Yamaha XG MU90R User Manual

POWER

OFF

ON/

VOLUME

AD input preset

MU90 A/D INPUT PRESET

A/D1

BANK Source PGM CNG# = 0 1 2 3456

0 MIC Preset Name Off Mic Reverb Chorus Chorus+Reverb Karaoke1 Karaoke2

1 GUITAR Preset Name Off Guitar Reverb Chorus Chorus+Reverb Tube Stack

(Note 1) input gain mic mic mic mic mic mic mic

2 KEYBOARD Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP

3 AUDIO Preset Name Off Audio Reverb Chorus Chorus+Reverb

(Note 2) input gain line line line line line

18 STEREO Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP

KEYBOARD input gain line line line line line line line

(Note 3) var type - - - - - Phaser Auto Pan

19 STEREO Preset Name Off Audio Reverb Chorus Chorus+Reverb

AUDIO input gain line line line line line (Note 3) var type - - - - -

BANK Source PGM CNG# = 7 8 9 10 11 12

0 MIC Preset Name Karaoke3 Echo Vocal Studio Oct Up Oct Down

1 GUITAR Preset Name Flang Gtr Clean Gtr Funk Gtr Tremolo Phaser 5th Guitar

(Note 1) input gain mic mic mic mic mic mic

2 KEYBOARD Preset Name Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX

3 AUDIO Preset Name

(Note 2) input gain

18 STEREO Preset Name Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX

KEYBOARD input gain line line line line line line

(Note 3) var type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change

19 STEREO Preset Name

AUDIO input gain (Note 3) var type

input gain mic mic mic mic mic mic mic var type - - - - - Karaoke1 Karaoke2

var type - - - - - Amp Sim. Amp Sim.

input gain line line line line line line line var type - - - - - Phaser Auto Pan

var type - - - - -

input gain mic mic mic mic mic mic var type Karaoke3 Echo Stage1 Exciter Pitch Change Pitch Change

var type Flanger Celeste Touch Wah Tremolo Phaser Pitch Change

input gain line line line line line line var type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change

var type

(Note 1) The input may be distorted depending on the guitar that you use. Make adjustments using either the A/D INPUT V OLUME or the volume of your guitar. (Note 2) For AUDIO, A/D1 is panned to the left channel, and A/D2 is panned to the right channel. (Note 3) The stereo setting can be selected only for A/D1.

A/D2

A/D1 A/D2

The A/D1 and A/D2 inputs are handled as the left and right channels respectively of a stereo signal.

Effect Program List

REVERB

No. MSB LSB Effect Type Features

0 00H 00H NO EFFECT Effect is off 1 01H 00H HALL 1 Reverb simulating the reverberance of a hall 2 01H 01H HALL 2 " 3 02H 00H ROOM 1 Reverb simulating the reverberance of a room 4 02H 01H ROOM 2 " 5 02H 02H ROOM 3 " 6 03H 00H STAGE 1 Reverb suitable for solo instruments 7 03H 01H STAGE 2 " 8 04H 00H PLATE Reverb simulating a metal plate reverb device

9 10H 00H WHITE ROOM Unique short reverb with a slight initial delay 10 11H 00H TUNNEL Simulation of a cylindrical space extending to left and right 11 12H 00H CANYON Simulation of an imaginary sound space extending without limits 12 13H 00H BASEMENT Reverb with unique resonance after a slight initial delay

CHORUS

No. MSB LSB Effect Type Features

0 00H 00H NO EFFECT Effect is off

1 41H 00H CHORUS 1 Standard chorus effect. Gives the sound a natural spaciousness.

2 41H 01H CHORUS 2 "

3 41H 02H CHORUS 3 "

4 41H 08H CHORUS 4 "

5 42H 00H CELESTE 1 This effect uses a three-phase LFO to create modulation and spaciousness

6 42H 01H CELESTE 2 "

7 42H 02H CELESTE 3 "

8 42H 08H CELESTE 4 "

9 43H 00H FLANGER 1 An effect reminiscent of a jet airplane 10 43H 01H FLANGER 2 " 11 43H 08H FLANGER 3 " 12 44H 00H SYMPHONIC Additional stages are added to the modulation of CELESTE 13 57H 00H ENSEMBLE DETUNE 14 48H 00H PHASER 1 Adds modulation by cyclically changing the phase

A chorus effect without modulation created by adding a slightly pitch-shifted sound

VARIATION

No. MSB LSB Effect Type

0 00H 00H NO EFFECT

1 0H1 00H HALL 1

2 01H 01H HALL 2

3 02H 00H ROOM 1

4 02H 01H ROOM 2

5 02H 02H ROOM 3

6 03H 00H STAGE 1

7 03H 01H STAGE 2

8 04H 00H PLATE

9 10H 00H WHITE ROOM 10 11H 00H TUNNEL 11 12H 00H CANYON 12 13H 00H BASEMENT 13 05H 00H DELAY L,C,R 14 06H 00H DELAY L,R 15 07H 00H ECHO 16 08H 00H CROSS DELAY 17 09H 00H ER 1 18 09H 01H ER 2 19 0AH 00H GATE REVERB 20 0BH 00H REVERSE GATE 21 14H 00H KARAOKE 1 22 14H 01H KARAOKE 2 23 14H 02H KARAOKE 3 24 41H 00H CHORUS 1 25 41H 01H CHORUS 2 26 41H 02H CHORUS 3 27 41H 08H CHORUS 4 28 42H 00H CELESTE 1 29 42H 01H CELESTE 2 30 42H 02H CELESTE 3 31 42H 08H CELESTE 4 32 43H 00H FLANGER 1 33 43H 01H FLANGER 2 34 43H 08H FLANGER 3 35 44H 00H SYMPHONIC 36 57H 00H ENSEMBLE DETUNE

37 58H 00H AMBIENCE 38 45H 00H ROTARY SPEAKER

39 56H 00H

2WAY ROTARY SPEAKER

Effect is off Reverb simulating the reverberance of a hall

Reverb simulating the reverberance of a room

Reverb suitable for solo instruments

Reverb simulating a metal plate reverb unit Unique short reverb with a slight initial delay Simulation of a cylindrical space extending to left and right Simulation of an imaginary sound space extending without limits Reverb with unique resonance after a slight initial delay An effect which generates three delays: L, R and C (center) An effect which generates two delays, L and R, and provides two feedback delays Two delays (L and R) and independent feedback for L and R This effect crosses the feedback of two delays An effect which produces only the early reflections of reverb

Simulation of gated reverb Simulation of gated reverb played backward Echo for karaoke

Standard chorus effect. Adds natural spaciousness.

An effect which uses a 3-phase LFO to add modulation and spaciousness

An effect reminiscent of a jet airplane

Additional stages are added to the modulation of CELESTE A chorus effect without modulation created by adding a slightly pitch-shifted sound An effect that blurs the location of the sound to add spatial width Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation.

Features

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Effect Program List

40 46H 00H TREMOLO 41 47H 00H AUTO PAN 42 48H 00H PHASER 1 43 48H 08H PHASER 2 44 49H 00H DISTORTION

45 49H 01H COMP+DISTORTION

46 4AH 00H OVER DRIVE

47 4BH 00H AMP SIMULATOR

48 4CH 00H 3BAND EQ(MONO) 49 4DH 00H 2BAND EQ(STEREO) 50 4EH 00H AUTO WAH(LFO)

51 4EH 01H AUTO WAH+DIST

52 4EH 02H AUTO WAH+ODRV

53 52H 00H TOUCH WAH 1

54 52H 01H TOUCH WAH+DIST

55 52H 02H TOUCH WAH+ODRV

56 52H 08H TOUCH WAH 2

57 50H 00H PITCH CHANGE 1 58 50H 01H PITCH CHANGE 2 59 51H 00H AURAL EXCITER 60 53H 00H COMPRESSOR

61 54H 00H NOISE GATE

62 55H 00H VOICE CANCEL 63 40H 00H THRU

An effect which cyclically modulates the volume An effect which cyclically moves the sound left/right and front/back Cyclically changes the phase to add modulation

Adds a hard-edged distortion. A noise gate is provided, making this suitable for use with A/D input as well. Since a compressor is provided in the initial stage, even distortion is produced regardless of the input level. Adds mild distortion. A noise gate is provided, making this suitable for use with A/D input as well. Simulates a guitar amp. A noise gate is provided, making this suitable for use with A/D input as well. Mono EQ with low, mid and high equalization Stereo EQ with low and high equalization. Ideal for the drum part. Cyclically changes the center frequency of a wah filter. Can be used with A C1 etc. as a pedal wah. The output of AUT O WAH is distorted by DIST ORTION. Can be used with AC1 etc. as a pedal wah. The output of AUTO WAH is distorted by OVERDRIVE. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. The output of TOUCH WAH is distorted by DISTORTION. Can be used with AC1 etc. as a pedal wah. The output of TOUCH WAH is distorted by OVERDRIVE. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. This effect changes the pitch of the input signal.

This effect adds new overtones to the input signal to make it stand out. Limits the output when the input signal exceeds a specified level. Can also add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Ef fecti ve when you wish to suppress noise from the A/D input. Attenuates the vocal part of a recording on CD etc. Bypass without applying an effect

Aural Exciter  is a registered trademark of Aphex Corporation.

