Yamaha Audio DSP-A595a User Manual

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DSP-A595a

Natural sound AV Amplifier

Amplificateur audio-vidéo

B G

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHÖRTEILE MEDFÖLJANDE TILLBEHÖR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES

• After unpacking, check that the following parts are included.

• Après le déballage, vérifier que les pièces suivantes sont incluses.

• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

• Kontrollera efter uppackningen att följande delar finns med.

•

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

• Batteries (size AA, R6, UM-3)

• Piles (taille AA, R6, UM-3)

• Batterien (Größe AA, R6, UM-3)

• Batterier (storlek AA, R6, UM-3)

• Batterie (formato AA, R6, UM-3)

• Pilas (tamaño AA, R6, UM-3)

• Batterijen (maat AA, R6, UM-3)

• Remote control Before using the remote control, install the supplied batteries. See page 40 for battery installation.

• Télécommande Avant d’utiliser la télécommande, mettre les piles fournies en place. Pour la mise en place des piles, voir page 84.

• Fernbedienung Legen Sie vor Gebrauch der Fernbedienung die mitgelieferten Batterien ein. Angaben zum Einlegen der Batterien finden Sie auf Seite 128.

• Fjärrkontroll Sätt i de medföljande batterierna innan du använder fjärrkontrollen. Se sidan 172 om hur man sätter i dem.

• Telecomando Prima di usare il telecomando, installare le batterie in dotazione. Per l’installazione delle batterie vedere a pagina 216.

• Control remoto Antes de utilizar el transmisor de control remoto, instálele las pilas suministradas. Para instalar las pilas, consulte la página 260.

• Afstandsbediening Alvorens u de afstandsbediening gaat gebruiken, moet u de bijgeleverde batterijen plaatsen. Zie blz. 304 voor het plaatsen van de batterijen.

English

5-Channel Power Amplification

Minimum RMS Output (0.04% THD, 20 Hz – 20 kHz) Main: 65 W + 65 W (8 Ω) Center: 65 W (8 Ω)

Rear: 65 W + 65 W (8 Ω)

Multi-mode Digital Sound Field Processing

● Digital Sound Field Processor (DSP)

● Dolby Digital Decoder

● Dolby Pro Logic Decoder

● DTS Decoder

● CINEMA DSP: Theater-like Sound

Experience by the Combination of YAMAHA DSP Technology and Dolby Digital, Dolby Pro Logic or DTS

SUPPLIED ACCESSORIES........................................... 2

FEA TURES .................................................................... 3

CAUTION ....................................................................... 4

●Introduction

FEATURES OF THE SOUND EFFECTS....................... 5

CONTROLS AND THEIR FUNCTIONS ......................... 8

●Preparation

SPEAKER SETUP ....................................................... 11

CONNECTIONS........................................................... 12

ADJUSTMENTS BEFORE USING THIS UNIT............ 18

●Basic Operation

BASIC OPERATION .................................................... 23

SETTING THE SLEEP TIMER..................................... 27

●Information about DSP

SOUND FIELD PROGRAM .........................................28

●Advanced Information

ADJUSTMENTS IN THE “SET MENU” MODE ............ 33

●Remote control

REMOTE CONTROL ...................................................35

SETUP CODES ........................................................... 41

TROUBLESHOOTING ................................................. 42

SPECIFICA TIONS .......................................................45

LIST OF MANUFACTURERS’ CODES ...................... 310

FEATURES

● Automatic Input Balance Control for

Dolby Pro Logic decoding

● Test Tone Generator for Easier Speaker

Balance Adjustment

● Speaker Output Mode Selection

● 6-Channel External Decoder Input for

Other Future Formats

● Video Signal Input/Output Capability

(Including S Video Connections)

● SLEEP Timer

● Universal Remote Control with Preset

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set, contact your dealer.

4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.

5. The openings on the cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind, 20 cm on both sides and 30 cm above the top panel of the unit to prevent fire and damage.

6. The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents. YAMAHA will not be held responsible for any damage resulting from the use of this unit with a voltage other than that specified.

7. Digital signals generated by this unit may interfere with other equipment such as tuners, receivers and TVs. Move this unit farther away from such equipment if interference is observed.

8. Always set the VOLUME control to “

” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.

11. When not planning to use this unit for a long period of time (e.g., a vacation), disconnect the AC power plug from the wall outlet.

12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.

13. Grounding or polarization – Precautions should be taken so that the grounding or polarization of the unit is not defeated.

14. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

English

FEATURES OF THE SOUND EFFECTS

Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV amplifiers available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world.

To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but the chances are that you’ll still notice something missing — the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound to your listening room, so you’ll feel all the sound of a live concert.

Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc. from around the world, to allow you to accurately re-create any one of these live performance environments, all in your own home.

Dolby Surround has been used in movie theaters since the midseventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range.

Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

Introduction

Dolby Pro Logic

Dolby Digital

Dolby Digital is the next level of the Dolby Surround sound system that was developed for 35 mm-film movies by employing low bit-rate audio coding. Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. Compared to Dolby Surround, which is referred to a “3/1” system (left front, center, right front and just one surround channel), Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full-range fidelity as the three front channels.

By using the built-in Dolby Digital decoder, you can experience the dramatic realism and impact of Dolby Digital theater sound in your home. The wide dynamic range of sound reproduced by the five fullrange channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before.

Dolby Digital forms 5.1 channels as already mentioned, but it can also form fewer channels, for example 2-channel stereo and monaural. You may be able to find some 2-channel stereo and/or monaural sources encoded with Dolby Digital in the market. Laser disc and DVD are home audio/video program sources that could benefit from Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.

DTS Digital Surround

DTS (Digital Theater Systems) was developed to replace analog soundtracks of movies with six discrete channels of digital soundtracks, and it is now installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio.

DTS technology, through intense research and development has made it possible to deliver similar encode/decode discrete technology to home audio surround-sound entertainment. DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically, it is 5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as “0.1”). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems.

The DTS Digital Surround algorithm is designed to encode the six channels of 20-bit audio on to some laser discs, compact discs and DVDs with considerably less data compression.

By using the DTS decoder built into this unit, you can experience the dramatic realism and impact of the DTSinstalled theater’s high quality sound in your home.

Laser disc, compact disc and DVD are home audio formats by which DTS can present its high-quality multi-channel audio. (In addition to movies on laser discs, many exciting new multichannel music recordings will also become available in the form of DTS-encoded compact discs.)

Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. “DTS”, “DTS Digital Surround”, are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved.

English

CINEMA DSP: Dolby Surround + DSP / DTS + DSP

The Dolby Surround sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater.

However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround or DTS Digital Surround sounds.

The YAMAHA “CINEMA DSP” logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround or DTS.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic-decoded sound field, respectively. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you were watching a movie in a popular Dolby Stereo theater.

Refer to pages 28 to 29 for the DSP program.

CINEMA DSP

Dolby Digital or DTS + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digitaldecoded or DTS-decoded sound field, respectively. They create a wide acoustic environment and strong surround effect in the room without losing high-channel separation. With the wide dynamic range of Dolby Digital or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater or DTS-installed theater. This is the most ideal home theater sound at the present time.

Refer to pages 28 to 29 for the DSP program.

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

STANDBY/ON

Press this switch to turn on the power of this unit. Press it again to set this unit in the standby mode.

Standby mode In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 10 for details.)

4 TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD MON” indicator lights up on the display. When you press the button next, the “TAPE/MD MON” indicator goes off, “EXT. DECDR” appears on the display and you can play the signal connected to the EXTERNAL DECODER INPUT terminals.

5 INPUT

Turn this selector to select the input source (VCR, VIDEO AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to listen to or watch. The name of the selected input source appears on the display.

6 VOLUME

This control is used to raise or lower the volume level.

7 PHONES jack

When you use headphones, connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through the headphones. When using headphones only , set both SPEAKERS A and B to the OFF position and switch off the digital sound field processor (so that no DSP program name appears on the display) by pressing EFFECT.

Refer to pages 35 to 40 for the remote control.

English

8 SPEAKERS

Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) for the main speaker system you don’t want to use to the OFF position.

9 EFFECT

Press this button once to switch the effect speakers (center and rear) on or off. If you turn off the effect by using EFFECT, all Dolby Digital and DTS audio signals are directed to the main left and right channels. In that case, the left and right channel signal levels may not match.

0 PROGRAM selector

Press one of these buttons to select a DSP program. The name of the selected program appears on the display.

q Tone controls

These controls are only effective for the sound from the main speakers.

BASS

Use this control to increase or decrease the low-frequency response. The “0” position produces a flat response.

TREBLE

Use this control to increase or decrease the high-frequency response. The “0” position produces a flat response.

w BALANCE

This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by the speaker location or listening room conditions.

e SET MENU

Press this button to select functions in the SET MENU mode.

r TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

t +/–

These buttons are used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode. In the TIME/LEVEL mode, press + to increase the delay time or speaker output level. Press – to decrease the delay time or speaker output level.

y INPUT MODE

This button switches between the DVD/LD and TV/DBS input signal modes.

u VIDEO AUX terminals

Connect an auxiliary video or audio input source such as a camcorder to these terminals. If the connected video unit has an S video output terminal, connect it to the S VIDEO terminal to obtain a high-resolution picture. The source connected to these terminals can be selected by INPUT.

1 Multi-information display

This displays various information, for example the name of selected DSP program and name of selected input source.

2 TAPE/MD MON indicator

This lights up when the tape deck (or MD recorder, etc.) is selected as the input source by pressing T APE/MD MON / EXT. DECODER on the front panel or T APE/MD on the remote control.

indicators

Either “dts” indicator lights up when the built-in DTS decoder is turned on. The red “dts” indicator lights up when playing a CD or LD encoded with DTS. The orange “dts” indicator lights up when playing a DVD encoded with DTS. * An orange “dts” indicator may light up when playing a CD or

LD encoded with DTS after playing a video-CD or DVD on a DVD/LD combi-player.

DISPLAY PANEL

, and indicators

“

” lights up when the built-in Dolby Digital decoder is on and the signals of the selected source encoded with Dolby Digital are not in 2-channel. “

” lights up when the built-in

digital sound field processor is on, and “

” lights up when the built-in Dolby Pro Logic decoder is on. Depending on the selected DSP program, both “

” and “ ”, or

both “ ” and “ ” will light up.

5 SLEEP indicator

This lights up while the built-in SLEEP timer is functioning.

English

SPEAKER SETUP

This unit is designed to provide the best sound-field quality with a 5-speaker configuration, using main speakers, rear speakers and a center speaker. The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use high-performance models that can reproduce sounds over the full range for the center speaker and the rear speakers.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source that is Dolby Digital or DTS-decoded. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.

SPEAKERS TO BE USED

SPEAKER PLACEMENT

Refer to the following diagram when you place the speakers.

Main: The position of your present stereo speaker

system.

Rear: Behind your listening position, facing slightly

inward. Nearly 1.8 m (approx. 6 feet) up from the floor.

Center: Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically shielded speaker.)

Subwoofer: The position of the subwoofer is not as critical,

because low bass tones are not highly directional.

Rear speaker (R)

Main speaker (R)

Center speaker

Subwoofer

Main speaker (L)

Rear speaker (L)

Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and

right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 18 for details.)

AC OUTLET(S) (SWITCHED)

Europe model......................................................... 2 OUTLETS

U.K. model ................................................................1 OUTLET

Use these to connect the power cords from your components to this unit. The power to the AC OUTLET(S) is controlled by this unit’s

STANDBY/ON or the provided remote control’s POWER and STANDBY. These outlets will supply power to any connected

component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLET(S) is 100 watts.

CONNECTIONS

Never plug in this unit and other components until all connections have been completed.

CONNECTIONS WITH OTHER COMPONENTS

Use RCA-type pin plug cables for connecting audio/video components with the exception described later. When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as !, @, #, $, etc. on the rear panel, connections can be made easily by making

sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Turntable Monitor TV

DVD player, LD player, etc.

CD player Tape deck,

MD recorder, etc.

TV/DBS tuner VCR

(Video cassette recorder)

T o AC outlet

(Europe model)

GND terminal (for turntable use)

Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better results may be obtained with the ground wire disconnected.

Tuner

English

CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals.

