gain -12~+12dB 52-76

13 EQ Mid Width 1.0~12.0 10-120

AUTO WAH

1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 Speed of auto wah effect.

2 LFO Depth 0~127 0-127 Depth of auto wah effect.

3 Cutoff Frequency Offset 0~127 0-127 • Central frequency for the auto wah effect.

4 Resonance 1.0~12.0 10-120 Amount of emphasis of the cutoff frequency.

6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11Drive 0~127 0-127

PITCH CHANGE

1 Pitch -24~+24 40-88 Coarse pitch change setting. (Affects both left and right channels.)

2 Initial Delay 0~127 0-127 Table#7 Length of time before onset of pitch change.

3 Fine 1 -50~+50 14-114 Fine pitch adjustment for the left channel sound.

4 Fine 2 -50~+50 14-114 Fine pitch adjustment for the right channel sound.

Table No.

AC1

Control

The higher the value, the greater the distortion.

Use this parameter together with the Dry/Wet Balance parameter below to obtain the desired overall sound.

amp cabinet), Tube (warm tube amplifier sound).

Higher values result in a narrower range of frequencies.

MU80 Effect Parameter List

Parameter Range Value

5 Feedback Gain -99~+99% 1-127 Level of pitch change sound that is returned (or fed back) to the Pitch Change

6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

11 Pan 1 L63~R63 1-127 12 Output Level 1 0~127 0-127 13 Pan 2 L63~R63 1-127 14 Output Level 2 0~127 0-127 15 16

AURAL EXCITER*

1 HPF cutoff 500Hz~16.0kHz 28-58 High pass filter cutoff frequency for the Aural Exciter¿ effect. 2 Drive 0~127 0-127 Degree or depth of the Aural Exciter effect. 3 Mix Level 0~127 0-127 Level of the Aural Exciter sound, relative to the dry sound. 4 5 6 7 8 9 10

11 12 13 14 15 16

*Aural Exciter is a registered trademark of Aphex Systems Ltd.

TOUCH WAH,WAH+DIST

1 Sensitive 0~127 0-127 Sensitivity of wah effect to playing velocity and Voice level.

2 Cutoff Frequency Offset 0~127 0-127 • Central frequency for the wah effect.

3 Resonance 1.0~12.0 10-120 Amount of emphasis of the cutoff frequency. 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 9 EQ High Gain -12~+12dB 52-76 10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127 12 13 14 15 16

COMPRESSOR

1 Attack 1~40ms 0-19 Table#8 Amount of time before compression of the signal begins. 2 Release 10~680ms 0-15 Table#9 Amount of time for which compression of the signal continues.

3 Threshold -48~-6dB 79-121 Determines minimum level of signal necessary to trigger compression. 4 Ratio 1.0~20.0 0-7 Table#10 Determines the degree of compression.

5 Output Level 0~127 0-127 Output level of the compressor sound. 6 7 8 9 10

11 12 13 14 15 16

NOISE GATE

1 Attack 1~40ms 0-19 Table#8 Amount of time before the noise gate is triggered. 2 Release 10~680ms 0-15 Table#9 Amount of time the noise gate remains.

3 Threshold -72~-30dB 55-97 Determines minimum level of signal necessary to trigger the noise gate. 4 Output Level 0~127 0-127 Output level of the overall sound. 5 6 7 8 9 10

11 Ratio 1.0~5.0 0-7 12 13 14 15 16

Table No.

AC1

Control

effect. Extreme values send the pitch +spiraling+ down or up (depending on the Pitch and Fine 1/2 parameters).

Higher values result in a gradual decay of the compression.

Higher levels result in greater compression of the signal.

Higher values result in a gradual decay of the noise gate.

Table#1 LFO Frequency

Data Value

Data Value Data Value 0 0.00 1 0.08 2 0.08 3 0.16 4 0.16 5 0.25 6 0.25 7 0.33 8 0.33 9 0.42

10 0.42 11 0.50 12 0.50 13 0.58 14 0.58 15 0.67 16 0.67 17 0.75 18 0.75 19 0.84 20 0.84 21 0.92 22 0.92 23 1.00 24 1.00 25 1.09 26 1.09 27 1.17 28 1.17 29 1.26 30 1.26 31 1.34 32 1.34 33 1.43 34 1.43 35 1.51 36 1.51 37 1.59 38 1.59 39 1.68 40 1.68 41 1.76 42 1.76 43 1.85 44 1.85 45 1.93 46 1.93 47 2.01 48 2.01 49 2.10 50 2.10 51 2.18 52 2.18 53 2.27 54 2.27 55 2.35 56 2.35 57 2.43

