Yamaha Audio DSP-AX630SE User Manual

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Page 1

RX-V630RDS AV Receiver DSP-AX630SE AV Amplifier

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

Page 2

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future reference.

2 Install this unit in a well ventilated, cool, dry, clean

place with at least 30 cm on the top, 20 cm on the left and right, and 10 cm at the back of this unit — away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid humming sounds. To prevent fire or electrical shock, do not place this unit where it may get exposed to rain, water, and/or any type of liquid.

Do not expose this unit to sudden temperature changes from cold to hot, and do not locate this unit in a environment with high humidity (i.e. a room with a humidifier) to prevent condensation inside this unit, which may cause an electrical shock, fire, damage to this unit, and/or personal injury.

5 On the top of this unit, do not place:

– Other components, as they may cause damage

and/or discoloration on the surface of this unit.

–

Burning objects (i.e. candles), as they may cause fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may

cause electrical shock to the user and/or damage to this unit.

6 Do not cover this unit with a newspaper,

tablecloth, curtain, etc. in order not to obstruct heat radiation. If the temperature inside this unit rises, it may cause fire, damage to this unit, and/or personal injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage.

9 Do not use force on switches, knobs and/or cords.

10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord.

11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified is dangerous and may cause fire, damage to this unit, and/or personal injury. YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the

power cord from the wall outlet during an electrical storm.

14 Take care of this unit so that no foreign objects

and/or liquid drops inside this unit.

15 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any service is needed. The cabinet should never be opened for any reasons.

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

16 When not planning to use this unit for long

periods of time (i.e. vacation), disconnect the AC power plug from the wall outlet.

17 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that this unit is faulty.

18 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the AC power plug from the wall outlet.

19 VOLTAGE SELECTOR (China and General models

only) The VOLTAGE SELECTOR on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.

Note

• The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.

■ Special Instructions for U.K.

Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

CAUTION

Page 3

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

INTRODUCTION

CONTENTS ............................................................ 1

FEATURES ............................................................. 2

GETTING STARTED ............................................ 3

Checking the package contents ................................. 3

Installing batteries in the remote control ...................3

CONTROLS AND FUNCTIONS ......................... 4

Front panel ................................................................ 4

Remote control .......................................................... 6

Using the remote control ........................................... 7

Front panel display .................................................... 8

PREPARATION

SPEAKER SETUP ................................................. 9

Speakers .................................................................... 9

Speaker placement .................................................... 9

Connecting the speakers ..........................................10

CONNECTIONS .................................................. 13

Before connecting components ............................... 13

Connecting video components ................................ 14

Connecting audio components ................................ 16

Connecting the antennas ......................................... 17

Connecting an external amplifier ............................ 18

Connecting an external decoder .............................. 18

Connecting the power supply cords ........................ 19

Turning on the power .............................................. 19

SPEAKER MODE SETTINGS .......................... 20

ADJUSTING SPEAKER OUTPUT LEVELS .. 21

Before you begin ..................................................... 21

Using the test tone ................................................... 21

BASIC OPERATION

BASIC PLAYBACK ............................................ 23

Input modes and indications .................................... 25

Selecting a sound field program ..............................26

DIGITAL SOUND FIELD PROCESSING

(DSP) ................................................................. 29

Understanding sound fields .....................................29

Hi-Fi DSP programs ................................................ 29

CINEMA-DSP ...................................................... 30

Sound design of CINEMA-DSP ............................. 30

CINEMA-DSP programs ........................................ 32

TUNING

RX-V630RDS

......................................... 34

Automatic and manual tuning ................................. 34

Presetting stations .................................................... 35

Tuning in to a preset station .................................... 37

Exchanging preset stations ...................................... 37

RECEIVING RDS STATIONS

RX-V630RDS

.... 38

Description of RDS data ......................................... 38

Changing the RDS mode .........................................38

PTY SEEK function ................................................ 39

EON function .......................................................... 39

SLEEP TIMER ..................................................... 40

Setting the sleep timer ............................................. 40

Canceling the sleep timer ........................................ 40

RECORDING ....................................................... 41

ADVANCED OPERATION

SET MENU ........................................................... 42

Adjusting the items on the SET MENU ..................42

1 SPEAKER SET (speaker mode settings) ............ 43

2 LFE LEVEL ........................................................ 45

3 SP DLY TIME (speaker delay time) ................... 45

4 D. RANGE (dynamic range) ...............................46

5 L/R BALANCE (balance of the main left and

right speakers) ..................................................... 46

6 HP TONE CTRL (headphone tone control) ........ 46

7 I/O ASSIGN (input/output assignment) ..............46

8 INPUT MODE (initial input mode) .................... 47

9 DISPLAY SET ....................................................47

10MEM. GUARD (memory guard) ........................ 47

REMOTE CONTROL FEATURES ................... 48

Control area ............................................................. 48

Setting the manufacturer code .................................49

Clearing setup manufacturer codes ......................... 49

Controlling other components .................................50

ADJUSTING THE LEVEL OF THE EFFECT

SPEAKERS ....................................................... 51

ADJUSTING THE DELAY TIME ..................... 52

ADJUSTING THE PARAMETER SETTINGS

FOR PRO LOGIC

MUSIC ......................... 53

Changing parameter settings ................................... 53

PRO LOGIC

Music parameter descriptions ....... 53

ADDITIONAL INFORMATION

TROUBLESHOOTING ...................................... 54

GLOSSARY .......................................................... 58

SPECIFICATIONS .............................................. 60

Page 4

Manufactured under license from Dolby Laboratories.

“Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories.

“DTS”, “ES” and “DTS Digital Surround” are trademarks of Digital Theater Systems, Inc.

FEATURES

Built-in 6-channel power amplifier

◆ Minimum RMS output power

(0.06% THD, 20 Hz – 20 kHz, 8Ω) Main: 75 W + 75 W Center: 75 W Rear: 75 W + 75 W Rear center: 75 W

Multi-mode digital sound field processing

◆ Dolby Pro Logic/Dolby Pro Logic

decoder

◆ Dolby Digital/Dolby Digital EX decoder

◆ DTS/DTS-ES compatible decoder

◆ CINEMA DSP: Combination of YAMAHA DSP

technology and Dolby Pro Logic, Dolby Digital or DTS

◆ Virtual CINEMA DSP

◆ SILENT CINEMA DSP

Sophisticated AM/FM Tuner

RX-V630RDS

◆ 40-Station random access preset tuning

◆ Automatic preset tuning

◆ Preset station shifting capability (Preset

editing)

Other features

◆ 96-kHz/24-bit D/A converter

◆ “SET MENU” for optimizing this unit for your

Audio/Video system

◆ Test tone generator for easier speaker balance

adjustment

◆ 6-channel external decoder input

◆ S-video signal input/output capability

◆ Component video input/output capability

◆ Optical and coaxial digital audio signal jacks

◆ Sleep timer

◆ Remote control with preset manufacturer codes

■ About this manual

• This document is the owner’s manual for both RX-V630RDS and DSP-AX630SE. Since DSP-AX630SE does not incorporate a tuner, descriptions on tuning are not applicable for DSP-AX630SE. Illustrations for the RX-V630RDS are mainly used for explanations.

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.

• This manual is printed prior to production. Design and specifications are subject to change in part for the reason of the improvement in operativity ability, and others. In this case, the product has priority.

Page 5

English

INTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

TV INPUTTV MUTE

A/B/C/D/E

AUDIO

VOLUME

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

–+–

–

TV CHTV VOL

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Installing batteries in the remote control

Insert the batteries in the correct direction by aligning the + and – marks on the batteries with the polarity markings (+ and –) inside the battery compartment.

1 Press the part and slide off the battery

compartment cover.

2 Insert the four supplied batteries (AAA, R03,

UM-4) according to the polarity markings on the inside of the battery compartment.

3 Slide the cover back on so that it snaps into

place.

■ Notes on batteries

• Change all of the batteries if you notice a decrease in the operating range of the remote control, that the indicator does not flash, or the light becoming dim.

• Do not use old batteries together with new ones.

• Do not use different types of batteries (such as alkaline and manganese batteries) together. Read the packaging carefully as these different types of batteries may have the same shape and color.

• If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

If the remote control is without batteries for more than 2 minutes, or if exhausted batteries remain in the remote control, the contents of the memory may be cleared. When the memory is cleared, insert new batteries, set up the manufacturer code that may have been cleared.

AM loop antenna

(Europe, U.K., Australia and Singapore models)

Indoor FM antenna (U.S.A., Canada, China, Korea and General models)

Batteries (4) (AAA, R03, UM-4)

Remote control

GETTING STARTED

Checking the package contents

Check your package to make sure it contains the following items.

75-ohm/300-ohm antenna adapter (U.K. model)

Front VIDEO AUX jack cap

RX-V630RDS

Page 6

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

PRESET/TUNING

A/B/C/D/E

123 456

sa fd

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

TUNING MODE

iu po w e

START

EON

RDS MODE/FREQ

MODE

PTY SEEK

START

EON

RDS MODE/FREQ

MODE

PTY SEEK

90 ert8qw y

SET MENU

DSP-AX630SE

–

CONTROLS AND FUNCTIONS

Front panel

1 STANDBY/ON

Turns this unit on, or set it to the standby mode. When you turn this unit on, you will hear a click and there will be a 4 to 5-second delay before this unit can reproduce sound.

Standby mode

In this mode, this unit will consume a small amount of power in order to receive infrared-signals from the remote control.

2 Remote control sensor

Receives signals from the remote control.

3 Front panel display

Shows information about the operational status of this unit.

4 INPUT MODE

Sets the priority for the types of input signals (AUTO, DTS, ANALOG) to receive when one component is connected to two or more input jacks. Priority cannot be set when 6CH INPUT is selected as the input source.

5 INPUT l / h

Selects the input source you want to listen to or watch.

6 VOLUME

Controls the output level of all audio channels. This does not affect the OUT (REC) level.

7 6CH INPUT

Selects the audio source connected to the 6CH INPUT jacks. This audio takes priority over the source selected with INPUT l / h (or the input selector buttons on the remote control).

SILENT (PHONES jack)

Allows you enjoy DSP effect for private listening with headphones. When you connect headphones, no signals are output to the speakers or the OUTPUT jacks.

9 SPEAKERS A/B

Turns the set of main speakers connected to the A and/or B terminals on or off.

(RX-V630RDS)

Page 7

English

INTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

0 STEREO/EFFECT

Switches between normal stereo and DSP effect reproduction. When STEREO is selected, 2-channel signals are directed to the main left and right speakers without effect sounds and all Dolby Digital and DTS signals (except the LFE channel) are mixed down to the main left and right speakers.

q PROGRAM l / h

Selects the DSP program.

RX-V630RDS

PRESET/TUNING l / h

Selects preset station numbers 1 to 8 when the colon (:) appears in the front panel display. Selects the tuning frequency when the colon (:) does not appear.

DSP-AX630SE

SET MENU –/+

Adjusts the setting on the SET MENU.

RX-V630RDS

A/B/C/D/E

Selects preset station groups A to E.

DSP-AX630SE

Selects the SET MENU mode.

r BASS

Adjusts the low-frequency response for the main left and right channels. Turn right to increase or turn left to decrease the lowfrequency response.

t TREBLE

Adjusts the high-frequency response for the main left and right channels. Turn right to increase or turn left to decrease the highfrequency response.

y VIDEO AUX jacks

Inputs for audio and video signals from a portable external source (game console, etc.). Set the input source to V-AUX to enjoy source signals from these jacks. When the VIDEO AUX jacks on the front panel are not used, you can attach the provided front VIDEO AUX jack cap as shown in the illustration. When the cap is not attached, be sure retain it carefully.

RX-V630RDS

u RDS MODE/FREQ

When an RDS station is received, press this button to change the display mode among the PS mode, PTY mode, RT mode, CT mode (if the station offers those RDS data service) and/or frequency display mode in turn.

i PTY SEEK MODE

Press this button to set the unit in the PTY SEEK mode.

o PTY SEEK START

Press this button to begin searching for a station after the desired program type has been selected in the PTY SEEK mode.

p EON

Press this button to select the desired program type (NEWS, INFO, AFFAIRS, SPORT) when you want to tune in to a radio program of that type automatically.

a PRESET/TUNING (EDIT)

Switches the function of PRESET/TUNING l / h between selecting a preset station number and tuning (the colon (:) turns on or off). This button is also used to exchange the assignment of two preset stations with each other.

s TUNING MODE (AUTO/MAN’L MONO)

Switches the tuning mode between automatic and manual.

d MEMORY (MAN’L/AUTO FM)

Stores the current station in the memory.

f FM/AM

Switches the reception band between FM and AM.

OPTICAL

VID

EO A

S VID

VID

AUDIOL

Page 8

CONTROLS AND FUNCTIONS

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

TV INPUTTV MUTE

A/B/C/D/E

AUDIO

VOLUME

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

–

TV CHTV VOL

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

9 0

e r

Remote control

This section describes the remote control controls and their functions. Make sure that the AMP mode is selected before starting operation. See “REMOTE CONTROL FEATURES” on pages 48 to 50.

1 Infrared window

Outputs infrared control signals. Aim this window at the component you want to operate.

2 CODE SET

Used when setting up the manufacturer code (see page

49).

3 Input selector buttons

Select the input source and set the remote control to operate the selected source component.

4 DSP program

Select DSP programs for the AMP position. Press a button repeatedly to select a DSP program within that group.

5 LEVEL

Selects the effect speaker channel to be adjusted.

6 Multi control section

Used when changing the setting and to implement the settings.

7 TEST

Outputs the test tone to adjust the speaker levels.

8 TRANSMIT indicator

Flashes while the remote control is sending signals.

9 STANDBY

Sets this unit in the standby mode.

0 SYSTEM POWER

Turns on the power of this unit.

q SLEEP

Sets the sleep timer.

w 6CH INPUT

Selects the audio source connected to the 6CH INPUT jacks.

e AMP

Sets the remote control to the AMP mode for controlling this unit.

r Å

Sets the remote control to operate other component (not necessarily connected to this unit) without changing this unit’s input source.

t VOLUME +/–

Increases or decreases the volume level.

y MUTE

Mutes the sound. Press again to restore the audio output to the previous volume level.

Page 9

English

INTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

VCR 1 VCR2/DVR

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY /

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

TUNING MODE

VOLUMEINPUT

INPUT M0DE

6CH INPUT

30° 30°

Approximately 6 m (20 feet)

u STEREO/EFFECT

i SET MENU

Selects the SET MENU mode.

Using the remote control

The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main unit during operation.

■ Handling the remote control

• Do not spill water or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the following types of conditions: – high humidity or temperature such as near a heater,

stove or bath; – dusty places; or – in places subject to extremely low temperatures.

Page 10

CONTROLS AND FUNCTIONS

LCR

RC RR

LFE

VIRTUAL

DSP

PCM

MATRIX

SILENT

DIGITAL

EON

PS PTY

PTY HOLD

dB mS

MUTE SLEEP

STEREO TUNED

MEMORY

AUTO

PRO LOGIC

VOLUME

DTS MOVIE

THTR

ENTERTAINMENT

DOLBY DIGITAL PRO LOGIC

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

1234

57890qwert y6

1 Processor indicators

Lights up when the t, g, VIRTUAL,

PRO LOGIC

DSP

are activated.

MATRIX lights up when the Dolby Digital EX decoder or the DTS-ES compatible decoder is activated.

2 Input source indicator

Shows the current input source with a cursor.

3 MUTE indicator

Flashes while the MUTE function is on.

4 VOLUME level indicator

Indicates the volume level.

5 v indicator

Lights up when this unit is reproducing PCM (pulse code modulation) digital audio signals.

6 SILENT indicator

Lights up when headphones are connected while the digital sound field processor is on.

7 Headphones indicator

Lights up when headphones are connected.

8 DSP program indicators

The name of the selected DSP program lights up when the ENTERTAINMENT, MOVIE THEATER 1, MOVIE THEATER 2 or V/DTS SURROUND DSP program is selected.

9 Multi-information display

Shows the current DSP program name and other information when adjusting or changing settings.

RX-V630RDS

0 RDS indicator

The name(s) of the RDS data offered by the currently

received RDS station light(s) up.

EON indicator lights up when an RDS station that

offers the EON data service is being received.

PTY HOLD indicator lights up while searching for

stations in the PTY SEEK mode.

q STEREO indicator

Lights up when this unit is receiving a strong signal

for an FM stereo broadcast while the “AUTO”

indicator is lit.

w TUNED indicator

Lights up when this unit is tuned to a station.

e MEMORY indicator

Flashes to show a station can be stored.

r AUTO indicator

Shows that this unit is in the automatic tuning mode.

Front panel display

(RX-V630RDS)

t SLEEP indicator

Lights up while the sleep timer is on.

y Input channel indicator

Indicates the channel components of input signals being received.

Page 11

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPEAKER SETUP

Speakers

This unit has been designed to provide the best soundfield quality with a 6-speaker system, using main left and right speakers, rear left and right speakers, a center speaker, and a rear center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacturer or speakers with the same tonal quality.

The main speakers are used for the main source sound plus effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for effect and surround sounds. The center speaker is for the center sounds (dialog, vocals, etc.). The rear center speaker supplements the rear (left and right) speakers and provides for more realistic front-to-back transitions.

The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use the models of equivalent performance with the main speakers.

■ Use of a subwoofer expands your sound field

It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low-frequency effect) channel with high fidelity when playing back Dolby Digital or DTS signals. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.

PREPARATION

Speaker placement

Refer to the following diagram when you place the speakers.

■ Main speakers

Place the main left and right speakers an equal distance from the ideal listening position. The distance between each speaker and each side of the video monitor should also be the same.

■ Center speaker

Align the front face of the center speaker with the front face of your video monitor. Place the speaker as close to the monitor as possible (such as directly over or under the monitor) and centrally between the main speakers.

■ Rear speakers

Place these speakers behind your listening position, facing slightly inwards, nearly 1.8 m (6 feet) above the floor.

■ Rear center speaker

Place the rear center speaker in the center between the rear left and right speakers at the same height from the floor as the rear speakers.

■ Subwoofer

The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the main speakers. Turn it slightly toward the center of the room to reduce wall reflections.

Note

• If you do not use any of effect speakers (rear, center and/or rear center), change the settings of SPEAKER SET items at the SET MENU to designate the signals to other terminals you connect speakers to.

CAUTION

Use magnetically shielded speakers. If this type of speakers still creates the interference with the monitor, place the speakers away from the monitor.

Main speaker (L)

1.8 m (6 feet)

Rear speaker (L)

Rear center speaker

Rear speaker (R)

Subwoofer

Main speaker (R)Center speaker

Page 12

SPEAKER SETUP

Connecting the speakers

Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.

CAUTION

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or the speakers.

If necessary, use the SET MENU to change the speaker mode settings according to the number and size of the speakers in your configuration after you finish connecting your speakers.

