1 NO EFFECTEffect off.
2 HALL1Concert hall reverb.
3 HALL2Concert hall reverb.
4 ROOM1Small room reverb.
5 ROOM2Small room reverb.
6 ROOM3Small room reverb.
7 STAGE1Reverb for solo instruments.
8 STAGE2Reverb for solo instruments.
9 PLATESimulated steel plate reverb.
10 WHITE ROOMDistinctive short reverb with initial delay.
11 TUNNELSimulation of long tunnel-like space.
12 CANYONLong, cavernous reverb.
13 BASEMENTSmall, highly reflective room reverb.
CHORUS
No. Effect TypeFeatures
1 NO EFFECTEffect off.
2 CHORUS1Conventional chorus program with rich, warm chorusing.
3 CHORUS2Conventional chorus program with rich, warm chorusing.
4 CHORUS3Conventional chorus program with rich, warm chorusing.
5 CELESTE1Three-phase LFO for richer, more pronounced chorusing.
6 CELESTE2Three-phase LFO for richer, more pronounced chorusing.
7 CELESTE3Three-phase LFO for richer, more pronounced chorusing.
8 FLANGER 1Pronounced three-phase modulation with slight metallic sound.
9 FLANGER 2Pronounced three-phase modulation with slight metallic sound.
10 SYMPHONICExceptionally rich & deep chorusing.
11 PHASERPronounced, metallic modulation with periodic phase change.
VARIATION
No. Effect TypeFeatures
1 NO EFFECTEffect off.
2 HALL1Concert hall reverb.
3 HALL2Concert hall reverb.
4 ROOM1Small room reverb.
5 ROOM2Small room reverb.
6 ROOM3Small room reverb.
7 STAGE1Reverb for solo instruments.
8 STAGE2Reverb for solo instruments.
9 PLATESimulated steel plate reverb.
10 DELAY L,C,RThree independent delays, for the left, right and center stereo positions.
11 DELAY L,RInitial delay for each stereo channel, and two separate feedback delays.
12 ECHOStereo delay, with independent Feedback Level controls for each channel.
13 CROSS DELAYComplex effect that sends the delayed repeats “bouncing” between the left and right channels.
14 ER1Early reflections only.
15 ER2Early reflections only.
16 GATE REVERBGated reverb effect, in which the reverberation is quickly cut off for special effects.
17 REVERSE GATESimilar to Gate Reverb, but with a reverse increase in reverb.
18 KARAOKE1Deep echo effects, suited especially for Karaoke-type vocals.
19 KARAOKE2Deep echo effects, suited especially for Karaoke-type vocals.
20 KARAOKE3Deep echo effects, suited especially for Karaoke-type vocals.
21 CHORUS1Conventional chorus program with rich, warm chorusing.
22 CHORUS2Conventional chorus program with rich, warm chorusing.
23 CHORUS3Conventional chorus program with rich, warm chorusing.
24 CELESTE1Three-phase LFO for richer, more pronounced chorusing.
25 CELESTE2Three-phase LFO for richer, more pronounced chorusing.
26 CELESTE3Three-phase LFO for richer, more pronounced chorusing.
27 FLANGER 1Pronounced three-phase modulation with slight metallic sound.
28 FLANGER 2Pronounced three-phase modulation with slight metallic sound.
29 SYMPHONICExceptionally rich & deep chorusing.
30 ROTARY SPEAKER Rotary speaker simulation. Rotation speed can be controlled using AC1 (Assignable Controller 1).
31 TREMOLORich Tremolo effect with both volume and pitch modulation.
32 AUTO PANSeveral panning effects that automatically shift the sound position (left, right, front, back).
33 PHASERPronounced, metallic modulation with periodic phase change.
34 DISTORTIONHard-edge distortion.
35 OVERDRIVEMild, warm distortion.
36 AMP SIMULATORSimulated guitar amplifier sound.
37 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls.
38
*2BAND EQ(STEREO)
39 AUTO WAH(LFO)Repeating filter sweep “wah” effect; also serves as pedal wah (with AC1).
40 PITCH CHANGEIndependent left, right channel pitch change.
41 AURAL EXCITEREnhances the sound by giving it greater definition, presence and clarity.
42 TOUCH WAHWah effect that varies filter sweep according to input level (or touch); also serves as pedal wah (with AC1).
43 TOUCH WAH+DIST Same as Touch Wah, but with added Distortion.
44 COMPRESSORAffects the dynamics of the sound by smoothing out the high-volume peaks and soft-volume dips.
45 NOISE GATEEliminates any noise or hum in the signal.
46 THRUEffect bypass; no effect applied.
*2BAND EQ(STEREO) voice cannot be used with A/D input.
DISTORTION
No. Effect TypeFeatures
1 THRUEffect off.
2 DISTORTIONHard-edge distortion.
3 OVERDRIVEMild, warm distortion.
4 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls.
Stereo EQ program with low and high frequency controls; ideal for tweaking drum parts. (Cannot be used with A/D input.)
1
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MU80 Effect Parameter List
ParameterRangeValue
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE
1 Reverb Time0.3~30.0s0-69Table#4This determines the time or length of the Reverb effect.
2 Diffusion0~100-10This determines the density and complexity of the reflections that make up the
3 Initial Delay0~630-63Table#5This determines the time delay between the direct sound and the first of the many
4 HPF CutoffThru~8.0kHz0-52Table#3The High Pass Filter allows you to filter out low frequency sounds from the
5 LPF Cutoff1.0k~Thru34-60Table#3The Low Pass Filter allows you to filter out high frequency sounds from the
HINT : LPF CutoffJudicious use of the Low Pass Filter helps to create a more natural Reverb sound, since many actual performance environments have a relatively “dead”
CAUTION! : FB Level Be careful when setting this parameter, since extreme values may result in uncontrollable feedback.
NOTE : FB LevelThis parameter is not available for the Symphonic effect.
DELAY L,R
1 Lch Delay0.1~715.0ms1-7150Right channel initial delay time.
2 Rch Delay0.1~715.0ms1-7150Center channel initial delay time.
3 Feedback Delay 10.1~715.0ms1-7150Time delay of all delayed repeats (for Delay 1) following the initial delayed repeat.
4 Feedback Delay 20.1~715.0ms1-7150Time delay of all delayed repeats (for Delay 2) following the initial delayed repeat.
5 Feedback Level-63~+631-127Level of both feedback delays.
6 High Damp0.1~1.01-10
7
8
9
sound in which the high frequency reflections are absorbed. On the other hand, you may wish to create a more “live” reverb sound by setting the
High Pass Filter Cutoff above to emphasize the high frequencies.
Table No.
AC1
Control
Reverb effect. Lower values result in a clearer, simpler Reverb sound, while
higher values result in a thicker, richer sound.
reflections that make up the Reverb sound.
Reverb sound, “passing” only the high frequencies above the cutoff point.
This parameter determines the frequency cutoff point for the filter.
Higher values effectively take the bass sounds out of the Reverb effect.
Reverb sound, “passing” only the low frequencies below the cutoff point.
This parameter determines the frequency cutoff point for the filter.
Lower values effectively take the treble sounds out of the Reverb effect.
A setting of 0 results in no delayed repeats after the initial delay.
2
Page 4
MU80 Effect Parameter List
ParameterRangeValue
14
15
16
CROSS DELAY
1 L->R Delay0.1~355.0ms1-3550Time of delay fed from left channel to right.
2 R->L Delay0.1~355.0ms1-3550Time of delay fed from right channel to left.
3 Feedback Level-63~+631-127Level of feedback delays.
4 Input SelectL,R,L&R0-2Determines input for initial delay: Left, Right, or Left & Right.
5 High Damp0.1~1.01-10Damping or filtering out of high frequencies in delay sound.
6
7
8
9
10 Dry/WetD63>W ~ D=W ~ D<W631-127•
11 HPF CutoffThru~8.0kHz0-52Table#3See above.
12 LPF Cutoff1.0k~Thru34-60Table#3See above.
13
14
15
16
EARLY REF1,EARLY REF2
1 TypeS-H, L-H, Rdm, Rvs, Plt, Spr0-5Selects the pattern of early reflections: S-H (Small Hall), L-H (Large Hall), Rdm
2 Room Size0.1~7.00-44Table#6Apparent room size. Affects length of reflections.
3 Diffusion0~100-10See above.
4 Initial Delay0~630-63Table#5See above.
5 Feedback Level-63~+631-127See above.
6 HPF CutoffThru~8.0kHz0-52See above.
7 LPF Cutoff1.0k~Thru34-60See above.
8
9
10 Dry/WetD63>W ~ D=W ~ D<W631-127•
11 Liveness0~100-10
12 Density0~30-3
13 High Damp0.1~1.01-10
14
15
16
GATE REVERB
REVERSE GATE
1 TypeTypeA,TypeB0-1Selects the type of gate reverb.
2 Room Size0.1~7.00-44Table#6Apparent room size. Affects length of reverb.
3 Diffusion0~100-10See above.
4 Initial Delay0~630-63Table#5See above.
5 Feedback Level-63~+631-127See above.
6 HPF CutoffThru~8.0kHz0-52See above.
7 LPF Cutoff1.0k~Thru34-60See above.
8
9
10 Dry/WetD63>W ~ D=W ~ D<W631-127•
11 Liveness0~100-10
12 Density0~30-3
13 High Damp0.1~1.01-10
14
15
16
KARAOKE1,2,3
1 Delay Time0~630-127Table#7Time between delayed repeats.
2 Feedback Level-63~+631-127See above.
3 HPF CutoffThru~8.0kHz0-52See above.
4 LPF Cutoff1.0k~Thru34-60See above.
5
6
7
8
9
10 Dry/WetD63>W ~ D=W ~ D<W631-127•
11
12
13
14
15
16
CHORUS1,2,3
CELESTE1,2,3
1 LFO Frequency0.08~39.7Hz0-127Table#1This determines the amount of phase shift, or to what degree the modulated signal
2 LFO PM Depth0~630-63See above.
3 Feedback Level-63~+631-127See above.
4 Delay Offset0~1270-127Table#2See above.
5
6 EQ Low Frequency32Hz~2.0kHz4-40Table#3
7 EQ Low Gain-12~+12dB52-76
8 EQ High Frequency500Hz~16.0kHz28-58Table#3
9 EQ High Gain-12~+12dB52-76
10 Dry/WetD63>W ~ D=W ~ D<W631-127•
11 EQ Mid Frequency100Hz~10.0kHz14-54Table#3
12 EQ Mid Gain-12~+12dB52-76
13 EQ Mid Width1.0~12.010-120
14 LFO AM Depth0~1270-127
15
16
NOTE : Delay OfstThis parameter is not available for the Phaser effect.
