Yamaha Audio DSP-A1092 User Manual

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OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

POWER

VCR 2 DVD/LDVCR 1

VIDEO AUX

TAPE (MD) TV/DBS

TUNER

PHONO

VOLUME

–dB

SPEAKERSPHONES

OFF

BASS

EXTENSION

TONE

BYPASS

BASS TREBLE BALANCE

l0l

VIDEO AUX

S VIDEO VIDEO L AUDIO R

DELAY/C/R

/F/

SWFR

EFFECT

PROGRAM

SET

NATURAL SOUND AV AMPLIFIER

DSP–A1092

CINEMA DSP

7ch

VCR 2

VIDEO AUX

REC OUT

VCR 1

TV/DBS

PHONO

TUNER

DVD/LD

SOURCE

TAPE (MD)

Congratulations!

You are the proud owner of a Yamaha Digital Sound Field Processing (DSP) System—an extremely sophisticated audio component. The DSP system takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and the DSP system will sonically transform your room into a wide range of listening environments—anything from a famous concert hall to a cozy jazz club. In addition, you get incredible realism from Dolby-Surround encoded video sources using the built-in Dolby Pro Logic Surround Decoder and Dolby Digital (AC-3) Decoder.

Seven built-in channels of amplification on this model mean that no additional amplifiers are required to enjoy advanced digital sound field processing.

Rather than tell you about the wonders of digital sound field processing, however, let’s get right down to the business of setting up the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for later reference.

PRECAUTIONS & SAFETY INSTRUCTIONS

SWITCHED

AC OUTLETS

IMPEDANCE SELECTOR

VOLTAGE SELECTOR

I20W MAX. TOTAL

CENTER C OR D: 4ΩMIN./ SPEAKER

SET SPEAKER MODE

D: 4ΩMIN./ SPEAKER

SET SPEAKER MODE

REAR4Ω

MIN./ SPEAKER

MAIN

A OR

B: 4ΩMIN./ SPEAKER

A B

: 8ΩMIN./ SPEAKER

FRONT EFFECT

: 6ΩMIN./ SPEAKER

CENTER C OR D: 8ΩMIN./ SPEAKER

SET SPEAKER MODE

D: 4ΩMIN./ SPEAKER

SET SPEAKER MODE

REAR8Ω

MIN./ SPEAKER

MAIN

A OR

B: 8ΩMIN./ SPEAKER

A B

: 6ΩMIN./ SPEAKER

FRONT EFFECT

: 8ΩMIN./ SPEAKER

1. AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRATION

Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity—such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage.

2. INSTALL THE UNIT IN WELL-VENTILATED CONDITION

The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in well-ventilated condition. Make sure to allow a space of at least 10 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire.

3. KEEP THE AC POWER PLUG DISCONNECTED DURING VACATION ETC.

When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet.

4. AVOID PHYSICAL SHOCKS

Strong physical shocks to the unit can cause damage. Handle it with care.

5. DO NOT OPEN THE UNIT OR ATTEMPT REPAIRS OR MODIFICATIONS YOURSELF

This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the unit and/or tampering with the internal circuitry will make servicing difficult and will endanger you and your unit.

6. MAKE SURE POWER IS OFF BEFORE MAKING OR REMOVING CONNECTIONS

Always turn power OFF prior to connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.

7. HANDLE CABLES CAREFULLY

Always plug and unplug cables—including the AC cord—by gripping the connector, not the cord.

8. CLEAN WITH A SOFT DRY CLOTH

Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth.

9. USE THIS UNIT WITH THE CORRECT VOLTAGE

The voltage to be used must be the same as that specified on this unit. Using this unit with a higher voltage than that which is specified is dangerous and may result in a fire or other type of accident causing damage. YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than that which is specified.

10.KEEP AWAY FROM TUNERS

Digital signals generated by the unit may interfere with other equipment such as tuners, receivers or TVs. Move the system farther away from such equipment if interference is observed.