58 2.43 59 2.52 60 2.52 61 2.60 62 2.60 63 2.69 64 2.69 65 2.77 66 2.86 67 2.94 68 3.02 69 3.11 70 3.19 71 3.28 72 3.36 73 3.44 74 3.53 75 3.61 76 3.70 77 3.86 78 4.03 79 4.20 80 4.37 81 4.54 82 4.71 83 4.87 84 5.04 85 5.21 86 5.38 87 5.55 88 5.72 89 6.05 90 6.39 91 6.72 92 7.06 93 7.40 94 7.73 95 8.07 96 8.41 97 8.74 98 9.08

99 9.42 100 9.75 101 10.00 102 10.70 103 11.40 104 12.10 105 12.70 106 13.40 107 14.10 108 14.80 109 15.40 110 16.10 111 16.80 112 17.40 113 18.10 114 19.50 115 20.80

116 22.20 117 23.50 118 24.80 119 26.20 120 27.50 121 28.90 122 30.20 123 31.60 124 32.90 125 34.30 126 37.00 127 39.70

Table#2 Modulation Delay Offset

Data Value Data Value Data Value

00.0

10.1

20.2

30.3

40.4

50.5

60.6

70.7

80.8

90.9 10 1.0 11 1.1 12 1.2 13 1.3 14 1.4 15 1.5 16 1.6 17 1.7 18 1.8 19 1.9 20 2.0 21 2.1 22 2.2 23 2.3 24 2.4 25 2.5 26 2.6 27 2.7 28 2.8 29 2.9 30 3.0 31 3.1 32 3.2 33 3.3 34 3.4 35 3.5 36 3.6 37 3.7 38 3.8 39 3.9 40 4.0 41 4.1 42 4.2 43 4.3 44 4.4 45 4.5 46 4.6 47 4.7 48 4.8 49 4.9 50 5.0 51 5.1 52 5.2 53 5.3 54 5.4 55 5.5 56 5.6 57 5.7

58 5.8 59 5.9 60 6.0 61 6.1 62 6.2 63 6.3 64 6.4 65 6.5 66 6.6 67 6.7 68 6.8 69 6.9 70 7.0 71 7.1 72 7.2 73 7.3 74 7.4 75 7.5 76 7.6 77 7.7 78 7.8 79 7.9 80 8.0 81 8.1 82 8.2 83 8.3 84 8.4 85 8.5 86 8.6 87 8.7 88 8.8 89 8.9 90 9.0 91 9.1 92 9.2 93 9.3 94 9.4 95 9.5 96 9.6 97 9.7 98 9.8

99 9.9 100 10.0 101 11.1 102 12.2 103 13.3 104 14.4 105 15.5 106 17.1 107 18.6 108 20.2 109 21.8 110 23.3 111 24.9 112 26.5 113 28.0 114 29.6 115 31.2

116 32.8 117 34.3 118 35.9 119 37.5 120 39.0 121 40.6 122 42.2 123 43.7 124 45.3 125 46.9 126 48.4 127 50.0

Table#3 EQ Frequency

Data Value Data Value

THRU(20) 122 225 328 432 536 640 745 850 956

10 63 11 70 12 80 13 90 14 100 15 110 16 125 17 140 18 160 19 180 20 200 21 225 22 250 23 280 24 315 25 355 26 400 27 450 28 500 29 560 30 630 31 700 32 800 33 900 34 1.0k 35 1.1k 36 1.2k 37 1.4k 38 1.6k 39 1.8k 40 2.0k 41 2.2k 42 2.5k 43 2.8k 44 3.2k 45 3.6k 46 4.0k 47 4.5k 48 5.0k 49 5.6k 50 6.3k 51 7.0k 52 8.0k 53 9.0k 54 10.0k 55 11.0k 56 12.0k 57 14.0k

58 16.0k 59 18.0k 60

THRU(20.0k)