1 LFO Frequency0.08~39.7Hz0-127Table#1•Speed of auto pan effect.
2 L/R Depth0~1270-127Depth of left/right stereo separation.
3 F/R Depth0~1270-127Depth of apparent front/rear image separation. (This parameter is only effective
4 PAN DirectionL<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5Direction of auto pan effect: L<—>R (shifts back and forth between left and right),
5
6 EQ Low Frequency32Hz~2.0kHz4-40Table#3
7 EQ Low Gain-12~+12dB52-76
8 EQ High Frequency500Hz~16.0kHz28-58Table#3
9 EQ High Gain-12~+12dB52-76
10
when Pan Direction below is set to Lturn or Rturn.)
L->R (shifts continually from left to right), L<-R (shifts continually from right to
left), Lturn (simulated 3D panning effect in which sound circles counterclockwise), Rturn (simulated 3D panning effect in which sound circles clockwise), L/
R (alternates between left and right).
4
Page 6
MU80 Effect Parameter List
ParameterRangeValue
11 Stage4,6,8,4-8
12 DiffusionMono/Stereo0-1
13
14
15
16
DISTORTION
OVERDRIVE
1 Drive0~1270-127•This determines the intensity of the Distortion effect.
2 EQ Low Frequency32Hz~2.0kHz4-40Table#3
3 EQ Low Gain-12~+12dB52-76
4 LPF Cutoff1.0k~Thru34-60
5 Output Level0~1270-127This determines the level of the Distortion effect.
1 EQ Low Gain-12~+12dB52-76Amount of boost or cut of low frequencies.
2 EQ Mid Frequency100Hz~10.0kHz14-54Table#3Central frequency for mid-range adjustment.
3 EQ Mid Gain-12~+12dB52-76Amount of boost or cut of mid-range frequencies.
4 EQ Mid Width1.0~12.010-120Band width of mid-range frequencies.
5 EQ High Gain-12~+12dB52-76Amount of boost or cut of high frequencies.
6 EQ Low Frequency32Hz~2.0kHz4-40Table#3
7 EQ High Frequency500Hz~16.0kHz28-58Table#3
8
9
10
11
12
13
14
15
16
STEREO EQ(2BAND)
1 EQ Low Frequency32Hz~2.0kHz4-40Table#3Central frequency for low adjustment.
2 EQ Low Gain-12~+12dB52-76Amount of boost or cut of low frequencies.
3 EQ High Frequency500Hz~16.0kHz28-58Table#3Central frequency for high adjustment.
4 EQ High Gain-12~+12dB52-76Amount of boost or cut of high frequencies.
5
6
7
8
9
10
11 EQ Mid Frequency100Hz~10.0kHz14-54Table#3
12 EQ Mid Gain-12~+12dB52-76
13 EQ Mid Width1.0~12.010-120
14
15
16
AUTO WAH
1 LFO Frequency0.08~39.7Hz0-127Table#1Speed of auto wah effect.
2 LFO Depth0~1270-127Depth of auto wah effect.
3 Cutoff Frequency Offset 0~1270-127•Central frequency for the auto wah effect.
4 Resonance1.0~12.010-120Amount of emphasis of the cutoff frequency.
5
6 EQ Low Frequency32Hz~2.0kHz4-40Table#3
7 EQ Low Gain-12~+12dB52-76
8 EQ High Frequency500Hz~16.0kHz28-58Table#3
9 EQ High Gain-12~+12dB52-76
10 Dry/WetD63>W ~ D=W ~ D<W631-127
11Drive0~1270-127
12
13
14
15
16
PITCH CHANGE
1 Pitch-24~+2440-88Coarse pitch change setting. (Affects both left and right channels.)
2 Initial Delay0~1270-127Table#7Length of time before onset of pitch change.
3 Fine 1-50~+5014-114Fine pitch adjustment for the left channel sound.
4 Fine 2-50~+5014-114Fine pitch adjustment for the right channel sound.
Table No.
AC1
Control
The higher the value, the greater the distortion.
Use this parameter together with the Dry/Wet Balance parameter below to obtain
the desired overall sound.
amp cabinet), Tube (warm tube amplifier sound).
Higher values result in a narrower range of frequencies.
5
Page 7
MU80 Effect Parameter List
ParameterRangeValue
5 Feedback Gain-99~+99%1-127Level of pitch change sound that is returned (or fed back) to the Pitch Change
6
7
8
9
10 Dry/WetD63>W ~ D=W ~ D<W631-127•
11 Pan 1L63~R631-127
12 Output Level 10~1270-127
13 Pan 2L63~R631-127
14 Output Level 20~1270-127
15
16
AURAL EXCITER*
1 HPF cutoff500Hz~16.0kHz28-58High pass filter cutoff frequency for the Aural Exciter¿ effect.
2 Drive0~1270-127Degree or depth of the Aural Exciter effect.
3 Mix Level0~1270-127Level of the Aural Exciter sound, relative to the dry sound.
4
5
6
7
8
9
10
11
12
13
14
15
16
*Aural Exciter is a registered trademark of Aphex Systems Ltd.
TOUCH WAH,WAH+DIST
1 Sensitive0~1270-127Sensitivity of wah effect to playing velocity and Voice level.
2 Cutoff Frequency Offset 0~1270-127•Central frequency for the wah effect.
3 Resonance1.0~12.010-120Amount of emphasis of the cutoff frequency.
4
5
6 EQ Low Frequency32Hz~2.0kHz4-40Table#3
7 EQ Low Gain-12~+12dB52-76
8 EQ High Frequency500Hz~16.0kHz28-58Table#3
9 EQ High Gain-12~+12dB52-76
10 Dry/WetD63>W ~ D=W ~ D<W631-127
11 Drive0~1270-127
12
13
14
15
16
COMPRESSOR
1 Attack1~40ms0-19Table#8Amount of time before compression of the signal begins.
2 Release10~680ms0-15Table#9Amount of time for which compression of the signal continues.
3 Threshold-48~-6dB79-121Determines minimum level of signal necessary to trigger compression.
4 Ratio1.0~20.00-7Table#10Determines the degree of compression.
5 Output Level0~1270-127Output level of the compressor sound.
6
7
8
9
10
11
12
13
14
15
16
NOISE GATE
1 Attack1~40ms0-19Table#8Amount of time before the noise gate is triggered.
2 Release10~680ms0-15Table#9Amount of time the noise gate remains.
3 Threshold-72~-30dB55-97Determines minimum level of signal necessary to trigger the noise gate.
4 Output Level0~1270-127Output level of the overall sound.
5
6
7
8
9
10
11 Ratio1.0~5.00-7
12
13
14
15
16
Table No.
AC1
Control
effect.
Extreme values send the pitch +spiraling+ down or up (depending on the Pitch and
Fine 1/2 parameters).
Higher values result in a gradual decay of the compression.
Higher levels result in greater compression of the signal.
Higher values result in a gradual decay of the noise gate.
6
Page 8
Table#1
LFO Frequency
Data Value
7
Data Value Data Value
0 0.00
1 0.08
2 0.08
3 0.16
4 0.16
5 0.25
6 0.25
7 0.33
8 0.33
9 0.42
Receivable note range: C2 to G8
Velocity range: 1 to 127 (Value accepted only at Note On)
If multipart parameter “Rcv NOTE MESSAGE” is OFF, the part ignores these messages.
Rhythm part will ignore Key Off if “Rcv NOTE OFF = OFF”.
Rhythm part will ignore Key On if “Rcv NOTE ON = OFF”.
1.2 Control Change
If multipart parameter “Rcv CONTROL CHANGE” is OFF, the part ignores these
messages.
1.2.10 Sostenuto
Cntrl# ParameterData Range
66Sostenuto0...127
If multipart parameter “Rcv SOSTENUTO” is OFF, the part ignores this message.
1.2.11 Soft Pedal
Cntrl# ParameterData Range
67Soft Pedal0...127
If multipart parameter “Rcv SOFT PEDAL” is OFF, the part ignores this message.
A new bank selection does not become effective until receipt of the next Program Change
message.
If “Sound Module Mode = C/M”, all Bank Selects are ignored.
1.2.2Modulation
Cntrl# ParameterData Range
1Modulation0...127
If multipart parameter “Rcv MODULATION” is OFF, the part ignores this message.
1.2.3Portamento Time
Cntrl# ParameterData Range
5Portamento Time 0...127
Sets the pitch-change speed used when Portamento is ON. A value of 0 produces the shortest
portamento time; value 127 selects the longest time.
Sets the value for the parameter specified by RPN/NRPN.
1.2.5Main Volume
Cntrl# ParameterData Range
7Data Entry MSB 0...127
If multipart parameter “Rcv VOLUME” is OFF, the part ignores this message.
1.2.6Pan
Cntrl# ParameterData Range
10Data Entry MSB 0...127
0 = left; 127 = right
If multipart parameter “Rcv PAN” is OFF, the part ignores this message.
1.2.7Expression
Cntrl# ParameterData Range
11Data Entry MSB 0...127
If multipart parameter “Rcv EXPRESSION” is OFF, the part ignores this message.
1.2.8Hold1
Cntrl# ParameterData Range
64Data Entry MSB 0...127
If multipart parameter “Rcv HOLD1” is OFF, the part ignores this message.
1.2.9Portamento
Cntrl# ParameterData Range
65Portamento0...127
If multipart parameter “Rcv PORTAMENTO” is OFF, the part ignores this message.
(0-63:off, 64-127:on)
(0-63:off, 64-127:on)
1.2.12 Harmonic Content
Cntrl# ParameterData Range
71Harmonic Content 0...127
Applies adjustment to the resonance value set by the voice. This parameter specifies relative
change, with value 64 producing zero adjustment. As values get higher the sound becomes
increasingly eccentric. Note that for some voices the effective parameter range is narrower
than the legal parameter range.
1.2.13 Release Time
Cntrl# ParameterData Range
72Release Time0...127
Applies adjustment to the envelope release time set by the voice.
This parameter specifies relative change, with value 64 producing zero adjustment.
1.2.14 Attack Time
Cntrl# ParameterData Range
73Attack Time0...127
Applies adjustment to the envelope attack time set by the voice.
This parameter specifies relative change, with value 64 producing zero adjustment.
1.2.15 Brightness
Cntrl# ParameterData Range
74Brightness0...127
Applies adjustment to the cutoff frequency set by the voice. This parameter specifies
relative change, with value 64 producing zero adjustment. Lower voices produce a softer
sound. For some voices the effective parameter range is narrower than the legal parameter
range.
1.2.16 Portamento Control
Cntrl# ParameterData Range
84Portamento Control 0...127
Message should be sent with Note On already sounding. The data value sets the portamento
source key number.