Digital audio signals are transmitted with less loss than analog audio signals. In addition, digital audio signal connections are necessary, especially for an LD player or a DVD player, to send signals encoded with Dolby Digital or DTS to this unit.

To make a connection between optical digital audio signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly.

Even if you connect an audio/video unit to the COAXIAL (or OPTICAL) terminal of this unit, you must keep the unit connected with the same-named analog audio signal terminals of this unit, because a digital signal cannot be recorded by a tape deck, MD recorder or VCR connected to this unit. You can easily switch the selection of input signals between “digital” and “analog.” (See page 25 for details.)

Notes

• When connecting an audio/video unit to both the digital and analog terminals of this unit, make sure to connect between both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals are not being used in order to protect them from dust.

• The input signal from the DVD/LD input terminals is selected in the following order of priority with the input mode set to the AUTO position: 1 COAXIAL terminal 2 OPTICAL terminal 3 Analog terminal

• If the DIGITAL OUT data of the player has been processed in any way, you may not be able to perform DTS playback even if you make a digital connection between this unit and the player.

• All digital audio signal input terminals are applicable to sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.

No sound will be generated when connecting your LD player’s Dolby Digital RF signal output terminal directly to this unit’s COAXIAL DVD/LD digital signal input terminal.

DVD or LD player* * If your LD player has a Dolby Digital RF signal

output terminal, be sure to use the RF demodulator (separately purchased).

TV/DBS tuner

(Europe model)

CONNECTING TO S VIDEO TERMINALS

If you have a VCR and a monitor equipped with “S” (highresolution) video terminals, those terminals can be connected to this unit’s S VIDEO terminals. Connect the VCR’s “S” video input and output terminals to this unit’s S VIDEO VCR OUT and IN terminals, respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. Otherwise, connect the VCR’s composite video terminals to this unit’s composite video terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal. In addition, if you have a DVD or LD player equipped with an “S” video terminal, connect the DVD/LD player’s “S” video output terminal to this unit’s S VIDEO DVD/LD terminal.

Note If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals.

S VIDEO terminals

This unit provides you with S VIDEO terminals in addition to standard VIDEO terminals. S VIDEO terminals transmit video signals separated into luminance (Y) signals and color (C) signals. In comparison with S VIDEO terminals, standard VIDEO terminals transmit “composite” video signals.

Monitor TV

S S S

Camcorder

CONNECTING TO VIDEO A UX TERMINALS (ON THE FRONT PANEL)

These terminals are used to connect any video input source such as a camcorder to this unit.

CONNECTING WITH A MONITOR TV THAT USES A 21-PIN CONNECTOR FOR INPUT

Make a connection as shown below with a commercially available SCART-plug connector cable.

Monitor TV

No connection

SCART-plug connector cable

DVD/LD player

S VIDEO cable

VCR

English

CONNECTING TO AN EXTERNAL DECODER

This unit is equipped with additional 6-channel audio signal input terminals for inputting signals from an external decoder to this unit. Connect the 6-channel audio signal output terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit.

Notes

• When signals input to these terminals are selected, the digital sound field processor cannot be used.

• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the SET MENU mode have no effect on the signals input to these terminals. The setting of “M.LVL” is effective. (Refer to page 18 for details.)

• Adjustment of the output level of the center speakers, rear speakers and subwoofer is effective when the signals input to these terminals are selected as the input source. (Refer to page 31 for details.)

External decoder with 6-channel discrete outputs

(Europe model)

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.

If this unit fails to turn on when the STANDBY/ON switch is pressed, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully when this unit is in the standby mode.

Select the position whose requirements your speaker system meets.

(Upper position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 4 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 Ω or higher.

Center: The impedance of the speaker must be 6 Ω or higher. Rear: The impedance of each speaker must be 6 Ω or

higher.

(Lower position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 8 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 Ω or higher.

Center: The impedance of the speaker must be 8 Ω or higher. Rear: The impedance of each speaker must be 8 Ω or

higher.

IMPEDANCE SELECTOR SWITCH

IMPEDANCE SELECTOR

(Europe model)

Note

Use speakers with the specified impedance shown on the rear panel of this unit.

Main speaker connections

One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either of the

SPEAKERS A or B terminals.

Rear speaker connections

A rear speaker system can be connected to this unit. Place them to the rear of your listening position.

Center speaker connection

A center speaker can be connected to this unit. Place it on or under the TV.

Subwoofer connection

You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel. If you have a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer system.

CONNECTING SPEAKERS

Rear speakers

Subwoofer system

Center speaker

Right

Left

Main speakers A Main speakers B

Right

Left

Right Left

(Europe model)

English

How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers.

Connecting to the MAIN SPEAKERS terminals

Red: positive (+) Black: negative (–)

1 Unscrew the knob. 2 Remove approx. 5 mm

(1/4”) of insulation from each of the speaker wires and insert one bare wire into each terminal.

3 Tighten the knob to

secure the wire.

1 Press the tab. 2 Remove approx. 5 mm

(1/4”) of insulation from each of the speaker wires and insert one bare wire into each terminal.

3 Release the tab to

secure the wire.

Connecting to the REAR and CENTER SPEAKERS terminals

Red: positive (+) Black: negative (–)

OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)

The speaker connections described on page 16 are fine for most applications. If for some reason, however, you wish to drive main, center and/or rear speakers with your existing amplifier, etc., the following terminals are available for connecting an external amplifier(s) to this unit.

ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for your audio system. When speaker connections have all been completed, select the proper setting for each function to make the best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 33.)

1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)

DESCRIPTION OF EACH FUNCTION

CNTR (CENTER SPEAKER)

Choices: LARGE/SMALL/NONE Preset position: LARGE

LARGE: Select this position when your center speaker is

approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker

that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) on the center channel are output from the main speakers (or the SUBWOOFER OUTPUT terminal if the SMALL position is selected for “MAIN” and the SW position is selected for “BASS”).

NONE: Select this position when you do not have a center

speaker (four speaker system). The center channel sound will be output from the left and right main speakers.

REAR (REAR SPEAKERS)

Choices: LARGE/SMALL Preset position: LARGE

LARGE: Select this position if your rear speakers have high

ability for bass reproduction, or if a subwoofer is connected in parallel to the rear speaker. In this position, full-range signals are output from the rear speakers.

SMALL: Select this position if your rear speakers do not have

high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are output from the SUBWOOFER OUTPUT terminal (or the main speakers if the MAIN position is selected for “BASS”).

MAIN (MAIN SPEAKERS)

Choices: LARGE/SMALL Preset position: LARGE

LARGE: Select this position if your main speakers have high

ability for bass reproduction. In this position, full-range signals present on the main channels are output from the main speakers.

SMALL: Select this position if your main speakers do not

have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are output from the SUBWOOFER OUTPUT terminal if the SW or BOTH position is selected for “BASS”.

BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH Preset position: SW

MAIN: Select this position if your system does not include a

subwoofer. In this position, full-range signals present on the main channels, signals from the LFE channel and other low bass signals that are distributed from other channels are output from the main speakers.

SW/BOTH:

Select either the SW or BOTH position if your system includes a subwoofer. In either position, signals on the LFE channel and other low bass signals that are distributed from other channels are output from the SUBWOOFER OUTPUT terminal. When the LARGE position is selected for “MAIN”, in the SW position, no signal is distributed from the main channels to the SUBWOOFER OUTPUT terminal; however, in the BOTH position, low bass signals from the main channels are output to both the main speakers and the SUBWOOFER OUTPUT terminal.

M.LVL (MAIN LEVEL)

Choices: NRML (NORMAL)/–10 dB Preset position: NRML (NORMAL)

NRML (NORMAL):

Normally select this position.

–10 dB: Select this position if the sound output from the main

speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated.

Note

The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no effect on the signals input to the EXTERNAL DECODER INPUT terminals on the rear of this unit.

English

ADJUSTMENT METHOD

Adjustments should be made while watching the information on this unit’s display.

When adjusting with the remote control, set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control.

1 Turn the power on.

Front panel Remote control

2 Press SET MENU once or more to select the function

“CNTR” on the display.

Front panel Remote control

* After pressing SET MENU once on the remote control, you

can also select the function by pressing . (Pressing goes back one selection.)

1 23

3 Press + or – once or more to select the setting you

want.

Front panel Remote control

4 Repeat steps 2 and 3 to change the settings for

“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same way.

SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby Pro Logic decoder and the DTS decoder.

The adjustment of each speaker output level should be done at your listening position with the remote control. After completing the adjustment of the output level for each speaker, use VOLUME (

) on the remote control at your

listening position to check if the adjustments are satisfactory.

Set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control.

1 Set VOLUME to the “ ” position.

Front panel

2 1

4,74

5,9

2 Turn the power on.

Front panel Remote control

3 Select the main speakers to be used.

Front panel

* If you use two main speaker systems, press both A and B.

English

6 Turn up the volume.

Remote control

You will hear a test tone (like pink noise) from each speaker for about two seconds in following order: left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker. The display changes as shown below.

* If the function “CNTR” in the SET MENU mode is set to

the NONE position, you will hear the center channel test tone from the left and right main speakers.

7 Adjust BALANCE so that the sound output level of the

left main speaker and the right main speaker is the same.

Front panel

Main (L)

Center

Main (R)

Rear (R)

Rear (L)

4 Set BASS, TREBLE and BALANCE to the “0” position.

Front panel

5 Press TEST so that “TEST LEFT” appears on the

display .

Remote control

8 Adjust the sound output levels of the center speaker

and the rear speakers so that they become almost the same as that of the main speakers.

Press TIME/LEVEL once or more to select the speaker to be adjusted so that “CENTER”, “R SUR.” or “L SUR.” appears on the display.

Remote control

* You cannot adjust the delay time while the test tone is

sounding even if “DELAY” appears on the display after pressing TIME/LEVEL once or more.

Adjust the level. * Pressing raises and lowers the level. * While adjusting, the test tone is heard from the

selected speaker.

Remote control

9 When the adjustment is finished, press TEST again to

stop the test tone.

Remote control

Notes

• Once you have completed these adjustments, you can only adjust the overall sound level of your audio system by using VOLUME (or VOLUME (

) on the remote control).

• If you use external power amplifiers, you may also use their volume controls to achieve the proper balance.

• If the function “CNTR” in the SET MENU mode is set to the NONE position, the sound output level of the center speaker cannot be adjusted in step 8. The center sound is automatically output from the left and right main speakers.

• If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “M.LVL” to “–10 dB”.

English

BASIC OPERATION

TO PLAY A SOURCE

3 Select the desired input source by using INPUT.

(Turn on the monitor TV for video sources.)

Front panel Remote control

The name of the selected input source will appear on the display.

To play a tape or an MD

Press TAPE/MD MON / EXT. DECODER on the front panel or T APE/MD on the remote control so that the “TAPE/MD MON” indicator lights up on the display.

To use a decoder connected to the EXTERNAL DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER once or more on the front panel or EXT. DEC. on the remote control so that “EXT. DECDR” appears on the display.

When using the remote control

• Set the SELECTOR DIAL to the AMP/TUN position on the remote control.

• To operate the tuner, the CD player, DVD/LD player, tape deck, MD recorder, or other components with this remote control, set the SELECTOR DIAL to the component to be used. (See “SETUP CODES” on page 41.)

1 Set VOLUME to the “ ” position.

Front panel

2 Turn the power on.

Front panel Remote control

5 4

381,7

3,4

Front panel

8 If desired, adjust BASS, TREBLE, BALANCE, etc.

and use the digital sound field processor (see pages 28 to 29).

BASS: Turn this control clockwise to increase (or

counterclockwise to decrease) the lowfrequency response.

TREBLE: Turn this control clockwise to increase (or

counterclockwise to decrease) the highfrequency response.

BALANCE: Adjust the balance of the output volume

from the left and right speakers to compensate for any sound imbalance caused by the speaker location or listening room conditions.

Front panel

* These controls are only effective for the sound from the

main speakers.

Front panel

Remote control

When you have finished using this unit

Press STANDBY/ON on the front panel again or STANDBY on the remote control to set this unit in the standby mode.