■ Speaker cables

A speaker cord is actually a pair of insulated cables running side by side. One cable is colored or shaped differently, perhaps with a stripe, groove or ridge.

1 Remove approximately 10 mm (3/8”) of

insulation from each of the speaker cables.

2 Twist the exposed wires of the cable

together to prevent short circuits.

■ Connecting to the SPEAKERS terminals

1 Unscrew the knob. 2 Insert one bare wire into the hole in the side

of each terminal.

3 Tighten the knob to secure the wire.

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these terminals. When using only one speaker system, it can be connected to either the MAIN A or the MAIN B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

■ REAR CENTER SPEAKER terminals

A rear center speaker can be connected to these terminals.

10 mm (3/8”)

Red: positive (+) Black: negative (–)

Page 13

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPEAKER SETUP

DIGITAL OUTPUT

SPEAKERS

MAIN

DIGITAL

INPUT

6CH INPUT

(PLAY)

OUT (REC)

DVD

D-TV /CBL

DVD

OUT

VCR 1

VCR 2 /VDR

/CD-R

D-TV /CBL

OUT

DVD

ANT

GND

UNBAL.

OPTICAL

D-TV/CBL

MD/CD-R

OPTICAL

COAXIAL

S VIDEO VIDEO

OUTPUT

S VIDEO

MONITOR OUT

MONITOR

OUT

VIDEO

TUNER

B/CBPR/CR

COMPONENT VIDEO

AUDIOAUDIO

MAIN

CENTER

SUB

WOOFER

SUB

WOOFER

SURROUND

CENTER

AC OUTLETS

REAR

CENTER

REAR CENTER

OUTPUT

–

REAR

(SURROUND)

REAR

(SURROUND)

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

:4 :8 :6

:6 :6

8 8 8

MAIN A OR B A+B CENTER REAR CENTER

REAR

MAIN A OR B

A+B CENTER REAR CENTER REAR

: : : : :

Subwoofer

system

Rear center

speaker

Main B speaker

Center

speaker

Right

Rear speaker

■ SUBWOOFER jack

When using a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input jack of the subwoofer system to this jack. Low bass signals distributed from the main, center and/or rear channels are directed to this jack in accordance with your SPEAKER SET selections. The LFE (low-frequency effect) signals generated when Dolby Digital or DTS is decoded are also directed to this jack in accordance with your SPEAKER SET selections.

Notes

• The cut-off frequency of the SUBWOOFER jack is 90 Hz.

• If you do not use a subwoofer, designate the signals to the main left and right speakers by changing the setting of SPEAKER SET item “1E BASS” on the SET MENU to MAIN.

• Use the control on the subwoofer to adjust its volume level. It is also possible to adjust the volume level by using this unit’s remote control (see “ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS” on page 51).

Right Left

Main A speaker

Right Left

Left

The diagram shows the speaker layout in the listening room.

(RX-V630RDS)

Page 14

SPEAKER SETUP

SPEAKERS

MAIN

B/CB/CR

MPONENT VIDEO

CENTER

REAR

CENTER

REAR CENTER

OUTPUT

–

REAR

(SURROUND)

REAR

(SURROUND)

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

:4 :8 :6

:6 :6

MAIN A OR B A+B CENTER REAR CENTER

REAR

MAIN A OR B

A+B CENTER REAR CENTER REAR

: : : : :

8 8 8

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

:4 :8 :6

:6 :6

MAIN A OR B A+B CENTER REAR CENTER

REAR

MAIN A OR B

A+B CENTER REAR CENTER REAR

: : : : :

8 8 8

IMPEDANCE SELECTOR

SET BEFORE POWER ON

Switch

position

Left

Right

Speaker

Main

Center

Rear

Center

Rear

Main

Center

Rear

Center

Rear

Impedance level

If you use one set of main speakers, the impedance of each speaker must be 4 Ω or higher. If you use two sets of main speakers, the impedance of each speaker must be 8 Ω or higher.

The impedance must be 6 Ω or higher.

The impedance of each speaker must be 6 Ω or higher.

If you use one set of main speakers, the impedance of each speaker must be 8 Ω or higher. If you use two sets of main speakers, the impedance of each speaker must be 16 Ω or higher. [Canada model only] The impedance of each speaker must be 8 Ω or higher.

The impedance must be 8 Ω or higher.

The impedance of each speaker must be 8 Ω or higher.

IMPEDANCE SELECTOR switch

(RX-V630RDS)

■ IMPEDANCE SELECTOR switch

WARNING

Do not change setting of the IMPEDANCE SELECTOR switch when the power of this unit is on, this may damage the unit. If this unit fails to turn on when STANDBY/ON (or SYSTEM POWER) is pressed, the IMPEDANCE SELECTOR switch may not be fully slid to either position. If so, slide the switch all the way to either position when this unit is in the standby mode.

Select the switch position (left or right) according to the impedance of the speakers in your system. Be sure to move this switch only when this unit is in the standby mode.

Page 15

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

Before connecting components

CAUTION

Do not connect this unit or other components to the mains power until all connections between the components have been completed.

• Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some components require different connection methods and have different jack names. Refer to the operation instructions for each component to be connected to this unit.

• When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect them to the jack with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.

• After you have completed all connections, check them again to make sure they are correct.

• The name of jack corresponds to input selector.

■ Connecting to digital jacks

This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks to input PCM, Dolby Digital and DTS bitstreams. To enjoy multi-channel sound track of DVD software, etc. with DSP effect, you need to make digital connection. All digital input jacks are acceptable for 96-kHz sampling digital signals.

Note

• The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber optic cable that does not conform to this standard, this unit may not function properly.

DIGITAL OUTPUT

SPEAKERS

MAIN

DIGITAL

INPUT

6CH INPUT

(PLAY)

OUT

(REC)

DVD

D-TV

/CBL

DVD

OUT

VCR 1

VCR 2

/VDR

/CD-R

D-TV /CBL

DVD

OUT

ANT

AM ANT

GND

UNBAL.

OPTICAL

D-TV/CBL

MD/CD-R

OPTICAL

COAXIAL

S VIDEO VIDEO

OUTPUT

S VIDEO

MONITOR OUT

MONITOR

OUT

VIDEO

TUNER

B/CBPR/CR

COMPONENT VIDEO

AUDIOAUDIO

MAIN

CENTER

SUB

WOOFER

SUB

WOOFER

SURROUND

CENTER

REAR

CENTER

REAR CENTER

OUTPUT

–

REAR

(SURROUND)

REAR

(SURROUND)

(RX-V630RDS)

AC OUTLETS (page 19)

6CH INPUT jacks (page 18)

DIGITAL OUTPUT jack (page 16)

OUTPUT jacks (page 18)

DIGITAL INPUT jacks (pages 13-16)

Antenna input terminals (page 17)

Speaker terminals (pages 10-11)

Video component jacks (pages 14-15)

Audio component jacks (page 16)

SUBWOOFER OUTPUT jack (page 11)

Page 16

CONNECTIONS

Connecting video components

Refer to the connection examples on the next page.

■ Types of video jacks

There are three types of video jacks as follows:

1 VIDEO jack

Conventional composite video signal.

2 S VIDEO jack

Transmits color and luminance separately and achives high-quality color reproduction.

3 COMPONENT VIDEO jacks

Transmit color difference (PB/CB, PR/CR) and luminance separately and provide the best quality picture.

• Each type of video jack works independently. Signals input through the composite video, S-video and component jacks are only output through the corresponding composite video, S-video, and component jacks.

• Use a commercially available cable specified for connecting each type of jacks.

•

The description of the component video jacks may differ depending on the component (e.g. Y, C

, CR/Y, PB, PR/Y, B-Y, R-Y etc.). When using these jacks, refer also to the operation instructions for the component being connected.

■ Connecting a video monitor

Connect the video input jack on your video monitor to the MONITOR OUT VIDEO jack.

Note

• If you connect this unit with a source component using S-video (or Component video) jacks, you also need to connect your video monitor using S-video (or Component video) jacks.

■ Connecting a DVD player/digital

TV/cable TV

Connect the optical digital audio signal output jack on your component to the DIGITAL INPUT jack and connect the video signal output jack on the component to the VIDEO jack on this unit. Then connect AUDIO jacks on your component to the AUDIO jacks on this unit.

• If your video component has an S-video output or component video output, connect the S-video signal output jack on the component to the S VIDEO jack or connect the component video signal output jacks on the component to the COMPONENT VIDEO jacks.

• The AUDIO jacks are available for a video component which does not have optical digital output jack. However, multichannel reproduction cannot be obtained with audio signals input from AUDIO jacks.

■ Connecting a game console or

camcorder

Connect the optical digital audio signal output jack on your video component to the OPTICAL jack on the front panel and connect video signal output jack on the component to the VIDEO jack on the front panel.

• If your video component has an S-video output, connect the Svideo signal output jack on the component to the S VIDEO jack.

• The AUDIO jacks are available for a video component such as a camcorder which does not have optical digital output jack.

■ Connecting a VCR or DVR (digital

video recorder)

Connect the audio signal input jacks on your video component to the AUDIO OUT jacks and connect the video signal input jack on the video component to the VIDEO OUT jack on this unit for picture recording. Connect the audio signal output jacks on your component to the AUDIO IN jacks and connect the video signal output jack on the component to the VIDEO IN jack on this unit to play a source from your recording component. Second VCR or digital video recorder can be connected using VCR 2/DVR jacks.

• If your video component has an S-video input, connect the Svideo signal input jack on the component to the S VIDEO OUT jack.

• If your video component has an S-video output, connect the Svideo signal output jack on the component to the S VIDEO IN jack.

Notes

• Once you have connected a recording component to this unit, keep its power turned on while using this unit. If the power is off, this unit may distort the sound from other components.

• S-video and component video signals pass independently through this unit’s video circuit. Make sure to connect this unit to both a source component and a recording component using the video jacks of the same system.

COMPONENT VIDEO

R/CRPB/CB

VIDEOS VIDEO

2 1 3

Page 17

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

DIGITAL OUTPUT

DIGITAL

INPUT

6CH INPUT

(PLAY)

OUT

(REC)

DVD

D-TV /CBL

DVD

OUT

VCR 1

VCR 2

/VDR

/CD-R

D-TV /CBL

OUT

FM ANT

AM ANT

GND

UNBAL.

OPTICAL

D-TV/CBL

MD/CD-R

OPTICAL

COAXIAL

S VIDEO VIDEO

OUTPUT

S VIDEO

MONITOR OUT

MONITOR

OUT

VIDEO

TUNER

YPB/CBPR/CR

COMPONENT VIDEO

AUDIOAUDIO

MAIN

CENTER

SUB

WOOFER

SUB

WOOFER

SURROUND

MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER

MIN. /SPEAKER MIN. /SPEAKER

:4 :8 :6

:6 :6

MAIN A OR B A+B CENTER REAR CENTER

REAR

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

V V

AUDIO OUTPUT

AUDIO INPUT

VIDEO OUTPUT

VIDEO INPUT

VIDEO OUTPUT

OPTICAL OUTPUT

AUDIO OUTPUT

VIDEO OUTPUT

OPTICAL OUTPUT

VIDEO OUTPUT

(RX-V630RDS)

indicates video cables

indicates optical cables

indicates right analog cables

indicates left analog cables

indicates signal direction

Video monitor

VCR 1

DVD player

TV/digital TV/

cable TV

Game console or

camcorder

(RX-V630RDS)

Page 18

CONNECTIONS

Connecting audio components

■ Connecting a CD player

Connect the coaxial digital output jack on your CD player to the DIGITAL INPUT CD jack.

• The AUDIO jacks are available for a CD player which does not have coaxial digital output jack.

■ Connecting a CD recorder or MD

recorder

Connect the optical digital signal input jack on your CD recorder or MD recorder to the DIGITAL OUTPUT MD/ CD-R jack for digital recording. Connect the optical digital output jack on your CD recorder or MD recorder to the DIGITAL INPUT MD/ CD-R jack to play a source from your recording component.

DIGITAL

OUTPUT

DIGITAL

INPUT

6CH INPUT

(PLAY)

OUT (REC)

DVD

OUT

VCR 1

VCR 2

/VDR

/CD-R

TUNER

D-TV /CBL

OUT

OPTICAL

D-TV/CBL

MD/CD-R

OPTICAL

COAXIAL

S VIDEO VIDEO

OUTPUT

S VIDEO

MONITOR OUT

VIDEO

VIDEOAUDIO

MAIN

CENTER

SUB

WOOFER

SUB

WOOFER

SURROUND

AUDIO

OPTICAL INPUT

OPTICAL OUTPUT

AUDIO OUTPUT

COAXIAL OUTPUT

DSP-AX630SE

(DSP-AX630SE)

indicates signal direction

CD player

CD recorder or

MD recorder

• The AUDIO jacks are available for an CD recorder or MD recorder which does not have optical digital input or output jack.

Notes

• Once you have connected a recording component to this unit, keep its power turned on while using this unit. If the power is off, this unit may distort the sound from other components.

• DIGITAL OUTPUT jack and analog OUT (REC) jacks are independent. Only digital signals are output from DIGITAL OUTPUT jack and analog signals from OUT (REC) jacks.

■

DSP-AX630SE

Connecting a tuner

Connect the output jacks on your tuner to the TUNER jacks.

indicates optical cables

indicates coaxial cables

Tuner

indicates right analog cables

indicates left analog cables

Page 19

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

D-TV

/CBL

DVD

ANT

GND

UNBAL.

VIDEO

OUT

MONI

VIDEO

TUNER

Ground (GND terminal)

For maximum safety and minimum interference, connect the antenna GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

Indoor FM antenna (included)

AM loop antenna

(included)

Connecting the antennas

RX-V630RDS

11 (7/16)

8 (5/16) 6 (1/14)

■ Connecting the AM loop antenna

1 Set up the AM loop antenna, then connect it.

2 Press and hold the tab to insert the AM loop

antenna lead wires into the AM ANT and GND terminals.

3 Orient the AM loop antenna for the best

reception.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.

A properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may improve the quality. Consult the nearest authorized YAMAHA dealer or service center about the outdoor antennas.

Open the cover of the included 75-ohm/300-ohm antenna adapter.

Cut the external sleeve of the 75-ohm coaxial cable and prepare it for connection.

Cut the lead wire and remove it.

Insert the cable wire into the slot, and clamp it with pliers.

Snap the cover into place.

Unit: mm (inch)

Lead wire

Clamp with pliers.

Insert the wire into the slot.

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength.

Connect each antenna correctly to the designated terminals.

75-ohm/300-ohm antenna adapter (U.K. model)

Page 20

CONNECTIONS

234

MAIN

CENTER

REAR

CENTER

OUTPUT

REAR

(SURROUND)

OUTPUT

SUB

WOOFER

Connecting an external amplifier

If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the OUTPUT jacks as follows.

Note

• When RCA pin plugs are connected to the OUTPUT jacks for output to an external amplifier, signals are output from the SPEAKERS terminals as well.

1 SUBWOOFER jack

Notes

• The cut-off frequency of the SUBWOOFER jack is 90 Hz.

• If you do not use a subwoofer, designate the signals to the main left and right speakers by changing the settings of SPEAKER SET item “1E BASS” on the SET MENU.

2 MAIN jacks

Main channel line output jacks.

Note

• The signals output through these jacks are affected by the BASS and TREBLE settings.

3 REAR CENTER jack

Rear center channel line output jack.

4 CENTER jack

Center channel line output jack.

5 REAR (SURROUND) jacks

Rear channel line output jacks.

Connecting an external decoder

This unit is equipped with 6 additional input jacks (MAIN left and right, CENTER, SURROUND left and right, and SUBWOOFER) for discrete multi-channel input from an external decoder, sound processor, or pre-amplifier.

Connect the output jacks on your external decoder to the 6CH INPUT jacks. Be sure to match the left and right outputs to the left and right input jacks for the main and surround channels.

Notes

• When you select 6CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you cannot listen to DSP programs.

• When you select 6CH INPUT as the input source, settings of “1 SPEAKER SET” on the SET MENU do not apply (except for “1F MAIN Lv”).

Page 21

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

Connecting the power supply cords

SWITCHED

100W MAX. TOTAL

AC OUTLETS

■ Connecting the AC power cord

Plug in this unit to the wall outlet.

■ AC OUTLETS (SWITCHED)

U.S.A., Canada, China, Europe, Singapore and

General models ..............................................2 OUTLETS

U.K. and Australia model ................................1 OUTLET

Use these outlets to connect the power cords from your components to this unit. The power to the AC OUTLETS is controlled by this unit’s STANDBY/ON (or SYSTEM POWER and STANDBY). These outlets will supply power to any source component connected to this unit whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLETS varies depending on the area which it was purchasing.

China and General models ......................................... 50 W

Other models ........................................................... 100 W

Turning on the power

When all connections are complete, turn on the power of this unit.

1 Press STANDBY/ON (SYSTEM POWER on

the remote control) to turn on the power of this unit.

The level of the main volume, and then the current DSP program name appear on the front panel display.

2 Turn on the video monitor connected to this

unit.

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

–+ –+

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR1/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

STANDBY

/ON

POWER

SYSTEM

Remote control

Front panel

(Europe model)

Page 22

Item

1A CENTER

1B MAIN

1C REAR LR

1D REAR CT

1E BASS

1F MAIN Lv

Description

Sets center speaker availability and size.

Sets main speaker size.

Sets rear L/R speakers availability and size.

Sets rear center speaker availability and size.

Sets the speaker(s) to be used to output low bass signals.

Sets the main speaker level.

Possible settings (default setting indicated in bold)

LRG/SML/NON

LARGE/SMALL

LRG/SML/NON

SWFR/MAIN/BOTH

Nrm (Normal)/–10 dB

SPEAKER MODE SETTINGS

This unit has 6 SPEAKER SET items on the SET MENU that you must set according to the number of speakers in your configuration and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings as well as other possible settings.

If the initial settings shown in the following table are not appropriate for your speaker configuration, see “1 SPEAKER SET” on pages 43-45 to change the settings.

Summary of SPEAKER SET items 1A through 1F

Page 23

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

Using the test tone

Use the test tone to balance the output levels of the speakers. The adjustment of each speaker output level should be made at your listening position using the remote control.

1 Press AMP.

2 Press TEST to output the

test tone.

3 Adjust the volume of this unit so you can

hear the test tone.

The test tone is heard (in order) from the main left speaker, center speaker, main right speaker, rear right speaker, rear center, rear left speaker, and the subwoofer. The tone is produced for 2.5 seconds from each speaker.

This section explains how to adjust speaker output levels using the test tone generator. When this adjustment is complete, the output level heard at the listening position should be the same from each speaker. This is important for best performance of the digital sound field processor, and the various decoders (Dolby Digital, Dolby Pro Logic, Dolby Pro Logic

and DTS).

Note

• Since this unit cannot enter the test mode while headphones are connected to this unit, be sure to unplug the headphones from the PHONES jack when using the test tone.