The channel with change from the currently sounding pitch to the next received NoteOn key using Portamento Time of 0.
This message is effective even when “Rcv Portamento = OFF.”
Adjusts the variation effect send level. Not effective if “Variation Connection” is set to 0
(Insertion).
1.2.20 Data Increment / Decrement (for RPN)
Cntrl# ParameterData Range
96RPN Increment0...127
97RPN Decrement 0...127
The data byte has no meaning.
This message adds or subtracts 1 to/from the Pitchbend Sensitivity, Fine Tune, and Coarse
Tune MSBs. Note that the Increment (Decrement) message will not change a setting that has
already reached its maximum (minimum) value. Incrementation or decrementation of the
Fine Tune value never carries over to the Coarse Tune value.
1.2.21 NRPN (Nonregistered parameter number)
Cntrl# ParameterData Range
98RPN LSB0...127
99RPN MSB0...127
If multipart parameter “Rcv NRPN” is OFF, the part ignores this message.
First send the NPRN MSB and LSB to select the control parameter, then set the value by
Data Entry.
The following NRPN values are supported.
NRPNData entry
MSB LSB MSBParameter Data Range
$01 $08 $mmVibrato Rate
$01 $09 $mmVibrato Depth
$01 $0A $mmVibrato Delay
$01 $20 $mmFilter Cutoff Freq.
$01 $21 $mmFilter Resonance
$01 $63 $mmEG Attack Time
$01 $64 $mmEG Decay Time
$01 $66 $mmEG Release Time
$14 $rr $mmDrum Filter Cutoff Freq.
$15 $rr $mmDrum Filter Resonance
$16 $rr $mmDrum EG Attack Rate
$17 $rr $mmDrum EG Decay Rate
$18 $rr $mmDrum Instrument Pitch Coarse
$19 $rr $mmDrum Instrument Pitch Fine
$1A $rr $mmDrum Instrument Level
(0...127) when Variation Connection = 1 (System)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
(Effects both Decay 1 and Decay 2)
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
$1C $rr $mmDrum Instrument Panpot
$1D $rr $mmDrum Instrument Reverb Send Level
$1E $rr $mmDrum Instrument Chorus Send Level
$1F $rr $mmDrum Instrument Variation Send Level
Note that LSB values 14H through 1FH (drum parameters) are effective only if the channel
is in drum mode and drum setup 1, 2, 3, or 4 is currently selected.
1.2.22 RPN (Registered parameter number)
Cntrl# ParameterData Range
100RPN LSB0...127
101RPN MSB0...127
If multipart parameter “Rcv RPN” is OFF, the part ignores this message.
The following parameters are supported.
NRPNData entry
MSB LSB MSB LSBParameter Data Range
00H 00H mmH --Pitchbend Sensitivity
00H 01H mmH 11HFine Tuning
00H 02H mmH --Course Tuning
7FH 7FH ----RPN Null
1.2.23 Channel Mode Messages
The following Channel Mode messages are supported.
2nd byte 3rd byte
1200All Sound Off
1210Reset All Controllers
1230All Notes Off
1240Omni Off
1250Omni On
1260 ~ 16 Mono
1270Poly
1.2.23.1 All Sound Off
Switches off all sound from the channel. Does not reset Note On and Hold On conditions
established by Channel Messages.
1.2.23.2 Reset All Controllers
Resets controllers as follows.
ControllerValue
Pitchbend change+-0 (center)
Channel Pressure0 (off)
Polyphonic Key Pressure0 (off)
Modulation0 (off)
Expression127 (max)
Hold0 (off)
Portamento0 (off)
Sostenuto0 (off)
Soft Pedal0 (off)
Portamento ControlResets portamento source note number
RPNSets number to null. (Internal data re-
NRPNSets number to null. (Internal data re-
mm : $00 - $40 - $7F (Random, L→C→R)
rr : drum instrument note number
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
Default:7F 7FH
mm: 00-18H (0-2 semitones)
Can be set up 2 octaves, in semitone units.
Default: 02H
LSB is ignored.
mm:00H-40H-7FH(-64-0-+63)
mm:28H - 40H - 18H(-24-+24 semitones)
LSB is ignored.
Clears current RPN and NRPN number settings.
Does not change internal parameter settings.
mains unchanged.)
mains unchanged.)
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MU80 MIDI Data Format
1.2.23.3 All Notes Off
Switches off all of the channel’s’ “on” notes. Any notes being held by HOLD1 or
SOSTENUTO continue to sound until HOLD1/SOSTENUTO goes off.
1.2.23.4 Omni Off
Same processing as for All Notes Off.
1.2.23.5 Omni On
Same processing as for All Notes Off.
1.2.23.6 Mono
Generates “All Sound Off” operation. If the value of the third byte (mono number) is 0 to
16, the channel changes to Mode 4 (m=1).
1.2.23.7 Poly
Generates “All Sound Off” operation, and sets the channel to Mode 3.
1.3 Program Change
If multipart parameter “Rcv PROGRAM CHANGE” is OFF, the part ignores this message.
If “Sound Module Mode = C/M”, drum voice parts ignore all Program Change messages.
1.4 Pitchbend
If multipart parameter “Rcv PITCH BEND” is OFF, the part ignores this message.
1.5 Channel Aftertouch
Not effective under initial settings.
If multipart parameter “Rcv CHANNEL AFTERTOUCH” is Off, the part ignores this
message.
1.6 Polyphonic Channel Aftertouch
Not effective under initial settings.
If multipart parameter “Rcv POLYPHONIC CHANNEL AFTERTOUCH” is Off, the part
ignores this message.
This message is effective only for note numbers 36 through 97 only.
2.1.2Universal Realtime Message
2.1.2.1 Master Volume
11110000F0= Exclusive status
011111117F= Universal Realtime
011111117F= ID of target device
0000010004= Sub-ID #1=Device Control Message
0000000101= Sub-ID #2=Master Volume
0sssssss*SS= Volume LSB
0tttttttTT= Volume MSB
11110111F7= End of Exclusive
or
11110000F0= Exclusive status
011111117F= Universal Realtime
0xxxnnnnXN= Device Number, xxx = don't care
0000010004= Sub-ID #1=Device Control Message
0000000101= Sub-ID #2=Master Volume
0sssssssSS= Volume LSB
0tttttttTT= Volume MSB
11110111F7= End of Exclusive
Received Volume MSB is written to System Parameter MASTER VOLUME.
*Hexadecimal representation of 0sssss ss. (Same below)
2.1.3Universal Non-Realtime Message
2.1.3.1 General MIDI Mode On
11110000F0= Exclusive status
011111107E= Universal Non-Realtime
011111117F= ID of target device
0000100109= Sub-ID #1=General MIDI Message
0000000101= Sub-ID #2=General MIDI On
11110111F7= End of Exclusive
or
11110000F0= Exclusive status
011111107E= Universal Non-Realtime
0xxxnnnnXN= Device Number, xxx = don't care
0000100109= Sub-ID #1=General MIDI Message
0000000101= Sub-ID #2=General MIDI On
11110111F7= End of Exclusive
This message switches SOUND MODULE MODE to XG.
This message is ignores if operation is in C/M mode.
If “Rcv GM EXCLUSIVE = OFF”, the message is ignored.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
2. System Exclusive Messages
2.1 Parameter Change
The MU80 supports the following Parameter Change messages.
[UNIVERSAL REALTIME MESSAGE ]
1) Master Volume
[UNIVERSAL NON-REALTIME MESSAGE ]
3) General MIDI Mode On
[XG NATIVE ]
1) XG System on
2) XG System Data parameter change
3) System Information
4) Multi Effect1 Data parameter change
5) Multi EQ Data parameter change
6) Multi Effect2 Data parameter change
7) Display Data parameter change
8) Multi Part Data parameter change
9) AD Part Data parameter change
10)Drum Setup Data parameter change
[MU80 NATIVE ]
1) MU80 System Data parameter change
2) Current Performance parameter change
3) Remote switch
[Others]
1) Master tuning
2) TG300 System Data parameter change
3) TG300 Multi Effect Data parameter change
4) TG300 Mutli Part Data parameter change
2.1.4XG Native Parameter Change
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1nDevice Number
010011004CModel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0ddddddddddddddData
||
11110111F7End of Exclusive
Data size must match parameter size (2 or 4 bytes).
2.1.4.1 XG System On
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1NDevice Number
010011004CModel ID
0aaaaaaa00Address High
0aaaaaaa00Address Mid
0aaaaaaa7EAddress Low
0000000000Data
11110111F7End of Exclusive
This message switches SOUND MODULE MODE to XG. The message requires
approximately 50ms to execute, so sufficient time should be allowed before the
next message is sent.
2.1.4.2 XG System Data parameter change
See Tables 1-1, 1-2.
2.1.4.3 System Information
System information is sent in response to dump request. Any received parameter changes
are ignored.
See Tables 1-1, 1-3.
11
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MU80 MIDI Data Format
2.1.4.4 Multi Effect1 Data parameter change
See Tables 1-1, 1-4.
2.1.4.5 Multi EQ Data parameter change
See Tables 1-1, 1-5.
2.1.4.6 Multi Effect2 Data parameter change
See Tables 1-1, 1-6.
2.1.4.7 Display Data parameter change
See Tables 1-1, 1-7.
2.1.4.8 Multi Part Data parameter change
See Tables 1-1, 1-8.
2.1.4.9 AD Part Data parameter change
See Tables 1-1, 1-9.
2.1.4.10 Drum Setup Data parameter change
See Tables 1-1, 1-10.
If operation is in XG mode, this message reinitializes all drum setup parameters.
Note that regardless of mode, drum setup parameters always reinitialize whenever the drum
set changes.
2.1.5MU80 Native Parameter Change
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1nDevice Number
0100100149Model ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0ddddddddddddddData
||
11110111F7End of Exclusive
Data size must match parameter size (2 or 4 bytes).
2.1.5.1 MU80 System Data parameter change
See Tables 2-1, 2-2.
2.1.5.2 Current Performance parameter change
See Tables 2-1, 2-3.
2.1.5.3 Remote Switch
See Tables 2-1, 2-4.
2.1.6Other Parameter Changes
2.1.6.1 Master Tuning
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1nDevice Number
0010011127Model ID
0000000130Sub ID2
0000000000
0000000000
0mmmmmmmmmMaster Tune MSB
0lllllllllMaster Tune LSB
0ccccccccc
11110111F7End of Exclusive
Changes tuning of all channels.
2.2 Bulk Dump
The MU80 supports the following parameters.
