Yamaha Audio MU100 User Manual

TONE GENERATOR

SOUND LIST & MIDI DATA

Effect Type NO EFFECT HALL 1 HALL 2 ROOM 1 ROOM 2 ROOM 3 STAGE 1 STAGE 2 PLATE WHITE ROOM TUNNEL CANYON BASEMENT DELAY L,C,R DELAY L,R ECHO CROSS DELAY ER 1 ER 2 GATE REVERB REVERSE GATE KARAOKE 1 KARAOKE 2 KARAOKE 3 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 FLANGER 1 FLANGER 2 FLANGER 3 SYMPHONIC ENSEMBLE DETUNE AMBIENCE ROTARY SPEAKER 2WAY ROTARY SPEAKER TREMOLO AUTO PAN PHASER 1 PHASER 2 DISTORTION COMP+DISTORTION OVER DRIVE AMP SIMULATOR 3BAND EQ(MONO) 2BAND EQ(STEREO) AUTO WAH(LFO) AUTO WAH+DIST AUTO WAH+ODRV TOUCH WAH 1 TOUCH WAH 2 TOUCH WAH+DIST TOUCH WAH+ODRV PITCH CHANGE 1 PITCH CHANGE 2 AURAL EXCITER COMPRESSOR NOISE GATE VOICE CANCEL TALKING MODULATOR LO-FI DIST+DELAY OVERDRIVE+DELAY COMP+DIST+DELAY COMP+OVERDRIVE+DELAY WAH+DIST+DELAY WAH+OVERDRIVE+DELAY THRU

®

Remarks Turns off the effect. Reverb simulating the acoustics of a hall.

˝ Reverb simulating the acoustics of a room.

˝ ˝

Reverb appropriate for a solo instrument. ˝

Reverb simulating a metal plate reverb device. Distinctive short reverb with a slight initial delay. Simulation of a cylindrical space extending to left and right. A hypothetical acoustic space which extends without limit. Reverb with distinctive resonance following a slight initial delay. Three delay sounds L, R and C (center). Two delay sounds L and R, with two feedback delays. Two delays L and R, with independent feedback delay for L and R. This effect crosses the feedback of two delays. This effect isolates only the early reflection components of the reverb.

˝ Simulation of gated reverb.

Simulation of gated reverb played back in reverse. Echo for karaoke.

˝ ˝

Conventional chorus effect which gives natural spaciousness to the sound. ˝

˝ ˝

A three-phase LFO is used to give modulation and spaciousness to the sound. ˝

˝ ˝

An effect reminiscent of a jet airplane taking off and landing. ˝

˝ A multi-stage version of CELESTE modulation.

Chorus effect without modulation, created by adding a slightly pitch-shifted sound. An effect which adds spatial breadth by blurring the location of the sound. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. An effect which cyclically modulates the volume. An effect which cyclically moves the sound between left/right and front/back. Cyclically changes the phase to modulate the sound.

˝ Adds distortion with an edge to the sound. Since a noise gate is included, this is suitable for use with A/D input as well.

Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level. Adds mild distortion to the sound. Since a noise gate is included, this is suitable for A/D input as well. Simulation of a guitar amp. Since a noise gate is included, this is suitable for use with A/D input as well. Mono EQ with equalization of LOW, MID and HIGH. Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts. Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah. Applies DISTORTION to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal way. Applies DISTORTION to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. This effect changes the pitch of the input signal.

˝ This effect adds new overtones to the input signal to make the sound stand out.

Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc. Attenuates the vocal part from sources such as CDs. Adds a vowel sound to the input signal. Degrades the audio quality of the input signal. DISTORTION and DELAY are connected in series. OVERDRIVE and DELAY are connected in series. COMPRESSOR, DISTORTION and DELAY are connected in series. COMPRESSOR, OVERDRIVE and DELAY are connected in series. TOUCH WAH, DISTORTION and DELAY are connected in series. TOUCH WAH, OVERDRIVE and DELAY are connected in series. Bypass without applying an effect.

Aural Exciter® is a registered trademark of Aphex Corporation.

6

MU100 EFFECT

INSERTION1,2

No.

0 1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43

Effect Type

MSB

LSB

THRU

00H

40H

HALL 1

00H

01H

HALL 2

01H

ROOM 1

00H

02H

ROOM 2

01H

02H

ROOM 3

02H

STAGE 1

00H

03H

STAGE 2

01H

03H

PLATE

00H

04H

DELAY L,C,R

00H

05H

DELAY L,R

00H

06H

ECHO

00H

07H

CROSS DELAY

00H

08H

KARAOKE 1

00H

14H

KARAOKE 2

01H

14H

KARAOKE 3

02H

14H

CHORUS 1

00H

41H

CHORUS 2

01H

41H

CHORUS 3

02H

41H

CHORUS 4

08H

41H

CELESTE 1

00H

42H

CELESTE 2

01H

42H

CELESTE 3

02H

42H

CELESTE 4

08H

42H

FLANGER 1

00H

43H

FLANGER 2

01H

43H

FLANGER 3

08H

43H

SYMPHONIC

00H

44H

ENSEMBLE DETUNE

00H

57H

ROTARY SPEAKER

00H

45H

TREMOLO

00H

46H

AUTO PAN

00H

47H

PHASER 1

00H

48H

DISTORTION

00H

49H

OVER DRIVE

00H

4AH

AMP SIMULATOR

00H

4BH

3BAND EQ(MONO)

00H

4CH

2BAND EQ(STEREO)

00H

4DH

AUTO WAH(LFO)

00H

4EH

TOUCH WAH 1

00H

52H

TOUCH WAH 2

08H

52H

AURAL EXCITER

00H

51H

COMPRESSOR

00H

53H

NOISE GATE

00H

54H

Effect Type List

Remarks Bypass without applying an effect. Reverb simulating the acoustics of a hall.

˝ Reverb simulating the acoustics of a room.

˝ ˝

Reverb appropriate for a solo instrument. ˝

Reverb simulating a metal plate reverb device. Three delay sounds L, R and C (center). Two delay sounds L and R, with two feedback delays. Two delays L and R, with independent feedback delay for L and R. This effect crosses the feedback of two delays. Echo for karaoke.

˝ ˝

Conventional chorus effect which gives natural spaciousness to the sound. ˝

˝ ˝

A three-phase LFO is used to give modulation and spaciousness to the sound. ˝

˝ ˝

An effect reminiscent of a jet airplane taking off and landing. ˝

˝ A multi-stage version of CELESTE modulation.

Chorus effect without modulation, created by adding a slightly pitch-shifted sound. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. An effect which cyclically modulates the volume. An effect which cyclically moves the sound between left/right and front/back. Cyclically changes the phase to modulate the sound. Adds distortion with an edge to the sound. Adds mild distortion to the sound. Simulation of a guitar amp. Mono EQ with equalization of LOW, MID and HIGH. Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts. Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.

®

Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. This effect adds new overtones to the input signal to make the sound stand out. Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.

Aural Exciter® is a registered trademark of Aphex Corporation.

MU100 EFFECT

7

Effect LSB/MSB List

REVERB TYPE

TYPE MSB TYPE LSB

DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 NO EFFECT : : : 015 F NO EFFECT 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 NO EFFECT : : : 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

CHORUS TYPE

TYPE MSB TYPE LSB

DEC HEX 00 01 02 ... 08

000 0 NO EFFECT 001 1 NO EFFECT : : : 064 40 NO EFFECT 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 NO EFFECT : : : 071 47 NO EFFECT 072 48 PHASER 1 073 49 NO EFFECT : : : 086 56 NO EFFECT 087 57 ENSEMBLE DETUNE 088 58 NO EFFECT : : : 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

8

MU100 EFFECT

Effect LSB/MSB List

VARIATION TYPE (MSB=0 - 63)

TYPE MSB TYPE LSB

DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 ER 1 ER 2 010 A GATE REVERB 011 B REVERSE GATE 012 C NO EFFECT or THRU : : : 015 F NO EFFECT or THRU 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 NO EFFECT or THRU : : : 063 3F NO EFFECT or THRU

NO EFFECT (for SYS) or THRU (for INS) Same as basic effects (LSB=00)

VARIATION TYPE (MSB=64 - 127)

TYPE MSB TYPE LSB

DEC HEX 00 01 02 ... 08 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 PHASER 2 073 49 DISTORTION COMP+DIST OR TION 074 4A OVER DRIVE 075 4B AMP SIMULATOR 076 4C 3-BAND EQ 077 4D 2-BAND EQ 078 4E AUTO WAH(LFO) AUTO W AH+DIST 079 4F THRU 080 50 PITCH CHANGE1 PITCH CHANGE2 081 51 AURAL EXCITER 082 52 TOUCH WAH 1 TOUCH WAH+DIST 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 VOICE CANCEL 086 56 2 087 57 088 58 AMBIENCE 089 59 THRU : : : 092 5C THRU 093 5D 094 5E LO-FI 095 5F DIST+DELAY 096 60 097 61 WAH+DIST+DELAY 098 62 THRU : : : 127 7F THRU

®

Aural Exciter

is a registered trademark of Aphex Corporation.