INSERTION1,2

No. MSB LSB Effect Type

0 40H 00H THRU

1 01H 00H HALL 1

2 01H 01H HALL 2

3 02H 00H ROOM 1

4 02H 01H ROOM 2

5 02H 02H ROOM 3

6 03H 00H STAGE 1

7 03H 01H STAGE 2

8 04H 00H PLATE

9 05H 00H DELAY L,C,R 10 06H 00H DELAY L,R 11 07H 00H ECHO 12 08H 00H CROSS DELAY 13 14H 00H KARAOKE 1 14 14H 01H KARAOKE 2 15 14H 02H KARAOKE 3 16 41H 00H CHORUS 1 17 41H 01H CHORUS 2 18 41H 02H CHORUS 3 19 41H 08H CHORUS 4 20 42H 00H CELESTE 1 21 42H 01H CELESTE 2 22 42H 02H CELESTE 3 23 42H 08H CELESTE 4 24 43H 00H FLANGER 1 25 43H 01H FLANGER 2 26 43H 08H FLANGER 3 27 44H 00H SYMPHONIC 28 57H 00H ENSEMBLE DETUNE

29 45H 00H ROTARY SPEAKER

30 46H 00H TREMOLO 31 47H 00H AUTO PAN 32 48H 00H PHASER 1 33 49H 00H DISTORTION 34 4AH 00H OVER DRIVE 35 4BH 00H AMP SIMULATOR 36 4CH 00H 3BAND EQ(MONO) 37 4DH 00H 2BAND EQ(STEREO) 38 4EH 00H AUTO WAH(LFO)

39 52H 00H TOUCH WAH 1

40 52H 08H TOUCH WAH 2 41 51H 00H AURAL EXCITER

42 53H 00H COMPRESSOR

43 54H 00H NOISE GATE

Effect Program List

Bypass without applying an effect Reverb simulating the reverberance of a hall

Reverb simulating the reverberance of a room

Reverb suitable for solo instruments

Reverb simulating a metal plate reverb unit An effect which generates three delays: L, R and C (center) An effect which generates two delays, L and R, and provides two feedback delays Two delays (L and R) and independent feedback for L and R This effect crosses the feedback of two delays Echo for karaoke

Standard chorus effect. Adds natural spaciousness.

An effect which uses a 3-phase LFO to add modulation and spaciousness

An effect reminiscent of a jet airplane

Additional stages are added to the modulation of CELESTE A chorus effect without modulation created by adding a slightly pitch-shifted sound Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation. An effect which cyclically modulates the volume An effect which cyclically moves the sound left/right and front/back Cyclically changes the phase to create modulation Adds a hard-edged distortion Adds mild distortion Simulates a guitar amp Mono EQ with low, mid and high equalization Stereo EQ with low and high equalization. Ideal for the drum part. Cyclically changes the center frequency of a wah filter. Can be used with A C1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. This effect adds new overtones to the input signal to make it stand out. Limits the output when the input signal exceeds a specified level. Can also add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Ef fectiv e when you wish to suppress noise from the A/D input.

Aural Exciter  is a registered trademark of Aphex Corporation.

Features

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MU90 Effect LSB, MSB LIST

REVERB TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 NO EFFECT ::: 015 F NO EFFECT 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 NO EFFECT ::: 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

CHORUS TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 NO EFFECT ::: 064 40 NO EFFECT 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 NO EFFECT ::: 071 47 NO EFFECT 072 48 PHASER 1 073 49 NO EFFECT ::: 086 56 NO EFFECT 087 57 ENSEMBLE DETUNE 088 58 NO EFFECT ::: 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

V ARIATION TYPE (0-63)

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 ER 1 ER 2 010 A GATE REVERB 011 B REVERSE GATE 012 C NO EFFECT or THRU ::: 015 F NO EFFECT or THRU 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 NO EFFECT or THRU ::: 063 3F NO EFFECT or THRU

NO EFFECT (for SYS) or THRU (for INS) Same as basic effects (LSB=00)

MU90 Effect LSB, MSB LIST

V ARIATION TYPE (64-127)

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 PHASER 2 073 49 DISTORTION COMP+DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULA TOR 076 4C 3-BAND EQ 077 4D 2-BAND EQ 078 4E AUTO W AH(LFO) AUTO WAH+DIST 079 4F THRU 080 50 PITCH CHANGE PITCH CHANGE2 081 51 AURAL EXCITER® 082 52 TOUCH WAH 1 TOUCH WAH+DIST 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 VOICE CANCEL 086 56 087 57 ENSEMBLE DETUNE 088 58 AMBIENCE 089 59 THRU ::: 127 7F THRU

2WAY ROTARY SPEAKER

AUTO WAH+O VERDRIVE

TOUCH W AH+OVERDRIVE

TOUCH WAH 2

THRU Same as basic effects (LSB=00)

INSERTION EFFECT TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 THRU 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 THRU ::: 019 13 THRU 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 THRU ::: 063 3F THRU 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 073 49 DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULA TOR 076 4C 3BAND EQ 077 4D 2-BAND EQ 078 4E AUTO W AH(LFO) 079 4F THRU 080 50 THRU 081 51 AURAL EXCITER® 082 52 TOUCH WAH 1 TOUCH WAH 2 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 THRU 086 56 THRU 087 57 ENSEMBLE DETUNE 088 58 THRU ::: 127 7F THRU

THRU Same as basic effects (LSB=00)

Aural Exciter  is a registered trademark of Aphex Corporation.

MU90 Effect Parameter List

HALL1,HALL2 ROOM1,ROOM2,ROOM3 STAGE1,STAGE2 PLATE (reverb, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Reverb Time 0.3~30.0s 0-69 table#4 2 Diffusion 0~10 0-10 3 Initial Delay 0~63 0-63 table#5 4 HPF Cutoff Thru~8.0kHz 0-52 table#3 5 LPF Cutoff 1.0k~Thru 34-60 table#3 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63 table#5

12 Density 0~4 (reverb, variation block)

13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10 15 Feedback Level -63~+63 1-127 16

0~2 (insertion1,2 block)

0-4 0-2

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DELAY L,C,R (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay 0.1~1486.0ms (variation block)

2 Rch Delay 0.1~1486.0ms (variation block)

3 Cch Delay 0.1~1486.0ms (variation block)

4 Feedback Delay 0.1~1486.0ms (variation block)

5 Feedback Level -63~+63 1-127 6 Cch Level 0~127 0-127 7 High Damp 0.1~1.0 1-10 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~742.9ms (insertion1,2 block)

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

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WHITE ROOM TUNNEL CANYON BASEMENT (reverb, variation block)

No. Parameter Display Value See Table Control

1 Reverb Time 0.3~30.0s 0-69 table#4 2 Diffusion 0~10 0-10 3 Initial Delay 0~63 0-63 table#5 4 HPF Cutoff Thru~8.0kHz 0-52 table#3 5 LPF Cutoff 1.0k~Thru 34-60 table#3 6 Width 0.5~10.2m 0-37 table#11 7 Heigt 0.5~20.2m 0-73 table#11 8 Depth 0.5~30.2m 0-104 table#11 9 Wall Vary 0~30 0-30

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63 table#5 12 Density 0~4 0-4 13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10 15 Feedback Level -63~+63 1-127 16

DELAY L,R (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay 0.1~1486.0ms (variation block)

2 Rch Delay 0.1~1486.0ms (variation block)

3 Feedback Delay 1 0.1~1486.0ms (variation block)

4 Feedback Delay 2 0.1~1486.0ms (variation block)

5 Feedback Level -63~+63 1-127 6 High Damp 0.1~1.0 1-10 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~742.9ms (insertion1,2 block)

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

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ECHO (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay1 0.1~743.0ms (variation block)

2 Lch Feedback Level -63~+63 1-127 3 Rch Delay1 0.1~743.0ms (variation block)

4 Rch Feedback Level -63~+63 1-127 5 High Damp 0.1~1.0 1-10 6 Lch Delay2 0.1~743.0ms (variation block)

7 Rch Delay2 0.1~743.0ms (variation block)

8 Delay2 Level 0~127 0-127 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~371.4ms (insertion1,2 block)

1-7430 1-3714

1-7430 1-3714 1-7430 1-3714

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EARLY REF1,EARLY REF2 (variation block)

No. Parameter Display Value See Table Control

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 2 Room Size 0.1~7.0 0-44 table#6 3 Diffusion 0~10 0-10 4 Initial Delay 0~63 0-63 table#5 5 Feedback Level -63~+63 1-127 6 HPF Cutoff Thru~8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k~Thru 34-60 table#3 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10 12 Density 0~3 0-3 13 High Damp 0.1~1.0 1-10 14 15 16

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CROSS DELAY (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 L->R Delay 0.1~743.0ms (variation block)

2 R->L Delay 0.1~743.0ms (variation block)

3 Feedback Level -63~+63 1-127 4 Input Select L,R,L&R 0-2 5 High Damp 0.1~1.0 1-10 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

GATE REVERB REVERSE GATE (variation block)

No. Parameter Display Value See Table Control

1 Type TypeA,TypeB 0-1 2 Room Size 0.1~20.0 0-127 table#6 3 Diffusion 0~10 0-10 4 Initial Delay 0~127 0-127 table#5 5 Feedback Level -63~+63 1-127 6 HPF Cutoff Thru~8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k~Thru 34-60 table#3 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10 12 Density 0~3 0-3 13 High Damp 0.1~1.0 1-10 14 15 16

0.1~371.4ms (insertion1,2 block)

1-7430 1-3714 1-7430 1-3714

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MU90 Effect Parameter List

KARAOKE1,2,3 (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Delay Time 0~127 0-127 table#7 2 Feedback Level -63~+63 1-127 3 HPF Cutoff Thru~8.0kHz 0-52 table#3 4 LPF Cutoff 1.0k~Thru 34-60 table#3 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 14 15 16

FLANGER1,2,3 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Feedback Level -63~+63 1-127 4 Delay Offset 0~63 0-63 table#2 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 LFO Phase

Difference 15 16

(variation block)

-180~+180deg 4-124 resolution=

14-54 table#3

3deg.

CHORUS1,2,3,4 CELESTE1,2,3,4 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Feedback Level -63~+63 1-127 4 Delay Offset 0~127 0-127 table#2 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76

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8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 Input Mode mono/stereo 0-1 16

(variation block)

14-54 table#3

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SYMPHONIC (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Delay Offset 0~127 0-127 table#2 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

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10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

(variation block)

14-54 table#3

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ENSEMBLE DETUNE (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Detune -50~+50cent 14-114 2 Lch Init Delay 0~127 0-127 table#2 3 Rch Init Delay 0~127 0-127 table#2 4 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Low Frequency 32Hz~2.0kHz

12 EQ Low Gain -12~+12dB

13 EQ High Frequency 500Hz~16.0kHz

14 EQ High Gain -12~+12dB

15 16

(variation, insertion1,2 block)

4-40 table#3

52-76

28-58 table#3

52-76

ROTARY SPEAKER (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

(variation block)

14-54 table#3

AMBIENCE (variation block)

No. Parameter Display Value See Table Control

1 Delay Time 0~127 0-127 table#2 2 Output Phase normal/invers 0-1 3 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

●

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 14 15 16

●

2WAY ROTARY SPEAKER (variation block)

No. Parameter Display Value See Table Control

●

1 Rotor Speed 0.0Hz~39.7Hz 0-127 table#1 2 Drive Low 0~127 0-127 3 Drive High 0~127 0-127 4 Low/High L63>H ~ L=H ~ L<H63 1-127 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 Crossover

Frequency

12 Mic L-R Angle 0deg~180deg 0-60 resolution=

13 14 15 16

100Hz~10.0kHz 14-54 table#3

3deg.

●

MU90 Effect Parameter List

TREMOLO (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 AM Depth 0~127 0-127 3 PM Depth 0~127 0-127 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 LFO Phase

Difference 15 Input Mode mono/stereo 0-1 16

(variation block)

-180~+180deg 4-124 resolution=

14-54 table#3

3deg.

●

PHASER 1 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Phase Shift Offset 0~127 0-127 4 Feedback Level -63~+63 1-127 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Stage 4,5,6 (chorus, insertion1,2 block)

12 Diffusion mono/stereo 0-1 13 14 15 16

4~12 (variation block)

4-6

4-12

●

AUTO PAN (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 L/R Depth 0~127 0-127 3 F/R Depth 0~127 0-127 4 PAN Direction L<->R,L->R,L<-R,Lturn,

5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

Rturn,L/R

(variation block)

0-5

14-54 table#3

PHASER 2 (variation block)

No. Parameter Display Value See Table Control

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Stage 3,4,5,6 3-6 12 13 LFO Phase

Difference 14 15 16

-180deg~+180deg 4-124 resolution= 3deg.

●

DISTORTION OVERDRIVE (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Drive 0~127 0-127 2 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 3 EQ Low Gain -12~+12dB 52-76 4 LPF Cutoff 1.0k~Thru 34-60 table#3 5 Output Level 0~127 0-127 6 7 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 8 EQ Mid Gain -12~+12dB 52-76 9 EQ Mid Width 1.0~12.0 10-120

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 13 14 15 16

●

AMP SIMULATOR (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Drive 0~127 0-127 2 AMP Type Off,Stack,Combo,Tube 0-3 3 LPF Cutoff 1.0k~Thru 34-60 table#3 4 Output Level 0~127 0-127 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 13 14 15 16

●

COMP+DIST (variation block)

No. Parameter Display Value See Table Control

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 Attack 1ms~40ms 0-19 table#8 13 Release 10ms~680ms 0-15 table#9 14 Threshold -48dB~-6dB 79-121 15 Ratio 1.0~20.0 0-7 table#10 16

3BAND EQ(MONO) (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 EQ Low Gain -12~+12dB 52-76 2 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 3 EQ Mid Gain -12~+12dB 52-76 4 EQ Mid Width 1.0~12.0 10-120 5 EQ High Gain -12~+12dB 52-76 6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 7 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 8 9

11 12 13 14 15 Input Mode mono/stereo 0-1 16

●

MU90 Effect Parameter List

2BAND EQ(STEREO) (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 2 EQ Low Gain -12~+12dB 52-76 3 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 4 EQ High Gain -12~+12dB 52-76 5 6 7 8 9

11 12 13 14 15 16

AUTO WAH+DIST AUTO WHA+ODRV (variation block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Cutoff Frequency

Offset 4 Resonance 1.0~12.0 10-120 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127

12 EQ Low Gain

(distortion)

13 EQ Mid Gain

(distortion)

14 LPF Cutoff 1.0kHz~thru 34-60 table#3 15 Output Level 0~127 0-127 16

0~127 0-127

-12~+12dB 52-76

AUTO WAH (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Cutoff Frequency

Offset 4 Resonance 1.0~12.0 10-120 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127 12 13 14 15 16

TOUCH WAH 1 (variation, insertion1,2 block) TOUCH WAH+DIST (variation block)

No. Parameter Display Value See Table Control

1 Sensitive 0~127 0-127 2 Cutoff Frequency

●

Offset 3 Resonance 1.0~12.0 10-120 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127 12 13 14 15 16

0~127 0-127

●

TOUCH WAH 2 (variation, insertion1,2 block) TOUCH WAH+ODRV (variation block)

No. Parameter Display Value See Table Control

1 Sensitive 0~127 0-127 2 Cutoff Frequency

Offset 3 Resonance 1.0~12.0 10-120 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127

12 EQ Low Gain

(distortion)

13 EQ Mid Gain

(distortion)

14 LPF Cutoff 1.0kHz~thru 34-60 table#3 15 Output Level 0~127 0-127 16

0~127 0-127

-12~+12dB 52-76

PITCH CHANGE 2 (variation block)

No. Parameter Display Value See Table Control

1 Pitch -24~+24 40-88 2 Initial Delay 0~127 0-127 table#7 3 Fine 1 -50~+50cent 14-114 4 Fine 2 -50~+50cent 14-114 5 Feedback Level -99~+99% 1-127 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Pan 1 L63~R63 1-127 12 Output Level 1 0~127 0-127 13 Pan 2 L63~R63 1-127 14 Output Level 2 0~127 0-127 15 16

PITCH CHANGE 1 (variation block)

No. Parameter Display Value See Table Control

1 Pitch -24~+24 40-88 2 Initial Delay 0~127 0-127 table#7

●

3 Fine 1 -50Hz~+50Hz 14-114 4 Fine 2 -50Hz~+50Hz 14-114 5 Feedback Level -99~+99% 1-127 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Pan 1 L63~R63 1-127 12 Output Level 1 0~127 0-127 13 Pan 2 L63~R63 1-127 14 Output Level 2 0~127 0-127 15 16

AURAL EXCITER (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 HPF Cutoff 500Hz~16.0kHz 28-58 table#3 2 Drive 0~127 0-127 3 Mix Level 0~127 0-127 4 5 6 7 8 9

11 12 13 14 15 16

●

Aural Exciter is a registered trademark of Aphex Corporation.

MU90 Effect Parameter List

COMPRESSOR (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Attack 1~40ms 0-19 table#8 2 Release 10~680ms 0-15 table#9 3 Threshold -48~-6dB 79-121 4 Ratio 1.0~20.0 0-7 table#10 5 Output Level 0~127 0-127 6 7 8 9

11 12 13 14 15 16

VOICE CANCELAR (variation block)

No. Parameter Display Value See Table Control

1 2 3 4 5 6 7 8 9

11 Low Adjust 0~26 0-26 12 High Adjust 0~26 0-26 13 14 15 16

NOISE GATE (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Attack 1~40ms 0-19 table#8 2 Release 10~680ms 0-15 table#9 3 Threshold -72~-30dB 55-97 4 Output Level 0~127 0-127 5 6 7 8 9

11 12 13 14 15 16

Explanation of effect parameters

Parameter name Effect types in which the parameter exists Explanation of parameter

AM Depth TREMOLO Depth of volume modulation AMP Type AMP SIMULATOR Select the amp type to be simulated Attack COMPRESSOR type Time until when the compressor begins to take effect

Cch Delay DELAY L,C,R Delay length of center channel Cch Level DELAY L,C,R Volume of center channel Crossover Frequency 2W AY RO TAR Y SPEAKER Crossover frequency between the high frequency speaker and the low frequency speak er Cutoff Frequency Offset WAH type Frequency offset value which will control the wah filter Delay Offset CHORUS type Offset value of delay modulation Delay Time KARAOKE 1,2,3 Interval between repeats of the karaoke echo

Delay2 Level ECHO Volume of the second delay Density REVERB type, EARLY REF type Density of the reflections. Higher values produce greater density. Depth REVERB type Depth of the room to be simulated Detune ENSEMBLE DETUNE Amount of pitch shift Diffusion REVERB type, EARLY REF type, PHASER Controls the amount of spread Drive DISTORTION type The degree of distortion

Drive High 2WAY ROTARY SPEAKER Depth of the modulation caused by the rotation of the low frequency speaker Drive Low 2WAY ROTARY SPEAKER Depth of the modulation caused by the rotation of the high frequency speaker Dry/Wet All types Balance between dry sound and effect sound Edge (Clip Curve) DISTORTION type Curve of distortion character (sharp (127) distorts suddenly, and mild (0) distorts gradu-

EQ High Frequency All types Frequency at which the EQ will boost/cut the high range EQ High Gain All types Amount of gain with which the EQ will boost/cut the high range EQ Low Frequency All types Frequency at which the EQ will boost/cut the low range EQ Low Gain All types Amount of gain with which the EQ will boost/cut the low range EQ Mid Frequency All types Frequency at which the EQ will boost/cut the mid range EQ Mid Gain All types Amount of gain with which the EQ will boost/cut the mid range EQ Mid Width All types Width of the area at which the EQ will boost/cut the mid range Er/Rev Balance REVERB type Level balance between the early reflections and the reverb sound F/R Depth AUTO PAN Depth of front/back panning (valid when PAN Direction=Lturn, Rturn) Feedback Delay DELAY L,C,R Length of feedback delay Feedback Delay 1 DELAY L, R Length of feedback delay 1 Feedback Delay 2 DELAY L, R Length of feedback delay 2 Feedback Level REVERB type Amount of feedback for the initial delay

Fine 1 PITCH CHANGE type Fine pitch setting for first unit Fine 2 PITCH CHANGE type Fine pitch setting for second unit Height REVERB type Height of the room to be simulated High Adjust VOICE CANCELAR Adjust the upper limit of the mid-range frequencies to be attenuated High Damp REVERB type, DELAY type, EARLY REF type Adjust the decay of the high frequencies (smaller values will cause high frequencies to

HPF Cutoff Initial Delay REVERB type Delay time until the early reflections

Input Mode All types Mono/stereo switch for the input Input Select CROSS DELAY Select the input L/R Depth AUTO PAN Depth of left/right panning L->R Delay CROSS DELAY Delay time from left (input) to right (output) Lch Delay DELAY type Delay length of the left channel Lch Delay 1 ECHO First delay length of the left channel Lch Delay 2 ECHO Second delay length of the left channel Lch Feedback Level ECHO Feedback amount of the left channel Lch Init Delay ENSEMBLE DETUNE Length of left channel delay LFO Depth CHORUS type, FLANGER type, SYMPHONIC type Frequency of delay modulation

LFO Frequency CHORUS type, FLANGER type, SYMPHONIC Frequency of delay modulation

LFO Phase Difference PHASER type, FLANGER type L/R phase difference between modulation waveforms (At 0 deg (=64) there is no phase

Liveness EARLY REF type ER decay. Lower values produce faster decay. Low Adjust VOICE CANCELAR Adjust the lower limit of the mid-range that will be attenuated Low/High 2WAY ROTARY SPEAKER Volume balance between the high range speaker and the low range speaker LPF Cutoff All types Frequency at which the low pass filter will cut the high range Mic L-R Angle 2WAY ROTARY SPEAKER L/R angle of the mics which will pick up the output Mix Level AURAL EXCITER Level of the effect sound which will be mixed into the dry sound Output Level All types Output level Output Level 1 PITCH CHANGE type Output level of first unit Output Level 2 PITCH CHANGE type Output level of second unit Output Phase AMBIENCE Exchange the L/R phase of the effect sound Pan 1 PITCH CHANGE type PAN of first unit Pan 2 PITCH CHANGE type PAN of second unit PAN Direction AUTO PAN Type of auto pan (L<->R is sine wave, L/R is square wave) Phase Shift Offset PHASER type Offset value of phase modulation Pitch PITCH CHANGE type Pitch setting in semitone steps

NOISE GATE Time until when the gate begins to open

AMBIENCE Delay length

AURAL EXCITER The degree to which the exciter effect is applied

ally)

DELAY type, EARLY REF type, PITCH CHANGE type Amount of feedback KARAOKE type Setting for delay repeats CHORUS type, FLANGER type Level at which the delayed output is returned to the input (negative values invert the

PHASER type Level at which the output of the phaser is returned to the input (negati ve v alues in vert the

REVERB type, EARLY REF type, KARAOKE type, AURAL EXCITER

EARLY REF type Length of delay until the ER (Gate Reverb) sounds PITCH CHANGE type Delay length

ROTARY SPEAKER Modulation depth caused by speaker rotation PHASER type Depth of phase modulation WAH type Depth to which wah filter is controlled

ROTARY SPEAKER Frequency at which the speaker rotates TREMOLO Modulation frequency AUTO PAN Auto pan frequency PHASER type Frequency of phase modulation WAH type Frequency at which wah filter is controlled

phase)

decay more rapidly) Frequency at which the high pass filter will cut the low range

difference.)

Explanation of effect parameters

PM Depth TREMOLO Depth of delay modulation

R->L Delay CROSS DELAY Delay time from right (input) to left (output)

Ratio COMPRESSOR type Compression ratio of the compressor

Rch Delay DELAY type Delay length of the right channel

Rch Delay 1 ECHO First delay length of the right channel

Rch Delay 2 ECHO Second delay length of the right channel

Rch Feedback Level ECHO Feedback amount of the right channel

Rch Init Delay ENSEMBLE DETUNE Length of right channel delay

Release COMPRESSOR type Time until when the compressor effect is removed

Resonance WAH type Bandwidth of the wah filter

Rev Delay REVERB type Delay time from the early reflections until the reverb sound

Reverb Time REVERB type Length of reverb

Room Size EARLY REF type ER will become longer as the size of the room (this value) increases

Rotor Speed 2WAY ROTARY SPEAKER Frequency at which the speaker rotates

Sensitive WAH type Sensitivity with which the wah filter will respond to changes in the input

Stage PHASER type Number of stages in the phase shifter

Threshold COMPRESSOR type Input level at which the effect begins to apply

Type EARLY REF type Select the type

Wall Vary REVERB type Condition of the walls of the room being simulated (higher values produce more random

Width REVERB type Width of the room being simulated

Note (The types such as “REVERB type” referred to in the above table include the following effects.)

CHORUS type CHORUS1, CHORUS2, CHORUS3, CHORUS4, CELESTE1, CELESTE2, CELESTE3, CELESTE4, COMPRESSOR type COMPRESSOR, COMP+DIST DELAY type DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY DISTORTION type DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST,

EARLY REF type EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE FLANGER type FLANGER1, FLANGER2, FLANGER3 KARAOKE type KARAOKE1, KARAOKE2, KARAOKE3 PHASER type PHASER1, PHASER2 PITCH CHANGE type PITCH CHANGE1, PITCH CHANGE2 REVERB type HALL1, HALL2, ROOM1, ROOM2, ROOM3, STAGE1, STAGE2, PLATE, WHITE ROOM, TUNNEL, CANYON, BASEMENT W AH type A UTO WAH, AUTO WAH+DIST , AUTO WAH+ODR V, T OUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODR V

NOISE GATE Time until when the gate is closed

NOISE GATE Input level at which the gate begins to open

reflections)

TOUCH W AH+ODRV, COMP+DIST

Data V alue Assign Table

table #1 LFO Frequency

Data Value

00 1 0.04 2 0.08 3 0.13 4 0.17 5 0.21 6 0.25 7 0.29 8 0.34

9 0.38 10 0.42 11 0.46 12 0.51 13 0.55 14 0.59 15 0.63 16 0.67 17 0.72 18 0.76 19 0.80 20 0.84 21 0.88 22 0.93 23 0.97 24 1.01 25 1.05 26 1.09 27 1.14 28 1.18 29 1.22 30 1.26 31 1.3

Data Value Data Value Data Value

32 1.35 33 1.39 34 1.43 35 1.47 36 1.51 37 1.56 38 1.60 39 1.64 40 1.68 41 1.72 42 1.77 43 1.81 44 1.85 45 1.89 46 1.94 47 1.98 48 2.02 49 2.06 50 2.10 51 2.15 52 2.19 53 2.23 54 2.27 55 2.31 56 2.36 57 2.40 58 2.44 59 2.48 60 2.52 61 2.57 62 2.61 63 2.65

64 2.69 65 2.78 66 2.86 67 2.94 68 3.03 69 3.11 70 3.20 71 3.28 72 3.37 73 3.45 74 3.53 75 3.62 76 3.70 77 3.87 78 4.04 79 4.21 80 4.37 81 4.54 82 4.71 83 4.88 84 5.05 85 5.22 86 5.38 87 5.55 88 5.72 89 6.06 90 6.39 91 6.73 92 7.07 93 7.40 94 7.74 95 8.08

96 8.41 97 8.75 98 9.08

99 9.42 100 9.76 101 10.1 102 10.8 103 11.4 104 12.1 105 12.8 106 13.5 107 14.1 108 14.8 109 15.5 110 16.2 111 16.8 112 17.5 113 18.2 114 19.5 115 20.9 116 22.2 117 23.6 118 24.9 119 26.2 120 27.6 121 28.9 122 30.3 123 31.6 124 33.0 125 34.3 126 37.0 127 39.7

table#3 EQ Frequency

Data Value

850

956 10 63 11 70 12 80 13 90 14 100 15 110 16 125 17 140 18 160 19 180 20 200 21 225 22 250 23 280 24 315 25 355 26 400 27 450 28 500 29 560 30 630 31 700 32 800 33 900 34 1.0k 35 1.1k 36 1.2k 37 1.4k 38 1.6k 39 1.8k

Data Value

40 2.0k 41 2.2k 42 2.5k 43 2.8k 44 3.2k 45 3.6k 46 4.0k 47 4.5k 48 5.0k 49 5.6k 50 6.3k 51 7.0k 52 8.0k 53 9.0k 54 10.0k 55 11.0k 56 12.0k 57 14.0k 58 16.0k 59 18.0k 60

THRU(20.0k)

table#2 Modulation Delay Offset

Data Value

0 0.0 1 0.1 2 0.2 3 0.3 4 0.4 5 0.5 6 0.6 7 0.7 8 0.8

9 0.9 10 1.0 11 1.1 12 1.2 13 1.3 14 1.4 15 1.5 16 1.6 17 1.7 18 1.8 19 1.9 20 2.0 21 2.1 22 2.2 23 2.3 24 2.4 25 2.5 26 2.6 27 2.7 28 2.8 29 2.9 30 3.0 31 3.1

Data Value Data Value Data Value

32 3.2 33 3.3 34 3.4 35 3.5 36 3.6 37 3.7 38 3.8 39 3.9 40 4.0 41 4.1 42 4.2 43 4.3 44 4.4 45 4.5 46 4.6 47 4.7 48 4.8 49 4.9 50 5.0 51 5.1 52 5.2 53 5.3 54 5.4 55 5.5 56 5.6 57 5.7 58 5.8 59 5.9 60 6.0 61 6.1 62 6.2 63 6.3

64 6.4 65 6.5 66 6.6 67 6.7 68 6.8 69 6.9 70 7.0 71 7.1 72 7.2 73 7.3 74 7.4 75 7.5 76 7.6 77 7.7 78 7.8 79 7.9 80 8.0 81 8.1 82 8.2 83 8.3 84 8.4 85 8.5 86 8.6 87 8.7 88 8.8 89 8.9 90 9.0 91 9.1 92 9.2 93 9.3 94 9.4 95 9.5

96 9.6 97 9.7 98 9.8

99 9.9 100 10.0 101 11.1 102 12.2 103 13.3 104 14.4 105 15.5 106 17.1 107 18.6 108 20.2 109 21.8 110 23.3 111 24.9 112 26.5 113 28.0 114 29.6 115 31.2 116 32.8 117 34.3 118 35.9 119 37.5 120 39.0 121 40.6 122 42.2 123 43.7 124 45.3 125 46.9 126 48.4 127 50.0

table#4 Reverb time

Data Value

0 0.3 1 0.4 2 0.5 3 0.6 4 0.7 5 0.8 6 0.9 7 1.0 8 1.1

9 1.2 10 1.3 11 1.4 12 1.5 13 1.6 14 1.7 15 1.8 16 1.9 17 2.0 18 2.1 19 2.2 20 2.3 21 2.4 22 2.5 23 2.6 24 2.7 25 2.8 26 2.9 27 3.0 28 3.1 29 3.2 30 3.3 31 3.4

Data Value Data Value

32 3.5 33 3.6 34 3.7 35 3.8 36 3.9 37 4.0 38 4.1 39 4.2 40 4.3 41 4.4 42 4.5 43 4.6 44 4.7 45 4.8 46 4.9 47 5.0 48 5.5 49 6.0 50 6.5 51 7.0 52 7.5 53 8.0 54 8.5 55 9.0 56 9.5 57 10.0 58 11.0 59 12.0 60 13.0 61 14.0 62 15.0 63 16.0

64 17.0 65 18.0 66 19.0 67 20.0 68 25.0 69 30.0

Data V alue Assign Table

table#5 Delay Time(200.0ms)

Data Value

0 0.1 1 1.7 2 3.2 3 4.8 4 6.4 5 8.0 6 9.5 7 11.1 8 12.7

9 14.3 10 15.8 11 17.4 12 19.0 13 20.6 14 22.1 15 23.7 16 25.3 17 26.9 18 28.4 19 30.0 20 31.6 21 33.2 22 34.7 23 36.3 24 37.9 25 39.5 26 41.0 27 42.6 28 44.2 29 45.7 30 47.3 31 48.9

Data Value

32 50.5 33 52.0 34 53.6 35 55.2 36 56.8 37 58.3 38 59.9 39 61.5 40 63.1 41 64.6 42 66.2 43 67.8 44 69.4 45 70.9 46 72.5 47 74.1 48 75.7 49 77.2 50 78.8 51 80.4 52 81.9 53 83.5 54 85.1 55 86.7 56 88.2 57 89.8 58 91.4 59 93.0 60 94.5 61 96.1 62 97.7 63 99.3

table#6 Room Size

Data Value

0 0.1 1 0.3 2 0.4 3 0.6 4 0.7 5 0.9 6 1.0 7 1.2 8 1.4

9 1.5 10 1.7 11 1.8 12 2.0 13 2.1 14 2.3 15 2.5 16 2.6 17 2.8 18 2.9 19 3.1 20 3.2 21 3.4 22 3.5 23 3.7 24 3.9 25 4.0 26 4.2 27 4.3 28 4.5 29 4.6 30 4.8 31 5.0

Data Value

32 5.1 33 5.3 34 5.4 35 5.6 36 5.7 37 5.9 38 6.1 39 6.2 40 6.4 41 6.5 42 6.7 43 6.8 44 7.0

Table#8 Compressor Attack Time

Data Value

01 12 23 34 45 56 67 78 89

910 10 12 11 14 12 16 13 18 14 20 15 23 16 26 17 30 18 35 19 40

Table#9 Compressor Release Time

Data Value

010 115 225 335 445 555 665 775 885

9 100 10 115 11 140 12 170 13 230 14 340 15 680

Table#10 Compressor Ratio

Data Value

0 1.0

1 1.5

2 2.0

3 3.0

4 5.0

5 7.0

6 10.0

7 20.0

table#7 Delay Time(400.0ms)

Data Value

0 0.1 1 3.2 2 6.4 3 9.5 4 12.7 5 15.8 6 19.0 7 22.1 8 25.3

9 28.4 10 31.6 11 34.7 12 37.9 13 41.0 14 44.2 15 47.3 16 50.5 17 53.6 18 56.8 19 59.9 20 63.1 21 66.2 22 69.4 23 72.5 24 75.7 25 78.8 26 82.0 27 85.1 28 88.3 29 91.4 30 94.6 31 97.7

Data Value Data Value Data Value

32 100.9 33 104.0 34 107.2 35 110.3 36 113.5 37 116.6 38 119.8 39 122.9 40 126.1 41 129.2 42 132.4 43 135.5 44 138.6 45 141.8 46 144.9 47 148.1 48 151.2 49 154.4 50 157.5 51 160.7 52 163.8 53 167.0 54 170.1 55 173.3 56 176.4 57 179.6 58 182.7 59 185.9 60 189.0 61 192.2 62 195.3 63 198.5

64 201.6 65 204.8 66 207.9 67 211.1 68 214.2 69 217.4 70 220.5 71 223.7 72 226.8 73 230.0 74 233.1 75 236.3 76 239.4 77 242.6 78 245.7 79 248.9 80 252.0 81 255.2 82 258.3 83 261.5 84 264.6 85 267.7 86 270.9 87 274.0 88 277.2 89 280.3 90 283.5 91 286.6 92 289.8 93 292.9 94 296.1 95 299.2

96 302.4 97 305.5 98 308.7

99 311.8 100 315.0 101 318.1 102 321.3 103 324.4 104 327.6 105 330.7 106 333.9 107 337.0 108 340.2 109 343.3 110 346.5 111 349.6 112 352.8 113 355.9 114 359.1 115 362.2 116 365.4 117 368.5 118 371.7 119 374.8 120 378.0 121 381.1 122 384.3 123 387.4 124 390.6 125 393.7 126 396.9 127 400.0

table#11 Reverb Width;Depth;Height

Data Value

0 0.5 1 0.8 2 1.0 3 1.3 4 1.5 5 1.8 6 2.0 7 2.3 8 2.6

9 2.8 10 3.1 11 3.3 12 3.6 13 3.9 14 4.1 15 4.4 16 4.6 17 4.9 18 5.2 19 5.4 20 5.7 21 5.9 22 6.2 23 6.5 24 6.7 25 7.0 26 7.2 27 7.5 28 7.8 29 8.0 30 8.3 31 8.6

Data Value Data Value Data Value

32 8.8 33 9.1 34 9.4 35 9.6 36 9.9 37 10.2 38 10.4 39 10.7 40 11.0 41 11.2 42 11.5 43 11.8 44 12.1 45 12.3 46 12.6 47 12.9 48 13.1 49 13.4 50 13.7 51 14.0 52 14.2 53 14.5 54 14.8 55 15.1 56 15.4 57 15.6 58 15.9 59 16.2 60 16.5 61 16.8 62 17.1 63 17.3

64 17.6 65 17.9 66 18.2 67 18.5 68 18.8 69 19.1 70 19.4 71 19.7 72 20.0 73 20.2 74 20.5 75 20.8 76 21.1 77 21.4 78 21.7 79 22.0 80 22.4 81 22.7 82 23.0 83 23.3 84 23.6 85 23.9 86 24.2 87 24.5 88 24.9 89 25.2 90 25.5 91 25.8 92 26.1 93 26.5 94 26.8 95 27.1

96 27.5 97 27.8 98 28.1

99 28.5 100 28.8 101 29.2 102 29.5 103 29.9 104 30.2

MIDI Data Format

1. Channel messages

1.1 Note-on / Note-off

These are messages which convey keyboard performance data. Range of received notes = C-2 ...G8 Velocity range = 1...127 (Velocity is received only for note-on)

When the Multi Part parameter Rcv NOTE MESSAGE = OFF, that part is not received. For Drum parts*, key-off is not received when the Drum Setup parameter Rcv NOTE OFF = OFF. For Drum parts, key-on is not received when the Drum Setup parameter Rcv NOTE ON = OFF. * Drum Part indicates that the Multi Part parameter PART MODE is DRUM or DRUMS1...4.

1.2 Control Changes

These messages convey controller operations such as for volume and pan. The function is distinguished by the control number (Ctrl#). When the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes.

1.2.1 Bank Select

These messages select the voice bank.

Control# Parameter Data Range 0 Bank Select MSB 0,64, 126, 127

32 Bank Select LSB 0...127

Bank Select processing is suspended until a Program Change message is received, and when a voice from a different voice bank is to be selected, Bank Select and a program change message must be transmitted as a set, in the order of Bank Select MSB, LSB, and Program Change. Bank Select is not received when Sound Module Mode = C/M.

1.2.2 Modulation

In general this message controls the depth at which vibrato is applied, but the depth of the following seven effects can be controlled. The effect of these messages can be changed by the following parameters.

• Multi Part Parameter

1. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH

• Effectl Parameter

7. MW VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as an Insertion effect.)

With the initial settings, the LFO Pitch Modulation (PMOD) effect will apply.

Control# Parameter Data Range 0 Modulation 0...127

When the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation. If the receiving channel is a drum part, effects 5 and 6 will not apply.

1.2.3 Portamento Time

This message controls the way in which portamento (see 1.2.9) is applied.

Control# Parameter Data Range 5 Portamento Time 0...127

When Portamento = ON, this adjusts the speed of the pitch change. A value of 0 is the shortest portamento time, and 127 is the longest portamento time. If the receiving channel is a drum part, Portamento Time is not received.

1.2.4 Data Entry

This message sets the value of the parameter specified by RPN (see 1.2.22) or NRPN (see

1.2.21).

Control# Parameter Data Range 6 Data Entry MSB 0...127 38 Data Entry LSB 0...127

1.2.5 Main Volume

This message control the volume of each part. (Use it to adjust the volume balance of each part.)

Control# Parameter Data Range 7 Main Volume 0...127

If the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume. 0 is silence, 127 is maximum volume.

(Normal voice,SFX voice, SFX kit, Drum kit)

1.2.6 Panpot

This message controls the stereo location of the sound of each part.

Control# Parameter Data Range 10 Pan 0...64...127

If the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot. 0 is left, 64 is center, 127 is right.

1.2.7 Expression

This message controls the dynamics of each part. (Use it to create volume changes during a song.)

Control# Parameter Data Range 11 Expression 0...127

If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not recei ve Expression.

1.2.8 Hold1

This message controls sustain pedal on/off.

Control# Parameter Data Range 64 Holdl 0...63,64...127

When ON, the currently-sounding notes will be sustained even after note-off is received. If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1.

1.2.9 Portamento

This message controls portamento pedal on/off.

Control# Parameter Data Range 64 Portamento 0...63,64...127

When ON, the pitch will smoothly change from one note to the next. The time over which the pitch change occurs is adjusted by Portamento Time (see 1.2.3). If the Multi Part parameter MONO/POLY MODE = MONO, turning Portamento = ON will also cause the sound to be smoothly connected (legato). If any of the following Multi Part parameter settings apply, that part will not receive Portamento.

• Rcv PORTAMENTO = OFF

• PART MODE = DRUM, DRUMSI...4

1.2.10Sostenuto

This message controls sostenuto pedal on/off.

Control# Parameter Data Range 66 Sostenuto 0...63,64...127

When sostenuto is turned on while a note is sounding, that note will continue sustaining until sostenuto is turned off. If the following Multi Part parameter setting applies, that part will not receive Sostenuto.

• Rcv SOSTENUTO = OFF

1.2.11Soft Pedal

This message controls soft pedal on/off.

Control# Parameter Data Range 67 Soft Pedal 0...63,64...127

When ON, the sound will be softer. If any of the following Multi Part parameter settings apply , that part will not recei ve Soft Pedal.

• Rcv SOFT PEDAL = OFF

• PART MODE = DRUM, DRUMI...4

1.2.12Harmonic Content

This message adjusts the resonance of the filter that is specified by the sound.

Control# Parameter Data Range 71 Harmonic Content 0...64...127

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Higher values will produce a more distinctive sound. For some sounds, the effective range may be narrower than the settable range.

1.2.13Release Time

This message adjusts the EG Release Time specified by the sound.

Control# Parameter Data Range 72 Release Time 0...64...127

(OFF , ON)

(-64...0...+63)

MIDI Data Format

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Higher values will lengthen the release which occurs after note-off.

1.2.14Attack Time

This message adjusts the EG Attack Time specified by the sound.

Control# Parameter Data Range 73 Attack Time 0...64...127

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Higher values will make the attack more gradual, and lower values will make the attack more sharp.

1.2.15Brightness

This message adjusts the low pass filter cutoff frequency specified by the sound.

Control# Parameter Data Range 74 Brightness 0...64...127

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Lower values will produce a more mellow sound. For some sounds, the effective range may be narrower than the settable range.

1.2.16Portamento Control

This message specifies the key source number for portamento (the key number from which portamento will start). The portamento source key is specified as 0...127. When Portamento Control is received, the currently sounding pitch will change at a speed of Portamento Time 0 to the key of the next note-on that is recei ved on the same channel.

Control# Parameter Data Range 84 Portamento Control 0...127

This is received even if Rcv PORTAMENTO = OFF.

1.2.17Effect1 Depth (Reverb Send Level)

This message specifies the send level for the reverb effect.

Control# Parameter Data Range 91 Effect1 Depth 0...127

Higher values will produce a deeper reverb. The result of the value will depend on the state of the reverb effect.

1.2.18Effect3 Depth (Chorus Send Level)

This message specifies the send level for the chorus effect.

Control# Parameter Data Range 93 Effect3 Depth 0...127

Higher values will produce more modulation and spaciousness. The result of the value will depend on the state of the chorus effect.

1.2.19 Effect4 Depth (Variation Effect Send Level)

This message specifies the send level for the variation effect.

Control# Parameter Data Range 94 Effect4 Depth 0...127

However, this is not received if the Variation Effect parameter Variation Connection = 0 (Insertion).

1.2.20Data Increment / Decrement (for RPN)

This message increases or decreases the value of the parameter specified by RPN (see

1.2.22) in units of 1.

Control# Parameter Data Range 96 RPN Increment -97 RPN Decrement --

The data byte is ignored.

1.2.21NRPN (Non-registered Parameter Number)

These messages are used to set parameters such as vibrato, filter, EG, or drum setup etc. The parameter is specified by transmitting a NRPN MSB and NRPN LSB, and subsequently Data Entry (see 1.2.4) is used to set the value of the specified parameter.

Control# Parameter Data Range 98 NRPN LSB 0...127 99 NRPN MSB 0...127

When the Multi Part parameter Rcv NRPN = OFF, NRPN for that part will not be received. The following NRPN messages can be received.

(-64...0...+63)

(C-2...G8)

NRPN Data Entry*1

MSB LSB MSB LSB Parameter name and range of values

01H 08H mm -- *2 Vibrato Rate

01H 09H mm -- Vibrato Depth

01H 0AH mm -- *3 Vibrato Delay

01H 20H mm -- Low Pass Filter Cutoff Frequency

01H 21H mm -- Low Pass Filter Resonance

01H 24H mm -- High Pass Filter Cutoff Frequency

01H 30H mm -- *4 EQ Bass Gain

01H 31H mm -- *4 EQ Treble Gain

01H 34H mm -- *4 EQ Bass Frequency

01H 35H mm -- *4 EQ Treble Frequency

01H 63H mm -- EG Attack Time

01H 64H mm -- EG Decay Time

01H 66H mm -- EG Release Time

14H rr mm -- Drum Low Pass Filter Cutoff Frequency

15H rr mm -- Drum Low Pass Filter Resonance

16H rr mm -- Drum EG Attack Rate

17H rr mm -- Drum EG Decay Rate

18H rr mm -- Drum Instrument Pitch Coarse

19H rr mm -- Drum Instrument Pitch Fine

1AH rr mm -- Drum Instrument Level

1CH rr mm -- Drum Instrument Panpot

1DH rr mm -- Drum Instrument Reverb Send Level

1EH rr mm -- Drum Instrument Chorus Send Level

1FH rr mm -- Drum Instrument Variation Send Level

mm : 00H - 40H - 7FH (-64...0...+63)

mm : 04H - 28H (32...2.0k[Hz])

mm : 1CH - 3AH (500...16.0k[Hz])

mm : 00H - 40H - 7FH (-64...0...+63)

rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63)

rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) Applies to both Decay 1 and 2

rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63)

rr : drum instrument note number mm : 00H - 7FH (0...maximum)

rr : drum instrument note number mm : 00H,01H-40H-7FH (RND, L63...C...R63)

rr : drum instrument note number mm : 00H - 7FH (0...maximum)

rr : drum instrument note number mm : 00H - 7FH (0...maximum) when Variation Connection = SYSTEM mm : 00H, 01H-7FH(OFF,ON) when Variation Connection = INSERTION

MIDI Data Format

24H rr mm -- Drum High Pass Filter Cutoff Frequency

30H rr mm -- Drum EQ Bass Gain

31H rr mm -- Drum EQ Treble Gain

34H rr mm -- Drum EQ Bass Frequency

35H rr mm -- Drum EQ Treble Frequency

MSB 14H-35H (for drum) is received when the Multi Part parameter PART MODE = DRUMS1...4.

*1 See 1.2.4 *2 ‘—’ indicates that the value is ignored. *3 Adjusts the time at which the vibrato effect begins after a note is played. Lower

values will cause the effect to begin applying sooner, and higher values will cause the effect to begin applying later. This has no effect when Bank Select MSB=127 is selected.

*4 This has no effect when the Multi Part parameter PART MODE = DRUM or

DRUMS1...4.

1.2.22RPN (Registered Parameter Number)

These messages make part settings such as Pitch Bend Sensitivity and Tuning. The RPN MSB and RPN LSB are transmitted to specify the parameter which is to be controlled, and subsequently Data Entry (see 1.2.4) is used to set the value of the specified parameter.

Control# Parameter Data Range 100 RPN LSB 0...127 101 RPN MSB 0...127

If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message.

The following RPN messages can be received.

RPN Data Entry *1

MSB LSB MSB LSB Parameter name and range of values

00H 00H mm -- *2 Pitch Bend Sensitivity

00H 01H mm ll Fine Tuning

00H 02H mm -- Coarse Tuning

7FH 7FH -- -- RPN Null

*1 Refer to 1.2.4. *2 ‘--’ indicates that the setting value is ignored.

1.2.23Assignable Controller

By specifying a control change number of 0...95 for a part, you can control the way in which an effect is applied. For each part, this instrument allows two control change numbers to be specified: AC1 and AC2. The following parameters specify the effects that are controlled by AC1 and AC2.

• Multi Part Parameter

1. ACI,AC2 PITCH CONTROL

2. ACI,AC2 FILTER CONTROL

3. ACI,AC2 AMPLITUDE CONTROL

4. ACI,AC2 LFO PMOD DEPTH

5. ACI,AC2 LFO FMOD DEPTH

6. ACI,AC2 LFO AMOD DEPTH

• Effectl Parameter

7. ACI,AC2 VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion.) The AC1 control change number is specified by the Multi Part parameter or A/D Part parameter AC1 CONTROLLER NUMBER. The AC2 control change number is specified by the Multi Part parameter or A/D Part parameter AC2 CONTROLLER NUMBER.

mm : 00H - 40H - 7FH (-64...0...+63)

mm : 04H - 28H (32...2.0k[Hz])

mm : 1CH - 3AH (500...16.0k[Hz])

mm:00H - 18H (0...+24 semitones) Set in semitone units up to two octaves

mm ll: 00H 00H -100 cents

mm ll: 40H 00H0 cents

:: mm ll: 7FH 7FH +100 cents [Note] After mm ll: 00H 7FH (=-87.5) cents comes 01H

00H (=-87.4 cents)

mm:28H - 40H - 58H (-24...0...+24 semitones)

Puts the RPN and NRPN numbers in an un-set condition. The internal setting values will not change.

1.3 Channel Mode messages

These messages specify the basic operation of each part.

1.3.1 All Sound Off

Silences all currently sounding notes on the corresponding channel. However the status of channel messages such as Note-on or Hold On is preserved.

Control# Parameter Data Range 120 All Sound Off 0

1.3.2 Reset All Controllers

The values of the following controllers will change.

Controller Value Pitch Bend Change +/-0 (center) Channel Pressure 0 (off) Polyphonic Key Pressure 0 (off) Modulation 0 (off) Expression 127 (maximum) Hold 0 (off) Portamento 0 (off) Sostenuto 0 (off) Soft Pedal 0 (off) Portamento Control Reset the Portamento Source Note Number that was re-

RPN Number un-set, internal data will not change. NRPN Number un-set, internal data will not change.

The following data will not change Program Change, Bank Select MSB/LSB, Volume, Pan, Effect Send Levels 1/3/4, and the value of parameters which were set using RPN and NRPN.

Control# Parameter Data Range 121 Reset All Controllers 0

1.3.3 All Note Off

Turns off all notes which are currently “note-on” for the corresponding channel. However if Hold1 or Sostenuto are ON, the notes will continue sounding until these are turned off.

Control# Parameter Data Range 123 All Note Off 0

1.3.4 Omni Off

Performs the same processing as when All Note Off is received.

Control# Parameter Data Range 124 Omni Off 0

1.3.5 Omni On

Performs the same processing as when All Sound Off is received.

Control# Parameter Data Range 125 Omni On 0

1.3.6 Mono

Performs the same processing as when All Sound Off is receiv ed, and if the v alue (mono number) is within the range of 0...16, sets the corresponding channel to Mode4* (m=1).

Control# Parameter Data Range 126 Mono 0...16

* Mode4 is when only the messages of the specified channel are received, and notes are

sounded monophonically.

1.3.7 Poly

Performs the same processing as when All Note Off is recei ved, and sets the corresponding channel to Mode3*.

Control# Parameter Data Range 127 Poly 0

* Mode3 is when only the messages of the specified channel are received, and notes are

sounded polyphonically.

ceived

MIDI Data Format

1.4 Program Change

This message selects sounds. This changes the program number of the receiving channel. If the voice bank is also to be changed, transmit this message together with the Bank Select message (see 1.2.1). If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not receive Program Change messages. If Sound Module Mode = C/M, the Drum Part will not receive Program Change messages.

1.5 Pitch Bend

This message conveys pitch bend operations. In general this message modifies the pitch of a part, but it can also control the depth of the following seven effects. The result of this message can be changed by the following parameters.

• Multi Part Parameter

1. BEND PITCH CONTROL

2. BEND FILTER CONTROL

3. BEND AMPLITUDE CONTROL

4. BEND LFO PMOD DEPTH

5. BEND LFO FMOD DEPTH

6. BEND LFO AMOD DEPTH

• Effectl Parameter

7. BEND VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion.) By default this will function as Pitch Control. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive Pitch Bend messages.

1.6 Channel Aftertouch

This message conveys the force with which the keyboard is pressed after notes are played (for an entire MIDI channel). The pressure can be controlled for each part. This message will create changes in the currently-sounding notes. The effect of this message can be specified by the following parameters.

• Multi Part Parameter

1. CAT PITCH CONTROL

2. CAT FILTER CONTROL

3. CAT AMOLITUDE CONTROL

4. CAT LFO PMOD DEPTH

5. CAT LFO FMOD DEPTH

6. CAT LFO AMOD DEPTH

• Effectl Parameter

7. CAT VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion.) By default there will be no effect. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch messages.

1.7 Polyphonic Aftertouch

This message conveys the force with which a key is pressed after a note is played (for an individual note). The pressure can be controlled independently for each note. This message will create changes in the currently-sounding note. The effect of this message can be specified by the following Multi Part parameters.

1. PAT PITCH CONTROL

2. PAT FILTER CONTROL

3. PAT AMPLITUDE CONTROL

4. PAT LFO PMOD DEPTH

5. PAT LFO FMOD DEPTH

6. PAT LFO AMOD DEPTH By default there will be no effect. The effect will apply to note numbers 36...97. In the case of the following Multi Part parameter settings, that part will not receive Polyphonic Aftertouch messages.

Rcv CHANNEL AFTER TOUCH = OFF PART MODE = DRUM, DRUMSI...4

2. System Exclusive messages

2.1 Parameter change

This instrument uses the following parameter changes.

[ UNIVERSAL REALTIME MESSAGE ]

1) Master V olume

[ UNIVERSAL NON REALTIME MESSAGE ]

1) General MIDI System On

2) Identity Request (INQUIRY MESSAGE)

3) Identity Reply (INQUIRY MESSAGE)

[ XG PARAMETER CHANGE]

1) XG System on

2) XG System parameter change

3) Multi Effect1 parameter change

4) Multi EQ parameter change

5) Multi Effect2 parameter change

6) Display parameter change

7) Multi Part parameter change

8) AD Part parameter change

9) AD System parameter change

10)Drums Setup parameter change

[ MU80 NATIVE PARAMETER CHANGE]

1) System parameter change

2) Remote switch

[ MU90,MU90R NATIVE PARAMETER CHANGE]

1) Current Performance parameter change

[ Other ]

1) Master tuning

2) TG300 System parameter change

3) TG300 Multi Effect parameter change

4) TG300 Multi Part parameter change

2.1.1 Universal realtime messages

2.1.1.1 Master Volume

11110000 F0H = Exclusive status 01111111 7FH = Universal Real Time 01111111 7FH = ID of target device 00000100 04H = Sub-ID #1=Device Control Mes sage 00000001 01H = Sub-ID #2=Master Volume

* 0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB 11110111 F7H = End of Exclusive or 11110000 F0H = Exclusive status 01111111 7FH = Universal Real Time 0xxxnnnn XNH = Device Number, xxx = don’t care 00000100 04H = Sub-ID #1=Device Control Message 00000001 01H = Sub-ID #2=Master Volume 0sssssss SSH = Volume LSB 0ttttttt TTH = Volume MSB 11110111 F7H = End of Exclusive

When this is received, the Volume MSB will be reflected in the System parameter MASTER VOLUME. * This indicates that SSH is the hexadecimal expression of the binary 0sssssss. The same

applies for other cases.

2.1.2 Universal non-realtime messages

2.1.2.1 General MIDI System On

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 01111111 7FH = ID of target device 00001001 09H = Sub-ID #1=General MIDI Message 00000001 01H = Sub-ID #2=General MIDI On 11110111 F7H = End of Exclusive or 11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 0xxxnnnn XNH = N:Device Number, X:don’t care 00001001 09H = Sub-ID #1=General MIDI Message 00000001 01H = Sub-ID #2=General MIDI On 11110111 F7H = End of Exclusive

When this message is received, the SOUND MODULE MODE will be set to XG, and all settings except for MIDI Master Tuning will be reset to their default values. However in the following cases this is not received.

• SOUND MODULE MODE = C/M

• When the XG Model System parameter (see table 2-2) Rcv GM EXCLUSIVE MESSAGE=OFF.

Since approximately 50 ms is required to execute this message, an appropriate interval must be left before the next message.

MIDI Data Format

2.1.2.2 Identity Request

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 0mmmmmmm MMH = Device Number 00000110 06H = Sub-ID #1=General Information 00000001 01H = Sub-ID #2=Identity Request 11110111 F7H = End of Exclusive

When this message is received, this instrument will transmit the following 2.1.2.3 Identity Reply message.

2.1.2.3 Identity Reply

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 0mmmmmmm MMH = Device Number 00000110 06H = Sub-ID #1=General Information 00000010 02H = Sub-ID #2=Identity Reply 01000011 43H = YAMAHA ID 00000000 00H = Device Family Code LSB

01000001 41H = Device Family Code MSB

01010010 52H = Device Number Code LSB

00000010 02H = Device Number Code MSB

00000000 00H 00000000 00H 00000000 00H 00000001 01H = Tone Generator Code=XG 11110111 F7H = End of Exclusive

When this instrument receives a 2.1.2.2 Identity Request message, it will transmit this message.

2.1.3 XG Parameter Change

This message sets XG-related parameters. One parameter can be modified by each message. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 01001100 4CH Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0sssssss SSH Data

11110111 F7H End of Exclusive

For parameters with a data size of 2 or 4, the corresponding number of data bytes will be transmitted.

2.1.3.1 XG System On

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 01001100 4CH Model ID 00000000 00H Address High 00000000 00H Address Mid 01111110 7EH Address Low 00000000 00H Data 11110111 F7H End of Exclusive

When On is received, SOUND MODULE MODE will be set to XG. Since approximately 50 ms is required to execute this message, an appropriate interval must be left before the next message.

2.1.3.2 XG System parameter change This message sets the XG SYSTEM block (see tables <1-1> and <1-2>).

2.1.3.3 Multi Effect1 parameter change This message sets the MULTI EFFECT1 block (see tables <1-1> and <1-4>).

2.1.3.4 Multi EQ parameter change This message sets the MULTI EQ block (see tables <1-1> and <1-5>).

2.1.3.5 Multi Effect2 parameter change This message sets the MULTI EFFECT2 block (see tables <1-1> and <1-6>).

2.1.3.6 Display parameter change This message sets the DISPLAY block (see tables <1-1> and <1-7>).

2.1.3.7 Multi Part parameter change This message sets the MULTI PART block (see tables <1-1> and <1-8>).

2.1.3.8 AD Part parameter change This message sets the AD PART block (see tables <1-1> and <1-9>).

MU90R ID #1

MU90R ID #2

MU90R ID #3

MU90R ID #4

2.1.3.9 AD Part parameter change This message sets the AD SYSTEM block (see tables <1-1> and <1-10>).

2.1.3.10 Drums Setup parameter change This message sets the DRUMS SETUP block (see tables <1-1> and <1-11>).

2.1.4 MU80 Native parameter changes

These messages set parameters unique to the MU80. One parameter can be modified by each message. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:Device Number 01001001 49H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

11110111 F7H End of Exclusive

For parameters with a data size of 2 or 4, the corresponding number of data bytes will be transmitted.

2.1.4.1 System parameter change This message sets the SYSTEM block (see tables <2-1> and <2-2>).

2.1.4.2 Remote switch This message sets the REMOTE SWITCH block (see tables <2-1> and <2-3>).

2.1.5 MU90/MU90R Native parameter changes

These messages set parameters unique to the MU90/MU90R. One parameter can be modified by each message. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:Device Number 01011001 59H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

11110111 F7H End of Exclusive

For parameters with a data size of 2 or 4, the corresponding number of data bytes will be transmitted.

2.1.5.1 Current Performance parameter change This message sets the CURRENT PERFORMANCE block (see tables <3-1> and <32>).

2.1.6 Other parameter changes

2.1.6.1 Master Tuning This message simultaneously modifies the pitch of all channels.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 00100111 27H Model ID 00110000 30H Address High 00000000 00H Address Mid 00000000 00H Address Low 0mmmmmmm MMH Master Tune MSB 0lllllll LLH Master Tune LSB 0xxxxxxx XXH don’t care 11110111 F7H End of Exclusive

Normally the XG SYSTEM parameter MASTER TUNE should be used (see table <12>).

2.2 Bulk Dump

This instrument uses the following bulk dumps.

[ XG BULK DUMP ]

1) XG System bulk dump

2) System Information bulk dump

3) Multi Effect1 bulk dump

4) Multi EQ bulk dump

5) Multi Effect2 bulk dump

6) Multi Part bulk dump

7) AD Part bulk dump

8) Drums Setup bulk dump

[ MU80 NATIVE BULK DUMP ]

1) System bulk dump

2) MU80, MU50 Internal Performance bulk dump

[ MU90,MU90R NATIVE BULK DUMP ]

1) Internal Performance bulk dump

MIDI Data Format

2.2.1 XG Bulk Dump

These messages set XG-related parameters. Unlike parameter changes, a single message can set multiple parameters. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01001100 4CH Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

Address and Byte Count are given in tables 1-n. Byte Count indicates the total size of the data in tables 1-n. Bulk Dump and Dump Request messages are received when the beginning of the block is specified as the address. “Block” indicates the unit size of the data string included in the total size in tables 1-n. Check sum is the value which produces a lower 7 bits of 0 when the Start Address, Byte Count, and the Check Sum itself are added.

2.2.1.1 XG System bulk dump This message sets the XG SYSTEM block (see tables <1-1> and <1-2>).

2.2.1.2 System Information bulk dump This message indicates the contents of the SYSTEM INFORMATION b lock (see tables <1-1> and <1-3>). This message is transmitted in response to a dump request, but will be ignored if it is received.

2.2.1.3 Multi Effect1 bulk dump This message sets the MULTI EFFECT1 block (see tables <1-1> and <1-4>).

2.2.1.4 Multi EQ bulk dump This message sets the MULTI EQ block (see tables <1-1> and <1-5>).

2.2.1.5 Multi Effect2 bulk dump This message sets the MULTI EFFECT2 block (see tables <1-1> and <1-6>).

2.2.1.6 Multi Part bulk dump This message sets the MULTI PART block (see tables <1-1> and <1-8>).

2.2.1.7 A/D Part bulk dump This message sets the A/D PART block (see tables <1-1> and <1-9>).

2.2.1.8 Drums Setup bulk dump This message sets the DRUMS SETUP block (see tables <1-1> and <1-11>).

2.2.2 MU80 Native bulk dump These messages set parameters unique to the MU80. Unlike parameter changes, a single message can set multiple parameters.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01001001 49H Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

The details are the same for 2.2.1 XG Bulk Dump. However for the address, byte count and block, refer to tables 2-n.

2.2.2.1 System bulk dump This message sets the SYSTEM block (see tables <2-1> and <2-2>).

2.2.2.2 MU80/MU50 Internal Performance bulk dump This message is in MU80/MU50 data format. It sets the INTERNAL PERFORMANCE block (see tables <2-1> and <2-4>).

2.2.3 MU90/MU90R Native bulk dump

This message sets parameters that are unique to the MU90/MU90R. Unlike parameter changes, a single message can set multiple parameters.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01011001 59H Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

The details are the same for 2.2.1 XG Bulk Dump. However for the address, byte count and block, refer to tables 3-n.

2.2.3.1 Internal Performance bulk dump This message sets the INTERNAL PERFORMANCE block (see tables <3-1> and <33>).

2.3 Parameter Request

These messages request that parameter values be transmitted. The transmitted data will be in the format of parameter change messages (see 2.1.3 and

2.1.4).

2.3.1 XG parameter request

This message requests that XG parameter settings be transmitted. The transmitted data will be in the format of an XG Parameter Change (see 2.1.3).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0011nnnn 3NH N:device Number 01001100 4CH Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

2.3.2 MU80 Native parameter request

This message requests that parameters unique to the MU80 be transmitted. The transmitted data will be in the format of an XG Model Native Parameter Change (see

2.1.4).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0011nnnn 3NH N:Device Number 01001001 49H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

2.3.3 MU90/MU90R Native parameter request

This message requests that parameters unique to the MU90/MU90R be transmitted. The transmitted data will be in the format of a MU90/MU90R Native Parameter Change (see 2.1.4).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0011nnnn 3NH N:Device Number 01011001 59H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

2.4 Dump Request

These messages request that parameter values of the specified block be transmitted. The transmitted data will be in bulk dump format.

2.4.1 XG dump request

This message requests that all parameter values of the specified block of XG parameters be transmitted. The transmitted data will be in XG Bulk Dump format (see 2.2.1).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N:device Number 01001100 4CH Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

The address is valid if the beginning of the block is specified. Transmission/reception of dump requests cannot be turned off by a MIDI switch other than Exclusive = off.

MIDI Data Format

2.4.2 MU80 Native dump request

This message requests that all parameter values of the specified block of MU80 native parameters be transmitted. The transmitted data will be in MU80 Native Bulk Dump format (see 2.2.2).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N:Device Number 01001001 49H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

Details are the same as 2.4.1 XG Bulk Dump Request.

2.4.2 MU90/MU90R Native dump request

This message requests that all parameter values of the specified block of MU90/MU90R native parameters be transmitted. The transmitted data will be in MU90/MU90R Native Bulk Dump format (see 2.2.3).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N:Device Number 01011001 59H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

Details are the same as 2.4.1 XG Bulk Dump Request.

3. Realtime messages

3.1 Active Sensing

a) Transmission

Not transmitted.

b) Reception

Once FE has been received, if no MIDI messages are received for an interval of approximately 300 msec, the same processing will be performed as when ALL SOUND OFF, ALL NOTE OFF, and RESET ALL CONTROLLERS are received, and the instrument will return to a status of never having received FE.

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