[XG NATIVE ]
1) XG System Data
2) Multi Effect1 Data
3) Multi EQ Data
4) Multi Effect2 Data
5) Multi Part Data
6) AD Part Data
7) Drums Setup Data
[MU80 NATIVE ]
1) MU80 System data
2) Internal Performance
2.2.1XG Native Bulk Data
11110000F0Exclusive status
0100001143YAMAHA ID
0000nnnn0nDevice Number
010011004CModel ID
0bbbbbbbbbbbbbbByteCount
0bbbbbbbbbbbbbbByteCount
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0000000000Data
||
||
0ccccccccccccccCheck sum
11110111F7End of Exclusive
For information about “Address” and “Byte Count” fields, refer to attached tables.
The checksum value is set such that the sum of Address, Byte Count, and
Checksum has value zero in its seven least significant bits.
No more than 512 bytes should be sent in a single transmission. If the Dump
Request asks for more than 512 bytes, data should be sent in packets of 512 bytes
or less, with at least 120ms between transmission of consecutive packets.
2.2.1.1 XG System Data bulk dump
See Tables 1-1, 1-2.
2.2.1.2 Multi Effect1 Data bulk dump
See Tables 1-1, 1-4.
2.2.1.3 Multi EQ Data bulk dump
See Tables 1-1, 1-5.
2.2.1.4 Multi Effect2 Data bulk dump
See Tables 1-1, 1-6.
2.2.1.5 Multi Part Data bulk dump
See Tables 1-1, 1-8.
2.2.1.6 AD Part Data bulk dump
See Tables 1-1, 1-9.
2.2.1.7 Drums Setup Data bulk dump
See Tables 1-1, 1-10.
2.2.2MU80 Native Bulk Dump
11110000F0Exclusive status
0100001143YAMAHA ID
0000nnnn0nDevice Number
0100100149Model ID
0bbbbbbbbbbbbbbByteCount
0bbbbbbbbbbbbbbByteCount
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0000000000Data
||
||
0ccccccccccccccCheck sum
11110111F7End of Exclusive
For information about “Address” and “Byte Count” fields, refer to attached tables.
The checksum value is set such that the sum of Address, Byte Count, and
Checksum has value zero in its seven least significant bits.
No more than 512 bytes should be sent in a single transmission.
If the Dump Request asks for more than 512 bytes, data should be sent in packets
of 512 bytes or less, with at least 120ms between transmission of consecutive
packets.
2.2.2.1 MU80 System Data bulk dump
See Tables 2-1, 2-2.
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MU80 MIDI Data Format
2.2.2.2 Internal Performance bulk dump
See Tables 2-1, 2-5.
2.3 Parameter Request
The MU80 supports the following request for parameters covered by Parameter
Change specifications.
11110000F0Exclusive status
0100001143YAMAHA ID
0011nnnn3nDevice Number
010011004CModel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
11110111F7End of Exclusive
2.4 Dump Request
The MU80 supports the following request for data covered by bulk dump.
11110000F0Exclusive status
0100001143YAMAHA ID
0010nnnn2nDevice Number
010011004CModel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
11110111F7End of Exclusive
3. Realtime Messages
3.1 Active Sensing
a) Transmission
Transmission is not supported.
b) Reception
If no MIDI data is received within 300ms following receipt of FE, the unit executes
processing equivalent to ALL SOUND OFF, ALL NOTES OFF, and RESET ALL
CONTROLLERS, then clears any remaining FEs.
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MU80 MIDI Data Format
<Table 1-1>
Parameter Base Address
Model ID = 4C
Parameter Change
XG SYSTEM000000System
INFORMATION 010000System Information
EFFECT 1020100Effect1(Reverb,Chorus,Variation )
EFFECT 2030000Insertion Effect 1
DISPLAY060000Display Letter
AddressParameter
3n 0B 00 note number 13
3n 0C 00 note number 14
::
3n 5B 00 note number 91
<Table 1-3>
MIDI Parameter Change table ( System information )
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
01 00 00F20 - 7FModel Name32-127(ASCII)
:
0D20 - 7F
0E10000
0F10000
TOTAL SIZE 10
Transmitted in response to dump request. Parameter changes are not accepted.
<Table 1-4>
MIDI Parameter Change table ( EFFECT 1)
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
02 01 00200-7FREVERB TYPE MSBRefer to Effect Program List01(=HALL1)
02100-7FREVERB PARAMETER 1Refer to Effect Program ListDepends on reverb type
03100-7FREVERB PARAMETER 2Refer to Effect Program ListDepends on reverb type
04100-7FREVERB PARAMETER 3Refer to Effect Program ListDepends on reverb type
05100-7FREVERB PARAMETER 4Refer to Effect Program ListDepends on reverb type
06100-7FREVERB PARAMETER 5Refer to Effect Program ListDepends on reverb type
07100-7FREVERB PARAMETER 6Refer to Effect Program ListDepends on reverb type
08100-7FREVERB PARAMETER 7Refer to Effect Program ListDepends on reverb type
09100-7FREVERB PARAMETER 8Refer to Effect Program ListDepends on reverb type
0A100-7FREVERB PARAMETER 9Refer to Effect Program ListDepends on reverb type
0B100-7FREVERB PARAMETER 10Refer to Effect Program ListDepends on reverb type
0C100-7FREVERB RETURN-∞dB...0dB...+6dB(0...64...127)40
0D101-7FREVERB PANL63...C...R63(1...64...127)40
TOTAL SIZE 0E
02 01 10100-7FREVERB PARAMETER 11Refer to Effect Program ListDepends on reverb type
11100-7FREVERB PARAMETER 12Refer to Effect Program ListDepends on reverb type
00-7FREVERB TYPE LSB00 : basic type00
14
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MU80 MIDI Data Format
12100-7FREVERB PARAMETER 13Refer to Effect Program ListDepends on reverb type
13100-7FREVERB PARAMETER 14Refer to Effect Program ListDepends on reverb type
14100-7FREVERB PARAMETER 15Refer to Effect Program ListDepends on reverb type
15100-7FREVERB PARAMETER 16Refer to Effect Program ListDepends on reverb type
TOTAL SIZE 6
02 01 20200-7FCHORUS TYPE MSBRefer to Effect Program List41(=CHORUS1)
22100-7FCHORUS PARAMETER 1Refer to Effect Program ListDepends on chorus type
23100-7FCHORUS PARAMETER 2Refer to Effect Program ListDepends on chorus type
24100-7FCHORUS PARAMETER 3Refer to Effect Program ListDepends on chorus type
25100-7FCHORUS PARAMETER 4Refer to Effect Program ListDepends on chorus type
26100-7FCHORUS PARAMETER 5Refer to Effect Program ListDepends on chorus type
27100-7FCHORUS PARAMETER 6Refer to Effect Program ListDepends on chorus type
28100-7FCHORUS PARAMETER 7Refer to Effect Program ListDepends on chorus type
29100-7FCHORUS PARAMETER 8Refer to Effect Program ListDepends on chorus type
2A100-7FCHORUS PARAMETER 9Refer to Effect Program ListDepends on chorus type
2B100-7FCHORUS PARAMETER 10Refer to Effect Program ListDepends on chorus type
2C100-7FCHORUS RETURN-∞dB...0dB...+6dB(0...64...127)40
2D101-7FCHORUS PANL63...C...R63(1...64...127)40
2E100-7FSEND CHORUS TO REVERB-∞dB...0dB...+6dB(0...64...127)00
TOTAL SIZE 0F
02 01 30100-7FCHORUS PARAMETER 11Refer to Effect Program ListDepends on chorus type
31100-7FCHORUS PARAMETER 12Refer to Effect Program ListDepends on chorus type
32100-7FCHORUS PARAMETER 13Refer to Effect Program ListDepends on chorus type
33100-7FCHORUS PARAMETER 14Refer to Effect Program ListDepends on chorus type
34100-7FCHORUS PARAMETER 15Refer to Effect Program ListDepends on chorus type
35100-7FCHORUS PARAMETER 16Refer to Effect Program ListDepends on chorus type
TOTAL SIZE 6
02 01 40200-7FVARIATION TYPE MSBRefer to Effect Program List05(=DELAY L,C,R)
42200-7FVARIATION PARAMETER 1 MSBRefer to Effect Parameter ListDepends on variation type
44200-7FVARIATION PARAMETER 2 MSBRefer to Effect Parameter ListDepends on Variation type
46200-7FVARIATION PARAMETER 3 MSBRefer to Effect Parameter ListDepends on Variation type
48200-7FVARIATION PARAMETER 4 MSBRefer to Effect Parameter ListDepends on Variation type
4A200-7FVARIATION PARAMETER 5 MSBRefer to Effect Parameter ListDepends on Variation type
4C200-7FVARIATION PARAMETER 5 MSBRefer to Effect Parameter ListDepends on Variation type
4E200-7FVARIATION PARAMETER 7 MSBRefer to Effect Parameter ListDepends on Variation type
50200-7FVARIATION PARAMETER 8 MSBRefer to Effect Parameter ListDepends on Variation type
52200-7FVARIATION PARAMETER 9 MSBRefer to Effect Parameter ListDepends on Variation type
54200-7FVARIATION PARAMETER 10 MSBRefer to Effect Parameter ListDepends on Variation type
56100-7FVARIATION RETURN-∞dB...0dB...+6dB(0...64...127)40
57101-7FVARIATION PANL63...C...R63(1...64...127)40
58100-7FSEND VARIATION TO REVERB-∞dB...0dB...+6dB(0...64...127)00
59100-7FSEND VARIATION TO CHORUS-∞dB...0dB...+6dB(0...64...127)00
5A100-01VARIATION CONNECTION0:INSERTION,1:SYSTEM00
5B100-01VARIATION PARTPart1...64(0...63)7F
5C100-7FMW VARIATION CONTROL DEPTH-64...+6340
5D100-7FBEND VARIATION CONTROL DEPTH-64...+6340
5E100-7FCAT VARIATION CONTROL DEPTH-64...+6340
5F100-7FAC1 VARIATION CONTROL DEPTH-64...+6340
60100-7FAC2 VARIATION CONTROL DEPTH-64...+6340
TOTAL SIZE 21
02 01 70100-7FVARIATION PARAMETER 11option parameterDepends on variation type
71100-7FVARIATION PARAMETER 12option parameterDepends on variation type
72100-7FVARIATION PARAMETER 13option parameterDepends on variation type
73100-7FVARIATION PARAMETER 14option parameterDepends on variation type
74100-7FVARIATION PARAMETER 15option parameterDepends on variation type
75100-7FVARIATION PARAMETER 16option parameterDepends on variation type
TOTAL SIZE 6
<Table 1-5>
MIDI Parameter Change table ( MULTI EQ )
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
02 40 00100 - 04EQ type0:FLAT00
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
03 00 00200-7FINSERTION EFFECT 1 TYPE MSBRefer to Effect Program List48(=DISTORTION)
02100-7FINSERTION EFFECT 1 PARAMETER1Refer to Effect Parameter ListDepends on insertion 1 type
03100-7FINSERTION EFFECT 1 PARAMETER2Refer to Effect Parameter ListDepends on insertion 1 type
04100-7FINSERTION EFFECT 1 PARAMETER3Refer to Effect Parameter ListDepends on insertion 1 type
05100-7FINSERTION EFFECT 1 PARAMETER4Refer to Effect Parameter ListDepends on insertion 1 type
06100-7FINSERTION EFFECT 1 PARAMETER5Refer to Effect Parameter ListDepends on insertion 1 type
07100-7FINSERTION EFFECT 1 PARAMETER6Refer to Effect Parameter ListDepends on insertion 1 type
08100-7FINSERTION EFFECT 1 PARAMETER7Refer to Effect Parameter ListDepends on insertion 1 type
09100-7FINSERTION EFFECT 1 PARAMETER8Refer to Effect Parameter ListDepends on insertion 1 type
0A100-7FINSERTION EFFECT 1 PARAMETER9Refer to Effect Parameter ListDepends on insertion 1 type
0B100-7FINSERTION EFFECT 1 PARAMETER10Refer to Effect Parameter ListDepends on insertion 1 type
0C100-7FINSERTION EFFECT 1 PARTPart1...64(0...63)7F
0D100-7FMW INSERTION CONTROL DEPTH-64...+6340
0E100-7FBEND INSERTION CONTROL DEPTH-64...+6340
0F100-7FCAT INSERTION CONTROL DEPTH-64...+6340
10100-7FAC1 INSERTION CONTROL DEPTH-64...+6340
11100-7FAC2 INSERTION CONTROL DEPTH-64...+6340
TOTAL SIZE 12
20100-7FINSERTION EFFECT 1 PARAMETER11Refer to Effect Parameter ListDepends on insertion 1 type
21100-7FINSERTION EFFECT 1 PARAMETER12Refer to Effect Parameter ListDepends on insertion 1 type
23100-7FINSERTION EFFECT 1 PARAMETER13Refer to Effect Parameter ListDepends on insertion 1 type
24100-7FINSERTION EFFECT 1 PARAMETER14Refer to Effect Parameter ListDepends on insertion 1 type
25100-7FINSERTION EFFECT 1 PARAMETER15Refer to Effect Parameter ListDepends on insertion 1 type
26100-7FINSERTION EFFECT 1 PARAMETER16Refer to Effect Parameter ListDepends on insertion 1 type
TOTAL SIZE 6
*Data Range varies according to Effect type value.