Before you begin

1 Press SPEAKERS A or B

to select the main speakers to be used.

If you are using two sets of the main speakers, press both A and B.

2 Set the BASS and TREBLE controls on the

front panel to the center position.

TEST

RETURN

AMP

BASS

–

TREBLE

–

SET MENU

TV INPUTTV MUTE

A/B/C/D/E

VOLUME

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

AMP

VCR 1 VCR2/DVR

–+–

–

TV CHTV VOL

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

SELECT

PRESET/CH

2,5

1 3

SPEAKERS

ADJUSTING SPEAKER OUTPUT LEVELS

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

VOLUME

–

VOLUME

Remote controlFront panel

Page 24

ADJUSTING SPEAKER OUTPUT LEVELS

4 Adjust the level of the

effect speakers using j / i so that it matches the level of the main speakers.

While adjusting, the test tone is heard from the selected speaker.

Note

• To adjust the level of the main speakers, use VOLUME knob (or VOLUME +/– on the remote control).

5 When adjustment is

complete, press TEST to stop the test tone.

Notes

• If “1A CENTER” on the SET MENU is set to NON, the center channel sound is automatically output from the main left and right speakers.

• If “1C REAR LR” on the SET MENU is set to NON, the output level of the rear left, right and center speakers cannot be adjusted in step 4. The test tone will be circulated skipping the rear left and right speakers and the rear center speaker.

• If “1D REAR CT” on the SET MENU is set to NON, the output level of the rear center speaker cannot be adjusted in step 4. The test tone will be circulated skipping the rear center speaker.

• If “1E BASS” on the SET MENU is set to MAIN, the test tone will be circulated skipping the subwoofer.

• It is not necessary to readjust the speaker levels once they are set (as long as you do not change the speakers). You can enjoy listening to or watching the input source at the desired volume simply by adjusting the VOLUME knob (or VOLUME +/– on the remote control).

• If the output level of the effect speakers (center, rear left, rear right, and rear center) cannot be increased enough to match the level of the main speakers, set “1F MAIN Lv” on SET MENU to –10 dB (see page 45). This setting decreases the main speaker output level to about one-third of the normal level. After you have set “1F MAIN Lv” on the SET MENU to –10 dB, adjust the levels for the center and rear speakers again.

* Subwoofer test tone is output after the rear left

speaker (LEFT SURROUND).

The front panel display shows which speaker is outputting the test tone.

Note

• If the test tone cannot be heard, turn down the volume, set this unit to standby mode and check the speaker connections.

SELECT

PRESET/CH

–

LEFT SURROUND RIGHT SURROUND

CENTER

REAR CENTER

RIGHT

LEFT

*SUBWOOFER

TEST

RETURN

Page 25

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

1 Press STANDBY/ON (SYSTEM POWER on

the remote control) to turn on the power.

2 Turn on the video monitor connected to this

unit.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you are using two sets of main speakers, press both A and B.

4 Press INPUT l / h repeatedly (one of the

input selector buttons on the remote control) to select the input source.

The selected input source name and input mode appear on the front panel display for a few seconds.

To select the audio source connected to the 6CH INPUT jacks

(When combining with a video source)

• You need to select the input to which the video source component is connected before selecting audio source.

Press 6CH INPUT until “6CH INPUT” appears on the front panel display.

Note

• If “6CH INPUT” is shown on the front panel display, no other

source can be played. To select another input source, first press 6CH INPUT to turn off “6CH INPUT” from the front panel display.

INPUT

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

STEREO

EFFECT

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

V-AUX

D-TV/CBL

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

464

STANDBY

/ON

POWER

SYSTEM

SPEAKERS

Remote control

Front panel

Selected input source

6CH INPUT

Remote controlFront panel

Page 26

BASIC PLAYBACK

5 Start playback or select a broadcast station

on the source component.

Refer to the operation instructions for the component.

6 Adjust the volume to the desired level.

The volume level is displayed digitally.

Example: –70 dB Control range: VOLUME MUTE (minimum) to

0 dB (maximum) The volume level indicator also shows the current volume level as a bar graph. If desired, use BASS and TREBLE. These controls only effect the sound from the main speakers.

Notes

• If you increase or decrease the high-frequency or the lowfrequency sound to an extreme level, the tonal quality from the center and rear speakers may not match that of the main left and right speakers.

• If you have connected a recording component to the VCR 1 OUT, VCR 2/DVR OUT, or MD/CD-R OUT jacks, and you notice distortion or low volume during playback of other components, try turning the recording component on.

7 Select a DSP program if desired.

Use PROGRAM l / h (DSP program buttons on the remote control) to select a DSP program. See pages 29 to 33 for details about DSP programs. When using the remote control, press AMP before selecting a DSP program.

V-AUX

D-TV/CBL

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

VOLUME

–

VOLUME

BASS

–

TREBLE

–

Front panel

Remote control

■ BGV (background video) function

The BGV function allows you to enjoy video images from a video source together with sounds from an audio source. For example, you can enjoy listening to classical music while having beautiful scenery from a video source on the video monitor.

Select a source from the video group, then select a source from the audio group using the input selector buttons on the remote control. BGV selections cannot be made with INPUT l / h on the front panel.

■ To mute the sound

1 Press MUTE on the

remote control.

To resume the audio output, press MUTE again.

• You can also cancel mute by pressing VOLUME +/–, etc.

• During muting, the “MUTE” indicator flashes on the front panel display.

■ When you have finished using

this unit

1 Press STANDBY/ON (STANDBY on the

remote control) to set this unit in the standby mode.

PROGRAM

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Front panel Remote control

STANDBY

/ON

STANDBY

Front panel

Remote control

MUTE

Page 27

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

Input modes and indications

This unit comes with a variety input jacks. You can select the type of input signals you desire.

Each time you turn on the power of this unit, the input mode is set according to “8 INPUT MODE” setting on the SET MENU (see page 47 for details).

1 Press INPUT MODE (the input selector

button that you have pressed to select the input source on the remote control) repeatedly until the desired input mode is shown on the front panel display.

AUTO: In this mode, the input signal is selected

automatically as follows:

1) Digital signal

2) Analog signal

DTS: In this mode, only the digital input signal

encoded with DTS is selected, even if another signal is input at the same time.

ANALOG: In this mode, only the analog input signal is

selected, even if a digital signal is input at the same time.

Notes

• When AUTO is selected, this unit automatically determines the type of signal. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting.

• When playing a disc encoded with Dolby Digital or DTS on some LD or DVD players, the sound output delays for a moment when playback resumes after a search because the digital signal is selected again.

• When playing a LD source that has not been digitally recorded, the sound may not be output for some LD players. In this case, set the input mode to ANALOG.

INPUT MODE

DVD AUTO

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

V-AUX

D-TV/CBL

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

Remote controlFront panel

Input mode

■ Notes on 96-kHz sampling digital signals

The digital input jacks of this unit can handle 96-kHz sampling digital signals. Note the following when 96-kHz sampling digital signal is input to this unit: – DSP programs cannot be selected. – Sound will be output as 2-channel stereo from only the

main left and right speakers. (There may be sound output from the subwoofer depending on the SPEAKER MODE settings on the SET MENU.) Therefore, the level of the effect speakers cannot be adjusted while listening to such a source.

■ Notes on playing DTS-CD/LDs

• If the digital output data of the player has been

processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player.

• If you play a source encoded with a DTS signal and

set the input mode to ANALOG, this unit may reproduce the noise of an unprocessed DTS signal. In this case, connect the source to a digital input jack and set the input mode to AUTO or DTS.

• If you switch the input mode to ANALOG while

playing a source encoded with a DTS signal, this unit reproduces no sound.

• If you play a source encoded with a DTS signal with

the input mode set to AUTO; – This unit automatically switches to the DTS-

decoding mode (The “t” indicator lights up) after having detected the DTS signal. When playback of the DTS source is completed, the “t” indicator may flash. While this indicator is flashing, only DTS source can be played. If you want to play a normal PCM source soon, set the input mode back to AUTO.

– When the input mode is set to AUTO and a search or

skip operation is performed during playback of a DTS source, the “t” indicator may flash. If this status continues for longer than 30 seconds, this unit will automatically switch from “DTS-decoding” mode to PCM digital signal input mode. The “t” indicator will turn off.

Page 28

BASIC PLAYBACK

Selecting a sound field program

You can enhance your listening experience by selecting a DSP program. For details about each program, see pages 29 to 33.

1 Press AMP.

2 Press one of the DSP program buttons on

the remote control to select the desired program.

The name of the selected program appears on the front panel display.

AMP

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY /

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

PROGRAM l / h

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

STEREO

EFFECT

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

2,3

3 After selecting the desired program, press

the same button repeatedly to select the desired sub-program if available.

Example: Pressing MOVIE THEATER 1 repeatedly

switches the sub-program between “Sci-Fi” and “Spectacle”.

Notes

• There are 9 programs with sub-programs available with this unit. However, the selection depends on the input signal format and not all sub-programs can be used with all input signal formats.

• The digital sound field processor cannot be used when a source connected to the 6CH INPUT jacks of this unit is selected or when 96-kHz sampling digital signals are input to this unit.

• The acoustics of your listening room affect the DSP program. Minimize the sound reflections in your room to maximize the effect created by the program.

• When you select an input source, this unit automatically selects the last DSP program used with that source.

• When you set this unit in the standby mode, the current source and DSP program are memorized and are automatically selected when you turn on the power again.

• If a Dolby Digital or DTS signal is input when the input mode is set to AUTO, the DSP program (No. 7–9) automatically switches to the appropriate decoding program.

• When a monaural source is being played with PRO LOGIC/ Normal or PRO LOGIC/Enhanced, or PRO LOGIC

Movie, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. (If “1A CENTER” on the SET MENU is set to NON, the center channel sound is output from the main speakers.)

• You can also select DSP program by pressing PROGRAM

l / h on the front panel.

• Select a program based on your listening preference. Program names are just for reference.

DGTLz Sci-Fi

LCR

LFE

DSP

DIGITAL

VOLUME

MOVIE

THTR

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

Sub-program name

Program name

DGTL Spectacle

LCR

LFE

DSP

DIGITAL

VOLUME

MOVIE

THTR

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Program name

Sub-program name

Page 29

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

■ Selecting PRO LOGIC

You can enjoy the 2-channel sources decoded into five or six discrete channels by selecting PRO LOGIC

program No. 9.

1 Select a 2-channel source and start playback

on the source component.

2 Press AMP.

3 Press q/DTS SUR.

The previously selected sub program appears on the front panel display.

PRO LOGIC

DSP

PRO LOGIC

VOLUME

PRO LOGIC

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Remote control

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

PROGRAM l / h

AMP

4 Press SELECT repeatedly to select the

decoder; PRO LOGIC or PRO LOGIC

5 After selecting on the decoder (PRO LOGIC

), select the mode appropriate for the

source by pressing q/DTS SUR.

The selection switches as follow; PRO LOGIC

Movie ↔ PRO LOGIC Music

• You can select PRO LOGIC, PRO LOGIC

Movie, and PRO

LOGIC

Music by pressing PROGRAM l / h on the front

panel repeatedly.

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

STEREO

EFFECT

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

3,4,5

Page 30

BASIC PLAYBACK

■ Playing Dolby Digital Surround EX or DTS ES software

Press EX/ES to turn on the Dolby Digital EX or DTS-ES compatible decoder.

The display changes AUTO → Matrix6.1 → OFF each time the EX/ES button is pressed.

AUTO: This mode automatically switches Dolby

Digital EX and DTS-ES compatible depending on the signal. Rear center speaker does not work for 5.1 channel sources.

Matrix6.1: This setting produces 6-channel playback of

the input source using the Dolby Digital EX or DTS-ES compatible decoder. The rear center speaker can be used when playing a

5.1-channel source.

OFF: Rear center speaker does not work in this

setting. (Except for when the DSP program “6ch” is selected.)

Notes

• No sound will be output from the rear center speaker if you

have set “1C REAR LR” or “1D REAR CT” on the SET MENU to NON.

• The setting becomes AUTO once this unit turns into standby

mode.

• Some Dolby Digital Surround EX or DTS ES software may not

contain the signal that is necessary for this unit to switch to the Dolby Digital EX or DTS-ES compatible decoding mode. To turn on the decoder when playing such a source, select “Matrix6.1”.

■ Virtual CINEMA DSP

With Virtual CINEMA DSP, you can enjoy all DSP programs without rear speakers. It creates virtual speakers to reproduce a natural sound field. You can listen to virtual CINEMA DSP by setting “1C REAR LR” in the SET MENU to NON. Sound field processing changes to VIRTUAL CINEMA DSP automatically.

Note

• This unit is not set in the virtual CINEMA DSP mode even if

“1C REAR LR” is set to NON in the following cases: – when the 6ch Stereo, DOLBY DIGITAL Normal, Pro Logic

Normal, Pro Logic

, or DTS Normal program is selected; – when the sound effect is turned off; – when 6CH INPUT is selected as the input source; – when 96-kHz sampling digital signals are input to this unit; – when using the test tone; or – when connecting the headphones.

STEREO

EFFECT

ENTER

STEREO

EFFECT

Front panel

Remote control

SELECT

PRESET/CH

–

■ SILENT CINEMA DSP

You can enjoy a powerful sound field similar to what you could expert from actual speakers with SILENT CINEMA DSP. You can listen to SILENT CINEMA DSP by connecting your headphones to the PHONES jack while the digital sound field processor is on. Enjoy all the DSP program using the headphones. The “SILENT” indicator lights up on the front panel display. (When sound effects are off, you listen to the source with normal stereo reproduction.)

Notes

• This feature is not available when 6CH INPUT is selected or 96-kHz sampling digital signals are input to this unit.

• The sound of LFE channel will be mixed and output from the headphone.

■ Normal stereo reproduction

1 Press STEREO to turn off the sound effect

for normal stereo reproduction.

Press STEREO again to turn the sound effect back on.

Notes

• If you turn off the sound effects, no sound is output from the center speaker, rear speakers, or rear center speaker.

• If you turn off the sound effects while a Dolby Digital or DTS signal is being output, the dynamic range of the signal is automatically compressed and the sounds of the center and rear speaker channels are mixed and output from the main speakers.

• The volume may be greatly reduced when you turn off the sound effects or if you set “4 D. RANGE” on the SET MENU to MIN. In this case turn on the sound effect.

• The sound of LFE channel will be directed to the main left and right or the subwoofer (or both) channels depending on the setting of “1E BASS” on the SET MENU.

During stereo reproduction, you can display information such as the type, format and sampling frequency of the signal input from the components connected to this unit.

(While playing a source)

1 Press AMP. 2 Press d to display the information about the

input signal.

EX/ES

+10

The MATRIX indicator lights up.

Spectacle EX

DSP

MATRIX

DIGITAL

MOVIE

THTR

VCR

V-AUX

DVD

TUNER

D-TV/CBL

MD/CD-R

VCR2/DVR

Page 31

BASIC

OPERATION

English

INTRODUCTION PREPARATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

DIGITAL SOUND FIELD PROCESSING (DSP)

Understanding sound fields

A sound field is defined as the “characteristic sound reflections of a particular space.” In concert halls and other music venues, we hear early reflections and reverberations as well as the direct sound produced by the artist(s). The variations in the early reflections and other reverberations among the different music venues is what gives each venue its special and recognizable sound quality. YAMAHA sent teams of sound engineers all around the world to measure the sound reflections of famous concert halls and music venues, and collect detailed sound field information such as the direction, strength, range, and delay time of those reflections. Then we stored this enormous amount of data in the ROM chips of this unit.

■ Recreating a sound field

Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound field. YAMAHA’s DSP requires four effect speakers to recreate sound fields based on the measured sound field data. The processor controls the strength and delay time of the signals output from the four effect speakers to localize the virtual sound sources and fully encompass the listener.

Hi-Fi DSP programs

No.

Program

CONCERT HALL

JAZZ CLUB

ROCK CONCERT

ENTERTAINMENT/ Disco

ENTERTAINMENT/ 6ch Stereo

Features

A large round concert hall with a rich surround effect. Pronounced reflections from all directions emphasize the extension of sounds. The sound field has a great deal of presence, and your virtual seat is near the center, close to the stage.

This is the sound field at stage front in “The Bottom Line”, a famous New York jazz club, that seats up to 300 people. Its wide left to right seating arrangement offers a real and vibrant sound.

The ideal program for lively, dynamic rock music. The data for this program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of the hall.

This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.

Using this program increases the listening position range. This is a sound field suitable for background music at parties, etc.

Page 32

CINEMA-DSP

Sound design of CINEMA-DSP

Filmmakers intend for the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen. CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS, Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide a surround sound field. It recreates comprehensive movie sound design in your audio room. In CINEMA-DSP sound field programs, YAMAHA’s exclusive DSP processing is added to the Main left and right, and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth transition between sound sources, and a surround sound field that goes beyond the screen. When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound field program for that signal.

L SURROUND SOUND FIELD

R SURROUND SOUND FIELD

PRESENCE SOUND FIELD

DIALOG

EFFECT MUSIC

In addition to the DSP, this unit is equipped with a variety of precise decoders; Dolby Pro Logic decoder for Dolby Surround sources, Dolby Pro Logic

decoder for Dolby Surround and 2-channel sources, Dolby Digital/DTS decoder for multi-channel sources and Dolby Digital EX or DTS-ES compatible decoder for adding a rear center channel. You can select CINEMA-DSP programs to optimize these decoders and the DSP sound patterns depending on the input source.

Page 33

English

INTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CINEMA-DSP

The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without using matrix processing. This unit’s MOVIE THEATER programs provide the same quality of sound and sound localization that 6-channel soundtracks do. The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your home. With this unit’s MOVIE THEATER programs, you can use Dolby Digital or DTS technology to recreate a dynamic sound that gives you the feeling of being in a public theater.

■ Dolby Digital/DTS + DSP sound field effect

These programs use YAMAHA’s tri-field DSP processing on each of the Dolby Digital or DTS signals for the front, left surround, and right surround channels. This processing enables this unit to reproduce the immense sound field and surround expression of a Dolby Digitalor DTS-equipped movie theater without sacrificing the clear separation of all channels.

■ Dolby Digital EX/DTS-ES compatible + DSP sound field effect

These programs provide you with the maximum experience of the spacious surround effects by adding an extra rear center DSP sound field created from the rear center channel.

■ Dolby Pro Logic + DSP sound field effect

Most movie software has 4-channel (left, center, right, and surround) sound information encoded by Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend to be lost in the encoding and decoding processes.

■ Dolby Pro Logic

Dolby Pro Logic decodes Dolby Surround software into 5 discrete full-range channels (3 channels in front and 2 channels in rear). There are 2 modes; MOVIE for movies and MUSIC for 2-channel audio sources.

Surround DSP sound field

Right surround DSP sound field

Presence DSP sound field

Left surround DSP sound field

Presence DSP sound field

Page 34

CINEMA-DSP

CINEMA-DSP programs

■ For movie programs: No. 7 to 9

This unit automatically chooses the appropriate decoder and DSP sound field pattern according to the input signal format.

