Yamaha Audio DSP-A5 User Manual

Download

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

DSP-A5

Natural Sound AV Amplifier Amplificateur audio-vidéo

G B

CAUTION

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place — away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the unit, contact your dealer.

4. Do not use force on switches, controls or connection cables. When moving the unit, first disconnect the power cord and then the cables connected to other component. Never pull the cables themselves.

5. The openings on the cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage. Be sure to allow a space of at least 20 cm behind, 20 cm on both sides and 30 cm above the top panel of the unit to prevent fire and damage.

6. The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents. YAMAHA will not be held responsible for any damage resulting from the use of this unit with a voltage other than that specified.

7. Digital signals generated by this unit may interfere with other component such as tuners, receivers and TVs. Move this unit farther away from such component if interference is observed.

8. Always set VOLUME to the “m” position before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.

11. When not planning to use this unit for a long period of time (e.g., a vacation), disconnect the AC power cord from the wall outlet.

12. To prevent lightning damage, disconnect the AC power cord and disconnect the antenna cable when there is an electrical storm.

13. Grounding or polarization — Precautions should be taken so that the grounding or polarization of the unit is not defeated.

14. AC outlet — Do not connect audio component to the AC outlet on the rear panel if that component requires more power than the outlet is rated to provide.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.

Note

• The plug severed from the mains lead must be destroyed, as a

plug with bared flexible cord is hazardous if engaged in a live socket outlet.

■ Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

FEATURES

5-Channel Power Amplification

◆ Minimum RMS Output

(0.06% THD, 20 Hz – 20 kHz) Main: 70 W +70 W (8 Ω) Center: 70 W (8 Ω) Rear: 70 W + 70 W (8 Ω)

Multi-Mode Digital Sound Field Processing

◆ Digital Sound Field Processor (DSP)

◆ Dolby Pro Logic Decoder

◆ Dolby Digital Decoder

◆ DTS Decoder

◆ CINEMA DSP: Combination of YAMAHA DSP

Technology and Dolby Pro Logic, Dolby Digital or DTS

Other Features

◆ 96-kHz/24-bit D/A Converter

◆ “SET MENU” which Provides You with 12 Items

for Optimizing This Unit for Your Audio/Video System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other Future

Formats

◆ S Video Signal Input/Output Capability

◆ 3 Optical/2 Coaxial Digital Signal Input Terminals

◆ SLEEP Timer

◆ Remote Control with Preset Manufacturer Codes

INTRODUCTION

PREPARATION

SPEAKER SETUP....................................................... 9

CONNECTIONS........................................................ 10

ADJUSTING THE SPEAKER BALANCE ............ 17

BASIC OPERATION

PLA YING A SOURCE .............................................. 19

DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT .................................................................. 23

RECORDING A SOURCE ON TAPE, MD OR

VIDEO CASSETTE ............................................... 25

ADVANCED OPERATION

SOUND FIELD PROGRAM .................................... 26

SET MENU................................................................. 29

DELAY TIME AND SPEAKER

OUTPUT LEVELS ................................................. 33

SLEEP TIMER .......................................................... 35

PRESET REMOTE CONTROL .............................. 36

APPENDIX

TROUBLESHOOTING ............................................ 44

SPECIFICATIONS.................................................... 48

GLOSSARY................................................................ 49

INDEX ........................................................................ 50

INTRODUCTION

FEATURES .................................................................. 1

CONTENTS ................................................................. 1

GETTING STARTED ................................................. 2

CONTROLS AND FUNCTIONS ............................... 4

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories. Confidential Unpublished Works. ©1992 – 1997 Dolby Laboratories, Inc. All rights reserved.

Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. “DTS”, “DTS Digital Surround”, are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved.

y indicates a tip for your operation.

• When buttons on this unit and the remote control are noted together in this Owner’s Manual, these button names are in principle noted in the order of “button name (remote control button name)”.

GETTING STARTED

Checking the Package Contents

Check that the following items are included in your package.

Remote control

Batteries (AAA, R03, UM-4 type)

Quick reference card

Connection guide

Battery Installation in the Remote Control

1 Turn the remote control over and slide the

battery compartment cover in the direction of the arrow.

2 Insert the batteries (AAA, R03 or UM-4 type)

according the polarity markings on the inside of the battery compartment.

3 Close the battery compartment cover.

Battery Replacement

If the remote control operates only when it is close to the unit, the batteries are weak. Replace all the batteries with new ones.

Be sure to replace the batteries within about two minutes. If it takes longer than two minutes, the codes set for the remote control will return to the factory settings. (Refer to pages 36 to 43 about the remote control.)

Notes

• Use only AAA, R03 or UM-4 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration inside the battery compartment.)

• Remove the batteries if the remote control will not be used for an extended period of time.

• If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

Quick Reference Card

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

Using the Remote Control

The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the infrared sensor during operation. When the sensor is covered or there is a large object between the remote control and the sensor, the sensor cannot receive signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as a fluorescent or strobe light). In this case, change the direction of the light or reposition the unit to avoid direct lighting.

Notes

• Handle the remote control with care.

• Do not spill water, tea or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the following conditions:

– high humidity or temperature such as near a heater, stove or

bath; – dusty places; or – extremely low temperature.

GETTING STARTED

Remote control sensor

Within approximately 6 m (20 feet)

–



12 3 4 65

7890qwert y

INPUT SELECTOR

Turn this selector to select the input source (TUNER, CD, PHONO, CBL/SAT, V-AUX, VCR, D-TV, DVD/LD) that you want to listen to or watch. The arrow for the selected input source indicator lights up on the display.

6 VOLUME

Turn this control to turn up or down the volume.

7 PHONES jack

Connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through the headphones. When listening with headphones privately, set both SPEAKERS A and B to the OFF position, press EFFECT to turn off the effect speakers (center and rear) and set “BASS OUT” on the SET MENU to the MAIN position (so that no DSP program name appears on the display).

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Press this switch to turn on the power of this unit or to set this unit in the standby mode. Before turning the power on, set VOLUME to the “m” position.

Standby mode

In this mode, this unit consumes a very small quantity of power to receive infrared-signals from the remote control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 6 for details.)

4 INPUT MODE

Press this button to select the input mode among AUTO, DTS and ANALOG for the DVD/LD, TV/digital TV and cable TV/satellite tuner sources.

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

8 SPEAKERS

Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) to the OFF position for the main speaker system that you don’t want to use.

9 SET MENU +/–

Press these buttons to adjust the setting on the SET MENU.

0 NEXT

This button is used to shift the selection to the next item on the SET MENU.

q Tone controls

These controls are only effective for the sound from the main speakers.

a) BASS

Turn this control clockwise to increase or counterclockwise to decrease the low-frequency response. The “0” position produces a flat response.

b) TREBLE

Turn this control clockwise to increase or counterclockwise to decrease the high-frequency response. The “0” position produces a flat response.

w TAPE/MD MON / EXT. DECODER

Press this button to select a tape or an MD source. The “TAPE/MD MONITOR” indicator lights up on the display. When you press the button again, the “TAPE/MD MONITOR” indicator goes off, “EXT. DECODER” appears on the display and you can listen to a source connected to the EXTERNAL DECODER INPUT terminals.

e BALANCE

This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume from the right and left main speakers to compensate for sound imbalance caused by the speaker location or listening room conditions.

r EFFECT

Press this button to turn on or off the effect speakers (center and rear). If you turn them off, the signals of the center and rear channels are directed to the right and left main speakers when playing a source encoded with Dolby Digital and DTS. In this case, the output levels of the right and left speakers may not match.

t PROGRAM selector

Press l or h to select a DSP program when the effect speakers (center and rear) are turned on. The name of the selected program appears on the display.

y VIDEO AUX terminals

Connect an auxiliary audio or video input source such as a camcorder to these terminals. If the connected video unit has an S video output terminal, connect it to the S VIDEO terminal to obtain a high-resolution picture. Use INPUT SELECTOR to select the source connected to these terminals.

CONTROLS AND FUNCTIONS

Display

4 Input source indicators

One of the arrows for these indicators lights up depending on which source is selected.

5 TAPE/MD MONITOR indicator

This lights up when the tape deck or MD recorder, etc. is selected as the input source by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD).

6 g and o indicators

“ g ” lights up when the built-in Dolby Digital decoder is on. “ o ” lights up when the built-in Dolby Pro Logic decoder is on.

7 x indicator

“ x ” lights up when the built-in digital sound field processor is on.

8 SLEEP indicator

This lights up while the built-in SLEEP timer is on.



CONTROLS AND FUNCTIONS

1 t indicator

The “t” indicator lights up when the built-in DTS decoder is on.

2 DSP program indicators

These indicators light up when DSP program No. 2, 3 or the subprogram “ENHANCED” of No. 1 is selected.

3 Multi-information display

This display shows various information: for example the name of the selected DSP program and the various settings during adjustment with the SET MENU.

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION PREPARATION

Remote Control

CONTROLS AND FUNCTIONS

1 2

8 9

t y

 u

TV VOLUME

TV POWER

TV INPUT

EFFECT

Select the AMP/TUN position.

This section describes the basic operation of this unit with the remote control. First, set the selector dial to the AMP/ TUN position. Refer to “PRESET REMOTE CONTROL” on page 36 for full details.

1 DSP

Press this button to switch the function of the numeric buttons to the DSP program selector. (Refer to page 8.)

2 Indicator window

This displays the name of components which can be controlled.

3 Numeric buttons (Input selector buttons)

These buttons select the input source. CD: To play a CD TUNER: To listen to an FM (RDS) or AM broadcast TAPE/MD: To play a tape or MD DVD/LD: To play a DVD or LD D-TV: To watch a TV VCR: To play a video cassette PHONO: To play an analog record CBL/SAT: To watch cable TV or satellite broadcast V-AUX: To use a camcorder EXT. DEC.: To play another multi-channel source

Refer to page 8 for details.

4 TEST

Press this button to output the test tone for each speaker.

5 j (left), i (right)

These buttons adjust the settings of the SET MENU and TIME/LEVEL mode.

6 TIME/LEVEL

Press this button to select the items in the TIME/LEVEL mode.

7 SLEEP

Press this button to set the SLEEP timer.

8 INPUT

Press this button to switch the function of the numeric buttons to the input selector. (Refer to page 8.)

9 Indicator

This flashes in red when pressing a button on the remote control.

0 Selector dial

Turn this dial to select the position for the component to be controlled. (The proper code must be set for your component. Refer to “Setup codes” on page 42.) When the position is selected, the remote control is set to that component operation mode.

Refer to page 8.

q A/B/C/D/E, PRESET +/–

These buttons are used to select a preset station when using the YAMAHA tuner. A/B/C/D/E: To select one of a group (A to E) of preset

stations

PRESET +/–: To select a preset station number (1 to 8)

w d (next), u (back)

These buttons are used to advance or go back one selection on the SET MENU and TIME/LEVEL mode.

e SET MENU

Press this button to select the items on the SET MENU.

r POWER

Press this button to turn this unit on.

t STANDBY

Press this button to set this unit in the standby mode.

y VOLUME (+/–)

These buttons are used to adjust the volume level.

u MUTE

Press this button to mute the sound. To cancel mute, press this button again.

EFFECT

Press this button to turn on or off the effect speakers (center and rear) in the following cases:

• When the selector dial is set to the DSP/TUN position.

• While the indicator is lit for about three seconds after pressing DSP.

Description of the Numeric Buttons

The Numeric buttons function in various ways depending on the position of the selector dial or the combination of other instructions.

■ When selecting an input source

1 Press INPUT regardless of the position of the

selector dial.

The indicator lights up for about three seconds.

2 You can select an input source with the

numeric buttons while the indicator is lit.

CONTROLS AND FUNCTIONS

■ When selecting a DSP program

and turning on or off the effect speakers (center and rear)

1 Press DSP regardless of the position of the

selector dial.

The indicator lights up for about three seconds.

2 You can select a DSP program with the

numeric buttons (1 to 8) and turn on or off the effect speakers (center and rear) by pressing EFFECT while the indicator is lit.

1 Set the selector dial to the DSP/TUN position. 2 You can select a DSP program directly with the

numeric buttons (1 to 8) and turn on or off the effect speakers (center and rear) by pressing EFFECT.

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

SPEAKER SETUP

Speaker Placement

Refer to the following diagram when you place the speakers.

Speakers to Be Used

This unit is designed to provide the best sound-field quality with a 5-speaker system, using main speakers, rear speakers and a center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacture or speakers with the same tonal quality.

The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use highperformance models that can reproduce sounds over the full range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your

sound field

It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) channel with high fidelity when playing back a source encoded with Dolby Digital or DTS. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.

Main speaker (L)

Center speaker

Main speaker (R)

Subwoofer

Rear speaker (L)

Rear speaker (R)

1.8 m

■ Main speakers

Place the right and left main speakers an equal distance from the ideal listening position. The distance of each speaker from each side of the TV monitor should be the same.

■ Rear speakers

Place these speakers behind your listening position, facing slightly inwards, nearly 1.8 m (approx. 6 feet) above the floor.

■ Center speaker

Align the front face of the center speaker with the front face of your TV monitor. Place the speaker as close to the monitor as possible, such as directly over or under the monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the center channel sound will be heard from the right and left main speakers. In that case, “CENTER SP” on the SET MENU is set to the NONE position. (Refer to page 30 for details.)

■ Subwoofer

The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the main speakers. Turn it slightly toward the center of the room to reduce the wall reflections.

CAUTION

Some types of speakers interfere with a TV monitor. If this problem occurs, move the speakers away from the monitor. If you cannot avoid installing the center speaker or subwoofer near the TV monitor, use magnetically shielded speakers.

PREPARATION

CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been completed.

Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some components require different connection methods and have different terminal names. Refer to the instructions for each component to be connected to this unit.