WA Y RO TARY SPEAKER

ENSEMBLE DETUNE

T ALKING MODULAT OR

COMP+DIST+DELAY

®

OVERDRIVE+DELAY

COMP+OVERDRIVE+DELA Y

WAH+OVERDRIVE+DELAY

AUTO W AH+OVERDRIVE

TOUCH WAH+O VERDRIVE

THRU

TOUCH WAH 2

Same as basic effects (LSB=00)

MU100 EFFECT

9

Effect LSB/MSB List

INSERTION TYPE

TYPE MSB TYPE LSB

DEC HEX 00 01 02 ... 08 000 0 THRU 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 THRU : : : 019 13 THRU 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 THRU : : : 063 3F THRU 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 073 49 DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULATOR 076 4C 3BAND EQ 077 4D 2-BAND EQ 078 4E AUTO WAH(LFO) 079 4F THRU 080 50 THRU 081 51 AURAL EXCITER 082 52 TOUCH WAH 1 TOUCH WAH 2 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 THRU 086 56 THRU 087 57 088 58 THRU : : : 127 7F THRU

®

Aural Exciter

is a registered trademark of Aphex Corporation.

ENSEMBLE DETUNE

®

THRU

Same as basic effects (LSB=00)

UNIQUE INSERTION EFFECT (HARMONY) TYPE

TYPE MSB TYPE LSB

DEC HEX 00 01 02 ... 08 000 0 THRU : : : 088 58 THRU 089 59 090 5A 091 5B 092 5C 093 5D THRU : : : 127 7F THRU

10

VOCODER HARMONY CHORDAL HARMONY DETUNE HARMONY CHROMATIC HARMONY

MU100 EFFECT

THRU

Same as basic effects (LSB=00)

Effect Parameter List

Note

• Parameters marked with a ● in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2.

• Dry/Wet is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2.

• Parameters 1 - 5 can be edited from the front panel of the MU100.

• Abbreviations used in the effect block diagrams

LPF = Low Pass Filter HPF = High Pass Filter LSF = Low Shelving Filter HSF = High Shelving Filter PDF = Peak Dip Filter EF = Envelope Follower ER = Early Reflection

● HALL1, 2

ROOM1, 2, 3 STAGE1, 2 PLATE (Reverb, Variation, Insertion1, 2 block)

No.

Parameter

1

Reverb Time

2

Diffusion

3

Initial Delay

4

HPF Cutoff

5

LPF Cutoff 6 7 8 9

10

Dry/Wet

11

Rev Delay

12

Density

13

Er/Rev Balance

14

High Damp

15

Feedback Level

16

Display

0.3 – 30.0s 0 – 10 0 – 63 Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63 0 – 63

0 – 4 (reverb, variation block) 0 – 2 (insertion1,2 block) E63>R – E=R – E<R63

0.1 – 1.0

-63 – +63

0-69 0-10 0-63 0-52

34-60

1-127

0-63

1-127

1-10

1-127

See Table table#4

table#5 table#3 table#3

table#5 0-4 0-2

WHITE ROOM TUNNEL CANYON BASEMENT (Reverb, Variation block)

No.

ControlValue

Parameter

1

Reverb Time

2

Diffusion

3

Initial Delay

4

HPF Cutoff

5

LPF Cutoff

6

Width

7

Heigt

8

Depth

9

Wall Vary

10

Dry/Wet

11

Rev Delay

12

Density

13

Er/Rev Balance

14

High Damp

15

Feedback Level

16

Display

0.3 – 30.0s 0 – 10 0 – 63 Thru – 8.0kHz

1.0k – Thru

0.5 – 10.2m

0.5 – 20.2m

0.5 – 30.2m 0 – 30 D63>W – D=W – D<W63

0 – 63 0 – 4 E63>R – E=R – E<R63

0.1 – 1.0

-63 – +63

0-69 0-10 0-63 0-52

34-60

0-37 0-73

0-104

0-30

1-127

0-63

0-4

1-127

1-10

1-127

See Table table#4

table#5 table#3 table#3 table#11 table#11 table#11

table#5

ControlValue

Reverb Block

L

HPF LPF HPF LPF

DELAY/ER DELAY/ER

+

REV

R

L

+

R

Variation, Insertion Block

L

dry (L)

L

+

R

MU100 EFFECT

+

HPF LPF

DELAY/ER

REV

dry (R)

+

R

11

Effect Parameter List

● DELAY L, C, R

(Variation, Insertion 1, 2 block)

No.

Parameter

1

Lch Delay

2

Rch Delay

3

Cch Delay

4

Feedback Delay

5

Feedback Level

6

Cch Level

7

High Damp 8 9

10

Dry/Wet

11 12 13

EQ Low Frequency

14

EQ Low Gain

15

EQ High Frequency

16

EQ High Gain

L

R

LSF HSF

Display

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

-63 – +63 0 – 127

0.1 – 1.0

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

+

DELAY

LPF

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-127 0-127

1-10

1-127

4-40 52-76 28-58 52-76

See Table

table#3 table#3

dry (L)

L

R

dry (R)

ControlValue

L

C

R

● DELAY L, R (Variation, Insertion 1, 2 block)

No.

Parameter

1

Lch Delay

2

Rch Delay

3

Feedback Delay 1

4

Feedback Delay 2

5

Feedback Level

6

High Damp 7 8 9

10

Dry/Wet

11 12 13

EQ Low Frequency

14

EQ Low Gain

15

EQ High Frequency

16

EQ High Gain

L

R

LSF HSF

Display

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

0.1 – 1486.0ms (variation block)

0.1 – 742.9ms (insertion1,2 block)

-63 – +63

0.1 – 1.0

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

+

DELAY

LPF LPF

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-127

1-10

1-127

4-40 52-76 28-58 52-76

See Table

table#3 table#3

dry (L)

L R

dry (R)

ControlValue

L

R

● ECHO (Variation, Insertion 1, 2 block)

No.

Parameter

1

Lch Delay1

2

Lch Feedback Level

3

Rch Delay1

4

Rch Feedback Level

5

High Damp

6

Lch Delay2

7

Rch Delay2

8

Delay2 Level

9

10

Dry/Wet

11 12 13

EQ Low Frequency

14

EQ Low Gain

15

EQ High Frequency

16

EQ High Gain

L

LSF HSF

Display

0.1 – 743.0ms (variation block)

0.1 – 371.4ms (insertion1,2 block)

-63 – +63

0.1 – 743.0ms (variation block)

0.1 – 371.4ms (insertion1,2 block)

-63 – +63

0.1 – 1.0

0.1 – 743.0ms (variation block)

0.1 – 371.4ms (insertion1,2 block)

0.1 – 743.0ms (variation block)

0.1 – 371.4ms (insertion1,2 block) 0 – 127

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

+

DELAY

1-7430 1-3714

1-127 1-7430 1-3714

1-127

1-10 1-7430 1-3714 1-7430 1-3714

0-127 1-127

4-40

52-76 28-58 52-76

See Table

table#3 table#3

dry (L)

LPF LPF

+

R

LSF HSF

DELAY

dry (R)

● CROSS DELAY

(Variation, Insertion 1, 2 block)

No.

Parameter

1

L->R Delay

2

R->L Delay

3

Feedback Level

4

Input Select

5

High Damp 6 7 8 9

10

Dry/Wet

11 12 13

EQ Low Frequency

14

EQ Low Gain

15

EQ High Frequency

16

EQ High Gain

L

R

LSF HSF

Display

0.1 – 743.0ms (variation block)

0.1 – 371.4ms (insertion1,2 block)

0.1 – 743.0ms (variation block)

0.1 – 371.4ms (insertion1,2 block)

-63 – +63 L,R,L&R

0.1 – 1.0

D63>W – D=W – D<W63

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

+

DELAY

LPF LPF

+

DELAY

1-7430 1-3714 1-7430 1-3714

1-127

0-2

1-10

1-127

4-40 52-76 28-58 52-76

See Table

table#3 table#3

dry (L)

dry (R)

ControlValue

L

R

ControlValue

L

R

12

MU100 EFFECT

Effect Parameter List

● EARLY REF 1, 2 (Variation block)

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff

Dry/Wet Liveness

Density High Damp

Display S-H, L-H, Rdm, Rvs, Plt, Spr

0.1 – 7.0 0 – 10 0 – 63

-63 – +63 Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63 0 – 10

0 – 3

0.1 – 1.0

0-5 0-44 0-10 0-63

1-127

0-52

34-60

1-127

0-10

0-3 1-10

GATE REVERB REVERSE GATE (Variation block)

No.

10 11

12 13 14 15 16

L

R

Parameter

1

Type

2

Room Size

3

Diffusion

4

Initial Delay

5

Feedback Level

6

HPF Cutoff

7

LPF Cutoff 8 9

Dry/Wet

Liveness

Density

High Damp

+

Display TypeA,TypeB

0.1 – 20.0 0 – 10 0 – 127

-63 – +63 Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63 0 – 10

0 – 3

0.1 – 1.0

HPF LPF

ER

0-44

0-10 0-127 1-127

0-52 34-60

1-127

0-10

1-10

0-1

0-3

dry (L)

dry (R)

See Table table#6 table#5 table#3

table#3

See Table table#6 table#5 table#3

table#3

● CHORUS 1, 2, 3, 4

ControlValue

CELESTE 1, 2, 3, 4 (Chorus, Variation, Insertion 1, 2 block)

No.