Table#4 Reverb Time

Data Value Data Value

0 0.3 1 0.4 2 0.5 3 0.6 4 0.7 5 0.8 6 0.9 7 1.0 8 1.1

9 1.2 10 1.3 11 1.4 12 1.5 13 1.6 14 1.7 15 1.8 16 1.9 17 2.0 18 2.1 19 2.2 20 2.3 21 2.4 22 2.5 23 2.6 24 2.7 25 2.8 26 2.9 27 3.0 28 3.1 29 3.2 30 3.3 31 3.4 32 3.5 33 3.6 34 3.7 35 3.8 36 3.9 37 4.0 38 4.1 39 4.2 40 4.3 41 4.4 42 4.5 43 4.6 44 4.7 45 4.8 46 4.9 47 5.0 48 5.5 49 6.0 50 6.5 51 7.0 52 7.5 53 8.0 54 8.5 55 9.0 56 9.5 57 10.0

58 11.0 59 12.0 60 13.0 61 14.0 62 15.0 63 16.0 64 17.0 65 18.0 66 19.0 67 20.0 68 25.0 69 30.0

Table#5 Delay Time(200.0ms)

Data Value Data Value Data Value

0 0.1 1 1.7 2 3.2 3 4.8 4 6.4 5 8.0 6 9.5 7 11.1 8 12.7

9 14.3 10 15.8 11 17.4 12 19.0 13 20.6 14 22.1 15 23.7 16 25.3 17 26.9 18 28.4 19 30.0 20 31.6 21 33.2 22 34.7 23 36.3 24 37.9 25 39.5 26 41.0 27 42.6 28 44.2 29 45.7 30 47.3 31 48.9 32 50.5 33 52.0 34 53.6 35 55.2 36 56.8 37 58.3 38 59.9 39 61.5 40 63.1 41 64.6 42 66.2 43 67.8 44 69.4 45 70.9 46 72.5 47 74.1 48 75.7 49 77.2 50 78.8 51 80.4 52 81.9 53 83.5 54 85.1 55 86.7 56 88.2 57 89.8

58 91.4 59 93.0 60 94.5 61 96.1 62 97.7 63 99.3 64 100.8 65 102.4 66 104.0 67 105.6 68 107.1 69 108.7 70 110.3 71 111.9 72 113.4 73 115.0 74 116.6 75 118.2 76 119.7 77 121.3 78 122.9 79 124.4 80 126.0 81 127.6 82 129.2 83 130.7 84 132.3 85 133.9 86 135.5 87 137.0 88 138.6 89 140.2 90 141.8 91 143.3 92 144.9 93 146.5 94 148.1 95 149.6 96 151.2 97 152.8 98 154.4

99 155.9 100 157.5 101 159.1 102 160.6 103 162.2 104 163.8 105 165.4 106 166.9 107 168.5 108 170.1 109 171.7 110 173.2 111 174.8 112 176.4 113 178.0 114 179.5 115 181.1

116 182.7 117 184.3 118 185.8 119 187.4 120 189.0 121 190.6 122 192.1 123 193.7 124 195.3 125 196.9 126 198.4 127 200.0

Table#6 Room Size

Data Value

0 0.1 1 0.3 2 0.4 3 0.6 4 0.7 5 0.9 6 1.0 7 1.2 8 1.4

9 1.5 10 1.7 11 1.8 12 2.0 13 2.1 14 2.3 15 2.5 16 2.6 17 2.8 18 2.9 19 3.1 20 3.2 21 3.4 22 3.5 23 3.7 24 3.9 25 4.0 26 4.2 27 4.3 28 4.5 29 4.6 30 4.8 31 5.0 32 5.1 33 5.3 34 5.4 35 5.6 36 5.7 37 5.9 38 6.1 39 6.2 40 6.4 41 6.5 42 6.7 43 6.8 44 7.0

Data Value Assignment Tables

Table#7 Delay Time(400.0ms)

Data Value Data Value Data Value

0 0.1 1 3.2 2 6.4 3 9.5 4 12.7 5 15.8 6 19.0 7 22.1 8 25.3

9 28.4 10 31.6 11 34.7 12 37.9 13 41.0 14 44.2 15 47.3 16 50.5 17 53.6 18 56.8 19 59.9 20 63.1 21 66.2 22 69.4 23 72.5 24 75.7 25 78.8 26 82.0

27 85.1 28 88.3 29 91.4 30 94.6 31 97.7 32 100.9 33 104.0 34 107.2 35 110.3 36 113.5 37 116.6 38 119.8 39 122.9 40 126.1 41 129.2 42 132.4 43 135.5 44 138.6 45 141.8 46 144.9 47 148.1 48 151.2 49 154.4 50 157.5 51 160.7 52 163.8 53 167.0 54 170.1 55 173.3 56 176.4 57 179.6