When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

The input and output terminals for pin plugs can be distinguished as follows:

Yellow video signals (composite)

White analog audio signals for the left channel

Red analog audio signals for the right channel

coaxial digital signals

After completing all connections, check them again to make sure they are correct.

Connecting an Audio Component (page 11)

Connecting a Video Component (pages 12 and 13)

IMPEDANCE SELECTOR switch (page 16)

Connecting to an External Decoder (page 13)

Connecting the Speakers (pages 14 and 15)

Connecting the Power Supply Cords (page 16)

(Europe model)

V V

C C

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

Connecting an Audio Component

■ PHONO terminals

These terminals are used to connect a turntable with an MM or high-output MC cartridge. If you have a turntable with a low-output MC cartridge, use an inline boosting transformer or MC head amplifier when connecting to these terminals.

Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better results may be obtained with the ground wire disconnected.

CONNECTIONS

Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

Tape deck or

MD recorder

L R

OUTPUT

L R L R

OUTPUT OUTPUT

LINE OUT

LINE IN

GND

Turntable

(Europe model)

CD player

Analog signal

Signal flow

Tuner

Connecting a Video Component

■ Audio signal terminals

Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

■ S Video signal terminals

Use a special S VIDEO cable (commercially available) for the S VIDEO connection.

■ Digital audio signal terminals

If your DVD/LD player, TV/digital TV or cable TV/satellite tuner, etc. has coaxial or optical digital signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals. To make a connection between the optical digital signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIA standards. Other cables might not function correctly.

When making connections between the digital signal terminals, you should connect the components to the samenamed analog audio signal terminals of this unit, because a digital signal cannot be recorded by a tape deck, MD recorder or VCR connected to this unit.

Notes

• Be sure to attach the covers when the OPTICAL terminals are not

being used in order to protect them from dust.

• If your LD player has a Dolby Digital RF signal output terminal,

be sure to use the RF demodulator (separately purchased).

• No sound will be heard when connecting your LD player’s Dolby

Digital RF signal output terminal directly to this unit’s COAXIAL DVD/LD digital signal input terminal.

• The input signal from the DVD/LD or CBL/SAT input terminals

is selected in the following order of priority with the input mode set to AUTO: COAXIAL terminal → OPTICAL terminal → Analog terminal. Refer to page 21 for details.

• All digital signal input terminals are applicable to sampling

frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to page 22 about 96-kHz sampling 24-bit digital signals.)

CONNECTIONS

L R

ANALOG AUDIO OUT

AUDIO IN

ANALOG AUDIO OUT

AUDIO OUT

S VIDEO OUT

OPTICAL DIGITAL OUT

S VIDEO IN

S VIDEO OUT

S VIDEO IN

COAXIAL DIGITAL OUT

OPTICAL DIGITAL OUT

S S

L R

ANALOG AUDIO OUT

S VIDEO OUT

OPTICAL DIGITAL OUT

COAXIAL DIGITAL OUT

DVD/LD player Cable TV/satellite tuner

(Europe model)

Analog signal

S Video signal

Digital signal (optical)

Digital signal (coaxial)

Signal flow

TV monitor

TV/digital TV

VCR

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

■ VIDEO terminals (composite)

If your video components do not have “S” video terminals, they can be connected to this unit’s VIDEO terminals. Be sure to connect the input (IN) and output (OUT) properly.

Note

• If video signals are input from both the S VIDEO input and composite input terminals, the signals will be directed to their respective output terminals.

■ TV monitor with a 21-pin connector

Make a connection as shown above with a commercially available SCART-plug connector cable.

■ VIDEO AUX terminals (on the front panel)

These terminals are used to connect any video input source such as a camcorder to this unit.

Connecting to an External Decoder

This unit has additional 6-channel audio signal input terminals for connecting an external decoder to this unit. Connect the 6-channel audio signal output terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit.

Notes

• When a source connected to these terminals is selected, the digital sound field processor cannot be used.

• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and “BASS OUT” on the SET MENU have no effect on a source connected to these terminals. The setting of “MAIN LVL” is effective. (Refer to pages 30 and 31 for details.)

• Adjustment of the output level of the center speaker, rear speakers and subwoofer is effective when a source connected to these terminals is selected as the input source. (Refer to page 33 for details.)

CONNECTIONS

L R

AUDIO OUT R AUDIO OUT L VIDEO OUT S VIDEO OUT

DVD/LD player

L R L R

MAIN OUT

SURROUND OUT

CENTER OUT

SUBWOOFER OUT

External decoder

(Europe model)

VIDEO IN

L R

VIDEO OUT

VIDEO IN

Cable TV/satellite tuner

TV/digital TV

VCR

SCART -plug

connection

Video signal

Signal flow

Camcorder

TV monitor

Connecting the Speakers

Be sure to connect the right channel (R), left channel (L), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.

CAUTIONS

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers.

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either of the SPEAKERS A or B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

CONNECTIONS

Main speakers A

Right Left

Main speakers B

Right Left

(Europe model)

Center speaker Rear speakers

Right Left

Subwoofer connection

When using a subwoofer with builtin amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input terminal of the subwoofer system to the SUBWOOFER OUTPUT terminal of this unit. Low bass signals distributed from the main, center and/or rear channels are directed to this terminal. (The cut-off frequency of this terminals is 90 Hz.) The LFE (low frequency effect) signals generated when Dolby Digital or DTS is decoded are also directed if they are assigned to this terminal.

Subwoofer

system

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

■ Speaker cables

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cables.

2 Twist the exposed wires of the cable together

to prevent short circuits.

■ Connecting to the MAIN SPEAKERS terminals

1 Unscrew the knob. 2 Insert one bare wire into the hole in the side of

each terminal.

3 Tighten the knob to secure the wire.

■ Connecting to the REAR and CENTER SPEAKERS terminals

1 Open the tab. 2 Insert one bare wire into the hole of each

terminal.

3 Return the tab to secure the wire.

■ Connecting to an external amplifier

The speaker connections described on page 14 are fine for most applications. If you wish to drive your existing amplifier, the following terminals are available for connecting an external amplifier(s) to this unit.

Note

• Output signals from these terminals are affected by the use of VOLUME, BASS, TREBLE and BALANCE.

CONNECTIONS

Red: positive (+) Black: negative (–)

1 MAIN OUTPUT terminals

These terminals are for the main channel line output. Connect the input terminals of the external amplifier to these terminals.

2 CENTER OUTPUT terminals

These terminals are for the center channel line output. Connect the input terminals of the external amplifier to these terminals.

3 REAR (SURROUND) OUTPUT terminals

These terminals are for the rear channel line output. Connect the input terminals of the external amplifier to these terminals.

Note

• If an external amplifier is connected to the MAIN, CENTER or REAR OUTPUT terminals, disconnect the corresponding speakers (main, center or rear) from the SPEAKERS terminals.

10 mm (3/8”)

(Europe model)

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be damaged. If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.

Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only when this unit is in the standby mode.

Connecting the Power Supply Cords

After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if you will not use this unit for a long period of time.

■ AC OUTLETS (SWITCHED)

Europe model ....................................................2 OUTLETS

U.K. model.......................................................... 1 OUTLET

Use these outlets to connect the power cords from your components to this unit. The power to the AC OUTLET(S) is controlled by this unit’s STANDBY/ON (or POWER and STANDBY). These outlets will supply power to any connected component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLET(S) is 100 W.

If you use left position right position

CONNECTIONS

(Europe model)

SWITCHED

(Europe model)

To AC outlet

IMPEDANCE

SELECTOR

Rear speakers

The impedance of each speaker must be 6 Ω or higher.

The impedance of each speaker must be 8 Ω or higher.

Center speaker

The impedance must be 6 Ω or higher.

The impedance must be 8 Ω or higher.

If you use one pair of main speakers, the impedance of each speaker must be 4 Ω or higher.

If you use one pair of main speakers, the impedance of each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 16 Ω or higher.

Main speakers

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

Using the Test Tone

The adjustment of each speaker sound output level should be performed at your listening position with the remote control. After completing the adjustments, use VOLUME (+/–) at your listening position to check if the adjustments are satisfactory.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN) position.

2 Press TEST .

“TEST LEFT” appears on the display.

3 Turn up the volume.

You will hear a test tone (like pink noise) from each speaker for about two seconds in the following order: left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker. The display changes as shown below.

Notes

• If the test tone cannot be heard, turn down the volume, set the unit in the standby mode and check the speaker connections.

• If the test tone cannot be heard from the center speaker, check the setting of “CENTER SP” on the SET MENU.

ADJUSTING THE SPEAKER BALANCE

2,7

TEST LEFT

TEST

RIGHT

TEST L SUR. TEST R SUR.

TEST CENTER

This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Pro Logic decoder, Dolby Digital decoder and DTS decoder.

Before You Start Adjusting

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you use two main speaker systems, press both A and B.

4 Set BASS, TREBLE and BALANCE to the “0”

position.

–+–+

4 Adjust BALANCE on the

front panel so that the sound output level of the right main speaker and the left main speaker is the same.

5 Press TIME/LEVEL

repeatedly to select the speaker to be adjusted.

“CENTER”, “R SUR.” or “L SUR.” appears on the display.

After pressing TIME/LEVEL once, you can also select the item by pressing d. (Pressing u changes the selection in the reverse order.)

6 Press i to raise and j to

lower the level. Adjust the sound output levels of the center speaker and the rear speakers so that they become almost the same as that of the main speakers.

While adjusting, the test tone is heard from the selected speaker.

Note

• You cannot adjust the delay time while the test tone is being heard even if “DELAY” appears on the display.

ADJUSTING THE SPEAKER BALANCE

Front panel

7 When the adjustment is complete, press TEST.

“TEST OFF” appears on the display and the test tone stops.

Note

• If “CENTER SP” on the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted in step 6. The center channel sound is automatically output from the right and left main speakers.

• Once you have completed the adjustments, you can only adjust the overall volume level of your audio system by using VOLUME (or VOLUME (+/–)).

• If you use external amplifiers, you may also use their volume controls to achieve the proper balance.

• If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to page 31 for details.)

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

When using the remote control, set the selector dial to the AMP/TUN position.

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you use two main speaker systems, press both A and B.

PLAYING A SOURCE

–+–+

1,6

4 Select the desired input

source with INPUT SELECTOR (or the input selector buttons). (Turn on the TV monitor for video sources.)

The name of the selected input source appears for a moment and the arrow for the selected input source indicator lights up on the display.

a. To select a tape or an MD source

Press TAPE/MD MON / EXT. DECODER (or TAPE/MD) so that the “TAPE/MD MONITOR” indicator lights up on the display.

b. To select a source connected to the

EXTERNAL DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER repeatedly (or EXT. DEC.) until “EXT. DECODER” appears on the display.

Notes

• If the “TAPE/MD MONITOR” indicator lights up or “EXT. DECODER” is shown on the display, no other audio source except a tape/MD source and a source connected to the EXTERNAL DECODER INPUT terminals can be played. To select another input source with INPUT SELECTOR (or the input selector buttons):

– Press TAPE/MD MON / EXT. DECODER twice (or TAPE/MD

once) to turn off the “TAPE/MD MONITOR” indicator.

– Press TAPE/MD MON/ EXT. DECODER once (or EXT.

DEC.) to turn off “EXT. DECODER”.

• If you select and play a video source when the “TAPE/MD MONITOR” indicator lights up, the play back result will be a video image from the video source and the sound from the audio source connected to the TAPE/MD IN (PLAY) terminals.

• A video source cannot be selected when “EXT. DECODER” is shown on the display. If you want to enjoy an audio source connected to the EXTERNAL DECODER INPUT terminals together with a video source, first select a video source and then select the source connected to the EXTERNAL DECODER INPUT terminals.

For the DVD/LD, TV/digital TV and cable TV/satellite tuner sources, the current input mode is also shown. Refer to page 21 for details about the input mode.

Front panel

Remote control

Front panel

Input source

BASIC OPERATION

Front panel Remote control

5 Play the source.

Refer to the instructions for the source component.

Note

• When controlling an audio/video component (tape deck, MD recorder, CD player, DVD/LD player, etc.) with the remote control, set the selector dial to the appropriate position (TAPE/ MD, CD, DVD/LD, etc.), corresponding to the component you want to control. Refer to “PRESET REMOTE CONTROL” on page 36.

6 Adjust the volume to the desired output level.

If desired, adjust BASS, TREBLE, BALANCE, etc. These controls are only effective for sound from the main speakers.

• BASS controls the low-frequency response.

• TREBLE controls the high-frequency response.

• BALANCE adjusts the balance of the output volume from the right and left main speakers.

7 Use the digital sound field processor.

Refer to page 23.

PLAYING A SOURCE

■ To mute the sound

Press MUTE on the remote control.

To cancel mute, press MUTE.

Note

• During muting, “MUTE ON” appears on the display.

■ When you have finished using this

unit

Press STANDBY/ON (or STANDBY) to set this unit in the standby mode.

■ BGV (background video) function

The BGV function allows you to combine a video image from a video source with a sound from an audio source. (For example, you can listen to classical music while you are watching a video.) This function can only be controlled with the remote control.

Play a video source, and then select an audio source with the input selector buttons on the remote control. The BGV function does not work if you select the audio source with INPUT SELECTOR on the front panel.

Remote controlFront panel

–+–+

Front panel

Front panel Remote control

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

Input Mode (for the DVD/LD, TV/ digital TV and cable TV/satellite tuner sources)

This unit allows you to switch the input mode for sources that send both digital and analog signals to this unit. The AUTO, DTS and ANALOG input modes are provided.

When you turn on the power of this unit, the input mode for the DVD/LD source is always set to AUTO and for TV/ digital TV or cable TV/satellite tuner source is set according to “TV INPUT” and “CBL INPUT” on the SET MENU. (Refer to page 32 for details.)