4 For a DVD/LD or TV/DBS source, the current input

mode is also shown. * To change the input mode for the DVD/LD or TV/DBS

source, press INPUT MODE (or the button that you have pressed to select the input source in step 3 on the remote control) once or more until the desired input mode is shown on the display. (See page 25 for details on switching the input mode.)

Front panel Remote control

Input mode

5 Select the main speakers to be used.

Front panel

* If you use two main speaker systems, press both A and B.

6 Play the source. 7 Adjust the volume to the desired output level.

Front panel Remote control

English

Notes on using INPUT

• The audio source selected by INPUT will not be played if the “TAPE/MD MON” indicator lights up or if “EXT. DECDR” is displayed.

• If you select a video source by INPUT without canceling the selection of TAPE/MD MON / EXT. DECODER on the front panel (or T APE/MD or EXT. DEC. on the remote control), the play back result will be a video image from the video source and the sound from the audio source selected by TAPE/MD

MON / EXT. DECODER on the front panel (or TAPE/MD or EXT. DEC. on the remote control).

• If an audio source is selected by INPUT while watching a video source, the selected audio source will be played, but the video image will not be interrupted.

• When you select an input source by INPUT, the DSP program (or no DSP program) that was being used when the same input source was selected the last time will be automatically recalled.

• If “DATA ERR” appears on the display while playing a CD or LD encoded with DTS, stop playback and turn the player off and then on again.

Switching the input mode (for DVD/LD and TV/DBS)

This unit allows you to switch the input mode for sources that send two or more types of signal to this unit. The following three input modes are provided.

AUTO

This mode is automatically selected when you turn on the power of this unit. In this mode, the input signal is automatically selected in the following order of priority:

1. Digital signal encoded with Dolby Digital or DTS, or normal

digital input signal (PCM)

2. Analog input signal (ANALOG)

* For a DVD/LD source, if digital signals are input from both the

OPTICAL and COAXIAL terminals, the digital signal from the COAXIAL terminal is selected.

DTS

In this mode, only a digital input signal encoded with DTS is selected, even though other signals are input at the same time.

ANALOG

In this mode, only an analog input signal is selected, even though digital signals are input at the same time. Select this mode when you want to use an analog input signal instead of digital input signals.

Notes on input mode selection

• The input mode for a TV/DBS source is selected with the function “INPUT” in the SET MENU mode. (See page 34 for details.)

• Set the input mode to AUTO to play a DVD/LD source encoded with Dolby Digital.

• Set the input mode to ANALOG to play a normal 2-channel source with a Dolby Surround program.

• The sound output may be interrupted in some LD and DVD players in the following situation: The input mode is set to AUTO. A search is made while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the digital input signal was selected again.

• The input mode cannot be changed for the PHONO, TUNER, TAPE/MD, CD, VCR and VIDEO AUX sources because only analog signals are used.

• The present input mode appears on the display when the input source is changed to DVD/LD or TV/DBS, or the input mode is changed.

Notes on playing a source encoded with DTS

If you play a CD or LD encoded with DTS while the AUTO mode is selected, there will be a short noise at first while the unit identifies the DTS signal and activates the DTS decoder. This is not a malfunction, and can be avoided by setting the input mode to DTS beforehand. In addition, If you continue to play a CD or LD encoded with DTS with the input mode setting left at AUTO, this unit automatically switches to the “DTS-decoding” mode to prevent noise from being generated during future operation. (The red “dts” indicator lights up on the display.) No sound will be heard if a normal PCM CD or LD is played in this mode. (The red “dts” indicator will flash.) To play a normal disk, return the input mode from DTS to AUTO.

TO RECORD A SOURCE ON TAPE, MD OR VIDEO CASSETTE

4 1 2

1 Select the source to be recorded.

Front panel Remote control

2 Play the source and then turn up the volume to confirm

the input source.

Front panel Remote control

3 Begin recording on the tape deck, MD recorder or VCR

connected to this unit.

4 When a tape deck or MD recorder is being used for

recording, you can monitor the sounds being recorded by pressing T APE/MD MON / EXT. DECODER on the front panel or T APE/MD on the remote control so that the “TAPE/MD MON” indicator lights up on the display.

Front panel Remote control

Notes

• The settings of DSP and VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded.

• Composite video and S video signals pass independently through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source unit is connected to provide only an S video (or only a composite video) signal, you can record only an S video (or only a composite video) signal on your VCR.

• A source that is connected to this unit only through the digital terminals cannot be recorded on a tape deck, MD recorder or VCR connected to this unit.

• A source of signals input to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded.

• Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws.

If you watch video software that uses scrambled or encoded signals to prevent it from being dubbed, there may be a case that the picture itself will be affected by those signals.

English

SETTING THE SLEEP TIMER

The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can only be controlled with the remote control.

Notes

• To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for your TV, set the SELECTOR DIAL to the TV position.

• The components for which the SLEEP timer is effective are the sources connected to the AC OUTLET(S) on the rear panel of this unit.

To set the SLEEP time

1 Play the source which you want to enjoy when you are

going to sleep and press SLEEP once or more to select the desired SLEEP time.

Remote control

The SLEEP time is displayed.

Flashes

Each time you press SLEEP, the SLEEP time will change as follows:

(Minutes)

120 90 60 30

The SLEEP timer is off (SLEEP OFF). (This is the state before SLEEP is pressed.)

The “SLEEP” indicator soon lights up and the display returns to the indication before the SLEEP timer was set.

2 The unit will be switched to the standby mode automati-

cally at the selected SLEEP time.

To cancel the selected SLEEP time

Remote control

Press SLEEP once or more so that “SLEEP OFF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.)

Note

The SLEEP timer setting can also be canceled by setting the unit in the standby mode with STANDBY/ON on the front panel (or STANDBY on the remote control) or by disconnecting the power plug of the unit from the AC outlet.

No. PROGRAM

1 Normal Program

[1] DOLBY PRO LOGIC ( )

• Input source : Dolby Surround 2-ch Dolby Digital

• Output channel : 4 channels

• DSP : —

[2] DOLBY DIGITAL ( )

• Input source : Dolby Digital

• Output channel : 5.1 channels

• DSP : —

[3] DTS ( )

• Input source : DTS

• Output channel : 5.1 channels

• DSP : —

2 Enhanced Program

[1] DOLBY PRO LOGIC/Enhanced ( )

• Input source : Dolby Surround 2-ch Dolby Digital

• Output channel : 4 channels

• DSP : 1 (surround)

[2] DOLBY DIGITAL/Enhanced ( )

• Input source : Dolby Digital

• Output channel : 5.1 channels

• DSP : 2 (surround L, R)

[3] DTS/Enhanced ( )

• Input source : DTS

• Output channel : 5.1 channels

• DSP : 2 (surround L, R)

FEATURES

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor. This processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course, depend on what you are listening to) and adding any desired adjustments.

The operation of built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) can be controlled by selecting a corresponding DSP program incorporating the combined operation of YAMAHA DSP and Dolby Surround, Dolby Digital or DTS.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments.

The built-in Dolby Pro Logic, Dolby Digital or DTS decoder precisely reproduces the sound and effect of the encoded source. The realization of a highly efficient decoding process improves cross talk and channel separation and makes sound positioning smoother and more precise.

This program ideally simulates the multi-surround speaker systems of the 35 mm-film movie theater. Each decoding and digital sound field processing operation is precisely performed without altering the original sound orientation. The surround effect produced by the sound field folds around the viewer naturally from the rear to the left and right and toward the screen.

For movie or audio/video sources

English

No. PROGRAM

3 CINEMA DSP Program

[1] 70 mm MOVIE THEATER ( )

• Input source : Dolby Surround 2-ch Dolby Digital

• Output channel : 3 channels

• DSP : 2 (presence & surround)

[2] 70 mm MOVIE THEATER – DOLBY D. ( )

• Input source : Dolby Digital

• Output channel : 5.1 channels

• DSP : 3 (presence & surround L, R)

[3] 70 mm MOVIE THEATER – DTS ( )

• Input source : DTS

• Output channel : 5.1 channels

• DSP : 3 (presence & surround L, R)

4 MONO MOVIE

• Input source : Monaural

• Output channel : 1

• DSP : 1

5 TV SPORTS

• Input source : Audio/Video

• Output channel : 2 to 5.1 channels

• DSP : 2 to 3 (presence & surround)

FEATURES

Creates the extremely wide sound field of a movie theater. It precisely reproduces the source sound in detail, giving both the video and the sound field incredible reality. Any kind of video source encoded with Dolby Digital or DTS (especially large-scale movie productions) is ideal for use with this program.

This program is designed specifically to enhance monaural sources. Compared to a strictly mono setting, the sound image is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound.

This program is furnished with a tight sound field in which the sound will not spread excessively at the front, but the rear surround produces dynamic sound expansion.

No. PROGRAM

6 Hi-Fi DSP Program

• Input source : 2-ch PCM/Analog audio

• Output channel : 2 channels

• DSP : 1

[1] DISCO

[2] ROCK CONCERT

[3] CONCERT HALL

For Hi-Fi Audio sources

Simulates the acoustics of disco in the heart of a lively city. The sound is dense and highly concentrated.

Ideally suited for rock music. You will experience a dynamic and lively sound field.

Creates the expansive ambience of a large concert hall. Orchestra and opera music are suited to this program.

FEATURES

PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

Follow steps 1 to 7 shown in “TO PLAY A SOURCE” on pages 23 to 24.

Select the desired DSP program that is suitable for the source.

Front panel

Remote control

Press DSP. While the indicator is lit up for about three seconds, select a DSP program with the numeric buttons (1 to 8).

* If the SELECTOR DIAL is set to the DSP position, you can

also select a DSP program directly with the numeric buttons (1 to 8).

The name of the selected program appears on the display.

If desired, adjust the delay time and the output level of each speaker. (See pages 31 and 32 for details.)

The following indicators on the display show you what sound processing is being undertaken.

12 3 4 5

1 This lights up in orange when a DVD source encoded with

DTS is played back and DTS is decoded.

2 This lights up in red when an LD source or a CD source

encoded with DTS is played back and DTS is decoded.

3 This lights up when Dolby Digital is being decoded and the

signals of the selected source encoded with Dolby Digital is not in 2-channel.

4 This lights up when the digital sound field processor is

turned on.

5 This lights up when Dolby Surround is being decoded by

Dolby Pro Logic.

TO CANCEL THE SOUND EFFECT

To cancel the sound effect and monitor only the main sound, press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT

ON/OFF once more to turn sound effect back on.

Front panel Remote control

Notes

• You can select a program for each of the input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called up.

• When a monaural sound source is being played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. However, if the NONE position is selected for “CNTR” in the SET MENU mode, the main speakers will output the sound of the center channel.

• When the source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, DSP cannot be used.

• If the sound effect is canceled when signals encoded with Dolby Digital or DTS are input to this unit, the signals of all channels are mixed and are output from the main speakers.

• If EFFECT or EFCT ON/OFF is pressed to turn the sound effects off when Dolby Digital or DTS is decoded, it may happen that the sound is output faintly or not output normally, depending on the source. In that case, press EFFECT or EFCT ON/OFF to turn on the sound effects.

If you change the LD (or CD) being played back with DTS being decoded to another disc that is not encoded with DTS when the red “dts” indicator lights up, playing back the newly selected disc will result in no sound output. In this state, the red “dts” indicator flashes to show that this unit is locked in the DTS-decoding mode. To play back the disc normally, change the current DTSdecoding mode to another mode by INPUT MODE on the front panel or by INPUT on the remote control so that the red “dts” indicator goes off.

English

2 Press + or – to adjust the settings for the delay time or

speaker output levels.

Front panel Remote control

3 Repeat steps 1 and 2 to adjust the settings of any other

item.

ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.

Adjustment method

When adjusting with the remote control, set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control.

1 Press TIME/LEVEL once or more until the name of the

item which you want to adjust appears on the display.

Front panel Remote control

* After pressing TIME/LEVEL once on the remote control,

you can also select the name of item by pressing .

When pressed, the selection changes as follows:

DELAY

CENTER

R SUR.

L SUR.

SWFR

* Pressing on the remote control changes the selection in

the reverse order.

* Depending on the setting in the SET MENU mode, you

may not be able to select all these items.