58 182.7 59 185.9 60 189.0 61 192.2 62 195.3 63 198.5 64 201.6 65 204.8 66 207.9 67 211.1 68 214.2 69 217.4 70 220.5 71 223.7 72 226.8 73 230.0 74 233.1 75 236.3 76 239.4 77 242.6 78 245.7 79 248.9 80 252.0 81 255.2 82 258.3 83 261.5 84 264.6 85 267.7 86 270.9 87 274.0 88 277.2 89 280.3 90 283.5 91 286.6 92 289.8 93 292.9 94 296.1 95 299.2 96 302.4 97 305.5 98 308.7

99 311.8 100 315.0 101 318.1 102 321.3 103 324.4 104 327.6 105 330.7 106 333.9 107 337.0 108 340.2 109 343.3 110 346.5 111 349.6 112 352.8 113 355.9 114 359.1 115 362.2

116 365.4 117 368.5 118 371.7 119 374.8 120 378.0 121 381.1 122 384.3 123 387.4 124 390.6 125 393.7 126 396.9 127 400.0

Table#8 Compressor Attack Time

Data Value

01 12 23 34 45 56 67 78 89

910 10 12 11 14 12 16 13 18 14 20 15 23 16 26 17 30 18 35 19 40

Table#9 Compressor Release Time

Data Value Data Value

010 115 225 335 445 555 665 775 885

9 100 10 115 11 140 12 170 13 230 14 340 15 680

Table#10 Compressor Ratio

01.0

11.5

22.0

33.0

45.0

57.0 6 10.0 7 20.0

Table#11 Reverb Width;Depth;Height

Data Value Data Value

0 0.5 1 0.8 2 1.0 3 1.3 4 1.5 5 1.8 6 2.0 7 2.3 8 2.6

9 2.8 10 3.1 11 3.3 12 3.6 13 3.9 14 4.1 15 4.4 16 4.6 17 4.9 18 5.2 19 5.4 20 5.7 21 5.9 22 6.2 23 6.5 24 6.7 25 7.0 26 7.2 27 7.5 28 7.8 29 8.0 30 8.3 31 8.6 32 8.8 33 9.1 34 9.4 35 9.6 36 9.9 37 10.2 38 10.4 39 10.7 40 11.0 41 11.2 42 11.5 43 11.8 44 12.1 45 12.3 46 12.6 47 12.9 48 13.1 49 13.4 50 13.7 51 14.0 52 14.2 53 14.5 54 14.8 55 15.1 56 15.4 57 15.6

58 15.9 59 16.2 60 16.5 61 16.8 62 17.1 63 17.3 64 17.6 65 17.9 66 18.2 67 18.5 68 18.8 69 19.1 70 19.4 71 19.7 72 20.0 73 20.2 74 20.5 75 20.8 76 21.1 77 21.4 78 21.7 79 22.0 80 22.4 81 22.7 82 23.0 83 23.3 84 23.6 85 23.9 86 24.2 87 24.5 88 24.9 89 25.2 90 25.5 91 25.8 92 26.1 93 26.5 94 26.8 95 27.1 96 27.5 97 27.8 98 28.1

99 28.5 100 28.8 101 29.2 102 29.5 103 29.9 104 30.2

Data Value Assignment Tables

MU80 MIDI Data Format

1. Channel Messages

1.1 Key On and Key Off

Receivable note range: C2 to G8 Velocity range: 1 to 127 (Value accepted only at Note On)

If multipart parameter “Rcv NOTE MESSAGE” is OFF, the part ignores these messages. Rhythm part will ignore Key Off if “Rcv NOTE OFF = OFF”. Rhythm part will ignore Key On if “Rcv NOTE ON = OFF”.

1.2 Control Change

If multipart parameter “Rcv CONTROL CHANGE” is OFF, the part ignores these messages.

1.2.10 Sostenuto

Cntrl# Parameter Data Range 66 Sostenuto0...127

If multipart parameter “Rcv SOSTENUTO” is OFF, the part ignores this message.

1.2.11 Soft Pedal

Cntrl# Parameter Data Range 67 Soft Pedal 0...127

If multipart parameter “Rcv SOFT PEDAL” is OFF, the part ignores this message.

