Yamaha Audio DSP-AX630SE User Manual

Page 1
RX-V630RDS AV Receiver DSP-AX630SE AV Amplifier
GB
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Page 2
1 To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future reference.
2 Install this unit in a well ventilated, cool, dry, clean
place with at least 30 cm on the top, 20 cm on the left and right, and 10 cm at the back of this unit — away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold.
3 Locate this unit away from other electrical
appliances, motors, or transformers to avoid humming sounds. To prevent fire or electrical shock, do not place this unit where it may get exposed to rain, water, and/or any type of liquid.
4
Do not expose this unit to sudden temperature changes from cold to hot, and do not locate this unit in a environment with high humidity (i.e. a room with a humidifier) to prevent condensation inside this unit, which may cause an electrical shock, fire, damage to this unit, and/or personal injury.
5 On the top of this unit, do not place:
– Other components, as they may cause damage
and/or discoloration on the surface of this unit.
Burning objects (i.e. candles), as they may cause fire, damage to this unit, and/or personal injury.
– Containers with liquid in them, as they may
cause electrical shock to the user and/or damage to this unit.
6 Do not cover this unit with a newspaper,
tablecloth, curtain, etc. in order not to obstruct heat radiation. If the temperature inside this unit rises, it may cause fire, damage to this unit, and/or personal injury.
7 Do not plug in this unit to a wall outlet until all
connections are complete.
8 Do not operate this unit upside-down. It may
overheat, possibly causing damage.
9 Do not use force on switches, knobs and/or cords.
10 When disconnecting the power cord from the wall
outlet, grasp the plug; do not pull the cord.
11 Do not clean this unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
12 Only voltage specified on this unit must be used.
Using this unit with a higher voltage than specified is dangerous and may cause fire, damage to this unit, and/or personal injury. YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than specified.
13 To prevent damage by lightning, disconnect the
power cord from the wall outlet during an electrical storm.
14 Take care of this unit so that no foreign objects
and/or liquid drops inside this unit.
15 Do not attempt to modify or fix this unit. Contact
qualified YAMAHA service personnel when any service is needed. The cabinet should never be opened for any reasons.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
16 When not planning to use this unit for long
periods of time (i.e. vacation), disconnect the AC power plug from the wall outlet.
17 Be sure to read the “TROUBLESHOOTING” section
on common operating errors before concluding that this unit is faulty.
18 Before moving this unit, press STANDBY/ON to set
this unit in the standby mode, and disconnect the AC power plug from the wall outlet.
19 VOLTAGE SELECTOR (China and General models
only) The VOLTAGE SELECTOR on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.
This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.
For U.K. customers
If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.
Note
• The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.
Special Instructions for U.K.
Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL Brown: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
CAUTION
Page 3
1
English

INTRODUCTION

PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION

CONTENTS

INTRODUCTION
INTRODUCTION
CONTENTS ............................................................ 1
FEATURES ............................................................. 2
GETTING STARTED ............................................ 3
Checking the package contents ................................. 3
Installing batteries in the remote control ...................3
CONTROLS AND FUNCTIONS ......................... 4
Front panel ................................................................ 4
Remote control .......................................................... 6
Using the remote control ........................................... 7
Front panel display .................................................... 8
PREPARATION
SPEAKER SETUP ................................................. 9
Speakers .................................................................... 9
Speaker placement .................................................... 9
Connecting the speakers ..........................................10
CONNECTIONS .................................................. 13
Before connecting components ............................... 13
Connecting video components ................................ 14
Connecting audio components ................................ 16
Connecting the antennas ......................................... 17
Connecting an external amplifier ............................ 18
Connecting an external decoder .............................. 18
Connecting the power supply cords ........................ 19
Turning on the power .............................................. 19
SPEAKER MODE SETTINGS .......................... 20
ADJUSTING SPEAKER OUTPUT LEVELS .. 21
Before you begin ..................................................... 21
Using the test tone ................................................... 21
BASIC OPERATION
BASIC PLAYBACK ............................................ 23
Input modes and indications .................................... 25
Selecting a sound field program ..............................26
DIGITAL SOUND FIELD PROCESSING
(DSP) ................................................................. 29
Understanding sound fields .....................................29
Hi-Fi DSP programs ................................................ 29
CINEMA-DSP ...................................................... 30
Sound design of CINEMA-DSP ............................. 30
CINEMA-DSP programs ........................................ 32
TUNING
RX-V630RDS
......................................... 34
Automatic and manual tuning ................................. 34
Presetting stations .................................................... 35
Tuning in to a preset station .................................... 37
Exchanging preset stations ...................................... 37
RECEIVING RDS STATIONS
RX-V630RDS
.... 38
Description of RDS data ......................................... 38
Changing the RDS mode .........................................38
PTY SEEK function ................................................ 39
EON function .......................................................... 39
SLEEP TIMER ..................................................... 40
Setting the sleep timer ............................................. 40
Canceling the sleep timer ........................................ 40
RECORDING ....................................................... 41
ADVANCED OPERATION
SET MENU ........................................................... 42
Adjusting the items on the SET MENU ..................42
1 SPEAKER SET (speaker mode settings) ............ 43
2 LFE LEVEL ........................................................ 45
3 SP DLY TIME (speaker delay time) ................... 45
4 D. RANGE (dynamic range) ...............................46
5 L/R BALANCE (balance of the main left and
right speakers) ..................................................... 46
6 HP TONE CTRL (headphone tone control) ........ 46
7 I/O ASSIGN (input/output assignment) ..............46
8 INPUT MODE (initial input mode) .................... 47
9 DISPLAY SET ....................................................47
10MEM. GUARD (memory guard) ........................ 47
REMOTE CONTROL FEATURES ................... 48
Control area ............................................................. 48
Setting the manufacturer code .................................49
Clearing setup manufacturer codes ......................... 49
Controlling other components .................................50
ADJUSTING THE LEVEL OF THE EFFECT
SPEAKERS ....................................................... 51
ADJUSTING THE DELAY TIME ..................... 52
ADJUSTING THE PARAMETER SETTINGS
FOR PRO LOGIC
MUSIC ......................... 53
Changing parameter settings ................................... 53
PRO LOGIC
Music parameter descriptions ....... 53
ADDITIONAL INFORMATION
TROUBLESHOOTING ...................................... 54
GLOSSARY .......................................................... 58
SPECIFICATIONS .............................................. 60
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2
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories.
“DTS”, “ES” and “DTS Digital Surround” are trademarks of Digital Theater Systems, Inc.

FEATURES

Built-in 6-channel power amplifier
Minimum RMS output power
(0.06% THD, 20 Hz – 20 kHz, 8Ω) Main: 75 W + 75 W Center: 75 W Rear: 75 W + 75 W Rear center: 75 W
Multi-mode digital sound field processing
Dolby Pro Logic/Dolby Pro Logic
decoder
Dolby Digital/Dolby Digital EX decoder
DTS/DTS-ES compatible decoder
CINEMA DSP: Combination of YAMAHA DSP
technology and Dolby Pro Logic, Dolby Digital or DTS
Virtual CINEMA DSP
SILENT CINEMA DSP
Sophisticated AM/FM Tuner
RX-V630RDS
40-Station random access preset tuning
Automatic preset tuning
Preset station shifting capability (Preset
editing)
Other features
96-kHz/24-bit D/A converter
“SET MENU” for optimizing this unit for your
Audio/Video system
Test tone generator for easier speaker balance
adjustment
6-channel external decoder input
S-video signal input/output capability
Component video input/output capability
Optical and coaxial digital audio signal jacks
Sleep timer
Remote control with preset manufacturer codes
About this manual
• This document is the owner’s manual for both RX-V630RDS and DSP-AX630SE. Since DSP-AX630SE does not incorporate a tuner, descriptions on tuning are not applicable for DSP-AX630SE. Illustrations for the RX-V630RDS are mainly used for explanations.
y indicates a tip for your operation.
• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.
• This manual is printed prior to production. Design and specifications are subject to change in part for the reason of the improvement in operativity ability, and others. In this case, the product has priority.
Page 5
3
English
INTRODUCTION PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
1
2
3
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
TV INPUTTV MUTE
A/B/C/D/E
AUDIO
VOLUME
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
A
DVD
MD/CD-R TUNERCD
+
+
–+–
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678

Installing batteries in the remote control

Insert the batteries in the correct direction by aligning the + and – marks on the batteries with the polarity markings (+ and –) inside the battery compartment.
1 Press the part and slide off the battery
compartment cover.
2 Insert the four supplied batteries (AAA, R03,
UM-4) according to the polarity markings on the inside of the battery compartment.
3 Slide the cover back on so that it snaps into
place.
Notes on batteries
• Change all of the batteries if you notice a decrease in the operating range of the remote control, that the indicator does not flash, or the light becoming dim.
• Do not use old batteries together with new ones.
• Do not use different types of batteries (such as alkaline and manganese batteries) together. Read the packaging carefully as these different types of batteries may have the same shape and color.
• If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.
If the remote control is without batteries for more than 2 minutes, or if exhausted batteries remain in the remote control, the contents of the memory may be cleared. When the memory is cleared, insert new batteries, set up the manufacturer code that may have been cleared.
AM loop antenna
(Europe, U.K., Australia and Singapore models)
Indoor FM antenna (U.S.A., Canada, China, Korea and General models)
Batteries (4) (AAA, R03, UM-4)
Remote control

GETTING STARTED

Checking the package contents

Check your package to make sure it contains the following items.
75-ohm/300-ohm antenna adapter (U.K. model)
Front VIDEO AUX jack cap
RX-V630RDS
Page 6
4
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
PRESET/TUNING
A/B/C/D/E
123 456
sa fd
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FMAUTO/MAN'L MONO
TUNING MODE
iu po w e
START
EON
RDS MODE/FREQ
MODE
PTY SEEK
START
EON
RDS MODE/FREQ
MODE
PTY SEEK
7
90 ert8qw y
SET MENU
NEXT
DSP-AX630SE
+

CONTROLS AND FUNCTIONS

Front panel

1 STANDBY/ON
Turns this unit on, or set it to the standby mode. When you turn this unit on, you will hear a click and there will be a 4 to 5-second delay before this unit can reproduce sound.
Standby mode
In this mode, this unit will consume a small amount of power in order to receive infrared-signals from the remote control.
2 Remote control sensor
Receives signals from the remote control.
3 Front panel display
Shows information about the operational status of this unit.
4 INPUT MODE
Sets the priority for the types of input signals (AUTO, DTS, ANALOG) to receive when one component is connected to two or more input jacks. Priority cannot be set when 6CH INPUT is selected as the input source.
5 INPUT l / h
Selects the input source you want to listen to or watch.
6 VOLUME
Controls the output level of all audio channels. This does not affect the OUT (REC) level.
7 6CH INPUT
Selects the audio source connected to the 6CH INPUT jacks. This audio takes priority over the source selected with INPUT l / h (or the input selector buttons on the remote control).
8
SILENT (PHONES jack)
Allows you enjoy DSP effect for private listening with headphones. When you connect headphones, no signals are output to the speakers or the OUTPUT jacks.
9 SPEAKERS A/B
Turns the set of main speakers connected to the A and/or B terminals on or off.
(RX-V630RDS)
Page 7
5
English
INTRODUCTION PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
CONTROLS AND FUNCTIONS
0 STEREO/EFFECT
Switches between normal stereo and DSP effect reproduction. When STEREO is selected, 2-channel signals are directed to the main left and right speakers without effect sounds and all Dolby Digital and DTS signals (except the LFE channel) are mixed down to the main left and right speakers.
q PROGRAM l / h
Selects the DSP program.
w
RX-V630RDS
PRESET/TUNING l / h
Selects preset station numbers 1 to 8 when the colon (:) appears in the front panel display. Selects the tuning frequency when the colon (:) does not appear.
DSP-AX630SE
SET MENU –/+
Adjusts the setting on the SET MENU.
e
RX-V630RDS
A/B/C/D/E
Selects preset station groups A to E.
DSP-AX630SE
NEXT
Selects the SET MENU mode.
r BASS
Adjusts the low-frequency response for the main left and right channels. Turn right to increase or turn left to decrease the low­frequency response.
t TREBLE
Adjusts the high-frequency response for the main left and right channels. Turn right to increase or turn left to decrease the high­frequency response.
y VIDEO AUX jacks
Inputs for audio and video signals from a portable external source (game console, etc.). Set the input source to V-AUX to enjoy source signals from these jacks. When the VIDEO AUX jacks on the front panel are not used, you can attach the provided front VIDEO AUX jack cap as shown in the illustration. When the cap is not attached, be sure retain it carefully.
RX-V630RDS
u RDS MODE/FREQ
When an RDS station is received, press this button to change the display mode among the PS mode, PTY mode, RT mode, CT mode (if the station offers those RDS data service) and/or frequency display mode in turn.
i PTY SEEK MODE
Press this button to set the unit in the PTY SEEK mode.
o PTY SEEK START
Press this button to begin searching for a station after the desired program type has been selected in the PTY SEEK mode.
p EON
Press this button to select the desired program type (NEWS, INFO, AFFAIRS, SPORT) when you want to tune in to a radio program of that type automatically.
a PRESET/TUNING (EDIT)
Switches the function of PRESET/TUNING l / h between selecting a preset station number and tuning (the colon (:) turns on or off). This button is also used to exchange the assignment of two preset stations with each other.
s TUNING MODE (AUTO/MAN’L MONO)
Switches the tuning mode between automatic and manual.
d MEMORY (MAN’L/AUTO FM)
Stores the current station in the memory.
f FM/AM
Switches the reception band between FM and AM.
OPTICAL
VID
EO A
UX
S VID
EO
VID
EO
AUDIOL
R
Page 8
6
CONTROLS AND FUNCTIONS
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
TV INPUTTV MUTE
A/B/C/D/E
AUDIO
VOLUME
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
+
+
+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
A
8
9 0
y
i
u
t
e r
w
q
7
6
5
2
1
3
4

Remote control

This section describes the remote control controls and their functions. Make sure that the AMP mode is selected before starting operation. See “REMOTE CONTROL FEATURES” on pages 48 to 50.
1 Infrared window
Outputs infrared control signals. Aim this window at the component you want to operate.
2 CODE SET
Used when setting up the manufacturer code (see page
49).
3 Input selector buttons
Select the input source and set the remote control to operate the selected source component.
4 DSP program
Select DSP programs for the AMP position. Press a button repeatedly to select a DSP program within that group.
5 LEVEL
Selects the effect speaker channel to be adjusted.
6 Multi control section
Used when changing the setting and to implement the settings.
7 TEST
Outputs the test tone to adjust the speaker levels.
8 TRANSMIT indicator
Flashes while the remote control is sending signals.
9 STANDBY
Sets this unit in the standby mode.
0 SYSTEM POWER
Turns on the power of this unit.
q SLEEP
Sets the sleep timer.
w 6CH INPUT
Selects the audio source connected to the 6CH INPUT jacks.
e AMP
Sets the remote control to the AMP mode for controlling this unit.
r Å
Sets the remote control to operate other component (not necessarily connected to this unit) without changing this unit’s input source.
t VOLUME +/–
Increases or decreases the volume level.
y MUTE
Mutes the sound. Press again to restore the audio output to the previous volume level.
Page 9
7
English
INTRODUCTION PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
CONTROLS AND FUNCTIONS
VCR 1 VCR2/DVR
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY /
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FMAUTO/MAN'L MONO
TUNING MODE
VOLUMEINPUT
INPUT M0DE
6CH INPUT
30° 30°
Approximately 6 m (20 feet)
u STEREO/EFFECT
Switches between normal stereo and DSP effect reproduction. When STEREO is selected, 2-channel signals are directed to the main left and right speakers without effect sounds and all Dolby Digital and DTS signals (except the LFE channel) are mixed down to the main left and right speakers.
i SET MENU
Selects the SET MENU mode.

Using the remote control

The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main unit during operation.
Handling the remote control
• Do not spill water or other liquids on the remote control.
• Do not drop the remote control.
• Do not leave or store the remote control in the following types of conditions: – high humidity or temperature such as near a heater,
stove or bath; – dusty places; or – in places subject to extremely low temperatures.
Page 10
8
CONTROLS AND FUNCTIONS
RL
LCR
RC RR
LFE
VIRTUAL
DSP
PCM
MATRIX
SILENT
DIGITAL
EON
PS PTY
PTY HOLD
dB mS
RT
CT
MUTE SLEEP
STEREO TUNED
MEMORY
AUTO
PRO LOGIC
/
VOLUME
DTS MOVIE
THTR
ENTERTAINMENT
12
DOLBY DIGITAL PRO LOGIC
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
1234
57890qwert y6
1 Processor indicators
Lights up when the t, g, VIRTUAL,
PRO LOGIC
/
or
DSP
are activated.
MATRIX lights up when the Dolby Digital EX decoder or the DTS-ES compatible decoder is activated.
2 Input source indicator
Shows the current input source with a cursor.
3 MUTE indicator
Flashes while the MUTE function is on.
4 VOLUME level indicator
Indicates the volume level.
5 v indicator
Lights up when this unit is reproducing PCM (pulse code modulation) digital audio signals.
6 SILENT indicator
Lights up when headphones are connected while the digital sound field processor is on.
7 Headphones indicator
Lights up when headphones are connected.
8 DSP program indicators
The name of the selected DSP program lights up when the ENTERTAINMENT, MOVIE THEATER 1, MOVIE THEATER 2 or V/DTS SURROUND DSP program is selected.
9 Multi-information display
Shows the current DSP program name and other information when adjusting or changing settings.
RX-V630RDS
0 RDS indicator
The name(s) of the RDS data offered by the currently
received RDS station light(s) up.
EON indicator lights up when an RDS station that
offers the EON data service is being received.
PTY HOLD indicator lights up while searching for
stations in the PTY SEEK mode.
q STEREO indicator
Lights up when this unit is receiving a strong signal
for an FM stereo broadcast while the “AUTO”
indicator is lit.
w TUNED indicator
Lights up when this unit is tuned to a station.
e MEMORY indicator
Flashes to show a station can be stored.
r AUTO indicator
Shows that this unit is in the automatic tuning mode.