<Table 1-7>
MIDI Parameter Change table ( DISPLAY DATA )
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
06 00 002020 - 7FDISPLAY LETTER32-127(ASCII)
:
1F
TOTAL SIZE 20
07 00 003000 - 7FDISPLAY BITMAP Data00 - 127
::
2FData47
TOTAL SIZE 30
00-7FINSERTION EFFECT 1 TYPE LSB00 : basic type00
AD1...AD63(64...126)
OFF(127)
Relation of data and display:
Each data byte defines seven contiguous pixels in the horizontal direction.
A bitvalue of “1” sets the pixel ON, “0” sets it off.
Alignment of data on the screen is as follows.
It is possible to limit reception of bitmap data to selected pixels only, while leaving unselected pixels in their existing display state. It is also possible to start transmission of
Display Data parameter-change data from any arbitrary point.
<Table 1-8>
MIDI Parameter Change table ( MULTI PART )
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
08 nn 00100 - 20ELEMENT RESERVE0 - 32part10=0, other =2
nn 01100 - 7FBANK SELECT MSB0 - 127part10=7F, other=0
nn 02100 - 7FBANK SELECT LSB0 - 12700
nn 03100 - 7FPROGRAM NUMBER1 - 12800
nn 04100 - 1F, 7FRcv CHANNELA1 - A16,B1 - B16,OFFPart No.
nn 05100 - 01MONO/POLY MODE0:MONO01
nn 06100 - 02SAME NOTE NUMBER0:SINGLE00
nn 07100 - 01PART MODE0:NORMAL00 (Part other than 10)
nn 08128 - 58NOTE SHIFT-24 - +24[semitones]40
nn 09200 - FFDETUNE-12.8 - +12.7[Hz]08 00
nn 0A1st bit3-0→bit7-4(80)
nn 0B100 - 7FVOLUME0 - 12764
nn 0C100 - 7FVELOCITY SENSE DEPTH0 - 12740
nn 0D100 - 7FVELOCITY SENSE OFFSET0 - 12740
nn 0E100 - 7FPAN0:random40
nn 0F100 - 7FNOTE LIMIT LOWC-2 - G800
nn 10100 - 7FNOTE LIMIT HIGHC-2 - G87F
nn 11100 - 7FDRY LEVEL0 - 1277F
nn 12100 - 7FCHORUS SEND0 - 12700
nn 13100 - 7FREVERB SEND0 - 12728
nn 14100 - 7FVARIATION SEND0 - 12700
nn 15100 - 7FVIBRATO RATE-64 - +6340
nn 16100 - 7FVIBRATO DEPTH-64 - +6340
nn 17100 - 7FVIBRATO DELAY-64 - +6340
nn 18100 - 7FFILTER CUTOFF FREQUENCY-64 - +6340
nn 19100 - 7FFILTER RESONANCE-64 - +6340
nn 1A100 - 7FEG ATTACK TIME-64 - +6340
nn 1B100 - 7FEG DECAY TIME-64 - +6340
nn 1C100 - 7FEG RELEASE TIME-64 - +6340
nn 1D128 - 58MW PITCH CONTROL-24 - +24[semitones]40
nn 1E100 - 7FMW FILTER CONTROL-9600 - +9450[cent]40
nn 1F100 - 7FMW AMPLITUDE CONTROL-100 - +100[%]40
nn 20100 - 7FMW LFO PMOD DEPTH0 - 1270A
nn 21100 - 7FMW LFO FMOD DEPTH0 - 12700
nn 22100 - 7FMW LFO AMOD DEPTH0 - 12700
nn 23128 - 58BEND PITCH CONTROL-24 - +24[semitones]42
nn 24100 - 7FBEND FILTER CONTROL-9600 - +9450[cent]40
nn 25100 - 7FBEND AMPLITUDE CONTROL-100 - +100[%]40
nn 26100 - 7FBEND LFO PMOD DEPTH0 - 12700
nn 27100 - 7FBEND LFO FMOD DEPTH0 - 12700
nn 28100 - 7FBEND LFO AMOD DEPTH0 - 12700
TOTAL SIZE 29
nn 30100 - 01Rcv PITCH BENDOFF/ON01
nn 31100 - 01Rcv CH AFTERTOUCH (CAT)OFF/ON01
nn 32100 - 01Rcv PROGRAM CHANGEOFF/ON01
nn 33100 - 01Rcv CONTROL CHANGEOFF/ON01
nn 34100 - 01Rcv POLY AFTERTOUCH (PAT)OFF/ON01
nn 35100 - 01Rcv NOTE MESSAGEOFF/ON01
nn 36100 - 01Rcv RPNOFF/ON01
nn 37100 - 01Rcv NRPNOFF/ONXG=01, GM=00
nn 38100 - 01Rcv MODULATIONOFF/ON01
nn 39100 - 01Rcv VOLUMEOFF/ON01
nn 3A100 - 01Rcv PANOFF/ON01
nn 3B100 - 01Rcv EXPRESSIONOFF/ON01
nn 3C100 - 01Rcv HOLD1OFF/ON01
nn 3D100 - 01Rcv PORTAMENTOOFF/ON01
nn 3E100 - 01Rcv SOSTENUTOOFF/ON01
nn 3F100 - 01Rcv SOFT PEDALOFF/ON01
nn 40100 - 01Rcv BANK SELECTOFF/ONXG=01, GM=00
nn 41100 - 7FSCALE TUNING C-64 - +63[cent]40
nn 42100 - 7FSCALE TUNING C#-64 - +63[cent]40
nn 43100 - 7FSCALE TUNING D-64 - +63[cent]40
nn 44100 - 7FSCALE TUNING D#-64 - +63[cent]40
nn 45100 - 7FSCALE TUNING E-64 - +63[cent]40
nn 46100 - 7FSCALE TUNING F-64 - +63[cent]40
nn 47100 - 7FSCALE TUNING F#-64 - +63[cent]40
nn 48100 - 7FSCALE TUNING G-64 - +63[cent]40
nn 49100 - 7FSCALE TUNING G#-64 - +63[cent]40
nn 4A100 - 7FSCALE TUNING A-64 - +63[cent]40
nn 4B100 - 7FSCALE TUNING A#-64 - +63[cent]40
nn 4C100 - 7FSCALE TUNING B-64 - +63[cent]40
KEY ON ASSIGN1:MULTI
1:POLY
2:INST (for DRUM)
1:DRUM01 (Part10)
2 - 5:DRUMS1 - 4
2nd bit3-0→bit3-0
L63...C...R63(1...64...127)
17
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MU80 MIDI Data Format
nn 4D128 - 58CAT PITCH CONTROL-24 - +24[semitones]40
nn 4E100 - 7FCAT FILTER CONTROL-9600 - +9450[cent]40
nn 4F100 - 7FCAT AMPLITUDE CONTROL-100 - +100[%]40
nn 50100 - 7FCAT LFO PMOD DEPTH0 - 12700
nn 51100 - 7FCAT LFO FMOD DEPTH0 - 12700
nn 52100 - 7FCAT LFO AMOD DEPTH0 - 12700
nn 53128 - 58PAT PITCH CONTROL-24 - +24[semitones]40
nn 54100 - 7FPAT FILTER CONTROL-9600 - +9450[cent]40
nn 55100 - 7FPAT AMPLITUDE CONTROL-100 - +100[%]40
nn 56100 - 7FPAT LFO PMOD DEPTH0 - 12700
nn 57100 - 7FPAT LFO FMOD DEPTH0 - 12700
nn 58100 - 7FPAT LFO AMOD DEPTH0 - 12700
nn 59100 - 5FAC1 CONTROLLER NUMBER0 - 9510
nn 5A128 - 58AC1 PITCH CONTROL-24 - +24[semitones]40
nn 5B100 - 7FAC1 FILTER CONTROL-9600 - +9450[cent]40
nn 5C100 - 7FAC1 AMPLITUDE CONTROL-100 - +100[%]40
nn 5D100 - 7FAC1 LFO PMOD DEPTH0 - 12700
nn 5E100 - 7FAC1 LFO FMOD DEPTH0 - 12700
nn 5F100 - 7FAC1 LFO AMOD DEPTH0 - 12700
nn 60100 - 5FAC2 CONTROLLER NUMBER0 - 9511
nn 61128 - 58AC2 PITCH CONTROL-24 - +24[semitones]40
nn 62100 - 7FAC2 FILTER CONTROL-9600 - +9450[cent]40
nn 63100 - 7FAC2 AMPLITUDE CONTROL-100 - +100[%]40
nn 64100 - 7FAC2 LFO PMOD DEPTH0 - 12700
nn 65100 - 7FAC2 LFO FMOD DEPTH0 - 12700
nn 66100 - 7FAC2 LFO AMOD DEPTH0 - 12700
nn 67100 - 01PORTAMENTO SWITCHOFF/ON00
nn 68100 - 7FPORTAMENTO TIME0 - 12700
nn 69100 - 7FPITCH EG INITIAL LEVEL-64 - +6340
nn 6A100 - 7FPITCH EG ATTACK TIME-64 - +6340
nn 6B100 - 7FPITCH EG RELEASE LEVEL-64 - +6340
nn 6C100 - 7FPITCH EG RELEASE TIME-64 - +6340
nn 6D100 - 7FVELOCITY LIMIT LOW0 - 12700
nn 6E100 - 7FVELOCITY LIMIT HIGH0 - 1277F
TOTAL SIZE 3F
nn = PartNumber
For DRUM PART, the following parameters are ineffective.