IMPORTANT!

Please record the model and serial number of your unit in the space below.

Model: Serial No.: The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future reference.

Voltage Selector (General Model only)

The voltage selector on the rear panel of this unit must be set for your local mains voltage BEFORE plugging into the AC mains supply. Voltages are 110/120/220/240 AC, 50/60 Hz.

WARNING

To reduce the risk of fire or electric shock, do not expose this unit to rain or moisture.

For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.

SPECIAL INSTRUCTIONS FOR U.K. MODEL

IMPORTANT

The wires in the mains lead are coloured in accordance with the following code.

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.

IMPEDANCE SELECTOR

(General model)

English

CONTENTS

PRECAUTIONS & SAFETY INSTR UCTIONS...................................1

GETTING STARTED ...........................................................................3

FEATURES ..........................................................................................5

SPEAKER SETUP.............................................................................10

CONTROLS & THEIR FUNCTIONS.................................................13

FRONT PANEL................................................................................13

DISPLAY P ANEL............................................................................. 16

CONNECTIONS.................................................................................17

REAR PANEL PARTS AND THEIR FUNCTIONS .........................17

REAR PANEL SWITCH AND CONTROL SETTINGS...................20

GENERAL INSTRUCTIONS FOR CONNECTIONS.....................20

CONNECTING AUDIO/VIDEO SOURCE EQ UIPMENT

TO THIS UNIT................................................................................. 21

CONNECTING SPEAKER SYSTEMS...........................................25

SELECTING THE OUTPUT MODES SUITABLE FOR Y OUR

SPEAKER SYSTEM .......................................................................30

SPEAKER BALANCE ADJUSTMENT ............................................33

ADJUSTMENTS IN THE “SET MENU” MODE...............................35

GENERAL OPERATION ...................................................................38

PLAYING A SOURCE.....................................................................38

RECORDING A SOURCE TO AUDIO/VIDEO T APE

(OR DUBBING FROM A TAPE TO ANOTHER) ............................40

SELECTING SOUND FIELD PROGRAMS......................................42

CANCELING THE EFFECT SOUND.............................................43

DESCRIPTIONS OF THE SOUND FIELD PROGRAMS..............44

ADJUSTING DELAY TIME AND EACH SPEAKER OUTPUT

LEVEL..............................................................................................47

SETTING THE SLEEP TIMER..........................................................49

REMOTE CONTR OL UNIT...............................................................50

BASIC OPERATIONS (When the lid is open) ................................50

LEARNING NEW CONTROL FUNCTIONS (When the lid is open)

.........................................................................................................52

USING OPERATION CONTROL KEYS (When the lid is closed)

.........................................................................................................55

MACRO OPERATIONS (When the lid is closed)...........................58

LEARNING A NEW FUNCTION.....................................................61

MAKING A NEW MACRO...............................................................63

CLEARING LEARNED FUNCTIONS.............................................64

TROUBLESHOO TING ......................................................................66

SPECIFICATIONS .............................................................................68

GETTING STARTED

Unpacking

If you hav en’t already done so, carefully remove this unit and its accessories from the box and wrapping material. You should find the unit itself and the following accessories.

Batteries

Installing the Remote Control Unit Batteries

English

Since the remote control unit will be used for many of this unit’s control operations, you should begin b y installing the supplied batteries.

1. Turn the remote control unit over and slide the battery compartment cover downward in the direction of the arrow.

2. Insert the batteries (LR6, AA, UM-3 type), being careful to align them with the polarity markings on the inside of the battery compartment.

3. Close the battery compartment cover.

Remote control

User function stickers

* After you insert batteries (or you exchange batteries with new

ones), press the RESET button before using the remote control

unit.

RESET button

Notes about the Remote Control Unit

30°

Open/close the control door

● When you notice that remote control operation has become

erratic, or the distance from which the remote control will function has decreased, it’s time to replace the batteries. Alw ays replace all batteries at the same time.