Delay time Center speaker output level Right rear speaker output level Left rear speaker output level Subwoofer output level

Adjusting the delay time

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. This adjustment can be individually made to all programs.

Notes

• Adding too much delay will cause an unnatural effect with some sources.

• When + or – is pressed, the sound is momentarily interrupted.

Adjusting the output level of the center, right rear and left rear speakers, and subwoofer

Program

1. DOLBY PRO LOGIC DOLBY DIGITAL DTS

2. DOLBY PRO LOGIC/Enhanced DOLBY DIGITAL/Enhanced DTS/Enhanced

3. 70 mm MOVIE THEATER 70 mm MOVIE THEATER – DOLBY D. 70 mm MOVIE THEATER – DTS

4. MONO MOVIE

5. TV SPORTS

6. DISCO

7. ROCK CONCERT

8. CONCERT HALL

If desired, you can adjust the sound output level of each speaker even if the output level has already been set in “SPEAKER BALANCE ADJUSTMENT” on pages 20 to 22.

Notes

• The output level of the center speaker cannot be adjusted when the DISCO, ROCK CONCERT or CONCERT HALL program is selected, and the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel.

• If the function “CNTR” in the SET MENU mode is set to the NONE position, the sound output level of the center speaker cannot be adjusted. This is because, in this mode, the center speaker sound is automatically output from the left and right main speakers.

• Once the output level has been adjusted, the level will be the same for all digital sound field programs.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the latest values for the delay time and the center/rear/subwoofer output levels that were set will automatically return to the preset values. If so, they can be re-set by simply following the adjustment method on page 31.

Speaker

CENTER RIGHT REAR LEFT REAR SUBWOOFER

Control range (dB)

MIN, –20 to +10 MIN, –20 to +10 MIN, –20 to +10 MIN, –20 to 0

Preset value

0 0 0 0

Preset value

20 5 5 20 5 5 20 16 16 49 9 40 16 44

Control range (ms)

15 to 30 0 to 15 0 to 15 15 to 30 0 to 15 0 to 15 15 to 30 1 to 99 1 to 99 1 to 99 1 to 99 1 to 99 1 to 99 1 to 99

English

However, at the normal level suitable for listening in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the sound data.

MAX: In this position, a source encoded with Dolby Digital

is reproduced in the original sound track’s wide dynamic range to provide you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment.

STD (Standard):

In this position, a source encoded with Dolby Digital is reproduced in the “compressed” dynamic range of the source that is suitable for low-level listening.

MIN: In this position, the dynamic range is more reduced

than in the STD position. Selecting this position will be effective when you must listen to a sound source at a low level. * In this position, it may happen that sound is output

faintly or not output normally depending on the source. In that case, select the MAX or STD position.

DTS LFE (Adjusting the level of the LFE channel for DTS)

Control range: –10 dB to +10 dB (in 1 dB steps) Preset value: 0 dB

* This adjustment is effective only when DTS is being decoded

and the signals of the selected source encoded with DTS contain LFE signals.

This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are output from the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted. (See page 6 for details about the LFE channel.)

ADJUSTMENTS IN THE “SET MENU” MODE

The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening and video watching.

1. CNTR (CENTER SPEAKER)

2. REAR (REAR SPEAKERS)

3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT)

5. M.LVL (MAIN LEVEL)

6. D.D.LFE (DOLBY DIGITAL LFE LEVEL)

For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”, see page 18. (Once you have selected the appropriate settings, you do not have to change any settings unless an alteration is made in your speaker system.)

D.D.LFE (Adjusting the level of the LFE channel for Dolby Digital)

Control range: –20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB

* This adjustment is effective only when Dolby Digital is being

decoded and the signals of the selected source encoded with Dolby Digital contain LFE signals.

D.RNG (Adjusting the dynamic range)

Choices: MAX/STD/MIN Preset position: MAX

* This adjustment is effective only when Dolby Digital is being

decoded.

“Dynamic range” is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature a very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not

always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output to a level as high as that in a movie theater.

7. D.RNG (DYNAMIC RANGE)

8. DTS LFE (DTS LFE LEVEL)

9. C.DELAY (CENTER DELAY)

10. GUARD (MEMORY GUARD)

11. INPUT (INPUT MODE)

C.DELAY [Adjusting the delay of center sounds (dialog, etc.)]

Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms

* This adjustment is effective only when Dolby Digital or DTS is

being decoded and the signals of the selected source encoded with Dolby Digital or DTS contain center-channel signals.

This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated.

This is for making sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position.

GUARD (Memory guard)

Choices: ON/OFF Preset position: OFF

If you wish to prevent accidental alterations to SET MENU and other adjustments on this unit, select ON. The following functions on this unit can be locked by this operation:

• Other functions in the SET MENU mode

• Functions in the TIME/LEVEL mode

• Functions when using TEST

INPUT (Selecting the mode of the TV/DBS input)

Choices: AUTO/LAST Preset position: AUTO

You can designate the input mode that is automatically selected when the power of this unit is switched on for only the sources connected to the TV/DBS input terminals of this unit.

AUTO: In this position, the AUTO input mode is always

selected when the power for this unit is switched on.

LAST: In this position, the input mode you selected last time

is memorized and will not be changed when the power is switched on again.

* See page 25 for details on switching the input mode.

Adjustment method

Adjustments should be made while watching the information on this unit’s display.

When adjusting with the remote control, set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control.

Press SET MENU once or more so that the function which you want to change appears on the display.

Front panel Remote control

* After pressing SET MENU once on the remote control, you

can also select the title by pressing . (Pressing goes back one selection.)

Press + or – to select any desired position or to edit parameters of the chosen function.

Front panel Remote control

Repeat these steps to change or adjust the settings of any other function.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the settings of the SET MENU mode will automatically return to the factory settings. If so, they can be re-set by simply following the procedure above.

English

You can use the remote control to control not only this unit but also other components connected to it. The remote control is factory set to control this unit and most YAMAHA audio components.

To control other brands of components, you must preset the remote control with the manufacturers’ codes listed from page 310.

2 Press the desired operation button.

Note: Press the button with the remote control aimed at

the front panel.

REMOTE CONTROL

Basic operation

1 Select the position for the component that you want to

control by turning the SELECTOR DIAL. Note: Turn the SELECTOR DIAL until it stops with a click.

Components which can be controlled

There are nine positions that you can select to control connected components with this remote control. When turning the SELECTOR DIAL, the position changes as follows:

SELECTOR

DIAL

Notes

1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.

Note that you can preset only one code for one position. (See “SETUP CODES” on page 41 for details).

2. DVD/LD and DVD MENU positions:

• Be sure that the SELECTOR DIAL is set to the DVD/LD position before presetting the code for a DVD or an LD player. The code that you preset to the DVD/LD position is also simultaneously preset to the DVD MENU position. You cannot preset the code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.

• DVD MENU operations cannot be performed for some DVD players.

3. When using a second (and third) VCR (See “To use a second (and third) VCR” on page 41 for details.):

• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset by using the CBL/DBS position.

• If you are not using a DVD player, the second (or third) VCR can be preset by using the DVD MENU position. Note that in this case you must preset the code for an LD player to the DVD/LD position even if an LD player is not being used.

4. The button functions on the remote control differ depending on the position selected by the SELECTOR DIAL. Refer to the following pages for details.

DVD/LD & DVD MENU:

An LD player can be controlled by using the DVD/LD position. A DVD player can be controlled by using the DVD/LD and DVD MENU positions. The code for a YAMAHA DVD player is preset. If the remote control will not operate your YAMAHA DVD player, you need to preset code number “4490.”

AMP/TUN:

You can perform basic operations of this unit and control a YAMAHA tuner with the SELECTOR DIAL set to this position.

TAPE/MD:

The code for a YAMAHA tape deck is preset. (Be sure to preset the proper code when operating a YAMAHA MD recorder.)

CD:

The code for a YAMAHA CD player is preset.

DSP:

This unit can be controlled and DSP programs can be selected directly.

VCR:

A VCR can be controlled.

CBL/DBS:

A cable television or DBS tuner can be controlled.

TV:

A television can be controlled.

Indicator The indicator will flash when the button is pressed.

The position name is displayed in this window.

■ AMP/TUN Note: TV POWER and TV V OLUME function if you have preset the code for your TV.

1 POWER

This button turns the unit on.

2 INPUT

Press one of these buttons to select the required input source.

3 EXT. DEC.

Press this button when using an external decoder.

4 A/B/C/D/E

Press this button to select a group of preset stations when using the YAMAHA tuner.

5 DSP

Press this button. While the indicator is lit up for about three seconds, select a DSP program by using the number buttons (1 to 8). No DSP program can be selected after the indicator goes off.

6 PRESET (+/–)

Press these buttons to select the preset station number when using the YAMAHA tuner.

7 VOLUME (

)

Press these buttons to adjust the volume level.

8 MUTE

Press this button to mute the sound. To cancel mute, press this button once more, or press the operation buttons of this unit.

9 SLEEP

Press this button to set the SLEEP timer.

(LEFT), (RIGHT)

These buttons are used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode.

q TIME/LEVEL

Press this button to set the unit in the TIME/LEVEL mode and to select the item.

w STANDBY

Press this button to set this unit in the standby mode.

e TEST

Press this button to output a test tone for adjusting the output level of the speakers.

r EFCT (EFFECT) ON/OFF

Press this button to turn on or off the DSP program which includes the Dolby Pro Logic decoder, the Dolby Digital decoder and the DTS decoder.

(NEXT), (BACK)

These buttons are used to advance or back one selection in the SET MENU mode and TIME/LEVEL mode.

y SET MENU

Press this button to set the unit in the SET MENU mode and to select functions.

2 DSP program

Press one of these buttons to select the required DSP program (1 to 8). When you select the input source, set the SELECTOR DIAL to the AMP/TUN position.

Note: The function of all buttons other than DSP program is

the same as that with the AMP/TUN position.

■ DSP

Indicator: Flashes in red when the button is pressed.

Indicator window: Displays the names of components which can be controlled.

SELECTOR DIAL: Selects the position for the component to be controlled.

The lightly marked buttons do not function.

TV VOLUME

TV POWER

English

The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here. Please refer to the owner’s manual for details of each component.

■CD

■TAPE/MD

Note: TV POWER, TV V OLUME and TV INPUT function if you have preset the code for your TV.

1 POWER

This button turns the unit on under factory settings. If another code for your CD player whose remote control has a power button is preset, the button will turn on the CD player.

2 DISC SKIP (+/–) (for a CD player with a CD changer)

Press these buttons to skip to the next or previous CD.

, (SKIP)

Press

to skip to the beginning of the next track. Press to skip to the beginning

of the previous track.

4 (PLAY)

Press this button to play a CD.

5 (SEARCH)

This button initiates a backward search on the track that is playing to find the point from which you want to listen.

(PAUSE)

Press this button to give a pause in operation. This button functions as PAUSE/ STOP* for operating YAMAHA CD players under factory settings.

(STOP)

Press this button to stop operation. This button functions as PAUSE/STOP* for operating YAMAHA CD players under factory settings.

(SEARCH)

This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen.



2 3 4

9 0 q

Notes: •

TV POWER and TV V OLUME function if you have preset the code for your TV.

• Be sure to preset the proper code for your MD recorder.

TAPE

1 POWER

This button turns the unit on under factory settings. If another code for your tape deck whose remote control has a power

button is preset, the button will turn on the tape deck.

2 (REC/PAUSE)

Press this button to give a pause in recording on the tape deck.

DIR A

Press this button to select the playing direction of deck A.

4 (PLAY)

Press this button to play a tape.

5 (REWIND)

Press this button to rewind a tape.

7 DECK A/B

Press this button to select deck A or B on the double cassette tape deck.

9 DIR B

Press this button to select the playing direction of deck B.

0 (STOP)

Press this button to stop the operation of a tape.

(FAST FORWARD)

Press this button to fast forward a tape.

TV VOLUME TV POWER

TV VOLUME

TV POWER

TV INPUT

DISPLAY

* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.

1 POWER

This button turns the unit on if you have preset the code for the YAMAHA MD recorder. If another code for your MD recorder whose remote control has a power button is preset, the button will turn on the MD recorder.