<Table 1-9>
MIDI Parameter Change table ( A/D PART )
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
10 0n 00100 - 01INPUT GAIN0:MIC,1:LINE
TOTAL SIZE 15
10 0n 30100 - 01NOT USED
• BANK SELECT LSB
• PORTAMENTO
• SOFT PEDAL
• MONO/POLY
• SCALE TUNING
• POLY AFTERTOUCH
01100 - 7FBANK SELECT MSB0 - 12700
02100 - 7FBANK SELECT LSB0 - 12700
03100 - 7FPROGRAM NUMBER1 - 12800
04100 - 1F, 7FRcv CHANNELA1 - A16,B1 - B16,OFF7F
051NOT USED
061NOT USED
071NOT USED
081NOT USED
091NOT USED
0A1NOT USED
0B100 - 7FVOLUME0 - 12764
0C1NOT USED
0D1NOT USED
0E101 - 7FPANL63...C...R63(1...64...127)40
0F1NOT USED
101NOT USED
11100 - 7FDRY LEVEL0 - 1277F
12100 - 7FCHORUS SEND0 - 12700
13100 - 7FREVERB SEND0 - 12740
14100 - 7FVARIATION SEND0 - 12700
31100 - 01NOT USED
32100 - 01Rcv PROGRAM CHANGEOFF/ON01
33100 - 01Rcv CONTROL CHANGEOFF/ON01
34100 - 01NOT USED
35100 - 01NOT USED
36100 - 01NOT USED
37100 - 01NOT USED
38100 - 01NOT USED
39100 - 01Rcv VOLUMEOFF/ON01
3A100 - 01Rcv PANOFF/ON01
3B100 - 01Rcv EXPRESSIONOFF/ON01
3C100 - 01NOT USED
3D100 - 01NOT USED
3E100 - 01NOT USED
18
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MU80 MIDI Data Format
3F100 - 01NOT USED
40100 - 01Rcv BANK SELECTOFF/ON01
41100 - 7FNOT USED
42100 - 7FNOT USED
43100 - 7FNOT USED
44100 - 7FNOT USED
45100 - 7FNOT USED
46100 - 7FNOT USED
47100 - 7FNOT USED
48100 - 7FNOT USED
49100 - 7FNOT USED
4A100 - 7FNOT USED
4B100 - 7FNOT USED
4C100 - 7FNOT USED
4D128 - 58NOT USED
4E100 - 7FNOT USED
4F100 - 7FNOT USED
50100 - 7FNOT USED
51100 - 7FNOT USED
52100 - 7FNOT USED
53128 - 58NOT USED
54100 - 7FNOT USED
55100 - 7FNOT USED
56100 - 7FNOT USED
57100 - 7FNOT USED
58100 - 7FNOT USED
59100 - 5FAC1 CONTROLLER NUMBER0 - 9510
5A128 - 58NOT USED
5B100 - 7FNOT USED
5C100 - 7FNOT USED
5D100 - 7FNOT USED
5E100 - 7FNOT USED
5F100 - 7FNOT USED
[Note]
n: Drum number (0 to 3)
rr: Note number (0D to 5B)
Receipt of “XG System On” or “GM System On” message generates reinitialization of all DRUM SETUP parameters.
“Drum Setup Reset” message can be used to reinitialize drum setup parameters.
1 - 127
1:L63
:
64:C(center)
:
127:R63
1:MULTI
19
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MU80 MIDI Data Format
<Table 2-1>
Parameter Base Address
Model ID = 49
Parameter Change
MU80 SYSTEM000000System
CURRENT090000Performance Common
PERFORMANCE 090100Performance Part1
REMOTE SWITCH
INTERNAL300000Internal Performance#1 Common
PERFORMANCE::
<Table 2-2>
MIDI Parameter Change table ( SYSTEM )
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
00 00 001MUTE LOCKOFF/ON0
011AD LOCKOFF/ON0
021EQ LOCKOFF/ON0
031RECEIVE GM ONOFF/ON1
041RECEIVE BANK SELECTOFF/ON1
051BULK OUT INTERVAL TIME0 - 42
061PERFORMANCE CHANNEL1 - 16, all16(all)
071PERFORMANCE NOTE SHIFT-24 - +24[semitone]40
081LCD CONTRAST0 - 71
091MULTI PORT NUMBER for MIDI OUT0 - 70
MIDI Parameter Change table ( CURRENT PERFORMANCE COMMON EFFECT )
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
09 00 20200-7FREVERB TYPE MSBRefer to Effect Program List01(=HALL1)
09 00 2100-7FREVERB TYPE LSB00 : basic type00
09 00 22100-7FREVERB PARAMETER 1Refer to Effect Parameter ListDepends on reverb type
09 00 23100-7FREVERB PARAMETER 2Refer to Effect Parameter ListDepends on reverb type
09 00 24100-7FREVERB PARAMETER 3Refer to Effect Parameter ListDepends on reverb type
09 00 25100-7FREVERB PARAMETER 4Refer to Effect Parameter ListDepends on reverb type
09 00 26100-7FREVERB PARAMETER 5Refer to Effect Parameter ListDepends on reverb type
09 00 27100-7FREVERB RETURN-∞dB...0dB...+6dB(0...96...127)60
09 00 28101-7FREVERB PANL63...C...R63(1...64...127)40
09 00 29200-7FCHORUS TYPE MSBRefer to Effect Program List41(=CHORUS1)
09 00 2A00-7FCHORUS TYPE LSB00 : basic type00
09 00 2B100-7FCHORUS PARAMETER 1Refer to Effect Parameter ListDepends on chorus type
09 00 2C100-7FCHORUS PARAMETER 2Refer to Effect Parameter ListDepends on chorus type
09 00 2D100-7FCHORUS PARAMETER 3Refer to Effect Parameter ListDepends on chorus type
09 00 2E100-7FCHORUS PARAMETER 4Refer to Effect Parameter ListDepends on chorus type
09 00 2F100-7FCHORUS PARAMETER 5Refer to Effect Parameter ListDepends on chorus type
09 00 30100-7FCHORUS RETURN-∞dB...0dB...+6dB(0...96...127)60
09 00 31101-7FCHORUS PANL63...C...R63(1...64...127)40
09 00 32100-7FSEND CHORUS TO REVERB-∞dB...0dB...+6dB(0...96...127)00
09 00 33200-7FVARIATION TYPE MSBRefer to Effect Program List05(=DELAY L,C,R)
09 00 3400-7FVARIATION TYPE LSB00 : basic type00
09 00 35200-7FVARIATION PARAMETER 1 MSBRefer to Effect Parameter ListDepends on variation type
09 00 3600-7FVARIATION PARAMETER 1 LSBRefer to Effect Parameter ListDepends on variation type
09 00 37200-7FVARIATION PARAMETER 2 MSBRefer to Effect Parameter ListDepends on variation type
20
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MU80 MIDI Data Format
09 00 3800-7FVARIATION PARAMETER 2 LSBRefer to Effect Parameter ListDepends on variation type
09 00 39200-7FVARIATION PARAMETER 3 MSBRefer to Effect Parameter ListDepends on variation type
09 00 3A00-7FVARIATION PARAMETER 3 LSBRefer to Effect Parameter ListDepends on variation type
09 00 3B200-7FVARIATION PARAMETER 4 MSBRefer to Effect Parameter ListDepends on variation type
09 00 3C00-7FVARIATION PARAMETER 4 LSBRefer to Effect Parameter ListDepends on variation type
09 00 3D200-7FVARIATION PARAMETER 5 MSBRefer to Effect Parameter ListDepends on variation type
09 00 3E00-7FVARIATION PARAMETER 5 LSBRefer to Effect Parameter ListDepends on variation type
09 00 3F200-7FVARIATION PARAMETER 10 MSBRefer to Effect Parameter ListDepends on variation type
09 00 4000-7FVARIATION PARAMETER 10 LSBRefer to Effect Parameter ListDepends on variation type
09 00 41100-7FVARIATION RETURN-∞dB...0dB...+6dB(0...96...127)60
09 00 42101-7FVARIATION PANL63...C...R63(1...64...127)40
09 00 43100-7FSEND VARIATION TO REVERB-∞dB...0dB...+6dB(0...96...127)00
09 00 44100-7FSEND VARIATION TO CHORUS-∞dB...0dB...+6dB(0...96...127)00
09 00 45100-7FAC1 VARIATION CONTROL DEPTH0-12700
09 00 46100-01VARIATION CONECTION0:INSERTION,1:SYSTEM00
09 00 47100-7FVARIATION PARTPart1...4(0...3)7F
09 00 48200-7FINSERTION EFFECT 1 TYPE MSBRefer to Effect Program List48(=DISTORTION)
09 00 4900-7FINSERTION EFFECT 1 TYPE LSB00 : basic type00
09 00 4A100-7FINSERTION EFFECT 1 PARAMETER1Refer to Effect Parameter ListDepends on insertion 1 type
09 00 4B100-7FINSERTION EFFECT 1 PARAMETER2Refer to Effect Parameter ListDepends on insertion 2 type
09 00 4C100-7FINSERTION EFFECT 1 PARAMETER3Refer to Effect Parameter ListDepends on insertion 3 type
09 00 4D100-7FINSERTION EFFECT 1 PARAMETER4Refer to Effect Parameter ListDepends on insertion 4 type
09 00 4E100-7FINSERTION EFFECT 1 PARAMETER5Refer to Effect Parameter ListDepends on insertion 5 type
09 00 4F100-7FINSERTION EFFECT 1 PARAMETER10Refer to Effect Parameter ListDepends on insertion 6 type
09 00 50100-7FINSERTION EFFECT 1 PARTPart1...4(0...3)7F
TOTAL SIZE 31
MIDI Parameter Change table ( CURRENT PERFORMANCE COMMON EQ )
MIDI Parameter Change table ( INTERNAL PERFORMANCE COMMON EFFECTS)
AddressSizeDataParameterDescriptionDefault value
(H)(H)(H)(H)
30 pp 20200-7FREVERB TYPE MSBRefer to Effect Program List01(=HALL1)
30 pp 2100-7FREVERB TYPE LSB00 : basic type00
30 pp 22100-7FREVERB PARAMETER 1Refer to Effect Parameter ListDepends on reverb type
30 pp 23100-7FREVERB PARAMETER 2Refer to Effect Parameter ListDepends on reverb type
30 pp 24100-7FREVERB PARAMETER 3Refer to Effect Parameter ListDepends on reverb type
30 pp 25100-7FREVERB PARAMETER 4Refer to Effect Parameter ListDepends on reverb type
30 pp 26100-7FREVERB PARAMETER 5Refer to Effect Parameter ListDepends on reverb type
30 pp 27100-7FREVERB RETURN-∞dB...0dB...+6dB(0...96...127)60
30 pp 28101-7FREVERB PANL63...C...R63(1...64...127)40
30 pp 29200-7FCHORUS TYPE MSBRefer to Effect Program List41(=CHORUS1)
30 pp 2A00-7FCHORUS TYPE LSB00 : basic type00