Table of Program Names for Each Input Format

MOVIE THEATER 1

MOVIE THEATER 2

DOLBY DIGITAL

DTS DIGITAL SUR

PRO LOGIC

2 channel

Stereo

70 mm Spectacle

70 mm Sci-Fi

70 mm Adventure

70 mm General

—

Normal

Enhanced

Movie

Music

DOLBY DIGITAL

DGTL Spectacle

DGTL Sci-Fi

DGTL Adventure

DGTL General

Normal

Enhanced

—

5.1 channel

DTS

DTS Spectacle

DTS Sci-Fi

DTS Adventure

DTS General

—

Normal

Enhanced

—

DTS-ES

compatible

Spectacle ES

Sci-Fi ES

Adventure ES

General ES

—

DTS-ES

Enhanced ES

—

6.1 channel *

Input

Program

DOLBY DIGITAL

Spectacle EX

Sci-Fi EX

Adventure EX

General EX

Dolby D EX

Enhanced EX

—

* means the Dolby Digital EX decoder or the DTS-ES compatible decoder is ON.

• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will automatically switch to

the Dolby Digital playback sound field or DTS playback sound field.

• If Dolby Digital Surround EX software or DTS ES software is played when AUTO is selected by pressing the EX/ES button on the

remote control, the Dolby Digital EX or DTS-ES compatible decoder usually turns on and the corresponding DSP program is selected.

• EX/ES on the remote control can be used to play Dolby Digital or DTS 5.1 channel sources with the rear center speaker. In this case

the program name changes to the corresponding name for 6.1 channel.

• When playing a 6.1 channel source with the Dolby Digital EX decoder or the DTS-ES compatible decoder turned off, the program

name changes to the corresponding name for 5.1 channel.

Notes

• The “ ” indicator does not light up when selecting program No. 9 except in Enhanced mode.

• When playing a monaural source with a CINEMA DSP program, the source signal is directed to the center channel, main and rear

speakers output effect sounds.

No.

Page 35

English

INTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CINEMA-DSP

Program

Enhanced Mode

No.

Program

ENTERTAINMENT/ Game

ENTERTAINMENT/ Concert Video

TV SPORTS

MONO MOVIE

Features

This program adds a deep and spatial feeling to video game sounds.

This program adds a deep and spatial feeling to concert video sounds.

With this program, you can enjoy watching various TV programs such as news, variety shows, music programs or sports programs. In a stereo broadcast of a sports game, the commentator is oriented at the center position, and the shouts and the atmosphere in the stadium spread on the surround side, while their spread to the rear is properly restrained.

This program is provided for reproducing monaural video sources (such as old movies). The program produces the optimum reverberation to create sound depth by using only the presence sound field.

■ For audio-video sources: No. 4 to 6

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. Select the DSP program that you feel sounds best regardless of the name and description given for it below.

No.

Features

This program creates the extremely wide sound field of a 70-mm movie theater. It precisely reproduces the source sound in detail, making both the video and the sound field incredibly real. This is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions).

This program clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques.

This program is ideal for precisely reproducing the sound design of the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible.

This program is for reproducing sounds from 70-mm and multichannel soundtrack films, and is characterized by a soft and extensive sound field. The presence sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining the echo effect of conversations without losing clarity.

This program ideally simulates the multi-surround speaker systems of the 35-mm film theaters. Dolby Pro Logic decoding, Dolby Digital decoding or DTS decoding and digital sound field processing create precise effects without altering the original sound orientation. The surround effects produced by this sound field wrap around the viewer naturally from the back to the left and right, and toward the screen.

MOVIE THEATER 1

MOVIE THEATER 2

Spectacle

Sci-Fi

Adventure

General

Page 36

TUNING

4 Press PRESET/TUNING l / h once to begin

automatic tuning.

Press h to tune in to a higher frequency, or press l to tune in to a lower frequency.

When tuned in to a station, the “TUNED” indicator lights up and the frequency of the received station is shown on the front panel display.

• Use the manual tuning method if the tuning search does not stop at the desired station because the signal is weak.

■ Manual tuning

If the signal from the station you want to select is weak, you must tune in to it manually.

1 Select TUNER and the reception band

following steps 1 and 2 described in “Automatic tuning” at left.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator goes off from the front panel display.

If the colon (:) appears on the front panel display, press PRESET/TUNING (EDIT) to turn it off.

3 Press PRESET/TUNING l / h to tune in to

the desired station manually.

Hold down the button to continue the tuning search.

Note

• Manually tuning in to an FM station will automatically change the reception mode to monaural to increase the signal quality.

Automatic and manual tuning

There are 2 ways to tune; automatic and manual. Automatic tuning is effective when station signals are strong and there is no interference.

■ Automatic tuning

1 Press INPUT l / h (TUNER on the remote

control) to select TUNER as the input source.

2 Press FM/AM to select the reception band.

“FM” or “AM” appears on the front panel display.

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the front panel display.

If the colon (:) appears on the front panel display, press PRESET/TUNING (EDIT) to turn it off.

INPUT

PRESET/TUNING

4233

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

FM/AM

AUTO/MAN'L MONO

TUNING MODE

AUTO

Lights up

EDIT

PRESET/TUNING

POWER

SLEEP

STANDBY

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

Front panel

Remote control

AUTO/MAN'L MONO

TUNING MODE

AUTO

Goes off

EDIT

PRESET/TUNING

A AM 144O

TUNED

VCR

V-AUX

DVD

TUNER

D-TV/CBL

MD/CD-R

DVR

A AM 144O

TUNED

VCR

V-AUX

DVD

TUNER

D-TV/CBL

MD/CD-R

DVR

A AM 144O

TUNED

VCR

V-AUX

DVD

TUNER

D-TV/CBL

MD/CD-R

DVR

Page 37

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

Presetting stations

■ Automatically presetting stations (for FM stations)

You can use the automatic preset tuning feature to store FM stations. This function enables this unit to automatically tune in to FM stations with strong signals, and to store up to 40 (8 stations x 5 groups) of those stations in order. This feature enables you to easily tune in to any preset station by selecting the preset station number (see page 37).

1 Press FM/AM to select the FM band.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the front panel display.

3 Press and hold MEMORY (MAN’L/AUTO FM)

for more than 3 seconds.

The preset number and the “MEMORY” and “AUTO” indicators flash. Then, after about 5 seconds, automatic preset tuning begins from the frequency currently displayed toward the higher frequencies.

When automatic preset tuning is completed, the front panel display shows the frequency of the last preset station.

AUTO/MAN'L MONO

TUNING MODE

MEMORY

MAN'L/AUTO FM

AUTO

A1:FM

MEMORY

AUTO

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

Lights up

Notes

• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.

• When a station data is stored under a preset number, the frequency and reception band are also stored.

• You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “Manually presetting stations” on page 36.

• If the number of the received stations does not reach E8, automatic preset tuning has automatically stopped after searching all stations.

• Only FM stations with sufficient signal strength are stored automatically by automatic preset tuning. If the station you want to store is weak in signal strength, tune in to it manually in the monaural mode, and store it by following the procedure in “Manually presetting stations” on page 36.

Automatic preset tuning options

You can select the preset number from which this unit will store FM stations and/or begin tuning toward lower frequencies. After pressing MEMORY in step 3:

1. Press A/B/C/D/E and PRESET/TUNING l / h to

select the preset number under which the first station will be stored. Automatic preset tuning will stop when stations have all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn off the colon

(:) and then press PRESET/TUNING l to begin tuning toward lower frequencies.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the preset stations may be cleared. If so, store the stations again.

FM/AM

Page 38

TUNING

■ Manually presetting stations

You can also store up to 40 stations (8 stations x 5 groups) manually.

1 Tune in to a station.

See page 34 for tuning instructions.

When tuned in to a station, the front panel display shows the frequency of received station.

2 Press MEMORY (MAN’L/AUTO FM).

The “MEMORY” indicator flashes for about 5 seconds.

3 Press A/B/C/D/E repeatedly to select a preset

station group (A to E) while the “MEMORY” indicator is flashing.

The group letter appears and make sure that the colon (:) appears on the front panel display.

MEMORY

MAN'L/AUTO FM

MEMORY

A/B/C/D/E

C :AM 63O kHz

TUNED

MEMORY

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

4 3 2,5

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

Shows the displayed station has been stored as C3.

Flashes

4 Press PRESET/TUNING l / h to select a

preset station number (1 to 8) while the “MEMORY” indicator is flashing.

Press h to select a higher preset station number. Press l to select a lower preset station number.

5 Press MEMORY (MAN’L/AUTO FM) on the

front panel while the “MEMORY” indicator is flashing.

The station band and frequency appear on the front panel display with the preset group and number you have selected.

6 Repeat steps 1 to 5 to store other stations.

Notes

• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.

• The reception mode (stereo or monaural) is stored along with the station frequency.

A AM 63O kHz

TUNED

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

PRESET/TUNING

C3:AM 63O kHz

TUNED

MEMORY

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

MEMORY

MAN'L/AUTO FM

C3:AM 63O kHz

TUNED

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

Page 39

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

Exchanging preset stations

You can exchange the assignment of two preset stations. The example below describes the procedure for exchanging preset station “E1” with “A5”.

1 Tune in to preset station “E1” by using the

A/B/C/D/E and PRESET/TUNING l / h.

See “Tuning in to a preset station” at left.

2 Press and hold PRESET/TUNING (EDIT) for

more than 3 seconds.

“E1” and the “MEMORY” indicator flash on the front panel display.

3 Tune in to preset station “A5” by using the

A/B/C/D/E and PRESET/TUNING l / h.

“A5” and the “MEMORY” indicator flash on the front panel display.

4 Press PRESET/TUNING (EDIT) again.

The stations stored at the two preset assignments are exchanged.

Tuning in to a preset station

You can tune any desired station simply by selecting the preset station number under which it was stored.

1 Press A/B/C/D/E (A/B/C/D/E on the remote

control) to select the preset station group.

The preset group letter appears on the front panel display and changes each time you press A/B/C/D/E.

2 Press PRESET/TUNING l / h (PRESET

u / d on the remote control) to select a

preset station number (1 to 8).

The preset group and number appear on the front panel display along with the station band, frequency and the “TUNED” indicator lights up.

EDIT

PRESET/TUNING

SELECT

PRESET/CH

–

PRESET/TUNING

A/B/C/D/E

SET MENU

A/B/C/D/E

A5:FM 9O.6 MHz

TUNED

MEMORY

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

EDIT E1-A5

MEMORY

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

Shows the exchange of stations has been completed.

Front panel

Remote control

Front panel

Remote control

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

1 2

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

EFFECT

RETURN

DISPLAY

TITLE

–

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

2,41,3 1,3

EDIT

PRESET/TUNING

E1:FM 87.5 MHz

TUNED

MEMORY

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

E1:FM 87.5 MHz

TUNED

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

Page 40

Description of RDS data

This unit can receive, PS, PTY, RT, CT, and EON data when receiving RDS broadcasting stations.

■ PS (Program Service name) mode:

The name of the RDS station being received is displayed.

■ PTY (Program Type) mode:

There are 15 program types to classify RDS stations.

■ RT (Radio Text) mode:

Information about the program (such as the title of the song, name of the singer, etc.) on the RDS station being received is displayed by a maximum of 64 alphanumeric characters, including the umlaut symbol. If other characters are used for RT data, they are displayed with under-bars.

■ CT (Clock Time) mode:

The current time is displayed and updated every minute. If the data are accidentally cut off, “CT WAIT” may appear.

■ EON (Enhanced Other Networks):

Refer to following page.

Changing the RDS mode

The four modes are available in this unit for displaying RDS data. When an RDS station is being received, PS, PTY, RT and/or CT mode indicators that correspond to the RDS data services offered by the station light up on the front panel display. Press RDS MODE/FREQ repeatedly to change the display mode among the RDS data offered by the transmitting station in the order shown below.

Notes

• When an RDS station is being received, do not press RDS MODE/FREQ until one or more RDS mode indicators light up on the front panel display. If you press the button before the indicators light up on the front panel display, the mode cannot be changed. This is because this unit has not yet received all of the RDS data on the station.

• RDS data not offered by the station cannot be selected.

• The RDS data service cannot be utilized by this unit if the received signal is not strong enough. In particular, the RT mode requires a large amount of data to be received, so it is possible that the RT mode may not be displayed even if other RDS modes (PS, PTY, etc.) are displayed.

• RDS data cannot sometimes be received under poor reception conditions. If so, press TUNING MODE so that the “AUTO” indicator goes off from the front panel display. Although the reception mode is changed to monaural by this operation, when you change the display to RDS mode, RDS data may be displayed.

• If the signal strength is weakened by external interference during the reception of an RDS station, the RDS data service may be cut off suddenly and “...WAIT” will appear on the front panel display.

PS mode

RDS mode

OFF

CT mode

RT mode

PTY mode

NEWS

AFFAIRS

INFO

SPORT

EDUCATE

DRAMA

CULTURE

SCIENCE

VARIED

POP M

ROCK M

M.O.R. M

LIGHT M

CLASSICS

OTHER M

News

Current affairs

General information

Sports

Education

Drama

Culture

Science

Light entertainment

Pops

Rock

Middle-of-the-road music

(easy-listening)

Light classics

Serious classics

Other music

RDS MODE/FREQ

EON

RECEIVING RDS STATIONS

RDS (Radio Data System) is a data transmission system by FM stations in many countries.

RDS data contains various information such as PS (Program Service name), PTY (Program Type), RT (Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc. The RDS function is carried out among the network stations.

Page 41

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

RECEIVING RDS STATIONS

PTY SEEK function

If you select the desired program type, this unit automatically searches all preset RDS stations that are broadcasting a program of the required type.

1 Press PTY SEEK MODE to set this unit in the

PTY SEEK mode.

The program type of the station being received or “NEWS” flashes on the front panel display.

2 Press PRESET/TUNING l / h to select the

desired program type.

The selected program type appears on the front panel display.

3 Press PTY SEEK START to begin searching

all preset RDS stations.

The selected program type flashes and the “PTY HOLD” indicator lights up on the front panel display while searching for stations.

• If a station that is broadcasting a program of the required type is found, this unit stops at that station.

• If the called station is not the desired one, press PTY SEEK START again. This unit begins searching for another station that is broadcasting a program of the same type.

■ To cancel this function

Press PTY SEEK MODE twice.

PTY SEEK

MODE

START

EON function

This function uses the EON data service on the RDS station network. If you simply select the desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches for all preset RDS stations that are scheduled to broadcast a program of the required type and switches from the station being currently received to the new station when the broadcasts starts.

Note

• This function can only be used when an RDS station that offers the EON data service is being received. When such a station is being received, the “EON” indicator lights up on the front panel display.

1 Make sure that the “EON” indicator lights up

on the front panel display.

If the “EON” indicator does not light up, tune in to another RDS station so that the “EON” indicator lights up.

2 Press EON repeatedly to select the desired

program type (NEWS, INFO, AFFAIRS or SPORT).

The selected program type name appears on the front panel display.

• If a preset RDS station of the selected program type starts broadcasting, this unit will automatically switch from the program being currently received to that program. (EON indicator flashes.)

• When broadcasting of the required program ends, the previously received station (or another program on the same station) is recalled.

■ To cancel this function

Press EON repeatedly until no program type name lights up on the front panel display.

PTY SEEK

MODE

START

RDS MODE/FREQ

EON

Flashes

Lights up

PRESET/TUNING

PTY HOLD

Page 42

Use this feature to automatically set this unit in the standby mode after the amount of time you have set. The sleep timer is useful when you are going to sleep while this unit is playing or recording a source. The sleep timer also automatically turns off the external component(s) connected to AC OUTLET(S).

The sleep timer can only be set with the remote control.

• By connecting a commercially available timer to this unit, you can also set a wake-up timer. Refer to the operation instructions of the timer.

Setting the sleep timer

1 Select a source and start playback on the

source component.

2 Press SLEEP repeatedly

to set the amount of time.

Each time you press SLEEP, the front panel display changes as shown below.

SLEEP

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

SLEEP 12Omin

DSP

PCM

SLEEP

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

CONCERT HALL

DSP

PCM

SLEEP

VOLUME

VCR

V-AUX

DVD

TUNER CD

D-TV/CBL

MD/CD-R

VCR2/DVR

SLEEP TIMER

3 The “SLEEP” indicator lights up on the front

panel display soon after the sleep timer has been set.

The display then returns to the previous indication.

Canceling the sleep timer

1 Press SLEEP repeatedly until “SLEEP OFF”

appears on the front panel display.

After a few seconds, “SLEEP OFF” disappears, the “SLEEP” indicator goes off and the display returns to the previous indication.

• The sleep timer setting can also be canceled by setting this unit in the standby mode by using STANDBY on the remote control (or STANDBY/ON on the front panel) or by disconnecting the AC power cord from the AC outlet.

Page 43

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

INPUT

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

SLEEP

6CH INPUT

V-AUX

D-TV/CBL

AMP

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

Front panel Remote control

RECORDING

Notes

• Do a test recording before you start an actual recording.

• When this unit is set in the standby mode, you cannot record between the components connected to this unit.

• The setting of BASS, TREBLE, VOLUME, “5 L/R BALANCE” on the SET MENU and DSP programs does not effect the recorded material.

• A source connected to the 6CH INPUT jacks on this unit cannot be recorded.

• A given input source is not output to the same OUT (REC) channel. (For example, the signal input from VCR 1 IN is not output to VCR 1 OUT.)

• Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws.

If you playback a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.

■ Special considerations when

recording DTS software

The DTS signal is a digital bitstream. Attempting to digitally record the DTS bitstream will result in noise being recorded. Therefore, if you want to use this unit to record sources that have DTS signals recorded on them, the following considerations and adjustments need to be made.

For LDs, DVDs and CDs encoded with DTS, when your player is compatible with the DTS format, follow its operation instruction to make a setting so that the analog signal will be output from the player.

■ Timer playback/recording

This unit can perform playback or recording with an external timer (not supplied). Refer to the operating instructions for the component and the timer to be used.

Notes

• Stored data, such as input source, will be reflected when playback or recording with the timer.

• If you do not want any sound output when recording with a timer, turn the volume down.

Memory back-up

The memory back-up circuit prevents the stored data (input source, volume level, set menu settings and so on) from being lost even if this unit is disconnected from the AC outlet. However, if the timer is turned off for more than one week, the stored data will be lost.

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

PRESET/TUNING

A/B/C/D/E

BASS

– + – +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

MEMORY

FM/AM

EDIT

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

TUNING MODE

VOLUME

INPUT

INPUT M0DE

6CH INPUT

Recording adjustments and other operations are performed from the recording components. Refer to the operation instructions for these components.

1 Turn on the power of this unit and all

connected component.

2 Select the source component you want to

record from.