(REC/PAUSE)

(SKIP)

(PLAY)

(SEARCH)

6 DISP (DISPLAY) 8

(PAUSE)

(SKIP)

(STOP)

(SEARCH)

■DVD MENU

The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here. Please refer to the owner’s manual for details of each component.

DISC SKIP

SKIP/SEARCH

PLAY

SUBTITLE (DVD)/SEARCH (LD)

SUBTITLE ON/OFF (DVD)

DISPLAY

PAUSE

STOP ANGLE (DVD)/SEARCH (LD)

AUDIO (DVD)

Numeric buttons

+10

DISC SKIP

MENU LEFT

MENU SELECT

SET UP

TITLE

CLEAR

TITLE/INDEX

MENU UP MENU RIGHT

MENU DOWN RETURN

Note: TV PO WER, TV V OLUME and TV INPUT

function if you have preset the code for your TV.

■DVD/LD

Note: TV PO WER, TV V OLUME and TV INPUT

function if you have preset the code for your TV.

TV POWER

TV VOLUME

TV INPUT

TV POWER

TV VOLUME

TV INPUT

POWER

(DVD) This button turns the unit on under factory

settings. If another code for your DVD player whose remote control has a power button is preset, the button will turn on the DVD player. (LD) This button turns the unit on if you have preset the code for the YAMAHA LD player. If another code for your LD player whose remote control has a power button is preset, the button will turn on the LD player.

POWER

This button turns the unit on under factory settings. If another code for your DVD player whose remote control has a power button is preset, the button will turn on the DVD player.

English

■CBL/DBS

Note: TV PO WER, TV V OLUME and TV

INPUT function if you have preset

the code for your TV.

■VCR

Note: TV PO WER, TV V OLUME and TV INPUT function if you

have preset the code for your TV.

POWER

DISPLAY

CHANNEL

CHANNEL ENTER

VCR REC

Press this button twice to start recording.

CHANNEL UP DOWN

PLAY

REWIND

PAUSE

STOP FAST FORWARD

POWER

DISPLAY

CHANNEL

CHANNEL ENTER

MENU LEFT

CHANNEL UP DOWN

MENU SELECT

MENU UP MENU RIGHT

MENU DOWN

+100

RECALL MENU

■TV

Note: You can only control your VCR if you have preset the

code for it.

DISPLAY

CHANNEL

CHANNEL ENTER

TV MUTE

CHANNEL UP DOWN

TV SLEEP

TV POWER

TV INPUT

TV EFFECT ON/OFF

TV VOLUME

The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here. Please refer to the owner’s manual for details of each component.

TV VOLUME

TV INPUT

TV POWER

TV VOLUME

TV INPUT

VCR REC Press this button twice.

VCR REWIND

VCR PLAY

VCR PAUSE

VCR STOP VCR FAST

FORWARD

TV POWER

POWER

Remote control operation range

Notes

• There should be no large obstacles between the remote control and the unit.

• If the remote control sensor is directly illuminated by strong lighting (especially from an inverter type of fluorescent lamp), it might cause the remote control not to work correctly. In this case, reposition the unit to avoid direct lighting.

NOTES ABOUT THE REMOTE CONTROL

Battery installation

1. Turn the remote control over and slide the battery compartment cover in the direction of the arrow.

2. Insert the batteries (AA, R6 or UM-3 type) according the polarity markings on the inside of the battery compartment.

3. Close the battery compartment cover.

Battery replacement

If the remote control operates only when it is close to the unit, the batteries are weak. Replace all the batteries with new ones.

Be sure to replace the batteries within about two minutes. If it takes longer than two minutes, the codes preset for the remote control will return to the factory settings.

Notes

• Use only AA, R6 or UM-3 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration

inside the battery compartment.)

• Remove the batteries if the remote control will not be used for

an extended period of time.

• If the batteries have leaked, dispose of them immediately.

Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

Remote control sensor

Within approximately 6 m (20 feet)

English

SETUP CODES

If you are using the DVD MENU position for a second (or third) VCR, you must preset the code for an LD player to the DVD/LD position.

1. Turn on the VCR to be used.

2. Set the SELECTOR DIAL to the CBL/DBS or DVD MENU position.

3. Press both VOLUME buttons (

) for about four seconds at the same time so that the indicator flashes twice.

4. Press MUTE.

5. Use the numeric buttons to enter the four-digit code for the second (or third) VCR. Make sure that the indicator flashes twice. If the indicator does not flash, repeat steps 3 and 4, and re-enter the code.

6. Press POWER (or any other button) on the remote control to check if you have preset the code correctly. If the VCR cannot be controlled with the remote control, try entering another code for the same manufacturer.

To control your components (MD recorder, DVD player, TV, etc.)

1. Turn on the component to be used.

2. Set the SELECTOR DIAL to the desired position for the component (TAPE/MD, DVD/LD, TV, etc.).

3. Press both VOLUME buttons (

) for about four seconds at the same time so that the indicator flashes twice.

4. Use the numeric buttons to enter the four-digit manufacturer’s code for the component to be used. Make sure that the indicator flashes twice. If the indicator does not flash, repeat step 3 and re-enter the code.

5. Press POWER (or any other button) on the remote control to check if you have preset the code correctly. If the component cannot be controlled with the remote control, try entering another code for the same manufacturer.

To use a second (and third) VCR

You can use the CBL/DBS and/or DVD MENU positions to control a second (and/or third) VCR if a CBL (or DBS) or DVD player is not being used.

Returning to the factory-set codes

To return all components to the factoryset codes, follow these steps.

1. Set the SELECTOR DIAL to a position other than the AMP/TUN or DSP position.

2. Press both VOLUME buttons (

) for about four seconds at the same time so that the indicator flashes twice.

3. Enter code number “9987”.

4. Make sure that the indicator flashes twice.

To return each component to the factoryset code, follow these steps.

1. Set the SELECTOR DIAL to the position for the component to be returned to the factory-set code.

2. Press both VOLUME buttons (

) for about four seconds at the same time so that the indicator flashes twice.

3. Enter code number “9999”.

4. Make sure that the indicator flashes twice.

The following codes are preset as the factory settings.

Factory-set codes

POSITION Component Code

TV TV 0037 CBL/DBS DBS tuner 2455 VCR VCR 3072 DVD/LD DVD player

4545 Y AMAHA

CD CD player

6187 Y AMAHA

TAPE/MD Tape deck

8524 Y AMAHA

We recommend that you write all the code numbers you have preset on the “Quick Reference Card.”

Presetting the remote control

Perform the presetting procedure for each component you want to control with the remote control. Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was

supplied with the component.

SYMPTOM

The unit fails to turn on when STANDBY/ON is pressed, or set in the standby mode suddenly soon after the power has been turned on.

The unit does not work normally.

No sound or no picture.

No picture.

The sound suddenly goes off.

Only the speakers on one side can be heard.

A “humming” sound can be heard.

The volume level is low while playing a record.

The volume level cannot be increased, or the sound is distorted.

CAUSE

The power cord is not plugged in or the plug is not completely inserted.

The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the upper or lower end.

The internal microcomputer has been frozen by an external electric shock (lightning, excessive static electricity, etc.) or by a power supply with low voltage.

Incorrect output cord connections.

An appropriate input source has not been selected.

SPEAKERS have not been set properly.

The speaker connections are not secure.

Digital signals other than PCM audio and Dolby Digital or DTS encoded signals which this unit cannot reproduce are input to this unit by playing a CD-ROM etc.

There is no S video terminal connection between this unit and the TV, although S video signals are input to this unit.

The protection circuit has been activated because of a short circuit, etc.

The SLEEP timer has functioned.

Incorrect setting of BALANCE. Incorrect cord connections.

Incorrect cord connections.

No connection from the turntable to the GND terminal.

The record is being played on a turntable with an MC cartridge.

The component connected to the REC OUT terminals of this unit is in the standby mode.

REMEDY

Firmly plug in the power cord.

Set the switch fully to the upper or lower end when the unit is in the standby mode.

Set the unit in the standby mode and disconnect the AC power cord from the AC outlet. After about 30 seconds have passed, connect the power and operate the unit again.

Connect the cords properly. If the problem persists, the cords may be defective.

Select an appropriate input source with

INPUT or TAPE/MD MON / EXT. DECODER.

Set SPEAKERS corresponding to the speakers in use to the ON position.

Secure the connections.

Play a source whose signals this unit can reproduce.

Connect this unit’s S VIDEO MONITOR OUT terminal to the TV’s S video input terminal.

Set the unit in the standby mode and then switch on again to reset the protection circuit.

Turn on the power, and play the source again.

Adjust it to the appropriate position. Connect the cords properly. If the

problem persists, the cords may be defective.

Firmly connect the audio plugs. If the problem persists, the cords may be defective.

Make the GND connection between the turntable and this unit.

The turntable should be connected to the unit through the MC head amplifier.

Turn on the power to the component.

Amplifier

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.

English

SYMPTOM

No sound from the effect speakers.

No sound from the rear speakers.

No sound from the center speaker.

The sound field cannot be recorded.

The DVD/LD, TV or DBS source cannot be recorded on a tape deck, MD recorder or VCR connected to this unit.

The remote control does not work.

The sound is degraded when listening with the headphones to a CD player or tape deck that is connected to this unit.

There is noise interference from digital or high-frequency equipment or the unit.

CAUSE

The sound effect setting is off.

A Dolby Surround or DTS decoding program is being used with material not encoded with Dolby Surround or DTS.

The sound output level of the rear speakers is set to minimum.

A monaural sound source is being played in the DOLBY PRO LOGIC or

DOLBY PRO LOGIC ENHANCED

program. The sound output level of the center

speaker is set to minimum. The function “CNTR” in the SET MENU

is set to the NONE position. Incorrect sound field program selection. The input signals of the source encoded

with Dolby Digital or DTS do not have center channel signals.

It is not possible to record the sound field on a tape deck or MD recorder connected to the unit’s REC OUT terminals.

The DVD/LD player, TV or DBS tuner is connected to the unit by only the digital terminals.

Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.

The manufacturer’s code has not been set properly.

The proper manufacturer’s code for the component to be controlled has not been set.

The component to be controlled has not been selected.

This unit is in the standby mode.

The unit is too close to the digital or high-frequency equipment.

REMED Y

Press EFFECT on the front panel or EFCT ON/OFF on the remote control to

turn it on. Use a different sound field program.

Raise the sound output level of the rear speakers.

Select another sound field program suitable for the monaural sound source.

Raise the sound output level of the center speaker.

Select the LARGE or SMALL position.

Select the appropriate program. Refer to the instructions for the source

being currently played.

Make additional connections between the analog terminals.

Change the position of this unit.

Set the code again.

Try entering another code for the same manufacturer.

Set the SELECTOR DIAL to the proper position.

Turn on the power of the unit.

Move the unit further away from such equipment.

Amplifier

Remote controlOthers

SYMPTOM

A loud hissing noise is heard when you play back a source encoded with DTS.

A percussive noise is heard when you begin playing back a source encoded with DTS.

No sound is heard when you play back a source encoded with DTS, even though the AUTO input mode is selected on this unit.

No sound is heard when you play back an MD or DAT on to which you have recorded a source encoded with DTS.

No sound is heard when you play back a source (CD, etc.) even though the currently selected input mode is AUTO.

CAUSE

The player which plays back the source is not connected to a digital audio signal input terminal of this unit.

The ANALOG input mode is selected on this unit.

If the AUTO input mode is selected, depending on some sources, there may be a case that a noise is heard while this unit is identifying the format of the input signal.

The DTS decoder built into this unit does not function because the player has a digital volume control and it is set at a position other than “maximum,” “neutral” or “ineffective.”

A source encoded with DTS cannot be recorded on to an MD or DAT.

In the AUTO mode, the DTS-decoding mode cannot be automatically changed to the normal (PCM) digital signal input mode.

REMEDY

The player must be connected to a digital audio signal input terminal of this unit besides the analog audio signal terminal connections.

Select a proper input mode on this unit to turn on the DTS decoder built into the unit.

Set the input mode of the currently selected input source to DTS.

Set the player’s digital volume control at the maximum, neutral or ineffective position.

Press INPUT MODE on the front panel or INPUT (for the currently selected source) on the remote control so that AUTO appears on the display.