30 pp 2B100-7FCHORUS PARAMETER 1Refer to Effect Parameter ListDepends on chorus type
30 pp 2C100-7FCHORUS PARAMETER 2Refer to Effect Parameter ListDepends on chorus type
30 pp 2D100-7FCHORUS PARAMETER 3Refer to Effect Parameter ListDepends on chorus type
30 pp 2E100-7FCHORUS PARAMETER 4Refer to Effect Parameter ListDepends on chorus type
30 pp 2F100-7FCHORUS PARAMETER 5Refer to Effect Parameter ListDepends on chorus type
30 pp 30100-7FCHORUS RETURN-∞dB...0dB...+6dB(0...96...127)60
30 pp 31101-7FCHORUS PANL63...C...R63(1...64...127)40
30 pp 32100-7FSEND CHORUS TO REVERB-∞dB...0dB...+6dB(0...96...127)00
30 pp 33200-7FVARIATION TYPE MSBRefer to Effect Program List05(=DELAY L,C,R)
30 pp 3400-7FVARIATION TYPE LSB00 : basic type00
30 pp 35200-7FVARIATION PARAMETER 1 MSBRefer to Effect Parameter ListDepends on variation type
30 pp 3600-7FVARIATION PARAMETER 1 LSBRefer to Effect Parameter ListDepends on variation type
30 pp 37200-7FVARIATION PARAMETER 2 MSBRefer to Effect Parameter ListDepends on variation type
30 pp 3800-7FVARIATION PARAMETER 2 LSBRefer to Effect Parameter ListDepends on variation type
30 pp 39200-7FVARIATION PARAMETER 3 MSBRefer to Effect Parameter ListDepends on variation type
30 pp 3A00-7FVARIATION PARAMETER 3 LSBRefer to Effect Parameter ListDepends on variation type
30 pp 3B200-7FVARIATION PARAMETER 4 MSBRefer to Effect Parameter ListDepends on variation type
30 pp 3C00-7FVARIATION PARAMETER 4 LSBRefer to Effect Parameter ListDepends on variation type
30 pp 3D200-7FVARIATION PARAMETER 5 MSBRefer to Effect Parameter ListDepends on variation type
30 pp 3E00-7FVARIATION PARAMETER 5 LSBRefer to Effect Parameter ListDepends on variation type
30 pp 3F200-7FVARIATION PARAMETER 10 MSBRefer to Effect Parameter ListDepends on variation type
30 pp 4000-7FVARIATION PARAMETER 10 LSBRefer to Effect Parameter ListDepends on variation type
30 pp 41100-7FVARIATION RETURN-∞dB...0dB...+6dB(0...96...127)60
30 pp 42101-7FVARIATION PANL63...C...R63(1...64...127)40
30 pp 43100-7FSEND VARIATION TO REVERB-∞dB...0dB...+6dB(0...96...127)00
30 pp 44100-7FSEND VARIATION TO CHORUS-∞dB...0dB...+6dB(0...96...127)00
30 pp 45100-7FAC1 VARIATION CONTROL DEPTH0-12700
30 pp 46100-01VARIATION CONECTION0:INSERTION,1:SYSTEM00
30 pp 47100-03,7FVARATION PARTPart1...4(0...3)7F
30 pp 48200-7FINSERTION EFFECT 1 TYPE MSBRefer to Effect Program List48(=DISTORTION)
30 pp 4900-7FINSERTION EFFECT 1 TYPE LSB00 : basic type00
30 pp 4A100-7FINSERTION EFFECT 1 PARAMETER1Refer to Effect Parameter ListDepends on insertion 1 type
30 pp 4B100-7FINSERTION EFFECT 1 PARAMETER2Refer to Effect Parameter ListDepends on insertion 2 type
30 pp 4C100-7FINSERTION EFFECT 1 PARAMETER3Refer to Effect Parameter ListDepends on insertion 3 type
30 pp 4D100-7FINSERTION EFFECT 1 PARAMETER4Refer to Effect Parameter ListDepends on insertion 4 type
30 pp 4E100-7FINSERTION EFFECT 1 PARAMETER5Refer to Effect Parameter ListDepends on insertion 5 type
AD1...AD2(64...65)
OFF(127)
22
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MU80 MIDI Data Format
30 pp 4F100-7FINSERTION EFFECT 1 PARAMETER10Refer to Effect Parameter ListDepends on insertion 6 type
30 pp 50100-7FINSERTION EFFECT 1 PARTPart1...4(0...3)7F
TOTAL SIZE 31
[Note]
pp:performance number(00-7F)
MIDI Parameter Change table ( INTERNAL PERFORMANCE COMMON EQ )
13C# -13Surdo Mute
14D -13Surdo Open
15D# -1Hi Q
16E -1Whip Slap
17F -14Scratch Push
18F# -14Scratch Pull
19G -1Finger Snap
20G# -1Click Noise
21A -1Metronome Click
22A# -1Metronome Bell
23B -1Seq Click L
24C 0Seq Click H
25C# 0Brush Tap
26D 0Brush Swirl L
27D# 0Brush Slap
28E 0Brush Swirl HReverse Cymbal Reverse Cymbal
29F 0Snare Roll
30F# 0CastanetHi QHi Q
31G 0Snare LSD Rock MSnare MSD Rock HBrush Slap L
32G# 0Sticks
33A 0Bass Drum LBass Drum MBass Drum H 4Bass Drum MBass Drum L2
34A# 0Open Rim ShotOpen Rim Shot 2
35B 0Bass Drum MBass Drum M 2Bass Drum H 3BD RockBD Analog LGran Cassa
36C 1Bass Drum HBass Drum H 2BD RoomBD RockBD GateBD Analog HBD JazzBD SoftGran Cassa Mute
37C# 1Side StickAnalog Side Stick
38D 1Snare MSnare M 2SD Room LSD RockSD Rock LAnalog Snare LBrush SlapMarching Sn M Dist. Cut NoiseDoor Slam
39D# 1Hand ClapString SlapScratch
40E 1Snare HSnare H 2SD Room HSD Rock RimSD Rock HAnalog Snare HBrush TapMarching Sn HBass SlideScratch 2
41F 1Floor Tom LRoom Tom 1Rock Tom 1E Tom 1Analog Tom 1Jazz Tom 1Brush Tom 1Jazz Tom 1Pick ScrapeWindchime
42F# 11Hi-Hat Closed
43G 1Floor Tom HRoom Tom 2Rock Tom 2E Tom 2Analog Tom 2Jazz Tom 2Brush Tom 2Jazz Tom 2
44G# 11Hi-Hat Pedal
45A 1Low TomRoom Tom 3Rock Tom 3E Tom 3Analog Tom 3Jazz Tom 3Brush Tom 3Jazz Tom 3
46A# 11Hi-Hat OpenAnalog HH Open
47B 1Mid Tom LRoom Tom 4Rock Tom 4E Tom 4Analog Tom 4Jazz Tom 4Brush Tom 4Jazz Tom 4
48C 2Mid Tom HRoom Tom 5Rock Tom 5E Tom 5Analog Tom 5Jazz Tom 5Brush Tom 5Jazz Tom 5
49C# 2Crash Cymbal 1Analog Cymbal
50D 2High TomRoom Tom 6Rock Tom 6E Tom 6Analog Tom 6Jazz Tom 6Brush Tom 6Jazz Tom 6
51D# 2Ride Cymbal 1
52E 2Chinese CymbalFL.Key ClickEngine Start
53F 2Ride Cymbal CupTire Screech
54F# 2TambourineCar Passing
55G 2Splash CymbalCrash
56G# 2CowbellAnalog CowbellSiren
57A 2Crash Cymbal 2
58A# 2VibraslapJetplane
59B 2Ride Cymbal 2
60C 3Bongo HBurst Noise
61C# 3Bongo LCoaster
62D 3Conga H MuteAnalog Conga HSvMarine
63D# 3Conga H OpenAnalog Conga M
64E 3Conga LAnalog Conga L
65F 3Timbale H
66F# 3Timbale L
67G 3Agogo H
25C# 0Snare Roll
26D 0Finger Snap
27D# 0Hi QHi-Hat Closed
28E 0Whip SlapHi-Hat Pedal
29F 07Scratch PushHi-Hat Open
30F# 07Scratch PullRide Cymbal 1
31G 0Sticks
32G# 0Click Noise
33A 0Metronome Click
34A# 0Metronome Bell
35B 0Bass Drum MBD Jazz
36C 1Bass Drum HBD RoomBD PowerBD ElectronicBD Analog HBD JazzBD SoftGran Cassa
37C# 1Side StickAnalog Side Stick
38D 1Snare MSD PowerSD ElectronicAnalog Snare LBrush TapConcert SD
39D# 1Hand ClapBrush SlapCastanetHigh-Q
40E 1Snare HSD PowerBrush SwirlConcert SDSlapSD Electro
41F 1Floor Tom LRoom Tom 1Room Tom 1E Tom 1Analog Tom 1Jazz Tom 1Jazz Tom 1Timpani FScratch Push
42F# 11Hi-Hat Closed
43G 1Floor Tom HRoom Tom 2Room Tom 2E Tom 2Analog Tom 2Jazz Tom 2Jazz Tom 2Timpani GSticks
44G# 11Hi-Hat Pedal
45A 1Low TomRoom Tom 3Room Tom 3E Tom 3Analog Tom 3Jazz Tom 3Jazz Tom 3Timpani AMetronome Click
46A# 11Hi-Hat OpenAnalog HH OpenTimpani A#Metronome Bell Hi-Hat Open 2
47B 1Mid Tom LRoom Tom 4Room Tom 4E Tom 4Analog Tom 4Jazz Tom 4Jazz Tom 4Timpani BGuitar Fret Noise
48C 2Mid Tom HRoom Tom 5Room Tom 5E Tom 5Analog Tom 5Jazz Tom 5Jazz Tom 5Timpani C
49C# 2Crash Cymbal 1Analog CymbalTimpani C#Guitar Cutting Up
50D 2High TomRoom Tom 6Room Tom 6E Tom 6Analog Tom 6Jazz Tom 6Jazz Tom 6Timpani DAc Bass Slap
Assign
35B0Bass Drum M
36C1Bass Drum H
37 C#1Side Stick
38D1Snare M
39 D#1Hand Clap
40E1SD Electro
41F1Floor Tom L
42F#11Hi-Hat Closed
43G1Floor Tom H
44 G#11Hi-Hat Open 1
45A1Low Tom
46 A#11Hi-Hat Open 2
47B1Mid Tom L
48C2Mid Tom H
49 C#2Crash Cymbal 1
50D2High Tom
51 D#2Ride Cymbal 1
52E2
53F2
54F#2Tambourine
55G2
56 G#2Cowbell
57A2
58 A#2
59B2
60C3Bongo H
61 C#3Bongo L
62D3Conga H Mute
63 D#3Conga H Open
64E3Conga L
65F3Timbale H
66F#3Timbale L
67G3Agogo H
68 G#3Agogo L
69A3Cabasa
70 A#3Maracas
71B32Samba Whistle H
72C42Samba Whistle L
73 C#4Vibraslap
74D4
75 D#4Claves
76E4Laughing
77F4Screaming
78F#4Punch
79G4Heartbeat
80 G#4Footsteps 1
81A4Footsteps 2
#CategoryPerformance NameComment
1COFlowerLayered voice: harp plus chorus
2APConcertGrandFull concert grand with realistic rich resonance
3ORBackyardORJazz organ; good for backing
4GTC l e a n EGClean electric guitar; good for arpeggios
5BAVacuumBassWeighty bass with sharp phaser
6STRich StringsString voice with velocity-driven changes in attack and thickness
7BRPunch BrassPunch brass; blend of acoustic and synth
8PDEasterEthnic pad with lead-voice characteristics
9SC/LDSolomonSynth lead with comp feel
10FXCreationFX voice with effective portamento. Raise MW for additional sound change.