● This remote control uses an advanced, highly directional infrared

beam. Be sure to aim the remote control directly at the remote control sensor on the main unit when operating.

Remote control transmitter operation range

Remote control sensor

Within approximately 6 m (19.7 feet)

When it is not necessary to operate controls inside the control

door, close the door.

To open the door

To close the door

Notes

●

There should be no large obstacles between the remote control unit and the main unit.

●

If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control unit to work incorrectly. In this case, reposition the main unit to avoid direct lighting.

FEATURES

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. This unit has a total of 10 digital sound field processor (DSP) modes. You can create an excellent audio sound field by selecting a suitable sound field (this will, of course, depend on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround decoder and Dolby Digital (AC-3) decoder for multi-channel sound reproduction of Dolby Surround encoded video sources. The operation of the Dolby Pro Logic Surround or Dolby Digital (AC-3) decoder can be controlled by selecting a corresponding DSP program including combined operations of the Yamaha DSP and the Dolby Pro Logic Surround or Dolby Digital (AC-3) decoder.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert. What’s more, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, jazz clubs, theaters, etc. from around the world, to allow you to accurately recreate any one of these live performance environments, all in your own home.

English

Dolby Pro Logic Surround

Dolby Digital (AC-3)

This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects.

This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems.

The built-in Dolby Digital (AC-3) Decoder leads you into a

totally new sound experiences.

Dolby Digital (AC-3) is a new generation of multi-channel digital audio technology, or the newest spatial sound processing format developed for 35 mm film-movies by employing a new kind of low bit-rate audio coding.

Dolby Digital (AC-3) is a digital surround sound system that provides completely independent multi-channel audio to consumers. In multi-channel form, Dolby Digital (AC-3) provides five full range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), plus two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total.

Compared to Dolby Pro Logic that is referred to a “3/1” system (left front, center, right front and just one surround channel), Dolby Digital (AC-3) features two surround channels, called stereo or split surrounds, each offering the same full range fidelity as the three front channels.

In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.

Sound of wide dynamic range reproduced by the five full range channels presents listeners much excitement that has never been experienced before. Precise sound orientation by the discrete digital sound processing expands realism that the original movie possesses.

Laser Disc is a home audio format that could benefit from

CINEMA DSP

7ch

Dolby Digital (AC-3). In the near future, Dolby Digital (AC-3) will also be applied to DBS, CATV, DVD and HDTV. The ongoing release of Dolby Stereo Digital theatrical films now underway will provide an immediate source of Dolby Digital (AC-3) encoded video software.

Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Copyright 1992 Dolby Laboratories, Inc. All rights reserved.

The following original functions make the surround-sound effect of Dolby Digital (AC-3) become the most suitable for your audio system and the listening conditions.

Dolby Surround + DSP (CINEMA DSP)

Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater.

Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field.

English

● Dynamic range (sound scale) of source can be changed so

that it will be suitable for the listening conditions.

● Output of low bass from any channel can be assigned to

either the MAIN SPEAKERS terminals or SUBWOOFER terminals to maximize system performance.

● Output of LFE can be assigned to either the MAIN

SPEAKERS terminals or SUBWOOFER terminals to maximize system performance.

The YAMAHA “CINEMA DSP” logo indicates those programs are created by the combination of Dolby Surround and YAMAHA DSP technology.

Dolby Pro Logic + 2 Digital Sound Fields

Dolby Digital (AC-3) + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic Surround-decoded sound field respectively. They create a wide acoustic environment and emphasize surround-effect in the room, letting you feel much presence as if you are watching a movie in a popular Dolby Stereo theater.

This combination is available when the sound field program No. 2, No. 3 or No. 4 is selected, and the input signal of source is analog, PCM audio or encoded with the Dolby Digital (AC-3) in 2channels.