(0-63:off, 64-127:on)

1.2.1 Bank Select

Cntrl# Parameter Data Range 0 Bank Select MSB 0:Normal, 64:SFX, 126-127:Drum 32 Bank Select LSB 0...127

A new bank selection does not become effective until receipt of the next Program Change message. If “Sound Module Mode = C/M”, all Bank Selects are ignored.

1.2.2 Modulation

Cntrl# Parameter Data Range 1 Modulation 0...127

If multipart parameter “Rcv MODULATION” is OFF, the part ignores this message.

1.2.3 Portamento Time

Cntrl# Parameter Data Range 5 Portamento Time 0...127

Sets the pitch-change speed used when Portamento is ON. A value of 0 produces the shortest portamento time; value 127 selects the longest time.

1.2.4 Data Entry

Cntrl# Parameter Data Range 6 Data Entry MSB 0...127 38 Data Entry LSB 0...127

Sets the value for the parameter specified by RPN/NRPN.

1.2.5 Main Volume

Cntrl# Parameter Data Range 7 Data Entry MSB 0...127

If multipart parameter “Rcv VOLUME” is OFF, the part ignores this message.

1.2.6 Pan

Cntrl# Parameter Data Range 10 Data Entry MSB 0...127

0 = left; 127 = right If multipart parameter “Rcv PAN” is OFF, the part ignores this message.

1.2.7 Expression

Cntrl# Parameter Data Range 11 Data Entry MSB 0...127

If multipart parameter “Rcv EXPRESSION” is OFF, the part ignores this message.

1.2.8 Hold1

Cntrl# Parameter Data Range 64 Data Entry MSB 0...127

If multipart parameter “Rcv HOLD1” is OFF, the part ignores this message.

1.2.9 Portamento

Cntrl# Parameter Data Range 65 Portamento 0...127

If multipart parameter “Rcv PORTAMENTO” is OFF, the part ignores this message.

(0-63:off, 64-127:on)

1.2.12 Harmonic Content

Cntrl# Parameter Data Range 71 Harmonic Content 0...127

Applies adjustment to the resonance value set by the voice. This parameter specifies relative change, with value 64 producing zero adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range.

1.2.13 Release Time

Cntrl# Parameter Data Range 72 Release Time 0...127

Applies adjustment to the envelope release time set by the voice. This parameter specifies relative change, with value 64 producing zero adjustment.

1.2.14 Attack Time

Cntrl# Parameter Data Range 73 Attack Time 0...127

Applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change, with value 64 producing zero adjustment.

1.2.15 Brightness

Cntrl# Parameter Data Range 74 Brightness 0...127

Applies adjustment to the cutoff frequency set by the voice. This parameter specifies relative change, with value 64 producing zero adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range.

1.2.16 Portamento Control

Cntrl# Parameter Data Range 84 Portamento Control 0...127

Message should be sent with Note On already sounding. The data value sets the portamento source key number. The channel with change from the currently sounding pitch to the next received NoteOn key using Portamento Time of 0. This message is effective even when “Rcv Portamento = OFF.”

1.2.17 Effect1 Depth ( Reverb Send Level )

Cntrl# Parameter Data Range 91 Effect1 Depth 0...127

Adjusts the reverb send level.

1.2.18 Effect3 Depth ( Chorus Send Level )

Cntrl# Parameter Data Range 93 Effect3 Depth 0...127

Adjusts the chorus send level.

(0:-64, 64:+0, 127:+63)

MU80 MIDI Data Format

1.2.19 Effect4 Depth ( Variation Effect Send Level )

Cntrl# Parameter Data Range 94 Effect4 Depth 0...127

Adjusts the variation effect send level. Not effective if “Variation Connection” is set to 0 (Insertion).

1.2.20 Data Increment / Decrement (for RPN)

Cntrl# Parameter Data Range 96 RPN Increment 0...127 97 RPN Decrement 0...127

The data byte has no meaning.

This message adds or subtracts 1 to/from the Pitchbend Sensitivity, Fine Tune, and Coarse Tune MSBs. Note that the Increment (Decrement) message will not change a setting that has already reached its maximum (minimum) value. Incrementation or decrementation of the Fine Tune value never carries over to the Coarse Tune value.