11SESea ViewFeel yourself on the deep seas
12COGabriel CPLayered pad with CP features
13COMIDI GrandLayered voice: electric piano plus acoustic piano. Raising MW changes voice to acoustic piano with pad.
14ORChurch OrganSolemn church organ
15GTMetal DistHeavy-metal distortion guitar. Features are the touch-driven picking harmonics and the scratching sound of notes from B1 down.
16BASynJazzBassSynth bass with jazz-bass echo
17STHorn&StringsEasy string voice with mixed-in horn
18BRTijuanaBrassSoft brass section with 60s flavor
19PDBlue&BluePellucid pad
20SCMega StudioSynth voice good for SEQ phrasing and backing beat
21PDAquamarineUnderwater pad
22ETAsian DanceEthnic bell sound with Southeast Asian feel
23SCClavorgueBlend of clavinet and organ
24EPPhazed EPElectric piano with sharp phaser
25OROld Days ORPercussive organ. Use MW to change rotary speaker speed.
26GTWah GuitarElectric guitar with funky auto-wah
27BAWaterPhazeBsHeavy bass with distinctive velocity-induced timbre changes
28STHi StringsHybrid strings; mixture of acoustic and synth
29BRCS80mindBrass from the great Yamaha CS80 analog synth
30CHOoh ChoirChorus voice with effect-driven expansiveness
31SCSolid FunkComp voice with metallic attack
32FXZ-HolePad voice pulling you into unknown world
33ETJungle RoadAfrican jungle image
34COJewel BoxPad voice with music-box attack
35EPDX LoverRich electric piano with blended DX-type sound
36ORProgresiveORTypical progressive rock organ sound. MW1 operates rotary speaker
37GT12st Fantasy12-string guitar. Hold down key to add padding.
38BAPorta BassMono synth bass with portamento
39FXStar DustTypical sparkling pad. Raise MW for flashy change.
40BRPowerSyn BRPowerful synth brass; also usable as reed
41PDWhite TrainFantastical soporific pad
42LDSyncousticLDCombination synth and acoustic lead
43PDFatEnsembleWarm analog-synth feel
44SESAMURAI!Good accompaniment to shamisens in Japanese period plays. Velocity produces neighing running horse.
45CONylon EPLayered voice: DX electric piano plus acoustic guitar. MW brings out pad.
46KYClav WestrnClassical clavinet sound
47ORDoors ORHeavy, imposing organ
48BASlap SwitchSlap bass with split velocity
49STOrchestraOrchestra voice. Strong velocity produces timpani sound.
50BRShot BrassBrass-hit
51PDAnalog AgeWarm, limpid analog synth pad
52SCClababySynth clavinet with distinctive auto-wah
53FXTo HeavenPad with impressive bell sound
54SEAlienMysterious space creature. Strong velocity produces shrieking voice.
55CO1950’s JazzSplit wood-bass/piano voice with 50s feel
56EPSpector EPElectric piano. MW produces a variety of timbres.
57ORDream OrganDreamlike organ with bell-like sound mixed in
58RDSoftSaxSectMlld sax section; 4 saxes
59PDMovie PadBig fat string-type pad
60LDMonoWireLDMild synth lead with intruding wire-like sound
61SCFat CompVersatile comp; usable as brass or reed
62LDSticky LDSynth lead with distinctive velocity-induced attack change
63FXSpace LegendChorus-like pad with outer-space feel
64SEDevil’sHouseEffects voice producing image of devil’s lair. Strong touch produces devil voice and cries, becoming really scary as you pass
split point C3.
Performance bank selects are as follows.
PRE : MSB = 01, LSB = 00
INT : MSB = 02, LSB = 00
41
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42
A/D1
BANKSourcePGM CNG# = 0 1234567 89 10 11 12
0MICPreset Name OffMicReverbChorusChorus+ReverbKaraoke1 Karaoke2 Karaoke3EchoVocalStudioOct UpOct Down
input gainmicmicmicmicmicmicmicmicmicmicmicmicmic
var type-----Karaoke1 Karaoke2 Karaoke3EchoStage1ExciterPitch ChangePitch Change
1GUITAR* Preset Name OffGuitarReverbChorusChorus+ReverbTubeStackFlang GtrClean GtrFunk GtrTremoloPhaser5th Guitar
input gainmicmicmicmicmicmicmicmicmicmicmicmicmic
var type-----
2 KEYBOARD Preset Name OffKeyboard ReverbChorusChorus+Reverb
input gainlinelinelinelinelinelinelinelinelinelinelinelineline
var type-----PhaserAuto Pan Touch Wah Rotary SpeakerSymphonic Flanger2Delay LCRPitch Change
3AUDIO** Preset Name OffAudioReverbChorusChorus+Reverb
input gainlinelinelinelineline
var type-----
* Some guitars may produce input distortion. Correct by adjusting the A/D input volume or guitar volume.
** For Audio, pan is set so A/D1 is on Lch, A/D2 is on Rch.
NOTE: For information about paramater change by System Exclusive Message, refer to Table1-9 (page 18).
A/D2
Amp Sim. Amp Sim.
Phaser EP
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MU80 A/D INPUT PRESET
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YAMAHA [ Tone Generator ] Date:28-OCT-1994
Model MU80 MIDI Implementation Chart Version : 1.0
+----------------------------------------------------------------------+
| | Transmitted | Recognized | Remarks |
| Function ... | | | |
|-------------------+----------------+----------------+----------------|
|Basic Default | x | 1 - 16 | memorized |
|Channel Changed | x | 1 - 16 | |
|-------------------+----------------+----------------+----------------|
| Default | x | 3 | |
|Mode Messages | x | 3,4(m = 1) *2 | |
| Altered | ************** | x | |
|-------------------+----------------+----------------+----------------|
|Note | x | 0 - 127 | |
|Number : True voice| ************** | 0 - 127 | |
|-------------------+----------------+----------------+----------------|
|Velocity Note ON | x | o 9nH,v=1-127 | |
| Note OFF | x | x | |
|-------------------+----------------+----------------+----------------|
|After Key's | x | o *1 | |
|Touch Ch's | x | o *1 | |
|-------------------+----------------+----------------+----------------|
|Pitch Bender | x | o 0-24 semi *1 | |
|-------------------+----------------+----------------+----------------|
| 0,32 | x | o *1 |Bank Select |
| 1,5,7,10,11 | x | o *1 | |
| 6,38 | x | o |Data Entry |
| 64-67 | x | o *1 | |
| Control 71-74 | x | o |Sound Controller|
| 84 | x | o |Portamento Cntrl|
| Change 91,93,94 | x | o |Effect Depth |
| 96,97 | x | o |Data Entry SW |
| 98-99 | x | o *1 |NRPN LSB,MSB |
| 100-101 | x | o *1 |RPN LSB,MSB |
| 120 | x | o |All Sound Off |
| 121 | x | o |Reset All Cntrls|
| | | | |
|-------------------+----------------+----------------+----------------|
|Prog | x | o 0 - 127 | |
|Change : True # | ************** | | |
|-------------------+----------------+----------------+----------------|
|System Exclusive | o *3 | o *3 | |
|-------------------+----------------+----------------+----------------|
|System : Song Pos. | x | x | |
| : Song Sel. | x | x | |
|Common : Tune | x | x | |
|-------------------+----------------+----------------+----------------|
|System :Clock | x | x | |
|Real Time :Commands| x | x | |
|-------------------+----------------+----------------+----------------|
|Aux :Local ON/OFF | x | x | |
| :All Notes OFF| x | o(123-127) | |
|Mes- :Active Sense | x | o | |
|sages:Reset | x | x | |
+----------------------------------------------------------------------+
|Notes: *1 ; receive if switch is on. |
| *2 ; m is always treated as "1" regardless of its value. |
| *3 ; transmit/receive if exclusive switch is on. |
| |
| |
+----------------------------------------------------------------------+
Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO o: @Yes
Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO x: @No
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