3 Start playback (or select a broadcast station)

on the source component.

4 Start recording on the recording component.

Page 44

SELECT

PRESET/CH

–

Adjusting the items on the SET MENU

■ On the remote control

Note

• Some items require extra steps.

1 Press AMP.

2 Press SET MENU to enter

the SET MENU.

3 Press u/d repeatedly to

select the item you want to adjust (1 to 10).

• By pressing SET MENU repeatedly, you can select items in the

same order as when pressing d.

4 Press j / i once to enter

the setup mode of the selected item.

The last setting you adjusted appears on the front panel display.

Depending on the item, press u/d to select a sub item.

AMP

SET MENU

ADVANCED OPERATION

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

TV INPUTTV MUTE

A/B/C/D/E

AUDIO

VOLUME

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

AMP

VCR 1 VCR2/DVR

–+–

–

TV CHTV VOL

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

3,6

4,5

The SET MENU consists of 10 items including the speaker mode setting. Choose the appropriate item and adjust or select the values as necessary.

• You can adjust the items on the SET MENU while playing a source.

Items Initial settings

1 SPEAKER SET

A CENTER LRG (large) B MAIN LARGE C REAR LR LRG (large) D REAR CT LRG (large) E BASS BOTH F MAIN Lv Nrm (Normal)

2 LFE LEVEL SP/HP 0 dB

3 SP DLY TIME

CENTER 0 ms REAR CNTR 3 ms

4 D. RANGE SP/HP MAX

5 L/R BALANCE 0 dB for L/R

HP TONE CTRL BASS/TRBL

0 dB

7 I/O ASSIGN

A (component video input) [A] DVD

[B] D-TV/CBL

B (optical output) (1) MD/CDR

C (optical input) (2) MD/CDR

(3) DVD (4) D-TV/CBL

D (coaxial input) (5) CD

8 INPUT MODE AUTO

9 DISPLAY SET

DIMMER 0

10 MEM. GUARD OFF

• In the descriptions for each item from the following page, the default setting is indicated in bold.

SET MENU

A/B/C/D/E

SELECT

PRESET/CH

–

SELECT

PRESET/CH

–

Page 45

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

5 Press j / i repeatedly to

change the setting of the item.

6 Press u/d repeatedly until the menu

disappears or simply press one of the DSP program group buttons to exit SET MENU.

SELECT

PRESET/CH

–

SELECT

PRESET/CH

–

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

1 SPEAKER SET (speaker mode

settings)

Use this feature to select suitable output modes for your speaker configuration.

Notes

• When 96-kHz sampling digital signals are input to this unit, some items are not affected.

• When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1E are not affected.

■ 1A CENTER (center speaker

mode)

By adding a center speaker to your speaker configuration, this unit can provide better dialog localization for several listeners and superior synchronization of sound and images.

Choices: LRG (large), SML (small), NON (none)

LRG

Select this if you have a large center speaker. The entire range of the center channel signal is directed to the center speaker.

SML

Select this if you have a small center speaker. The lowfrequency signals (90 Hz and below) of the center channel are directed to the speakers selected with “1E BASS”.

NON

Select this if you do not have a center speaker. All of the center channel signal are directed to the main left and right speakers.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, adjust the items again.

■

DSP-AX630SE

On the front panel

1 Press NEXT to enter the

SET MENU.

2 Press NEXT repeatedly to

select the item you want to adjust.

3 Press SET MENU –/+

repeatedly to change the setting.

4 Press NEXT repeatedly until the menu

disappears or simply press PROGRAM l / h to exit the SET MENU.

3 1,2,4

NATURAL SOUND AV RECEIVER

SPEAKERS

SILENT

PHONES

STANDBY

STEREO

EFFECT

PROGRAM

SET MENU

BASS

– +

TREBLE

VIDEO AUX

S VIDEO VIDEO AUDIO OPTICALLR

VOLUME

INPUT

INPUT M0DE

6CH INPUT

PROGRAM

SET MENU– +

Page 46

SET MENU

■ 1B MAIN (main speaker mode)

Choices: LARGE, SMALL

LARGE

Select this if you have large main speakers. The entire range of the main left and right channel signal is directed to the main left and right speakers.

SMALL

Select this if you have small main speakers. The lowfrequency signals (90 Hz and below) of the main channel are directed to the speakers selected with “1E BASS”.

■ 1C REAR LR (rear speaker mode)

Choices: LRG (large), SML (small), NON (none)

LRG

Select this if you have large rear left and right speakers or if a rear subwoofer is connected to the rear speakers. The entire range of the rear channel signal is directed to the rear left and right speakers.

SML

Select this if you have small rear left and right speakers. The low-frequency signals (90 Hz and below) of the rear channel are directed to the speakers selected with “1E BASS”.

NON

Select this if you do not have rear speakers.

• This unit is set in the virtual CINEMA DSP mode when you select NON for “1C REAR LR”. In this case, the rear center speaker will automatically be set to “NON” and the “1D REAR CT” item will be skipped.

■ 1D REAR CT (rear center speaker mode)

By adding a rear center speaker to your speaker configuration, this unit can provide more realistic frontto-back and transitions.

Choices: LRG (large), SML (small), NON (none)

LRG

Select this if you have a large rear center speaker. The entire range of the rear center channel signal is directed to the rear center speaker.

SML

Select this if you have a small rear center speaker. The low-frequency signals (90 Hz and below) of the rear center channel are directed to the speakers selected with “1E BASS”.

NON

Select this if you do not have a rear center speaker. All of the rear center channel signal are directed to the rear left and right speakers.

■ 1E BASS (LFE/bass out mode)

LFE signals carry low-frequency effects when this unit decodes a Dolby Digital or DTS signal. Low-frequency signals are defined as 90 Hz and below. The Lowfrequency signals can be directed to both main left and right speakers, and the subwoofer (subwoofer can be used for both stereo reproduction and the DSP program).

Choices: SWFR (subwoofer), MAIN, BOTH

SWFR

Select this if you use a subwoofer. The LFE signals are directed to the subwoofer.

MAIN

Select this if you do not use a subwoofer. The LFE signals are directed to the main speakers.

BOTH

The LFE signals are directed to the subwoofer. Lowfrequency signals designated to the main channels in accordance with other speaker mode settings are directed to both main speakers and a subwoofer.

Note

• When you select MAIN for “1E BASS”, the low-frequency

signals (90 Hz and below) of the main channel are directed to the main speakers even if you select SMALL for the main speaker mode.

Page 47

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

3 SP DLY TIME (speaker delay

time)

Use this feature to adjust the delay of the center and the rear center channel sounds. This feature works when there is sound output from the center speakers, with a source like Dolby Digital or DTS, etc. Ideally, the center speaker and the rear center speaker should be the same distance from the main listening position as the left and right speakers. However, in most home situations, the center speaker or the rear center speaker are placed in line with the main speakers or the rear speakers. By delaying the sound from the center speaker and the rear center speaker, the apparent distance from the center speaker and the rear center speaker to the main listening position can be adjusted to make it seem the same as the distance between the main left and right speaker, and the rear left and right speakers to the listening position. Adjusting the delay time for the center speaker is especially important for giving depth to the dialogue.

Control range:

CENTER .......................... 0 to 5 ms

REAR CNTR (center) ...... 0 to 30 ms

Initial setting:

CENTER .......................... 0 ms

REAR CNTR (center) ...... 3 ms

1 Press j / i to increase or decrease the delay

of the center and the rear center channel sounds.

Center speaker image

• Increasing the delay by 1 ms simulates moving the speakers about 30 cm (one foot) farther away from the listening position.

■ 1F MAIN Lv (main level mode)

Change this setting if you cannot match the output level of the center, rear (L/R), and rear center speakers with the main speakers because of unusually high-efficiency performance from the main speakers.

Choices: Nrm (Normal), –10 dB

Nrm

Select this if you can match the output level of your effect speakers with that of your main speakers when using the test tone.

–10 dB

Select this if you cannot match the output level of your effect speakers with that of your main speakers when using the test tone.

2 LFE LEVEL

Use this feature to adjust the output level of the LFE (low-frequency effect) channel when playing back a Dolby Digital or DTS signal. The LFE signal carries the low-frequency special effect sound which is only added to certain scenes.

Control range:

SPEAKER ............ –20 to 0 dB

HEADPHONE ..... –20 to 0 dB

Initial setting: 0 dB

1 Press d/u to select the item to be adjusted.

2 Press j to adjust the LFE level.

Note

• Adjust the LFE level according to the capacity of your subwoofer or headphones.

Page 48

SET MENU

7 I/O ASSIGN (input/output

assignment)

It is possible to assign jacks according to the component to be used if this unit’s COMPONENT VIDEO input jack or DIGITAL INPUT/OUTPUT jack settings (component names for jacks) differ from that component. This makes it possible to change the jack assignment and effectively connect more components. Once you assign, you can select that component with INPUT l / h (or the input selector buttons on the remote control).

■ 7A CMPNT-V INPUT for COMPONENT VIDEO INPUT jacks [A] and [B]

Choices: [A] DVD, V-AUX, VCR 2/DVR, VCR 1,

D-TV/CBL

[B] DVD, V-AUX, VCR 2/DVR, VCR 1,

D-TV/CBL

■ 7B OPTICAL OUT for OPTICAL OUTPUT jack (1)

Choices: (1) MD/CD-R, (

DSP-AX630SE

TUNER), CD, V-AUX, VCR 2/DVR, VCR 1, D-TV/CBL, DVD

■ 7C OPTICAL IN for OPTICAL INPUT jacks (2) to (4)

Choices: (2) MD/CD-R, (

DSP-AX630SE

TUNER), CD, VCR 2/DVR, VCR 1, D-TV/ CBL, DVD

(3) MD/CD-R, (

DSP-AX630SE

TUNER),

CD, VCR 2/DVR, VCR 1, D-TV/ CBL, DVD

(4) MD/CD-R, (

DSP-AX630SE

TUNER),

CD, VCR 2/DVR, VCR 1, D-TV/ CBL, DVD

■ 7D COAXIAL IN for COAXIAL INPUT jack (5)

Choices: (5) MD/CD-R, (

DSP-AX630SE

TUNER),

CD, V-AUX, VCR 2/DVR, VCR 1, DTV/CBL, DVD

Notes

• You cannot select an item more than once for the same type of

jack.

• When you connect a component to both the COAXIAL and

OPTICAL jacks, priority is given to the input signals from the COAXIAL jack.

4 D. RANGE (dynamic range)

Use this feature to adjust the dynamic range. This setting is effective only when this unit is decoding Dolby Digital signals.

Choices: MAX, STD (standard), MIN (minimum)

MAX

Select the “MAX” for feature films.

STD

Select the “STD” for general use.

MIN

Select the “MIN” for listening to sources at low volume levels.

5 L/R BALANCE (balance of the

main left and right speakers)

Use this feature to adjust the balance of the output level from the main left and right speakers.

Control range: 20 steps for L/R Initial setting: 0 dB for L/R

1 Press i to decrease the output level for the

main left speaker. Press j for the main right speaker.

6 HP TONE CTRL (headphone tone

control)

Use this feature to adjust the level of the bass and treble when you use your headphones.

Control range (dB):

BASS ............... –6 to +3

TRBL (treble) .. –6 to +3

Initial setting:

BASS ............... 0 dB

TRBL............... 0 dB

Page 49

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

8 INPUT MODE (initial input

mode)

Use this feature to designate the input mode for sources connected to the DIGITAL INPUT jacks when you turn on this unit (see page 25 for details about the input mode).

Choices: AUTO, LAST

AUTO

Select this to allow this unit to automatically detect the type of input signal and select the appropriate input mode.

LAST

Select this to set this unit to automatically select the last input mode used for the respective source.

9 DISPLAY SET

■ DIMMER

You can adjust the brightness of the front panel display.

Control range: –4 to 0 Initial setting: 0

10 MEM. GUARD (memory guard)

Use this feature to prevent accidental changes to settings on this unit.

Choices: ON, OFF

Select ON to protect the following features:

• All SET MENU items

• Center, rear speakers, rear center, and subwoofer levels

• DSP program parameters

Notes

• When this item is set to ON, you cannot use the test tone.

• When this item is set to ON, you cannot select any other SET

MENU items.

Page 50

REMOTE CONTROL FEATURES

In addition to controlling this unit, the remote control can operate other A/V components made by YAMAHA and other manufacturers. To control other components, you must set up the remote control with the manufacturer codes.

Control area

■ Controlling this unit

The shaded areas below can be used to control this unit when the AMP mode is selected. Press AMP to select the AMP mode.

■ Controlling other component

The shaded areas below can be used to control other components. Each button has a different function depending on the selected components. Select the component to be controlled by pressing an input selector button.

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

TV INPUTTV MUTE

A/B/C/D/E

AUDIO

VOLUME

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

–

TV CHTV VOL

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Å button and input selector buttons switch the control area for each component. * Å button is to operate the other components that are not connected to this unit. Factory setting: Å...VCR

Component control area

You can control up to 9 different components. You can set up manufacturer code and program other remote control functions for each component (see page 50).

Å button and input selector buttons

The buttons in the dotted lines (SYSTEM POWER, STANDBY, SLEEP, 6CH INPUT, VOLUME +/– and MUTE) function in any mode.

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

–

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

TV INPUTTV MUTE

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

–

TV CHTV VOL

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Press AMP to control this unit.

Page 51

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

3 Press the numeric buttons to enter the four

digit manufacturer’s code for the component to be used.

Refer to “LIST OF MANUFACTURER’S CODES” at the end of this manual.

The TRANSMIT indicator flashes twice.

Notes

• If the manufacturer of your component has more than one

code, try each of them until you find the correct one.

• If you wait for more than 30 seconds during step 3, the setup

process is canceled. If this happens, start over from step 2.

Setting the manufacturer code

You can control other components by setting a manufacturer code. Codes can be set for each of the 9 component controls.

The following table shows factory-set component (Library: component category) and the manufacturer code for each component control.

1 Press an input selector button or Å to select

the component you want to set up.

2 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator flashes twice.

SLEEP

6CH INPUT

V-AUX

D-TV/CBL

AMP

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

CODE SET

Component

control

(buttons)

MD/CD-R

TUNER

DVD

D-TV/CBL

V-AUX

VCR 1

VCR 2/DVR

Component category

(Library)

TUNER

DVD

–

Manufacturer

YAMAHA

–

TRANSMIT

STEREO

EFFECT

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

Code

0005

0024

0003

0098

–

Clearing setup manufacturer codes

■ Clearing setup manufacturer code for the component control

1 Press an input selector button or Å to select

the component control for which you want to clear the manufacturer code.

2 Press CODE SET by using a ballpoint pen or

similar object.

The TRANSMIT indicator flashes twice.

Note

• If you do not press any button within 30 seconds after step 2,

the clearing process is canceled. If this happens, start over from step 1.

3 Enter the code number “0000”.

The TRANSMIT indicator flashes twice, and the manufacturer code for the selected component is cleared.

• You can clear all setup manufacturer codes at once by entering

the code number “9990”.

POWER

SLEEP

STANDBY

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

CODE SET

TRANSMIT

Page 52

REMOTE CONTROL FEATURES

Controlling other components

DVD player VCR TV, digital/cable TV CD player CD/MD recorder Tuner

1 AV POWER *1Power *1Power *3VCR power *1Power *1Power *1Power 2 TV POWER *2TV power *2TV power *2TV power *2TV power *2TV power *2TV power 3 TV CH + *2TV channel up *2TV channel up TV channel up *2TV channel up *2TV channel up *2TV channel up

TV CH – *2TV channel down

*2TV channel down TV channel down

*2TV channel down

4 TV VOL + *2TV volume up *2TV volume up TV volume up *2TV volume up *2TV volume up *2TV volume up

TV VOL – *2TV volume down

*2TV volume down TV volume down

*2TV volume down

5 TV MUTE *2TV mute *2TV mute TV mute *2TV mute *2TV mute *2TV mute 6 TV INPUT *2TV input *2TV input TV input *2TV input *2TV input *2TV input 7 1-9, 0, +10

Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Preset stations (1-8)

8 TITLE Title 9 PRESET/CH u Up VCR channel up Preset up

PRESET/CH d Down

VCR channel down

Preset down

PRESET/CH j Left

PRESET/CH i Right

SELECT Select

0 RETURN Return q

REC/DISC SKIP

Disc skip Rec *3VCR rec Disc skip Rec (MD)

w Play Play *

VCR play Play Play

Search backward Search backward

*3VCR search backward

Search backward Search backward

r Search forward Search forward *

VCR search forward

Search forward Search forward

AUDIO Audio

d Pause Pause *

VCR pause Pause Pause

t Skip backward Skip backward Skip backward

y Skip forward Skip forward Skip forward

a Stop Stop *

VCR stop Stop Stop

w ENTER Title/Index Enter Enter Index Index e MENU Menu A/B/C/D/E r DISPLAY Display Display Display

You can operate other components when you have set the manufacturer code for your component. Note, however, that some buttons may not operate your component. Once you select an input source, the remote control switches to the mode for operating the component.

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

1 2

3 4

5 6

*1This button functions only when the original remote control of the component has POWER button. *2These buttons can operate your TV without switching the input if the manufacturer code is set in D-TV/CBL. *3These buttons can operate your VCR without switching the input to VCR if the manufacturer code is set in VCR.

Page 53

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

You can adjust the output level of each effect speaker (center, rear left and right, rear center and subwoofer) while listening to a source.

Adjustment should be made with the remote control.

1 Press AMP.

(While playing a source)

2 Press LEVEL repeatedly to select the

speaker(s) you want to adjust.

Each time you press LEVEL, the selected speaker changes and appears on the front panel display as follows: center, rear right, rear center, rear left and subwoofer.

LEVEL

TITLE

AMP

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

SELECT

PRESET/CH

–

SELECT

PRESET/CH

–

LEVEL

TITLE

ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS

• Once you press LEVEL, you can also select the speaker(s) to

be adjusted by pressing d / u.

Center speaker output level

Subwoofer output level

Rear left speaker output level

Rear right speaker output level

3 Press j / i to adjust the speaker output level.

• The control range for the center or rear left and

right speakers is from +10 dB to –10 dB.

• The control range for the subwoofer is from 0 dB

to –20 dB.

Notes

• When the speaker output modes for “1A CENTER” and “1C

REAR LR” are set to NON, and “1E BASS” to MAIN, the output level of those speakers cannot be adjusted because there is no sound coming from these speakers.

• When you adjust the output level with LEVEL, the settings you

made with the test tone will be changed.

• We recommend adjusting the speakers by following the steps

described in “Using the test tone” on pages 21 and 22.

■ For 6ch Stereo

You can adjust the volume level for each channel in 6channel stereo mode.

Control range: 0 to 100%

• CT level (Center level)

• RL level (Rear left level)

• RR level (Rear right level)

• RC level (Rear center level)

1 Select 6ch Stereo. 2 Press u / d repeatedly to select the

speaker(s) you want to adjust.