1.2.21 NRPN (Nonregistered parameter number)

Cntrl# Parameter Data Range 98 RPN LSB 0...127 99 RPN MSB 0...127

If multipart parameter “Rcv NRPN” is OFF, the part ignores this message. First send the NPRN MSB and LSB to select the control parameter, then set the value by Data Entry. The following NRPN values are supported.

NRPN Data entry MSB LSB MSB Parameter Data Range

$01 $08 $mm Vibrato Rate

$01 $09 $mm Vibrato Depth

$01 $0A $mm Vibrato Delay

$01 $20 $mm Filter Cutoff Freq.

$01 $21 $mm Filter Resonance

$01 $63 $mm EG Attack Time

$01 $64 $mm EG Decay Time

$01 $66 $mm EG Release Time

$14 $rr $mm Drum Filter Cutoff Freq.

$15 $rr $mm Drum Filter Resonance

$16 $rr $mm Drum EG Attack Rate

$17 $rr $mm Drum EG Decay Rate

$18 $rr $mm Drum Instrument Pitch Coarse

$19 $rr $mm Drum Instrument Pitch Fine

$1A $rr $mm Drum Instrument Level

(0...127) when Variation Connection = 1 (System)

mm : $00 - $40 - $7F (-64 - 0 - +63)

mm : $00 - $40 - $7F (-64 - 0 - +63) rr : drum instrument note number

mm : $00 - $40 - $7F (-64 - 0 - +63) rr : drum instrument note number (Effects both Decay 1 and Decay 2)

mm : $00 - $40 - $7F (-64 - 0 - +63) rr : drum instrument note number

mm : $00 - $7F (0 to Max) rr : drum instrument note number

$1C $rr $mm Drum Instrument Panpot

$1D $rr $mm Drum Instrument Reverb Send Level

$1E $rr $mm Drum Instrument Chorus Send Level

$1F $rr $mm Drum Instrument Variation Send Level

Note that LSB values 14H through 1FH (drum parameters) are effective only if the channel is in drum mode and drum setup 1, 2, 3, or 4 is currently selected.

1.2.22 RPN (Registered parameter number)

Cntrl# Parameter Data Range 100 RPN LSB 0...127 101 RPN MSB 0...127

If multipart parameter “Rcv RPN” is OFF, the part ignores this message.

The following parameters are supported.

NRPN Data entry MSB LSB MSB LSB Parameter Data Range

00H 00H mmH -- Pitchbend Sensitivity

00H 01H mmH 11H Fine Tuning

00H 02H mmH -- Course Tuning

7FH 7FH -- -- RPN Null

1.2.23 Channel Mode Messages

The following Channel Mode messages are supported.

2nd byte 3rd byte 120 0 All Sound Off 121 0 Reset All Controllers 123 0 All Notes Off 124 0 Omni Off 125 0 Omni On 126 0 ~ 16 Mono 127 0 Poly

1.2.23.1 All Sound Off

Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages.

1.2.23.2 Reset All Controllers

Resets controllers as follows.

Controller Value Pitchbend change +-0 (center) Channel Pressure 0 (off) Polyphonic Key Pressure 0 (off) Modulation 0 (off) Expression 127 (max) Hold 0 (off) Portamento 0 (off) Sostenuto 0 (off) Soft Pedal 0 (off) Portamento Control Resets portamento source note number RPN Sets number to null. (Internal data re-

NRPN Sets number to null. (Internal data re-

mm : $00 - $40 - $7F (Random, L→C→R) rr : drum instrument note number

mm : $00 - $7F (0 to Max) rr : drum instrument note number

Default:7F 7FH

mm: 00-18H (0-2 semitones) Can be set up 2 octaves, in semitone units. Default: 02H LSB is ignored.

mm:00H-40H-7FH(-64-0-+63)

mm:28H - 40H - 18H(-24-+24 semitones) LSB is ignored.

Clears current RPN and NRPN number settings. Does not change internal parameter settings.

mains unchanged.)

MU80 MIDI Data Format

1.2.23.3 All Notes Off

Switches off all of the channel’s’ “on” notes. Any notes being held by HOLD1 or SOSTENUTO continue to sound until HOLD1/SOSTENUTO goes off.

1.2.23.4 Omni Off

Same processing as for All Notes Off.

1.2.23.5 Omni On

Same processing as for All Notes Off.

1.2.23.6 Mono

Generates “All Sound Off” operation. If the value of the third byte (mono number) is 0 to 16, the channel changes to Mode 4 (m=1).