When playing back a source encoded with DTS

Notes

• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is being used without using a DTS decoder, when you play back the source, only a loud hissing noise will be heard.

• If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode to prevent a noise from being output.

English

AUDIO SECTION

Minimum RMS Output Power

8 ohms, 20 Hz to 20 kHz, 0.04% THD

MAIN L/R ............................. 65 W + 65 W

CENTER ........................................... 65 W

REAR L/R ............................ 65 W + 65 W

8 ohms, 1 kHz, 0.07% THD

MAIN L/R ............................. 80 W + 80 W

CENTER ........................................... 80 W

REAR L/R ............................ 80 W + 80 W

Maximum Power

[China and General models only] 8 ohms, 1 kHz, 10% THD

MAIN L/R ......................... 105 W + 105 W

CENTER ......................................... 105 W

REAR L/R ........................ 105 W + 105 W

Dynamic Power per Channel (by IHF Dynamic Headroom measuring method)

MAIN L/R

8/6/4/2 ohms ................ 90/110/135/160 W

DIN Standard Output Power per Channel

[Europe model only]

4 ohms, 1 kHz, 0.7% THD ................. 110 W

IEC Power

[Europe model only]

8 ohms, 1 kHz, 0.04% THD .... 75 W + 75 W

Power Band Width

MAIN L/R

8 ohms, 35 W, 0.1% THD 10 Hz to 50 kHz

Damping Factor (SPEAKER A)

8 ohms, 20 Hz to 20 kHz ............ 60 or more

Input Sensitivity/Impedance

PHONO MM ................... 2.5 mV/47 k-ohms

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX ................... 150 mV/47 k-ohms

EXT. DECODER

MAIN L/R .................... 150 mV/47 k-ohms

CENTER/SURROUND L/R/SUBWOOFER

.................................... 150 mV/40 k-ohms

Maximum Input Signal

PHONO MM

1 kHz, 0.1% THD .............100 mV or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX (EFFECT ON)

1 kHz, 0.5% THD .................2.2 V or more

Output Level/Impedance

REC OUT ..................... 150 mV/1.2 k-ohms

PRE OUT

[U.K. and Europe models only]

....................................... 2.1 V/1.2 k-ohms

SUBWOOFER

(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms

VIDEO SECTION

Video Signal Type

[U.K. and Europe models] .....................PAL

[China and General models]....... NTSC/PAL

Video Signal Level ................ 1 Vp-p/75 ohms

S-Video Signal Level

Y ......................................... 1 Vp-p/75 ohms

C .................................. 0.286 Vp-p/75 ohms

Maximum Input Level .......... 1.5 Vp-p or more

Signal-to-Noise Ratio ...............50 dB or more

Monitor Out Frequency Response

.............................. 5 Hz to 10 MHz, –3 dB

GENERAL

Power Supply

[U.K. and Europe models]

........................................ AC 230 V, 50 Hz

[China model] .................... AC 220 V, 50 Hz

[General model]

.............. AC 110/120/220/240 V, 50/60 Hz

Power Consumption

[U.K. and Europe models] ................. 300 W

[China and General models].............. 310 W

Maximum Power Consumption

[General model only]

5-ch, 10% THD .................................. 650 W

AC Outlets

3 SWITCHED OUTLETS

[China and General models]

....................................... 100 W max. total

2 SWITCHED OUTLETS

[Europe model]............... 100 W max. total

1 SWITCHED OUTLET

[U.K. model] ........................... 100 W max.

Dimensions (W x H x D)

..................................435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

Weight ..........................12.5 kg (27 lbs. 8 oz.)

Accessories............................ Remote control

Batteries

Specifications are subject to change without notice.

SPECIFICATIONS

Headphones Jack Rated Output/Impedance

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX input,

1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX to MAIN L/R SP OUT

.................................................... 0±0.5 dB

RIAA Equalization Deviation

PHONO MM .................................. 0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)

PHONO MM to REC OUT

1 V........................................0.02% or less

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT

35 W/8 ohms......................0.025% or less

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

(5 mV, Input Shorted)

[U.K. and Europe models]...81 dB or more

[China and General models]

............................................86 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX (EFFECT OFF) to MAIN SP OUT

(150 mV, Input Shorted) ......96 dB or more

Residual Noise (IHF-A Network)

MAIN L/R SP OUT................ 150 µV or less

Channel Separation (Vol. –30 dB, EFFECT OFF)

PHONO MM

(Input Shorted, 1 kHz/10 kHz)

....................60 dB or more/55 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/ VIDEO AUX

(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

....................60 dB or more/45 dB or more

Tone Control Characteristics

BASS: Boost/cut............. ±10 dB (50 Hz)

Turnover Frequency......... 350 Hz

TREBLE: Boost/cut ........... ±10 dB (20 kHz)

Turnover Frequency........ 3.5 kHz

Filter Characteristics

MAIN L/R, REAR L/R (SPEAKER: SMALL)

(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.

SUBWOOFER

(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.

310

Abex 0032 Acura 0009 Admiral 0093, 0163, 0213 Adyson 0217, 0032 Akai 0208, 0361 Akura 0218, 0264, 0369 Alaron 0216 Alba 0037, 0218, 0371, 0009, 0036, 0235 Allorgan 0294 Amplivision 0217 Amstrad 0371, 0009, 0362, 0369 Anam 0009, 0068 Anitech 0009, 0068, 0076 Arcam 0216, 0217 Asberg 0076 Asuka 0218 Atlantic 0206 Audiosonic 0037, 0109 Autovox 0206, 0076, 0336 BPL 0282 BSR 0294 BTC 0218 Baird 0343 Basic Line 0218, 0009 Baur 0037, 0010, 0554, 0349, 0361 Beko 0370 Beon 0037 Binatone 0217 Blaupunkt 0554, 0191, 0195, 0200,

0213, 0327, 0328 Blue Sky 0218 Blue Star 0282 Bondstec 0247 Boots 0217 Brandt 0109, 0196, 0198, 0205, 0333, 0335 Brionvega 0362 Britannia 0216 Bush 0037, 0218, 0374, 0371, 0294,

0009, 0282, 0036, 0349 CCE 0037, 0217 CGE 0074, 0076, 0084, 0247, 0306 CS Electronics 0216 CTC 0247 Carrefour 0036 Cascade 0009 Cathay 0037 Centurion 0037 Century 0213 Cimline 0009 Clarivox 0037 Clatronic 0370, 0076, 0247 Condor 0370, 0320 Contec 0216, 0009, 0036, 0157 Continental Edison 0196, 0198,

0205, 0333 Crosley 0074, 0076, 0084, 0213 Crown 0037, 0370, 0418, 0009, 0076

Crystal 0431 Curtis Mathes 0093 Cybertron 0218 Daewoo 0037, 0374, 0009 Dainichi 0218, 0215 Dansai 0037 Dayton 0009 De Graaf 0208 Decca 0037, 0072 Dixi 0037, 0009 Dual 0336, 0352 Dual T ec 0217 Dumont 0070 Elbe 0259 Elin 0037 Elite 0218, 0320 Elta 0009 Emerson 0282, 0213, 0361 Erres 0037, 0012 Expert 0206 Ferguson 0037, 0109, 0005, 0073, 0190,

0238, 0287, 0335, 0343 Fidelity 0216, 0361 Finlandia 0208, 0346, 0359 Finlux 0037, 0072, 0070, 0105, 0346 Firstline 0216, 0217, 0294, 0009,

0321, 0247 Fisher 0370, 0217, 0208, 0303 Flint 0455 Formenti 0037, 0320, 0213 Frontech 0264, 0431, 0163, 0247 Fujitsu 0072, 0206 Funai 0294, 0264, 0303 GE 0282, 0093 GEC 0037, 0217, 0072, 0043, 0205 GPM 0218 Geloso 0009, 0213 Genexxa 0218, 0163 GoldStar 0037, 0217, 0109,

0032, 0290 Goodmans 0037, 0217, 0374, 0371, 0072,

0036, 0235, 0317, 0343 Gorenje 0370 Gradiente 0053 Graetz 0163, 0361 Granada 0037, 0217, 0072, 0146,

0208, 0339, 0359 Grandin 0282 Grundig 0037, 0554, 0070, 0191,

0195, 0205 HCM 0009, 0282 Hanseatic 0037, 0320, 0361 Harley Davidson 0043 Harvard 0068 Hinari 0037, 0218, 0009, 0036 Hisawa 0282, 0455 Hitachi 0217, 0036, 0109, 0032, 0043,

0044, 0105, 0163, 0196,

0198, 0225, 0306, 0349

Huanyu 0216, 0374

Hypson 0037, 0282, 0264 ICE 0217, 0371, 0264 ICeS 0218 ITS 0371 ITT 0163, 0361 Imperial 0370, 0418, 0074, 0076,

0084, 0247 Indiana 0037 Ingelen 0163 Inno Hit 0072 Interbuy 0068 Interfunk 0037, 0163, 0247, 0361 Intervision 0037, 0217, 0264,

0102, 0068 Isukai 0218 JVC 0371, 0036, 0053, 0190, 0192 KTV 0217 Kaisui 0216, 0217, 0218, 0009, 0282 Kamp 0216 Kapsch 0206, 0163 Kawasho 0216 Kendo 0037, 0235, 0362 Kingsley 0216 Kneissel 0259 Korpel 0037 Koyoda 0009 Leyco 0037, 0294, 0072, 0264 Liesenk & Tter 0037 Lloytron 0032 Loewe 0075 Luma 0206 Luxor 0349, 0361 M Electronic 0037, 0217, 0374, 0009,

0109, 0068, 0105, 0163,

0287, 0346 MGA 0150 MTC 0216, 0349 Magnadyne 0102, 0247 Magnafon 0102, 0076, 0213 Magnavox 0036 Manesth 0217, 0320, 0264, 0235 Marantz 0037 Mark 0037 Matsui 0037, 0217, 0371, 0294,

0009, 0072, 0036, 0035,

0011, 0208, 0235 Matsushita 0250 McMichael 0043 Mediator 0037, 0012 Memorex 0009, 0250, 0150 Memphis 0337 Metz 0213, 0367 Midland 0032 Minerva 0554, 0070 Minoka 0369 Mitsubishi 0036, 0093, 0108, 0150 Mivar 0216, 0290, 0291, 0292 Motion 0076 Motorola 0093 Multitech 0216, 0217, 0009, 0102, 0076

LIST OF MANUFACTURERS’ CODES LISTES DES CODES FABRICANT VERZEICHNIS DER HERSTELLER CODES LISTA ÖVER TILLVERKARKODER ELENCO DEI CODICI DEL FABBRICANTE LISTA DE CÓDIGOS DE FABRICANTES LIJST VAN CODES VAN FABRIKANT

311

Sanyo 0072, 0036, 0011, 0146, 0157,

0208, 0213, 0339 Schaub Lorenz 0361 Schneider 0037, 0218, 0371, 0247,

0303, 0323, 0336, 0352 Sears 0146 Sei-Sinudyne 0010 Seleco 0206, 0163, 0259, 0362 Sentra 0035 Sharp 0036, 0093, 0157 Shorai 0294 Siarem 0102, 0213 Siemens 0037, 0554, 0157, 0191, 0195,

0200, 0213, 0327, 0328 Silver 0036 Sinudyne 0294, 0102, 0213, 0235 Solavox 0032, 0163 Sonitron 0208 Sonoko 0037, 0009 Sonolor 0163, 0208, 0215 Sontec 0037 Sony 0036, 0010, 0011 Soundwave 0037, 0418 Standard 0217, 0218, 0009 Stern 0206, 0163, 0259 Sunkai 0294, 0321 Susumu 0218 Sysline 0037 Tandy 0217, 0218, 0072, 0093, 0163 Tashiko 0217, 0036, 0043, 0359 Tatung 0037, 0217, 0072 Tec 0217, 0247 Technema 0320 Technics 0250 Teknika 0150 Teleavia 0205, 0333, 0343 Telefunken 0109, 0005, 0074, 0084,

0101, 0213, 0262, 0306,

0335, 0343 Telemeister 0320 Teletech 0009 Teleton 0217, 0206, 0349 Tensai 0218, 0294, 0320, 0317 Texet 0216, 0218 Thomson 0109, 0196, 0198, 0205,