3 Press j / i to adjust the speaker output level.

Memory back-up

Rear center speaker output level

Page 54

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs.

The following table shows factory-set delay time.

AMP

SELECT

PRESET/CH

–

ADJUSTING THE DELAY TIME

Adjustment should be made with the remote control.

1 Press AMP.

(While playing a source)

2 Select a DSP program you want to adjust the

delay time.

3 Press u / d so that “DELAY” appears on the

front panel display.

4 Press j / i to adjust the delay time.

Notes

• Adding too much delay will cause an unnatural effect with some sources.

• The sound is momentarily interrupted while adjusting the delay time.

Memory back-up

Program

Preset value (ms)

1. CONCERT HALL 45

2. JAZZ CLUB 30

3. ROCK CONCERT 15

4. DISCO 26

GAME 36 CONCERT VIDEO 21

5. TV SPORTS 10

6. MONO MOVIE 69

7. 70 mm SPECTACLE 23

DGTL SPECTACLE 15

DTS SPECTACLE 15 Spectacle EX/ES 15

70 mm SCI-FI 20

Sci-Fi EX/ES 15 DGTL SCI-FI 15

DTS SCI-FI 15

8. 70 mm ADVENTURE 20 DGTL ADVENTURE 15

DTS ADVENTURE 15

Adventure EX/ES 15 70 mm GENERAL 20

DGTL GENERAL 15

DTS GENERAL 15 General EX/ES 15

9. PRO LOGIC/NORMAL 15

DOLBY DIGITAL/NORMAL 5 DTS DIGITAL SUR./NORMAL 5

Dolby D EX/DTS ES 5

PRO LOGIC/ENHANCED 20 DOLBY DIGITAL/ENHANCED 5

DTS DIGITAL SUR./ENHANCED 5

Enhanced EX/ES 5 PRO LOGIC Movie 15

PRO LOGIC Music 5

DELAY

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

3 4

Page 55

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

Changing parameter settings

You can adjust the values of PRO LOGIC Music parameters so the sound fields are recreated accurately in your listening room.

Adjustments should be made with the remote control.

1 Press AMP.

2 Select PRO LOGIC Music.

3 Press u / d to select the

parameter.

4 Press j / i to change the

parameter value.

5 Repeat steps 3 and 4 above as necessary to

change other parameters.

SELECT

PRESET/CH

–

SELECT

PRESET/CH

–

SELECT

/DTS

SUR.

REC

DISC SKIP

SET MENU

SELECT

PRESET/CH

A/B/C/D/E

AUDIO

LEVEL

TEST

STEREO

EFFECT

RETURN

DISPLAY

TITLE

MUTE

–

HALL

ENTER-

TAINMENT

SPORTS

MONO MOVIE

SELECT

EX/ES

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SUR.

ROCK

CONCERT

JAZZ CLUB

3421

ENTER

+10

678

POWER

SLEEP

CODE SET

STANDBY

TRANSMIT

6CH INPUT

SYSTEM

V-AUX

D-TV/CBL

TV INPUTTV MUTE

VOLUME

MUTE

AMP

POWER POWER

AVTV

VCR 1 VCR2/DVR

DVD

MD/CD-R TUNERCD

+–+

–

TV CHTV VOL

HALL

ENTER-

TAINMENT

ROCK

CONCERT

JAZZ CLUB

3 4

Note

• You cannot change parameter values when “10 MEM. GUARD” on the SET MENU is set to ON.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the parameter value you edited will return to the factory setting. If so, edit the parameter value again.

PRO LOGIC Music parameter descriptions

■ PANORAMA

Function: Turning the function on extends the front

stereo image to include the surround speakers for wraparound effect.

Choices: OFF/ON, initial setting is OFF.

■ DIMENSION

Function: Gradually adjusts the soundfield either

towards the front or towards the rear.

Control range: –3 (towards the rear) to +3 (towards the

front), initial setting is STD (standard).

■ CT WIDTH (Center width)

Function: Adjusts the center image from all three

front speakers to varying degrees. The larger the value, adjusts the center image towards the main left and right speakers.

Control range: 0 (center channel sound is output only

from center speaker) to 7 (center channel sound is output only from main left and right speakers), initial setting is 3.

ADJUSTING THE PARAMETER SETTINGS FOR PRO LOGIC MUSIC

AMP

Page 56

TROUBLESHOOTING

Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the nearest authorized YAMAHA dealer or service center.

■ General

Problem

This unit fails to turn on when STANDBY/ ON (or SYSTEM POWER) is pressed, or enters in the standby mode soon after the power has been turned on.

No sound.

The picture does not appear.

Cause

The power cord is not connected or the plug is not completely inserted.

The IMPEDANCE SELECTOR switch on the rear panel is not fully set to either the left or right position.

The protection circuitry has been activated.

This unit has been exposed to a strong external electric shock (such as lightning and strong static electricity).

Incorrect input or output cable connections.

An appropriate input source has not been selected.

The speaker connections are not secure.

The main speakers to be used have not been selected properly.

The volume is turned down.

The sound is muted.

Digital signals which this unit cannot reproduce are being input to this unit by playing a CD-ROM, etc.

The output and input for the picture are connected to different types of video jacks.

Remedy

Firmly connect the power cord.

Set the switch fully to the left or right position when this unit is in the standby mode.

Make sure all speaker wire connections on this unit and on all speakers are secure and that the wire for each connection does not touch anything other than its respective connection.

Set this unit in the standby mode, disconnect the power cord, plug it back in after 30 seconds, then start operating.

Connect the cables properly. If the problem persists, the cables may be defective.

Select an appropriate input source with INPUT l / h

or 6CH INPUT (or the input selector buttons).

Secure the connections.

Select the main speakers with SPEAKERS A and/or B.

Turn up the volume.

Press MUTE or any operation buttons of this unit to cancel a mute and adjust the volume.

Play a source whose signals this unit can reproduce.

Make connections using the same type of video jacks (S VIDEO, VIDEO (composite), or COMPONENT VIDEO) for both the input and output.

Refer to page

—

10, 11

—

10 – 16

10, 11

—

14, 15

Page 57

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

Problem

The sound suddenly goes off.

Only the speaker on one side can be heard.

No sound from the effect speakers.

No sound from the center speaker.

No sound from the rear speakers.

No sound from the subwoofer.

Poor bass reproduction.

Cause

The protection circuit has been activated because of a short circuit, etc.

The sleep timer has functioned.

The sound is muted.

Incorrect cable connections.

Incorrect setting of “5 L/R BALANCE” on the SET MENU.

The sound effect is off.

A Dolby Surround, Dolby Digital or DTS decoding DSP program is being used with material not encoded with Dolby Surround, Dolby Digital or DTS.

A 96-kHz sampling digital signal is being input to this unit.

The output level of the center speaker is set to minimum.

“1A CENTER” on the SET MENU is set to NON.

One of the Hi-Fi DSP programs (1 to 4) has been selected (except for 6ch Stereo).

The source encoded with a Dolby Digital or DTS signal does not have a center channel signal.

The output level of the rear speakers is set to minimum.

A monaural source is being played with program 9.

“1E BASS” on the SET MENU is set to MAIN when a Dolby Digital or DTS signal is being played.

“1E BASS” on the SET MENU is set to SWFR or MAIN when a 2-channel source is being played.

The source does not contain low bass signals (90 Hz and below).

“1E BASS” on the SET MENU is set to SWFR or BOTH and your system does not include a subwoofer.

The speaker mode settings (main, center, rear, or rear center) on the SET MENU does not match your speaker configuration.

Remedy

Check the IMPEDANCE SELECTOR switch is set to the appropriate position and then turn this unit back on.

Check the speaker wires are not touching each other and then turn this unit back on.

Turn on the power, and play the source again.

Press MUTE or any operation buttons of this unit to cancel a mute and adjust the volume.

Connect the cables properly. If the problem persists, the cables may be defective.

Adjust it to the appropriate position.

Press STEREO/EFFECT to turn it on.

Select another DSP program.

Raise the level of the center speaker.

Select the appropriate mode for your center speaker.

Select another DSP program.

Raise the output level of the rear speakers.

Select another DSP program.

Select SWFR or BOTH.

Select BOTH.

Select MAIN.

Select the appropriate position for each speaker based on the size of the speakers in your configuration.

Refer to page

—

10, 11

26 – 33

—

26 – 33

—

26 – 33

—

43 – 45

Page 58

TROUBLESHOOTING

Problem

No sound from the rear center speaker.

A “humming” sound can be heard.

The volume level cannot be increased, or the sound is distorted.

The sound effect cannot be recorded.

A source cannot be recorded by a digital recording component connected to the DIGITAL OUTPUT jack of this unit.

The sound field parameters and some other settings on this unit cannot be changed.

This unit does not operate properly.

“CHECK SP WIRES” appears on the front panel display.

There is noise interference from digital or high-frequency equipment, or this unit.

This unit suddenly turns into the standby mode.

Cause

“1C REAR LR” or “1D REAR CT” on the SET MENU is set to NON.

The Dolby Digital EX decoder or the DTS-ES compatible decoder is not on.

Incorrect cable connections.

The component connected to the OUT (REC) jacks of this unit is turned off.

It is not possible to record the sound effect by a recording component.

A source component is not connected to the DIGITAL INPUT jacks of this unit.

“10 MEM. GUARD” in the SET MENU is set to ON.

The internal microcomputer has been frozen by an external electric shock (such as lightning or excessive static electricity) or by a power supply with low voltage.

Speaker cables are short circuited.

This unit is too close to the digital or high-frequency equipment.

The internal temperature becomes too high and the overheat protection circuitry has been activated.

Remedy

Select LRG or SML.

Press the EX/ES button on the remote control to turn it on.

Firmly connect the audio plugs. If the problem persists, the cables may be defective.

Turn on the power to the component.

Connect the source component to the DIGITAL INPUT jacks of this unit.

Set “10 MEM. GUARD” in the SET MENU to OFF.

Disconnect the AC power cord from the outlet and then plug it in again after about 30 seconds.

Make sure all speaker cables are connected correctly.

Move this unit further away from such equipment.

Wait until this unit cools down and then turn it back on.

Refer to page

10 – 16

—

Page 59

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

■ Tuner

RX-V630RDS

FM stereo reception is noisy.

There is distortion, and clear reception cannot be obtained even with a good FM antenna.

The desired station cannot be tuned in with the automatic tuning method.

Previously preset stations can no longer be tuned in.

The desired station cannot be tuned in with the automatic tuning method.

There are continuous crackling and hissing noises.

There are buzzing and whining noises (especially in the evening).

Problem

Cause

The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor.

There is multipath interference.

The station is too weak.

This unit has been disconnected for a long period.

The signal is weak or the antenna connections are loose.

Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment.

A TV set is being used nearby.

Remedy

Check the antenna connections. Try using a high-quality directional FM antenna.

Use the manual tuning method.

Adjust the antenna position to eliminate multipath interference.

Use a high-quality directional FM antenna.

Use the manual tuning method.

Re-store the stations.

Tighten the AM loop antenna connections and orient it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise.

Move this unit away from the TV.

Refer to page

—

35, 36

—

■ Remote control

Problem

The remote control does not work nor function properly.

Cause

Wrong distance or angle.

Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.

The batteries are weak.

The manufacture code has not correctly set.

Even if the manufacturer code is correctly set, there are some models that do not respond to the remote control.

Remedy

The remote control will function within a maximum range of 6 m (20 feet) and no more than 30 degrees off-axis from the front panel.

Reposition this unit.

Replace all batteries with new ones.

Set the code correctly.

Try setting another code of the same manufacturer.

Refer to page

—

Page 60

GLOSSARY

■ Dolby Surround

Dolby Surround uses a 4 channel analog recording system to reproduce realistic and dynamic sound effects: 2 main left and right channels (stereo), a center channel for dialog (monaural), and a rear channel for special sound effects (monaural). The rear channel reproduces sound within a narrow frequency range. Dolby Surround is widely used with nearly all video tapes and laser discs, and in many TV and cable broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that automatically stabilizes the volume on each channel to enhance moving sound effects and directionality.

■ Dolby Digital

Dolby Digital is a digital surround sound system that gives you completely independent multi-channel audio. With 3 front channels (left, center, and right), and 2 rear stereo channels, Dolby Digital provides 5 full-range audio channels. With an additional channel especially for bass effects, called LFE (low frequency effect), the system has a total of 5.1 channels (LFE is counted as 0.1 channel). By using 2-channel stereo for the rear speakers, more accurate moving sound effects and surround sound environment are possible than with Dolby Surround. The wide dynamic range (from maximum to minimum volume) reproduced by the 5 full-range channels and the precise sound orientation generated using digital sound processing provide listeners with previously unheard of excitement and realism. With this unit, any sound environment from monaural up to a 5.1-channel configuration can be freely selected for your enjoyment. Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives 3 surround channels from the 2 in the original recording. For the best results, Dolby Digital EX should be used with movie sound tracks recorded with Dolby Digital Surround EX. With this additional channel, you can experience more dynamic and realistic moving sound especially with scenes with “flyover” and “fly-around” effects.

■ Dolby Pro Logic

Dolby Pro Logic is an improved technique used to decode vast numbers of existing Dolby Surround softwares. This new technology enables a discrete 5channel playback with 2 main left and right channels, 1 center channel, and 2 rear left and right channels (instead of only 1 rear channel for conventional Pro Logic technology). A music mode is also available for 2-channel sources in addition to the movie mode.

■ DTS (Digital Theater Systems) Digital Surround

DTS digital surround was developed to replace the analog soundtracks of movies with a 6-channel digital sound track, and is now rapidly gaining popularity in movie theaters around the world. Digital Theater Systems Inc. has developed a home theater system so that you can enjoy the depth of sound and natural spatial representation of DTS digital surround in your home. This system produces practically distortion-free 6-channel sound (technically, a left, right and center channels, 2 rear channels, plus an LFE 0.1 channel as a subwoofer, for a total of 5.1 channels). The unit incorporates DTS-ES compatible decoder that enables 6.1-channel reproduction by adding the rear center channel to existing 5.1-channel format. (The rear center channel is created from rear left and right channels.)

■ LFE 0.1 channel

This channel is for the reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is counted as 0.1 because it only enforces a low frequency range compared to the full-range reproduced by the other 5 channels in a Dolby Digital or DTS 5.1 channel systems.

■ CINEMA DSP

DIGITAL

Since the Dolby Surround and DTS systems were originally designed for use in movie theaters, their effect is best felt in a theater having many speakers and designed for acoustic effects. Since home conditions, such as room size, wall material, number of speakers, and so on, can differ so widely, it’s inevitable that there are differences in the sound heard as well. Based on a wealth of actually measured data, YAMAHA CINEMA DSP uses YAMAHA original sound field technology to combine Dolby Pro Logic, Dolby Digital and DTS systems to provide the visual and audio experience of movie theater in the listening room of your own home.

■ SILENT CINEMA

YAMAHA has developed a natural, realistic sound effect DSP algorithm for headphones. Parameters for headphones have been set for each sound field so that accurate representations of all the sound field programs can be enjoyed using headphones.

Page 61

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

GLOSSARY

■ Virtual CINEMA DSP

YAMAHA has developed a virtual CINEMA DSP algorithm that allows you to enjoy DSP sound field surround effects even without any rear speakers by using virtual rear speakers. It is even possible to enjoy virtual CINEMA DSP using a minimal 2-speaker system that does not include a center speaker.

■ PCM (Linear PCM)

Linear PCM is a signal format under which an analog audio signal is digitized, recorded and transmitted without using any compression. This is used as a method of recording CDs and DVD audio. The PCM system uses a technique for sampling the size of the analog signal per very small unit of time. Standing for “pulse code modulation”, the analog signal is encoded as pulses and then modulated for recording.

■ Sampling frequency and number of quantized bits

When digitizing an analog audio signal, the number of times the signal is sampled per second is called the sampling frequency, while the degree of fineness when converting the sound level into a numeric value is called the number of quantized bits. The range of rates that can be played back is determined based on the sampling rate, while the dynamic range representing the sound level difference is determined by the number of quantized bits. In principle, the higher the sampling frequency, the wider the range of frequencies that can be played back, and the higher the number of quantized bits, the more finely the sound level can be reproduced.

■ S-video signal

With the S-video signal system, the video signal normally transmitted using a pin cable is separated and transmitted as the Y signal for the luminance and the C signal for the chrominance through the S-video cable. Using the S VIDEO jack eliminates video signal transmission loss and allows recording and playback of even more beautiful images.

■ Component video signal

With the component video signal system, the video signal is separated into the Y signal for the luminance and the PB/CB and PR/CR signals for the chrominance. Color can be reproduced more faithfully with this system because each of these signals is independent. The component signal is also called the “color difference signal” because the luminance signal is subtracted from the color signal. A monitor with component input jacks is required in order to use the component signal for output.

Page 62

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Main, Center, Rear, Rear Center

20 Hz to 20 kHz, 0.06% THD, 8 Ω ....................................... 75 W

1 kHz, 0.06% THD, 8 Ω ........................................................ 80 W

• DIN Standard Output Power [Europe model]

1 kHz, 0.7% THD, 4 Ω ........................................................ 125 W

• Maximum Power (EIAJ) [China, Korea and General models]

1 kHz, 10% THD, 8 Ω ......................................................... 110 W

• Dynamic Power (IHF)

8/6/4/2 Ω .......................................................... 90/120/150/190 W

• Damping Factor

20 Hz to 20 kHz, 8 Ω ................................................... 80 or more

• Frequency Response

CD to Main L/R ...................................... 10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion

20 Hz to 20 kHz, 45 W, 8 Ω, Main L/R ................................ 0.06%

• Signal to Noise Ratio (IHF-A Network)

CD (250 mV, shorted) to Main L/R, Effect Off .................. 100 dB

• Residual Noise (IHF-A Network)

Main L/R ................................................................ 150 µV or less

• Channel Separation (1 kHz/10 kHz)

CD (5.1 kΩ terminated) to Main L/R ........................ 60 dB/45 dB

• Tone Control (Main L/R)

BASS Boost/Cut ...................................................... ±10 dB/50 Hz

TREBLE Boost/Cut ............................................... ±10 dB/20 kHz

• Phones Output ............................................................. 0.34 V/560 Ω

• Input Sensitivity

CD, etc ....................................................................150 mV/47 kΩ

6CH INPUT ............................................................ 150 mV/47 kΩ

• Output Level

OUT (REC) ........................................................... 150 mV/1.2 kΩ

OUTPUT MAIN/CENTER/REAR CENTER/

REAR (SURROUND) ............................................ 2.2 V/1.2 kΩ

OUTPUT SUBWOOFER ............................................. 4 V/1.2 kΩ

VIDEO SECTION

• Video Signal Type ...................................................... NTSC or PAL

• Composite Video Signal Level ...................................... 1 Vp-p/75 Ω

• S-Video Signal Level

Y ................................................................................. 1 Vp-p/75 Ω

C ..........................................................................0.286 Vp-p/75 Ω

• Component Video Signal Level

Y ................................................................................. 1 Vp-p/75 Ω

PB/CB, PR/CR............................................................. 0.7 Vp-p/75 Ω

• Signal to Noise Ratio ............................................................... 50 dB

• Frequency Response (MONITOR OUT)

Composite, S-Video ................................. 5 Hz to 10 MHz, –3 dB

Component ................................................. DC to 30 MHz, –3 dB

RX-V630RDS

FM SECTION

• Tuning Range

[U.S.A. and Canada models] ...................... 87.5 to 107.9 MHz

[Other models] ........................................ 87.50 to 108.00 MHz

• 50 dB Quieting Sensitivity (IHF, 100% mod.)