Front panel display

(RX-V630RDS)
t SLEEP indicator
Lights up while the sleep timer is on.
y Input channel indicator
Indicates the channel components of input signals being received.
Page 11
9
English
INTRODUCTION

PREPARATION

BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX

SPEAKER SETUP

Speakers

This unit has been designed to provide the best sound­field quality with a 6-speaker system, using main left and right speakers, rear left and right speakers, a center speaker, and a rear center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacturer or speakers with the same tonal quality.
The main speakers are used for the main source sound plus effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for effect and surround sounds. The center speaker is for the center sounds (dialog, vocals, etc.). The rear center speaker supplements the rear (left and right) speakers and provides for more realistic front-to-back transitions.
The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use the models of equivalent performance with the main speakers.
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low-frequency effect) channel with high fidelity when playing back Dolby Digital or DTS signals. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.
PREPARATION

Speaker placement

Refer to the following diagram when you place the speakers.
Main speakers
Place the main left and right speakers an equal distance from the ideal listening position. The distance between each speaker and each side of the video monitor should also be the same.
Center speaker
Align the front face of the center speaker with the front face of your video monitor. Place the speaker as close to the monitor as possible (such as directly over or under the monitor) and centrally between the main speakers.
Rear speakers
Place these speakers behind your listening position, facing slightly inwards, nearly 1.8 m (6 feet) above the floor.
Rear center speaker
Place the rear center speaker in the center between the rear left and right speakers at the same height from the floor as the rear speakers.
Subwoofer
The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the main speakers. Turn it slightly toward the center of the room to reduce wall reflections.
Note
• If you do not use any of effect speakers (rear, center and/or rear center), change the settings of SPEAKER SET items at the SET MENU to designate the signals to other terminals you connect speakers to.
CAUTION
Use magnetically shielded speakers. If this type of speakers still creates the interference with the monitor, place the speakers away from the monitor.
Main speaker (L)
1.8 m (6 feet)
Rear speaker (L)
Rear center speaker
Rear speaker (R)
Subwoofer
Main speaker (R)Center speaker
Page 12
10
SPEAKER SETUP
12

Connecting the speakers

Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.
CAUTION
• Use speakers with the specified impedance shown on the rear panel of this unit.
• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or the speakers.
If necessary, use the SET MENU to change the speaker mode settings according to the number and size of the speakers in your configuration after you finish connecting your speakers.
Speaker cables
A speaker cord is actually a pair of insulated cables running side by side. One cable is colored or shaped differently, perhaps with a stripe, groove or ridge.
1 Remove approximately 10 mm (3/8”) of
insulation from each of the speaker cables.
2 Twist the exposed wires of the cable
together to prevent short circuits.
Connecting to the SPEAKERS terminals
1 Unscrew the knob. 2 Insert one bare wire into the hole in the side
of each terminal.
3 Tighten the knob to secure the wire.
MAIN SPEAKERS terminals
One or two speaker systems can be connected to these terminals. When using only one speaker system, it can be connected to either the MAIN A or the MAIN B terminals.
REAR SPEAKERS terminals
A rear speaker system can be connected to these terminals.
CENTER SPEAKER terminals
A center speaker can be connected to these terminals.
REAR CENTER SPEAKER terminals
A rear center speaker can be connected to these terminals.
10 mm (3/8”)
Red: positive (+) Black: negative (–)
3
1
2
Page 13
11
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
SPEAKER SETUP
DIGITAL OUTPUT
SPEAKERS
MAIN
MAIN
DIGITAL
INPUT
6CH INPUT
CD
CD
IN
(PLAY)
OUT (REC)
DVD
D-TV /CBL
DVD
OUT
VCR 1
VCR 2 /VDR
MD
/CD-R
D-TV /CBL
OUT
IN
DVD
IN
FM
ANT
AM
ANT
GND
75
UNBAL.
OPTICAL
D-TV/CBL
MD/CD-R
MD/CD-R
OPTICAL
COAXIAL
S VIDEO VIDEO
OUTPUT
S VIDEO
MONITOR OUT
MONITOR
OUT
VIDEO
VIDEO
TUNER
YP
B/CBPR/CR
COMPONENT VIDEO
AUDIOAUDIO
MAIN
CENTER
SUB
WOOFER
SUB
WOOFER
SURROUND
CENTER
CENTER
AC OUTLETS
REAR
CENTER
REAR CENTER
OUTPUT
L
R
L
R
L
R
L
L
L
R
R
A
+
+
+
+
+
B
REAR
(SURROUND)
REAR
(SURROUND)
IMPEDANCE SELECTOR
SET BEFORE POWER ON
R
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
MIN. /SPEAKER MIN. /SPEAKER
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
:4 :8 :6
:6 :6
8
16
8 8 8
MAIN A OR B A+B CENTER REAR CENTER
REAR
MAIN A OR B
A+B CENTER REAR CENTER REAR
: : : : :
1
56
7
3
2
4
Subwoofer
system
Rear center
speaker
Main B speaker
Center
speaker
Right
Rear speaker
SUBWOOFER jack
When using a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input jack of the subwoofer system to this jack. Low bass signals distributed from the main, center and/or rear channels are directed to this jack in accordance with your SPEAKER SET selections. The LFE (low-frequency effect) signals generated when Dolby Digital or DTS is decoded are also directed to this jack in accordance with your SPEAKER SET selections.
Notes
• The cut-off frequency of the SUBWOOFER jack is 90 Hz.
• If you do not use a subwoofer, designate the signals to the main left and right speakers by changing the setting of SPEAKER SET item “1E BASS” on the SET MENU to MAIN.
• Use the control on the subwoofer to adjust its volume level. It is also possible to adjust the volume level by using this unit’s remote control (see “ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS” on page 51).
Right Left
Main A speaker
Right Left
Left
1
2
4
3
7
6
5
The diagram shows the speaker layout in the listening room.
(RX-V630RDS)
Page 14
12
SPEAKER SETUP
SPEAKERS
MAIN
MAIN
YP
B/CB/CR
MPONENT VIDEO
CENTER
CENTER
REAR
CENTER
REAR CENTER
OUTPUT
L
R
L
R
L
L
L
R
R
A
+
+
+
+
+
B
REAR
(SURROUND)
REAR
(SURROUND)
R
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
MIN. /SPEAKER MIN. /SPEAKER
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
:4 :8 :6
:6 :6
MAIN A OR B A+B CENTER REAR CENTER
REAR
MAIN A OR B
A+B CENTER REAR CENTER REAR
: : : : :
8
16
8 8 8
IMPEDANCE SELECTOR
SET BEFORE POWER ON
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
MIN. /SPEAKER MIN. /SPEAKER
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
:4 :8 :6
:6 :6
MAIN A OR B A+B CENTER REAR CENTER
REAR
MAIN A OR B
A+B CENTER REAR CENTER REAR
: : : : :
8
16
8 8 8
IMPEDANCE SELECTOR
SET BEFORE POWER ON
Switch
position
Left
Right
Speaker
Main
Center
Rear
Center
Rear
Main
Center
Rear
Center
Rear
Impedance level
If you use one set of main speakers, the impedance of each speaker must be 4 or higher. If you use two sets of main speakers, the impedance of each speaker must be 8 or higher.
The impedance must be 6 or higher.
The impedance must be 6 or higher.
The impedance of each speaker must be 6 or higher.
If you use one set of main speakers, the impedance of each speaker must be 8 or higher. If you use two sets of main speakers, the impedance of each speaker must be 16 or higher. [Canada model only] The impedance of each speaker must be 8 or higher.
The impedance must be 8 or higher.
The impedance must be 8 or higher.
The impedance of each speaker must be 8 or higher.
IMPEDANCE SELECTOR switch
(RX-V630RDS)
IMPEDANCE SELECTOR switch
WARNING
Do not change setting of the IMPEDANCE SELECTOR switch when the power of this unit is on, this may damage the unit. If this unit fails to turn on when STANDBY/ON (or SYSTEM POWER) is pressed, the IMPEDANCE SELECTOR switch may not be fully slid to either position. If so, slide the switch all the way to either position when this unit is in the standby mode.
Select the switch position (left or right) according to the impedance of the speakers in your system. Be sure to move this switch only when this unit is in the standby mode.
Page 15
13
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX

CONNECTIONS

Before connecting components

CAUTION
Do not connect this unit or other components to the mains power until all connections between the components have been completed.
• Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some components require different connection methods and have different jack names. Refer to the operation instructions for each component to be connected to this unit.
• When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect them to the jack with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.
• After you have completed all connections, check them again to make sure they are correct.
• The name of jack corresponds to input selector.
Connecting to digital jacks
This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks to input PCM, Dolby Digital and DTS bitstreams. To enjoy multi-channel sound track of DVD software, etc. with DSP effect, you need to make digital connection. All digital input jacks are acceptable for 96-kHz sampling digital signals.
Note
• The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber optic cable that does not conform to this standard, this unit may not function properly.
DIGITAL OUTPUT
SPEAKERS
MAIN
MAIN
DIGITAL
INPUT
6CH INPUT
CD
CD
IN
(PLAY)
OUT
(REC)
DVD
D-TV
/CBL
DVD
OUT
VCR 1
VCR 2
/VDR
MD
/CD-R
D-TV /CBL
DVD
OUT
IN
IN
FM
ANT
AM ANT
GND
75
UNBAL.
OPTICAL
D-TV/CBL
MD/CD-R
MD/CD-R
OPTICAL
COAXIAL
S VIDEO VIDEO
OUTPUT
S VIDEO
MONITOR OUT
MONITOR
OUT
VIDEO
VIDEO
TUNER
YP
B/CBPR/CR
COMPONENT VIDEO
AUDIOAUDIO
MAIN
CENTER
SUB
WOOFER
SUB
WOOFER
SURROUND
CENTER
CENTER
REAR
CENTER
REAR CENTER
OUTPUT
L
R
L
R
L
R
L
R
L
L
L
R
R
A
+
+
+
+
+
B
REAR
(SURROUND)
REAR
(SURROUND)
R
(RX-V630RDS)
AC OUTLETS (page 19)
6CH INPUT jacks (page 18)
DIGITAL OUTPUT jack (page 16)
OUTPUT jacks (page 18)
DIGITAL INPUT jacks (pages 13-16)
Antenna input terminals (page 17)
Speaker terminals (pages 10-11)
Video component jacks (pages 14-15)
Audio component jacks (page 16)
SUBWOOFER OUTPUT jack (page 11)
Page 16
14
CONNECTIONS

Connecting video components

Refer to the connection examples on the next page.
Types of video jacks
There are three types of video jacks as follows:
1 VIDEO jack
Conventional composite video signal.
2 S VIDEO jack
Transmits color and luminance separately and achives high-quality color reproduction.
3 COMPONENT VIDEO jacks
Transmit color difference (PB/CB, PR/CR) and luminance separately and provide the best quality picture.
• Each type of video jack works independently. Signals input through the composite video, S-video and component jacks are only output through the corresponding composite video, S-video, and component jacks.
• Use a commercially available cable specified for connecting each type of jacks.
The description of the component video jacks may differ depending on the component (e.g. Y, C
B
, CR/Y, PB, PR/Y, B-Y, R-Y etc.). When using these jacks, refer also to the operation instructions for the component being connected.
Connecting a video monitor
Connect the video input jack on your video monitor to the MONITOR OUT VIDEO jack.
Note
• If you connect this unit with a source component using S-video (or Component video) jacks, you also need to connect your video monitor using S-video (or Component video) jacks.
Connecting a DVD player/digital
TV/cable TV
Connect the optical digital audio signal output jack on your component to the DIGITAL INPUT jack and connect the video signal output jack on the component to the VIDEO jack on this unit. Then connect AUDIO jacks on your component to the AUDIO jacks on this unit.
y
• If your video component has an S-video output or component video output, connect the S-video signal output jack on the component to the S VIDEO jack or connect the component video signal output jacks on the component to the COMPONENT VIDEO jacks.
• The AUDIO jacks are available for a video component which does not have optical digital output jack. However, multi­channel reproduction cannot be obtained with audio signals input from AUDIO jacks.
Connecting a game console or
camcorder
Connect the optical digital audio signal output jack on your video component to the OPTICAL jack on the front panel and connect video signal output jack on the component to the VIDEO jack on the front panel.
y
• If your video component has an S-video output, connect the S­video signal output jack on the component to the S VIDEO jack.
• The AUDIO jacks are available for a video component such as a camcorder which does not have optical digital output jack.
Connecting a VCR or DVR (digital
video recorder)
Connect the audio signal input jacks on your video component to the AUDIO OUT jacks and connect the video signal input jack on the video component to the VIDEO OUT jack on this unit for picture recording. Connect the audio signal output jacks on your component to the AUDIO IN jacks and connect the video signal output jack on the component to the VIDEO IN jack on this unit to play a source from your recording component. Second VCR or digital video recorder can be connected using VCR 2/DVR jacks.
y
• If your video component has an S-video input, connect the S­video signal input jack on the component to the S VIDEO OUT jack.
• If your video component has an S-video output, connect the S­video signal output jack on the component to the S VIDEO IN jack.
Notes
• Once you have connected a recording component to this unit, keep its power turned on while using this unit. If the power is off, this unit may distort the sound from other components.
• S-video and component video signals pass independently through this unit’s video circuit. Make sure to connect this unit to both a source component and a recording component using the video jacks of the same system.
COMPONENT VIDEO
P
R/CRPB/CB
Y
VIDEOS VIDEO
2 1 3
Page 17
15
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
CONNECTIONS
DIGITAL OUTPUT
DIGITAL
INPUT
6CH INPUT
CD
CD
IN
(PLAY)
OUT
(REC)
DVD
D-TV /CBL
DVD
DVD
OUT
VCR 1
VCR 2
/VDR
MD
/CD-R
D-TV /CBL
OUT
IN
IN
FM ANT
AM ANT
GND
75
UNBAL.
OPTICAL
D-TV/CBL
MD/CD-R
MD/CD-R
OPTICAL
COAXIAL
S VIDEO VIDEO
OUTPUT
S VIDEO
MONITOR OUT
MONITOR
OUT
VIDEO
VIDEO
TUNER
YPB/CBPR/CR
COMPONENT VIDEO
AUDIOAUDIO
MAIN
CENTER
SUB
WOOFER
SUB
WOOFER
SURROUND
L
R
L
R
MIN. /SPEAKER MIN. /SPEAKER MIN. /SPEAKER
MIN. /SPEAKER MIN. /SPEAKER
:4 :8 :6
:6 :6
MAIN A OR B A+B CENTER REAR CENTER
REAR
A/B/C/D/E
BASS
+ +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FMAUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
V V
AUDIO OUTPUT
AUDIO INPUT
L
R
VIDEO OUTPUT
VIDEO INPUT
L
R
VIDEO INPUT
V
VIDEO OUTPUT
V
O
OPTICAL OUTPUT
AUDIO OUTPUT
L
R
V
VIDEO OUTPUT
O
OPTICAL OUTPUT
V
O
OPTICAL OUTPUT
VIDEO OUTPUT
L
R
V
O
(RX-V630RDS)
indicates video cables
indicates optical cables
indicates right analog cables
indicates left analog cables
indicates signal direction
Video monitor
VCR 1
DVD player
TV/digital TV/
cable TV
Game console or
camcorder
(RX-V630RDS)
Page 18
16
CONNECTIONS

Connecting audio components

Connecting a CD player
Connect the coaxial digital output jack on your CD player to the DIGITAL INPUT CD jack.
y
• The AUDIO jacks are available for a CD player which does not have coaxial digital output jack.
Connecting a CD recorder or MD
recorder
Connect the optical digital signal input jack on your CD recorder or MD recorder to the DIGITAL OUTPUT MD/ CD-R jack for digital recording. Connect the optical digital output jack on your CD recorder or MD recorder to the DIGITAL INPUT MD/ CD-R jack to play a source from your recording component.
DIGITAL
OUTPUT
DIGITAL
INPUT
6CH INPUT
CD
CD
IN
(PLAY)
OUT (REC)
DVD
DVD
OUT
VCR 1
VCR 2
/VDR
MD
/CD-R
TUNER
D-TV /CBL
OUT
IN
IN
OPTICAL
D-TV/CBL
MD/CD-R
MD/CD-R
OPTICAL
COAXIAL
S VIDEO VIDEO
OUTPUT
S VIDEO
MONITOR OUT
VIDEO
VIDEOAUDIO
MAIN
CENTER
SUB
WOOFER
SUB
WOOFER
SURROUND
L
R
L
R
AUDIO
O
C
L
R
O
O
OPTICAL INPUT
OPTICAL OUTPUT
AUDIO OUTPUT
L
R
COAXIAL OUTPUT
C
DSP-AX630SE
(DSP-AX630SE)
indicates signal direction
CD player
CD recorder or
MD recorder
y
• The AUDIO jacks are available for an CD recorder or MD recorder which does not have optical digital input or output jack.
Notes
• Once you have connected a recording component to this unit, keep its power turned on while using this unit. If the power is off, this unit may distort the sound from other components.
• DIGITAL OUTPUT jack and analog OUT (REC) jacks are independent. Only digital signals are output from DIGITAL OUTPUT jack and analog signals from OUT (REC) jacks.
DSP-AX630SE
Connecting a tuner
Connect the output jacks on your tuner to the TUNER jacks.
indicates optical cables
indicates coaxial cables
Tuner
indicates right analog cables
indicates left analog cables
Page 19
17
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
CONNECTIONS
D-TV
/CBL
DVD
FM
ANT
AM
ANT
GND
75
UNBAL.
VIDEO
OUT
MONI
T
OU
T
VIDEO
O
TUNER
Ground (GND terminal)
For maximum safety and minimum interference, connect the antenna GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Indoor FM antenna (included)
AM loop antenna
(included)
Connecting the antennas
RX-V630RDS
11 (7/16)
8 (5/16) 6 (1/14)
Connecting the AM loop antenna
1 Set up the AM loop antenna, then connect it.
2 Press and hold the tab to insert the AM loop
antenna lead wires into the AM ANT and GND terminals.
3 Orient the AM loop antenna for the best
reception.
Notes
• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.
A properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may improve the quality. Consult the nearest authorized YAMAHA dealer or service center about the outdoor antennas.
Open the cover of the included 75-ohm/300-ohm antenna adapter.
Cut the external sleeve of the 75-ohm coaxial cable and prepare it for connection.
Cut the lead wire and remove it.
Insert the cable wire into the slot, and clamp it with pliers.
Snap the cover into place.
12
Unit: mm (inch)
3
Lead wire
4
Clamp with pliers.
Clamp with pliers.
Insert the wire into the slot.
5
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength.
Connect each antenna correctly to the designated terminals.
75-ohm/300-ohm antenna adapter (U.K. model)
Page 20
18
CONNECTIONS
234
5
MAIN
CENTER
REAR
CENTER
OUTPUT
L
L
R
REAR
(SURROUND)
R
OUTPUT
SUB
WOOFER
1

Connecting an external amplifier

If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the OUTPUT jacks as follows.
Note
• When RCA pin plugs are connected to the OUTPUT jacks for output to an external amplifier, signals are output from the SPEAKERS terminals as well.
1 SUBWOOFER jack
When using a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input jack of the subwoofer system to this jack. Low bass signals distributed from the main, center and/or rear channels are directed to this jack in accordance with your SPEAKER SET selections. The LFE (low-frequency effect) signals generated when Dolby Digital or DTS is decoded are also directed to this jack in accordance with your SPEAKER SET selections.
Notes
• The cut-off frequency of the SUBWOOFER jack is 90 Hz.
• If you do not use a subwoofer, designate the signals to the main left and right speakers by changing the settings of SPEAKER SET item “1E BASS” on the SET MENU.
• Use the control on the subwoofer to adjust its volume level. It is also possible to adjust the volume level by using this unit’s remote control (see “ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS” on page 51).
2 MAIN jacks
Main channel line output jacks.
Note
• The signals output through these jacks are affected by the BASS and TREBLE settings.
3 REAR CENTER jack
Rear center channel line output jack.
4 CENTER jack
Center channel line output jack.
5 REAR (SURROUND) jacks
Rear channel line output jacks.

Connecting an external decoder

This unit is equipped with 6 additional input jacks (MAIN left and right, CENTER, SURROUND left and right, and SUBWOOFER) for discrete multi-channel input from an external decoder, sound processor, or pre-amplifier.
Connect the output jacks on your external decoder to the 6CH INPUT jacks. Be sure to match the left and right outputs to the left and right input jacks for the main and surround channels.
Notes
• When you select 6CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you cannot listen to DSP programs.
• When you select 6CH INPUT as the input source, settings of “1 SPEAKER SET” on the SET MENU do not apply (except for “1F MAIN Lv”).
Page 21
19
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
CONNECTIONS

Connecting the power supply cords

SWITCHED
100W MAX. TOTAL
AC OUTLETS
Connecting the AC power cord
Plug in this unit to the wall outlet.
AC OUTLETS (SWITCHED)
U.S.A., Canada, China, Europe, Singapore and
General models ..............................................2 OUTLETS
U.K. and Australia model ................................1 OUTLET
Use these outlets to connect the power cords from your components to this unit. The power to the AC OUTLETS is controlled by this unit’s STANDBY/ON (or SYSTEM POWER and STANDBY). These outlets will supply power to any source component connected to this unit whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLETS varies depending on the area which it was purchasing.
China and General models ......................................... 50 W
Other models ........................................................... 100 W

Turning on the power

When all connections are complete, turn on the power of this unit.
1 Press STANDBY/ON (SYSTEM POWER on
the remote control) to turn on the power of this unit.
The level of the main volume, and then the current DSP program name appear on the front panel display.
2 Turn on the video monitor connected to this
unit.
1
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
–+ –+
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
1
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR1/DVR
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
ROCK
CONCERT
JAZZ CLUB
A
STANDBY
/ON
POWER
SYSTEM
or
Remote control
Front panel
(Europe model)
Page 22
20
Item
1A CENTER
1B MAIN
1C REAR LR
1D REAR CT
1E BASS
1F MAIN Lv
Description
Sets center speaker availability and size.
Sets main speaker size.
Sets rear L/R speakers availability and size.
Sets rear center speaker availability and size.
Sets the speaker(s) to be used to output low bass signals.
Sets the main speaker level.
Possible settings (default setting indicated in bold)
LRG/SML/NON
LARGE/SMALL
LRG/SML/NON
LRG/SML/NON
SWFR/MAIN/BOTH
Nrm (Normal)/–10 dB

SPEAKER MODE SETTINGS

This unit has 6 SPEAKER SET items on the SET MENU that you must set according to the number of speakers in your configuration and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings as well as other possible settings.
If the initial settings shown in the following table are not appropriate for your speaker configuration, see “1 SPEAKER SET” on pages 43-45 to change the settings.
Summary of SPEAKER SET items 1A through 1F
Page 23
21
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX

Using the test tone

Use the test tone to balance the output levels of the speakers. The adjustment of each speaker output level should be made at your listening position using the remote control.
1 Press AMP.
2 Press TEST to output the
test tone.
3 Adjust the volume of this unit so you can
hear the test tone.
The test tone is heard (in order) from the main left speaker, center speaker, main right speaker, rear right speaker, rear center, rear left speaker, and the subwoofer. The tone is produced for 2.5 seconds from each speaker.
This section explains how to adjust speaker output levels using the test tone generator. When this adjustment is complete, the output level heard at the listening position should be the same from each speaker. This is important for best performance of the digital sound field processor, and the various decoders (Dolby Digital, Dolby Pro Logic, Dolby Pro Logic
and DTS).
Note
• Since this unit cannot enter the test mode while headphones are connected to this unit, be sure to unplug the headphones from the PHONES jack when using the test tone.

Before you begin

1 Press SPEAKERS A or B
to select the main speakers to be used.
If you are using two sets of the main speakers, press both A and B.
2 Set the BASS and TREBLE controls on the
front panel to the center position.
TEST
RETURN
AMP
BASS
+
TREBLE
+
SET MENU
TV INPUTTV MUTE
A/B/C/D/E
VOLUME
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
AMP
VCR 1 VCR2/DVR
+
+
–+–
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
A
SELECT
PRESET/CH
2,5
4
1 3
SPEAKERS
AB

ADJUSTING SPEAKER OUTPUT LEVELS

NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
3
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
1
2
VOLUME
+
VOLUME
Remote controlFront panel
or
Page 24
22
ADJUSTING SPEAKER OUTPUT LEVELS
4 Adjust the level of the
effect speakers using j / i so that it matches the level of the main speakers.
While adjusting, the test tone is heard from the selected speaker.
Note
• To adjust the level of the main speakers, use VOLUME knob (or VOLUME +/– on the remote control).
5 When adjustment is
complete, press TEST to stop the test tone.
Notes
• If “1A CENTER” on the SET MENU is set to NON, the center channel sound is automatically output from the main left and right speakers.
• If “1C REAR LR” on the SET MENU is set to NON, the output level of the rear left, right and center speakers cannot be adjusted in step 4. The test tone will be circulated skipping the rear left and right speakers and the rear center speaker.
• If “1D REAR CT” on the SET MENU is set to NON, the output level of the rear center speaker cannot be adjusted in step 4. The test tone will be circulated skipping the rear center speaker.
• If “1E BASS” on the SET MENU is set to MAIN, the test tone will be circulated skipping the subwoofer.
y
• It is not necessary to readjust the speaker levels once they are set (as long as you do not change the speakers). You can enjoy listening to or watching the input source at the desired volume simply by adjusting the VOLUME knob (or VOLUME +/– on the remote control).
• If the output level of the effect speakers (center, rear left, rear right, and rear center) cannot be increased enough to match the level of the main speakers, set “1F MAIN Lv” on SET MENU to –10 dB (see page 45). This setting decreases the main speaker output level to about one-third of the normal level. After you have set “1F MAIN Lv” on the SET MENU to –10 dB, adjust the levels for the center and rear speakers again.
* Subwoofer test tone is output after the rear left
speaker (LEFT SURROUND).
The front panel display shows which speaker is outputting the test tone.
Note
• If the test tone cannot be heard, turn down the volume, set this unit to standby mode and check the speaker connections.
SELECT
PRESET/CH
+
LEFT SURROUND RIGHT SURROUND
CENTER
REAR CENTER
RIGHT
LEFT
*SUBWOOFER
TEST
RETURN
Page 25
23
English
INTRODUCTION
PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX

BASIC PLAYBACK

1 Press STANDBY/ON (SYSTEM POWER on
the remote control) to turn on the power.
2 Turn on the video monitor connected to this
unit.
3 Press SPEAKERS A or B
to select the main speakers to be used.
If you are using two sets of main speakers, press both A and B.
4 Press INPUT l / h repeatedly (one of the
input selector buttons on the remote control) to select the input source.
The selected input source name and input mode appear on the front panel display for a few seconds.
To select the audio source connected to the 6CH INPUT jacks
(When combining with a video source)
• You need to select the input to which the video source component is connected before selecting audio source.
Press 6CH INPUT until “6CH INPUT” appears on the front panel display.
Note
• If “6CH INPUT” is shown on the front panel display, no other
source can be played. To select another input source, first press 6CH INPUT to turn off “6CH INPUT” from the front panel display.
INPUT
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
STEREO
EFFECT
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
A
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
7
1
44
6
V-AUX
D-TV/CBL
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
LR
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
1
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
464
6
73
STANDBY
/ON
POWER
SYSTEM
SPEAKERS
AB
or
or
Remote control
Remote control
Front panel
Front panel
Selected input source
6CH INPUT
6CH INPUT
Remote controlFront panel
or
Page 26
24
BASIC PLAYBACK
5 Start playback or select a broadcast station
on the source component.
Refer to the operation instructions for the component.
6 Adjust the volume to the desired level.
The volume level is displayed digitally.
Example: –70 dB Control range: VOLUME MUTE (minimum) to
0 dB (maximum) The volume level indicator also shows the current volume level as a bar graph. If desired, use BASS and TREBLE. These controls only effect the sound from the main speakers.
Notes
• If you increase or decrease the high-frequency or the low­frequency sound to an extreme level, the tonal quality from the center and rear speakers may not match that of the main left and right speakers.
• If you have connected a recording component to the VCR 1 OUT, VCR 2/DVR OUT, or MD/CD-R OUT jacks, and you notice distortion or low volume during playback of other components, try turning the recording component on.
7 Select a DSP program if desired.
Use PROGRAM l / h (DSP program buttons on the remote control) to select a DSP program. See pages 29 to 33 for details about DSP programs. When using the remote control, press AMP before selecting a DSP program.
V-AUX
D-TV/CBL
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
VOLUME
+
VOLUME
BASS
+
TREBLE
+
Front panel
or
Remote control
BGV (background video) function
The BGV function allows you to enjoy video images from a video source together with sounds from an audio source. For example, you can enjoy listening to classical music while having beautiful scenery from a video source on the video monitor.
Select a source from the video group, then select a source from the audio group using the input selector buttons on the remote control. BGV selections cannot be made with INPUT l / h on the front panel.
To mute the sound
1 Press MUTE on the
remote control.
To resume the audio output, press MUTE again.
y
• You can also cancel mute by pressing VOLUME +/–, etc.
• During muting, the “MUTE” indicator flashes on the front panel display.
When you have finished using
this unit
1 Press STANDBY/ON (STANDBY on the
remote control) to set this unit in the standby mode.
PROGRAM
or
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
Front panel Remote control
STANDBY
/ON
or
STANDBY
Front panel
Remote control
MUTE
Page 27
25
English
INTRODUCTION
PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
BASIC PLAYBACK

Input modes and indications

This unit comes with a variety input jacks. You can select the type of input signals you desire.
Each time you turn on the power of this unit, the input mode is set according to “8 INPUT MODE” setting on the SET MENU (see page 47 for details).
1 Press INPUT MODE (the input selector
button that you have pressed to select the input source on the remote control) repeatedly until the desired input mode is shown on the front panel display.
AUTO: In this mode, the input signal is selected
automatically as follows:
1) Digital signal
2) Analog signal
DTS: In this mode, only the digital input signal
encoded with DTS is selected, even if another signal is input at the same time.
ANALOG: In this mode, only the analog input signal is
selected, even if a digital signal is input at the same time.
Notes
• When AUTO is selected, this unit automatically determines the type of signal. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting.
• When playing a disc encoded with Dolby Digital or DTS on some LD or DVD players, the sound output delays for a moment when playback resumes after a search because the digital signal is selected again.
• When playing a LD source that has not been digitally recorded, the sound may not be output for some LD players. In this case, set the input mode to ANALOG.
INPUT MODE
DVD AUTO
LR
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
V-AUX
D-TV/CBL
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
Remote controlFront panel
or
Input mode
Notes on 96-kHz sampling digital signals
The digital input jacks of this unit can handle 96-kHz sampling digital signals. Note the following when 96-kHz sampling digital signal is input to this unit: – DSP programs cannot be selected. – Sound will be output as 2-channel stereo from only the
main left and right speakers. (There may be sound output from the subwoofer depending on the SPEAKER MODE settings on the SET MENU.) Therefore, the level of the effect speakers cannot be adjusted while listening to such a source.
Notes on playing DTS-CD/LDs
• If the digital output data of the player has been
processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player.
• If you play a source encoded with a DTS signal and
set the input mode to ANALOG, this unit may reproduce the noise of an unprocessed DTS signal. In this case, connect the source to a digital input jack and set the input mode to AUTO or DTS.
• If you switch the input mode to ANALOG while
playing a source encoded with a DTS signal, this unit reproduces no sound.
• If you play a source encoded with a DTS signal with
the input mode set to AUTO; – This unit automatically switches to the DTS-
decoding mode (The “t” indicator lights up) after having detected the DTS signal. When playback of the DTS source is completed, the “t” indicator may flash. While this indicator is flashing, only DTS source can be played. If you want to play a normal PCM source soon, set the input mode back to AUTO.
– When the input mode is set to AUTO and a search or
skip operation is performed during playback of a DTS source, the “t” indicator may flash. If this status continues for longer than 30 seconds, this unit will automatically switch from “DTS-decoding” mode to PCM digital signal input mode. The “t” indicator will turn off.
Page 28
26
BASIC PLAYBACK

Selecting a sound field program

You can enhance your listening experience by selecting a DSP program. For details about each program, see pages 29 to 33.
1 Press AMP.
2 Press one of the DSP program buttons on
the remote control to select the desired program.
The name of the selected program appears on the front panel display.
AMP
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY /
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
PROGRAM l / h
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
STEREO
EFFECT
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
A
1
2,3
3 After selecting the desired program, press
the same button repeatedly to select the desired sub-program if available.
Example: Pressing MOVIE THEATER 1 repeatedly
switches the sub-program between “Sci-Fi” and “Spectacle”.
Notes
• There are 9 programs with sub-programs available with this unit. However, the selection depends on the input signal format and not all sub-programs can be used with all input signal formats.
• The digital sound field processor cannot be used when a source connected to the 6CH INPUT jacks of this unit is selected or when 96-kHz sampling digital signals are input to this unit.
• The acoustics of your listening room affect the DSP program. Minimize the sound reflections in your room to maximize the effect created by the program.
• When you select an input source, this unit automatically selects the last DSP program used with that source.
• When you set this unit in the standby mode, the current source and DSP program are memorized and are automatically selected when you turn on the power again.
• If a Dolby Digital or DTS signal is input when the input mode is set to AUTO, the DSP program (No. 7–9) automatically switches to the appropriate decoding program.
• When a monaural source is being played with PRO LOGIC/ Normal or PRO LOGIC/Enhanced, or PRO LOGIC
Movie, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. (If “1A CENTER” on the SET MENU is set to NON, the center channel sound is output from the main speakers.)
y
• You can also select DSP program by pressing PROGRAM
l / h on the front panel.
• Select a program based on your listening preference. Program names are just for reference.
DGTLz Sci-Fi
RL
LCR
RR
LFE
DSP
DIGITAL
VOLUME
MOVIE
THTR
1
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
Sub-program name
Program name
DGTL Spectacle
RL
LCR
RR
LFE
DSP
DIGITAL
VOLUME
MOVIE
THTR
1
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
Program name
Sub-program name
Page 29
27
English
INTRODUCTION
PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
BASIC PLAYBACK
Selecting PRO LOGIC
You can enjoy the 2-channel sources decoded into five or six discrete channels by selecting PRO LOGIC
in
program No. 9.
1 Select a 2-channel source and start playback
on the source component.
2 Press AMP.
3 Press q/DTS SUR.
The previously selected sub program appears on the front panel display.
PRO LOGIC
LR
DSP
PRO LOGIC
/
VOLUME
PRO LOGIC
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
Remote control
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
PROGRAM l / h
AMP
4 Press SELECT repeatedly to select the
decoder; PRO LOGIC or PRO LOGIC
.
5 After selecting on the decoder (PRO LOGIC
), select the mode appropriate for the
source by pressing q/DTS SUR.
The selection switches as follow; PRO LOGIC
Movie PRO LOGIC Music
y
• You can select PRO LOGIC, PRO LOGIC
Movie, and PRO
LOGIC
Music by pressing PROGRAM l / h on the front
panel repeatedly.
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
STEREO
EFFECT
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
A
3,4,5
2
Page 30
28
BASIC PLAYBACK
Playing Dolby Digital Surround EX or DTS ES software
Press EX/ES to turn on the Dolby Digital EX or DTS-ES compatible decoder.
The display changes AUTO → Matrix6.1 → OFF each time the EX/ES button is pressed.
AUTO: This mode automatically switches Dolby
Digital EX and DTS-ES compatible depending on the signal. Rear center speaker does not work for 5.1 channel sources.
Matrix6.1: This setting produces 6-channel playback of
the input source using the Dolby Digital EX or DTS-ES compatible decoder. The rear center speaker can be used when playing a
5.1-channel source.
OFF: Rear center speaker does not work in this
setting. (Except for when the DSP program “6ch” is selected.)
Notes
• No sound will be output from the rear center speaker if you
have set “1C REAR LR” or “1D REAR CT” on the SET MENU to NON.
• The setting becomes AUTO once this unit turns into standby
mode.
• Some Dolby Digital Surround EX or DTS ES software may not
contain the signal that is necessary for this unit to switch to the Dolby Digital EX or DTS-ES compatible decoding mode. To turn on the decoder when playing such a source, select “Matrix6.1”.
Virtual CINEMA DSP
With Virtual CINEMA DSP, you can enjoy all DSP programs without rear speakers. It creates virtual speakers to reproduce a natural sound field. You can listen to virtual CINEMA DSP by setting “1C REAR LR” in the SET MENU to NON. Sound field processing changes to VIRTUAL CINEMA DSP automatically.
Note
• This unit is not set in the virtual CINEMA DSP mode even if
“1C REAR LR” is set to NON in the following cases: – when the 6ch Stereo, DOLBY DIGITAL Normal, Pro Logic
Normal, Pro Logic
, or DTS Normal program is selected; – when the sound effect is turned off; – when 6CH INPUT is selected as the input source; – when 96-kHz sampling digital signals are input to this unit; – when using the test tone; or – when connecting the headphones.
STEREO
EFFECT
ENTER
STEREO
EFFECT
Front panel
or
Remote control
SELECT
PRESET/CH
+
SILENT CINEMA DSP
You can enjoy a powerful sound field similar to what you could expert from actual speakers with SILENT CINEMA DSP. You can listen to SILENT CINEMA DSP by connecting your headphones to the PHONES jack while the digital sound field processor is on. Enjoy all the DSP program using the headphones. The “SILENT” indicator lights up on the front panel display. (When sound effects are off, you listen to the source with normal stereo reproduction.)
Notes
• This feature is not available when 6CH INPUT is selected or 96-kHz sampling digital signals are input to this unit.
• The sound of LFE channel will be mixed and output from the headphone.
Normal stereo reproduction
1 Press STEREO to turn off the sound effect
for normal stereo reproduction.
Press STEREO again to turn the sound effect back on.
Notes
• If you turn off the sound effects, no sound is output from the center speaker, rear speakers, or rear center speaker.
• If you turn off the sound effects while a Dolby Digital or DTS signal is being output, the dynamic range of the signal is automatically compressed and the sounds of the center and rear speaker channels are mixed and output from the main speakers.
• The volume may be greatly reduced when you turn off the sound effects or if you set “4 D. RANGE” on the SET MENU to MIN. In this case turn on the sound effect.
• The sound of LFE channel will be directed to the main left and right or the subwoofer (or both) channels depending on the setting of “1E BASS” on the SET MENU.
y
During stereo reproduction, you can display information such as the type, format and sampling frequency of the signal input from the components connected to this unit.
(While playing a source)
1 Press AMP. 2 Press d to display the information about the
input signal.
EX/ES
+10
The MATRIX indicator lights up.
Spectacle EX
DSP
MATRIX
DIGITAL
MOVIE
THTR
1
VCR
V-AUX
DVD
TUNER
D-TV/CBL
MD/CD-R
1
VCR2/DVR
Page 31
BASIC
OPERATION
29
English
INTRODUCTION PREPARATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX

DIGITAL SOUND FIELD PROCESSING (DSP)

Understanding sound fields

A sound field is defined as the “characteristic sound reflections of a particular space.” In concert halls and other music venues, we hear early reflections and reverberations as well as the direct sound produced by the artist(s). The variations in the early reflections and other reverberations among the different music venues is what gives each venue its special and recognizable sound quality. YAMAHA sent teams of sound engineers all around the world to measure the sound reflections of famous concert halls and music venues, and collect detailed sound field information such as the direction, strength, range, and delay time of those reflections. Then we stored this enormous amount of data in the ROM chips of this unit.
Recreating a sound field
Recreating the sound field of a concert hall or an opera house requires localizing the virtual sound sources in your listening room. The traditional stereo system that uses only two speakers is not capable of recreating a realistic sound field. YAMAHA’s DSP requires four effect speakers to recreate sound fields based on the measured sound field data. The processor controls the strength and delay time of the signals output from the four effect speakers to localize the virtual sound sources and fully encompass the listener.

Hi-Fi DSP programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments.
No.
1
2
3
4
Program
CONCERT HALL
JAZZ CLUB
ROCK CONCERT
ENTERTAINMENT/ Disco
ENTERTAINMENT/ 6ch Stereo
Features
A large round concert hall with a rich surround effect. Pronounced reflections from all directions emphasize the extension of sounds. The sound field has a great deal of presence, and your virtual seat is near the center, close to the stage.
This is the sound field at stage front in “The Bottom Line”, a famous New York jazz club, that seats up to 300 people. Its wide left to right seating arrangement offers a real and vibrant sound.
The ideal program for lively, dynamic rock music. The data for this program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of the hall.
This program recreates the acoustic environment of a lively disco in the heart of a big city. The sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.
Using this program increases the listening position range. This is a sound field suitable for background music at parties, etc.
Page 32
30

CINEMA-DSP

Sound design of CINEMA-DSP

Filmmakers intend for the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen. CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS, Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide a surround sound field. It recreates comprehensive movie sound design in your audio room. In CINEMA-DSP sound field programs, YAMAHA’s exclusive DSP processing is added to the Main left and right, and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth transition between sound sources, and a surround sound field that goes beyond the screen. When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound field program for that signal.
L SURROUND SOUND FIELD
R SURROUND SOUND FIELD
PRESENCE SOUND FIELD
DIALOG
EFFECT MUSIC
In addition to the DSP, this unit is equipped with a variety of precise decoders; Dolby Pro Logic decoder for Dolby Surround sources, Dolby Pro Logic
decoder for Dolby Surround and 2-channel sources, Dolby Digital/DTS decoder for multi-channel sources and Dolby Digital EX or DTS-ES compatible decoder for adding a rear center channel. You can select CINEMA-DSP programs to optimize these decoders and the DSP sound patterns depending on the input source.
Page 33
31
English
INTRODUCTION PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
CINEMA-DSP
The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without using matrix processing. This unit’s MOVIE THEATER programs provide the same quality of sound and sound localization that 6-channel soundtracks do. The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your home. With this unit’s MOVIE THEATER programs, you can use Dolby Digital or DTS technology to recreate a dynamic sound that gives you the feeling of being in a public theater.
Dolby Digital/DTS + DSP sound field effect
These programs use YAMAHA’s tri-field DSP processing on each of the Dolby Digital or DTS signals for the front, left surround, and right surround channels. This processing enables this unit to reproduce the immense sound field and surround expression of a Dolby Digital­or DTS-equipped movie theater without sacrificing the clear separation of all channels.
Dolby Digital EX/DTS-ES compatible + DSP sound field effect
These programs provide you with the maximum experience of the spacious surround effects by adding an extra rear center DSP sound field created from the rear center channel.
Dolby Pro Logic + DSP sound field effect
Most movie software has 4-channel (left, center, right, and surround) sound information encoded by Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend to be lost in the encoding and decoding processes.
Dolby Pro Logic
Dolby Pro Logic decodes Dolby Surround software into 5 discrete full-range channels (3 channels in front and 2 channels in rear). There are 2 modes; MOVIE for movies and MUSIC for 2-channel audio sources.
Surround DSP sound field
Right surround DSP sound field
Presence DSP sound field
Left surround DSP sound field
Presence DSP sound field
Page 34
32
CINEMA-DSP

CINEMA-DSP programs

For movie programs: No. 7 to 9
This unit automatically chooses the appropriate decoder and DSP sound field pattern according to the input signal format.
Table of Program Names for Each Input Format
MOVIE THEATER 1
MOVIE THEATER 2
DOLBY DIGITAL
DTS DIGITAL SUR
PRO LOGIC
PRO LOGIC
2 channel
Stereo
70 mm Spectacle
70 mm Sci-Fi
70 mm Adventure
70 mm General
Normal
Enhanced
Movie
Music
DOLBY DIGITAL
DGTL Spectacle
DGTL Sci-Fi
DGTL Adventure
DGTL General
Normal
Enhanced
5.1 channel
DTS
DTS Spectacle
DTS Sci-Fi
DTS Adventure
DTS General
Normal
Enhanced
DTS-ES
compatible
Spectacle ES
Sci-Fi ES
Adventure ES
General ES
DTS-ES
Enhanced ES
6.1 channel *
Input
Program
DOLBY DIGITAL
EX
Spectacle EX
Sci-Fi EX
Adventure EX
General EX
Dolby D EX
Enhanced EX
* means the Dolby Digital EX decoder or the DTS-ES compatible decoder is ON.
y
• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will automatically switch to
the Dolby Digital playback sound field or DTS playback sound field.
• If Dolby Digital Surround EX software or DTS ES software is played when AUTO is selected by pressing the EX/ES button on the
remote control, the Dolby Digital EX or DTS-ES compatible decoder usually turns on and the corresponding DSP program is selected.
• EX/ES on the remote control can be used to play Dolby Digital or DTS 5.1 channel sources with the rear center speaker. In this case
the program name changes to the corresponding name for 6.1 channel.
• When playing a 6.1 channel source with the Dolby Digital EX decoder or the DTS-ES compatible decoder turned off, the program
name changes to the corresponding name for 5.1 channel.
Notes
• The “ ” indicator does not light up when selecting program No. 9 except in Enhanced mode.
• When playing a monaural source with a CINEMA DSP program, the source signal is directed to the center channel, main and rear
speakers output effect sounds.
No.
7
8
9
Page 35
33
English
INTRODUCTION PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
CINEMA-DSP
Program
Enhanced Mode
No.
4
5
6
Program
ENTERTAINMENT/ Game
ENTERTAINMENT/ Concert Video
TV SPORTS
MONO MOVIE
Features
This program adds a deep and spatial feeling to video game sounds.
This program adds a deep and spatial feeling to concert video sounds.
With this program, you can enjoy watching various TV programs such as news, variety shows, music programs or sports programs. In a stereo broadcast of a sports game, the commentator is oriented at the center position, and the shouts and the atmosphere in the stadium spread on the surround side, while their spread to the rear is properly restrained.
This program is provided for reproducing monaural video sources (such as old movies). The program produces the optimum reverberation to create sound depth by using only the presence sound field.
For audio-video sources: No. 4 to 6
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. Select the DSP program that you feel sounds best regardless of the name and description given for it below.
No.
7
8
9
Features
This program creates the extremely wide sound field of a 70-mm movie theater. It precisely reproduces the source sound in detail, making both the video and the sound field incredibly real. This is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions).
This program clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques.
This program is ideal for precisely reproducing the sound design of the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible.
This program is for reproducing sounds from 70-mm and multichannel soundtrack films, and is characterized by a soft and extensive sound field. The presence sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining the echo effect of conversations without losing clarity.
This program ideally simulates the multi-surround speaker systems of the 35-mm film theaters. Dolby Pro Logic decoding, Dolby Digital decoding or DTS decoding and digital sound field processing create precise effects without altering the original sound orientation. The surround effects produced by this sound field wrap around the viewer naturally from the back to the left and right, and toward the screen.
MOVIE THEATER 1
MOVIE THEATER 2
Spectacle
Sci-Fi
Adventure
General
Page 36
34

TUNING

4 Press PRESET/TUNING l / h once to begin
automatic tuning.
Press h to tune in to a higher frequency, or press l to tune in to a lower frequency.
When tuned in to a station, the “TUNED” indicator lights up and the frequency of the received station is shown on the front panel display.
y
• Use the manual tuning method if the tuning search does not stop at the desired station because the signal is weak.
Manual tuning
If the signal from the station you want to select is weak, you must tune in to it manually.
1 Select TUNER and the reception band
following steps 1 and 2 described in “Automatic tuning” at left.
2 Press TUNING MODE (AUTO/MAN’L MONO)
so that the “AUTO” indicator goes off from the front panel display.
If the colon (:) appears on the front panel display, press PRESET/TUNING (EDIT) to turn it off.
3 Press PRESET/TUNING l / h to tune in to
the desired station manually.
Hold down the button to continue the tuning search.
Note
• Manually tuning in to an FM station will automatically change the reception mode to monaural to increase the signal quality.

Automatic and manual tuning

There are 2 ways to tune; automatic and manual. Automatic tuning is effective when station signals are strong and there is no interference.
Automatic tuning
1 Press INPUT l / h (TUNER on the remote
control) to select TUNER as the input source.
2 Press FM/AM to select the reception band.
“FM” or “AM” appears on the front panel display.
3 Press TUNING MODE (AUTO/MAN’L MONO)
so that the “AUTO” indicator lights up on the front panel display.
If the colon (:) appears on the front panel display, press PRESET/TUNING (EDIT) to turn it off.
INPUT
PRESET/TUNING
4233
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
1
FM/AM
or
AUTO/MAN'L MONO
TUNING MODE
AUTO
Lights up
EDIT
PRESET/TUNING
POWER
SLEEP
STANDBY
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
A
or
Front panel
Remote control
AUTO/MAN'L MONO
TUNING MODE
AUTO
Goes off
EDIT
PRESET/TUNING
PRESET/TUNING
A AM 144O
TUNED
VCR
V-AUX
DVD
TUNER
D-TV/CBL
MD/CD-R
1
/
DVR
A AM 144O
TUNED
VCR
V-AUX
DVD
TUNER
D-TV/CBL
MD/CD-R
1
/
DVR
A AM 144O
TUNED
VCR
V-AUX
DVD
TUNER
D-TV/CBL
MD/CD-R
1
/
DVR
Page 37
35
English
INTRODUCTION
PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
TUNING

Presetting stations

Automatically presetting stations (for FM stations)
You can use the automatic preset tuning feature to store FM stations. This function enables this unit to automatically tune in to FM stations with strong signals, and to store up to 40 (8 stations x 5 groups) of those stations in order. This feature enables you to easily tune in to any preset station by selecting the preset station number (see page 37).
1 Press FM/AM to select the FM band.
2 Press TUNING MODE (AUTO/MAN’L MONO)
so that the “AUTO” indicator lights up on the front panel display.
3 Press and hold MEMORY (MAN’L/AUTO FM)
for more than 3 seconds.
The preset number and the “MEMORY” and “AUTO” indicators flash. Then, after about 5 seconds, automatic preset tuning begins from the frequency currently displayed toward the higher frequencies.
When automatic preset tuning is completed, the front panel display shows the frequency of the last preset station.
AUTO/MAN'L MONO
TUNING MODE
MEMORY
MAN'L/AUTO FM
AUTO
A1:FM
LR
MEMORY
AUTO
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
1
23
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
Lights up
Notes
• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.
• When a station data is stored under a preset number, the frequency and reception band are also stored.
• You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “Manually presetting stations” on page 36.
• If the number of the received stations does not reach E8, automatic preset tuning has automatically stopped after searching all stations.
• Only FM stations with sufficient signal strength are stored automatically by automatic preset tuning. If the station you want to store is weak in signal strength, tune in to it manually in the monaural mode, and store it by following the procedure in “Manually presetting stations” on page 36.
Automatic preset tuning options
You can select the preset number from which this unit will store FM stations and/or begin tuning toward lower frequencies. After pressing MEMORY in step 3:
1. Press A/B/C/D/E and PRESET/TUNING l / h to
select the preset number under which the first station will be stored. Automatic preset tuning will stop when stations have all been stored up to E8.
2. Press PRESET/TUNING (EDIT) to turn off the colon
(:) and then press PRESET/TUNING l to begin tuning toward lower frequencies.
Memory back-up
The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the preset stations may be cleared. If so, store the stations again.
FM/AM
Page 38
36
TUNING
Manually presetting stations
You can also store up to 40 stations (8 stations x 5 groups) manually.
1 Tune in to a station.
See page 34 for tuning instructions.
When tuned in to a station, the front panel display shows the frequency of received station.
2 Press MEMORY (MAN’L/AUTO FM).
The “MEMORY” indicator flashes for about 5 seconds.
3 Press A/B/C/D/E repeatedly to select a preset
station group (A to E) while the “MEMORY” indicator is flashing.
The group letter appears and make sure that the colon (:) appears on the front panel display.
MEMORY
MAN'L/AUTO FM
MEMORY
A/B/C/D/E
C :AM 63O kHz
LR
TUNED
MEMORY
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
4 3 2,5
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
Shows the displayed station has been stored as C3.
Flashes
4 Press PRESET/TUNING l / h to select a
preset station number (1 to 8) while the “MEMORY” indicator is flashing.
Press h to select a higher preset station number. Press l to select a lower preset station number.
5 Press MEMORY (MAN’L/AUTO FM) on the
front panel while the “MEMORY” indicator is flashing.
The station band and frequency appear on the front panel display with the preset group and number you have selected.
6 Repeat steps 1 to 5 to store other stations.
Notes
• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.
• The reception mode (stereo or monaural) is stored along with the station frequency.
A AM 63O kHz
LR
TUNED
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
PRESET/TUNING
C3:AM 63O kHz
LR
TUNED
MEMORY
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
MEMORY
MAN'L/AUTO FM
C3:AM 63O kHz
LR
TUNED
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
Page 39
37
English
INTRODUCTION
PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
TUNING

Exchanging preset stations

You can exchange the assignment of two preset stations. The example below describes the procedure for exchanging preset station “E1” with “A5”.
1 Tune in to preset station “E1” by using the
A/B/C/D/E and PRESET/TUNING l / h.
See “Tuning in to a preset station” at left.
2 Press and hold PRESET/TUNING (EDIT) for
more than 3 seconds.
“E1” and the “MEMORY” indicator flash on the front panel display.
3 Tune in to preset station “A5” by using the
A/B/C/D/E and PRESET/TUNING l / h.
“A5” and the “MEMORY” indicator flash on the front panel display.
4 Press PRESET/TUNING (EDIT) again.
The stations stored at the two preset assignments are exchanged.

Tuning in to a preset station

You can tune any desired station simply by selecting the preset station number under which it was stored.
1 Press A/B/C/D/E (A/B/C/D/E on the remote
control) to select the preset station group.
The preset group letter appears on the front panel display and changes each time you press A/B/C/D/E.
2 Press PRESET/TUNING l / h (PRESET
u / d on the remote control) to select a
preset station number (1 to 8).
The preset group and number appear on the front panel display along with the station band, frequency and the “TUNED” indicator lights up.
EDIT
PRESET/TUNING
SELECT
PRESET/CH
+
PRESET/TUNING
A/B/C/D/E
SET MENU
A/B/C/D/E
MENU
A5:FM 9O.6 MHz
LR
TUNED
MEMORY
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
EDIT E1-A5
MEMORY
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
Shows the exchange of stations has been completed.
Front panel
Remote control
or
Front panel
Remote control
or
1
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
2
1 2
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
A/B/C/D/E
AUDIO
LEVEL
MENU
TEST
EFFECT
RETURN
DISPLAY
TITLE
+
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
2,41,3 1,3
EDIT
PRESET/TUNING
E1:FM 87.5 MHz
TUNED
MEMORY
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
E1:FM 87.5 MHz
TUNED
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
Page 40
38

Description of RDS data

This unit can receive, PS, PTY, RT, CT, and EON data when receiving RDS broadcasting stations.
PS (Program Service name) mode:
The name of the RDS station being received is displayed.
PTY (Program Type) mode:
There are 15 program types to classify RDS stations.
RT (Radio Text) mode:
Information about the program (such as the title of the song, name of the singer, etc.) on the RDS station being received is displayed by a maximum of 64 alphanumeric characters, including the umlaut symbol. If other characters are used for RT data, they are displayed with under-bars.
CT (Clock Time) mode:
The current time is displayed and updated every minute. If the data are accidentally cut off, “CT WAIT” may appear.
EON (Enhanced Other Networks):
Refer to following page.

Changing the RDS mode

The four modes are available in this unit for displaying RDS data. When an RDS station is being received, PS, PTY, RT and/or CT mode indicators that correspond to the RDS data services offered by the station light up on the front panel display. Press RDS MODE/FREQ repeatedly to change the display mode among the RDS data offered by the transmitting station in the order shown below.
Notes
• When an RDS station is being received, do not press RDS MODE/FREQ until one or more RDS mode indicators light up on the front panel display. If you press the button before the indicators light up on the front panel display, the mode cannot be changed. This is because this unit has not yet received all of the RDS data on the station.
• RDS data not offered by the station cannot be selected.
• The RDS data service cannot be utilized by this unit if the received signal is not strong enough. In particular, the RT mode requires a large amount of data to be received, so it is possible that the RT mode may not be displayed even if other RDS modes (PS, PTY, etc.) are displayed.
• RDS data cannot sometimes be received under poor reception conditions. If so, press TUNING MODE so that the “AUTO” indicator goes off from the front panel display. Although the reception mode is changed to monaural by this operation, when you change the display to RDS mode, RDS data may be displayed.
• If the signal strength is weakened by external interference during the reception of an RDS station, the RDS data service may be cut off suddenly and “...WAIT” will appear on the front panel display.
PS mode
RDS mode
OFF
CT mode
RT mode
PTY mode
NEWS
AFFAIRS
INFO
SPORT
EDUCATE
DRAMA
CULTURE
SCIENCE
VARIED
POP M
ROCK M
M.O.R. M
LIGHT M
CLASSICS
OTHER M
News
Current affairs
General information
Sports
Education
Drama
Culture
Science
Light entertainment
Pops
Rock
Middle-of-the-road music
(easy-listening)
Light classics
Serious classics
Other music
RDS MODE/FREQ
EON

RECEIVING RDS STATIONS

RDS (Radio Data System) is a data transmission system by FM stations in many countries.
RDS data contains various information such as PS (Program Service name), PTY (Program Type), RT (Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc. The RDS function is carried out among the network stations.
Page 41
39
English
INTRODUCTION
PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
RECEIVING RDS STATIONS

PTY SEEK function

If you select the desired program type, this unit automatically searches all preset RDS stations that are broadcasting a program of the required type.
1 Press PTY SEEK MODE to set this unit in the
PTY SEEK mode.
The program type of the station being received or “NEWS” flashes on the front panel display.
2 Press PRESET/TUNING l / h to select the
desired program type.
The selected program type appears on the front panel display.
3 Press PTY SEEK START to begin searching
all preset RDS stations.
The selected program type flashes and the “PTY HOLD” indicator lights up on the front panel display while searching for stations.
• If a station that is broadcasting a program of the required type is found, this unit stops at that station.
• If the called station is not the desired one, press PTY SEEK START again. This unit begins searching for another station that is broadcasting a program of the same type.
To cancel this function
Press PTY SEEK MODE twice.
PTY SEEK
MODE
START

EON function

This function uses the EON data service on the RDS station network. If you simply select the desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches for all preset RDS stations that are scheduled to broadcast a program of the required type and switches from the station being currently received to the new station when the broadcasts starts.
Note
• This function can only be used when an RDS station that offers the EON data service is being received. When such a station is being received, the “EON” indicator lights up on the front panel display.
1 Make sure that the “EON” indicator lights up
on the front panel display.
If the “EON” indicator does not light up, tune in to another RDS station so that the “EON” indicator lights up.
2 Press EON repeatedly to select the desired
program type (NEWS, INFO, AFFAIRS or SPORT).
The selected program type name appears on the front panel display.
• If a preset RDS station of the selected program type starts broadcasting, this unit will automatically switch from the program being currently received to that program. (EON indicator flashes.)
• When broadcasting of the required program ends, the previously received station (or another program on the same station) is recalled.
To cancel this function
Press EON repeatedly until no program type name lights up on the front panel display.
PTY SEEK
MODE
START
RDS MODE/FREQ
EON
Flashes
Lights up
PRESET/TUNING
PTY HOLD
Page 42
40
Use this feature to automatically set this unit in the standby mode after the amount of time you have set. The sleep timer is useful when you are going to sleep while this unit is playing or recording a source. The sleep timer also automatically turns off the external component(s) connected to AC OUTLET(S).
The sleep timer can only be set with the remote control.
y
• By connecting a commercially available timer to this unit, you can also set a wake-up timer. Refer to the operation instructions of the timer.

Setting the sleep timer

1 Select a source and start playback on the
source component.
2 Press SLEEP repeatedly
to set the amount of time.
Each time you press SLEEP, the front panel display changes as shown below.
SLEEP
SLEEP
1
2
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
A
SLEEP 12Omin
LR
DSP
PCM
SLEEP
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR
CONCERT HALL
LR
DSP
PCM
SLEEP
VOLUME
VCR
V-AUX
DVD
TUNER CD
D-TV/CBL
MD/CD-R
1
VCR2/DVR

SLEEP TIMER

3 The “SLEEP” indicator lights up on the front
panel display soon after the sleep timer has been set.
The display then returns to the previous indication.

Canceling the sleep timer

1 Press SLEEP repeatedly until “SLEEP OFF”
appears on the front panel display.
After a few seconds, “SLEEP OFF” disappears, the “SLEEP” indicator goes off and the display returns to the previous indication.
y
• The sleep timer setting can also be canceled by setting this unit in the standby mode by using STANDBY on the remote control (or STANDBY/ON on the front panel) or by disconnecting the AC power cord from the AC outlet.
Page 43
41
English
INTRODUCTION
PREPARATION
BASIC
OPERATION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
INPUT
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
ROCK
CONCERT
JAZZ CLUB
A
2
SLEEP
6CH INPUT
V-AUX
D-TV/CBL
AMP
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
A
Front panel Remote control
or

RECORDING

Notes
• Do a test recording before you start an actual recording.
• When this unit is set in the standby mode, you cannot record between the components connected to this unit.
• The setting of BASS, TREBLE, VOLUME, “5 L/R BALANCE” on the SET MENU and DSP programs does not effect the recorded material.
• A source connected to the 6CH INPUT jacks on this unit cannot be recorded.
• A given input source is not output to the same OUT (REC) channel. (For example, the signal input from VCR 1 IN is not output to VCR 1 OUT.)
• Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws.
If you playback a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.
Special considerations when
recording DTS software
The DTS signal is a digital bitstream. Attempting to digitally record the DTS bitstream will result in noise being recorded. Therefore, if you want to use this unit to record sources that have DTS signals recorded on them, the following considerations and adjustments need to be made.
For LDs, DVDs and CDs encoded with DTS, when your player is compatible with the DTS format, follow its operation instruction to make a setting so that the analog signal will be output from the player.
Timer playback/recording
This unit can perform playback or recording with an external timer (not supplied). Refer to the operating instructions for the component and the timer to be used.
Notes
• Stored data, such as input source, will be reflected when playback or recording with the timer.
• If you do not want any sound output when recording with a timer, turn the volume down.
Memory back-up
The memory back-up circuit prevents the stored data (input source, volume level, set menu settings and so on) from being lost even if this unit is disconnected from the AC outlet. However, if the timer is turned off for more than one week, the stored data will be lost.
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
PRESET/TUNING
A/B/C/D/E
BASS
– + – +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
MEMORY
FM/AM
EDIT
PRESET/TUNING
MAN'L/AUTO FM
AUTO/MAN'L MONO
TUNING MODE
VOLUME
INPUT
INPUT M0DE
6CH INPUT
21
Recording adjustments and other operations are performed from the recording components. Refer to the operation instructions for these components.
1 Turn on the power of this unit and all
connected component.
2 Select the source component you want to
record from.
3 Start playback (or select a broadcast station)
on the source component.
4 Start recording on the recording component.
Page 44
42
SELECT
PRESET/CH
+

Adjusting the items on the SET MENU

On the remote control
Note
• Some items require extra steps.
1 Press AMP.
2 Press SET MENU to enter
the SET MENU.
3 Press u/d repeatedly to
select the item you want to adjust (1 to 10).
y
• By pressing SET MENU repeatedly, you can select items in the
same order as when pressing d.
4 Press j / i once to enter
the setup mode of the selected item.
The last setting you adjusted appears on the front panel display.
Depending on the item, press u/d to select a sub item.
AMP

SET MENU

ADVANCED OPERATION

2
1
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
TV INPUTTV MUTE
A/B/C/D/E
AUDIO
VOLUME
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
AMP
VCR 1 VCR2/DVR
A
+
+
–+–
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
6
3,6
4,5
The SET MENU consists of 10 items including the speaker mode setting. Choose the appropriate item and adjust or select the values as necessary.
y
• You can adjust the items on the SET MENU while playing a source.
Items Initial settings
1 SPEAKER SET
A CENTER LRG (large) B MAIN LARGE C REAR LR LRG (large) D REAR CT LRG (large) E BASS BOTH F MAIN Lv Nrm (Normal)
2 LFE LEVEL SP/HP 0 dB
3 SP DLY TIME
CENTER 0 ms REAR CNTR 3 ms
4 D. RANGE SP/HP MAX
5 L/R BALANCE 0 dB for L/R
6
HP TONE CTRL BASS/TRBL
0 dB
7 I/O ASSIGN
A (component video input) [A] DVD
[B] D-TV/CBL
B (optical output) (1) MD/CDR
C (optical input) (2) MD/CDR
(3) DVD (4) D-TV/CBL
D (coaxial input) (5) CD
8 INPUT MODE AUTO
9 DISPLAY SET
DIMMER 0
10 MEM. GUARD OFF
• In the descriptions for each item from the following page, the default setting is indicated in bold.
SET MENU
A/B/C/D/E
MENU
SELECT
PRESET/CH
+
SELECT
PRESET/CH
+
Page 45
43
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
SET MENU
5 Press j / i repeatedly to
change the setting of the item.
6 Press u/d repeatedly until the menu
disappears or simply press one of the DSP program group buttons to exit SET MENU.
SELECT
PRESET/CH
+
SELECT
PRESET/CH
+
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
1 SPEAKER SET (speaker mode
settings)
Use this feature to select suitable output modes for your speaker configuration.
Notes
• When 96-kHz sampling digital signals are input to this unit, some items are not affected.
• When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1E are not affected.
1A CENTER (center speaker
mode)
By adding a center speaker to your speaker configuration, this unit can provide better dialog localization for several listeners and superior synchronization of sound and images.
Choices: LRG (large), SML (small), NON (none)
LRG
Select this if you have a large center speaker. The entire range of the center channel signal is directed to the center speaker.
SML
Select this if you have a small center speaker. The low­frequency signals (90 Hz and below) of the center channel are directed to the speakers selected with “1E BASS”.
NON
Select this if you do not have a center speaker. All of the center channel signal are directed to the main left and right speakers.
or
Memory back-up
The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, adjust the items again.
DSP-AX630SE
On the front panel
1 Press NEXT to enter the
SET MENU.
2 Press NEXT repeatedly to
select the item you want to adjust.
3 Press SET MENU –/+
repeatedly to change the setting.
4 Press NEXT repeatedly until the menu
disappears or simply press PROGRAM l / h to exit the SET MENU.
3 1,2,4
NATURAL SOUND AV RECEIVER
SPEAKERS
AB
SILENT
PHONES
STANDBY
/
ON
STEREO
EFFECT
PROGRAM
SET MENU
NEXT
BASS
+
– +
TREBLE
VIDEO AUX
S VIDEO VIDEO AUDIO OPTICALLR
VOLUME
INPUT
INPUT M0DE
6CH INPUT
4
PROGRAM
SET MENU +
NEXT
NEXT
or
NEXT
Page 46
44
SET MENU
1B MAIN (main speaker mode)
Choices: LARGE, SMALL
LARGE
Select this if you have large main speakers. The entire range of the main left and right channel signal is directed to the main left and right speakers.
SMALL
Select this if you have small main speakers. The low­frequency signals (90 Hz and below) of the main channel are directed to the speakers selected with “1E BASS”.
1C REAR LR (rear speaker mode)
Choices: LRG (large), SML (small), NON (none)
LRG
Select this if you have large rear left and right speakers or if a rear subwoofer is connected to the rear speakers. The entire range of the rear channel signal is directed to the rear left and right speakers.
SML
Select this if you have small rear left and right speakers. The low-frequency signals (90 Hz and below) of the rear channel are directed to the speakers selected with “1E BASS”.
NON
Select this if you do not have rear speakers.
y
• This unit is set in the virtual CINEMA DSP mode when you select NON for “1C REAR LR”. In this case, the rear center speaker will automatically be set to “NON” and the “1D REAR CT” item will be skipped.
1D REAR CT (rear center speaker mode)
By adding a rear center speaker to your speaker configuration, this unit can provide more realistic front­to-back and transitions.
Choices: LRG (large), SML (small), NON (none)
LRG
Select this if you have a large rear center speaker. The entire range of the rear center channel signal is directed to the rear center speaker.
SML
Select this if you have a small rear center speaker. The low-frequency signals (90 Hz and below) of the rear center channel are directed to the speakers selected with “1E BASS”.
NON
Select this if you do not have a rear center speaker. All of the rear center channel signal are directed to the rear left and right speakers.
1E BASS (LFE/bass out mode)
LFE signals carry low-frequency effects when this unit decodes a Dolby Digital or DTS signal. Low-frequency signals are defined as 90 Hz and below. The Low­frequency signals can be directed to both main left and right speakers, and the subwoofer (subwoofer can be used for both stereo reproduction and the DSP program).
Choices: SWFR (subwoofer), MAIN, BOTH
SWFR
Select this if you use a subwoofer. The LFE signals are directed to the subwoofer.
MAIN
Select this if you do not use a subwoofer. The LFE signals are directed to the main speakers.
BOTH
The LFE signals are directed to the subwoofer. Low­frequency signals designated to the main channels in accordance with other speaker mode settings are directed to both main speakers and a subwoofer.
Note
• When you select MAIN for “1E BASS”, the low-frequency
signals (90 Hz and below) of the main channel are directed to the main speakers even if you select SMALL for the main speaker mode.
Page 47
45
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
SET MENU
L
C
C
RC
R
RL
RR
RC
3 SP DLY TIME (speaker delay
time)
Use this feature to adjust the delay of the center and the rear center channel sounds. This feature works when there is sound output from the center speakers, with a source like Dolby Digital or DTS, etc. Ideally, the center speaker and the rear center speaker should be the same distance from the main listening position as the left and right speakers. However, in most home situations, the center speaker or the rear center speaker are placed in line with the main speakers or the rear speakers. By delaying the sound from the center speaker and the rear center speaker, the apparent distance from the center speaker and the rear center speaker to the main listening position can be adjusted to make it seem the same as the distance between the main left and right speaker, and the rear left and right speakers to the listening position. Adjusting the delay time for the center speaker is especially important for giving depth to the dialogue.
Control range:
CENTER .......................... 0 to 5 ms
REAR CNTR (center) ...... 0 to 30 ms
Initial setting:
CENTER .......................... 0 ms
REAR CNTR (center) ...... 3 ms
1 Press j / i to increase or decrease the delay
of the center and the rear center channel sounds.
Center speaker image
y
• Increasing the delay by 1 ms simulates moving the speakers about 30 cm (one foot) farther away from the listening position.
1F MAIN Lv (main level mode)
Change this setting if you cannot match the output level of the center, rear (L/R), and rear center speakers with the main speakers because of unusually high-efficiency performance from the main speakers.
Choices: Nrm (Normal), –10 dB
Nrm
Select this if you can match the output level of your effect speakers with that of your main speakers when using the test tone.
–10 dB
Select this if you cannot match the output level of your effect speakers with that of your main speakers when using the test tone.

2 LFE LEVEL

Use this feature to adjust the output level of the LFE (low-frequency effect) channel when playing back a Dolby Digital or DTS signal. The LFE signal carries the low-frequency special effect sound which is only added to certain scenes.
Control range:
SPEAKER ............ –20 to 0 dB
HEADPHONE ..... –20 to 0 dB
Initial setting: 0 dB
1 Press d/u to select the item to be adjusted.
2 Press j to adjust the LFE level.
Note
• Adjust the LFE level according to the capacity of your subwoofer or headphones.
Page 48
46
SET MENU
7 I/O ASSIGN (input/output
assignment)
It is possible to assign jacks according to the component to be used if this unit’s COMPONENT VIDEO input jack or DIGITAL INPUT/OUTPUT jack settings (component names for jacks) differ from that component. This makes it possible to change the jack assignment and effectively connect more components. Once you assign, you can select that component with INPUT l / h (or the input selector buttons on the remote control).
7A CMPNT-V INPUT for COMPONENT VIDEO INPUT jacks [A] and [B]
Choices: [A] DVD, V-AUX, VCR 2/DVR, VCR 1,
D-TV/CBL
[B] DVD, V-AUX, VCR 2/DVR, VCR 1,
D-TV/CBL
7B OPTICAL OUT for OPTICAL OUTPUT jack (1)
Choices: (1) MD/CD-R, (
DSP-AX630SE
TUNER), CD, V-AUX, VCR 2/DVR, VCR 1, D-TV/CBL, DVD
7C OPTICAL IN for OPTICAL INPUT jacks (2) to (4)
Choices: (2) MD/CD-R, (
DSP-AX630SE
TUNER), CD, VCR 2/DVR, VCR 1, D-TV/ CBL, DVD
(3) MD/CD-R, (
DSP-AX630SE
TUNER),
CD, VCR 2/DVR, VCR 1, D-TV/ CBL, DVD
(4) MD/CD-R, (
DSP-AX630SE
TUNER),
CD, VCR 2/DVR, VCR 1, D-TV/ CBL, DVD
7D COAXIAL IN for COAXIAL INPUT jack (5)
Choices: (5) MD/CD-R, (
DSP-AX630SE
TUNER),
CD, V-AUX, VCR 2/DVR, VCR 1, D­TV/CBL, DVD
Notes
• You cannot select an item more than once for the same type of
jack.
• When you connect a component to both the COAXIAL and
OPTICAL jacks, priority is given to the input signals from the COAXIAL jack.

4 D. RANGE (dynamic range)

Use this feature to adjust the dynamic range. This setting is effective only when this unit is decoding Dolby Digital signals.
Choices: MAX, STD (standard), MIN (minimum)
MAX
Select the “MAX” for feature films.
STD
Select the “STD” for general use.
MIN
Select the “MIN” for listening to sources at low volume levels.
5 L/R BALANCE (balance of the
main left and right speakers)
Use this feature to adjust the balance of the output level from the main left and right speakers.
Control range: 20 steps for L/R Initial setting: 0 dB for L/R
1 Press i to decrease the output level for the
main left speaker. Press j for the main right speaker.
6 HP TONE CTRL (headphone tone
control)
Use this feature to adjust the level of the bass and treble when you use your headphones.
Control range (dB):
BASS ............... –6 to +3
TRBL (treble) .. –6 to +3
Initial setting:
BASS ............... 0 dB
TRBL............... 0 dB
Page 49
47
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
SET MENU
8 INPUT MODE (initial input
mode)
Use this feature to designate the input mode for sources connected to the DIGITAL INPUT jacks when you turn on this unit (see page 25 for details about the input mode).
Choices: AUTO, LAST
AUTO
Select this to allow this unit to automatically detect the type of input signal and select the appropriate input mode.
LAST
Select this to set this unit to automatically select the last input mode used for the respective source.

9 DISPLAY SET

DIMMER
You can adjust the brightness of the front panel display.
Control range: –4 to 0 Initial setting: 0

10 MEM. GUARD (memory guard)

Use this feature to prevent accidental changes to settings on this unit.
Choices: ON, OFF
Select ON to protect the following features:
• All SET MENU items
• Center, rear speakers, rear center, and subwoofer levels
• DSP program parameters
Notes
• When this item is set to ON, you cannot use the test tone.
• When this item is set to ON, you cannot select any other SET
MENU items.
Page 50
48

REMOTE CONTROL FEATURES

In addition to controlling this unit, the remote control can operate other A/V components made by YAMAHA and other manufacturers. To control other components, you must set up the remote control with the manufacturer codes.

Control area

Controlling this unit
The shaded areas below can be used to control this unit when the AMP mode is selected. Press AMP to select the AMP mode.
Controlling other component
The shaded areas below can be used to control other components. Each button has a different function depending on the selected components. Select the component to be controlled by pressing an input selector button.
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
TV INPUTTV MUTE
A/B/C/D/E
AUDIO
VOLUME
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
+
+
+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
A
Å button and input selector buttons switch the control area for each component. * Å button is to operate the other components that are not connected to this unit. Factory setting: Å...VCR
Component control area
You can control up to 9 different components. You can set up manufacturer code and program other remote control functions for each component (see page 50).
Å button and input selector buttons
The buttons in the dotted lines (SYSTEM POWER, STANDBY, SLEEP, 6CH INPUT, VOLUME +/– and MUTE) function in any mode.
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
A
DVD
MD/CD-R TUNERCD
+
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
TV INPUTTV MUTE
A/B/C/D/E
AUDIO
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
+
+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
Press AMP to control this unit.
Page 51
49
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
REMOTE CONTROL FEATURES
3 Press the numeric buttons to enter the four
digit manufacturer’s code for the component to be used.
Refer to “LIST OF MANUFACTURER’S CODES” at the end of this manual.
The TRANSMIT indicator flashes twice.
Notes
• If the manufacturer of your component has more than one
code, try each of them until you find the correct one.
• If you wait for more than 30 seconds during step 3, the setup
process is canceled. If this happens, start over from step 2.

Setting the manufacturer code

You can control other components by setting a manufacturer code. Codes can be set for each of the 9 component controls.
The following table shows factory-set component (Library: component category) and the manufacturer code for each component control.
1 Press an input selector button or Å to select
the component you want to set up.
2 Press CODE SET using a ballpoint pen or
similar object.
The TRANSMIT indicator flashes twice.
SLEEP
6CH INPUT
V-AUX
D-TV/CBL
AMP
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
A
CODE SET
Component
control
(buttons)
CD
MD/CD-R
TUNER
DVD
D-TV/CBL
V-AUX
VCR 1
VCR 2/DVR
A
Component category
(Library)
CD
MD
TUNER
DVD
Manufacturer
YAMAHA
YAMAHA
YAMAHA
YAMAHA
TRANSMIT
STEREO
EFFECT
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
Code
0005
0024
0003
0098

Clearing setup manufacturer codes

Clearing setup manufacturer code for the component control
1 Press an input selector button or Å to select
the component control for which you want to clear the manufacturer code.
2 Press CODE SET by using a ballpoint pen or
similar object.
The TRANSMIT indicator flashes twice.
Note
• If you do not press any button within 30 seconds after step 2,
the clearing process is canceled. If this happens, start over from step 1.
3 Enter the code number “0000”.
The TRANSMIT indicator flashes twice, and the manufacturer code for the selected component is cleared.
y
• You can clear all setup manufacturer codes at once by entering
the code number “9990”.
POWER
SLEEP
STANDBY
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
A
CODE SET
TRANSMIT
Page 52
50
REMOTE CONTROL FEATURES

Controlling other components

DVD player VCR TV, digital/cable TV CD player CD/MD recorder Tuner
1 AV POWER *1Power *1Power *3VCR power *1Power *1Power *1Power 2 TV POWER *2TV power *2TV power *2TV power *2TV power *2TV power *2TV power 3 TV CH + *2TV channel up *2TV channel up TV channel up *2TV channel up *2TV channel up *2TV channel up
TV CH – *2TV channel down
*2TV channel down TV channel down
*2TV channel down
*2TV channel down
*2TV channel down
4 TV VOL + *2TV volume up *2TV volume up TV volume up *2TV volume up *2TV volume up *2TV volume up
TV VOL – *2TV volume down
*2TV volume down TV volume down
*2TV volume down
*2TV volume down
*2TV volume down
5 TV MUTE *2TV mute *2TV mute TV mute *2TV mute *2TV mute *2TV mute 6 TV INPUT *2TV input *2TV input TV input *2TV input *2TV input *2TV input 7 1-9, 0, +10
Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Preset stations (1-8)
8 TITLE Title 9 PRESET/CH u Up VCR channel up Preset up
PRESET/CH d Down
VCR channel down
Preset down
PRESET/CH j Left
PRESET/CH i Right
SELECT Select
0 RETURN Return q
REC/DISC SKIP
Disc skip Rec *3VCR rec Disc skip Rec (MD)
w Play Play *
3
VCR play Play Play
e
Search backward Search backward
*3VCR search backward
Search backward Search backward
r Search forward Search forward *
3
VCR search forward
Search forward Search forward
AUDIO Audio
d Pause Pause *
3
VCR pause Pause Pause
t Skip backward Skip backward Skip backward
y Skip forward Skip forward Skip forward
a Stop Stop *
3
VCR stop Stop Stop
w ENTER Title/Index Enter Enter Index Index e MENU Menu A/B/C/D/E r DISPLAY Display Display Display
You can operate other components when you have set the manufacturer code for your component. Note, however, that some buttons may not operate your component. Once you select an input source, the remote control switches to the mode for operating the component.
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
DVD
MD/CD-R TUNERCD
+
+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
ROCK
CONCERT
JAZZ CLUB
A
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
A/B/C/D/E
AUDIO
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
+
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
1 2
3 4
5 6
8
9
7
0
q
w
e
r
*1This button functions only when the original remote control of the component has POWER button. *2These buttons can operate your TV without switching the input if the manufacturer code is set in D-TV/CBL. *3These buttons can operate your VCR without switching the input to VCR if the manufacturer code is set in VCR.
Page 53
51
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
You can adjust the output level of each effect speaker (center, rear left and right, rear center and subwoofer) while listening to a source.
Adjustment should be made with the remote control.
1 Press AMP.
(While playing a source)
2 Press LEVEL repeatedly to select the
speaker(s) you want to adjust.
Each time you press LEVEL, the selected speaker changes and appears on the front panel display as follows: center, rear right, rear center, rear left and subwoofer.
LEVEL
TITLE
AMP
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
A/B/C/D/E
AUDIO
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
+
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
A
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
ROCK
CONCERT
JAZZ CLUB
1
2
2
3
SELECT
PRESET/CH
+
SELECT
PRESET/CH
+
LEVEL
TITLE

ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS

y
• Once you press LEVEL, you can also select the speaker(s) to
be adjusted by pressing d / u.
Center speaker output level
Subwoofer output level
Rear left speaker output level
Rear right speaker output level
3 Press j / i to adjust the speaker output level.
• The control range for the center or rear left and
right speakers is from +10 dB to –10 dB.
• The control range for the subwoofer is from 0 dB
to –20 dB.
Notes
• When the speaker output modes for “1A CENTER” and “1C
REAR LR” are set to NON, and “1E BASS” to MAIN, the output level of those speakers cannot be adjusted because there is no sound coming from these speakers.
• When you adjust the output level with LEVEL, the settings you
made with the test tone will be changed.
• We recommend adjusting the speakers by following the steps
described in “Using the test tone” on pages 21 and 22.
For 6ch Stereo
You can adjust the volume level for each channel in 6­channel stereo mode.
Control range: 0 to 100%
CT level (Center level)
RL level (Rear left level)
RR level (Rear right level)
RC level (Rear center level)
1 Select 6ch Stereo. 2 Press u / d repeatedly to select the
speaker(s) you want to adjust.
3 Press j / i to adjust the speaker output level.
Memory back-up
The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, set the output level again.
Rear center speaker output level
Page 54
52
You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs.
The following table shows factory-set delay time.
AMP
SELECT
PRESET/CH
+

ADJUSTING THE DELAY TIME

Adjustment should be made with the remote control.
1 Press AMP.
(While playing a source)
2 Select a DSP program you want to adjust the
delay time.
3 Press u / d so that “DELAY” appears on the
front panel display.
4 Press j / i to adjust the delay time.
Notes
• Adding too much delay will cause an unnatural effect with some sources.
• The sound is momentarily interrupted while adjusting the delay time.
Memory back-up
The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, adjust the delay time again.
Program
Preset value (ms)
1. CONCERT HALL 45
2. JAZZ CLUB 30
3. ROCK CONCERT 15
4. DISCO 26
GAME 36 CONCERT VIDEO 21
5. TV SPORTS 10
6. MONO MOVIE 69
7. 70 mm SPECTACLE 23
DGTL SPECTACLE 15
DTS SPECTACLE 15 Spectacle EX/ES 15
70 mm SCI-FI 20
Sci-Fi EX/ES 15 DGTL SCI-FI 15
DTS SCI-FI 15
8. 70 mm ADVENTURE 20 DGTL ADVENTURE 15
DTS ADVENTURE 15
Adventure EX/ES 15 70 mm GENERAL 20
DGTL GENERAL 15
DTS GENERAL 15 General EX/ES 15
9. PRO LOGIC/NORMAL 15
DOLBY DIGITAL/NORMAL 5 DTS DIGITAL SUR./NORMAL 5
Dolby D EX/DTS ES 5
PRO LOGIC/ENHANCED 20 DOLBY DIGITAL/ENHANCED 5
DTS DIGITAL SUR./ENHANCED 5
Enhanced EX/ES 5 PRO LOGIC Movie 15
PRO LOGIC Music 5
DELAY
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
A/B/C/D/E
AUDIO
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
+
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
A
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
ROCK
CONCERT
JAZZ CLUB
1
2
3 4
Page 55
53
English
INTRODUCTION
PREPARATION
BASIC OPERA-
TION
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX

Changing parameter settings

You can adjust the values of PRO LOGIC Music parameters so the sound fields are recreated accurately in your listening room.
Adjustments should be made with the remote control.
1 Press AMP.
2 Select PRO LOGIC Music.
3 Press u / d to select the
parameter.
4 Press j / i to change the
parameter value.
5 Repeat steps 3 and 4 above as necessary to
change other parameters.
SELECT
PRESET/CH
+
SELECT
PRESET/CH
+
SELECT
/DTS
SUR.
90
REC
DISC SKIP
SET MENU
SELECT
PRESET/CH
A/B/C/D/E
AUDIO
LEVEL
MENU
TEST
STEREO
EFFECT
RETURN
DISPLAY
TITLE
MUTE
+
HALL
ENTER-
TAINMENT
TV
SPORTS
MONO MOVIE
SELECT
EX/ES
MOVIE
THEATER 1
MOVIE
THEATER 2
/DTS
SUR.
ROCK
CONCERT
JAZZ CLUB
3421
5
90
ENTER
+10
678
POWER
SLEEP
CODE SET
STANDBY
TRANSMIT
6CH INPUT
SYSTEM
V-AUX
D-TV/CBL
TV INPUTTV MUTE
VOLUME
MUTE
AMP
POWER POWER
AVTV
VCR 1 VCR2/DVR
A
DVD
MD/CD-R TUNERCD
+–+
+
TV CHTV VOL
HALL
ENTER-
TAINMENT
ROCK
CONCERT
JAZZ CLUB
1
2
3 4
Note
• You cannot change parameter values when “10 MEM. GUARD” on the SET MENU is set to ON.
Memory back-up
The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the parameter value you edited will return to the factory setting. If so, edit the parameter value again.
PRO LOGIC Music parameter descriptions
PANORAMA
Function: Turning the function on extends the front
stereo image to include the surround speakers for wraparound effect.
Choices: OFF/ON, initial setting is OFF.
DIMENSION
Function: Gradually adjusts the soundfield either
towards the front or towards the rear.
Control range: –3 (towards the rear) to +3 (towards the
front), initial setting is STD (standard).
CT WIDTH (Center width)
Function: Adjusts the center image from all three
front speakers to varying degrees. The larger the value, adjusts the center image towards the main left and right speakers.
Control range: 0 (center channel sound is output only
from center speaker) to 7 (center channel sound is output only from main left and right speakers), initial setting is 3.
ADJUSTING THE PARAMETER SETTINGS FOR PRO LOGIC MUSIC
AMP
Page 56
54

TROUBLESHOOTING

Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the nearest authorized YAMAHA dealer or service center.
General
Problem
This unit fails to turn on when STANDBY/ ON (or SYSTEM POWER) is pressed, or enters in the standby mode soon after the power has been turned on.
No sound.
The picture does not appear.
Cause
The power cord is not connected or the plug is not completely inserted.
The IMPEDANCE SELECTOR switch on the rear panel is not fully set to either the left or right position.
The protection circuitry has been activated.
This unit has been exposed to a strong external electric shock (such as lightning and strong static electricity).
Incorrect input or output cable connections.
An appropriate input source has not been selected.
The speaker connections are not secure.
The main speakers to be used have not been selected properly.
The volume is turned down.
The sound is muted.
Digital signals which this unit cannot reproduce are being input to this unit by playing a CD-ROM, etc.
The output and input for the picture are connected to different types of video jacks.
Remedy
Firmly connect the power cord.
Set the switch fully to the left or right position when this unit is in the standby mode.
Make sure all speaker wire connections on this unit and on all speakers are secure and that the wire for each connection does not touch anything other than its respective connection.
Set this unit in the standby mode, disconnect the power cord, plug it back in after 30 seconds, then start operating.
Connect the cables properly. If the problem persists, the cables may be defective.
Select an appropriate input source with INPUT l / h
or 6CH INPUT (or the input selector buttons).
Secure the connections.
Select the main speakers with SPEAKERS A and/or B.
Turn up the volume.
Press MUTE or any operation buttons of this unit to cancel a mute and adjust the volume.
Play a source whose signals this unit can reproduce.
Make connections using the same type of video jacks (S VIDEO, VIDEO (composite), or COMPONENT VIDEO) for both the input and output.
Refer to page
12
10, 11
10 – 16
23
10, 11
23
24
14, 15
Page 57
55
English
INTRODUCTION PREPARATION
BASIC
OPERAIONT
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
TROUBLESHOOTING
Problem
The sound suddenly goes off.
Only the speaker on one side can be heard.
No sound from the effect speakers.
No sound from the center speaker.
No sound from the rear speakers.
No sound from the subwoofer.
Poor bass reproduction.
Cause
The protection circuit has been activated because of a short circuit, etc.
The sleep timer has functioned.
The sound is muted.
Incorrect cable connections.
Incorrect setting of “5 L/R BALANCE” on the SET MENU.
The sound effect is off.
A Dolby Surround, Dolby Digital or DTS decoding DSP program is being used with material not encoded with Dolby Surround, Dolby Digital or DTS.
A 96-kHz sampling digital signal is being input to this unit.
The output level of the center speaker is set to minimum.
“1A CENTER” on the SET MENU is set to NON.
One of the Hi-Fi DSP programs (1 to 4) has been selected (except for 6ch Stereo).
The source encoded with a Dolby Digital or DTS signal does not have a center channel signal.
The output level of the rear speakers is set to minimum.
A monaural source is being played with program 9.
“1E BASS” on the SET MENU is set to MAIN when a Dolby Digital or DTS signal is being played.
“1E BASS” on the SET MENU is set to SWFR or MAIN when a 2-channel source is being played.
The source does not contain low bass signals (90 Hz and below).
“1E BASS” on the SET MENU is set to SWFR or BOTH and your system does not include a subwoofer.
The speaker mode settings (main, center, rear, or rear center) on the SET MENU does not match your speaker configuration.
Remedy
Check the IMPEDANCE SELECTOR switch is set to the appropriate position and then turn this unit back on.
Check the speaker wires are not touching each other and then turn this unit back on.
Turn on the power, and play the source again.
Press MUTE or any operation buttons of this unit to cancel a mute and adjust the volume.
Connect the cables properly. If the problem persists, the cables may be defective.
Adjust it to the appropriate position.
Press STEREO/EFFECT to turn it on.
Select another DSP program.
Raise the level of the center speaker.
Select the appropriate mode for your center speaker.
Select another DSP program.
Raise the output level of the rear speakers.
Select another DSP program.
Select SWFR or BOTH.
Select BOTH.
Select MAIN.
Select the appropriate position for each speaker based on the size of the speakers in your configuration.
Refer to page
12
10, 11
46
28
26 – 33
51
43
26 – 33
51
26 – 33
44
44
44
43 – 45
Page 58
56
TROUBLESHOOTING
Problem
No sound from the rear center speaker.
A “humming” sound can be heard.
The volume level cannot be increased, or the sound is distorted.
The sound effect cannot be recorded.
A source cannot be recorded by a digital recording component connected to the DIGITAL OUTPUT jack of this unit.
The sound field parameters and some other settings on this unit cannot be changed.
This unit does not operate properly.
“CHECK SP WIRES” appears on the front panel display.
There is noise interference from digital or high-frequency equipment, or this unit.
This unit suddenly turns into the standby mode.
Cause
“1C REAR LR” or “1D REAR CT” on the SET MENU is set to NON.
The Dolby Digital EX decoder or the DTS-ES compatible decoder is not on.
Incorrect cable connections.
The component connected to the OUT (REC) jacks of this unit is turned off.
It is not possible to record the sound effect by a recording component.
A source component is not connected to the DIGITAL INPUT jacks of this unit.
“10 MEM. GUARD” in the SET MENU is set to ON.
The internal microcomputer has been frozen by an external electric shock (such as lightning or excessive static electricity) or by a power supply with low voltage.
Speaker cables are short circuited.
This unit is too close to the digital or high-frequency equipment.
The internal temperature becomes too high and the overheat protection circuitry has been activated.
Remedy
Select LRG or SML.
Press the EX/ES button on the remote control to turn it on.
Firmly connect the audio plugs. If the problem persists, the cables may be defective.
Turn on the power to the component.
Connect the source component to the DIGITAL INPUT jacks of this unit.
Set “10 MEM. GUARD” in the SET MENU to OFF.
Disconnect the AC power cord from the outlet and then plug it in again after about 30 seconds.
Make sure all speaker cables are connected correctly.
Move this unit further away from such equipment.
Wait until this unit cools down and then turn it back on.
Refer to page
44
28
10 – 16
Page 59
57
English
INTRODUCTION PREPARATION
BASIC
OPERAIONT
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
TROUBLESHOOTING
Tuner
RX-V630RDS
FM stereo reception is noisy.
There is distortion, and clear reception cannot be obtained even with a good FM antenna.
The desired station cannot be tuned in with the automatic tuning method.
Previously preset stations can no longer be tuned in.
The desired station cannot be tuned in with the automatic tuning method.
There are continuous crackling and hissing noises.
There are buzzing and whining noises (especially in the evening).
Problem
FM
AM
Cause
The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor.
There is multipath interference.
The station is too weak.
This unit has been disconnected for a long period.
The signal is weak or the antenna connections are loose.
Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment.
A TV set is being used nearby.
Remedy
Check the antenna connections. Try using a high-quality directional FM antenna.
Use the manual tuning method.
Adjust the antenna position to eliminate multipath interference.
Use a high-quality directional FM antenna.
Use the manual tuning method.
Re-store the stations.
Tighten the AM loop antenna connections and orient it for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise.
Move this unit away from the TV.
Refer to page
17
34
17
34
35, 36
17
34
17
Remote control
Problem
The remote control does not work nor function properly.
Cause
Wrong distance or angle.
Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.
The batteries are weak.
The manufacture code has not correctly set.
Even if the manufacturer code is correctly set, there are some models that do not respond to the remote control.
Remedy
The remote control will function within a maximum range of 6 m (20 feet) and no more than 30 degrees off-axis from the front panel.
Reposition this unit.
Replace all batteries with new ones.
Set the code correctly.
Try setting another code of the same manufacturer.
Refer to page
7
3
49
Page 60
58

GLOSSARY

Dolby Surround
Dolby Surround uses a 4 channel analog recording system to reproduce realistic and dynamic sound effects: 2 main left and right channels (stereo), a center channel for dialog (monaural), and a rear channel for special sound effects (monaural). The rear channel reproduces sound within a narrow frequency range. Dolby Surround is widely used with nearly all video tapes and laser discs, and in many TV and cable broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that automatically stabilizes the volume on each channel to enhance moving sound effects and directionality.
Dolby Digital
Dolby Digital is a digital surround sound system that gives you completely independent multi-channel audio. With 3 front channels (left, center, and right), and 2 rear stereo channels, Dolby Digital provides 5 full-range audio channels. With an additional channel especially for bass effects, called LFE (low frequency effect), the system has a total of 5.1 channels (LFE is counted as 0.1 channel). By using 2-channel stereo for the rear speakers, more accurate moving sound effects and surround sound environment are possible than with Dolby Surround. The wide dynamic range (from maximum to minimum volume) reproduced by the 5 full-range channels and the precise sound orientation generated using digital sound processing provide listeners with previously unheard of excitement and realism. With this unit, any sound environment from monaural up to a 5.1-channel configuration can be freely selected for your enjoyment. Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives 3 surround channels from the 2 in the original recording. For the best results, Dolby Digital EX should be used with movie sound tracks recorded with Dolby Digital Surround EX. With this additional channel, you can experience more dynamic and realistic moving sound especially with scenes with “fly­over” and “fly-around” effects.
Dolby Pro Logic
Dolby Pro Logic is an improved technique used to decode vast numbers of existing Dolby Surround softwares. This new technology enables a discrete 5­channel playback with 2 main left and right channels, 1 center channel, and 2 rear left and right channels (instead of only 1 rear channel for conventional Pro Logic technology). A music mode is also available for 2-channel sources in addition to the movie mode.
DTS (Digital Theater Systems) Digital Surround
DTS digital surround was developed to replace the analog soundtracks of movies with a 6-channel digital sound track, and is now rapidly gaining popularity in movie theaters around the world. Digital Theater Systems Inc. has developed a home theater system so that you can enjoy the depth of sound and natural spatial representation of DTS digital surround in your home. This system produces practically distortion-free 6-channel sound (technically, a left, right and center channels, 2 rear channels, plus an LFE 0.1 channel as a subwoofer, for a total of 5.1 channels). The unit incorporates DTS-ES compatible decoder that enables 6.1-channel reproduction by adding the rear center channel to existing 5.1-channel format. (The rear center channel is created from rear left and right channels.)
LFE 0.1 channel
This channel is for the reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is counted as 0.1 because it only enforces a low frequency range compared to the full-range reproduced by the other 5 channels in a Dolby Digital or DTS 5.1 channel systems.
CINEMA DSP
DIGITAL
Since the Dolby Surround and DTS systems were originally designed for use in movie theaters, their effect is best felt in a theater having many speakers and designed for acoustic effects. Since home conditions, such as room size, wall material, number of speakers, and so on, can differ so widely, it’s inevitable that there are differences in the sound heard as well. Based on a wealth of actually measured data, YAMAHA CINEMA DSP uses YAMAHA original sound field technology to combine Dolby Pro Logic, Dolby Digital and DTS systems to provide the visual and audio experience of movie theater in the listening room of your own home.
SILENT CINEMA
YAMAHA has developed a natural, realistic sound effect DSP algorithm for headphones. Parameters for headphones have been set for each sound field so that accurate representations of all the sound field programs can be enjoyed using headphones.
Page 61
59
English
INTRODUCTION PREPARATION
BASIC
OPERAIONT
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
APPENDIX
GLOSSARY
Virtual CINEMA DSP
YAMAHA has developed a virtual CINEMA DSP algorithm that allows you to enjoy DSP sound field surround effects even without any rear speakers by using virtual rear speakers. It is even possible to enjoy virtual CINEMA DSP using a minimal 2-speaker system that does not include a center speaker.
PCM (Linear PCM)
Linear PCM is a signal format under which an analog audio signal is digitized, recorded and transmitted without using any compression. This is used as a method of recording CDs and DVD audio. The PCM system uses a technique for sampling the size of the analog signal per very small unit of time. Standing for “pulse code modulation”, the analog signal is encoded as pulses and then modulated for recording.
Sampling frequency and number of quantized bits
When digitizing an analog audio signal, the number of times the signal is sampled per second is called the sampling frequency, while the degree of fineness when converting the sound level into a numeric value is called the number of quantized bits. The range of rates that can be played back is determined based on the sampling rate, while the dynamic range representing the sound level difference is determined by the number of quantized bits. In principle, the higher the sampling frequency, the wider the range of frequencies that can be played back, and the higher the number of quantized bits, the more finely the sound level can be reproduced.
S-video signal
With the S-video signal system, the video signal normally transmitted using a pin cable is separated and transmitted as the Y signal for the luminance and the C signal for the chrominance through the S-video cable. Using the S VIDEO jack eliminates video signal transmission loss and allows recording and playback of even more beautiful images.
Component video signal
With the component video signal system, the video signal is separated into the Y signal for the luminance and the PB/CB and PR/CR signals for the chrominance. Color can be reproduced more faithfully with this system because each of these signals is independent. The component signal is also called the “color difference signal” because the luminance signal is subtracted from the color signal. A monitor with component input jacks is required in order to use the component signal for output.
Page 62
60

SPECIFICATIONS

AUDIO SECTION
• Minimum RMS Output Power for Main, Center, Rear, Rear Center
20 Hz to 20 kHz, 0.06% THD, 8 Ω ....................................... 75 W
1 kHz, 0.06% THD, 8 Ω ........................................................ 80 W
• DIN Standard Output Power [Europe model]
1 kHz, 0.7% THD, 4 Ω ........................................................ 125 W
• Maximum Power (EIAJ) [China, Korea and General models]
1 kHz, 10% THD, 8 Ω ......................................................... 110 W
• Dynamic Power (IHF)
8/6/4/2 Ω .......................................................... 90/120/150/190 W
• Damping Factor
20 Hz to 20 kHz, 8 Ω ................................................... 80 or more
• Frequency Response
CD to Main L/R ...................................... 10 Hz to 100 kHz, –3 dB
• Total Harmonic Distortion
20 Hz to 20 kHz, 45 W, 8 , Main L/R ................................ 0.06%
• Signal to Noise Ratio (IHF-A Network)
CD (250 mV, shorted) to Main L/R, Effect Off .................. 100 dB
• Residual Noise (IHF-A Network)
Main L/R ................................................................ 150 µV or less
• Channel Separation (1 kHz/10 kHz)
CD (5.1 k terminated) to Main L/R ........................ 60 dB/45 dB
• Tone Control (Main L/R)
BASS Boost/Cut ...................................................... ±10 dB/50 Hz
TREBLE Boost/Cut ............................................... ±10 dB/20 kHz
• Phones Output ............................................................. 0.34 V/560
• Input Sensitivity
CD, etc ....................................................................150 mV/47 k
6CH INPUT ............................................................ 150 mV/47 k
• Output Level
OUT (REC) ........................................................... 150 mV/1.2 k
OUTPUT MAIN/CENTER/REAR CENTER/
REAR (SURROUND) ............................................ 2.2 V/1.2 k
OUTPUT SUBWOOFER ............................................. 4 V/1.2 k
VIDEO SECTION
• Video Signal Type ...................................................... NTSC or PAL
• Composite Video Signal Level ...................................... 1 Vp-p/75
• S-Video Signal Level
Y ................................................................................. 1 Vp-p/75
C ..........................................................................0.286 Vp-p/75
• Component Video Signal Level
Y ................................................................................. 1 Vp-p/75
PB/CB, PR/CR............................................................. 0.7 Vp-p/75
• Signal to Noise Ratio ............................................................... 50 dB
• Frequency Response (MONITOR OUT)
Composite, S-Video ................................. 5 Hz to 10 MHz, –3 dB
Component ................................................. DC to 30 MHz, –3 dB
RX-V630RDS
FM SECTION
• Tuning Range
[U.S.A. and Canada models] ...................... 87.5 to 107.9 MHz
[Other models] ........................................ 87.50 to 108.00 MHz
• 50 dB Quieting Sensitivity (IHF, 100% mod.)
Mono/Stereo .................. 2.0 µV (17.3 dBf) /25 µV (39.2 dBf)
• Selectivity (400 kHz) ......................................................... 70 dB
• Signal to Noise Ratio (IHF)
Mono/Stereo ........................................................ 76 dB/70 dB
• Harmonic Distortion (1 kHz)
Mono/Stereo ........................................................... 0.2%/0.3%
• Stereo Separation (1 kHz) ................................................. 45 dB
• Frequency Response ..................... 20 Hz to 15 kHz +0.5, –2 dB
AM SECTION
• Tuning Range ................................... 530/531 to 1710/1611 kHz
• Usable Sensitivity ....................................................... 300 µV/m
GENERAL
• Power Supply
[U.S.A. and Canada models] ............................... AC 120 V/60 Hz
[Australia model] ................................................. AC 240 V/50 Hz
[U.K., Europe and Singapore models] ................ AC 230 V/50 Hz
[Korea model] ..................................................... AC 220 V/60 Hz
[China and General models] ..... AC 110/120/220/240 V, 50/60 Hz
• Power Consumption
[U.S.A. and Canada models] .................................. 290 W/370 VA
[Other models] ..................................................................... 290 W
Standby Mode ......................................................... approx. 0.6 W
• AC Outlets [U.S.A., Canada, Europe and Singapore models]
.......................................................... 2 (Total 100 W maximum)
[China and General models] .................. 2 (Total 50 W maximum)
[U.K. and Australia models] ......................... 1 (100 W maximum)
• Dimension (W x H x D)
.......................... 435 x 161 x 390 mm (17” x 6-7/16” x 15-3/8”)
• Weight ...................................................................... 11.5 kg (25 lbs)
• Accessories ............................................................... Remote control
Batteries
Front VIDEO AUX jack cap
RX-V630RDS
75-ohm/300-ohm antenna adapter (U.K. model)
RX-V630RDS
AM loop antenna
RX-V630RDS
Indoor FM antenna
*Specifications are subject to change without notice.
Page 63
LIST OF MANUFACTURER’S CODES LISTE DES CODES FABRICANTS LISTE DER HERSTELLER-CODES LISTA ÖVER TILLVERKARKODER LISTA DEI CODICI DEL FABBRICANTE LISTA DE CÓDIGOS DE FABRICANTES LIJST MET FABRIKANTENCODES
TV
ADMIRAL 0411, 0451, 0911,
1021, 1081 AIKO 0891 AKAI 0061, 0101, 0231,
1191, 1351, 1591,
1641, 1791, 1891,
1981 AKURA 1331 ALBA 1241, 1331, 2361 ALBIRAL 1971 AMSTRAD 1301, 1511 ANAM 1171 ARC EN CIEL 0571 ARCAM 0571, 0761 ARISTONA 0751 ARTHUR MARTIN 0451, 1641 ASA 0411, 0451, 0521,
0781, 0871, 1021,
1081, 1421, 2051,
2091, 2151, 2551 ASTRA 1511 ATANTIC 0761 ATLANTIC 0761 ATORI 1511 AUDIOSONIC 1181, 1321, 1511 AUSIND 0491, 1411 AUTOVOX 0091, 0351, 0481,
0491, 0601, 0781,
0951, 1051, 1081,
1391, 1421 BAIRD 1101, 1351 BANG & OLUFSEN 1081 BASIC LINE 1321, 1331 BAUER 1451 BAUR 0041, 0061, 0121,
0131, 0221, 1561 BEKO 2491, 2501 BLAUPUNKT 0221, 0231, 0241,
0251, 0471, 0741,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581 BRANDT 0571, 0651, 0731,
0901, 1821 BRIONVEGA 1021, 1051, 1081 BRITANNIA 0761 BRUNS 0821, 0991, 1021,
1081 BSR 0391, 0691, 1621,
1901, 1981 BUSH 0451, 1241, 1331,
1641, 1741, 2131,
2151 BUSH (UK) 0481, 1561, 1611 CANDLE 0791 CENTURY 1021, 1081 CGE 0491, 0811, 0981,
1401, 1531, 1611,
1621, 1981, 2201,
2251, 2271 CITIZEN 0791
CLARIVOX 0821, 0961, 1971 CLATRONIC 1181, 1331 CONCERTO 0791 CONDOR 0761 CONTEC 0151, 1171 CONTINENTAL EDISON
0571, 0651, 0901 CRAIG 1171 CROSLEY 0021, 0491, 1021,
1081, 1401, 1981,
2201, 2251, 2271 CROWN 2541 CTC CLATRONIC 0261 CXC 1171 DAEWOO 0101, 1501, 1511,
2611 DANSAI 0101 DECCA 0271, 0581, 0601,
0971, 1101, 1691 DECCA (UK) 0271, 0581, 0601,
1101, 1681 DEGRAAF 0451, 1351 DIXI 0991, 1511 DOMEOS 0101 DORIC 1031 DUAL 0091, 0601, 1611,
1641, 2101 DUAL-TEC 0601, 1511, 1621,
2111 DUMONT 0261, 0521, 0781,
1021, 1081, 1981,
2121, 2151 DYNATRON 0101 ELBE 1551, 1971, 2031 ELECTRO TECH 1511 ELEKTRONSKA 0771 ELMAN 0261, 1621 ELTA 1511 EMERSON 0921, 1021, 1081,
1121, 1171, 1261,
1301 ERRES 0101 ETRON 1981 EUROPHON 0261, 0581, 0601,
0771, 1091, 1621,
2001 FENNER 0101, 1511 FERGUSON 0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281, 2311,
2341 FIDELITY 0451, 0761, 2281 FIDELITY (UK) 0561, 0591,
1931, 2281 FILMNET 1141 FINLANDIA 0451, 2321 FINLUX 0021, 0261, 0491,
0521, 0781, 0811, 0871, 1081, 1411, 1421, 1981, 2051, 2091, 2121, 2151, 2551
FIRST LINE 1981 FISHER 0021, 0091, 0141,
0511, 0601, 0801, 0821, 0981, 1021,
1081, 1981, 2091 FORGESTONE 2281 FORMENTI 0451, 0491, 0761,
1081, 1451, 1541,
1981 FORMENTI-PHOENIX
0021, 0431, 0451,
0591, 1411 FORTRESS 1081 FRONTECH 0451, 1181, 1981 FUJITSU 1261 FUNAI 0391, 0691, 1171,
1181, 1261 FUTURETECH 1171 GBC 0021, 0141, 1321,
1511, 1621, 1981 GEC 0451, 1101, 1281,
2321 GEC (UK) 0031, 0081, 0581,
0601, 1101, 1281,
1561 GELOSO 0021, 0411, 0451,
1321, 1511, 1621,
1981 GENERAL TECHNIC
2681 GENEXXA 0451, 1331 GOLDSTAR 0591, 0601, 0761,
0791, 1371, 1491, 1511, 1561, 1621, 1641
GOODMANS 0141, 1101, 1371,
1641, 2301 GORENJE 0981, 1061 GRAETZ 0451 GRANADA 0141, 0451, 0491,
0581, 0601, 1101,
1111, 1351, 1981,
2321 GRANADA (UK) 0081, 0141,
0451, 0491, 0581,
0601, 1031, 1311,
1521, 1561, 1641 GRUNDIG 0221, 0231, 0471,
0491, 0711, 0741,
1381, 2021, 2041,
2141, 2151 HANSEATIC 0021, 0121, 0141,
0431, 0591, 1561 HANTAREX 0581 HEMMERMANN 0061 HIFIVOX 0331, 0571 HINARI 0071, 0141, 0451,
1261, 1351, 1511,
1641, 1981, 2011
HITACHI 0001, 0011, 0031,
0081, 0141, 0291, 0331, 0341, 0451, 0601, 0631, 0701, 1281, 1561, 1601, 1821, 1831, 1841, 1861, 1871, 1881, 1891, 1941, 1981, 2051, 2321, 2341
HYPER 0591, 0601, 1511,
1621
IMPERIAL 0451, 0491, 0811,
0981, 1401, 1611, 1621, 2201, 2251,
2271 INGERSOL 1511 INNO HIT 0581, 0601, 0841,
1101, 1331, 1371,
1511, 2011 INNOVATION 2591, 2601, 2611,
2621, 2641, 2651,
2661, 2711, 2721,
2761, 2771, 2781 INTERFUNK 0031, 0041, 0061,
0121, 0181, 0451,
0491, 1081, 1641,
1791, 1821, 1981,
2231 IRRADIO 0491, 1321, 1331,
1371, 1411, 1511,
2011 ISUKAI 1331 ITT 0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431 ITT-NOKIA 0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431 JVC (VICTOR) 0071, 0721, 1441,
1581, 1591, 1741,
1791 KAISUI 0591, 1321, 1331 KAMOSONIC 0601 KARCHER 0591, 0601, 0841,
1091, 1321, 1511,
1561, 2051 KAWASHO 0761 KENDO 0261 KENNEDY 0021, 0351, 0951,
1981 KONKA 2701 KORTING 0431, 1011, 1021,
1081, 1541
I
Page 64
KTV 0601, 1171 LENOIR 0601, 1511 LEYEO 1181 LIFETEC 2591, 2601, 2611,
2621, 2641, 2651, 2661, 2671, 2681, 2691, 2711, 2761, 2771, 2781
LOEWE OPTA 0121, 0131, 0581,
0611, 1081 LOGIC 1691, 2281 LOGIK 0551, 1681, 2281 LOWEWE 0831 LUMA 0351, 0451, 1901 LUXMAN 0791 LUXMAN STEREO TUNER
0791 LUXOR 0001, 0061, 0181,
0341, 0421, 0451,
0461, 0491, 0601,
0671, 1351, 1371,
1561, 1601, 1911,
1921, 1981 LYCO 1181 MAGNADYNE 0021, 0061, 0261,
0581, 0641, 0771,
1021, 1081, 1621,
1981 MAGNAFON 0261, 0491, 0581,
0591, 0641, 0761,
1091, 2001 MANESTH 0101 MARANTZ 0101 MARELLI 1081 MARK 0101 MATSUI 0061, 0451, 0601,
0691, 1101, 1151,
1241, 1271, 1301,
1511, 1561, 1681,
1691 MAXIMAL 0071, 1981 MCMICHAEL 1281 MEDION 2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2721,
2761, 2771, 2781 MEMOREX 1511 METZ 0231, 0741, 1001,
1041, 1081, 1481,
2071, 2081 MGA 1231 MICROMAXX 2591, 2621, 2641,
2651, 2711, 2761,
2771, 2781 MINERVA 0221, 0231, 0491,
1381, 2141, 2151 MISTRAL 2281 MITSUBISHI 0141, 0201, 0231,
0661, 1191, 1201,
1231, 1671, 1691,
1741 MIVAR 0491, 0501, 0581,
0591, 0761, 0771,
1371, 1431, 2031 MTC 0791 MULTITECH 0261, 0581, 0601,
0641, 0981, 1321,
1511 MURPHY 0451, 2091 MURPHY (UK) 0081, 1031 N.E.I. 0101, 0961 NAD 1341 NEC 0141, 1711, 1721,
1731
NECKERMANN 0451, 0601,
0981, 1081, 1561, 1931, 1981, 2211,
2231, 2241 NEDIATOR 0101 NICAMAGIC 0761 NIKKAI 1101, 1331, 1641,
1701, 2011
NOBLIKO 0261, 0491, 0591,
0641, 1381, 1411 NOGAMATIC 0571 NOKIA 0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431, 2461, 2791 NORDMENDE 0031, 0291, 0331,
0451, 0531, 0541,
0571, 1051, 1131,
1591, 1791, 1811,
1821, 1891, 1941,
2631 OCEANIC 0321, 1651, 1981 OCEANIC (F) 0031, 0061, 0321,
0441, 1661 ONCEAS 0601 ONWA 1171 ORION 0061, 0391, 0691,
0851, 1211, 1241,
1251, 1301, 1481,
1511, 1681, 1691,
1981, 2371, 2421 OSAKA 2011 OSAKI 1101, 1331, 2011 OSUME 0151 OTTO VERSAND 0021, 0121,
0141, 0221, 0601,
1561, 1741, 1981 PAEL 0591, 1411 PANASONIC 0031, 0201, 0211,
0451, 0701, 1311,
1751, 1961, 2561,
2741 PANORAMIC 2351 PATHE MARCONI 0571 PATHE’ CINEMA (F) 0431, 0591,
1621, 1661, 1971 PAUSA 1511 PAUZA 1511 PERDIO 0891, 1101 PHILCO 0021, 0491, 0811,
0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471 PHILIPS 0101, 0361, 0591,
0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,
2511, 2731 PHOENIX 1081 PHONOLA 0751, 1081 PIONEER 0291, 0451, 1341,
1821 PRANDONI-PRINCE
0411, 0451,
0491, 0581, 1411 PRANDONI-PROMCE 0451,
0491, 0581
PRIMA 0451 PROFEX 1981 PROTECH 0641, 1181, 1981 QUELLE 0041, 0061, 0121,
0221, 0231, 0391, 0491, 0521, 0601, 0781, 1371, 1381, 1411, 1421, 1641, 1681, 2051, 2091, 2141, 2151, 2201, 2211, 2231, 2241, 2251, 2271, 2551, 2571, 2581
REDIOMARELLI 0101, 0451,
0661, 0771, 1081 RADIONETTE 0031, 2051, 2091 RADIOLA 2291 RANK 0481, 2151 RBM 2131, 2151 RBM (UK) 0481 REDIFFUSION 0451, 0661, 1641,
1981, 2331 REDIFFUSION (UK) 0061, 0081,
1031 REX 0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111 RFT 0991, 2511 ROADSTAR 1321, 1511 ROTEL 0151 SABA 0291, 0331, 0421,
0451, 0531, 0541,
0571, 0581, 0651,
0731, 0931, 1021,
1071, 1081, 1131,
1791, 1811, 1821,
1891, 1941, 2631 SACCS 1971 SAISHO 0451, 0601, 1161,
1241, 1301, 1511,
1671, 1681, 1691 SALORA 0011, 0041, 0061,
0071, 0341, 0451,
0671, 1291, 1351,
1521, 1561, 1601,
1641, 1911, 1921,
1931, 1981, 2321 SAMBERS 0261, 0491, 0581,
0641, 1091, 1371,
1411, 2001 SAMSUNG 0101, 0601, 0841,
0981, 1101, 1181,
1371, 1511, 2011 SANYO 0141, 0151, 0401,
0601, 0801, 0821,
0981, 1021, 1101,
1111, 1291, 1351,
1691, 1741, 2051,
2091, 2551 SBR 0681, 0751, 1281,
2281 SCHAUB LORENZ 0451 SCHNEIDER 0021, 0071, 0091,
0451, 0511, 0591,
0601, 0751, 1321,
1361, 1621, 1641,
2101, 2111, 2291 SCOTT 1171, 1261 SEG 0261, 0601, 0821,
0991 SEI 0641, 0691, 1081,
1301, 1481, 1981
SELECO 0071, 0101, 0351,
0411, 0451, 0951, 1901, 2061, 2101,
2111 SENTRA 1601 SHARP 0141, 0151, 0191,
1761, 1781 SIAREM 0021, 0261, 0581,
0641, 1021, 1081,
1981 SICATEL 1971 SIEMENS 0151, 0221, 0231,
0451, 0741, 2011,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581 SILVER 1181 SINGER 0021, 0261, 1021,
1081 SINUDYNE 0021, 0061, 0101,
0261, 0391, 0641,
0691, 0851, 0941,
1021, 1081, 1241,
1301, 1321, 1481,
1631, 1981 SKANTIC 0451 SOLAVOX 0451, 1641, 2011 SONOKO 0101, 1181, 1511 SONY 0141, 0171, 1121,
1681, 1691, 2751 SOUNDESIGN 1171 SSS 1171 STERN 0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111 SUNKAI 0691 SUPRA 0791 TANDBERG 0161, 0331, 0611,
1021, 1421, 1771,
1791, 2081 TANDY 0191, 0451, 1331,
1531 TASHIKO 0141 TATUNG 0271, 0581, 0601,
0971, 1101, 1681,
1691 TCM 2621, 2641, 2711,
2761, 2771, 2781 TECHNICS 1311 TECHWOOD 0791 TEKNIKA 1171, 1231, 1261 TELE 1141 TELEAVIA 0571, 0651, 0731,
1821 TELEFUNKEN 0291, 0301, 0311,
0551, 0731, 1131,
1471, 1591, 1791,
1801, 1811, 1821,
1991, 2161, 2171,
2181, 2191, 2201,
2251, 2271, 2521,
2631 TELETECH 1511 TEMPEST 2381, 2391, 2401,
2411 TENSAI 1331, 2091 TEXET 0601 THOMSON 0331, 0481, 0531,
0571, 0631, 0651,
0731, 0901, 1241,
1571, 1591, 1791,
1811, 1821, 1891,
1941, 2531 THORN 0741, 0861, 2091,
2251, 2271, 2281
II
Page 65
THORN-FERGUSON 0281, 0371,
0551, 0651, 0781, 0861, 0881, 1131, 1181, 1361, 1461,
1971, 1991, 2281 TMK 0141, 0791, 1471 TOSHIBA 0141, 0381, 0481,
1221, 1271, 1701,
1741, 1851, 2151,
2801, 2811 TRANS CONTINENS
0451 TRISTAR 2281 TRIUMPH 0481, 0581, 2121 UHER 0431, 0451, 0481,
0491, 0511, 1311, 1541
ULTRAVOX 0021, 0261, 0591,
1021, 1081, 1981 UNIVERSUM 1181, 2051 UNIVOX 1971 VEGAVOX 0811 VEXA 0101, 1511 VIDEOTON 2481 VORTEC 0101, 0651 VOXSON 0411, 0451, 0491,
1021, 1081 WALTHAM 0451 WATSON 0431, 2201, 2241 WATT RADIO 0021, 0061, 0261,
0591, 0641, 0761,
1091, 1971, 1981,
2001 WEGA 0141, 1081, 1981 WEGA COLOR 1021 WELTBLICK 0101 WESTON 1621 WHITE WESTINGHOUSE
0101, 0261, 0431,
0591, 0761, 1401,
1541 YOKO 0601, 1511 ZANUSSI 0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111 ZOPPAS 0451
CABLE TV
CABLETIME 1446, 1456, 1476 CLYDE CABLEVISION
1426 FILMNET 1396, 1436 FRANCE TELECOM 1386 GEC 1426 JERROLD 1416 MOVIE TIME 1466 NSC 1466 PHILIPS 1386 PIONEER 0006 SAMSUNG 1496 SCIENTIFIC ATLANTA
1486, 1506 STARCOM 1416 STS 1466 TANDBERG 1366 TELE 1436 TELE +1 1436 TELESERVICE 1406, 1476 TUDI 1376 UNITED CABLE 1416 ZENITH 1406
SATELLITE TUNER
AKAI 1276 ALBA 0826, 1276 AMSTRAD 0166, 0796, 1016,
1026, 1296 ANKARO 0476 AST 0406 ASTRA 0126 BARCOM 0476 BLAUPUNKT 0966 BMC SATELLITE 0106 BRITISH TELECOM 1276 BUSH 0826 BUSH (UK) 0956 CAMBRIDGE 0196, 1276 CANAL PLUS (FRANCE)
1536 CHAPARRAL 0016, 0696, 1006 COLUMBUS 0616 CONNEXIONS 0306, 0426 DISCUS ELIPSE 0856, 0866 DISKXPRESS 0426, 0476 DRAKE 1516 ECHOSTAR 0226, 0236, 0606,
0626, 0666, 0926,
0996, 1046, 1056,
1066, 1106 ELTA 1286 ELTA SAT 0146 EURODEC 1226, 1236, 1246 FERGUSON 0046, 0176, 0186,
0296, 0846, 0956,
1306 FINLUX 0976 FRACARRO 0026, 0536, 0776 FUBA 0476, 0616, 0636,
1056 GIUCAR RECORD 0206, 0336 GRUNDIG 0176, 0946, 0956,
0966 HIGH PERFORMANCE
0916 HIRSCHMANN 0756, 0966 HITACHI 0446, 0516, 0706,
0946 ICX INTERNATIONAL 0886 ITT 0066, 0126, 0176,
0446, 1156 ITT/NOKIA 0066, 0126, 0176,
0446, 1156 JEEMON 0146 JERROLD 0846, 0986 JOHANSSON 0246 JVC 1276 KATHREIN 0116, 0266, 0276,
0366 KOSMOS 0266 KYOSTAR 1036, 1086 LENG 0246 LIFESAT 1326, 1346, 1356 LUXOR 0126, 0136, 0446,
0466, 0506, 1156 MACAB 0356 MASPRO 0016, 0116, 0256,
0956 MEDION 1326, 1346 METZ 0966 MICROMAXX 1326, 1346 MITSUBISHI 0966 MORGANS 0596 MURATTO 0406 NEC 0286, 0316, 0766,
0786, 0836 NETWORK 0046 NIKKO 1136, 1146
NOKIA 0066, 0126, 0176,
0446, 1156, 1166,
1336 NORSAT 0786 OTTO VERSAND 0966 PACE 0046, 0176, 0296,
0936, 0956, 1306,
1566, 1576 PACE MSS 0946 PACE SKY DIGITAL BOX (UK)
1526 PALCOM 0616, 0686, 0706 PALSAT 0396 PALTEC 0706 PANASONIC 0806, 1306 PANSAT 1076 PHILIPS 0326, 0346, 0476,
0956, 1126, 1186,
1196, 1206, 1216,
1306, 1316 PROSAT 1176 PTT TELECOM
0306, 0896 QUELLE 0966 RADIX 1056 REDIFFUSION 0316, 0786 RFT 1186, 1196, 1206,
1216 SAGEM 1256, 1546 SAKURA 0566, 0816 SALORA 0066, 0126, 0136,
0446, 0456, 0486,
0496, 0576 SAMSUNG 0746, 0756 SAT 0406 SATCOM 0896 SATECO 0646 SECTOR 1266 SEDEA 1096 SENTRA 0416 SIEMENS 0896, 0966 SINTRACK 0906 SKYLAB 0476 SKYSCAN 0876 SONY 0736, 0946 STELLA 0306 STRONG 0156, 0396, 1036,
1086 STV 0636 TANDBERG 1116 TANDY 0916 TANTEC 0616 TATUNG 0516, 0546 TECHNISAT 0086, 0096, 0526,
0556, 1056 TELECOM 0306 TELEMAX 0586 THORN-FERGUSON 0046, 0076,
0176, 0186, 0956 TOSHIBA 0946 TPS (FRANCE) 1546 TRIAD 0406 UNIDEN 0036, 0216, 0676,
0716, 0726 US ELECTRONICS 0886 VORTEC 0756, 1036, 1076 VTECH 0436 WINERSAT 0246 WISI 0056, 0356, 0376,
0386, 0406, 0656,
1056, 1156 WOLSEY 0916 XCOM MULTIMEDIA
1556 XSAT (FRANCE) 1556 ZEHNDER 0266, 0406 ZENDER 0406
VCR
AIWA 0042, 0352, 0432 AKAI 0042, 0422, 0492,
0582, 0612, 0642, 0652, 0762, 0912
ALBA 0002, 0112, 0282,
0332, 0342, 0972 AMSTRAD 0322, 0432, 0452 ANITECH 0002 ANITSCH 1002 ASA 0012, 0052 AUDIOSONIC 0002 BAIRD 0042, 0282, 0492 BANG & OLUFSEN 0042 BAUR 0052, 0062, 0812 BLAUPUNKT 0062, 0092, 0252,
0462, 0672, 0992 BRIONVEGA 0032 BUSH 0002, 0282, 0332,
0342, 0512, 0972 BUSH (UK) 0812 CAPEHART 0112 CGE 0042, 0432, 0762 CRAIG 0072, 0482 CROWN 0112, 0282, 0622 DAEWOO 0112, 0282, 0622 DANSAI 0012 DAYTRON 0112 DECCA 0042, 0052, 0432,
0942 DECCA (UK) 0052 DEGRAAF 0052, 0132, 0432,
0532, 0602 DIXI 0442 DUAL 0042, 0632 DUMONT 0052, 0432, 0532 DYNATECH 0432 DYNATRON 0012 ELBE 0122 ELIN 0072 EMERSON 0012, 0162, 0202,
0432, 0512, 0522 ERRES 0012 FERGUSON 0042, 0712, 0722,
0852, 0902, 1012,
1022, 1082 FIDELITY 0432 FINLANDIA 0052, 0532 FINLUX 0012, 0042, 0052,
0082, 0262, 0382,
0432, 0462, 0492,
0532, 0572, 0602,
0912 FIRST LINE 0002, 0912 FISHER 0162, 0482, 0532,
0542, 0572, 0592 FORMENTI-PHOENIX
0012, 0052 FRONTECH 0112 FUNAI 0432 GBC 0002 GEC (UK) 0022, 0052 GELOSO 0002 GENERAL TECHNIC1172 GOLDSTAR 0012, 0122, 0812,
0952 GOODMANS 0002, 0072, 0282,
0432, 0502 GOODMANS (UK) 0002 GRAETZ 0022, 0042 GRANADA 0052, 0132, 0532,
0572
III
Page 66
GRANADA (UK) 0052, 0092,
0462, 0602, 0812, 0822
GRUNDIG 0052, 0062, 0092,
0232, 0252, 0262,
0752, 0802 HANSEATIC 0052, 0812 HARMAN/KARDON 0122, 0922 HCM 0002 HINARI 0002, 0202, 0412,
0442, 0522 HITACHI 0042, 0172, 0292,
0432, 0602, 0662,
0812, 1022 IMPERIAL 0072, 0432 INGERSOL 0442 INNO HIT 0002, 0052, 0072 INNOVATION 1142, 1162, 1172 INTERFUNK 0022, 0052 IRRADIO 0002, 0012 ITT 0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762 ITT-NOKIA 0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762 JENSEN 0042 JVC (VICTOR) 0042, 0102, 0142,
0272, 0742, 0762,
0782, 0902 KARCHER 0052, 0072, 0812 KENDO 0492 KENWOOD 0042, 0142, 0572 LIFETEC 1142, 1162, 1172 LLOYD 0432 LOEWE OPTA 0052, 0092, 0152 LOGIK 0002, 0072, 0442 LUMA 0162 LUXOR 0492, 0572, 0812 M ELECTRONIC
0432 MAGNADYNE 0052 MAGNASONIC
0572 MANESTH 0012 MARANTZ 0012, 0052, 0092,
0122, 0502 MARK 0012 MARTA 0012 MATSUI 0012, 0442, 0512,
0522, 0812, 0972 MEDION 1142, 1162, 1172 MEMOREX 0012, 0132, 0432,
0482, 0532, 0572 METZ 0062, 0092, 0932 MGA 0912 MICROMAXX 1142, 1162, 1172 MINERVA 0062, 0092, 0252 MINOLTA 0172, 0602 MITSUBISHI 0052, 0062, 0142,
0912, 0922 MTC 0072, 0432 MULTITECH 0002, 0052, 0062,
0282, 0432 MURPHY 0432 N.E.I. 0012, 0052 NATIONAL 0462 NEC 0042, 0122, 0142 NECKERMANN 0032, 0042,
0052, 0072, 0092, 0202, 0522, 0572,
0762, 0812 NIKKAI 0112 NOBLIKO 0092
NOKIA 0022, 0032, 0042,
0072, 0292, 0492, 0532, 0572, 0762, 1152
NORDMENDE 0042, 0102, 0142,
0192, 0222, 0242, 0392, 0402, 0632, 0732, 0742, 0762, 0782, 0792, 0832,
0842, 0872 OLYMPUS 0462 OPTONICA 0132, 0502 ORION 0162, 0202, 0312,
0442, 0512, 0522,
0982 OSAKA 0432 OSAKI 0002, 0012, 0432 OTTO VERSAND 0052, 0062,
0812
PANASONIC 0022, 0212, 0462,
0672, 0992, 1092,
1102, 1182 PENTAX 0172, 0602 PERDIO 0432 PHILCO 1062 PHILIPS 0052, 0082, 0092,
0152, 0182, 0362,
0372, 0382, 0472,
0502, 1072 PHONOLA 0052, 0152 PILOT 0012 PIONEER 0052, 0142, 0372,
0472 PORTLAND 0112 PROLINE 0432 PYE 0052, 0152 QUARTZ 0572 QUELLE 0012, 0032, 0042,
0052, 0062, 0072,
0092, 0202, 0462,
0522, 0942 RADIONETTE 0022 REALISTIC 0012, 0072, 0132,
0432, 0482, 0502,
0532, 0572 RET 1072 REX 0042, 0742, 0782 RICOH 0952 SABA 0042, 0142, 0192,
0222, 0242, 0392,
0632, 0732, 0742,
0762, 0772, 0782,
0792, 0872 SAISHO 0162, 0202, 0292,
0442, 0512, 0522,
0972 SALORA 0192, 0572, 0812,
0822, 0912 SAMSUNG 0052, 0072, 0622,
0652, 1192 SANSUI 0042, 0142 SANYO 0482, 0532, 0562,
0572 SBR 0052, 0152, 0182 SCHAUB LORENZ 0022, 0042 SCHNEIDER 0002, 0012, 0052,
0072, 0432 SEG 0002, 0072 SEI-SINUDYNE 0442 SELECO 0042 SENTRA 0112 SHARP 0132, 0502, 0702 SHINTOM 0002 SIEMENS 0062, 0092, 0252,
0572
SINUDYNE 0052, 0382, 0442,
0932 SONOKO 0282 SONY 0432, 0552, 0682,
0692, 0942, 0952,
0962, 1122, 1132 STS 0602 SUNKAI 0512 SUNSTAR 0432 SYLVANIA 0432, 0912 SYMPHONIC 0432, 0912 TANDBERG 0062, 0162, 0522,
0932 TASHIKO 0132, 0432 TATUNG 0042, 0052, 0432,
0922 TCM 1142, 1162, 1172 TEAC 0042, 0432 TECHNICS 0462 TEKNIKA 0012, 0432 TELEFUNKEN 0042, 0192, 0632,
0732, 0742, 0762,
0782, 0882, 0892 TEMPEST 1032, 1042, 1052 TENOSAL 0002 THOMSON 0042, 0102, 0142,
0192, 0402, 0632,
0762 THORN 0042, 0902 THORN-FERGUSON 0042, 0222,
0302, 0712, 0722, 0742, 0762, 0852, 0862, 0872,
0902 TMK 0522 TONSAI 0002 TOSHIBA 0042, 0622, 0912 TOTEVISION 0012, 0072 TRIUMPH 0922 UHER 0042, 0072 ULTRAVOX 0032 UNITECH 0072 VECTOR RESEARCH
0122 VIDEON 1162, 1172 WELTBLICK 0012 WHITE WESTINGHOUSE
0032 XENON 0162 YAMAHA 0042, 1202 YOKO 0012, 0062, 0072
DVD PLAYER
AKAI 0058 DENON 0188 HITACHI 0198 JVC 0088, 0178 KENWOOD 0148 MAGNAVOX 0128 MITSUBISHI 0138 ONKYO 0068, 0128 PANASONIC 0028 PHILIPS 0098, 0128 PIONEER 0108, 0118 PROSCAN 0158 RCA 0158 SAMSUNG 0078 SHARP 0038 SONY 0018 TECHNICS 0028 THOMSON 0168 TOSHIBA 0048, 0128 YAMAHA 0008, 0028, 0098 ZENITH 0128
LD PLAYER
AIWA 0137 FUNAI 0137 HITACHI 0047 MAGNAVOX 0077 PANASONIC 0027 PIONEER 0037 RCA 0067 REALISTIC 0137 SAMSUNG 0017, 0087 SONY 0057, 0097, 0107,
0117 VICTOR 0127 YAMAHA 0007
CD PLAYER
ACCUPHASE 0315 ADC 0865 ADCOM 0785, 1015 AKAI 0115, 0125, 0725,
0735, 0745, 0935,
1155 ARCAM 1875 ARCAM-ROTEL 0165 AUDIO-TECHNICA 0835 AUDIOSONIC 0155 AIWA 1105, 1235, 1245,
1765, 1915, 1935 BSR 0875 CALIFORNIA AUDIO LAB
1075 CARRERA 0555, 0875 CARVER 0825, 1415 CYRUS-ROTEL 0205 DENON 0045, 0955, 1045,
1595, 1795, 1805 DUAL 1005 ELIN 0185 EMERSON 1015, 1285, 1675 FISHER 0105, 0595, 0605,
0825, 1165, 1175 GENEXXA 0525, 0825, 0855,
0875, 0995, 1265,
1285, 1345, 1355,
1485, 1575, 1675,
1715, 1825 GOLDSTAR 0555, 1185, 1195,
1585 GRUNDIG 0175 HARMAN KARDON 0325, 0495,
0565, 1135, 1145,
1155 HITACHI 0065, 0585, 0685,
0945, 1005, 1015,
1225, 1545 INNOVATION 1995, 2005, 2015 ITT-NOKIA 0185 JVC (VICTOR) 0385, 0395, 0455,
0575, 0585 KARCHER 0485 KENWOOD 0025, 0055, 0145,
0215, 0595, 0675,
0695, 0705, 0715,
0925, 1355, 1485,
1575, 1675, 1715,
1825 KORTING 0175 LIFETEC 2015 LIGHT CONTROL 1155, 1645,
1655, 1665 LINN 0165, 1875 LUXMAN 0265, 0275, 0795,
0805, 1295, 1305, 1555, 1925
IV
Page 67
LUXOR 0185, 1895, 1905 MAGNAVOX 1865, 1875 MARANTZ 0165, 0175, 0545,
0665, 1275, 1335, 1405, 1505, 1875,
1955 MATSUSHITA 1095, 1605 MCS 0535 MEDION 0075, 1995, 2005,
2015 MEMOREX 0525, 1015, 1265,
1275, 1285, 1675 MGA 1125 MICROMAXX 2015 MISSION 0165, 1875 MITSUBISHI 1125, 1205 NAD 0135, 0255, 0285,
0295, 0305, 0345,
0755, 0765, 1315,
1325 NAKAMICHI 0635, 0645, 1565 NEC 0405, 0535, 0775,
0785 NECKERMAN 0155, 0225 NIKKO 0835, 1165 OCEANIC 0185 OKANO 0155, 0225 ONKYO 0885, 1385, 1425,
1455, 1515 PANASONIC 1055, 1075, 1615,
1625 PHILIPS 0165, 0175, 0195,
1865, 1875 PIONEER 0095, 0335, 0425,
0435, 0445, 0525,
0855, 1035, 1945 PROTON 0905, 1875 QUASAR 1075 RADIOLA 1845, 1855 RADIOTONE 0485 REALISTIC 0825, 1015, 1265,
1275, 1285, 1575 ROTEL 1875 SABA 1005 SAE 1875 SALORA 0185 SANSUI 0415, 0965, 0975,
0985, 1255, 1675,
1875 SANYO 0625, 0825, 0845,
0915 SCHNEIDER 1845, 1855 SCOTT 1285, 1675 SHARP 0025, 0035, 1025,
1115, 1275, 1635,
1785, 1815, 1825,
1835 SHERWOOD 1275, 1445 SIEMENS 1085 SIGNATURE 1155 SONY 0345, 0355, 0365,
0375, 0865, 1685,
1695, 1705, 1715,
1725, 1735, 1745 SYLVANIA 1875 TANDBERG 1885 TASHIKO 1525 TCM 1985, 2015 TEAC 0235, 0245, 1275,
1365, 1375, 1395,
1435, 1465, 1475 TECHNICS 0465, 0475, 1065,
1075, 1625 TELEFUNKEN 1005 THETA DIGITAL 1865
THOMSON 1005 TOSHIBA 0755, 0765 VECTOR RESEARCH
0555, 0865
YAMAHA 0005, 0015, 0085,
0345, 0615, 0655, 0815, 0835, 0895, 1815
CD RECORDER/CD-RW
HITACHI 0304 JVC 0334 MARANTZ 0314, 0324 PHILIPS 0274 PIONEER 0284, 0294 YAMAHA 0244
MD RECORDER
KENWOOD 0214 SHARP 0264 PIONEER 0254 SONY 0224 YAMAHA 0024, 0224, 0234
TAPE DECK
AKAI 0124 DENON 0204 GRUNDIG 0134 HARMAN 0044 JVC 0194 KENWOOD 0164 KORTING 0134 LUXMAN 0054, 0064, 0074,
0084 MARANTZ 0134, 0144 NAD 0174 ONKYO 0184 PHILIPS 0134, 0144, 0154 PIONEER 0034, 0114 SONY 0094, 0104 YAMAHA 0004, 0014
V
Page 68
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia V874860
Page 69
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