1.2.23.7 Poly

Generates “All Sound Off” operation, and sets the channel to Mode 3.

1.3 Program Change

If multipart parameter “Rcv PROGRAM CHANGE” is OFF, the part ignores this message. If “Sound Module Mode = C/M”, drum voice parts ignore all Program Change messages.

1.4 Pitchbend

If multipart parameter “Rcv PITCH BEND” is OFF, the part ignores this message.

1.5 Channel Aftertouch

Not effective under initial settings. If multipart parameter “Rcv CHANNEL AFTERTOUCH” is Off, the part ignores this message.

1.6 Polyphonic Channel Aftertouch

Not effective under initial settings. If multipart parameter “Rcv POLYPHONIC CHANNEL AFTERTOUCH” is Off, the part ignores this message. This message is effective only for note numbers 36 through 97 only.

2.1.2 Universal Realtime Message

2.1.2.1 Master Volume

11110000 F0 = Exclusive status 01111111 7F = Universal Realtime 01111111 7F = ID of target device 00000100 04 = Sub-ID #1=Device Control Message 00000001 01 = Sub-ID #2=Master Volume 0sssssss *SS = Volume LSB 0ttttttt TT = Volume MSB 11110111 F7 = End of Exclusive or 11110000 F0 = Exclusive status 01111111 7F = Universal Realtime 0xxxnnnn XN = Device Number, xxx = don't care 00000100 04 = Sub-ID #1=Device Control Message 00000001 01 = Sub-ID #2=Master Volume 0sssssss SS = Volume LSB 0ttttttt TT = Volume MSB 11110111 F7 = End of Exclusive

Received Volume MSB is written to System Parameter MASTER VOLUME.

*Hexadecimal representation of 0sssss ss. (Same below)

2.1.3 Universal Non-Realtime Message

2.1.3.1 General MIDI Mode On

11110000 F0 = Exclusive status 01111110 7E = Universal Non-Realtime 01111111 7F = ID of target device 00001001 09 = Sub-ID #1=General MIDI Message 00000001 01 = Sub-ID #2=General MIDI On 11110111 F7 = End of Exclusive or 11110000 F0 = Exclusive status 01111110 7E = Universal Non-Realtime 0xxxnnnn XN = Device Number, xxx = don't care 00001001 09 = Sub-ID #1=General MIDI Message 00000001 01 = Sub-ID #2=General MIDI On 11110111 F7 = End of Exclusive

This message switches SOUND MODULE MODE to XG. This message is ignores if operation is in C/M mode. If “Rcv GM EXCLUSIVE = OFF”, the message is ignored. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.

2. System Exclusive Messages

2.1 Parameter Change

The MU80 supports the following Parameter Change messages.

[UNIVERSAL REALTIME MESSAGE ]

1) Master Volume

[UNIVERSAL NON-REALTIME MESSAGE ]

3) General MIDI Mode On

[XG NATIVE ]

1) XG System on

2) XG System Data parameter change

3) System Information

4) Multi Effect1 Data parameter change

5) Multi EQ Data parameter change

6) Multi Effect2 Data parameter change

7) Display Data parameter change

8) Multi Part Data parameter change

9) AD Part Data parameter change

10)Drum Setup Data parameter change

[MU80 NATIVE ]

1) MU80 System Data parameter change

2) Current Performance parameter change

3) Remote switch

[Others]

1) Master tuning

2) TG300 System Data parameter change

3) TG300 Multi Effect Data parameter change

4) TG300 Mutli Part Data parameter change

2.1.4 XG Native Parameter Change

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1n Device Number 01001100 4C Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0ddddddd ddddddd Data || 11110111 F7 End of Exclusive

Data size must match parameter size (2 or 4 bytes).

2.1.4.1 XG System On

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device Number 01001100 4C Model ID 0aaaaaaa 00 Address High 0aaaaaaa 00 Address Mid 0aaaaaaa 7E Address Low 00000000 00 Data 11110111 F7 End of Exclusive

This message switches SOUND MODULE MODE to XG. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.

2.1.4.2 XG System Data parameter change

See Tables 1-1, 1-2.

2.1.4.3 System Information

System information is sent in response to dump request. Any received parameter changes are ignored. See Tables 1-1, 1-3.

MU80 MIDI Data Format

2.1.4.4 Multi Effect1 Data parameter change

See Tables 1-1, 1-4.