0287, 0333, 0343, 0349

Thorn 0037, 0072, 0035, 0074,

0084, 0190, 0192, 0361 Thorn-Ferguson 0343 Tomashi 0282 Toshiba 0036, 0035, 0070, 0243 Trical 0157 Triumph 0243 Uher 0206, 0320, 0303 Ultra 0192 Ultravox 0102 Universum 0037, 0370, 0264, 0105, 0346 Vestel 0037 Victor 0053 Videosat 0247 Videotechnic 0217 Vidtech 0036 Vision 0320 Voxson 0163 Waltham 0217 Watson 0037, 0320 Watt Radio 0102 Wega 0036 White Westinghouse 0037, 0216, 0320 Yoko 0037, 0217, 0264, 0431 Zanussi 0206

NEC 0455, 0036 NEI 0037, 0431, 0337 Neckermann 0037, 0554, 0191, 0213, 0349 Nikkai 0037, 0216, 0218, 0072,

0264, 0035, 0032, 0337 Nikko 0317 Nobliko 0102, 0076 Nokia 0361 Nordmende 0109, 0196, 0198,

0213, 0287, 0343 Oceanic 0163, 0215, 0361 Optimus 0250 Optonica 0093 Orion 0037, 0294, 0320, 0321, 0235 Osaki 0217, 0218, 0072, 0264, 0032 Oso 0218 Osume 0072, 0032, 0157 Otake 0317 Otto Versand 0037, 0217, 0320, 0036,

0010, 0554, 0191, 0213,

0343, 0349 Palladium 0370, 0418 Panama 0217, 0264 Panasonic 0250, 0163, 0213, 0214,

0226, 0367 Pathe Cinema 0216, 0320, 0213, 0238 Pathe Marconi 0196, 0198, 0205, 0333 Pausa 0009 Penney 0032 Perdio 0320 Phase 0032 Philco 0074, 0076, 0084, 0213, 0247 Philips 0037, 0374, 0554, 0012,

0043, 0323 Phonola 0037, 0012 Pioneer 0109, 0163, 0287 Profex 0009, 0076, 0361 Proline 0321 Protech 0037, 0217, 0418, 0009, 0264,

0102, 0431, 0247, 0337 Pye 0012 Quasar 0250 Quelle 0037, 0010, 0554, 0011, 0070,

0074, 0084, 0200, 0213,

0306, 0327, 0328, 0361 Questa 0036 R-Line 0037 RBM 0070 RCA 0090, 0093 Radio Shack 0032 Radiola 0037, 0012, 0323 Rank Arena 0036 Realistic 0032 Rediffusion 0361 Revox 0037 Rex 0206, 0264, 0163, 0259 Rhapsody 0216 Roadstar 0218, 0418, 0009, 0264 SBR 0037, 0012, 0043 SEG 0217, 0264, 0036, 0076 SEI 0294, 0102, 0213 Saba 0109, 0075, 0163, 0196, 0198,

0205, 0213, 0287, 0335, 0343 Saccs 0238 Saisho 0009, 0264, 0431, 0011, 0235 Salora 0163, 0349, 0359, 0361 Sambers 0102, 0076, 0213 Sampo 0032 Samsung 0037, 0370, 0217, 0009,

0264, 0032, 0090, 0290

Sandra 0216

CABLE

ABC 1003, 1008, 1014, 1017 Birgmingham Cable Communications

1276 British T elecom 1003, 1 105 Cabletime 1161, 1271, 1377 Clyde 1086 Contec 1019 Decsat 1423 Filmnet 1443 France T elecom 1451 GEC 1086 General Instrument 1276 GoldStar 1144 Jerrold 1003, 1276, 1014 MNet 1443, 1019 Magnavox 1032 Memorex 1000 Movie Time 1 156 NSC 1156 Oak 1019 PVP Stereo Visual Matrix 1003 Panasonic 1000 Paragon 1000 Pioneer 1144, 1260 Pulsar 1000 Runco 1000 STS 1156 Salora 1382 Samsung 1144 Satbox 1375 Scientific Atlanta 1008, 1277, 1017 Starcom 1003 Tele+1 1443 Teleservice 1281 Toshiba 1000 Tudi 1286 United Cable 1003 Videoway 1250 Westminster 1105 Zenith 1000

DBS TUNER

AST 2321, 2351 Alba 2455, 2421, 2362, 2613 Aldes 2288 Allantide 2333 Amstrad 2080, 2252, 2345, 2461, 2501 Ankaro 2369, 2288, 2220, 2519, 2217 Anttron 2421, 2183 Arcon 2368 Armstrong 2243 Astra 2108, 2539 Astro 2520, 2173, 2358, 2501 Avalon 2396 Axis 2369, 2530 BT 2668 Barcom 2217 Beko 2189 Best 2369, 2217 Blaupunkt 2173 Boca 2243, 2513 Brain Wave 2332 Bush 2067 CNT 2520 Cambridge 2344 Channel Master 2362 Chaparral 2053, 2209

312

CityCom 2394 Commlink 2288 Connexions 2396 Crown 2243 Cyrus 2200 D-box 2723 DDC 2362 DNT 2396, 2200 Diskxpress 2217 Drake 2268 EIF 2417 Echostar 2396, 2871 Emanon 2421 FTE 2331 Ferguson 2183, 2067, 2189, 2336 Fidelity 2252 Finlux 2455, 2108, 2344, 2397 Fracarro 2871 Freecom 2421, 2335 Fuba 2421, 2369, 2396, 2217, 2297, 2417 G-Sat 2183 Galaxis 2288, 2834, 2863 Galaxisat 2321 GoldStar 2335 Gooding 2571 Goodmans 2189 Grothusen 2335 Grundig 2571, 2173, 2189, 2328 Harting und Helling 2333 Hinari 2183 Hirschmann 2502, 2173, 2573, 2287,

2333, 2397, 2398 Hitachi 2455 Houston 2668 Huth 2243, 2288, 2220, 2346 ITT 2108 InVideo 2871 Intervision 2592 JVC 2571 Johansson 2332 Kathrein 2173, 2200, 2092, 2331, 2358,

2394, 2442, 2480, 2504 Kosmos 2331, 2335 Kreiselmeyer 2173 Kyostar 2421 La Sat 2520, 2513, 2464 Lemon 2692 Lenco 2421, 2335 Lennox 2592 Lupus 2369 Luxor 2573, 2108 Manhattan 2455, 2592, 2520 Marantz 2200 Maspro 2092, 2328, 2336 Matsui 2571, 2344 Mediamarkt 2243 Micro Technology 2333, 2539 Minerva 2571 Morgan’s 2243, 2513 Multistar 2331, 2464 Muratto 2335 Navex 2332 Neuhaus 2501 Neusat 2692, 2834 Newhaus 2220 Nikko 2360 Nokia 2455, 2573, 2108, 2328, 2397, 2873 Nordmende 2362 Orbitech 2501 Oxford 2344 Pace 2455, 2183, 2067, 2328, 2336, 2791

Palcom 2297 Palladium 2571 Palsat 2501 Panda 2455 Philips 2455, 2571, 2200, 2292, 2328 Phonotrend 2288, 2592 Planet 2871 Plasmatic 2442 Polytron 2394 Promax 2455 Prosat 2288 Quadral 2362, 2519 RFT 2288, 2220, 2200 Radiola 2200 Radix 2396, 2882 SAT 2321, 2351, 2461 SEG 2421, 2369, 2539 STVI 2417 Saba 2520, 2336 Sabre 2455 Sagem 2820 Salora 2108 Samsung 2287 SatPartner 2421, 2332, 2520, 2502,

2335, 2692 Satcom 2605, 2346 Satec 2183, 2328 Satmaster 2346 Schwaiger 2183, 2394, 2504 Seemann 2396, 2530 Siemens 2173 Skymaster 2288, 2605, 2519 Star Trak 2421 Strong 2421 Sunstar 2513 TPS 2820 Tantec 2455, 2297, 2336 TechniSat 2262, 2501 Techniland 2346 Telefunken 2421 Teleka 2243, 2613 Telesat 2605 Thomson 2455 Tonna 2668, 2346 Triad 2321, 2333, 2335, 2351 Triasat 2501 Unitor 2332, 2217 Universum 2571, 2173 Vector 2333 Ventana 2200 Vortec 2421 Vtech 2351 Wevasat 2333 Winersat 2332 Wisi 2455, 2396, 2173, 2321,

2351, 2372, 2406, 2407 XSat 2889 Xcom Multimedia 2889 Zehnder 2520, 2321, 2331

VCR

ASA 3037, 3081 Admiral 3048 Adventura 3000 Aiko 3278 Aiwa 3000, 3037, 3307, 3348, 3352 Akai 3315, 3106, 3041, 3053 Akiba 3072 Alba 3072, 3020, 3278, 3209, 3315, 3352 Ambassador 3020

Amstrad 3000, 3278, 3325, 3332 Anitech 3072 Asha 3240 Asuka 3037 Audiovox 3037 Baird 3000, 3041, 3104, 3107 Basic Line 3072, 3020, 3278 Beaumark 3240 Bell & Howell 3104 Blaupunkt 3034, 3226, 3195, 3003, 3006,

3154, 3162, 3227, 3403 Brandt 3320, 3187, 3321 Brandt Electronic 3041 Broksonic 3209 Bush 3072, 3278, 3209, 3352 CCE 3072, 3278 CGE 3000 Calix 3037 Capehart 3020 Carver 3081 Catron 3020 Cimline 3072 Cineral 3278 Citizen 3037, 3278 Clatronic 3020 Colt 3072 Combitech 3352 Condor 3020 Craig 3072, 3037, 3047, 3240 Crown 3072, 3020, 3278 Curtis Mathes 3041, 3162 Cybernex 3240 Cyrus 3081 Daewoo 3020, 3278, 3045 Dansai 3072 Daytron 3020 De Graaf 3042, 3166 Decca 3000, 3081 Denon 3042 Dual 3041 Dumont 3000, 3081, 3104 Dynatech 3000 ESC 3278, 3240 Elbe 3038 Elcatech 3072 Electrohome 3037 Electrophonic 3037 Emerex 3032 Emerson 3000, 3037, 3278, 3209,

3036, 3043, 3088 Ferguson 3320, 3041, 3107, 3321 Fidelity 3000 Finlandia 3081, 3104 Finlux 3000, 3081, 3042, 3104 Firstline 3072, 3037, 3209, 3045, 3043 Fisher 3046, 3047, 3054, 3104 Frontech 3020 Fuji 3033 Funai 3000 GE 3048, 3240 GEC 3081 Garrard 3000 General 3020 Go Video 3432 GoldHand 3072 GoldStar 3037, 3038, 3225 Goodmans 3072, 3000, 3020,

3037, 3278, 3403 Gradiente 3000, 3008 Graetz 3005, 3041, 3104, 3240 Granada 3081, 3046, 3104 Grandin 3072, 3000, 3037

313

Grundig 3072, 3081, 3347, 3226, 3195,

3003, 3006, 3007, 3207, 3349, 3403

HCM 3072 HI-Q 3047 Hanseatic 3037 Harley Davidson 3000 Harman/Kardon 3038 Harwood 3072 Headquarter 3046 Hinari 3072, 3004, 3240, 3352 Hitachi 3000, 3004, 3042, 3041,

3166, 3235, 3240 Hypson 3072 ITT 3106, 3046, 3384, 3005,

3041, 3104, 3240 ITV 3037, 3278 Imperial 3000 Ingersol 3004 Interfunk 3081 JVC 3067, 3384, 3008, 3041,

3206, 3207, 3486 Jensen 3041 KEC 3037, 3278 KLH 3072 Kaisui 3072 Kendo 3209, 3106 Kenwood 3067, 3384, 3038, 3041 Kodak 3037 Korpel 3072 LXI 3037 Lenco 3278 Leyco 3072 LIoyd’s 3000 Loewe 3037, 3004, 3081, 3006 Logik 3072, 3004, 3240 Luxor 3106, 3048, 3046, 3043, 3104 M Electronic 3000 MGA 3043, 3240 MGN Technology 3240 MTC 3000, 3240 Magnasonic 3278 Magnavox 3000, 3081 Magnin 3240 Manesth 3072, 3045 Marantz 3081, 3003, 3006 Marta 3037 Matsui 3209, 3004, 3036, 3088, 3348, 3352 Matsushita 3162 Memorex 3000, 3037, 3048,3046, 3047,