Digital sound fields are created on the presence side and the

independent left and right surround sides of the Dolby Digital (AC-

3)-decoded sound field respectively. They create a wide acoustic environment and much surround effect in the room without losing high channel separation. With wide dynamic range of Dolby Digital (AC-3) sound, this sound field combination lets you feel as if you are watching a movie in the newest Dolby Stereo Digital theater. This will be the most ideal home theater sound at the present time.

This combination is available when the sound field program No. 2, No. 3 or No. 4 is selected, and the input signal of source is encoded with the Dolby Digital (AC-3) (except in 2-channels).

Video superimpose

TEST DSP

EFFECT LEVEL FRONT 0dB

SPEAKERS

DSP

If you connect your video cassette recorder, LD player, video monitor, etc. to this unit, you can take advantage of this unit’s capability to display program titles and information for various setting changes and adjustments on your video monitor’s screen. This information will be superimposed over the video image.

If there is no video source connected or it is turned off, the information will be displayed over a blue colored background.

English

NOTE: The program titles and other information are also displayed

on the display panel of this unit.

SPEAKER SETUP

Setting Up Your Speaker System

This unit has been designed to provide the best sound field quality with a full seven-speaker system setup, using two extra pairs of effect speakers to generate the sound field plus one center speaker for dialog. We therefore recommend that you use a sevenspeaker setup. A four-speaker system using only one pair of effect speakers for the sound field will still provide impressive ambience and effects, however, and may be a good way to begin with this unit. You can always upgrade to the full seven speaker system later. In the 4 or 5 speaker system, the Digital Sound Field Processing is still performed, but the main speakers are used for both the main channels and the front effect channels.

Use of the Center Dialog Speaker Is Recommended

When playing back a source with the DSP programs No. 1 through No. 4, or when the Dolby Digital (AC-3) is decoded with any DSP program used, if the source contains center-channel signals, dialog, vocals etc. are output from the center channel. Therefore, if you want to maximize the performance of your Audio/Video home theater system, it is recommended that you use a center channel speaker.

If for some reason it is not practical to use a center speaker, it is possible to enjoy movie viewing without it. Best results, however, are obtained with the full system.

Use of a Subwoofer Expands Your Sound Field

It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source with the Dolby Digital (AC-3) decoded. You may wish to choose the convenience of a Yamaha Active Servo Processing Subwoofer System, which has its own built-in power amplifier.

Four Possible Types of Speaker System Configurations Recommended

English

4 Speaker System

Simplest system.

You can enjoy widely diffused sound by only adding two additional speaker units at the rear.

5 Speaker System

Good for Audio/Video sources.

By the use of center speaker, center sounds (dialog, vocals etc.) are precisely localized.

6 Speaker System

Good for sound fields from 2channel stereo sources.

When a normal stereo source is played back with the sound field programs No. 5 through No. 10, a sound effect matching that of a 7speaker system can be obtained. The addition of front left and right effect speakers produces a more effective sound field.

7 Speaker System

This is the recommended speaker system, providing the best sound effects.

When a normal stereo source is played back with the sound field programs No. 5 through No. 10, using both sets of effect speakers (front and rear), reproduces the most effective sound field. When using the sound field programs No. 1 through No. 4 or when using any program with the Dolby Digital (AC-3) decoded, the center speaker provides precise center localization.

FRONT MIX switch—Set to ON. (See page 20.) CENTER SPEAKER—Set to PHNTM. (See page 30.)

FRONT MIX switch—Set to ON. (See page 20.) CENTER SPEAKER—Set to NRML or WIDE. (See page 30.)

FRONT MIX switch—Set to OFF. (See page 20.) CENTER SPEAKER—Set to PHNTM. (See page 30.)

FRONT MIX switch—Set to OFF. (See page 20.) CENTER SPEAKER—Set to NRML or WIDE. (See page 30.)