Parameter

1

LFO Frequency

2

LFO Depth

3

Feedback Level

4

Delay Offset 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

EQ Mid Frequency

12

EQ Mid Gain

13

EQ Mid Width

14 15

Input Mode

16

ControlValue

Chorus Block: when input mode = "mono"

L

LSF HSF

R

LSF HSF

Display

0.00Hz – 39.7Hz 0 – 127

-63 – +63 0 – 127

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

100Hz – 10.0kHz (variation block)

-12 – +12dB (variation block)

1.0 – 12.0 (variation block) mono/stereo

+

CHORUS

0-127 0-127 1-127 0-127

4-40 52-76 28-58 52-76 1-127

14-54 52-76

10-120

0-1

See Table table#1

table#2 table#3 table#3

table#3

ControlValue

L

R

Chorus Block: when input mode = "stereo"

L

LSF HSF

CHORUS

R

LSF HSF

CHORUS

L

R

● KARAOKE1, 2, 3 (Variation, Insertion 1, 2

block)

No.

10 11

12 13 14 15 16

L

R

Parameter

1

Delay Time

2

Feedback Level

3

HPF Cutoff

4

LPF Cutoff 5 6 7 8 9

Dry/Wet

+

Display 0 – 127

-63 – +63 Thru – 8.0kHz

1.0k – Thru

D63>W – D=W – D<W63

HPF LPF

KARAOKE

0-127 1-127

0-52

34-60

1-127

dry (L)

dry (R)

See Table table#7

table#3 table#3

ControlValue

L

R

MU100 EFFECT

Variation, Insertion Block: when input mode = "mono"

L

R

LSF HSF

+

CHORUS

dry (L)

dry (R)

Variation, Insertion Block: when input mode = "stereo"

L

R

LSF HSF

CHORUS CHORUS

LSF HSF

dry (L)

dry (R)

L

R

L

R

13

Effect Parameter List

● FLANGER 1, 2, 3

(Chorus, Variation, Insertion 1, 2 block)

No.

Parameter

1

LFO Frequency

2

LFO Depth

3

Feedback Level

4

Delay Offset

5 6

EQ Low Frequency

7

EQ Low Gain

8

EQ High Frequency

9

EQ High Gain

10

Dry/Wet

11

EQ Mid Frequency

12

EQ Mid Gain

13

EQ Mid Width

14

LFO Phase Difference

15 16

Display

0.00Hz – 39.7Hz 0 – 127

-63 – +63 0 – 63

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

100Hz – 10.0kHz (variation block)

-12 – +12dB (variation block)

1.0 – 12.0 (variation block)

-180 – +180deg

0-127 0-127 1-127

0-63

4-40 52-76 28-58 52-76 1-127

14-54 52-76 10-120 4-124

Chorus Block

L

LSF HSF

FLANGER FLANGER

R

LSF HSF

Variation, Insertion Block

L

LSF HSF

FLANGER FLANGER

R

LSF HSF

See Table table#1

table#2 table#3 table#3

table#3

resolution=3deg.

dry (L)

dry (R)

Variation, Insertion Block

L

R

LSF HSF

+

SYMPHONIC

ControlValue

dry (L)

dry (R)

L

R

● ENSEMBLE DETUNE

(Chorus, Variation, Insertion 1, 2 block)

No.

Parameter

1

L

R

L

Detune

2

Lch Init Delay

3

Rch Init Delay 4 5 6 7 8 9

10

Dry/Wet

11

EQ Low Frequency

12

EQ Low Gain

13

EQ High Frequency

14

EQ High Gain

15 16

Chorus Block

Display

-50 – +50cent 0 – 127 0 – 127

D63>W – D=W – D<W63 32Hz – 2.0kHz (variation, insertion1,2 block)

-12 – +12dB (variation, insertion1,2 block) 500Hz – 16.0kHz (variation, insertion1,2 block)

-12 – +12dB (variation, insertion1,2 block)

L

PITCH CHANGE

R

PITCH CHANGE

R

14-114

L

R

0-127 0-127

1-127

4-40 52-76 28-58 52-76

See Table table#2

table#2

table#3 table#3

ControlValue

● SYMPHONIC

(Chorus, Variation, Insertion 1, 2 block)

No.

Parameter

1

LFO Frequency

2

LFO Depth

3

Delay Offset 4 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

EQ Mid Frequency

12

EQ Mid Gain

13

EQ Mid Width

14 15 16

Display

0.00Hz – 39.7Hz 0 – 127 0 – 127

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

100Hz – 10.0kHz (variation block)

-12 – +12dB (variation block)

1.0 – 12.0 (variation block)

0-127 0-127 0-127

4-40 52-76 28-58 52-76 1-127

14-54 52-76

10-120

Chorus Block

L

LSF HSF

+

SYMPHONIC

R

LSF HSF

14

ControlValue

See Table table#1

table#2

table#3 table#3

table#3

MU100 EFFECT

Variation, Insertion Block

L

LSF HSF

R

LSF HSF

● AMBIENCE (Variation block)

No.

Parameter

1

Delay Time

2

Output Phase

L

R

3 4 5 6

EQ Low Frequency

7

EQ Low Gain

8

EQ High Frequency

9

EQ High Gain

10

Dry/Wet

11 12 13 14 15 16

Display 0 – 127 normal/invers

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

PITCH CHANGE PITCH CHANGE

0-127

0-1

4-40 52-76 28-58 52-76 1-127

dry (L)

dry (R)

See Table table#2

table#3 table#3

L

R

ControlValue

Effect Parameter List

L

LSF HSF

+

AMBIENCE

R

LSF HSF

● ROTARY SPEAKER

(Variation, Insertion 1, 2 block)

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

L

R

Parameter LFO Frequency LFO Depth

EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet

EQ Mid Frequency EQ Mid Gain EQ Mid Width

LSF HSF

Display

0.00Hz – 39.7Hz 0 – 127

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

100Hz – 10.0kHz (variation block)

-12 – +12dB (variation block)

1.0 – 12.0 (variation block)

+

ROTARY SP.

0-127 0-127

4-40 52-76 28-58 52-76 1-127

14-54 52-76 10-120

dry (L)

dry (R)

See Table table#1

table#3 table#3

table#3

dry (L)

dry (R)

● TREMOLO (Variation, Insertion 1, 2 block)

L

No.

Parameter

1

LFO Frequency

2

AM Depth

3

PM Depth 4 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

R

EQ High Gain

10 11

EQ Mid Frequency

12

EQ Mid Gain

13

EQ Mid Width

14

LFO Phase Difference

15

Input Mode

16

Display

0.00Hz – 39.7Hz 0 – 127 0 – 127

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

100Hz – 10.0kHz (variation block)

-12 – +12dB (variation block)

1.0 – 12.0 (variation block)

-180 – +180deg mono/stereo

0-127 0-127 0-127

4-40 52-76 28-58 52-76

14-54 52-76

10-120

4-124

0-1

See Table table#1

table#3 table#3

table#3

resolution=3deg.

ControlValue

When input mode="mono"

ControlValue

L

R

LSF HSF

+

TREMOLO

L

R

When input mode="stereo"

L

LSF HSF

TOREMOLO TOREMOLO

R

LSF HSF

L

R

● 2WAY ROTARY SPEAKER

(Variation block)

No.

Parameter

1

Rotor Speed

2

Drive Low

3

Drive High

4

Low/High 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10 11

Crossover Frequency

12

Mic L-R Angle

13 14 15 16

L

R

+

High

Low

Display

0.0Hz – 39.7Hz 0 – 127 0 – 127 L63>H – L=H – L<H63

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

100Hz – 10.0kHz 0deg – 180deg

HSF LSF

HORN

ROTOR

0-127 0-127 0-127 1-127

4-40 52-76 28-58 52-76

14-54

0-60

See Table table#1

table#3 table#3

table#3 resolution=3deg.

+

● AUTO PAN (Variation, Insertion 1, 2 block)

No.

Parameter

1

ControlValue

L

R

2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

L

R

LFO Frequency L/R Depth F/R Depth PAN Direction

EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain

EQ Mid Frequency EQ Mid Gain EQ Mid Width

LSF HSF

Display

0.00Hz – 39.7Hz 0 – 127 0 – 127 L<->R,L->R,L<-R,Lturn,Rturn,L/R

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

100Hz – 10.0kHz (variation block)

-12 – +12dB (variation block)

1.0 – 12.0 (variation block)

+

AUTO PAN

0-127 0-127 0-127

0-5

4-40 52-76 28-58 52-76

14-54 52-76

10-120

See Table table#1

table#3 table#3

table#3

ControlValue

L

R

MU100 EFFECT

15

Effect Parameter List

● PHASER 1

(Chorus, Variation, Insertion 1, 2 block)

No.