3104, 3162, 3240, 3307 Memphis 3072 Metz 3347, 3195, 3003,

3006, 3162, 3227 Minerva 3195, 3006 Minolta 3042 Mitsubishi 3081, 3067, 3048, 3043 Motorola 3048 Multitech 3072, 3000 Murphy 3000 NEC 3067, 3038, 3041, 3104 Neckermann 3081 Nesco 3072 Nikko 3037 Nikon 3034 Noblex 3240 Nokia 3106, 3046, 3041, 3104, 3240 Nordmende 3320, 3384, 3041, 3297, 3321 Oceanic 3000, 3041 Okano 3315, 3348 Olympus 3226

Optimus 3037, 3432, 3048, 3104, 3162 Orion 3209, 3004, 3036, 3088, 3348, 3352 Osaki 3072, 3000, 3037 Otto Versand 3081 Palladium 3072, 3037, 3006, 3041 Panasonic 3226, 3162, 3225, 3227 Pathe Cinema 3036 Pathe Marconi 3041 Penney 3037, 3042, 3038, 3054, 3240 Pentax 3042 Perdio 3000 Philco 3209, 3038 Philips 3081, 3384, 3403 Phonola 3081 Pilot 3037 Pioneer 3081, 3067, 3162, 3235 Portland 3020 Profex 3322 Profitronic 3240 Proline 3000 Protec 3072 Pye 3081 Quarter 3046 Quartz 3046 Quasar 3162 Quelle 3081 RCA 3106, 3042, 3048, 3240 RFT 3403 Radio Shack 3000, 3037 Radiola 3081 Radix 3037 Randex 3037 Realistic 3000, 3037, 3048, 3046, 3047, 3104 Rex 3384, 3041 Ricoh 3034 Roadstar 3072, 3037, 3278, 3240 SBR 3081 SEG 3322, 3240 SEI 3004, 3081 STS 3042 Saba 3320, 3384, 3041, 3206,

3207, 3297, 3321 Saisho 3209, 3004, 3036, 3088 Salora 3106, 3046, 3043 Samsung 3432, 3045, 3053, 3240 Sanky 3048 Sansui 3000, 3067, 3041 Sanyo 3046, 3047, 3104, 3240 Saville 3352 Schaub Lorenz 3000, 3005, 3041, 3104 Schneider 3072, 3000, 3081 Scott 3045, 3043 Sears 3000, 3037, 3042, 3046,

3047, 3054, 3104 Seleco 3041 Semp 3045 Sentra 3020 Sharp 3048 Shintom 3072, 3104 Shogun 3240 Shorai 3004 Siemens 3037, 3081, 3195, 3003,

3006, 3054, 3104 Silva 3037 Singer 3072, 3045 Sinudyne 3004, 3081 Solavox 3020 Sonolor 3046 Sontec 3037 Sony 3000, 3032, 3033, 3034, 3011 Sunkai 3348

Sunstar 3000 Suntronic 3000 Sylvania 3000, 3081, 3043 Symphonic 3000 TMK 3036, 3240 Tashiko 3000 Tatung 3000, 3081, 3041 Teac 3000, 3041 Tec 3020 Technics 3226, 3162 Teknika 3000, 3037 Teleavia 3041 Telefunken 3320, 3384, 3041, 3187, 3321 Tenosal 3072 Tensai 3322, 3000 Thomas 3000 Thomson 3320, 3384, 3041 Thorn 3036, 3041, 3104 Toshiba 3081, 3045, 3384, 3041, 3043 Totevision 3037, 3240 Towada 3322 Uher 3240 Unitech 3240 Universum 3000, 3037, 3081, 3106,

3195, 3006, 3240, 3325 Vector 3045 Vector Research 3038 Video Concepts 3045 Videosonic 3240 Wards 3072, 3000, 3081, 3042,

3048, 3047, 3240 White Westinghouse 3278 XR-1000 3072, 3000 Yamaha 3038 Yamishi 3072 Yokan 3072 Yoko 3020, 3240 Zenith 3000, 3033, 3034

DVD PLAYER

Kenwood 4534 Magnavox 4503 Onkyo 4503 Panasonic 4490 Philips 4539, 4503 Pioneer 4525 Sony 4533 Technics 4490 Thomson 4551 Toshiba 4503 Yamaha 4490, 4545 Zenith 4503

LD PLAYER

Aiwa 5203 Carver 5064, 5194 Cyrus 5388 Denon 5059, 5172 Disco Vision 5023 Funai 5203 Hitachi 5023 Magnavox 5194, 5217 Marantz 5064, 5194 Mitsubishi 5059 NAD 5059 Panasonic 5204, 5496 Philips 5064, 5388, 5194 Pioneer 5023, 5059

314

Quasar 5204 Radiola 5388 Realistic 5203 Salora 5064 Sega 5023 Sharp 5001 Sony 5193, 5201 Technics 5204, 5496 Telefunken 5059 Theta Digital 5194 Thorn 5014 Yamaha 5217

CD PLAYER

Aiwa 6124, 6157, 6419 Akai 6108, 6156, 6199 Alba 6536, 6288, 6334 Arcam 6157 Audio Research 6157 Audio Ton 6157 Audiolab 6157 Audiomeca 6157 BSR 6134 Bestar 6164 Binatone 6452 California Audio Lab 6029 Carver 6157, 6179 Condor 6134, 6164 Cyrus 6157 DKK 6000 Denon 6003, 6034 Dual 6196 Emerson 6164 Fisher 6048, 6179, 6342 GE 6334 Genexxa 6032, 6164 GoldStar 6525, 6383 Goodmans 6536 Grundig 6157 Harman/Kardon 6108, 6173 Hitachi 6032, 6291 JVC 6072 Kenwood 6037, 6523, 6028,

6048, 6190 Kodak 6287 Krell 6157 Linn 6157

Luxman 6328 M Electronic 6525 MCS 6029 Magnavox 6157, 6038, 6129 Marantz 6157, 6029, 6038, 6129 Matsui 6157, 6288, 6307 Mclntosh 6287 Memorex 6032, 6164 Meridian 6157 Micromega 6157 Mission 6157 Mitsubishi 6108, 6156 NAD 6000 NSM 6157 Naim 6157 Nikko 6525, 6164 Onkyo 6101, 6102 Optimus 6000, 6032, 6037, 6536,

6048, 6179, 6196, 6342 Panasonic 6303, 6029, 6367 Philips 6157, 6274, 6287 Pioneer 6032 Poppy 6164 Proton 6157 QED 6157 Quad 6157 Quasar 6029 RCA 6179 Realistic 6164, 6179 Revox 6157, 6113 Roadstar 6461, 6525, 6527 Rotel 6157 SAE 6157 Sansui 6157, 6202, 6513 Sanyo 6048, 6179, 6342 Schneider 6134 Scott 6164 Sharp 6037, 6262, 6265 Sherwood 6114, 6196 Siemens 6516 Signature 6108 Sony 6000, 6490 Teac 6378 Technics 6207, 6303, 6029 Toshiba 6481 Universum 6157 Victor 6072 Wards 6157, 6108 Yamaha 6036, 6082, 6187, 6712 Yorx 6461

MD RECORDER

Kenwood 7826 Sony 7490 Yamaha 7888, 7490

TAPE DECK

Aiwa 8029, 8197, 8200 Akai 8188, 8189 Arcam 8076 Carver 8029 Denon 8076, 8412 Fisher 8074 Grundig 8029 Harman/Kardon 8182 JVC 8244, 8273, 8274 Kenwood 8070, 8071, 8092,

8205, 8233, 8234 Magnavox 8029 Marantz 8029, 8009 Memorex 8099, 8101 Mitsubishi 8189 Onkyo 8136, 8135 Optimus 8027, 8220 Panasonic 8229 Philips 8029 Pioneer 8027, 8099, 8101, 8220 Revox 8029 Sansui 8029, 8009 Sanyo 8074 Sharp 8205 Sony 8170, 8243 Technics 8229 Victor 8273, 8274 Wards 8027 Yamaha 8094, 8097, 8205, 8478, 8524

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID V403430

Quick Reference Card

AMP/TUN

DSP

TAPE/MD CD DVD/LD

POWER

INPUT

EXT. DEC. A/B/C/D/E

DSP

PRESET

UP DOWN

VOLUME

MUTE

SLEEP

TV POWER

TIME/LEVEL

DSP program

STANDBY

SELECTOR DIAL

TEST EFFECT

ON/OFF

TV VOLUME

POWER

TV POWER

REC/PAUSE

PLAY

DIR A (TAPE)

SKIP (MD)

REWIND (TAPE)

SEARCH (MD)

INPUT

TV VOLUME

DISPLAY (MD)

PAUSE (MD)

DECK A/B (TAPE)

DIR B (TAPE) SKIP (MD) STOP

FAST FORWARD (TAPE) SEARCH (MD)

POWER

TV POWER

PLAY

SUBTITLE ON/OFF (DVD)

SKIP/SEARCH

SUBTITLE (DVD) SEARCH (LD)

INPUT

TV VOLUME

DISPLAY

PAUSE

TV INPUT

STOP ANGLE (DVD)

SEARCH (LD)

AUDIO (DVD)

POWER

TV POWER

DISC SKIP DISC SKIP

PLAY

SKIP

INPUT

TV VOLUME

PAUSE

TV INPUT

STOP SEARCH

DISPLAY

SET MENU

V404530

VCR CBL/DBS TVDVD MENU

TV POWER

VCR REC (*1)

PLAY

REWIND

CHANNEL

POWER

CHANNEL ENTER CHANNEL UP DOWN

CHANNEL ENTER

CHANNEL UP DOWN

TV VOLUME

DISPLAY

PAUSE

TV INPUT

STOP FAST FORWARD

POWER

TV POWER

+10

DISC SKIP

MENU SELECT

MENU LEFT

SET UP

TITLE

Numeric buttons

TV VOLUME

CLEAR

TITLE/INDEX

MENU UP

TV INPUT

MENU RIGHT MENU DOWN

RETURN MENU

TV POWER

TV MUTE

TV SLEEP

VCR PLAY

VCR REC (*1)

VCR REWIND

CHANNEL

TV VOLUME

TV EFFECT ON/OFF

DISPLAY

VCR PAUSE

TV INPUT

VCR STOP VCR FAST FORWARD

POWER

TV POWER

MENU SELECT

MENU LEFT

CHANNEL

TV VOLUME

+100

MENU UP MENU RIGHT

TV INPUT

DISPLAY

MENU DOWN

RECALL

POWER

*1: Press this button twice to start recording.

Appuyer deux fois sur cette touche pour démarrer l’enregistrement. Diese Taste zweimal drücken, um die Aufnahme zu starten. Tryck två gånger på denna knapp för att starta inspelningen.

Premere due volte questo tasto per iniziare la registrazione. Presione dos veces este botón para empezar a grabar. Druk tweemaal op deze toets om met opnemen te beginnen.

Quick Reference Card

V404530

*1: *1: *1:

documentation manual, user maintenance, brochure, user reference, pdf manual

This file has been downloaded from:

User Manual and User Guide for many equipments like mobile phones, photo cameras, monther board, monitors, software, tv, dvd, and othes..

Manual users, user manuals, user guide manual, owners manual, instruction manual, manual owner, manual owner's, manual guide,

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Yamaha Audio DSP-A595a User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

FEATURES

CONTENTS

FEATURES OF THE SOUND EFFECTS

CONTROLS AND THEIR FUNCTIONS

SPEAKER SETUP

CONNECTIONS

ADJUSTMENTS BEFORE USING THIS UNIT

BASIC OPERATION

SETTING THE SLEEP TIMER

SOUND FIELD PROGRAM

ADJUSTMENTS IN THE “SET MENU” MODE

REMOTE CONTROL

SETUP CODES

TROUBLESHOOTING

SPECIFICATIONS

Quick Reference Card