Speakers and Speaker Placement

Your full seven-speaker system will require three speaker pairs: the MAIN SPEAKERS (your normal stereo speakers), the FRONT EFFECT SPEAKERS and the REAR SPEAKERS, plus the CENTER SPEAKER. You may also be using a subwoofer.

The MAIN SPEAKERS should be high performance models and have enough power handling capacity to accept the maximum output of your audio system.

Other speakers do not have to be equal to the MAIN SPEAKERS. For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in full range for the CENTER SPEAKER and the FRONT EFFECT and REAR SPEAKERS.

Place the MAIN SPEAKERS in the normal position.

Place the FRONT EFFECT SPEAKERS further apart than the MAIN SPEAKERS, on either side of and a few feet behind and above the MAIN SPEAKER pair.

Main speaker

Front effect speaker

Center speaker

Place the REAR SPEAKERS behind your listening position. They should be nearly six feet up from the floor.

Place the CENTER SPEAKER precisely between the two MAIN SPEAKERS. (To avoid interference, keep the speaker above or below the television monitor, or use a magnetically shielded speaker.)

If using a SUBWOOFER, such as a Yamaha Active Servo Subwoofer System, the position of the speaker is not so critical because low bass tones are not highly directional.

Subwoofer

Rear speaker

CONTROLS & THEIR FUNCTIONS

POWER

VCR 2 DVD/LDVCR 1

VIDEO AUX

TAPE (MD) TV/DBS

TUNER

PHONO

VOLUME

–dB

SPEAKERSPHONES

OFF

BASS

EXTENSION

TONE

BYPASS

BASS TREBLE BALANCE

l0l

VIDEO AUX

S VI DEO VIDEO L AUD IO R

DELAY/C/R

/F/

SWFR

SET

EFFECTPROGRAM

NATURAL SOUND AV AMPLIFIER

DSP–A1092

CINEM A DSP

7ch

VCR 2

VIDEO A UX

REC OUT

VCR 1

TV/ DBS

PHON O

TUNER

DVD/ LD

SOURCE

TAPE (M D)

1 456

JIHGF

EDCBA0987

FRONT PANEL

(Europe Model)

English

* For control keys on the remote control unit, see pages 50 to 52.

1 POWER Switch

Turns this unit on and off.

* When you press this switch to turn the power on, you will hear

a click and a sound of the built-in fan rotating for a moment.

2 Standby Indicator

While the power of this unit is on, pressing the (SYSTEM

POWER) OFF key on the remote control unit switches this unit

to the standby mode. In this mode, the standby indicator is

illuminated.

3 Remote Control Sensor

Signals from the remote control unit are received here.

4 Display Panel

See page 16.

5 Input Selector Buttons

Selects an input source that you want to listen to (and watch).

6 Master VOLUME Control

Simultaneously controls volume level at all outputs: front effect,

main, rear effect, center, and subwoofer. (This does not affect

REC OUT level.)

* When the volume is decreased by pressing the MUTE key on

the remote control unit, the indicator on the master VOLUME control flashes on and off.

7 PHONES Jack

When you listen with headphones, connect the headphones to

the PHONES jack. You can listen to the sound to be output

from the main speakers through headphones.

When listening with headphones privately, set both the

SPEAKERS A and B switches to the OFF position and switch

off the digital sound field processor (so that no DSP program

name is illuminated on the display panel) by pressing the

EFFECT switch.

8 SPEAKERS switches

Set the switch A or B (or both A and B) for the main speakers (connected to this unit) you will use to the ON position. Set the switch for the main speakers you will not use to the OFF position. Selected main speakers are shown by the lighting of “SPEAKERS A” and/or “SPEAKERS B” on the display panel.

9 BASS EXTENSION Switch

When pressed inward (ON), boosts bass frequency response at the main left and right channels while maintaining overall tonal balance. If you do not have a subwoofer, the use of this switch will be effective to reinforce the bass frequencies.