Parameter

1

LFO Frequency

2

LFO Depth

3

Phase Shift Offset

4

Feedback Level 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

Stage

12

Diffusion

13 14 15 16

Display

0.00Hz – 39.7Hz 0 – 127 0 – 127

-63 – +63 32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

4,5,6 (chorus, insertion1,2 block) 4 – 12 (variation block) mono/stereo

0-127 0-127 0-127 1-127

4-40 52-76 28-58 52-76 1-127

4-6

4-12

0-1

Chorus Block

L

LSF HSF

+

PHASER

R

LSF HSF

Variation, Insertion Block

L

LSF HSF

+

PHASER

See Table table#1

table#3 table#3

dry (L)

● DISTORTION

OVERDRIVE (Variation, Insertion 1, 2 block)

ControlValue

No.

Parameter

1

Drive

2

EQ Low Frequency

3

EQ Low Gain

4

LPF Cutoff

5

Output Level 6 7

EQ Mid Frequency 8

EQ Mid Gain 9

EQ Mid Width

10

Dry/Wet

11

Edge(Clip Curve)

12 13 14 15 16

Display 0 – 127 32Hz – 2.0kHz

-12 – +12dB

1.0k – Thru 0 – 127

100Hz – 10.0kHz

-12 – +12dB

1.0 – 12.0 D63>W – D=W – D<W63

0 – 127

0-127

4-40 52-76 34-60 0-127

14-54 52-76

10-120

1-127 0-127

See Table table#3 table#3

table#3

mild to sharp

ControlValue

AMP SIMULATOR (Variation, Insertion 1, 2 block)

No.

L

R

L

Parameter

1

Drive

2

AMP Type

3

LPF Cutoff

4

Output Level 5 6 7 8 9

10

Dry/Wet

11

Edge(Clip Curve)

12 13 14 15 16

Variation Block

Display 0 – 127 Off,Stack,Combo,Tube

1.0k – Thru 0 – 127

D63>W – D=W – D<W63 0 – 127

L

0-127

0-3 34-60 0-127

1-127 0-127

See Table

table#3

mild to sharp

dry (L)

ControlValue

L

R

LSF HSF

● PHASER 2 (Variation block)

No.

Parameter

1

LFO Frequency

2

LFO Depth

3

Phase Shift Offset

4

Feedback Level 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

Stage

12 13

LFO Phase Difference

14 15 16

L

R

LSF HSF

Display

0.00Hz – 39.7Hz 0 – 127 0 – 127

-63 – +63 32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

3,4,5,6

-180deg – +180deg

PHASER PHASER

0-127 0-127 0-127 1-127

4-40 52-76 28-58 52-76 1-127

3-6

4-124

dry (R)

See Table table#1

table#3 table#3

resolution=3deg.

dry (L)

dry (R)

R

+

GATE

DISTORTION

EF

R

ControlValue

Insertion Block

L

+

R

dry (L)

DISTORTION

dry (R)

L

R

L

R

16

MU100 EFFECT

Effect Parameter List

● COMP+DIST (Variation block)

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

L

R

Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level

EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet

Edge(Clip Curve) Attack Release Threshold Ratio

+

Display 0 – 127 32Hz – 2.0kHz

-12 – +12dB

1.0k – Thru 0 – 127

100Hz – 10.0kHz

-12 – +12dB

1.0 – 12.0 D63>W – D=W – D<W63

0 – 127 1ms – 40ms 10ms – 680ms

-48dB – -6dB

1.0 – 20.0

COMP

EF

DISTORTION

● 3BAND EQ (MONO)

(Variation, Insertion 1, 2 block)

No.

Parameter

1

EQ Low Gain

2

EQ Mid Frequency

3

EQ Mid Gain

4

EQ Mid Width

5

EQ High Gain

6

EQ Low Frequency

7

EQ High Frequency 8 9

10 11

12 13 14 15

Input Mode

16

Display

-12 – +12dB 100Hz – 10.0kHz

-12 – +12dB

1.0 – 12.0

-12 – +12dB 50Hz – 2.0kHz 500Hz – 16.0kHz

mono/stereo

When input mode="mono"

L

+

LSF PDF HSF

R

When input mode="stereo"

0-127

4-40 52-76 34-60 0-127

14-54 52-76

10-120

1-127 0-127

0-19

0-15

79-121

0-7

52-76 14-54 52-76

10-120

52-76

8-40 28-58

0-1

L

R

See Table table#3 table#3

table#3

mild to sharp table#8 table#9

table#10

dry (L)

dry (R)

See Table table#3

table#3 table#3

● 2BAND EQ (STEREO)

ControlValue

L

R

ControlValue

(Variation, Insertion 1, 2 block)

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

L

R

Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain

LSF HSF

Display 32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB

L

R

4-40 52-76 28-58 52-76

See Table table#3

table#3

ControlValue

● AUTO WAH (Variation, Insertion 1, 2 block)

No.

Parameter

1

LFO Frequency

2

LFO Depth

3

Cutoff Frequency Offset

4

Resonance 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

Drive (Variation block)

12 13 14 15 16

Display

0.00Hz – 39.7Hz 0 – 127 0 – 127

1.0 – 12.0 32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

0 – 127

0-127 0-127 0-127

10-120

4-40 52-76 28-58 52-76 1-127

0-127

See Table table#1

table#3 table#3

ControlValue

Variation Block

L

R

LSF HSF

AUTO WAH AUTO WAH

dry (L)

dry (R)

+

DISTORTION

dry (L)

dry (R)

L

R

Insertion Block

L

LSF HSF

dry (L)

L

R

LSF PDF

HSF

L

R

MU100 EFFECT

LSF HSF

AUTO WAH AUTO WAH

dry (R)

R

17

Effect Parameter List

● AUTO WAH+DIST

AUTO WAH+ODRV (Variation block)

No.

Parameter

1

LFO Frequency

2

LFO Depth

3

Cutoff Frequency Offset

4

Resonance 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

Drive

12

EQ Low Gain(distortion)

13

EQ Mid Gain(distortion)

14

LPF Cutoff

15

Output Level

16

L

LSF HSF

R

LSF HSF

Display

0.00Hz – 39.7Hz 0 – 127 0 – 127

1.0 – 12.0 32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

0 – 127

-12 – +12dB

1.0kHz – thru 0 – 127

dry (L)

AUTO WAH AUTO WAH

dry (R)

0-127 0-127 0-127

10-120

52-76 28-58 52-76 1-127

0-127 52-76 52-76 34-60 0-127

+

DISTORTION

4-40

See Table table#1

table#3 table#3

table#3

dry (L)

dry (R)

● TOUCH WAH 1

(Variation, Insertion 1, 2 block)

ControlValue

L

TOUCH WAH+DIST (Variation block)

No.

Parameter

1

Sensitive

2

Cutoff Frequency Offset

3

Resonance 4 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

Drive (Variation block)

12 13 14 15 16

Display 0 – 127 0 – 127

1.0 – 12.0

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

0 – 127

0-127 0-127

10-120

4-40 52-76 28-58 52-76 1-127

0-127

See Table

table#3 table#3

ControlValue

Variation Block: TOUCH WAH 1

dry (L)

dry (R)

L

R

TOUCH WAH TOUCH WAH

dry (L)

dry (R)

+

DISTORTION

L

LSF HSF

R

LSF HSF

+

EF

Insertion Block: TOUCH WAH 1

L

LSF HSF

EF

TOUCH WAH TOUCH WAH

+

dry (L)

L

R

LSF HSF

Variation Block: TOUCH WAH+DIST

TOUCH WAH TOUCH WAH

dry (L)

dry (R)

+

DISTORTION

L

R

LSF HSF

+

EF

dry (R)

dry (L)

dry (R)

R

L

R

18

MU100 EFFECT

R

Effect Parameter List

● TOUCH WAH 2

(Variation, Insertion 1, 2 block)

TOUCH WAH+ODRV (Variation block)

No.

Parameter

1

Sensitive

2

Cutoff Frequency Offset

3

Resonance 4 5 6

EQ Low Frequency 7

EQ Low Gain 8

EQ High Frequency 9

EQ High Gain

10

Dry/Wet

11

Drive

12

EQ Low Gain(distortion)

13

EQ Mid Gain(distortion)

14

LPF Cutoff

15

Output Level

16

Release

Display 0 – 127 0 – 127

1.0 – 12.0

32Hz – 2.0kHz

-12 – +12dB 500Hz – 16.0kHz

-12 – +12dB D63>W – D=W – D<W63

0 – 127

-12 – +12dB

1.0kHz – thru 0 – 127 10 – 680ms

0-127 0-127

10-120

4-40 52-76 28-58 52-76 1-127

0-127 52-76 52-76 34-60 0-127 52-67

Variation Block: TOUCH WAH 2

L

R

LSF HSF

TOUCH WAH

+

EF

TOUCH WAH

dry (L)

dry (R)

+

DISTORTION

Insertion Block: TOUCH WAH 2

L

LSF HSF

EF

TOUCH WAH TOUCH WAH

+

See Table

table#3 table#3

table#3

dry (L)

dry (R)

● PITCH CHANGE 1 (Variation block)

No.