■ AUTO

In this mode, the input signal is selected in the following order of priority:

1. Digital signal encoded with Dolby Digital or DTS

2. Normal digital signal (PCM)

3. Analog signal (ANALOG)

Note

• If digital signals are input from both the OPTICAL and COAXIAL terminals, the digital signal from the COAXIAL terminal is selected.

■ DTS

In this mode, only a digital signal encoded with DTS is selected, even if other signals are being input at the same time.

■ ANALOG

In this mode, only an analog signal is selected, even if a digital signal is being input at the same time. Select this mode when you want to use an analog signal instead of a digital signal.

PLAYING A SOURCE

■ Switching the input mode

Press INPUT MODE (or the input selector button that you have pressed to select the input source on the remote control) repeatedly until the desired input mode is shown on the display.

Notes

• Set the input mode to AUTO to play a DVD/LD source encoded with Dolby Digital.

• The sound output may be interrupted for some LD and DVD players in the following situation: The input mode is set to AUTO. A search is performed while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the digital signal was selected again.

• The input mode cannot be changed for the CD, TUNER, TAPE/ MD, VCR, PHONO and VIDEO AUX sources because only analog signals are used for these.

• The current input mode appears on the display when the DVD/ LD, TV/digital TV or cable TV/satellite tuner source is selected, or the input mode is changed.

Front panel Remote control

■ Notes on playing a source

encoded with DTS

• If “DATA ERROR” appears on the display while playing an LD source encoded with DTS, stop playback and turn the player off and then on again.

• If the digital output data of the player has been processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player.

• If you play an LD source encoded with DTS and set the input mode to ANALOG, there will be the noise of an unprocessed DTS signal. When you want to play a DTS source, be sure to connect the source to the digital input terminal and set the input mode to AUTO or DTS.

• If you switch the input mode to ANALOG while playing a source encoded with a DTS signal, this unit reproduces no sound.

• If you play a source encoded with DTS and set the input mode to AUTO, there will be a short noise at first while the unit recognizes the DTS signal and turns on the DTS decoder. This is not a malfunction, and can be avoided by setting the input mode to DTS beforehand. In addition, if you continue to play a source encoded with DTS with the input mode setting left to AUTO, this unit automatically switches to the “DTS-decoding” mode to prevent noise from being generated during subsequent operation. (The “t” indicator lights up on the display.) The “t” indicator will flash immediately after playback of a source encoded with DTS has finished. Only a source encoded with DTS can be played back while this indicator is flashing. If you want to play a normal PCM source soon, set the input mode back to AUTO.

PLAYING A SOURCE

■ Notes on playing an LD source

• Some audio/video components, such as an LD player, output different audio signals through their analog and digital terminals. Change the input mode as necessary.

• If the input mode is set to AUTO for the LD source, this unit automatically determines which type of signal the LD source contains. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting and reproduces 5.1 channel sound.

• If the LD player is transmitting signals by a non-normal method, this unit cannot detect the Dolby Digital or DTS signal. In this case, the decoder automatically switches to PCM or analog.

• If the LD source does not contain a digital soundtrack, connect the LD player to the analog terminals and set the input mode to AUTO or ANALOG.

• While you are operating the LD player and playing a disc encoded with Dolby Digital, if you switch from the pause or chapter forwarding function to normal playback, you may hear the PCM or analog sound an instant before the Dolby Digital sound is played.

■ Notes on the digital signal

The digital input terminal of this unit can also handle 96-kHz sampling 24-bit digital signals. (To utilize this, use a source that supports 96-kHz sampling 24-bit digital signals and set the player for digital output. Refer to the instructions for the player.) Note the following when a 96-kHz sampling 24-bit digital signal is input to this unit.

1. The following indicator will appear on the display.

2. DSP programs cannot be selected. Sound will be output

as normal 2-channel stereo sound using only the right and left main speakers.

3. Delay time and speaker output level cannot be adjusted.

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

■ On the remote control

1 Make sure that the effect speakers (center and

rear) and subwoofer are turned on.

2 Press DSP.

The indicator lights up for about three seconds.

3 Use the numeric buttons

(1 to 8) to select the desired program before the indicator goes off.

The name of the selected program appears on the display.

If the selector dial is set to the DSP/TUN position, you can select a DSP program directly with the numeric buttons.

If desired, adjust the delay time and the sound output level of each speaker. (Refer to pages 33 and 34 for details.)

Notes

• You can select a DSP program for each of the input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically selected.

• When a monaural source is being played with PRO LOGIC/ Normal or PRO LOGIC/ENHANCED, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. However, if “CENTER SP” on the SET MENU is set to the NONE position, the center channel sound is output from the main speakers.

• When a source connected to the EXTERNAL DECODER INPUT terminals of this unit is selected, the digital sound field processor cannot be used.

• When high-rate 96-kHz sampling 24-bit digital signals are input to this unit, no DSP program can be selected and the sound is only output from right and left main speakers as a normal 2-channel stereo sound.

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

Selecting a DSP Program

You can enhance your listening experience by selecting a DSP program. Refer to pages 26 to 28 for details about each program.

■ On the front panel

1 Make sure that the effect speakers (center and

rear) and subwoofer are turned on.

2 Press PROGRAM h or l

repeatedly to select the desired program.

The name of the selected program appears on the display.

–+–+

DSP program name

Canceling the Sound Effect (turning off the effect speakers)

Press EFFECT to cancel the sound effect and monitor only the main sound.

Press EFFECT again to turn the sound effect back on.

If the selector dial is set to a position other than the DSP/TUN position, first press DSP and then EFFECT on the remote control.

Notes

• If you turn off the sound effect when Dolby Digital or DTS is decoding, the sounds of the center and rear channels are mixed and output from the main speakers.

• If you turn off the sound effect when Dolby Digital or DTS is decoding, it may happen that the sound is output faintly or not output normally, depending on the source. In this case, turn sound effect back on.

Front panel

Remote control

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

–+–+

1,42

Recording adjustments and other operations are performed from the tape deck, MD recorder or VCR. Refer to the instructions for these components.

1 Set VOLUME to the “m”

position.

2 Select the source you want to record.

3 Begin recording by the tape deck, MD recorder

or VCR connected to this unit.

4 Play the source and then turn up the volume to

confirm the input source.

If a tape deck or MD recorder is being used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD).

Notes

• The DSP program and the setting of VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded.

• Composite video and S video signals pass independently through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source component is connected to provide only an S video (or only a composite video) signal, you can record only an S video (or only a composite video) signal by your VCR.

• A source connected to this unit only through the digital terminals cannot be recorded by the tape deck, MD recorder or VCR connected to this unit.

• A source connected to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded.

• Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws.

If you play back a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.

Remote controlFront panel

Front panel

Remote control

[4] PRO LOGIC/ENHANCED

( ox)

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 4 channels

• DSP: 1 (surround)

[5] DOLBY DIGITAL/ENHANCED

( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

[6] DTS DGTL SUR/ENHANCED

( tx)

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

This program ideally simulates the multisurround speaker systems of the 35 mm-film movie theater. Dolby Pro Logic decoding, Dolby Digital decoding or DTS decoding and digital sound field processing are precisely performed without altering the original sound orientation. The surround effect produced by the sound field folds around the viewer naturally from the rear to the right and left, and toward the screen.

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theaterlike experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this will, of course, depend on what you are listening to).

When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned on according to which type of signals the source being played contains.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments.

• The input source given in the following table for programs 4 through 8 indicates that input source which each program is best suited for.

• Select the DSP program that you feel sounds best regardless of the name and description given for it below.

■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP

programs)

No. PROGRAM SUBPROGRAM FEATURES

1 q/DTS

SURROUND

[1] PRO LOGIC/Normal ( o )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 4 channels

• DSP: —

[2] DOLBY DIGITAL/Normal ( g )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: —

[3] DTS DGTL SUR/Normal ( t )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: —

The built-in Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder precisely reproduces the sound and effect of a source encoded with Dolby Surround, Dolby Digital or DTS. The realization of a highly efficient decoding process improves cross talk and channel separation, and makes sound positioning smoother and more precise. In this program, the digital sound field processor is not turned on.

ADVANCED OPERATION

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

No. PROGRAM SUBPROGRAM FEATURES

2 MOVIE

THEATER1

3 MOVIE

THEATER2

[1] 70 mm SPECTACLE

( ox)

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL SPECTACLE

( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[3] DTS SPECTACLE ( tx )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program creates the extremely wide sound field of a movie theater. It precisely reproduces the source sound in detail, giving both the video and the sound field incredible reality. It is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions).

[1] 70 mm ADVENTURE

( ox )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL ADVENTURE

( gx)

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[3] DTS ADVENTURE ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Ideal for precisely reproducing the sound of the newest multi-track films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The data for the sound field of an opera house are used for the front presence, so the threedimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. By using the data for the sound field of a concert hall on the surround sound field, powerful reverberations are generated. You can enjoy watching action, adventure movies, etc. with strong presence.

[4] 70 mm GENERAL ( ox )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[5] DGTL GENERAL ( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[6] DTS GENERAL ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program is for reproducing sounds on a multi-track film, and is characterized by a soft and extensive sound field. The front presence of the sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining echo effect of conversations without losing clarity. For the surround sound field, the harmony of music or chorus sounds beautifully in a wide space at the rear of the sound field.

[4] 70 mm SCI-FI ( o x )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[5] DGTL SCI-FI ( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[6] DTS SCI-FI ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques.

SOUND FIELD PROGRAM

No. PROGRAM FEATURES

4 MONO MOVIE ( x )

• Input source: Monaural

• Output channel: 1 channel

• DSP: 1

This program is designed specifically to enhance monaural sources. Compared to a strictly mono setting, the sound image is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective for old mono movie, news broadcasts and dialog.

5 TV SPORTS ( x )

• Input source: Audio/Video

• Output channel: 2 to 5.1 channels

• DSP: 2 to 3 (presence & surround)

This program is furnished with a tight sound field in which the sound will not spread excessively at the front, but the rear surround produces dynamic sound expansion. It is the most suitable for sports programs.

■ For Hi-Fi audio sources

No. PROGRAM FEATURES

6 DISCO ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program simulates the acoustic environment of a disco in the heart of a lively city. The sound is dense and highly concentrated.

7 ROCK CONCERT ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program is ideally suited for rock music. You will experience a dynamic and lively sound field.

8 CONCERT HALL ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program creates the expansive ambience of a large concert hall. It is suited for orchestra and opera music.

CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP

■ Dolby Pro Logic + 2 digital sound fields

Digital sound fields are created in both the presence and rear surround zones of the Dolby Pro Logic-decoded sound field. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you were watching a movie in a popular Dolby Stereo theater.

■ Dolby Digital or DTS + 3 digital sound fields

Digital sound fields are created in the presence zone and independently on the left and right surround zones of the Dolby Digital-decoded or DTS-decoded sound field. They create a wide acoustic environment and strong surround effect in the room without losing high channel separation. With the wide dynamic range of Dolby Digital or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater or DTS-installed theater. This is the most ideal home theater sound at the present time.

SOUND FIELD PROGRAM

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

SET MENU

This unit provides you with the following items on the SET MENU to maximize the performance of your system and expand your enjoyment for audio listening and video watching.

1. CENTER SP

2. REAR SP

3. MAIN SP

4. BASS OUT

5. MAIN LVL

6. D.D. LFE

7. D-RANGE

8. DTS LFE

9. CNTR DELAY

10.MEM. GUARD

11.TV INPUT

12.CBL INPUT

Adjusting Items on the SET MENU

Adjustments should be performed with the remote control while watching the information on the display.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN) position.

2 Press SET MENU

repeatedly to select the item you want to adjust.

The selected item appears on the display.

• After pressing SET MENU once, you can also select the item by pressing d. (Pressing u goes back one selection.)

• You can also select the item by using NEXT on the front panel.

3 Press i or j repeatedly to

adjust the setting.

You can also adjust the setting by using SET MENU +/– on the front panel.

4 Repeat steps 2 and 3 to adjust the setting of

any other item in the same way.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the settings of the SET MENU will automatically return to the preset positions and values. If so, adjust the settings of the SET MENU again.

Front panel

Description of Each Item

1. CENTER SP

Choices: LRG (Large)/SML (Small)/NONE Preset position: LRG (Large)

LRG (Large)

Select this position if your center speaker is approximately the same size as the main speakers. In this position, fullrange signals on the center channel are directed to the center speaker.

SML (Small)

Select this position if you use a center speaker that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) on the center channel are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position).

NONE

Select this position if you do not have a center speaker (4-speaker system). In this position, full-range signals on the center channel are directed to the right and left main speakers.

2. REAR SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE

Select this position if your rear speakers have high ability for bass reproduction, or if a subwoofer is connected in parallel to the rear speaker. In this position, full-range signals on the rear channels are directed to the rear speakers.

SMALL

Select this position if your rear speakers do not have high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position).

3. MAIN SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE

Select this position if your main speakers have high ability for bass reproduction. In this position, full-range signals on the main channels are directed to the right and left main speakers.

SMALL

Select this position if your main speakers do not have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are distributed to the SUBWOOFER OUTPUT terminal if “BASS OUT” is set to the SW position.

4. BASS OUT

Choices: SW/MAIN/BOTH Preset position: BOTH

SW/BOTH

Select either the SW or BOTH position if your system includes a subwoofer. In either position, signals on the LFE channel and low bass signals (below 90 Hz) on the center and rear channels are directed to the SUBWOOFER OUTPUT terminal if “CENTER SP” is set to the SML or NONE position and “REAR SP” is set to the SMALL position. In the SW position, low bass signals on the main channels are directed to the SUBWOOFER OUTPUT terminal if “MAIN SP” is set to the SMALL position. In the BOTH position, low bass signals on the main channels are directed to both the main speakers and the SUBWOOFER OUTPUT terminal.

Note

• When playing a 2-channel source (tape, MD, CD, video

cassette etc.), select the BOTH position to direct low bass signals (below 90 Hz) to the SUBWOOFER OUTPUT terminal.

MAIN

Select this position if your system does not include a subwoofer. In this position, besides full-range signals on the main channels, signals on the LFE channel and other low bass signals (below 90 Hz) that are distributed from other channels are directed to the right and left main speakers.

SET MENU

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

7. D-RANGE (Adjusting the dynamic

range)

Choices: MAX/STD (Standard)/MIN Preset position: MAX

Note

• This adjustment is only effective when Dolby Digital is being decoded.

“Dynamic range” is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature a very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending on the condition of your listening environment, it may not be possible to increase the sound output to a level as high as that in a movie theater. However, at the normal level suitable for listening in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the sound data.

MAX

In this position, a source encoded with Dolby Digital is reproduced in the original sound track’s wide dynamic range to provide you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment.

STD (Standard)

In this position, a source encoded with Dolby Digital is reproduced in the “compressed” dynamic range of the source that is suitable for low-level listening.

MIN

In this position, the dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source at a low level.

Note

• It may happen that sound is output faintly or not output normally depending on the source. In that case, select the MAX or STD position.

5. MAIN LVL

Choices: NORM (Normal)/–10 dB Preset position: NORM (Normal)

NORM (Normal)

Normally select this position.

–10 dB

Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated.

Notes

• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and “BASS OUT” have no effect on a source connected to the EXTERNAL DECODER INPUT terminals on the rear of this unit.

• Once you have adjusted appropriately for “CENTER SP”, “REAR SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not have to change any settings unless your speaker system is modified.

6. D.D. LFE (Adjusting the output

level of the LFE channel for Dolby Digital)

Control range: –20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB

Note

• This adjustment is only effective when Dolby Digital is being decoded and the selected source encoded with Dolby Digital contains LFE signals.

This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are directed to the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted.

SET MENU

8. DTS LFE (Adjusting the output

level of the LFE channel for DTS)

Control range: –10 dB to +10 dB (in 1 dB steps) Preset value: 0 dB

Note

• This adjustment is effective only when DTS is being decoded and

the selected source encoded with DTS contains LFE signals.

9. CNTR DELAY (Adjusting the delay

of the sound from the center speaker)

Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms

This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated.

This makes sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the right and left main speaker to your listening position.

10.MEM. GUARD (Locking the settings)

Choices: ON/OFF Preset position: OFF

If you wish to prevent accidental alterations to the settings of the SET MENU and other adjustments on this unit, select the ON position. The following settings on this unit can be locked:

• Settings of other items on the SET MENU

• Settings in the TIME/LEVEL mode

• Settings when using TEST

11.TV INPUT (Selecting the initial input mode for a source connected to the D-TV input terminals)

Choices: AUTO/LAST Preset position: AUTO

The input mode for a source connected to the D-TV input terminals of this unit can be automatically set when the power of this unit is turned on. Refer to page 21 for details about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that selected the last time when the power of this unit was turned on.

12.CBL INPUT (Selecting the initial input mode for a source connected to the CBL/SAT input terminals)

Choices: AUTO/LAST Preset position: AUTO

The input mode for a source connected to the CBL/SAT input terminals of this unit can be automatically set when the power of this unit is turned on. Refer to page 21 for details about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that selected the last time when the power of this unit was turned on.

SET MENU

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

1. PRO LOGIC/Normal 15 to 30 20 DOLBY DIGITAL/Normal 0 to 15 5 DTS DGTL SUR/Normal 0 to 15 5 PRO LOGIC/ENHANCED 15 to 30 20 DOLBY DIGITAL/ENHANCED 0 to 15 5 DTS DGTL SUR/ENHANCED 0 to 15 5

2. 70 mm SPECTACLE 15 to 30 23 DGTL SPECTACLE 1 to 99 15 DTS SPECTACLE 1 to 99 15 70 mm SCI-FI 15 to 30 20 DGTL SCI-FI 1 to 99 16 DTS SCI-FI 1 to 99 16

3. 70 mm ADVENTURE 15 to 30 20 DGTL ADVENTURE 1 to 99 15 DTS ADVENTURE 1 to 99 15 70 mm GENERAL 15 to 30 20 DGTL GENERAL 1 to 99 15 DTS GENERAL 1 to 99 15

4. MONO MOVIE 1 to 99 49

5. TV SPORTS 1 to 99 9

6. DISCO 1 to 99 40

7. ROCK CONCERT 1 to 99 16

8. CONCERT HALL 1 to 99 44

DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder, you can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you wish.

Note

• When high-rate 96-kHz sampling 24-bit digital signals are input to this unit, the delay time and speaker output levels cannot be adjusted.

Delay Time

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs.

Notes

• Adding too much delay will cause an unnatural effect with some sources.

• The sound is momentarily interrupted while adjusting the delay time.

Sound Output Level of the Center, Right Rear and Left Rear Speakers, and Subwoofer

If desired, you can adjust the sound output level of each speaker even if it has already been adjusted in “ADJUSTING THE SPEAKER BALANCE” on pages 17 and 18.

Notes

• The sound output level of the center speaker cannot be adjusted when the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel.

• If “CENTER SP” on the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted. This is because the center channel sound is automatically output from the right and left main speakers.

• Once the sound output level has been adjusted, the level will be the same for all DSP programs.

Speaker Control range (dB) Preset value Center MIN, –20 to +10 0 Right rear MIN, –20 to +10 0 Left rear MIN, –20 to +10 0 Subwoofer MIN, –20 to 0 0

Program

Control range (ms)

Preset value

Adjusting Method

Adjustments should be performed with the remote control while watching the information on the display.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN) position.

2 Press TIME/LEVEL repeatedly to select the

item you want to adjust.

Each time you press TIME/LEVEL, the selected item changes and appears on the display as shown below.

You can also select the item by pressing d. (Pressing u changes the selection in the reverse order.)

Note

• Depending on the setting of the SET MENU, you may not be able to select all these items.

DELAY TIME AND SPEAKER OUTPUT LEVELS

3 Press i or j to adjust the

delay time or speaker output levels.

4 Repeat steps 2 and 3 to adjust the settings of

any other item.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the latest values for the delay time and the center/rear/ subwoofer output levels that were set will automatically return to the preset values. If so, adjust the delay time and output levels again.

Delay time Center speaker output level

Right rear speaker output level Left rear speaker output level

Subwoofer output level

DELAY

CENTER

R SUR.

L SUR.

SWFR

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

SLEEP TIMER

Canceling the Selected SLEEP Timer

Press SLEEP repeatedly until “SLEEP OFF” appears on the display.

It will soon disappear and the “SLEEP” indicator will go off.

Note

• The SLEEP timer can also be canceled by setting the unit in the standby mode by using STANDBY on the remote control (or STANDBY/ON on the front panel), or by disconnecting the AC power cord from the AC power outlet.

The SLEEP timer can be used to automatically set this unit in the standby mode. This timer is useful when you are going to sleep while enjoying the desired input source. The SLEEP timer can only be set with the remote control.

Note

• The SLEEP timer is effective for the components connected to the AC OUTLET(S) on the rear panel of this unit.

Setting the SLEEP Timer

1 Play a source you want to enjoy when you are

going to sleep.

2 Set the selector dial to a

position other than the TV position.

3 Press SLEEP repeatedly to

select the desired SLEEP time.

Each time you press SLEEP, the SLEEP time will change as below:

4 The “SLEEP” indicator soon lights up on the

display after the SLEEP timer has been set.

The display returns to the previous indication.

Lights up

Flashes

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

PRESET REMOTE CONTROL

The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected to it.

Selector Dial

There are nine positions that you can select to control connected components with this remote control. For example, if the CD position is selected, the remote control is set in the CD operation mode, allowing the CD player to be operated by the buttons on the remote control. When turning the selector dial, the position changes as follows:

Note

• The button functions on the remote control differ depending on the position of the selector dial. Refer to the following pages for details.

Commonly used buttons in any position of the selector dial

Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.

Note

• You have to set the code for your TV before you can control the TV.

■ Controlling this unit

Refer to pages 7 and 8.

1 STANDBY 2 POWER 3 VOLUME (+/–) 4 SLEEP

Note

• If you have set the code for your TV and set the selector dial to the TV position, this button is used to set the SLEEP timer for the TV.

5 MUTE

Note

• If you have set the code for your TV and set the selector dial to the TV position, this button is used to mute the TV sound.

■ Controlling your TV

! TV POWER @ TV INPUT # TV VOLUME

AMP/TUN

You can perform the basic operations of this unit. Refer to pages 7 and 8.

The code for a YAMAHA CD player is factory set.

CBL/SAT

A cable TV or satellite tuner can be controlled.

VCR

A VCR can be controlled.

A TV can be controlled.

TAPE/MD

The code for a YAMAHA tape deck is factory set. (Be sure to set the proper code when operating an MD recorder.)

DVD/LD & DVD MENU

An LD player can be controlled in the DVD/ LD position. A DVD player can be controlled in the DVD/LD and DVD MENU positions. The code for a YAMAHA DVD player is factory set. If the remote control does not operate your YAMAHA DVD player, you need to set the code number “0048”.

DSP/TUN

This unit can be controlled and DSP programs can be selected directly.

Selector

dial

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

3 7

Controlling the Components Connected to This Unit

■ Example: To control a YAMAHA CD

player

1 Make sure that VOLUME is set to the “m”

position.

2 Set the selector dial to the

CD position.

3 Turn on the power.

4 Press INPUT.

The indicator lights up for about three second.

5 Press CD (number 1) while

the indicator is lit.

6 Press p.

Refer to page 39 for the CD player operation buttons.

7 Adjust the volume.

If you set the remote control with the manufacturers’ codes listed from page i at the end of this manual, you can control other brands of components. Refer to “Setup codes” on page 42 for details.

PRESET REMOTE CONTROL

Description of Each Position

■ TAPE/MD position

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

Select the TAPE/MD position.

r REC/PAUSE

This button gives a pause in recording on a tape deck or MD recorder.

p PLAY

This button plays a tape or an MD.

b DIR A (TAPE)

This button selects the playing direction of deck A.

SKIP– (MD)

This button skips to the beginning of the previous track.

w REWIND (TAPE)

This button rewinds a tape.

SEARCH (MD)

This button initiates a backward search on the track that is playing to find the point from which you want to listen.

Numeric buttons (MD) +10 (MD)

While the indicator lights up for about three seconds after pressing DSP, this button turns on or off the effect speakers (center and rear).

DECK A/B (TAPE)

This button selects deck A or B on a doublecassette tape deck.

DISPLAY (MD)

e PAUSE (MD)

This button gives a pause in operation.

a DIR B (TAPE)

This button selects the playing direction of deck B.

SKIP+ (MD)

This button skips to the beginning of the next track.

s STOP

This button stops operation on a tape deck or MD recorder.

f FAST FORWARD (TAPE)

This button winds a tape fast forward.

SEARCH (MD)

This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen.

AV POWER

(TAPE) This button turns on the tape deck that has a remote control with a power button if you have set the code for another manufacturer. (MD) This button turns on the MD recorder that has a remote control with a power button if you have set the code for another manufacturer.

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ CD position

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

PAUSE/STOP function

Press the button once to give a pause in operation and press once more to stop operation.

Select the CD position.

DISC SKIP+/– (for a CD player with CD changer)

These buttons skip to the next or previous CD.

p PLAY

This button plays a CD.

b SKIP–

This button skips to the beginning of the previous track.

w SEARCH

This button initiates a backward search on the track that is playing to find the point from which you want to listen.

Numeric buttons

DISPLAY

INDEX +10

While the indicator lights up for about three seconds after pressing DSP, this button turns on or off the effect speakers (center and rear).

e PAUSE

This button gives a pause in operation. The button functions as PAUSE/STOP* for operating a YAMAHA CD player under factory setting.

a SKIP+

This button skips to the beginning of the next track.

s STOP

This button stops operation. The button functions as PAUSE/STOP* for operating YAMAHA CD player under factory setting.

f SEARCH

This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen.

AV POWER

This button turns on the CD player that has a remote control with a power button if you have set the code for another manufacturer.

■ DVD/LD position

■ DVD MENU position

Note

• DVD MENU operations cannot be performed for some DVD players.

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

DISC SKIP+/–

RETURN

TITLE/INDEX

+10

DISPLAY MENU UP

MENU RIGHT MENU DOWN MENU

MENU SELECT

MENU LEFT

TITLE

Select the DVD MENU position.

AV POWER

This button turns on the YAMAHA DVD player if you have set the code number “0048”. Also this button turns on the DVD player that has a remote control with a power button if you have set the code for another manufacturer.

Numeric buttons

DISC SKIP+/–

TITLE/INDEX

+10

DISPLAY PAUSE

SKIP+ STOP SEARCH

PLAY

SKIP–

Select the DVD/LD position.

AV POWER

(DVD) This button turns on the YAMAHA DVD player if you have set the code number “0048”. Also this button turns on the DVD player that has a remote control with a power button if you have set the code for another manufacturer. (LD) This button turns on the LD player that has a remote control with a power button if you have set the code for another manufacturer.

Numeric buttons

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ VCR position ■ CBL/SAT position

■ TV position

Note

• You can control your VCR if you have set the code for it.

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

VCR REC

Press this button twice to start recording.

AV POWER

This button turns on a VCR that has a remote control with a power button if you have set the code for your VCR.

Select the CBL/SAT position.

CHANNEL +/–

ENTER

+10 DISPLAY/

GUIDE (SAT) MENU UP

MENU RIGHT MENU DOWN MENU

MENU SELECT

MENU LEFT

RECALL

Select the TV position.

Numeric buttons

AV POWER

This button turns on a cable TV/satellite tuner that has a remote control with a power button if you have set the code for your cable TV/satellite tuner.

TV POWER

This button turns on a TV that has a remote control with a power button if you have set the code for your TV.

Numeric buttons

Select the VCR position.

CHANNEL +/–

ENTER/RECALL

+10

DISPLAY PAUSE

STOP FAST FORWARD

PLAY

REWIND

VCR REC

Press this button twice.

TV INPUT

TV VOL

CHANNEL +/–

ENTER/RECALL

+10

DISPLAY

VCR PAUSE

VCR STOP VCR FAST FORWARD

VCR POWER

TV SLEEP TV MUTE

VCR PLAY

VCR REWIND

Advanced Information

■ Setup codes

You can set the code for the manufacturer of your component in each position of the selector dial.

1 Turn on your component to be used. 2 Set the selector dial to the

desired position for the component (TAPE/MD, CD , DVD/LD, etc.).

3 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit manufacturer’s code for the component to be used. Make sure that the indicator flashes twice.

If the indicator does not flash or flashes rapidly several times, repeat step 3 and re-enter the code.

5 Press AV POWER (or any other button) on the

remote control to check if you have set the code correctly .

If your component cannot be controlled with the remote control, try setting another code for the same manufacturer.

Notes

• You can set only one code for one position.

• In the DVD/LD and DVD MENU positions:

Be sure to set the selector dial to the DVD/LD position before entering the code for the DVD/LD player. The code set in the DVD/LD position is also simultaneously set in the DVD MENU position. You cannot set the code for a DVD player when the selector dial is set to the DVD MENU position.

• If your component does not respond to any of the codes listed for

the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

■ To use a second (and third) VCR

You can control a second (and third) VCR in the CBL/SAT and DVD MENU positions if a cable TV or satellite tuner, or DVD player is not being used.

Note

• If you want to control a second (and third) VCR in the DVD MENU position, you must set the code for an LD player in the DVD/LD position.

1 Turn on the VCR to be used. 2 Set the selector dial to the

CBL/SAT or DVD MENU position.

3 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit code for the second (and third) VCR. Make sure that the indicator flashes twice.

If the indicator does not flash or flashes rapidly several times, repeat step 3 and re-enter the code.

5 Press AV POWER (or any other button) on the

remote control to check if you have set the code correctly .

If the VCR cannot be controlled with the remote control, try setting another code for the same manufacturer.

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ Returning to the factory-set codes

To return to the factory-set codes in all positions, follow these steps.

1 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

2 Enter the code number

“9990”.

Make sure that the indicator flashes twice.

PRESET REMOTE CONTROL

To return to the factory-set codes in each position, follow these steps.

1 Set the selector dial to the

position for the component to be returned to the factory-set code.

2 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

3 Enter the code number

“0000”.

Make sure that the indicator flashes twice.

The following codes are factory set.

Selector dial position

Component

Code

TV TV 0101 CBL/SAT Satellite tuner 0006 VCR VCR 0002 DVD/LD DVD player 0008 (YAMAHA DVD player) CD CD player 0005 (YAMAHA CD player) TAPE/MD Tape deck 0004 (YAMAHA Tape deck) AMP/TUN this unit 0003 DSP/TUN this unit 0013

We recommend that you write all the code numbers you have set on the “Quick Reference Card”.

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center.

■ General

SYMPTOM CAUSE REMEDY

The unit does not work normally.

No sound and/or no picture.

The power cord is not connected or the plug is not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the right or left position.

Set the switch fully to the right or left position when the unit is in the standby mode.

The internal microcomputer has been frozen by an external electric shock (lightning, excessive static electricity, etc.) or by a power supply with low voltage.

Set the unit in the standby mode and disconnect the AC power cord from the AC power outlet. After about 30 seconds have passed, connect the power and operate the unit again.

The speaker connections are not secure.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been selected.

Select an appropriate input source with INPUT SELECTOR or TAPE/MD MON / EXT. DECODER (or the input selector buttons).

Secure the connections.

SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers

in use to the ON position.

No picture. There is no S VIDEO connection between this

unit and the TV monitor, although S video signals are being input to this unit.

Connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal.

Only the speaker on one side can be heard.

Incorrect cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

Incorrect setting of BALANCE. Adjust it to the appropriate position.

No sound from the effect speakers.

The sound effect is off. Press EFFECT to turn it on.

A Dolby Surround, Dolby Digital or DTS decoding DSP program is being used with material not encoded with Dolby Surround, Dolby Digital or DTS.

Select another DSP program.

The sound is muted.

Set VOLUME to the “m” position, press MUTE to cancel a mute and adjust the volume.

Play a source whose signals this unit can reproduce.

Digital signals other than PCM audio and the signals encoded with Dolby Digital or DTS which this unit cannot reproduce are being input to this unit by a CD-ROM, etc.

The sound suddenly goes off.

The protection circuit has been activated because of a short circuit, etc.

Set the unit in the standby mode and then turn on to reset the protection circuit.

The SLEEP timer has functioned.

Turn on the power, and play the source again.

Refer to page

APPENDIX

—

11, 12

14 19

—

35 14

20 24

The unit fails to turn on when STANDBY/ON (or POWER) is pressed, or enters in the standby mode soon after the power has been turned on.

The 96-kHz sampling 24-bit digital signals are input to this unit.

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

SYMPTOM CAUSE REMEDY

The sound effect cannot be recorded.

It is not possible to record the sound effect by a tape deck or MD recorder connected to the TAPE/MD OUT (REC) terminals of this unit.

Refer to page

TROUBLESHOOTING

26, 27, 28

—

11, 12

No sound from the center speaker.

The sound output level of the center speaker is set to minimum.

Raise the level of the center speaker.

“CENTER SP” on the SET MENU is set to the NONE position.

Select the LRG or SML position.

Incorrect DSP program is selected. Select the appropriate program. The source encoded with Dolby Digital or DTS

does not have a center channel signal.

No sound from the rear speakers.

The output level of the rear speakers is set to minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the PRO LOGIC/Normal or PRO LOGIC/ENHANCED program.

Select another DSP program suitable for the monaural source.

Select the BOTH position.

The source does not contain low bass signals (below 90 Hz).

No sound from the subwoofer.

“BASS OUT” on the SET MENU is set to the SW or MAIN position when playing a 2-channel source.

Incorrect cable connections. Firmly connect the audio plugs. If the problem

persists, the cables may be defective.

No connection from the turntable to the GND terminal.

Make the GND connection between the turntable and this unit.

A “humming” sound can be heard.

The volume level is low while playing a record.

The record is being played on a turntable with an MC cartridge.

The turntable should be connected to the unit through the MC head amplifier.

The volume level cannot be increased, or the sound is distorted.

The component connected to the TAPE/MD OUT (REC) terminals of this unit is in the standby mode.

Turn on the power to the component.

—

The DVD/LD, TV/digital TV or cable TV/satellite tuner source cannot be recorded by a tape deck, MD recorder or VCR connected to this unit.

The DVD/LD player, TV/digital TV or cable TV/satellite tuner is connected to the unit only through the digital terminals.

Make additional connections between the analog terminals.

Adjusting this unit by using SET MENU, TIME/ LEVEL or TEST cannot be performed.

“MEM. GUARD” on the SET MENU is set to the ON position.

Set “MEM. GUARD” to the OFF position.

■ Remote control

This unit is in the standby mode. Turn on the power of the unit.

SYMPTOM CAUSE REMEDY

Refer to page

The remote control does not work.

Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

The unit or other component cannot be controlled.

The component to be controlled has not been selected.

Set the selector dial to the appropriate position, corresponding to the component to be controlled.

The remote control cannot control system components.

The manufacturer’s code has not been set properly.

■ Others

SYMPTOM CAUSE REMEDY

Refer to page

The sound is degraded when listening with headphones to a tape deck or CD player connected to this unit.

There is noise interference from digital or high-frequency equipment, or the unit.

The unit is too close to the digital or highfrequency equipment.

Move the unit further away from such equipment.

TROUBLESHOOTING

—

Enter the code again. Try setting another code for the same

manufacturer.

Depending on the manufacturer or the model, some components cannot be controlled with this unit’s remote control even though the code has been set properly.

Use the original remote control supplied with your component.

—

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

SYMPTOM CAUSE REMEDY

■ When playing back a source encoded with DTS

Refer to page

A loud hissing noise is heard when playing back a source encoded with DTS.

The player which plays back the source is not connected to a digital audio signal input terminal of this unit.

The player must be connected to a digital audio signal input terminal of this unit besides the analog audio signal terminal connections.

The input mode is set to ANALOG on this unit. Set a proper input mode to turn on the built-in

DTS decoder.

A percussive noise is heard when playing back a source encoded with DTS.

If the input mode is set to AUTO, depending on some sources, there may be a noise heard while this unit is identifying the format of the input signal.

Set the input mode of the currently selected input source to DTS.

No sound is heard when playing back a source encoded with DTS, even if the input mode is set to AUTO on this unit.

The built-in DTS decoder does not function because the player has a digital volume control and it is set at a position other than “maximum,” “neutral” or “ineffective.”

Set the player’s digital volume control at the maximum, neutral or ineffective position.

No sound is heard when playing back an MD or DAT on which has been recorded a source encoded with DTS.

A source encoded with DTS cannot be recorded on an MD or DAT.

No sound is heard when playing back a source (CD, etc.) even if the currently selected input mode is AUTO.

In the AUTO mode, the DTS-decoding mode cannot be automatically changed to the normal (PCM) digital signal input mode.

Set the input mode to AUTO again.

Notes

• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.

• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to PCM digital signal input mode and the “t” indicator will go out.

—

TROUBLESHOOTING

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power 20 Hz to 20 kHz, 0.06% THD, 8 ohms

Main L/R, Center, Rear L/R .....................................................70 W

1 kHz, 0.09% THD, 8 ohms

Main L/R, Center, Rear L/R .....................................................80 W

• Maximum Output Power (EIAJ)

1 kHz, 10% THD, 8 ohms ........................................................105 W

• DIN Standard Output Power

1 kHz, 0.7% THD, 4 ohms ....................................................... 110 W

• IEC Output Power

1 kHz, 0.06% THD, 8 ohms .......................................................75 W

• Dynamic Power (IHF)

8/6/4/2 ohms ......................................................... 90/110/135/160 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms ................................................................ 80

• Frequency Response

CD etc. to MAIN L/R ................................. 10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion (20 Hz to 20 kHz)

CD etc. to MAIN L/R, 1/2 power, 8 ohms .............................. 0.06%

• Signal-to-Noise Ratio (IHF-A Network) CD etc. to MAIN L/R

(150 mV, Input Shorted) ......................................................... 99 dB

(250 mV, Input Shorted) ....................................................... 103 dB

• Residual Noise (IHF-A Network)

MAIN L/R .............................................................................. 150 µV

• Input Sensitivity/Impedance

CD etc. ................................................................. 150 mV/47 k-ohms

EXT. DECODER......................................... 150 mV/40 – 47 k-ohms

• Output Level/Impedance

REC OUT ........................................................... 150 mV/1.2 k-ohms

PRE OUT ............................................................... 2.1 V/1.2 k-ohms

SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms

PHONES ................................................................. 0.34 V/560 ohms

• Channel Separation (Vol. –30 dB) CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

..................................................................................... 60 dB/45 dB

• Tone Control Characteristics

BASS: Boost/cut ..........................................................±10 dB/50 Hz

TREBLE: Boost/cut ................................................... ±10 dB/20 kHz

VIDEO SECTION

• Video Signal Type ...........................................................NTSC or PAL

• Video Signal Level ...................................................... 1 Vp-p/75 ohms

• Signal-to-Noise Ratio .................................................................. 50 dB

• Monitor Out Frequency Response.................... 5 Hz to 10 MHz, –3 dB

GENERAL

• Power Supply

[Europe and U.K. models]....................................... AC 230 V, 50 Hz

[China model]......................................................... AC 220 V, 50 Hz

[General model].............................AC 110/120/220/240 V, 50/60 Hz

• Power Consumption ...................................................... approx. 310 W

• Power Consumption (standby mode) .................................approx. 1 W

• AC Outlets (100 W max. total)

[U.K. model] ............................................................ 1 (SWITCHED)

[Europe model] ......................................................... 2 (SWITCHED)

[China and general models]...................................... 3 (SWITCHED)

• Dimensions (W x H x D)

.....................435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)

• Weight ......................................................................... 11.2 kg (25 lbs.)

• Accessories .................................................................... Remote control

........................................................................................... Batteries

Specifications are subject to change without notice.

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

GLOSSARY

CINEMA DSP

■ Dolby Surround

Dolby Surround uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

■ Dolby Digital

Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. The wide dynamic range of sound reproduced by the five full-range channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before.

■ DTS (Digital Theater System)

Digital Surround

DTS was developed to replace the analog soundtracks of movies with six discrete channels of digital soundtracks, and it is now installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio. DTS technology, through intense research and development has made it possible to deliver similar encode/decode discrete technology to home audio surround-sound entertainment. DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically, it is 5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as “0.1”). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems.

■ CINEMA DSP

The Dolby Surround and Dolby Digital sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater. However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround, Dolby Digital or DTS Digital Surround sounds. The YAMAHA “CINEMA DSP” logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround, Dolby Digital or DTS.

■ LFE 0.1 Channel

This channel is for reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is called the channel 0.1 because it only reproduces a low frequency range compared to the full-range from 20 Hz to 20 kHz that is reproduced by the 5 channels in a Dolby Digital or DTS 5.1 channel system.

■ S VIDEO Signal

The S VIDEO signal is separated and transmitted as the Y signal which indicates the luminance and the C signal which indicates the chroma of the video signal (composite signal). Using the S VIDEO terminal eliminates video signal transmission loss and allows recording and playback of even more beautiful images.

INDEX

Accessories .......................................................................... 2

AC outlet ........................................................................... 16

BALANCE ........................................................................ 20

BGV (background video) function .................................... 20

Canceling sound effect ...................................................... 24

CINEMA DSP ............................................................. 28, 49

Connections

Audio components (tape deck/MD recorder, CD player,

turntable and tuner) ..................................................... 11

Digital connections...................................................... 12

Speakers ...................................................................... 14

TV monitor .................................................................. 12

Video components (DVD/LD player, VCR, TV/digital

TV and cable TV/satellite tuner)................................. 12

Delay time (TIME/LEVEL mode) .................................... 33

Display................................................................................. 6

Dolby Digital ..................................................................... 49

Dolby Surround ................................................................. 49

DSP program ...................................................... 23, 26 to 28

DTS Digital Surround ....................................................... 49

External decoder ................................................................ 13

Front panel........................................................................... 4

IMPEDANCE SELECTOR switch ................................... 16

Input mode......................................................................... 21

LFE ........................................................................ 31, 32, 49

Muting ............................................................................... 20

Playing ............................................................................... 19

Recording .......................................................................... 25

Remote control

Basic operations ........................................................ 7, 8

Batteries......................................................................... 2

Factory-set code .......................................................... 43

Manufacturer’s codes .......... i (at the end of this manual)

Selector dial............................................................. 7, 36

Setup codes.................................................................. 42

SET MENU ....................................................................... 29

Sleep timer......................................................................... 35

Speaker

Output levels (TIME/LEVEL mode) .......................... 33

Output mode (SET MENU) .................................. 30, 31

Speaker balance (test tone).......................................... 17

Placement ...................................................................... 9

STANDBY/ON.................................................................... 4

Test tone....................................................................... 17, 18

Tone controls ..................................................................... 20

LIST OF MANUFACTURER’S CODES LISTES DES CODES FABRICANT VERZEICHNIS DER HERSTELLERCODES LISTA ÖVER TILLVERKARKODER ELENCO DEI CODICI DEL FABBRICANTE LISTA DE CÓDIGOS DE FABRICANTES LIJST VAN CODES VAN FABRIKANT

ADMIRAL 0411, 0451, 0911,

1021, 1081 AIKO 0891 AKAI 0061, 0101, 0231,

1191, 1351, 1591,

1641, 1791, 1891,

1981 AKURA 1331 ALBA 1241, 1331, 2361 ALBIRAL 1971 AMSTRAD 1301, 1511 ANAM 1171 ARC EN CIEL 0571 ARCAM 0571, 0761 ARISTONA 0751 ARTHUR MARTIN 0451, 1641 ASA 0411, 0451, 0521,

0781, 0871, 1021,

1081, 1421, 2051,

2091, 2151, 2551 ASTRA 1511 ATANTIC 0761 ATLANTIC 0761 ATORI 1511 AUDIOSONIC 1181, 1321, 1511 AUSIND 0491, 1411 AUTOVOX 0091, 0351, 0481,

0491, 0601, 0781,

0951, 1051, 1081,

1391, 1421 BAIRD 1101, 1351 BANG & OLUFSEN 1081 BASIC LINE 1321, 1331 BAUER 1451 BAUR 0041, 0061, 0121,

0131, 0221, 1561 BEKO 2491, 2501 BLAUPUNKT 0221, 0231, 0241,

0251, 0471, 0741,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581 BRANDT 0571, 0651, 0731,

0901, 1821 BRIONVEGA 1021, 1051, 1081 BRITANNIA 0761 BRUNS 0821, 0991, 1021,

1081 BSR 0391, 0691, 1621,

1901, 1981 BUSH 0451, 1241, 1331,

1641, 1741, 2131,

2151 BUSH (UK) 0481, 1561, 1611 CANDLE 0791 CENTURY 1021, 1081 CGE 0491, 0811, 0981,

1401, 1531, 1611,

1621, 1981, 2201,

2251, 2271 CITIZEN 0791

CLARIVOX 0821, 0961, 1971 CLATRONIC 1181, 1331 CONCERTO 0791 CONDOR 0761 CONTEC 0151, 1171 CONTINENTAL EDISON

0571, 0651, 0901 CRAIG 1171 CROSLEY 0021, 0491, 1021,

1081, 1401, 1981,

2201, 2251, 2271 CROWN 2541 CTC CLATRONIC 0261 CXC 1171 DAEWOO 0101, 1501, 1511,

2611 DANSAI 0101 DECCA 0271, 0581, 0601,

0971, 1101, 1691 DECCA (UK) 0271, 0581, 0601,

1101, 1681 DEGRAAF 0451, 1351 DIXI 0991, 1511 DOMEOS 0101 DORIC 1031 DUAL 0091, 0601, 1611,

1641, 2101 DUAL-TEC 0601, 1511, 1621,

2111 DUMONT 0261, 0521, 0781,

1021, 1081, 1981,

2121, 2151 DYNATRON 0101 ELBE 1551, 1971, 2031 ELECTRO TECH 1511 ELEKTRONSKA 0771 ELMAN 0261, 1621 ELTA 1511 EMERSON 0921, 1021, 1081,

1121, 1171, 1261,

1301 ERRES 0101 ETRON 1981 EUROPHON 0261, 0581, 0601,

0771, 1091, 1621,

2001 FENNER 0101, 1511 FERGUSON 0281, 0371, 0551,

0651, 0781, 0861,

0881, 1131, 1181,

1361, 1461, 1971,

1991, 2281, 2311,

2341 FIDELITY 0451, 0761, 2281 FIDELITY (UK) 0561, 0591,

1931, 2281 FILMNET 1141 FINLANDIA 0451, 2321 FINLUX 0021, 0261, 0491,

0521, 0781, 0811, 0871, 1081, 1411, 1421, 1981, 2051, 2091, 2121, 2151, 2551

FIRST LINE 1981 FISHER 0021, 0091, 0141,

0511, 0601, 0801, 0821, 0981, 1021,

1081, 1981, 2091 FORGESTONE 2281 FORMENTI 0451, 0491, 0761,

1081, 1451, 1541,

1981 FORMENTI-PHOENIX

0021, 0431, 0451,

0591, 1411 FORTRESS 1081 FRONTECH 0451, 1181, 1981 FUJITSU 1261 FUNAI 0391, 0691, 1171,

1181, 1261 FUTURETECH 1171 GBC 0021, 0141, 1321,

1511, 1621, 1981 GEC 0451, 1101, 1281,

2321 GEC (UK) 0031, 0081, 0581,

0601, 1101, 1281,

1561 GELOSO 0021, 0411, 0451,

1321, 1511, 1621,

1981 GENERAL TECHNIC2681 GENEXXA 0451, 1331 GOLDSTAR 0591, 0601, 0761,

0791, 1371, 1491,

1511, 1561, 1621,

1641 GOODMANS 0141, 1101, 1371,

1641, 2301 GORENJE 0981, 1061 GRAETZ 0451 GRANADA 0141, 0451, 0491,

0581, 0601, 1101,

1111, 1351, 1981,

2321 GRANADA (UK) 0081, 0141,

0451, 0491, 0581, 0601, 1031, 1311, 1521, 1561, 1641

GRUNDIG 0221, 0231, 0471,

0491, 0711, 0741,

1381, 2021, 2041,

2141, 2151 HANSEATIC 0021, 0121, 0141,

0431, 0591, 1561 HANTAREX 0581 HEMMERMANN 0061 HIFIVOX 0331, 0571 HINARI 0071, 0141, 0451,

1261, 1351, 1511,

1641, 1981, 2011

HITACHI 0001, 0011, 0031,

0081, 0141, 0291, 0331, 0341, 0451, 0601, 0631, 0701, 1281, 1561, 1601, 1821, 1831, 1841, 1861, 1871, 1881, 1891, 1941, 1981, 2051, 2321, 2341

HYPER 0591, 0601, 1511,

1621

IMPERIAL 0451, 0491, 0811,

0981, 1401, 1611, 1621, 2201, 2251,

2271 INGERSOL 1511 INNO HIT 0581, 0601, 0841,

1101, 1331, 1371,

1511, 2011 INNOVATION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2711, 2721,

2761, 2771, 2781 INTERFUNK 0031, 0041, 0061,

0121, 0181, 0451,

0491, 1081, 1641,

1791, 1821, 1981,

2231 IRRADIO 0491, 1321, 1331,

1371, 1411, 1511,

2011 ISUKAI 1331 ITT 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431 ITT-NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431 JVC 0071, 0721, 1441,

1581, 1591, 1741,

1791 KAISUI 0591, 1321, 1331 KAMOSONIC 0601 KARCHER 0591, 0601, 0841,

1091, 1321, 1511,

1561, 2051 KAWASHO 0761 KENDO 0261 KENNEDY 0021, 0351, 0951,

1981 KONKA 2701 KORTING 0431, 1011, 1021,

1081, 1541

KTV 0601, 1171 LENOIR 0601, 1511 LEYEO 1181 LIFETEC 2591, 2601, 2611,

2621, 2641, 2651, 2661, 2671, 2681, 2691, 2711, 2761, 2771, 2781

LOEWE OPTA 0121, 0131, 0581,

0611, 1081 LOGIC 1691, 2281 LOGIK 0551, 1681, 2281 LOWEWE 0831 LUMA 0351, 0451, 1901 LUXMAN 0791 LUXMAN STEREO TUNER

0791 LUXOR 0001, 0061, 0181,

0341, 0421, 0451,

0461, 0491, 0601,

0671, 1351, 1371,

1561, 1601, 1911,

1921, 1981 LYCO 1181 MAGNADYNE 0021, 0061, 0261,

0581, 0641, 0771,

1021, 1081, 1621,

1981 MAGNAFON 0261, 0491, 0581,

0591, 0641, 0761,

1091, 2001 MANESTH 0101 MARANTZ 0101 MARELLI 1081 MARK 0101 MATSUI 0061, 0451, 0601,

0691, 1101, 1151,

1241, 1271, 1301,

1511, 1561, 1681,

1691 MAXIMAL 0071, 1981 MCMICHAEL 1281 MEDION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2721,

2761, 2771, 2781 MEMOREX 1511 METZ 0231, 0741, 1001,

1041, 1081, 1481,

2071, 2081 MGA 1231 MICROMAXX 2591, 2621, 2641,

2651, 2711, 2761,

2771, 2781 MINERVA 0221, 0231, 0491,

1381, 2141, 2151 MISTRAL 2281 MITSUBISHI 0141, 0201, 0231,

0661, 1191, 1201,

1231, 1671, 1691,

1741 MIVAR 0491, 0501, 0581,

0591, 0761, 0771,

1371, 1431, 2031 MTC 0791 MULTITECH 0261, 0581, 0601,

0641, 0981, 1321,

1511 MURPHY 0451, 2091 MURPHY (UK) 0081, 1031 N.E.I. 0101, 0961 NAD 1341 NEC 0141, 1711, 1721,

1731

NECKERMANN 0451, 0601,

0981, 1081, 1561, 1931, 1981, 2211,

2231, 2241 NEDIATOR 0101 NICAMAGIC 0761 NIKKAI 1101, 1331, 1641,

1701, 2011

NOBLIKO 0261, 0491, 0591,

0641, 1381, 1411 NOGAMATIC 0571 NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431, 2461, 2791 NORDMENDE 0031, 0291, 0331,

0451, 0531, 0541,

0571, 1051, 1131,

1591, 1791, 1811,

1821, 1891, 1941,

2631 OCEANIC 0321, 1651, 1981 OCEANIC (F) 0031, 0061, 0321,

0441, 1661 ONCEAS 0601 ONWA 1171 ORION 0061, 0391, 0691,

0851, 1211, 1241,

1251, 1301, 1481,

1511, 1681, 1691,

1981, 2371, 2421 OSAKA 2011 OSAKI 1101, 1331, 2011 OSUME 0151 OTTO VERSAND 0021, 0121,

0141, 0221, 0601, 1561,

1741, 1981 PAEL 0591, 1411 PANASONIC 0031, 0201, 0211,

0451, 0701, 1311, 1751, 1961, 2561,

2741 PANORAMIC 2351 PATHE MARCONI 0571 PATHE’ CINEMA (F) 0431, 0591,

1621, 1661,

1971 PAUSA 1511 PAUZA 1511 PERDIO 0891, 1101 PHILCO 0021, 0491, 0811,

0981, 1021, 1081, 1401, 1611, 1621, 1751, 2201, 2251, 2271, 2451, 2471

PHILIPS 0101, 0361, 0591,

0621, 0681, 0751, 0761, 1021, 1081, 1281, 2031, 2281, 2291, 2431, 2441,

2511, 2731 PHOENIX 1081 PHONOLA 0751, 1081 PIONEER 0291, 0451, 1341,

1821 PRANDONI-PRINCE 0411, 0451,

0491, 0581, 1411

PRANDONI-PROMCE

0451, 0491, 0581

PRIMA 0451 PROFEX 1981 PROTECH 0641, 1181, 1981 QUELLE 0041, 0061, 0121,

0221, 0231, 0391, 0491, 0521, 0601, 0781, 1371, 1381, 1411, 1421, 1641, 1681, 2051, 2091, 2141, 2151, 2201, 2211, 2231, 2241, 2251, 2271, 2551, 2571, 2581

REDIOMARELLI 0101, 0451,

0661, 0771,

1081 RADIONETTE 0031, 2051, 2091 RADIOLA 2291 RANK 0481, 2151 RBM 2131, 2151 RBM (UK) 0481 REDIFFUSION 0451, 0661, 1641,

1981, 2331

REDIFFUSION (UK) 0061, 0081,

1031 REX 0071, 0101, 0351,

0411, 0451, 0951, 1901, 2061, 2101,

2111 RFT 0991, 2511 ROADSTAR 1321, 1511 ROTEL 0151 SABA 0291, 0331, 0421,

0451, 0531, 0541,

0571, 0581, 0651,

0731, 0931, 1021,

1071, 1081, 1131,

1791, 1811, 1821,

1891, 1941, 2631 SACCS 1971 SAISHO 0451, 0601, 1161,

1241, 1301, 1511,

1671, 1681, 1691 SALORA 0011, 0041, 0061,

0071, 0341, 0451,

0671, 1291, 1351,

1521, 1561, 1601,

1641, 1911, 1921,

1931, 1981, 2321 SAMBERS 0261, 0491, 0581,

0641, 1091, 1371,

1411, 2001 SAMSUNG 0101, 0601, 0841,

0981, 1101, 1181,

1371, 1511, 2011 SANYO 0141, 0151, 0401,

0601, 0801, 0821,

0981, 1021, 1101,

1111, 1291, 1351,

1691, 1741, 2051,

2091, 2551 SBR 0681, 0751, 1281,

2281 SCHAUB LORENZ 0451 SCHNEIDER 0021, 0071, 0091,

0451, 0511, 0591,

0601, 0751, 1321,

1361, 1621, 1641,

2101, 2111, 2291 SCOTT 1171, 1261 SEG 0261, 0601, 0821,

0991 SEI 0641, 0691, 1081,

1301, 1481, 1981

SELECO 0071, 0101, 0351,

0411, 0451, 0951, 1901, 2061, 2101,

2111 SENTRA 1601 SHARP 0141, 0151, 0191,

1761, 1781 SIAREM 0021, 0261, 0581,

0641, 1021, 1081,

1981 SICATEL 1971 SIEMENS 0151, 0221, 0231,

0451, 0741, 2011,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581 SILVER 1181 SINGER 0021, 0261, 1021,

1081 SINUDYNE 0021, 0061, 0101,

0261, 0391, 0641,

0691, 0851, 0941,

1021, 1081, 1241,

1301, 1321, 1481,

1631, 1981 SKANTIC 0451 SOLAVOX 0451, 1641, 2011 SONOKO 0101, 1181, 1511 SONY 0141, 0171, 1121,

1681, 1691, 2751 SOUNDESIGN 1171 SSS 1171 STERN 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 SUNKAI 0691 SUPRA 0791 TANDBERG 0161, 0331, 0611,

1021, 1421, 1771,

1791, 2081 TANDY 0191, 0451, 1331,

1531 TASHIKO 0141 TATUNG 0271, 0581, 0601,

0971, 1101, 1681,

1691 TCM 2621, 2641, 2711,

2761, 2771, 2781 TECHNICS 1311 TECHWOOD 0791 TEKNIKA 1171, 1231, 1261 TELE 1141 TELEAVIA 0571, 0651, 0731,

1821 TELEFUNKEN 0291, 0301, 0311,

0551, 0731, 1131,

1471, 1591, 1791,

1801, 1811, 1821,

1991, 2161, 2171,

2181, 2191, 2201,

2251, 2271, 2521,

2631 TELETECH 1511 TEMPEST 2381, 2391, 2401,

2411 TENSAI 1331, 2091 TEXET 0601 THOMSON 0331, 0481, 0531,

0571, 0631, 0651,

0731, 0901, 1241,

1571, 1591, 1791,

1811, 1821, 1891,

1941, 2531 THORN 0741, 0861, 2091,

2251, 2271, 2281

iii

THORN-FERGUSON 0281, 0371,

0551, 0651, 0781, 0861, 0881, 1131, 1181, 1361, 1461, 1971,

1991, 2281 TMK 0141, 0791, 1471 TOSHIBA 0141, 0381, 0481,

1221, 1271, 1701, 1741, 1851, 2151, 2801, 2811

TRANS CONTINENS

0451 TRISTAR 2281 TRIUMPH 0481, 0581, 2121 UHER 0431, 0451, 0481,

0491, 0511, 1311,

1541 ULTRAVOX 0021, 0261, 0591,

1021, 1081, 1981 UNIVERSUM 1181, 2051 UNIVOX 1971 VEGAVOX 0811 VEXA 0101, 1511 VICTOR 1441, 1591 VIDEOTON 2481 VORTEC 0101, 0651 VOXSON 0411, 0451, 0491,

1021, 1081 WALTHAM 0451 WATSON 0431, 2201, 2241 WATT RADIO 0021, 0061, 0261,

0591, 0641, 0761,

1091, 1971, 1981,

2001 WEGA 0141, 1081, 1981 WEGA COLOR 1021 WELTBLICK 0101 WESTON 1621 WHITE WESTINGHOUSE

0101, 0261, 0431,

0591, 0761, 1401,

1541 YOKO 0601, 1511 ZANUSSI 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 ZOPPAS 0451

CABLE TV

CABLETIME 1446, 1456, 1476 CLYDE CABLEVISION

1426 FILMNET 1396, 1436 FRANCE TELECOM 1386 GEC 1426 JERROLD 1416 MOVIE TIME 1466 NSC 1466 PHILIPS 1386 PIONEER 0006 SAMSUNG 1496 SCIENTIFIC A TLANT A

1486, 1506 STARCOM 1416 STS 1466 TANDBERG 1366 TELE 1436 TELE +1 1436 TELESERVICE 1406, 1476 TUDI 1376 UNITED CABLE 1416 ZENITH 1406

SA TELLITE TUNER

AKAI 1276 ALBA 0826, 1276 AMSTRAD 0166, 0796, 1016,

1026, 1296 ANKARO 0476 AST 0406 ASTRA 0126 BARCOM 0476 BLAUPUNKT 0966 BMC SATELLITE 0106 BRITISH TELECOM 1276 BUSH 0826 BUSH (UK) 0956 CAMBRIDGE 0196, 1276 CANAL PLUS (FRANCE)

1536 CHAPARRAL 0016, 0696, 1006 COLUMBUS 0616 CONNEXIONS 0306, 0426 DISCUS ELIPSE 0856, 0866 DISKXPRESS 0426, 0476 DRAKE 1516 ECHOSTAR 0226, 0236, 0606,

0626, 0666, 0926,

0996, 1046, 1056,

1066, 1106 ELTA 1286 ELTA SAT 0146 EURODEC 1226, 1236, 1246 FERGUSON 0046, 0176, 0186,

0296, 0846, 0956,

1306 FINLUX 0976 FRACARRO 0026, 0536, 0776 FUBA 0476, 0616, 0636,

1056 GIUCAR RECORD 0206, 0336 GRUNDIG 0176, 0946, 0956,

0966 HIGH PERFORMANCE

0916 HIRSCHMANN 0756, 0966 HITACHI 0446, 0516, 0706,

0946 ICX INTERNATIONAL 0886 ITT 0066, 0126, 0176,

0446, 1156 ITT/NOKIA 0066, 0126, 0176,

0446, 1156 JEEMON 0146 JERROLD 0846, 0986 JOHANSSON 0246 JVC 1276 KATHREIN 0116, 0266, 0276,

0366 KOSMOS 0266 KYOSTAR 1036, 1086 LENG 0246 LIFESAT 1326, 1346, 1356 LUXOR 0126, 0136, 0446,

0466, 0506, 1156 MACAB 0356 MASPRO 0016, 0116, 0256,

0956 MEDION 1326, 1346 METZ 0966 MICROMAXX 1326, 1346 MITSUBISHI 0966 MORGANS 0596 MURATTO 0406 NEC 0286, 0316, 0766,

0786, 0836 NETWORK 0046 NIKKO 1136, 1146

NOKIA 0066, 0126, 0176,

0446, 1156, 1166,

1336 NORSAT 0786 OTTO VERSAND 0966 PACE 0046, 0176, 0296,

0936, 0956, 1306,

1566, 1576 PACE MSS 0946 PALCOM 0616, 0686, 0706 PALSAT 0396 PALTEC 0706 PANASONIC 0806, 1306 PANSAT 1076 PHILIPS 0326, 0346, 0476,

0956, 1126, 1186,

1196, 1206, 1216,

1306, 1316 PROSAT 1176 PTT TELECOM 0306, 0896 QUELLE 0966 RADIX 1056 REDIFFUSION 0316, 0786 RFT 1186, 1196, 1206,

1216 SAGEM 1256, 1546 SAKURA 0566, 0816 SALORA 0066, 0126, 0136,

0446, 0456, 0486,

0496, 0576 SAMSUNG 0746, 0756 SAT 0406 SATCOM 0896 SATECO 0646 SECTOR 1266 SEDEA 1096 SENTRA 0416 SIEMENS 0896, 0966 SINTRACK 0906 SKY DIGITAL BOX 1526 SKYLAB 0476 SKYSCAN 0876 SONY 0736, 0946 STELLA 0306 STRONG 0156, 0396, 1036,

1086 STV 0636 TANDBERG 1116 TANDY 0916 TANTEC 0616 TATUNG 0516, 0546 TECHNISAT 0086, 0096, 0526,

0556, 1056 TELECOM 0306 TELEMAX 0586 THORN-FERGUSON 0046, 0076,

0176, 0186,

0956 TOSHIBA 0946 TPS (FRANCE) 1546 TRIAD 0406 UNIDEN 0036, 0216, 0676,

0716, 0726 US ELECTRONICS 0886 VORTEC 0756, 1036, 1076 VTECH 0436 WINERSAT 0246 WISI 0056, 0356, 0376,

0386, 0406, 0656,

1056, 1156 WOLSEY 0916 XCOM MULTIMEDIA 1556 XSAT (FRANCE) 1556 ZEHNDER 0266, 0406 ZENDER 0406

VCR

AIWA 0042, 0352, 0432 AKAI 0042, 0422, 0492,

0582, 0612, 0642, 0652, 0762, 0912

ALBA 0002, 0112, 0282,

0332, 0342, 0972 AMSTRAD 0322, 0432, 0452 ANITECH 0002 ANITSCH 1002 ASA 0012, 0052 AUDIOSONIC 0002 BAIRD 0042, 0282, 0492 BANG & OLUFSEN 0042 BAUR 0052, 0062, 0812 BLAUPUNKT 0062, 0092, 0252,

0462, 0672, 0992 BRIONVEGA 0032 BUSH 0002, 0282, 0332,

0342, 0512, 0972 BUSH (UK) 0812 CAPEHART 0112 CGE 0042, 0432, 0762 CRAIG 0072, 0482 CROWN 0112, 0282, 0622 DAEWOO 0112, 0282, 0622 DANSAI 0012 DAYTRON 0112 DECCA 0042, 0052, 0432,

0942 DECCA (UK) 0052 DEGRAAF 0052, 0132, 0432,

0532, 0602 DIXI 0442 DUAL 0042, 0632 DUMONT 0052, 0432, 0532 DYNATECH 0432 DYNATRON 0012 ELBE 0122 ELIN 0072 EMERSON 0012, 0162, 0202,

0432, 0512, 0522 ERRES 0012 FERGUSON 0042, 0712, 0722,

0852, 0902, 1012,

1022, 1082 FIDELITY 0432 FINLANDIA 0052, 0532 FINLUX 0012, 0042, 0052,

0082, 0262, 0382,

0432, 0462, 0492,

0532, 0572, 0602,

0912 FIRST LINE 0002, 0912 FISHER 0162, 0482, 0532,

0542, 0572, 0592 FORMENTI-PHOENIX

0012, 0052 FRONTECH 0112 FUNAI 0432 GBC 0002 GEC (UK) 0022, 0052 GELOSO 0002 GENERAL TECHNIC1172 GOLDSTAR 0012, 0122, 0812,

0952 GOODMANS 0002, 0072, 0282,

0432, 0502 GOODMANS (UK) 0002 GRAETZ 0022, 0042 GRANADA 0052, 0132, 0532,

0572 GRANADA (UK) 0052, 0092,

0462, 0602, 0812, 0822

GRUNDIG 0052, 0062, 0092,

0232, 0252, 0262,

0752, 0802 HANSEATIC 0052, 0812 HARMAN/KARDON 0122, 0922 HCM 0002 HINARI 0002, 0202, 0412,

0442, 0522 HITACHI 0042, 0172, 0292,

0432, 0602, 0662,

0812, 1022 IMPERIAL 0072, 0432 INGERSOL 0442 INNO HIT 0002, 0052, 0072 INNOVATION 1142, 1162, 1172 INTERFUNK 0022, 0052 IRRADIO 0002, 0012 ITT 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762 ITT-NOKIA 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762 JENSEN 0042 JVC 0042, 0102, 0142,

0272, 0742, 0762,

0782, 0902 KARCHER 0052, 0072, 0812 KENDO 0492 KENWOOD 0042, 0142, 0572 LIFETEC 1142, 1162, 1172 LLOYD 0432 LOEWE OPTA 0052, 0092, 0152 LOGIK 0002, 0072, 0442 LUMA 0162 LUXOR 0492, 0572, 0812 M ELECTRONIC 0432 MAGNADYNE 0052 MAGNASONIC 0572 MANESTH 0012 MARANTZ 0012, 0052, 0092,

0122, 0502 MARK 0012 MARTA 0012 MATSUI 0012, 0442, 0512,

0522, 0812, 0972 MEDION 1142, 1162, 1172 MEMOREX 0012, 0132, 0432,

0482, 0532, 0572 METZ 0062, 0092, 0932 MGA 0912 MICROMAXX 1142, 1162, 1172 MINERVA 0062, 0092, 0252 MINOLTA 0172, 0602 MITSUBISHI 0052, 0062, 0142,

0912, 0922 MTC 0072, 0432 MULTITECH 0002, 0052, 0062,

0282, 0432 MURPHY 0432 N.E.I. 0012, 0052 NATIONAL 0462 NEC 0042, 0122, 0142,

1202 NECKERMANN 0032, 0042,

0052, 0072, 0092, 0202, 0522, 0572,

0762, 0812 NIKKAI 0112 NOBLIKO 0092 NOKIA 0022, 0032, 0042,

0072, 0292, 0492, 0532, 0572, 0762, 1152

NORDMENDE 0042, 0102, 0142,

0192, 0222, 0242, 0392, 0402, 0632, 0732, 0742, 0762, 0782, 0792, 0832,

0842, 0872 OLYMPUS 0462 OPTONICA 0132, 0502 ORION 0162, 0202, 0312,

0442, 0512, 0522,

0982 OSAKA 0432 OSAKI 0002, 0012, 0432 OTTO VERSAND 0052, 0062,

0812

PANASONIC 0022, 0212, 0462,

0672, 0992, 1092,

1102, 1182 PENTAX 0172, 0602 PERDIO 0432 PHILCO 1062 PHILIPS 0052, 0082, 0092,

0152, 0182, 0362,

0372, 0382, 0472,

0502, 1072 PHONOLA 0052, 0152 PILOT 0012 PIONEER 0052, 0142, 0372,

0472 PORTLAND 0112 PROLINE 0432 PYE 0052, 0152 QUARTZ 0572 QUELLE 0012, 0032, 0042,

0052, 0062, 0072,

0092, 0202, 0462,

0522, 0942 RADIONETTE 0022 REALISTIC 0012, 0072, 0132,

0432, 0482, 0502,

0532, 0572 RET 1072 REX 0042, 0742, 0782 RICOH 0952 SABA 0042, 0142, 0192,

0222, 0242, 0392,

0632, 0732, 0742,

0762, 0772, 0782,

0792, 0872 SAISHO 0162, 0202, 0292,

0442, 0512, 0522,

0972 SALORA 0192, 0572, 0812,

0822, 0912 SAMSUNG 0052, 0072, 0622,

0652, 1192 SANSUI 0042, 0142 SANYO 0482, 0532, 0562,

0572 SBR 0052, 0152, 0182 SCHAUB LORENZ 0022, 0042 SCHNEIDER 0002, 0012, 0052,

0072, 0432 SEG 0002, 0072 SEI-SINUDYNE 0442 SELECO 0042 SENTRA 0112 SHARP 0132, 0502, 0702 SHINTOM 0002 SIEMENS 0062, 0092, 0252,

0572 SINUDYNE 0052, 0382, 0442,

0932 SONOKO 0282

SONY 0432, 0552, 0682,

0692, 0942, 0952,

0962, 1122, 1132 STS 0602 SUNKAI 0512 SUNSTAR 0432 SYLVANIA 0432, 0912 SYMPHONIC 0432, 0912 TANDBERG 0062, 0162, 0522,

0932 TASHIKO 0132, 0432 TATUNG 0042, 0052, 0432,

0922 TCM 1142, 1162, 1172 TEAC 0042, 0432 TECHNICS 0462 TEKNIKA 0012, 0432 TELEFUNKEN 0042, 0192, 0632,

0732, 0742, 0762,

0782, 0882, 0892 TEMPEST 1032, 1042, 1052 TENOSAL 0002 THOMSON 0042, 0102, 0142,

0192, 0402, 0632,

0762 THORN 0042, 0902 THORN-FERGUSON 0042, 0222,

0302, 0712, 0722, 0742, 0762, 0852, 0862, 0872,

0902 TMK 0522 TONSAI 0002 TOSHIBA 0042, 0622, 0912,

1212 TOTEVISION 0012, 0072 TRIUMPH 0922 UHER 0042, 0072 ULTRAVOX 0032 UNITECH 0072 VECTOR RESEARCH

0122 VICTOR 0042, 0102, 0142 VIDEON 1162, 1172 WELTBLICK 0012 WHITE WESTINGHOUSE

0032 XENON 0162 YOKO 0012, 0062, 0072

DVD PLAYER

AKAI 0108 JVC 0168, 0348 KENWOOD 0288 MAGNAVOX 0248 MITSUBISHI 0268 ONKYO 0128, 0248 PANASONIC 0048 PHILIPS 0188, 0248 PIONEER 0208, 0228 PROSCAN 0308 RCA 0308 SAMSUNG 0148 SHARP 0068 SONY 0028 TECHNICS 0048 THOMSON 0328 TOSHIBA 0088, 0248 YAMAHA 0008, 0048 ZENITH 0248

LD PLAYER

AIWA 0137 FUNAI 0137 HITACHI 0047 MAGNAVOX 0077 PANASONIC 0027 PIONEER 0037 RCA 0067 REALISTIC 0137 SAMSUNG 0017, 0087 SONY 0057, 0097, 0107,

0117 VICTOR 0127 YAMAHA 0007

CD PLAYER

ACCUPHASE 0315 ADC 0865 ADCOM 0785, 1015 AKAI 0115, 0125, 0725,

0735, 0745, 0935,

1155 ARCAM 1875 ARCAM-ROTEL 0165 AUDIO-TECHNICA 0835 AUDIOSONIC 0155 AIWA 1105, 1235, 1245,

1765, 1915, 1935 BSR 0875 CALIFORNIA AUDIO LAB

1075 CARRERA 0555, 0875 CARVER 0825, 1415 CYRUS-ROTEL 0205 DENON 0045, 0955, 1045,

1595, 1795, 1805 DUAL 1005 ELIN 0185 EMERSON 1015, 1285, 1675 FISHER 0105, 0595, 0605,

0825, 1165, 1175 GENEXXA 0525, 0825, 0855,

0875, 0995, 1265,

1285, 1345, 1355,

1485, 1575, 1675,

1715, 1825 GOLDSTAR 0555, 1185, 1195,

1585 GRUNDIG 0175 HARMAN KARDON 0325, 0495,

0565, 1135, 1145, 1155

HITACHI 0065, 0585, 0685,

0945, 1005, 1015,

1225, 1545 INNOVATION 1995, 2005, 2015 ITT-NOKIA 0185 JVC 0385, 0395, 0455,

0575, 0585 KARCHER 0485 KENWOOD 0025, 0055, 0145,

0215, 0595, 0675,

0695, 0705, 0715,

0925, 1355, 1485,

1575, 1675, 1715,

1825 KORTING 0175 LIFETEC 2015 LIGHT CONTROL 1155, 1645,

1655, 1665 LINN 0165, 1875 LUXMAN 0265, 0275, 0795,

0805, 1295, 1305, 1555, 1925

LUXOR 0185, 1895, 1905 MAGNAVOX 1865, 1875 MARANTZ 0165, 0175, 0545,

0665, 1275, 1335, 1405, 1505, 1875,

1955 MATSUSHITA 1095, 1605 MCS 0535 MEDION 0075, 1995, 2005,

2015 MEMOREX 0525, 1015, 1265,

1275, 1285, 1675 MGA 1125 MICROMAXX 2015 MISSION 0165, 1875 MITSUBISHI 1125, 1205 NAD 0135, 0255, 0285,

0295, 0305, 0345,

0755, 0765, 1315,

1325 NAKAMICHI 0635, 0645, 1565 NEC 0405, 0535, 0775,

0785 NECKERMAN 0155, 0225 NIKKO 0835, 1165 OCEANIC 0185 OKANO 0155, 0225 ONKYO 0885, 1385, 1425,

1455, 1515 PANASONIC 1055, 1075, 1615,

1625 PHILIPS 0165, 0175, 0195,

1865, 1875 PIONEER 0095, 0335, 0425,

0435, 0445, 0525,

0855, 1035, 1945 PROTON 0905, 1875 QUASAR 1075 RADIOLA 1845, 1855 RADIOTONE 0485 REALISTIC 0825, 1015, 1265,

1275, 1285, 1575 ROTEL 1875 SABA 1005 SAE 1875 SALORA 0185 SANSUI 0415, 0965, 0975,

0985, 1255, 1675,

1875 SANYO 0625, 0825, 0845,

0915 SCHNEIDER 1845, 1855 SCOTT 1285, 1675 SHARP 0025, 0035, 1025,

1115, 1275, 1635,

1785, 1815, 1825,

1835 SHERWOOD 1275, 1445 SIEMENS 1085 SIGNATURE 1155 SONY 0345, 0355, 0365,

0375, 0865, 1685,

1695, 1705, 1715,

1725, 1735, 1745 SYLVANIA 1875 TANDBERG 1885 TASHIKO 1525 TCM 1985, 2015 TEAC 0235, 0245, 1275,

1365, 1375, 1395,

1435, 1465, 1475 TECHNICS 0465, 0475, 1065,

1075, 1625 TELEFUNKEN 1005 THETA DIGITAL 1865

THOMSON 1005 TOSHIBA 0755, 0765 VECTOR RESEARCH

0555, 0865 VICTOR 0575 YAMAHA 0005, 0015, 1815

MD RECORDER

YAMAHA 0024, 0224 KENWOOD 0214 SONY 0224

TAPE DECK

AKAI 0124 DENON 0204 GRUNDIG 0134 HARMAN 0044 JVC 0194 KENWOOD 0164 KORTING 0134 LUXMAN 0054, 0064, 0074,

0084 MARANTZ 0134, 0144 NAD 0174 ONKYO 0184 PHILIPS 0134, 0144, 0154 PIONEER 0034, 0114 SONY 0094, 0104 YAMAHA 0004, 0014

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID V472000-1

Numeric buttons (MD)

Quick Reference Card

TAPE/MD

AMP/TUN

DSP/TUN

INPUT

PLAY

REC/PAUSE

DSP

DIR A (TAPE)

SKIP– (MD)

REWIND (TAPE)

SEARCH (MD)

Numeric buttons

PLAY

DISC SKIP+/–

DSP

SKIP–

INDEX

INPUT

+10

DISPLAY PAUSE

SKIP+ STOP SEARCH

AV POWER

PRESET +/–

DSP

A/B/C/D/E

d (next), u (back)

j (left), i (right)

Input selector buttons

DSP program selector

EFFECT

INPUT

DSP program selector

EFFECT

INPUT

SET MENU

STANDBY

TEST

Input selector buttons

TIME/LEVEL

TV POWER

TV VOLUME

TV INPUT

POWER

VOLUME +/–

SLEEP MUTE

V479260

+10 (MD) DECK A/B (TAPE)

DISPLAY (MD) PAUSE (MD)

DIR B (TAPE) SKIP+ (MD) STOP

FAST FORWARD (TAPE) SEARCH (MD) AV POWER

Quick Reference Card

Press this button twice to start recording. Appuyer deux fois sur cette touche pour commencer l’enregistrement. Drücken Sie diese Taste zweimal, um die Aufnahme zu starten. Tryck två gånger på den här knappen för att börja spela in.

V479260

*1 Premere due volte questo tasto per iniziare la registrazione.

Presione dos veces este botón para empezar a grabar. Druk tweemaal op deze toets om met opnemen te beginnen.

DISC SKIP+/–

DSP

DVD/LD DVD MENU

CBL/SAT

VCR

TITLE/INDEX

INPUT

Numeric buttons

+10

DISPLAY PAUSE

SKIP+ STOP

SEARCH AV POWER

AV POWER

Numeric buttons

AV POWER

Numeric buttons

AV POWER

PLAY

SKIP–

DISC SKIP+/–

RETURN

DSP

TITLE/INDEX +10

INPUT

DISPLAY MENU UP

MENU RIGHT MENU DOWN

MENU SELECT

MENU LEFT

TITLE

ENTER/ RECALL

INPUT

DISPLAY

+10

PAUSE

STOP FAST

FORWARD

PLAY

REWIND

TV INPUT

TV VOL

POWER

CHANNEL

+/–

DSP

ENTER/ RECALL

+10

INPUT

DISPLAY

VCR PAUSE

VCR STOP VCR FAST

FORWARD VCR POWER

TV SLEEP TV MUTE

VCR PLAY

VCR REC

VCR

REWIND

CHANNEL

+/–

DSP

VCR REC

CHANNEL

+/–

DSP

ENTER

INPUT

+10 DISPLAY/ GUIDE (SAT) MENU UP

MENU RIGHT

MENU DOWN MENU

SELECT

MENU LEFT

RECALL

DSP-A5 only

L R COAXIAL OPTICAL

DIGITAL OUT

AUDIO OUT S VIDEO

OUT

VIDEO

OUT

DOLBY

DIGITAL

RF OUT

ANALOG AUDIO OUT

S VIDEO INVIDEO IN

S VIDEO OUT

VIDEO OUT

COAXIAL DIGITAL OUT

OPTICAL DIGITAL OUT

DOLBY DIGITAL RF IN

DOLBY DIGITAL RF OUT

R L R L

R L

DVD player LD player

Main speakers A Main speakers B

Rear speakers

Video signal

V573050 RX-V596/DSP-A5

Digital signal (coaxial)

Digital signal (optical)

Signal flow

Center speaker

Subwoofer

system

TV Monitor

Analog signal

(Europe model)

S Video signal

L R

RF demodulator

documentation manual, user maintenance, brochure, user reference, pdf manual

This file has been downloaded from:

User Manual and User Guide for many equipments like mobile phones, photo cameras, monther board, monitors, software, tv, dvd, and othes..

Manual users, user manuals, user guide manual, owners manual, instruction manual, manual owner, manual owner's, manual guide,

manual operation, operating manual, user's manual, operating instructions, manual operators, manual operator, manual product,

Yamaha Audio DSP-A5 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

CAUTION

FEATURES

CONTENTS

GETTING STARTED

CONTROLS AND FUNCTIONS

SPEAKER SETUP

CONNECTIONS

ADJUSTING THE SPEAKER BALANCE

PLAYING A SOURCE

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

SOUND FIELD PROGRAM

SET MENU

DELAY TIME AND SPEAKER OUTPUT LEVELS

SLEEP TIMER

PRESET REMOTE CONTROL

TROUBLESHOOTING

SPECIFICATIONS

GLOSSARY

INDEX

Quick Reference Card