0 TONE BYPASS switch

When this switch is pressed inward (ON), the input signal does not pass through the tone (BASS and TREBLE) control circuitry so that it is unaffected by the tone control circuitry. Use this switch to obtain pure sound and to check the tone control setting. Press this switch to release it outward (OFF) to use the tone control circuitry.

A BASS and TREBLE Controls

Adjust low and high frequency response respectively for the main channels only.

B BALANCE Control

Adjusts the left and right output volume to the Main Speakers to compensate for sound imbalance caused by speaker positions or listening room conditions.

C REC OUT Selector

Selects the source to be recorded to a tape deck or VCR independently of the setting of the input selector buttons. However, when set to the SOURCE position, the setting of the input selector buttons decides the source to be recorded to a tape deck or VCR.

D PROGRAM Selector

Sequentially selects the digital sound field processing programs in the + or – direction.

E SET MENU Switch

Whenever pressed, selects functions in the SET MENU mode.

F DELAY/C/R/F/SWFR Switch

Whenever pressed, selects the item of changing delay time, center speaker output level, rear speaker output level, front effect speaker output level and subwoofer output level in turn. * Depending on a mode of this unit, the number of selections is

reduced. For example, when the built-in digital sound field processor (including the Dolby Pro Logic Decoder or the Dolby Digital (AC-3) Decoder) is off, only the item for changing subwoofer output level can be selected.

G –/+ Button

Adjusts the level of item selected by pressing the DELAY/C/R/F/SWFR switch. Moreover, performs setting changes and adjustments for functions selected by pressing the SET MENU switch.

H EFFECT Switch

Normally ON, this switch can be turned OFF to disable output from the center and effect speakers so that the sound becomes normal 2-channels. * Even if this switch is off, when the Dolby Digital (AC-3) is

decoded, signals at all channels are distributed to the main channels and output from the main speakers.

I Auxiliary Input Jacks (VIDEO AUX)

Connect an auxiliary video or audio unit such as a camcorder to these jacks. If the connected video unit has a S video output terminal, connect it to the S VIDEO jack to obtain a high resolution picture. The unit connected to these jacks can be selected by the corresponding input selector button and REC OUT selector.

J Control Door

See page 4 for how to open and close the control door.

English

DISPLAY PANEL

DIGITAL

ENHANCED

SPEAKERS

PCM

DIGITAL

SLEEP

mS dB

DSP

PRO LOGIC

3 4 5 6

1 2

1 Input Source Display

Shows the currently selected input source.

2 Multi-informatiom Display

Shows the currently selected DSP program, or information for

several adjustments or setting changes made on this unit.

3 SPEAKERS A/B Indicators

The indicator A or B which corresponds to the currently

selected main speakers lights up. If both main speakers A or B

are selected, both indicators light up.

4 Digital Audio Input Signal Indicators

When digital audio signals not encoded with the Dolby Digital

(AC-3) are input to this unit, “PCM DIGITAL” lights up.

When digital audio signals encoded with the Dolby Digital

(AC-3) are input to this unit, “ DIGITAL” lights up.

5 DIGITAL, DSP and PRO LOGIC indicators

“ DIGITAL” lights up when the built-in Dolby Digital (AC-3) Decoder is on and the signals of selected source encoded with the Dolby Digital (AC-3) is not in 2-channels. “DSP” lights up when the built-in digital sound field processor is on, and “ PRO LOGIC” lights up when the built-in Dolby Pro Logic Surround Decoder is on. Depending on the selected DSP program, both “ DIGITAL” and “DSP”, or both “DSP” and “ PRO LOGIC” will light up.

6 SLEEP Indicator

Lights up while the built-in SLEEP timer is functioning.

PHONO

VIDEO

DVD/LD

TV/DBS

VCR 1

OUT

VCR 2

OUT

DVD/LD

TV/DBS

CENTER

C OR D C D

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

CENTER

CAUTION

VCR 1

OUT

VCR 2

OUT

MONITOR

OUT

MAIN CH SUB

WOOFER

FRONT

EFFECT

REAR

PRE OUT

MAIN

S VIDEO

TUNER

TAPE

AUDIO SIGNAL

GND

AUDIO SIGNAL VIDEO SIGNAL OUTPUT SPEAKERS

COUPLER OUTPUT

5ch 7ch

ON OFF

PAL NTSC

MONITOR

OUT

FRONT

MIX

—

I0dB 0dB

MAIN

LEVEL

REAR

FRONT

EFFECT

MAIN

SWITCHED

AC OUTLETS

IMPEDANCE SELECTOR

VOLTAGE SELECTOR

I00W

MAX.

TOTAL

PCM/

DIGITAL IN

REC OUT

TAPE(MD)

DVD/LD

OPTICAL COAXIAL

OPTICAL

(AC-3 DIGITAL IN)

TV/DBS

COAXIAL

CENTER C OR D: 4

Ω

MIN./ SPEAKER

SET SPEAKER MODE

D: 4ΩMIN./ SPEAKER

SET SPEAKER MODE

REAR4Ω

MIN./ SPEAKER

MAIN A OR B: 4ΩMIN./ SPEAKER

A B

: 8ΩMIN./ SPEAKER

FRONT EFFECT

: 6ΩMIN./ SPEAKER

CENTER C OR D: 8

Ω

MIN./ SPEAKER

SET SPEAKER MODE

D: 4ΩMIN./ SPEAKER

SET SPEAKER MODE

REAR8Ω

MIN./ SPEAKER

MAIN A OR B: 8ΩMIN./ SPEAKER

A B

: 6ΩMIN./ SPEAKER

FRONT EFFECT

: 8ΩMIN./ SPEAKER

0ABCDEFIJ KHG

12 3 4 56 7 89

CONNECTIONS

REAR PANEL PARTS AND THEIR FUNCTIONS

Before you start making connections make sure all related electronic components are turned OFF.

(General Model)

English

To AC outlet

1 PCM/ DIGITAL IN (COAXIAL and OPTICAL) jacks

Can be connected with audio/video units that have a coaxial or

optical digital output jack. Connect a unit that is connected to

the DVD/LD AUDIO/VIDEO SIGNAL connection jacks to the

DVD/LD COAXIAL or OPTICAL jack.

Connect a unit that is connected to the TV/DBS AUDIO/VIDEO

SIGNAL connection jacks to the TV/DBS COAXIAL or

OPTICAL jack.

* If, for example, your LD player has an AC-3 RF output jack

and no digital output jack for AC-3 discrete audio signals, connect the AC-3 RF output jack to the DVD/LD COAXIAL or OPTICAL jack of this unit by way of an RF demodulator (separate purchase).

6 Center Speaker Switch

Set to “C + D” when using two center speakers, or to “C OR D” when using only one center speaker.

7 FRONT EFFECT SPEAKERS Terminals

When using the built-in front effect-channel amplifier, connect the front effect speakers here.

8 REAR SPEAKERS Terminals

When using the built-in rear-channel amplifier, connect the rear speakers here.

9 VOLTAGE SELECTOR (General Model only)

Be sure to set to the line voltage in your area before applying power. Consult your dealer if unsure of the correct setting.

2 AUDIO SIGNAL Connection Jacks (for Audio Source

Equipment)

Connect the inputs and/or outputs of your audio equipment.

3 AUDIO/VIDEO SIGNAL Connection Jacks (for Video Source

Equipment)

Connect the audio and video inputs and/or outputs of your

video equipment. In place of the VIDEO jacks, the S VIDEO

jacks can be used for higher resolution and improved picture

quality if your VCR, monitor, etc. are equipped with S-VIDEO

connectors.

4 CENTER OUTPUT Jacks

Center-channel line outputs. Can be connected to input jack(s)

of one or two external power amplifier(s) to drive the center

speaker(s).

5 CENTER SPEAKERS Terminals

When using the built-in center-channel amplifier, connect one

or two center speakers here.

0 GND Terminal

Connects the ground wire of the turntable to produce minimum hum. In some cases, however, better results may be obtained with the ground wire disconnected.

A Video NTSC/PAL Switch (General Model only)

Set this switch to the position corresponding to the standard that your video equipment employs.

B FRONT MIX Switch

Set to “OFF (7ch)” when setting up a full 7 or 6 speaker system, or to “ON (5ch)” when setting up a 5 or 4 speaker system.

C MAIN LEVEL Switch

Normally set to “0 dB”. If desired, you can decrease the mainchannel output level at the MAIN SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”.

D PRE OUT Jacks

Main-channel line output. Connected with jumper bars to MAIN IN jacks when the built-in amplifier is used. Connected to input jacks of external stereo power amplifier (MAIN IN or TAPE PLAY jacks of integrated amplifier or receiver) when using external amplification.

E MAIN IN Jacks

Line input to built-in main-channel amplifier. Connected with jumper bars to PRE OUT jacks when the built-in amplifier is used. Not connected when using an external power amplifier.

F SUBWOOFER Jacks

When using one subwoofer, connect its amplifier input to either of these jacks. When using two subwoofers, connect their amplifiers to these jacks respectively. Frequencies below 90 Hz distributed from the main, center and/or rear channels are output to these jacks. Signals of LFE (low frequency effect) generated when the Dolby Digital (AC-3) is decoded are also output if they are assigned to these jacks.

H REAR OUTPUT Jacks

Rear-channel line output. Can be connected to input jacks of an external stereo power amplifier driving the rear speakers.

I MAIN SPEAKERS Terminals

This unit is equipped with 2 sets of MAIN SPEAKERS terminals to allow you to connect 2 main speaker systems to this unit. When using this unit’s built-in main-channel amplifier, connect the main speakers here. The jumper bars must be plugged in to connect the MAIN IN jacks to the PRE OUT jacks.

J IMPEDANCE SELECTOR Switch

Select the position whose requirements your speaker system meets.

K SWITCHED AC OUTLET(S)

You may plug other audio/video units into these sockets as long as their combined power consumption does not exceed the specified value shown. “Switched” means that these components are turned on and off by this unit’s power switch.

English

G FRONT EFFECT OUTPUT Jacks

Front-channel line output. Can be connected to input jacks of an external stereo power amplifier driving the front effect speakers.

REAR PANEL SWITCH AND CONTROL SETTINGS

GENERAL INSTRUCTIONS FOR CONNECTIONS

There are several switches and controls on the rear panel that you’ll have to check before operating your system, and it’s a good idea to do it before you connect cables. Locate the MAIN LEVEL slide switch (C) and FRONT MIX slide switch (B). Make sure the MAIN LEVEL switch is set to “0 dB” and the FRONT MIX switch is set to “OFF” for 7 or 6 speaker driving.

In a 5 or 4 speaker system, set the FRONT MIX switch to “ON”.

Next, set the NTSC/PAL switch (A) to the position corresponding to the standard which your video equipment employs. (General Model only)

For the setting of IMPEDANCE SELECTOR switch (J), see page 29.

For the setting of the center speaker switch (6), see page 27.

Make sure that you have the left (L) and right (R) channels correctly connected. That means that jacks marked “L” on this unit must be connected to jacks marked “L” on other units. Likewise with the “R” jacks. This is easy if you remember to always use the red plug for the “R” jacks and the white plug for the “L” jacks.

For connections with audio/video source equipment, use RCA type pin plug cables with the exception described later.

With speaker connections you must also be sure that the polarity is correct. For each amplifier and each channel, connect the plus (+) terminal of the amplifier to the plus terminal of the speaker, and connect the minus (–) terminal of the amplifier to the minus terminal of the speaker. To keep track of polarity, use a speaker cable that has one of the two wires marked by a stripe or a different color.

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