Parameter

1

Pitch

2

Initial Delay

3

Fine 1

4

Fine 2

5

ControlValue

Feedback Level 6 7 8 9

10

Dry/Wet

11

Pan 1

12

Output Level 1

13

Pan 2

14

Output Level 2

15 16

Display

-24 – +24 0 – 127

-50 – +50

-99 – +99%

D63>W – D=W – D<W63 L63 – R63

0 – 127 L63 – R63 0 – 127

40-88

0-127 14-114 14-114

1-127

0-127

1-127

0-127

See Table table#7

ControlValue

PITCH CHANGE 2 (Variation block)

No.

Parameter

1

Pitch

2

Initial Delay

3

Fine 1

4

Fine 2

5

Feedback Level

6

L

7 8 9

10

Dry/Wet

11

Pan 1

12

Output Level 1

13

Pan 2

14

Output Level 2 15 16

L

Display

-24 – +24 0 – 127

-50 – +50cent

-99 – +99%

D63>W – D=W – D<W63 L63 – R63

0 – 127 L63 – R63 0 – 127

PITCH CHANGE

+

dry (L)

PITCH CHANGE

40-88

0-127 14-114 14-114

1-127

0-127

1-127

0-127

L

See Table table#7

ControlValue

R

LSF HSF

Variation Block: TOUCH WAH+ODRV

L

R

LSF HSF

TOUCH WAH

+

EF

TOUCH WAH

dry (L)

dry (R)

+

DISTORTION

dry (R)

dry (L)

dry (R)

R

dry (R)

R

L

MU100 EFFECT

19

Effect Parameter List

● AURAL EXCITER

®

(Variation, Insertion 1, 2 block)

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

Parameter HPF Cutoff Drive Mix Level

Display 500Hz – 16.0kHz 0 – 127 0 – 127

Aural Exciter® is a registered trademark of Aphex Corporation.

28-58 0-127 0-127

See Table table#3

Variation Block

L

EF

EXCITER

+

EXCITER

R

+

L

+

R

Insertion Block

L

+

EXCITER

EF

R

+

L

+

R

● COMPRESSOR

(Variation, Insertion 1, 2 block)

ControlValue

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

Parameter Attack Release Threshold Ratio Output Level

Display 1 – 40ms 10 – 680ms

-48 – -6dB

1.0 – 20.0 0 – 127

0-19 0-15

79-121

0-7

0-127

See Table table#8 table#9

table#10

ControlValue

Variation Block

L

EF

COMP

+

COMP

R

L

R

Insertion Block

L

+

COMP

EF

R

L

R

20

MU100 EFFECT

Effect Parameter List

● NOISE GATE (Variation, Insertion 1, 2 block)

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

Parameter Attack Release Threshold Output Level

Display 1 – 40ms 10 – 680ms

-72 – -30dB 0 – 127

0-19

0-15 55-97 0-127

See Table table#8 table#9

ControlValue

Variation Block

L

+

GATE

EF

GATE

R

L

R

Insertion Block

L

+

GATE

EF

R

L

R

● VOICE CANCEL (Variation block)

No.

Parameter 1 2 3 4 5 6 7 8 9

10 11

Low Adjust

12

High Adjust

13 14 15 16

L

Display

0 – 26 0 – 26

ControlValue

See Table

0-26 0-26

+

L

VOICE CANCEL VOICE CANCEL

R

+

R

● TALKING MODULATOR (Variation block)

No.

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

Parameter

Vowel

Move speed

Drive

Output level

Display a,i,u,e,o 1 – 62 0 – 127 0 – 127

0-4

1-62 0-127 0-127

See Table

ControlValue

L

R

MU100 EFFECT

L

+

TALK MOD.EXCITER

EF

R

21

L

R

Effect Parameter List

● LO-FI (Variation block)

No.

Parameter

1

sampling freq control

2

word length

3

output gain

4

LPF Cutoff

5

filter type

6

LPF resonance

7

bit assign

8

emphasis

9

10

Dry/Wet

11 12 13 14 15

Input Mode

16

Display

44.1kHz – 345Hz 1 – 127

-6 – +12dB 63Hz – thru Thru,PowerBass,Radio,Telephone,Clean,Low

1.0 – 12.0 0 – 6 off/on

D63>W – D=W – D<W63

mono/stereo

When input mode="mono"

L

+

Lo-Fi

R

dry (L)

dry (R)

When input mode="stereo"

L

Lo-Fi Lo-Fi

R

dry (L)

dry (R)

L

R

L

R

0-127 1-127

0-18

10-60

0-5

10-120

0-6 0-1

1-127

0-1

See Table

● COMP+DIST+DELAY (Variation block)

ControlValue

COMP+ODRV+DELAY (Variation block)

No.

Parameter

1

Delay Time

2

Delay Feedback Level

3

Delay Mix

4

Dist Drive

5

Dist Output Level

6

Dist EQ Low Gain

7

Dist EQ Mid Gain 8 9

10

Dry/Wet

11

Comp. Attack

12

Comp. Release

13

Comp. Threshold

14

Comp. Ratio

15 16

L

+ +

R

EF

Display

0.1 – 1486.0ms

-63 – +63 0 – 127 0 – 127 0 – 127

-12 – +12dB

D63>W – D=W – D<W63 1ms – 40ms

10ms – 680ms

-48dB – -6dB

1.0 – 20.0

dry (L)

COMP

DISTORTION DELAY

dry (R)

1-14860

1-127 0-127 0-127 0-127 52-76 52-76

1-127

0-19 0-15

79-121

0-7

See Table

table#8 table#9

table#10

LPF

ControlValue

+

L

+

R

● WAH+DIST+DELAY (Variation block)

WAH+ODRV+DELAY (Variation block)

No.

Parameter

1

Delay Time

2

Delay Feedback Level

3

Delay Mix

4

Dist Drive

5

Dist Output Level

6

Dist EQ Low Gain

7

Dist EQ Mid Gain 8 9

10

Dry/Wet

11

Wah Sensitive

12

Wah Cutoff Freq Offset

13

Wah Resonance

14

Wah Release

15 16

Display

0.1 – 1486.0ms

-63 – +63 0 – 127 0 – 127 0 – 127

-12 – +12dB

D63>W – D=W – D<W63 0 – 127

0 – 127

1.0 – 12.0 10 – 680ms

1-14860

1-127 0-127 0-127 0-127 52-76 52-76

1-127 0-127

0-127

10-120

52-67

See Table

ControlValue

● DIST+DELAY (Variation block)

OVERDRIVE+DELAY (Variation block)

No.

Parameter

1

Lch Delay Time

2

Rch Delay Time

3

Delay Feedback Time

4

Delay Feedback Level

5

Delay Mix

6

Dist Drive

7

Dist Output Level

8

Dist EQ Low Gain

9

Dist EQ Mid Gain

10

Dry/Wet

11 12 13 14 15 16

L

+ +

R

EF

Display

0.1 – 1486.0ms

-63 – +63 0 – 127 0 – 127 0 – 127

-12 – +12dB

-12 – +12dB D63>W – D=W – D<W63

dry (L)

GATE

DISTORTION DELAY

dry (R)

1-14860 1-14860 1-14860

1-127 0-127 0-127 0-127 52-76 52-76 1-127

See Table

LPF

TOUCH WAH

dry (L)

+

dry (R)

L

+ +

ControlValue

EF

R

dry (L)

DISTORTION DELAY

LPF

dry (R)

+

L

+

R

+

L R

+

22

MU100 EFFECT

Explanation of effect parameters

Effect Parameter List

Parameter name

AM Depth AMP Type Attack

Bit Assign Cch Delay Cch Level Crossover Frequency Cutoff Frequency Offset Delay Mix

Delay Offset Delay Time

Delay2 Level Density Depth Detune Diffusion Drive

Drive High Drive Low Dry/Wet Edge(Clip Curve) Emphasis EQ High Frequency EQ High Gain EQ Low Frequency EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width Er/Rev Balance F/R Depth Feedback Delay Feedback Delay 1 Feedback Delay 2 Feedback Level

Filter Type Fine 1 Fine 2 Height High Adjust High Damp HPF Cutoff Initial Delay

Input Mode Input Select L/R Depth L->R Delay Lch Delay Lch Delay1 Lch Delay2 Lch Feedback Level Lch Init Delay LFO Depth

LFO Frequency

Effect types in which the parameter exists

TREMOLO AMP SIMULATOR COMPRESSOR type NOISE GATE LO-FI DELAY L,C,R DELAY L,C,R 2WAY ROTARY SPEAKER WAH type DIST+DELAY,OVERDRIVE+DELAY, COMP+DIST+DELAY,COMP+ODRV+DELAY, WAH+DIST+DELAY,WAH+ODRV+DELAY CHORUS type KARAOKE1,2,3 AMBIENCE ECHO REVERB type, EARLY REF type REVERB type ENSEMBLE DETUNE REVERB type, EARLY REF type, PHASER DISTORTION type AURAL EXCITER TALKING MODULATION 2WAY ROTARY SPEAKER 2WAY ROTARY SPEAKER All types DISTORTION type LO-FI All types All types All types All types All types All types All types REVERB type AUTO PAN DELAY L,C,R DELAY L,R DELAY L,R REVERB type DELAY type,EARLY REF type,PITCH CHANGE type KARAOKE type CHORUS type, FLANGER type PHASER type LO-FI PITCH CHANGE type PITCH CHANGE type REVERB type VOICE CANCELAR REVERB type,DELAY type,EARLY REF type REVERB type,EARLY REF type,KARAOKE type,AURAL EXCITER REVERB type EARLY REF type PITCH CHANGE type All types CROSS DELAY AUTO PAN CROSS DELAY DELAY type ECHO ECHO ECHO ENSEMBLE DETUNE CHORUS type,FLANGER type,SYMPHONIC ROTARY SPEAKER PHASER type WAH type CHORUS type,FLANGER type,SYMPHONIC ROTARY SPEAKER TREMOLO AUTO PAN PHASER type WAH type

®

Explanation of parameter

Depth of volume modulation Select the type of amp to be simulated Time until the compressor effect begins to apply Time until the gate begins to open Adjust the word length of the audio data Length of the center channel delay Volume of the center channel Crossover frequency between the high-range and low-range speakers Frequency offset value that will control the wah filter Mixing amount of delay sound

Offset value of delay modulation Spacing of reflections for karaoke echo Delay length Volume of second delay Density of reflections. Higher values produce closer spacing Depth of the simulated room Amount of pitch shift Control the spaciousness Depth of distortion Depth at which the exciter effect is applied Depth at which the exciter effect is applied Depth of modulation caused by rotation of the low-range speaker Depth of modulation caused by rotation of the high-range speaker Balance between dry sound and effect sound Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually) Modify the character of the high range Frequency at which the EQ will boost/cut the high range Gain amount by which the EQ will boost/cut the high range Frequency at which the EQ will boost/cut the low range Gain amount by which the EQ will boost/cut the low range Frequency at which the EQ will boost/cut the mid range Gain amount by which the EQ will boost/cut the mid range Width of the area boosted/cut by the mid-range EQ Level balance between the early reflections and the reverberation Depth of front/back panning (valid when PAN Direction=Lturn,Rturn) Length of feedback delay Length of feedback delay 1 Length of feedback delay 2 Feedback amount of initial delay Feedback amount Setting for repeated reflections Level at which delay output is again returned to the input (negative values invert the phase) Level at which phaser output is again returned to the input (negative values insert the phase) Select the type of tonal effect Fine adjustment to pitch of first sound Fine adjustment to pitch of second sound Height of simulated room Adjust the upper limit of the mid-frequency range that will be attenuated Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly)

®

Frequency at which the high pass filter will cut the low range Delay time until the early reflections Delay length until ER (GateReverb) sounds Delay length Mono/stereo switch for input Input select Depth of left/right panning Delay time from left (input) to right (output) Length of left channel delay Length of first left channel delay Length of second left channel delay Amount of left channel feedback Length of left channel delay Depth of delay modulation Depth of modulation caused by speaker rotation Depth of phase modulation Depth at which the wah filter will be controlled Frequency of delay modulation Frequency at which the speaker will rotate Modulation frequency Autopan frequency Phase modulation frequency Frequency at which wah filter will be controlled

Aural Exciter® is a registered trademark of Aphex Corporation.

MU100 EFFECT

23

Effect Parameter List

LFO Phase Difference Liveness Low Adjust Low/High LPF Cutoff LPF Resonance Mic L-R Angle Mix Level Move Speed Output Gain Output Level Output Level 1 Output Level 2 Output Phase Pan 1 Pan 2 PAN Direction Phase Shift Offset Pitch PM Depth R->L Delay Ratio Rch Delay Rch Delay1 Rch Delay2 Rch Feedback Level Rch Init Delay Release

Resonance Rev Delay Reverb Time Room Size Rotor Speed Sampling Freq Control Sensitive Stage Threshold

Type Vowel Wah Release Wall Vary Width Word Length

PHASER type,FLANGER type EARLY REF type VOICE CANCEL 2WAY ROTARY SPEAKER All types LO-FI 2WAY ROTARY SPEAKER AURAL EXCITER TALKING MODULATOR LO-FI All types PITCH CHANGE type PITCH CHANGE type AMBIENCE PITCH CHANGE type PITCH CHANGE type AUTO PAN PHASER type PITCH CHANGE type TREMOLO CROSS DELAY COMPRESSOR type DELAY type ECHO ECHO ECHO ENSEMBLE DETUNE COMPRESSOR type NOISE GATE TOUCH WAH2, TOUCH WAH+ODRV WAH type REVERB type REVERB type EARLY REF type 2WAY ROTARY SPEAKER LO-FI WAH type PHASER type COMPRESSOR type NOISE GATE EARLY REF type TALKING MODULATOR WAH+DIST+DELAY,WAH+ODRV+DELAY REVERB type REVERB type LO-FI

®

L/R phase difference for modulation waveform (0 deg (=64) is no phase difference) ER decay. Lower values cause faster decay. Adjust the lower frequency limit of the mid-range that will be attenuated Volume balance between the high-range and low-range speakers Frequency at which the low pass filter will cut the high frequency range Add character to the low pass filter of the input L/R angle of the mic that picks up the output Level of the effect sound that is mixed into the dry sound Time over which the sound specified by Vowel is reached Output gain Output level Output level for first unit Output level for second unit Swap phase of the effect sound between L/R Pan of first unit Pan of second unit Autopan type (L<->R is sine wave, L/R is square wave) Offset value for phase modulation Pitch setting in semitones Depth of delay modulation Delay time from right (input) to left (output) Compression ratio of the compressor Length of right channel delay Length of first right channel delay Length of second right channel delay Amount of right channel feedback Length of right channel delay Time until the sound is released from the compressor effect Time until the gate closes Time until the center frequency of the wah filter returns to normal Bandwidth of the wah filter Delay time between the early reflections and the reverberation Length of reverb Size of room. Increasing this value will lengthen ER. Frequency at which the speaker rotates Sampling frequency control Sensitivity with which the wah filter will change in response to changes in the input Number of steps for the phase shifter Input level at which compression will begin Input level at which the gate will begin to open Type selection Vowel selection Time until the center frequency of the wah filter returns to normal Condition of the walls of the simulated room (higher values produce more random reflections) Width of the simulated room Specify the roughness of the sound

Aural Exciter® is a registered trademark of Aphex Corporation.

Additional note: In the preceding pages, indication of effect types such as REVERB-type respectively include the following effect types.

CHORUS type COMPRESSOR type DELAY type

DISTORTION type

EARLY REF type FLANGER type KARAOKE type PHASER type PITCH CHANGE type REVERB type

WAH type

24

CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4 COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV, COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE FLANGER1,FLANGER2, FLANGER3 KARAOKE1, KARAOKE2, KARAOKE3 PHASER1, PHASER2 PITCH CHANGE1, PITCH CHANGE2 HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE, WHITE ROOM,TUNNEL,CANYON,BASEMENT AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY

MU100 EFFECT

Effect Data Assign Table

Table#1 LFO Frequency

Data Value Data Value Data Value Data Value

0 1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

0.00

0.04

0.08

0.13

0.17

0.21

0.25

0.29

0.34

0.38

0.42

0.46

0.51

0.55

0.59

0.63

0.67

0.72

0.76

0.80

0.84

0.88

0.93

0.97

1.01

1.05

1.09

1.14

1.18

1.22

1.26

1.30

32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63

1.35

1.39

1.43

1.47

1.51

1.56

1.60

1.64

1.68

1.72

1.77

1.81

1.85

1.89

1.94

1.98

2.02

2.06

2.10

2.15

2.19

2.23

2.27

2.31

2.36

2.40

2.44

2.48

2.52

2.57

2.61

2.65

64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95

2.69

2.78

2.86

2.94

3.03

3.11

3.20

3.28

3.37

3.45

3.53

3.62

3.70

3.87

4.04

4.21

4.37

4.54

4.71

4.88

5.05

5.22

5.38

5.55

5.72

6.06

6.39

6.73

7.07

7.40

7.74

8.08

96 97 98

99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127

8.41

8.75

9.08

9.42

9.76

10.1

10.8

11.4

12.1

12.8

13.5

14.1

14.8

15.5

16.2

16.8

17.5

18.2

19.5

20.9

22.2

23.6

24.9

26.2

27.6

28.9

30.3

31.6

33.0

34.3

37.0

39.7

Table#2 Modulation Delay Offset

Data Value Data Value Data Value Data Value

0 1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

0.0

0.1

0.2

0.3

0.4

0.5

0.6

0.7

0.8

0.9

1.0

1.1

1.2

1.3

1.4

1.5

1.6

1.7

1.8

1.9

2.0

2.1

2.2

2.3

2.4

2.5

2.6

2.7

2.8

2.9

3.0

3.1

32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63

3.2

3.3

3.4

3.5

3.6

3.7

3.8

3.9

4.0

4.1

4.2

4.3

4.4

4.5

4.6

4.7

4.8

4.9

5.0

5.1

5.2

5.3

5.4

5.5

5.6

5.7

5.8

5.9

6.0

6.1

6.2

6.3

64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95

6.4

6.5

6.6

6.7

6.8

6.9

7.0

7.1

7.2

7.3

7.4

7.5

7.6

7.7

7.8

7.9

8.0

8.1

8.2

8.3

8.4

8.5

8.6

8.7

8.8

8.9

9.0

9.1

9.2

9.3

9.4

9.5

96 97 98

99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127

9.6

9.7

9.8

9.9

10.0

11.1

12.2

13.3

14.4

15.5

17.1

18.6

20.2

21.8

23.3

24.9

26.5

28.0

29.6

31.2

32.8

34.3

35.9

37.5

39.0

40.6

42.2

43.7

45.3

46.9

48.4

50.0

MU100 EFFECT

25

Effect Data Assign Table

Table#3 EQ Frequency

Data Value Data Value

0

THRU(20) 1 2 3 4 5 6 7 8 9

10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

100 110 125 140 160 180 200 225 250 280 315 355 400 450 500 560 630 700

32

22

33

25

34

28

35

32

36

37

40

38

45

39

50

40

56

41

63

42

70

43

80

44

90

45 46 47 48 49 50 51 52 53 54 55 56 57 58 59

THRU(20.0k)

60

800 900

1.0k

1.1k

1.2k

1.4k

1.6k

1.8k

2.0k

2.2k

2.5k

2.8k

3.2k

3.6k

4.0k

4.5k

5.0k

5.6k

6.3k

7.0k

8.0k

9.0k

10.0k

11.0k

12.0k

14.0k

16.0k

18.0k

T able#5 Delay Time(200.0ms)

Data Value Data Value

0

0.1

1.7

3.2

4.8

6.4

8.0

9.5

11.1

12.7

14.3

15.8

17.4

19.0

20.6

22.1

23.7

25.3

26.9

28.4

30.0

31.6

33.2

34.7

36.3

37.9

39.5

41.0

42.6

44.2

45.7

47.3

48.9

32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63

1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

50.5

52.0

53.6

55.2

56.8

58.3

59.9

61.5

63.1

64.6

66.2

67.8

69.4

70.9

72.5

74.1

75.7

77.2

78.8

80.4

81.9

83.5

85.1

86.7

88.2

89.8

91.4

93.0

94.5

96.1

97.7

99.3

Table#4 Reverb time

Data Value Data Value Data Value

0 1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

0.3

0.4

0.5

0.6

0.7

0.8

0.9

1.0

1.1

1.2

1.3

1.4

1.5

1.6

1.7

1.8

1.9

2.0

2.1

2.2

2.3

2.4

2.5

2.6

2.7

2.8

2.9

3.0

3.1

3.2

3.3

3.4

32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63

3.5

3.6

3.7

3.8

3.9

4.0

4.1

4.2

4.3

4.4

4.5

4.6

4.7

4.8

4.9

5.0

5.5

6.0

6.5

7.0

7.5

8.0

8.5

9.0

9.5

10.0

11.0

12.0

13.0

14.0

15.0

16.0

64 65 66 67 68 69

17.0

18.0

19.0

20.0

25.0

30.0

Table#6 Room Size

Data Value Data Value

0 1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

0.1

0.3

0.4

0.6

0.7

0.9

1.0

1.2

1.4

1.5

1.7

1.8

2.0

2.1

2.3

2.5

2.6

2.8

2.9

3.1

3.2

3.4

3.5

3.7

3.9

4.0

4.2

4.3

4.5

4.6

4.8

5.0

32 33 34 35 36 37 38 39 40 41 42 43 44

5.1

5.3

5.4

5.6

5.7

5.9

6.1

6.2

6.4

6.5

6.7

6.8

7.0

26

MU100 EFFECT

Effect Data Assign Table

T able#7 Delay Time (400.0ms)

Data Value Data Value Data Value Data Value

0

0.1

32

1

3.2

2

6.4

3

9.5

4

12.7

5

15.8

6

19.0

7

22.1

8

25.3

9

28.4

10

31.6

11

34.7

12

37.9

13

41.0

14

44.2

15

47.3

16

50.5

17

53.6

18

56.8

19

59.9

20

63.1

21

66.2

22

69.4

23

72.5

24

75.7

25

78.8

26

82.0

27

85.1

28

88.3

29

91.4

30

94.6

31

97.7

100.9

33

104.0

34

107.2

35

110.3

36

113.5

37

116.6

38

119.8

39

122.9

40

126.1

41

129.2

42

132.4

43

135.5

44

138.6

45

141.8

46

144.9

47

148.1

48

151.2

49

154.4

50

157.5

51

160.7

52

163.8

53

167.0

54

170.1

55

173.3

56

176.4

57

179.6

58

182.7

59

185.9

60

189.0

61

192.2

62

195.3

63

198.5

64

201.6

65

204.8

66

207.9

67

211.1

68

214.2

69

217.4

70

220.5

71

223.7

72

226.8

73

230.0

74

233.1

75

236.3

76

239.4

77

242.6

78

245.7

79

248.9

80

252.0

81

255.2

82

258.3

83

261.5

84

264.6

85

267.7

86

270.9

87

274.0

88

277.2

89

280.3

90

283.5

91

286.6

92

289.8

93

292.9

94

296.1

95

299.2

100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127

96

302.4

97

305.5

98

308.7

99

311.8

315.0

318.1

321.3

324.4

327.6

330.7

333.9

337.0

340.2

343.3

346.5

349.6

352.8

355.9

359.1

362.2

365.4

368.5

371.7

374.8

378.0

381.1

384.3

387.4

390.6

393.7

396.9

400.0

Table#11 Reverb Width; Depth; Height

Data Value Data Value Data Value Data Value

0

0.5

32

8.8

64

17.6

1

0.8

33

9.1

2

1.0

1.3

1.5

1.8

2.0

2.3

2.6

2.8

3.1

3.3

3.6

3.9

4.1

4.4

4.6

4.9

5.2

5.4

5.7

5.9

6.2

6.5

6.7

7.0

7.2

7.5

7.8

8.0

8.3

8.6

34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63

3 4 5 6 7 8

9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

9.4

9.6

9.9

10.2

10.4

10.7

11.0

11.2

11.5

11.8

12.1

12.3

12.6

12.9

13.1

13.4

13.7

14.0

14.2

14.5

14.8

15.1

15.4

15.6

15.9

16.2

16.5

16.8

17.1

17.3

65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95

17.9

18.2

18.5

18.8

19.1

19.4

19.7

20.0

20.2

20.5

20.8

21.1

21.4

21.7

22.0

22.4

22.7

23.0

23.3

23.6

23.9

24.2

24.5

24.9

25.2

25.5

25.8

26.1

26.5

26.8

27.1

96 97 98

99 100 101 102 103 104

27.5

27.8

28.1

28.5

28.8

29.2

29.5

29.9

30.2

T able#8 Compressor Attack Time

Data Value

0 1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8 9

9 10 10 12 11 14 12 16 13 18 14 20 15 23 16 26 17 30 18 35 19 40

Table#9 Compressor Release Time

Data Value

0 10 1 15 2 25 3 35 4 45 5 55 6 65 7 75 8 85

9 100 10 115 11 140 12 170 13 230 14 340 15 680

Table#10 Compressor Ratio

Data Value

0 1.0 1 1.5 2 2.0 3 3.0 4 5.0 5 7.0 6 10.0 7 20.0

MU100 EFFECT

27

MIDI data format

1. Channel messages

1.1 Note on/note off

These messages convey keyboard performance data. Note-on is transmitted when a note is pressed, and note-off is transmitted when a note is released. These messages contain a "note number" which indicates the key that was played, and a "velocity" which indicates how strongly it was played. When a note-on of velocity "0" is received, it has the same effect as a note-off. Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8) Velocity range = 1...127 (Velocity is received only

for note-on) When the Multi Part parameter "Rcv NOTE MESSAGE" = OFF, that part will not receive these messages. For a drum part*, key-off is not received if the DrumSetup parameter Rcv NOTE OFF = OFF. For a drum part, key-on is not received if the DrumSetup parameter Rcv NOTE ON = OFF.

* Drum Part indicates that the Multi Part parameter PART MODE is "set to DRUM or DRUMS1...4."

1.2 Control changes

These messages control volume or pan etc.

Their functions are differentiated by the control number (Ctrl#). If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes.

1.2.1 Bank Select

This voice selects the voice bank. The voice bank is selected by the combination of two control change messages: MSB and LSB. The function of the MSB and LSB will differ depending on the sound module mode. In the case of "XG," the MSB value will specify the major division of voices, and the LSB value will specify the detailed division. In the case of "TG300B," the LSB value is fixed, and only the MSB value will specify the detailed voice division. In the case of "C/M," Bank Select is not received.

Control# Parameter Data Range 0 Bank Select MSB 0...127 32 Bank Select LSB 0...127

The Bank Select data will be processed only after a Program Change is received, and then voice bank will change at that time. If you wish to change the voice bank as well as the voice, you must transmit Bank Select and Program Change messages as a set, in the order of Bank Select MSB, LSB, and Program Change.

1.2.2 Modulation

This message is used primarily to control the depth of vibrato, but the depth of the following 7 types of effect can be controlled. The effect of this message can be changed by the following parameters.

• Multi Part Parameter

1. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH

• Effect1 Parameter

7. MW VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion) By default, an LFO Pitch Modulation (PMOD) effect will apply.

Control# Parameter Data Range 1 Modulation 0...127

If the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation. If the receive channel is a drum part, effects 5 and 6 will not apply.

1.2.3 Portamento Time

This message controls the degree of Portamento (refer to

1.2.11).

Control# Parameter Data Range 5 Portamento Time 0...127

When Portamento (control number 065) is ON, this regulates the speed of the pitch change. A value of 0 is the shortest portamento time, and 127 is the longest portamento time. If the receive channel is a drum part, Portamento Time is not received.

1.2.4 Data Entry

This message sets the value of the parameter which was specified by RPN MSB/LSB (see 1.2.22) and NRPN MSB/ LSB (see 1.2.21).

Control# Parameter Data Range 6 Data Entry MSB 0...127 38 Data Entry LSB 0...127

28

MU100 MIDI

MIDI data format

1.2.5 Main Volume

This message controls the volume of each part. This is used to adjust the volume balance between parts.

Control# Parameter Data Range 7 Main Volume 0...127

When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume. With a value of 0 there will be no sound, and a value of 127 will be the maximum volume.

1.2.6 Panpot

This message control the panning (stereo location) of each part. This will be the location of the sound when heard in stereo.

Control# Parameter Data Range 10 Pan 0...64...127

When the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot. 0 is left, 64 is center, and 127 is right.

1.2.7 Expression

This message controls expression (dynamics within a musical line) for each part. It is used to create volume changes during a song.

Control# Parameter Data Range 11 Expression 0...127

If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression. With a value of 0 there will be no sound, and with a value of 127 the volume will be maximum.

1.2.9 Portamento

This message controls portamento on/off. When the pedal is pressed, a portamento effect will be applied.

Control# Parameter Data Range 65 Portamento 0...63, 64...127

(OFF, ON)

For data of 0...63 the portamento pedal will be OFF (released), and for 64...127 it will be ON (pressed). When this is ON, the pitch will change smoothly between notes. The time over which the pitch changes is adjusted by Portamento Time (see 1.2.3). Also, when the Multi Part parameter MONO/POLY MODE = MONO, the tone will also change smoothly (legato) if Portamento = ON. If any of the following Multi Part parameter settings apply, that part will not receive Portamento.

• Rcv PORTAMENTO = OFF

• PART MODE = DRUM, DRUMS1...4

1.2.10 Sostenuto

This message controls sostenuto pedal on/off. Notes which were already pressed when the pedal was pressed will be sustained.

Control# Parameter Data Range 66 Sostenuto 0...63,64...127

(OFF, ON)

For data of 0...63, the sostenuto pedal will be OFF (released), and for 64...127 it will be ON (pressed). If sostenuto is turned on while a note is sounding, that note will be sustained until sostenuto is turned OFF. If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive Sostenuto. Has no effect on VL sounds.

1.2.8 Hold1

This message controls sustain pedal on/off. The notes that are sounding while the pedal is pressed will be sustained.

Control# Parameter Data Range 64 Hold1 0...63,64...127

(OFF, ON)

For data of 0...63 the sustain pedal will be OFF (released), and for data of 64...127 it will be on (pressed). When this is ON, currently-sounding notes will continue to sound even if note-off messages are received. If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1.

MU100 MIDI

1.2.11 Soft Pedal

This message controls soft pedal on/off. The sound will become more mellow while the pedal is pressed.

Control# Parameter Data Range 67 Soft Pedal 0...63, 64...127

(OFF, ON)

For data of 0...63, the soft pedal is OFF (released), and for

64...127 it is ON (pressed). If any of the following Multi Part parameter settings apply, that part will not receive the Soft Pedal.

• Rcv SOFT PEDAL = OFF

• PART MODE = DRUM, DRUM1...4

29

MIDI data format

1.2.12 Harmonic Content

This message adjusts the resonance of the filter that is specified for the sound. The value of 0~127 is taken as -64~+63, and added as an offset value to the original sound data to modify the resonance.

Control# Parameter Data Range 71 Harmonic Content 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it specifies a boost or cut relative to 64. Higher values will produce a more distinctive sound. For some sounds, the effective range may be less than the possible range of settings.

1.2.13 Release Time

This message adjusts the EG release time that was specified by the sound data. The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the release time.

Control# Parameter Data Range 72 Release Time 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will lengthen the release that follows a note-off.

Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Lower values will produce a more mellow sound. For some sounds, the effective range may be less than the possible range of settings.

1.2.16 Portamento Control

This message specifies the portamento source key number (the key number at which portamento will begin). Data of 0...127 specifies the portamento source key. When Portamento Control is received, the currentlysounding pitch will change at a Portamento Time of 0 to the key of the next-received note-on of the same channel.

Control# Parameter Data Range 84 Portamento Control 0...127

(C-2...G8)

This is received even if Rcv PORTAMENTO = OFF. Has no effect on VL sounds.

1.2.17 Effect1 Depth(Reverb Send Level)

This message specifies the send level for the reverb effect.

Control# Parameter Data Range 91 Effect1 Depth 0...127

Increasing this value will produce a richer reverb. The effect of the value will depend on the state of the reverb effect.

1.2.18 Effect3 Depth(Chorus Send Level)

This message specifies the send level for the chorus effect.

1.2.14 Attack Time

This message adjusts the EG attack time that was specified by the sound data. The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the attack time.

Control# Parameter Data Range 73 Attack Time 0...64...127

(-64...0...+63)

Since this a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will make the attack more gradual, and decreasing this value will make the attack sharper.

1.2.15 Brightness

This message adjusts the cutoff frequency of the low pass filter specified by the sound data. The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the cutoff frequency.

Control# Parameter Data Range 74 Brightness 0...64...127

(-64...0...+63)

Control# Parameter Data Range 93 Effect3 Depth 0...127

Raising this value will increase the modulation or spaciousness. The effect of the value will depend on the state of the chorus effect.

1.2.19 Effect4 Depth (Variation Effect Send

Level)

This message specifies the send level for the variation effect.

Control# Parameter Data Range 94 Effect4 Depth 0...127

However, this is not received if the Variation Effect parameter Variation Connection = 0 (Insertion).

1.2.20 Data Increment/Decrement (for RPN)

After RPN (see 1.2.22) is used to specify a parameter such as Pitch Bend Sensitivity, Fine Tune, or Coarse Tune, this message is used to increment or decrement the respective parameter value in steps of 1.

Control# Parameter Data Range 96 RPN Increment -97 RPN Decrement --

The data byte is ignored.

30

MU100 MIDI

MIDI data format

1.2.21 NRPN (Non-registered parameter

number)

This message is used to specify a sound parameter (such as vibrato, filter, EG, drum setup etc.) as an offset value. Use NRPN MSB and NRPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value for the specified parameter.

Control# Parameter Data Range 98 NRPN LSB 0...127 99 NRPN MSB 0...127

If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.

The following NRPN messages can be received.

NRPN Data Entry *1 MSB LSB MSB LSB

01 08 mm -- *2 Vibrato rate

01 09 mm -- Vibrato depth

01 10 mm -- *3 Vibrato delay

01 32 mm --

01 33 mm -- Low pass filter resonance

Parameter name and value range

mm: 00 - 64 - 127 (-64...0...+63)

Low pass filter cutoff frequency mm: 00 - 64 - 127 (-64...0...+63)

mm : 00 - 64 - 127 (-64...0...+63)

01 53 mm -- *4 EQ treble frequency

01 99 mm -- EG attack time

01 100 mm -- EG decay time

01 102 mm -- EG release time

20 rr mm -- Drum low pass filter cutoff

21 rr mm --

22 rr mm -- Drum EG attack rate

23 rr mm -- Drum EG decay rate

effect on VL sounds) mm: 28 - 58 (500...16.0k [Hz])

mm: 00 - 64 - 127 (-64...0...+63)

frequency rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63)

Drum low pass filter resonance rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63)

rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63)

rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) The effect will apply both to Decay 1 and 2.

(Has no

01 34 mm -- Filter EG Depth (VL sounds

only) mm : 00 - 64 - 127 (-64...0...+63)

01 36 mm --

01 48 mm -- *4 EQ bass gain

01 49 mm -- *4 EQ treble gain

01 52 mm -- *4 EQ bass frequency

High pass filter cutoff frequency (Has no effect on VL sounds) mm: 00 - 64 - 127 (-64...0...+63)

mm: 00 - 64 - 127 (-64...0...+63)

(Has no effect on VL sounds) mm: 04 - 40 (32...2.0k [Hz])

24 rr mm -- Drum instrument pitch coarse

25 rr mm -- Drum instrument pitch fine

26 rr mm -- Drum instrument level

28 rr mm -- Drum instrument panpot

29 rr mm -- Drum instrument reverb send

MU100 MIDI

rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63)

rr: drum instrument note number mm: 00 - 127(0...maximum)

rr: drum instrument note number mm: 00, 01-64-127(RND, L63...C...R63)

level rr: drum instrument note number mm: 00 - 127(0...maximum)

31

Yamaha Audio MU100 User Manual

TABLE OF CONTENTS

A/D Input Preset

Effect Type List

Effect LSB/MSB List

Effect Parameter List

Effect Data Assign Table

MIDI data format