Mono/Stereo .................. 2.0 µV (17.3 dBf) /25 µV (39.2 dBf)

• Selectivity (400 kHz) ......................................................... 70 dB

• Signal to Noise Ratio (IHF)

Mono/Stereo ........................................................ 76 dB/70 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ........................................................... 0.2%/0.3%

• Stereo Separation (1 kHz) ................................................. 45 dB

• Frequency Response ..................... 20 Hz to 15 kHz +0.5, –2 dB

AM SECTION

• Tuning Range ................................... 530/531 to 1710/1611 kHz

• Usable Sensitivity ....................................................... 300 µV/m

GENERAL

• Power Supply

[U.S.A. and Canada models] ............................... AC 120 V/60 Hz

[Australia model] ................................................. AC 240 V/50 Hz

[U.K., Europe and Singapore models] ................ AC 230 V/50 Hz

[Korea model] ..................................................... AC 220 V/60 Hz

[China and General models] ..... AC 110/120/220/240 V, 50/60 Hz

• Power Consumption

[U.S.A. and Canada models] .................................. 290 W/370 VA

[Other models] ..................................................................... 290 W

Standby Mode ......................................................... approx. 0.6 W

• AC Outlets [U.S.A., Canada, Europe and Singapore models]

.......................................................... 2 (Total 100 W maximum)

[China and General models] .................. 2 (Total 50 W maximum)

[U.K. and Australia models] ......................... 1 (100 W maximum)

• Dimension (W x H x D)

.......................... 435 x 161 x 390 mm (17” x 6-7/16” x 15-3/8”)

• Weight ...................................................................... 11.5 kg (25 lbs)

• Accessories ............................................................... Remote control

Batteries

Front VIDEO AUX jack cap

RX-V630RDS

75-ohm/300-ohm antenna adapter (U.K. model)

RX-V630RDS

AM loop antenna

RX-V630RDS

Indoor FM antenna

*Specifications are subject to change without notice.

Page 63

LIST OF MANUFACTURER’S CODES LISTE DES CODES FABRICANTS LISTE DER HERSTELLER-CODES LISTA ÖVER TILLVERKARKODER LISTA DEI CODICI DEL FABBRICANTE LISTA DE CÓDIGOS DE FABRICANTES LIJST MET FABRIKANTENCODES

ADMIRAL 0411, 0451, 0911,

1021, 1081 AIKO 0891 AKAI 0061, 0101, 0231,

1191, 1351, 1591,

1641, 1791, 1891,

1981 AKURA 1331 ALBA 1241, 1331, 2361 ALBIRAL 1971 AMSTRAD 1301, 1511 ANAM 1171 ARC EN CIEL 0571 ARCAM 0571, 0761 ARISTONA 0751 ARTHUR MARTIN 0451, 1641 ASA 0411, 0451, 0521,

0781, 0871, 1021,

1081, 1421, 2051,

2091, 2151, 2551 ASTRA 1511 ATANTIC 0761 ATLANTIC 0761 ATORI 1511 AUDIOSONIC 1181, 1321, 1511 AUSIND 0491, 1411 AUTOVOX 0091, 0351, 0481,

0491, 0601, 0781,

0951, 1051, 1081,

1391, 1421 BAIRD 1101, 1351 BANG & OLUFSEN 1081 BASIC LINE 1321, 1331 BAUER 1451 BAUR 0041, 0061, 0121,

0131, 0221, 1561 BEKO 2491, 2501 BLAUPUNKT 0221, 0231, 0241,

0251, 0471, 0741,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581 BRANDT 0571, 0651, 0731,

0901, 1821 BRIONVEGA 1021, 1051, 1081 BRITANNIA 0761 BRUNS 0821, 0991, 1021,

1081 BSR 0391, 0691, 1621,

1901, 1981 BUSH 0451, 1241, 1331,

1641, 1741, 2131,

2151 BUSH (UK) 0481, 1561, 1611 CANDLE 0791 CENTURY 1021, 1081 CGE 0491, 0811, 0981,

1401, 1531, 1611,

1621, 1981, 2201,

2251, 2271 CITIZEN 0791

CLARIVOX 0821, 0961, 1971 CLATRONIC 1181, 1331 CONCERTO 0791 CONDOR 0761 CONTEC 0151, 1171 CONTINENTAL EDISON

0571, 0651, 0901 CRAIG 1171 CROSLEY 0021, 0491, 1021,

1081, 1401, 1981,

2201, 2251, 2271 CROWN 2541 CTC CLATRONIC 0261 CXC 1171 DAEWOO 0101, 1501, 1511,

2611 DANSAI 0101 DECCA 0271, 0581, 0601,

0971, 1101, 1691 DECCA (UK) 0271, 0581, 0601,

1101, 1681 DEGRAAF 0451, 1351 DIXI 0991, 1511 DOMEOS 0101 DORIC 1031 DUAL 0091, 0601, 1611,

1641, 2101 DUAL-TEC 0601, 1511, 1621,

2111 DUMONT 0261, 0521, 0781,

1021, 1081, 1981,

2121, 2151 DYNATRON 0101 ELBE 1551, 1971, 2031 ELECTRO TECH 1511 ELEKTRONSKA 0771 ELMAN 0261, 1621 ELTA 1511 EMERSON 0921, 1021, 1081,

1121, 1171, 1261,

1301 ERRES 0101 ETRON 1981 EUROPHON 0261, 0581, 0601,

0771, 1091, 1621,

2001 FENNER 0101, 1511 FERGUSON 0281, 0371, 0551,

0651, 0781, 0861,

0881, 1131, 1181,

1361, 1461, 1971,

1991, 2281, 2311,

2341 FIDELITY 0451, 0761, 2281 FIDELITY (UK) 0561, 0591,

1931, 2281 FILMNET 1141 FINLANDIA 0451, 2321 FINLUX 0021, 0261, 0491,

0521, 0781, 0811, 0871, 1081, 1411, 1421, 1981, 2051, 2091, 2121, 2151, 2551

FIRST LINE 1981 FISHER 0021, 0091, 0141,

0511, 0601, 0801, 0821, 0981, 1021,

1081, 1981, 2091 FORGESTONE 2281 FORMENTI 0451, 0491, 0761,

1081, 1451, 1541,

1981 FORMENTI-PHOENIX

0021, 0431, 0451,

0591, 1411 FORTRESS 1081 FRONTECH 0451, 1181, 1981 FUJITSU 1261 FUNAI 0391, 0691, 1171,

1181, 1261 FUTURETECH 1171 GBC 0021, 0141, 1321,

1511, 1621, 1981 GEC 0451, 1101, 1281,

2321 GEC (UK) 0031, 0081, 0581,

0601, 1101, 1281,

1561 GELOSO 0021, 0411, 0451,

1321, 1511, 1621,

1981 GENERAL TECHNIC

2681 GENEXXA 0451, 1331 GOLDSTAR 0591, 0601, 0761,

0791, 1371, 1491, 1511, 1561, 1621, 1641

GOODMANS 0141, 1101, 1371,

1641, 2301 GORENJE 0981, 1061 GRAETZ 0451 GRANADA 0141, 0451, 0491,

0581, 0601, 1101,

1111, 1351, 1981,

2321 GRANADA (UK) 0081, 0141,

0451, 0491, 0581,

0601, 1031, 1311,

1521, 1561, 1641 GRUNDIG 0221, 0231, 0471,

0491, 0711, 0741,

1381, 2021, 2041,

2141, 2151 HANSEATIC 0021, 0121, 0141,

0431, 0591, 1561 HANTAREX 0581 HEMMERMANN 0061 HIFIVOX 0331, 0571 HINARI 0071, 0141, 0451,

1261, 1351, 1511,

1641, 1981, 2011

HITACHI 0001, 0011, 0031,

0081, 0141, 0291, 0331, 0341, 0451, 0601, 0631, 0701, 1281, 1561, 1601, 1821, 1831, 1841, 1861, 1871, 1881, 1891, 1941, 1981, 2051, 2321, 2341

HYPER 0591, 0601, 1511,

1621

IMPERIAL 0451, 0491, 0811,

0981, 1401, 1611, 1621, 2201, 2251,

2271 INGERSOL 1511 INNO HIT 0581, 0601, 0841,

1101, 1331, 1371,

1511, 2011 INNOVATION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2711, 2721,

2761, 2771, 2781 INTERFUNK 0031, 0041, 0061,

0121, 0181, 0451,

0491, 1081, 1641,

1791, 1821, 1981,

2231 IRRADIO 0491, 1321, 1331,

1371, 1411, 1511,

2011 ISUKAI 1331 ITT 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431 ITT-NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431 JVC (VICTOR) 0071, 0721, 1441,

1581, 1591, 1741,

1791 KAISUI 0591, 1321, 1331 KAMOSONIC 0601 KARCHER 0591, 0601, 0841,

1091, 1321, 1511,

1561, 2051 KAWASHO 0761 KENDO 0261 KENNEDY 0021, 0351, 0951,

1981 KONKA 2701 KORTING 0431, 1011, 1021,

1081, 1541

Page 64

KTV 0601, 1171 LENOIR 0601, 1511 LEYEO 1181 LIFETEC 2591, 2601, 2611,

2621, 2641, 2651, 2661, 2671, 2681, 2691, 2711, 2761, 2771, 2781

LOEWE OPTA 0121, 0131, 0581,

0611, 1081 LOGIC 1691, 2281 LOGIK 0551, 1681, 2281 LOWEWE 0831 LUMA 0351, 0451, 1901 LUXMAN 0791 LUXMAN STEREO TUNER

0791 LUXOR 0001, 0061, 0181,

0341, 0421, 0451,

0461, 0491, 0601,

0671, 1351, 1371,

1561, 1601, 1911,

1921, 1981 LYCO 1181 MAGNADYNE 0021, 0061, 0261,

0581, 0641, 0771,

1021, 1081, 1621,

1981 MAGNAFON 0261, 0491, 0581,

0591, 0641, 0761,

1091, 2001 MANESTH 0101 MARANTZ 0101 MARELLI 1081 MARK 0101 MATSUI 0061, 0451, 0601,

0691, 1101, 1151,

1241, 1271, 1301,

1511, 1561, 1681,

1691 MAXIMAL 0071, 1981 MCMICHAEL 1281 MEDION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2721,

2761, 2771, 2781 MEMOREX 1511 METZ 0231, 0741, 1001,

1041, 1081, 1481,

2071, 2081 MGA 1231 MICROMAXX 2591, 2621, 2641,

2651, 2711, 2761,

2771, 2781 MINERVA 0221, 0231, 0491,

1381, 2141, 2151 MISTRAL 2281 MITSUBISHI 0141, 0201, 0231,

0661, 1191, 1201,

1231, 1671, 1691,

1741 MIVAR 0491, 0501, 0581,

0591, 0761, 0771,

1371, 1431, 2031 MTC 0791 MULTITECH 0261, 0581, 0601,

0641, 0981, 1321,

1511 MURPHY 0451, 2091 MURPHY (UK) 0081, 1031 N.E.I. 0101, 0961 NAD 1341 NEC 0141, 1711, 1721,

1731

NECKERMANN 0451, 0601,

0981, 1081, 1561, 1931, 1981, 2211,

2231, 2241 NEDIATOR 0101 NICAMAGIC 0761 NIKKAI 1101, 1331, 1641,

1701, 2011

NOBLIKO 0261, 0491, 0591,

0641, 1381, 1411 NOGAMATIC 0571 NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431, 2461, 2791 NORDMENDE 0031, 0291, 0331,

0451, 0531, 0541,

0571, 1051, 1131,

1591, 1791, 1811,

1821, 1891, 1941,

2631 OCEANIC 0321, 1651, 1981 OCEANIC (F) 0031, 0061, 0321,

0441, 1661 ONCEAS 0601 ONWA 1171 ORION 0061, 0391, 0691,

0851, 1211, 1241,

1251, 1301, 1481,

1511, 1681, 1691,

1981, 2371, 2421 OSAKA 2011 OSAKI 1101, 1331, 2011 OSUME 0151 OTTO VERSAND 0021, 0121,

0141, 0221, 0601,

1561, 1741, 1981 PAEL 0591, 1411 PANASONIC 0031, 0201, 0211,

0451, 0701, 1311,

1751, 1961, 2561,

2741 PANORAMIC 2351 PATHE MARCONI 0571 PATHE’ CINEMA (F) 0431, 0591,

1621, 1661, 1971 PAUSA 1511 PAUZA 1511 PERDIO 0891, 1101 PHILCO 0021, 0491, 0811,

0981, 1021, 1081,

1401, 1611, 1621,

1751, 2201, 2251,

2271, 2451, 2471 PHILIPS 0101, 0361, 0591,

0621, 0681, 0751,

0761, 1021, 1081,

1281, 2031, 2281,

2291, 2431, 2441,

2511, 2731 PHOENIX 1081 PHONOLA 0751, 1081 PIONEER 0291, 0451, 1341,

1821 PRANDONI-PRINCE

0411, 0451,

0491, 0581, 1411 PRANDONI-PROMCE 0451,

0491, 0581

PRIMA 0451 PROFEX 1981 PROTECH 0641, 1181, 1981 QUELLE 0041, 0061, 0121,

0221, 0231, 0391, 0491, 0521, 0601, 0781, 1371, 1381, 1411, 1421, 1641, 1681, 2051, 2091, 2141, 2151, 2201, 2211, 2231, 2241, 2251, 2271, 2551, 2571, 2581

REDIOMARELLI 0101, 0451,

0661, 0771, 1081 RADIONETTE 0031, 2051, 2091 RADIOLA 2291 RANK 0481, 2151 RBM 2131, 2151 RBM (UK) 0481 REDIFFUSION 0451, 0661, 1641,

1981, 2331 REDIFFUSION (UK) 0061, 0081,

1031 REX 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 RFT 0991, 2511 ROADSTAR 1321, 1511 ROTEL 0151 SABA 0291, 0331, 0421,

0451, 0531, 0541,

0571, 0581, 0651,

0731, 0931, 1021,

1071, 1081, 1131,

1791, 1811, 1821,

1891, 1941, 2631 SACCS 1971 SAISHO 0451, 0601, 1161,

1241, 1301, 1511,

1671, 1681, 1691 SALORA 0011, 0041, 0061,

0071, 0341, 0451,

0671, 1291, 1351,

1521, 1561, 1601,

1641, 1911, 1921,

1931, 1981, 2321 SAMBERS 0261, 0491, 0581,

0641, 1091, 1371,

1411, 2001 SAMSUNG 0101, 0601, 0841,

0981, 1101, 1181,

1371, 1511, 2011 SANYO 0141, 0151, 0401,

0601, 0801, 0821,

0981, 1021, 1101,

1111, 1291, 1351,

1691, 1741, 2051,

2091, 2551 SBR 0681, 0751, 1281,

2281 SCHAUB LORENZ 0451 SCHNEIDER 0021, 0071, 0091,

0451, 0511, 0591,

0601, 0751, 1321,

1361, 1621, 1641,

2101, 2111, 2291 SCOTT 1171, 1261 SEG 0261, 0601, 0821,

0991 SEI 0641, 0691, 1081,

1301, 1481, 1981

SELECO 0071, 0101, 0351,

0411, 0451, 0951, 1901, 2061, 2101,

2111 SENTRA 1601 SHARP 0141, 0151, 0191,

1761, 1781 SIAREM 0021, 0261, 0581,

0641, 1021, 1081,

1981 SICATEL 1971 SIEMENS 0151, 0221, 0231,

0451, 0741, 2011,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581 SILVER 1181 SINGER 0021, 0261, 1021,

1081 SINUDYNE 0021, 0061, 0101,

0261, 0391, 0641,

0691, 0851, 0941,

1021, 1081, 1241,

1301, 1321, 1481,

1631, 1981 SKANTIC 0451 SOLAVOX 0451, 1641, 2011 SONOKO 0101, 1181, 1511 SONY 0141, 0171, 1121,

1681, 1691, 2751 SOUNDESIGN 1171 SSS 1171 STERN 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 SUNKAI 0691 SUPRA 0791 TANDBERG 0161, 0331, 0611,

1021, 1421, 1771,

1791, 2081 TANDY 0191, 0451, 1331,

1531 TASHIKO 0141 TATUNG 0271, 0581, 0601,

0971, 1101, 1681,

1691 TCM 2621, 2641, 2711,

2761, 2771, 2781 TECHNICS 1311 TECHWOOD 0791 TEKNIKA 1171, 1231, 1261 TELE 1141 TELEAVIA 0571, 0651, 0731,

1821 TELEFUNKEN 0291, 0301, 0311,

0551, 0731, 1131,

1471, 1591, 1791,

1801, 1811, 1821,

1991, 2161, 2171,

2181, 2191, 2201,

2251, 2271, 2521,

2631 TELETECH 1511 TEMPEST 2381, 2391, 2401,

2411 TENSAI 1331, 2091 TEXET 0601 THOMSON 0331, 0481, 0531,

0571, 0631, 0651,

0731, 0901, 1241,

1571, 1591, 1791,

1811, 1821, 1891,

1941, 2531 THORN 0741, 0861, 2091,

2251, 2271, 2281

Page 65

THORN-FERGUSON 0281, 0371,

0551, 0651, 0781, 0861, 0881, 1131, 1181, 1361, 1461,

1971, 1991, 2281 TMK 0141, 0791, 1471 TOSHIBA 0141, 0381, 0481,

1221, 1271, 1701,

1741, 1851, 2151,

2801, 2811 TRANS CONTINENS

0451 TRISTAR 2281 TRIUMPH 0481, 0581, 2121 UHER 0431, 0451, 0481,

0491, 0511, 1311, 1541

ULTRAVOX 0021, 0261, 0591,

1021, 1081, 1981 UNIVERSUM 1181, 2051 UNIVOX 1971 VEGAVOX 0811 VEXA 0101, 1511 VIDEOTON 2481 VORTEC 0101, 0651 VOXSON 0411, 0451, 0491,

1021, 1081 WALTHAM 0451 WATSON 0431, 2201, 2241 WATT RADIO 0021, 0061, 0261,

0591, 0641, 0761,

1091, 1971, 1981,

2001 WEGA 0141, 1081, 1981 WEGA COLOR 1021 WELTBLICK 0101 WESTON 1621 WHITE WESTINGHOUSE

0101, 0261, 0431,

0591, 0761, 1401,

1541 YOKO 0601, 1511 ZANUSSI 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 ZOPPAS 0451

CABLE TV

CABLETIME 1446, 1456, 1476 CLYDE CABLEVISION

1426 FILMNET 1396, 1436 FRANCE TELECOM 1386 GEC 1426 JERROLD 1416 MOVIE TIME 1466 NSC 1466 PHILIPS 1386 PIONEER 0006 SAMSUNG 1496 SCIENTIFIC ATLANTA

1486, 1506 STARCOM 1416 STS 1466 TANDBERG 1366 TELE 1436 TELE +1 1436 TELESERVICE 1406, 1476 TUDI 1376 UNITED CABLE 1416 ZENITH 1406

SATELLITE TUNER

AKAI 1276 ALBA 0826, 1276 AMSTRAD 0166, 0796, 1016,

1026, 1296 ANKARO 0476 AST 0406 ASTRA 0126 BARCOM 0476 BLAUPUNKT 0966 BMC SATELLITE 0106 BRITISH TELECOM 1276 BUSH 0826 BUSH (UK) 0956 CAMBRIDGE 0196, 1276 CANAL PLUS (FRANCE)

1536 CHAPARRAL 0016, 0696, 1006 COLUMBUS 0616 CONNEXIONS 0306, 0426 DISCUS ELIPSE 0856, 0866 DISKXPRESS 0426, 0476 DRAKE 1516 ECHOSTAR 0226, 0236, 0606,

0626, 0666, 0926,

0996, 1046, 1056,

1066, 1106 ELTA 1286 ELTA SAT 0146 EURODEC 1226, 1236, 1246 FERGUSON 0046, 0176, 0186,

0296, 0846, 0956,

1306 FINLUX 0976 FRACARRO 0026, 0536, 0776 FUBA 0476, 0616, 0636,

1056 GIUCAR RECORD 0206, 0336 GRUNDIG 0176, 0946, 0956,

0966 HIGH PERFORMANCE

0916 HIRSCHMANN 0756, 0966 HITACHI 0446, 0516, 0706,

0946 ICX INTERNATIONAL 0886 ITT 0066, 0126, 0176,

0446, 1156 ITT/NOKIA 0066, 0126, 0176,

0446, 1156 JEEMON 0146 JERROLD 0846, 0986 JOHANSSON 0246 JVC 1276 KATHREIN 0116, 0266, 0276,

0366 KOSMOS 0266 KYOSTAR 1036, 1086 LENG 0246 LIFESAT 1326, 1346, 1356 LUXOR 0126, 0136, 0446,

0466, 0506, 1156 MACAB 0356 MASPRO 0016, 0116, 0256,

0956 MEDION 1326, 1346 METZ 0966 MICROMAXX 1326, 1346 MITSUBISHI 0966 MORGANS 0596 MURATTO 0406 NEC 0286, 0316, 0766,

0786, 0836 NETWORK 0046 NIKKO 1136, 1146

NOKIA 0066, 0126, 0176,

0446, 1156, 1166,

1336 NORSAT 0786 OTTO VERSAND 0966 PACE 0046, 0176, 0296,

0936, 0956, 1306,

1566, 1576 PACE MSS 0946 PACE SKY DIGITAL BOX (UK)

1526 PALCOM 0616, 0686, 0706 PALSAT 0396 PALTEC 0706 PANASONIC 0806, 1306 PANSAT 1076 PHILIPS 0326, 0346, 0476,

0956, 1126, 1186,

1196, 1206, 1216,

1306, 1316 PROSAT 1176 PTT TELECOM

0306, 0896 QUELLE 0966 RADIX 1056 REDIFFUSION 0316, 0786 RFT 1186, 1196, 1206,

1216 SAGEM 1256, 1546 SAKURA 0566, 0816 SALORA 0066, 0126, 0136,

0446, 0456, 0486,

0496, 0576 SAMSUNG 0746, 0756 SAT 0406 SATCOM 0896 SATECO 0646 SECTOR 1266 SEDEA 1096 SENTRA 0416 SIEMENS 0896, 0966 SINTRACK 0906 SKYLAB 0476 SKYSCAN 0876 SONY 0736, 0946 STELLA 0306 STRONG 0156, 0396, 1036,

1086 STV 0636 TANDBERG 1116 TANDY 0916 TANTEC 0616 TATUNG 0516, 0546 TECHNISAT 0086, 0096, 0526,

0556, 1056 TELECOM 0306 TELEMAX 0586 THORN-FERGUSON 0046, 0076,

0176, 0186, 0956 TOSHIBA 0946 TPS (FRANCE) 1546 TRIAD 0406 UNIDEN 0036, 0216, 0676,

0716, 0726 US ELECTRONICS 0886 VORTEC 0756, 1036, 1076 VTECH 0436 WINERSAT 0246 WISI 0056, 0356, 0376,

0386, 0406, 0656,

1056, 1156 WOLSEY 0916 XCOM MULTIMEDIA

1556 XSAT (FRANCE) 1556 ZEHNDER 0266, 0406 ZENDER 0406

VCR

AIWA 0042, 0352, 0432 AKAI 0042, 0422, 0492,

0582, 0612, 0642, 0652, 0762, 0912

ALBA 0002, 0112, 0282,

0332, 0342, 0972 AMSTRAD 0322, 0432, 0452 ANITECH 0002 ANITSCH 1002 ASA 0012, 0052 AUDIOSONIC 0002 BAIRD 0042, 0282, 0492 BANG & OLUFSEN 0042 BAUR 0052, 0062, 0812 BLAUPUNKT 0062, 0092, 0252,

0462, 0672, 0992 BRIONVEGA 0032 BUSH 0002, 0282, 0332,

0342, 0512, 0972 BUSH (UK) 0812 CAPEHART 0112 CGE 0042, 0432, 0762 CRAIG 0072, 0482 CROWN 0112, 0282, 0622 DAEWOO 0112, 0282, 0622 DANSAI 0012 DAYTRON 0112 DECCA 0042, 0052, 0432,

0942 DECCA (UK) 0052 DEGRAAF 0052, 0132, 0432,

0532, 0602 DIXI 0442 DUAL 0042, 0632 DUMONT 0052, 0432, 0532 DYNATECH 0432 DYNATRON 0012 ELBE 0122 ELIN 0072 EMERSON 0012, 0162, 0202,

0432, 0512, 0522 ERRES 0012 FERGUSON 0042, 0712, 0722,

0852, 0902, 1012,

1022, 1082 FIDELITY 0432 FINLANDIA 0052, 0532 FINLUX 0012, 0042, 0052,

0082, 0262, 0382,

0432, 0462, 0492,

0532, 0572, 0602,

0912 FIRST LINE 0002, 0912 FISHER 0162, 0482, 0532,

0542, 0572, 0592 FORMENTI-PHOENIX

0012, 0052 FRONTECH 0112 FUNAI 0432 GBC 0002 GEC (UK) 0022, 0052 GELOSO 0002 GENERAL TECHNIC1172 GOLDSTAR 0012, 0122, 0812,

0952 GOODMANS 0002, 0072, 0282,

0432, 0502 GOODMANS (UK) 0002 GRAETZ 0022, 0042 GRANADA 0052, 0132, 0532,

0572

III

Page 66

GRANADA (UK) 0052, 0092,

0462, 0602, 0812, 0822

GRUNDIG 0052, 0062, 0092,

0232, 0252, 0262,

0752, 0802 HANSEATIC 0052, 0812 HARMAN/KARDON 0122, 0922 HCM 0002 HINARI 0002, 0202, 0412,

0442, 0522 HITACHI 0042, 0172, 0292,

0432, 0602, 0662,

0812, 1022 IMPERIAL 0072, 0432 INGERSOL 0442 INNO HIT 0002, 0052, 0072 INNOVATION 1142, 1162, 1172 INTERFUNK 0022, 0052 IRRADIO 0002, 0012 ITT 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762 ITT-NOKIA 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762 JENSEN 0042 JVC (VICTOR) 0042, 0102, 0142,

0272, 0742, 0762,

0782, 0902 KARCHER 0052, 0072, 0812 KENDO 0492 KENWOOD 0042, 0142, 0572 LIFETEC 1142, 1162, 1172 LLOYD 0432 LOEWE OPTA 0052, 0092, 0152 LOGIK 0002, 0072, 0442 LUMA 0162 LUXOR 0492, 0572, 0812 M ELECTRONIC

0432 MAGNADYNE 0052 MAGNASONIC

0572 MANESTH 0012 MARANTZ 0012, 0052, 0092,

0122, 0502 MARK 0012 MARTA 0012 MATSUI 0012, 0442, 0512,

0522, 0812, 0972 MEDION 1142, 1162, 1172 MEMOREX 0012, 0132, 0432,

0482, 0532, 0572 METZ 0062, 0092, 0932 MGA 0912 MICROMAXX 1142, 1162, 1172 MINERVA 0062, 0092, 0252 MINOLTA 0172, 0602 MITSUBISHI 0052, 0062, 0142,

0912, 0922 MTC 0072, 0432 MULTITECH 0002, 0052, 0062,

0282, 0432 MURPHY 0432 N.E.I. 0012, 0052 NATIONAL 0462 NEC 0042, 0122, 0142 NECKERMANN 0032, 0042,

0052, 0072, 0092, 0202, 0522, 0572,

0762, 0812 NIKKAI 0112 NOBLIKO 0092

NOKIA 0022, 0032, 0042,

0072, 0292, 0492, 0532, 0572, 0762, 1152

NORDMENDE 0042, 0102, 0142,

0192, 0222, 0242, 0392, 0402, 0632, 0732, 0742, 0762, 0782, 0792, 0832,

0842, 0872 OLYMPUS 0462 OPTONICA 0132, 0502 ORION 0162, 0202, 0312,

0442, 0512, 0522,

0982 OSAKA 0432 OSAKI 0002, 0012, 0432 OTTO VERSAND 0052, 0062,

0812

PANASONIC 0022, 0212, 0462,

0672, 0992, 1092,

1102, 1182 PENTAX 0172, 0602 PERDIO 0432 PHILCO 1062 PHILIPS 0052, 0082, 0092,

0152, 0182, 0362,

0372, 0382, 0472,

0502, 1072 PHONOLA 0052, 0152 PILOT 0012 PIONEER 0052, 0142, 0372,

0472 PORTLAND 0112 PROLINE 0432 PYE 0052, 0152 QUARTZ 0572 QUELLE 0012, 0032, 0042,

0052, 0062, 0072,

0092, 0202, 0462,

0522, 0942 RADIONETTE 0022 REALISTIC 0012, 0072, 0132,

0432, 0482, 0502,

0532, 0572 RET 1072 REX 0042, 0742, 0782 RICOH 0952 SABA 0042, 0142, 0192,

0222, 0242, 0392,

0632, 0732, 0742,

0762, 0772, 0782,

0792, 0872 SAISHO 0162, 0202, 0292,

0442, 0512, 0522,

0972 SALORA 0192, 0572, 0812,

0822, 0912 SAMSUNG 0052, 0072, 0622,

0652, 1192 SANSUI 0042, 0142 SANYO 0482, 0532, 0562,

0572 SBR 0052, 0152, 0182 SCHAUB LORENZ 0022, 0042 SCHNEIDER 0002, 0012, 0052,

0072, 0432 SEG 0002, 0072 SEI-SINUDYNE 0442 SELECO 0042 SENTRA 0112 SHARP 0132, 0502, 0702 SHINTOM 0002 SIEMENS 0062, 0092, 0252,

0572

SINUDYNE 0052, 0382, 0442,

0932 SONOKO 0282 SONY 0432, 0552, 0682,

0692, 0942, 0952,

0962, 1122, 1132 STS 0602 SUNKAI 0512 SUNSTAR 0432 SYLVANIA 0432, 0912 SYMPHONIC 0432, 0912 TANDBERG 0062, 0162, 0522,

0932 TASHIKO 0132, 0432 TATUNG 0042, 0052, 0432,

0922 TCM 1142, 1162, 1172 TEAC 0042, 0432 TECHNICS 0462 TEKNIKA 0012, 0432 TELEFUNKEN 0042, 0192, 0632,

0732, 0742, 0762,

0782, 0882, 0892 TEMPEST 1032, 1042, 1052 TENOSAL 0002 THOMSON 0042, 0102, 0142,

0192, 0402, 0632,

0762 THORN 0042, 0902 THORN-FERGUSON 0042, 0222,

0302, 0712, 0722, 0742, 0762, 0852, 0862, 0872,

0902 TMK 0522 TONSAI 0002 TOSHIBA 0042, 0622, 0912 TOTEVISION 0012, 0072 TRIUMPH 0922 UHER 0042, 0072 ULTRAVOX 0032 UNITECH 0072 VECTOR RESEARCH

0122 VIDEON 1162, 1172 WELTBLICK 0012 WHITE WESTINGHOUSE

0032 XENON 0162 YAMAHA 0042, 1202 YOKO 0012, 0062, 0072

DVD PLAYER

AKAI 0058 DENON 0188 HITACHI 0198 JVC 0088, 0178 KENWOOD 0148 MAGNAVOX 0128 MITSUBISHI 0138 ONKYO 0068, 0128 PANASONIC 0028 PHILIPS 0098, 0128 PIONEER 0108, 0118 PROSCAN 0158 RCA 0158 SAMSUNG 0078 SHARP 0038 SONY 0018 TECHNICS 0028 THOMSON 0168 TOSHIBA 0048, 0128 YAMAHA 0008, 0028, 0098 ZENITH 0128

LD PLAYER

AIWA 0137 FUNAI 0137 HITACHI 0047 MAGNAVOX 0077 PANASONIC 0027 PIONEER 0037 RCA 0067 REALISTIC 0137 SAMSUNG 0017, 0087 SONY 0057, 0097, 0107,

0117 VICTOR 0127 YAMAHA 0007

CD PLAYER

ACCUPHASE 0315 ADC 0865 ADCOM 0785, 1015 AKAI 0115, 0125, 0725,

0735, 0745, 0935,

1155 ARCAM 1875 ARCAM-ROTEL 0165 AUDIO-TECHNICA 0835 AUDIOSONIC 0155 AIWA 1105, 1235, 1245,

1765, 1915, 1935 BSR 0875 CALIFORNIA AUDIO LAB

1075 CARRERA 0555, 0875 CARVER 0825, 1415 CYRUS-ROTEL 0205 DENON 0045, 0955, 1045,

1595, 1795, 1805 DUAL 1005 ELIN 0185 EMERSON 1015, 1285, 1675 FISHER 0105, 0595, 0605,

0825, 1165, 1175 GENEXXA 0525, 0825, 0855,

0875, 0995, 1265,

1285, 1345, 1355,

1485, 1575, 1675,

1715, 1825 GOLDSTAR 0555, 1185, 1195,

1585 GRUNDIG 0175 HARMAN KARDON 0325, 0495,

0565, 1135, 1145,

1155 HITACHI 0065, 0585, 0685,

0945, 1005, 1015,

1225, 1545 INNOVATION 1995, 2005, 2015 ITT-NOKIA 0185 JVC (VICTOR) 0385, 0395, 0455,

0575, 0585 KARCHER 0485 KENWOOD 0025, 0055, 0145,

0215, 0595, 0675,

0695, 0705, 0715,

0925, 1355, 1485,

1575, 1675, 1715,

1825 KORTING 0175 LIFETEC 2015 LIGHT CONTROL 1155, 1645,

1655, 1665 LINN 0165, 1875 LUXMAN 0265, 0275, 0795,

0805, 1295, 1305, 1555, 1925

Page 67

LUXOR 0185, 1895, 1905 MAGNAVOX 1865, 1875 MARANTZ 0165, 0175, 0545,

0665, 1275, 1335, 1405, 1505, 1875,

1955 MATSUSHITA 1095, 1605 MCS 0535 MEDION 0075, 1995, 2005,

2015 MEMOREX 0525, 1015, 1265,

1275, 1285, 1675 MGA 1125 MICROMAXX 2015 MISSION 0165, 1875 MITSUBISHI 1125, 1205 NAD 0135, 0255, 0285,

0295, 0305, 0345,

0755, 0765, 1315,

1325 NAKAMICHI 0635, 0645, 1565 NEC 0405, 0535, 0775,

0785 NECKERMAN 0155, 0225 NIKKO 0835, 1165 OCEANIC 0185 OKANO 0155, 0225 ONKYO 0885, 1385, 1425,

1455, 1515 PANASONIC 1055, 1075, 1615,

1625 PHILIPS 0165, 0175, 0195,

1865, 1875 PIONEER 0095, 0335, 0425,

0435, 0445, 0525,

0855, 1035, 1945 PROTON 0905, 1875 QUASAR 1075 RADIOLA 1845, 1855 RADIOTONE 0485 REALISTIC 0825, 1015, 1265,

1275, 1285, 1575 ROTEL 1875 SABA 1005 SAE 1875 SALORA 0185 SANSUI 0415, 0965, 0975,

0985, 1255, 1675,

1875 SANYO 0625, 0825, 0845,

0915 SCHNEIDER 1845, 1855 SCOTT 1285, 1675 SHARP 0025, 0035, 1025,

1115, 1275, 1635,

1785, 1815, 1825,

1835 SHERWOOD 1275, 1445 SIEMENS 1085 SIGNATURE 1155 SONY 0345, 0355, 0365,

0375, 0865, 1685,

1695, 1705, 1715,

1725, 1735, 1745 SYLVANIA 1875 TANDBERG 1885 TASHIKO 1525 TCM 1985, 2015 TEAC 0235, 0245, 1275,

1365, 1375, 1395,

1435, 1465, 1475 TECHNICS 0465, 0475, 1065,

1075, 1625 TELEFUNKEN 1005 THETA DIGITAL 1865

THOMSON 1005 TOSHIBA 0755, 0765 VECTOR RESEARCH

0555, 0865

YAMAHA 0005, 0015, 0085,

0345, 0615, 0655, 0815, 0835, 0895, 1815

CD RECORDER/CD-RW

HITACHI 0304 JVC 0334 MARANTZ 0314, 0324 PHILIPS 0274 PIONEER 0284, 0294 YAMAHA 0244

MD RECORDER

KENWOOD 0214 SHARP 0264 PIONEER 0254 SONY 0224 YAMAHA 0024, 0224, 0234

TAPE DECK

AKAI 0124 DENON 0204 GRUNDIG 0134 HARMAN 0044 JVC 0194 KENWOOD 0164 KORTING 0134 LUXMAN 0054, 0064, 0074,

0084 MARANTZ 0134, 0144 NAD 0174 ONKYO 0184 PHILIPS 0134, 0144, 0154 PIONEER 0034, 0114 SONY 0094, 0104 YAMAHA 0004, 0014

Page 68

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia V874860

Page 69

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