2.1.4.5 Multi EQ Data parameter change

See Tables 1-1, 1-5.

2.1.4.6 Multi Effect2 Data parameter change

See Tables 1-1, 1-6.

2.1.4.7 Display Data parameter change

See Tables 1-1, 1-7.

2.1.4.8 Multi Part Data parameter change

See Tables 1-1, 1-8.

2.1.4.9 AD Part Data parameter change

See Tables 1-1, 1-9.

2.1.4.10 Drum Setup Data parameter change

See Tables 1-1, 1-10. If operation is in XG mode, this message reinitializes all drum setup parameters. Note that regardless of mode, drum setup parameters always reinitialize whenever the drum set changes.

2.1.5 MU80 Native Parameter Change

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1n Device Number 01001001 49 Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0ddddddd ddddddd Data || 11110111 F7 End of Exclusive

Data size must match parameter size (2 or 4 bytes).

2.1.5.1 MU80 System Data parameter change

See Tables 2-1, 2-2.

2.1.5.2 Current Performance parameter change

See Tables 2-1, 2-3.

2.1.5.3 Remote Switch

See Tables 2-1, 2-4.

2.1.6 Other Parameter Changes

2.1.6.1 Master Tuning

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1n Device Number 00100111 27 Model ID 00000001 30 Sub ID2 00000000 00 00000000 00 0mmmmmmm mm Master Tune MSB 0lllllll ll Master Tune LSB 0ccccccc cc 11110111 F7 End of Exclusive

Changes tuning of all channels.

2.2 Bulk Dump

The MU80 supports the following parameters.

[XG NATIVE ]

1) XG System Data

2) Multi Effect1 Data

3) Multi EQ Data

4) Multi Effect2 Data

5) Multi Part Data

6) AD Part Data

7) Drums Setup Data

[MU80 NATIVE ]

1) MU80 System data

2) Internal Performance

2.2.1 XG Native Bulk Data

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01001100 4C Model ID 0bbbbbbb bbbbbbb ByteCount 0bbbbbbb bbbbbbb ByteCount 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 00000000 00 Data || || 0ccccccc ccccccc Check sum 11110111 F7 End of Exclusive

For information about “Address” and “Byte Count” fields, refer to attached tables. The checksum value is set such that the sum of Address, Byte Count, and Checksum has value zero in its seven least significant bits.

No more than 512 bytes should be sent in a single transmission. If the Dump Request asks for more than 512 bytes, data should be sent in packets of 512 bytes or less, with at least 120ms between transmission of consecutive packets.

2.2.1.1 XG System Data bulk dump

See Tables 1-1, 1-2.

2.2.1.2 Multi Effect1 Data bulk dump

See Tables 1-1, 1-4.

2.2.1.3 Multi EQ Data bulk dump

See Tables 1-1, 1-5.

2.2.1.4 Multi Effect2 Data bulk dump

See Tables 1-1, 1-6.

2.2.1.5 Multi Part Data bulk dump

See Tables 1-1, 1-8.

2.2.1.6 AD Part Data bulk dump

See Tables 1-1, 1-9.

2.2.1.7 Drums Setup Data bulk dump

See Tables 1-1, 1-10.

2.2.2 MU80 Native Bulk Dump

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01001001 49 Model ID 0bbbbbbb bbbbbbb ByteCount 0bbbbbbb bbbbbbb ByteCount 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 00000000 00 Data || || 0ccccccc ccccccc Check sum 11110111 F7 End of Exclusive

2.2.2.1 MU80 System Data bulk dump

See Tables 2-1, 2-2.

MU80 MIDI Data Format

2.2.2.2 Internal Performance bulk dump

See Tables 2-1, 2-5.

2.3 Parameter Request

The MU80 supports the following request for parameters covered by Parameter Change specifications.

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01001100 4C Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 11110111 F7 End of Exclusive

2.4 Dump Request

The MU80 supports the following request for data covered by bulk dump.

11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01001100 4C Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 11110111 F7 End of Exclusive

3. Realtime Messages

3.1 Active Sensing

a) Transmission

Transmission is not supported.

b) Reception

If no MIDI data is received within 300ms following receipt of FE, the unit executes processing equivalent to ALL SOUND OFF, ALL NOTES OFF, and RESET ALL CONTROLLERS, then clears any remaining FEs.

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Yamaha Audio MU80 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual