Yamaha XG MU90R User Manual

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POWER

OFF

ON/

VOLUME

AD input preset

MU90 A/D INPUT PRESET

A/D1

BANK Source PGM CNG# = 0 1 2 3456

0 MIC Preset Name Off Mic Reverb Chorus Chorus+Reverb Karaoke1 Karaoke2

1 GUITAR Preset Name Off Guitar Reverb Chorus Chorus+Reverb Tube Stack

(Note 1) input gain mic mic mic mic mic mic mic

2 KEYBOARD Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP

3 AUDIO Preset Name Off Audio Reverb Chorus Chorus+Reverb

(Note 2) input gain line line line line line

18 STEREO Preset Name Off Keyboard Reverb Chorus Chorus+Reverb Phaser EP Pan EP

KEYBOARD input gain line line line line line line line

(Note 3) var type - - - - - Phaser Auto Pan

19 STEREO Preset Name Off Audio Reverb Chorus Chorus+Reverb

AUDIO input gain line line line line line (Note 3) var type - - - - -

BANK Source PGM CNG# = 7 8 9 10 11 12

0 MIC Preset Name Karaoke3 Echo Vocal Studio Oct Up Oct Down

1 GUITAR Preset Name Flang Gtr Clean Gtr Funk Gtr Tremolo Phaser 5th Guitar

(Note 1) input gain mic mic mic mic mic mic

2 KEYBOARD Preset Name Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX

3 AUDIO Preset Name

(Note 2) input gain

18 STEREO Preset Name Wah Clavi Rotary Orgn Synth Str Synth Pad Synth Lead SFX

KEYBOARD input gain line line line line line line

(Note 3) var type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change

19 STEREO Preset Name

AUDIO input gain (Note 3) var type

input gain mic mic mic mic mic mic mic var type - - - - - Karaoke1 Karaoke2

var type - - - - - Amp Sim. Amp Sim.

input gain line line line line line line line var type - - - - - Phaser Auto Pan

var type - - - - -

input gain mic mic mic mic mic mic var type Karaoke3 Echo Stage1 Exciter Pitch Change Pitch Change

var type Flanger Celeste Touch Wah Tremolo Phaser Pitch Change

input gain line line line line line line var type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change

var type

(Note 1) The input may be distorted depending on the guitar that you use. Make adjustments using either the A/D INPUT V OLUME or the volume of your guitar. (Note 2) For AUDIO, A/D1 is panned to the left channel, and A/D2 is panned to the right channel. (Note 3) The stereo setting can be selected only for A/D1.

A/D2

A/D1 A/D2

The A/D1 and A/D2 inputs are handled as the left and right channels respectively of a stereo signal.

Effect Program List

REVERB

No. MSB LSB Effect Type Features

0 00H 00H NO EFFECT Effect is off 1 01H 00H HALL 1 Reverb simulating the reverberance of a hall 2 01H 01H HALL 2 " 3 02H 00H ROOM 1 Reverb simulating the reverberance of a room 4 02H 01H ROOM 2 " 5 02H 02H ROOM 3 " 6 03H 00H STAGE 1 Reverb suitable for solo instruments 7 03H 01H STAGE 2 " 8 04H 00H PLATE Reverb simulating a metal plate reverb device

9 10H 00H WHITE ROOM Unique short reverb with a slight initial delay 10 11H 00H TUNNEL Simulation of a cylindrical space extending to left and right 11 12H 00H CANYON Simulation of an imaginary sound space extending without limits 12 13H 00H BASEMENT Reverb with unique resonance after a slight initial delay

CHORUS

No. MSB LSB Effect Type Features

0 00H 00H NO EFFECT Effect is off

1 41H 00H CHORUS 1 Standard chorus effect. Gives the sound a natural spaciousness.

2 41H 01H CHORUS 2 "

3 41H 02H CHORUS 3 "

4 41H 08H CHORUS 4 "

5 42H 00H CELESTE 1 This effect uses a three-phase LFO to create modulation and spaciousness

6 42H 01H CELESTE 2 "

7 42H 02H CELESTE 3 "

8 42H 08H CELESTE 4 "

9 43H 00H FLANGER 1 An effect reminiscent of a jet airplane 10 43H 01H FLANGER 2 " 11 43H 08H FLANGER 3 " 12 44H 00H SYMPHONIC Additional stages are added to the modulation of CELESTE 13 57H 00H ENSEMBLE DETUNE 14 48H 00H PHASER 1 Adds modulation by cyclically changing the phase

A chorus effect without modulation created by adding a slightly pitch-shifted sound

VARIATION

No. MSB LSB Effect Type

0 00H 00H NO EFFECT

1 0H1 00H HALL 1

2 01H 01H HALL 2

3 02H 00H ROOM 1

4 02H 01H ROOM 2

5 02H 02H ROOM 3

6 03H 00H STAGE 1

7 03H 01H STAGE 2

8 04H 00H PLATE

9 10H 00H WHITE ROOM 10 11H 00H TUNNEL 11 12H 00H CANYON 12 13H 00H BASEMENT 13 05H 00H DELAY L,C,R 14 06H 00H DELAY L,R 15 07H 00H ECHO 16 08H 00H CROSS DELAY 17 09H 00H ER 1 18 09H 01H ER 2 19 0AH 00H GATE REVERB 20 0BH 00H REVERSE GATE 21 14H 00H KARAOKE 1 22 14H 01H KARAOKE 2 23 14H 02H KARAOKE 3 24 41H 00H CHORUS 1 25 41H 01H CHORUS 2 26 41H 02H CHORUS 3 27 41H 08H CHORUS 4 28 42H 00H CELESTE 1 29 42H 01H CELESTE 2 30 42H 02H CELESTE 3 31 42H 08H CELESTE 4 32 43H 00H FLANGER 1 33 43H 01H FLANGER 2 34 43H 08H FLANGER 3 35 44H 00H SYMPHONIC 36 57H 00H ENSEMBLE DETUNE

37 58H 00H AMBIENCE 38 45H 00H ROTARY SPEAKER

39 56H 00H

2WAY ROTARY SPEAKER

Effect is off Reverb simulating the reverberance of a hall

Reverb simulating the reverberance of a room

Reverb suitable for solo instruments

Reverb simulating a metal plate reverb unit Unique short reverb with a slight initial delay Simulation of a cylindrical space extending to left and right Simulation of an imaginary sound space extending without limits Reverb with unique resonance after a slight initial delay An effect which generates three delays: L, R and C (center) An effect which generates two delays, L and R, and provides two feedback delays Two delays (L and R) and independent feedback for L and R This effect crosses the feedback of two delays An effect which produces only the early reflections of reverb

Simulation of gated reverb Simulation of gated reverb played backward Echo for karaoke

Standard chorus effect. Adds natural spaciousness.

An effect which uses a 3-phase LFO to add modulation and spaciousness

An effect reminiscent of a jet airplane

Additional stages are added to the modulation of CELESTE A chorus effect without modulation created by adding a slightly pitch-shifted sound An effect that blurs the location of the sound to add spatial width Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation.

Features

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Effect Program List

40 46H 00H TREMOLO 41 47H 00H AUTO PAN 42 48H 00H PHASER 1 43 48H 08H PHASER 2 44 49H 00H DISTORTION

45 49H 01H COMP+DISTORTION

46 4AH 00H OVER DRIVE

47 4BH 00H AMP SIMULATOR

48 4CH 00H 3BAND EQ(MONO) 49 4DH 00H 2BAND EQ(STEREO) 50 4EH 00H AUTO WAH(LFO)

51 4EH 01H AUTO WAH+DIST

52 4EH 02H AUTO WAH+ODRV

53 52H 00H TOUCH WAH 1

54 52H 01H TOUCH WAH+DIST

55 52H 02H TOUCH WAH+ODRV

56 52H 08H TOUCH WAH 2

57 50H 00H PITCH CHANGE 1 58 50H 01H PITCH CHANGE 2 59 51H 00H AURAL EXCITER 60 53H 00H COMPRESSOR

61 54H 00H NOISE GATE

62 55H 00H VOICE CANCEL 63 40H 00H THRU

An effect which cyclically modulates the volume An effect which cyclically moves the sound left/right and front/back Cyclically changes the phase to add modulation

Adds a hard-edged distortion. A noise gate is provided, making this suitable for use with A/D input as well. Since a compressor is provided in the initial stage, even distortion is produced regardless of the input level. Adds mild distortion. A noise gate is provided, making this suitable for use with A/D input as well. Simulates a guitar amp. A noise gate is provided, making this suitable for use with A/D input as well. Mono EQ with low, mid and high equalization Stereo EQ with low and high equalization. Ideal for the drum part. Cyclically changes the center frequency of a wah filter. Can be used with A C1 etc. as a pedal wah. The output of AUT O WAH is distorted by DIST ORTION. Can be used with AC1 etc. as a pedal wah. The output of AUTO WAH is distorted by OVERDRIVE. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. The output of TOUCH WAH is distorted by DISTORTION. Can be used with AC1 etc. as a pedal wah. The output of TOUCH WAH is distorted by OVERDRIVE. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. This effect changes the pitch of the input signal.

This effect adds new overtones to the input signal to make it stand out. Limits the output when the input signal exceeds a specified level. Can also add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Ef fecti ve when you wish to suppress noise from the A/D input. Attenuates the vocal part of a recording on CD etc. Bypass without applying an effect

Aural Exciter  is a registered trademark of Aphex Corporation.

INSERTION1,2

No. MSB LSB Effect Type

0 40H 00H THRU

1 01H 00H HALL 1

2 01H 01H HALL 2

3 02H 00H ROOM 1

4 02H 01H ROOM 2

5 02H 02H ROOM 3

6 03H 00H STAGE 1

7 03H 01H STAGE 2

8 04H 00H PLATE

9 05H 00H DELAY L,C,R 10 06H 00H DELAY L,R 11 07H 00H ECHO 12 08H 00H CROSS DELAY 13 14H 00H KARAOKE 1 14 14H 01H KARAOKE 2 15 14H 02H KARAOKE 3 16 41H 00H CHORUS 1 17 41H 01H CHORUS 2 18 41H 02H CHORUS 3 19 41H 08H CHORUS 4 20 42H 00H CELESTE 1 21 42H 01H CELESTE 2 22 42H 02H CELESTE 3 23 42H 08H CELESTE 4 24 43H 00H FLANGER 1 25 43H 01H FLANGER 2 26 43H 08H FLANGER 3 27 44H 00H SYMPHONIC 28 57H 00H ENSEMBLE DETUNE

29 45H 00H ROTARY SPEAKER

30 46H 00H TREMOLO 31 47H 00H AUTO PAN 32 48H 00H PHASER 1 33 49H 00H DISTORTION 34 4AH 00H OVER DRIVE 35 4BH 00H AMP SIMULATOR 36 4CH 00H 3BAND EQ(MONO) 37 4DH 00H 2BAND EQ(STEREO) 38 4EH 00H AUTO WAH(LFO)

39 52H 00H TOUCH WAH 1

40 52H 08H TOUCH WAH 2 41 51H 00H AURAL EXCITER

42 53H 00H COMPRESSOR

43 54H 00H NOISE GATE

Effect Program List

Bypass without applying an effect Reverb simulating the reverberance of a hall

Reverb simulating the reverberance of a room

Reverb suitable for solo instruments

Reverb simulating a metal plate reverb unit An effect which generates three delays: L, R and C (center) An effect which generates two delays, L and R, and provides two feedback delays Two delays (L and R) and independent feedback for L and R This effect crosses the feedback of two delays Echo for karaoke

Standard chorus effect. Adds natural spaciousness.

An effect which uses a 3-phase LFO to add modulation and spaciousness

An effect reminiscent of a jet airplane

Additional stages are added to the modulation of CELESTE A chorus effect without modulation created by adding a slightly pitch-shifted sound Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the speed of rotation. An effect which cyclically modulates the volume An effect which cyclically moves the sound left/right and front/back Cyclically changes the phase to create modulation Adds a hard-edged distortion Adds mild distortion Simulates a guitar amp Mono EQ with low, mid and high equalization Stereo EQ with low and high equalization. Ideal for the drum part. Cyclically changes the center frequency of a wah filter. Can be used with A C1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. The level of the input will modify the center frequency of the wah filter. Can be used with AC1 etc. as a pedal wah. This effect adds new overtones to the input signal to make it stand out. Limits the output when the input signal exceeds a specified level. Can also add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Ef fectiv e when you wish to suppress noise from the A/D input.

Aural Exciter  is a registered trademark of Aphex Corporation.

Features

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MU90 Effect LSB, MSB LIST

REVERB TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 NO EFFECT ::: 015 F NO EFFECT 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 NO EFFECT ::: 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

CHORUS TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 NO EFFECT ::: 064 40 NO EFFECT 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 NO EFFECT ::: 071 47 NO EFFECT 072 48 PHASER 1 073 49 NO EFFECT ::: 086 56 NO EFFECT 087 57 ENSEMBLE DETUNE 088 58 NO EFFECT ::: 127 7F NO EFFECT

NO EFFECT Same as basic effects (LSB=00)

V ARIATION TYPE (0-63)

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 NO EFFECT 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 ER 1 ER 2 010 A GATE REVERB 011 B REVERSE GATE 012 C NO EFFECT or THRU ::: 015 F NO EFFECT or THRU 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 NO EFFECT or THRU ::: 063 3F NO EFFECT or THRU

NO EFFECT (for SYS) or THRU (for INS) Same as basic effects (LSB=00)

MU90 Effect LSB, MSB LIST

V ARIATION TYPE (64-127)

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 PHASER 2 073 49 DISTORTION COMP+DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULA TOR 076 4C 3-BAND EQ 077 4D 2-BAND EQ 078 4E AUTO W AH(LFO) AUTO WAH+DIST 079 4F THRU 080 50 PITCH CHANGE PITCH CHANGE2 081 51 AURAL EXCITER® 082 52 TOUCH WAH 1 TOUCH WAH+DIST 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 VOICE CANCEL 086 56 087 57 ENSEMBLE DETUNE 088 58 AMBIENCE 089 59 THRU ::: 127 7F THRU

2WAY ROTARY SPEAKER

AUTO WAH+O VERDRIVE

TOUCH W AH+OVERDRIVE

TOUCH WAH 2

THRU Same as basic effects (LSB=00)

INSERTION EFFECT TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 ... 08 000 0 THRU 001 1 HALL 1 HALL 2 002 2 ROOM 1 ROOM 2 ROOM 3 003 3 STAGE 1 STAGE 2 004 4 PLATE 005 5 DELAY L,C,R 006 6 DELAY L,R 007 7 ECHO 008 8 CROSS DELAY 009 9 THRU ::: 019 13 THRU 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 THRU ::: 063 3F THRU 064 40 THRU 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 073 49 DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULA TOR 076 4C 3BAND EQ 077 4D 2-BAND EQ 078 4E AUTO W AH(LFO) 079 4F THRU 080 50 THRU 081 51 AURAL EXCITER® 082 52 TOUCH WAH 1 TOUCH WAH 2 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 THRU 086 56 THRU 087 57 ENSEMBLE DETUNE 088 58 THRU ::: 127 7F THRU

THRU Same as basic effects (LSB=00)

Aural Exciter  is a registered trademark of Aphex Corporation.

MU90 Effect Parameter List

HALL1,HALL2 ROOM1,ROOM2,ROOM3 STAGE1,STAGE2 PLATE (reverb, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Reverb Time 0.3~30.0s 0-69 table#4 2 Diffusion 0~10 0-10 3 Initial Delay 0~63 0-63 table#5 4 HPF Cutoff Thru~8.0kHz 0-52 table#3 5 LPF Cutoff 1.0k~Thru 34-60 table#3 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63 table#5

12 Density 0~4 (reverb, variation block)

13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10 15 Feedback Level -63~+63 1-127 16

0~2 (insertion1,2 block)

0-4 0-2

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DELAY L,C,R (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay 0.1~1486.0ms (variation block)

2 Rch Delay 0.1~1486.0ms (variation block)

3 Cch Delay 0.1~1486.0ms (variation block)

4 Feedback Delay 0.1~1486.0ms (variation block)

5 Feedback Level -63~+63 1-127 6 Cch Level 0~127 0-127 7 High Damp 0.1~1.0 1-10 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~742.9ms (insertion1,2 block)

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

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WHITE ROOM TUNNEL CANYON BASEMENT (reverb, variation block)

No. Parameter Display Value See Table Control

1 Reverb Time 0.3~30.0s 0-69 table#4 2 Diffusion 0~10 0-10 3 Initial Delay 0~63 0-63 table#5 4 HPF Cutoff Thru~8.0kHz 0-52 table#3 5 LPF Cutoff 1.0k~Thru 34-60 table#3 6 Width 0.5~10.2m 0-37 table#11 7 Heigt 0.5~20.2m 0-73 table#11 8 Depth 0.5~30.2m 0-104 table#11 9 Wall Vary 0~30 0-30

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Rev Delay 0~63 0-63 table#5 12 Density 0~4 0-4 13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127 14 High Damp 0.1~1.0 1-10 15 Feedback Level -63~+63 1-127 16

DELAY L,R (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay 0.1~1486.0ms (variation block)

2 Rch Delay 0.1~1486.0ms (variation block)

3 Feedback Delay 1 0.1~1486.0ms (variation block)

4 Feedback Delay 2 0.1~1486.0ms (variation block)

5 Feedback Level -63~+63 1-127 6 High Damp 0.1~1.0 1-10 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~742.9ms (insertion1,2 block)

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

1-14860

1-7429

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ECHO (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Lch Delay1 0.1~743.0ms (variation block)

2 Lch Feedback Level -63~+63 1-127 3 Rch Delay1 0.1~743.0ms (variation block)

4 Rch Feedback Level -63~+63 1-127 5 High Damp 0.1~1.0 1-10 6 Lch Delay2 0.1~743.0ms (variation block)

7 Rch Delay2 0.1~743.0ms (variation block)

8 Delay2 Level 0~127 0-127 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

0.1~371.4ms (insertion1,2 block)

1-7430 1-3714

1-7430 1-3714 1-7430 1-3714

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EARLY REF1,EARLY REF2 (variation block)

No. Parameter Display Value See Table Control

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 2 Room Size 0.1~7.0 0-44 table#6 3 Diffusion 0~10 0-10 4 Initial Delay 0~63 0-63 table#5 5 Feedback Level -63~+63 1-127 6 HPF Cutoff Thru~8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k~Thru 34-60 table#3 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10 12 Density 0~3 0-3 13 High Damp 0.1~1.0 1-10 14 15 16

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CROSS DELAY (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 L->R Delay 0.1~743.0ms (variation block)

2 R->L Delay 0.1~743.0ms (variation block)

3 Feedback Level -63~+63 1-127 4 Input Select L,R,L&R 0-2 5 High Damp 0.1~1.0 1-10 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 14 EQ Low Gain -12~+12dB 52-76 15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 16 EQ High Gain -12~+12dB 52-76

GATE REVERB REVERSE GATE (variation block)

No. Parameter Display Value See Table Control

1 Type TypeA,TypeB 0-1 2 Room Size 0.1~20.0 0-127 table#6 3 Diffusion 0~10 0-10 4 Initial Delay 0~127 0-127 table#5 5 Feedback Level -63~+63 1-127 6 HPF Cutoff Thru~8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k~Thru 34-60 table#3 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Liveness 0~10 0-10 12 Density 0~3 0-3 13 High Damp 0.1~1.0 1-10 14 15 16

0.1~371.4ms (insertion1,2 block)

1-7430 1-3714 1-7430 1-3714

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MU90 Effect Parameter List

KARAOKE1,2,3 (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Delay Time 0~127 0-127 table#7 2 Feedback Level -63~+63 1-127 3 HPF Cutoff Thru~8.0kHz 0-52 table#3 4 LPF Cutoff 1.0k~Thru 34-60 table#3 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 14 15 16

FLANGER1,2,3 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Feedback Level -63~+63 1-127 4 Delay Offset 0~63 0-63 table#2 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 LFO Phase

Difference 15 16

(variation block)

-180~+180deg 4-124 resolution=

14-54 table#3

3deg.

CHORUS1,2,3,4 CELESTE1,2,3,4 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Feedback Level -63~+63 1-127 4 Delay Offset 0~127 0-127 table#2 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76

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8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 Input Mode mono/stereo 0-1 16

(variation block)

14-54 table#3

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SYMPHONIC (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Delay Offset 0~127 0-127 table#2 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

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10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

(variation block)

14-54 table#3

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ENSEMBLE DETUNE (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Detune -50~+50cent 14-114 2 Lch Init Delay 0~127 0-127 table#2 3 Rch Init Delay 0~127 0-127 table#2 4 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Low Frequency 32Hz~2.0kHz

12 EQ Low Gain -12~+12dB

13 EQ High Frequency 500Hz~16.0kHz

14 EQ High Gain -12~+12dB

15 16

(variation, insertion1,2 block)

4-40 table#3

52-76

28-58 table#3

52-76

ROTARY SPEAKER (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

(variation block)

14-54 table#3

AMBIENCE (variation block)

No. Parameter Display Value See Table Control

1 Delay Time 0~127 0-127 table#2 2 Output Phase normal/invers 0-1 3 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

●

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 12 13 14 15 16

●

2WAY ROTARY SPEAKER (variation block)

No. Parameter Display Value See Table Control

●

1 Rotor Speed 0.0Hz~39.7Hz 0-127 table#1 2 Drive Low 0~127 0-127 3 Drive High 0~127 0-127 4 Low/High L63>H ~ L=H ~ L<H63 1-127 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 Crossover

Frequency

12 Mic L-R Angle 0deg~180deg 0-60 resolution=

13 14 15 16

100Hz~10.0kHz 14-54 table#3

3deg.

●

MU90 Effect Parameter List

TREMOLO (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 AM Depth 0~127 0-127 3 PM Depth 0~127 0-127 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 LFO Phase

Difference 15 Input Mode mono/stereo 0-1 16

(variation block)

-180~+180deg 4-124 resolution=

14-54 table#3

3deg.

●

PHASER 1 (chorus, variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Phase Shift Offset 0~127 0-127 4 Feedback Level -63~+63 1-127 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Stage 4,5,6 (chorus, insertion1,2 block)

12 Diffusion mono/stereo 0-1 13 14 15 16

4~12 (variation block)

4-6

4-12

●

AUTO PAN (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 L/R Depth 0~127 0-127 3 F/R Depth 0~127 0-127 4 PAN Direction L<->R,L->R,L<-R,Lturn,

5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

11 EQ Mid Frequency 100Hz~10.0kHz

12 EQ Mid Gain -12~+12dB (variation block) 52-76 13 EQ Mid Width 1.0~12.0 (variation block) 10-120 14 15 16

Rturn,L/R

(variation block)

0-5

14-54 table#3

PHASER 2 (variation block)

No. Parameter Display Value See Table Control

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Stage 3,4,5,6 3-6 12 13 LFO Phase

Difference 14 15 16

-180deg~+180deg 4-124 resolution= 3deg.

●

DISTORTION OVERDRIVE (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Drive 0~127 0-127 2 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 3 EQ Low Gain -12~+12dB 52-76 4 LPF Cutoff 1.0k~Thru 34-60 table#3 5 Output Level 0~127 0-127 6 7 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 8 EQ Mid Gain -12~+12dB 52-76 9 EQ Mid Width 1.0~12.0 10-120

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 13 14 15 16

●

AMP SIMULATOR (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Drive 0~127 0-127 2 AMP Type Off,Stack,Combo,Tube 0-3 3 LPF Cutoff 1.0k~Thru 34-60 table#3 4 Output Level 0~127 0-127 5 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 13 14 15 16

●

COMP+DIST (variation block)

No. Parameter Display Value See Table Control

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp 12 Attack 1ms~40ms 0-19 table#8 13 Release 10ms~680ms 0-15 table#9 14 Threshold -48dB~-6dB 79-121 15 Ratio 1.0~20.0 0-7 table#10 16

3BAND EQ(MONO) (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 EQ Low Gain -12~+12dB 52-76 2 EQ Mid Frequency 100Hz~10.0kHz 14-54 table#3 3 EQ Mid Gain -12~+12dB 52-76 4 EQ Mid Width 1.0~12.0 10-120 5 EQ High Gain -12~+12dB 52-76 6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3 7 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 8 9

11 12 13 14 15 Input Mode mono/stereo 0-1 16

●

MU90 Effect Parameter List

2BAND EQ(STEREO) (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 2 EQ Low Gain -12~+12dB 52-76 3 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 4 EQ High Gain -12~+12dB 52-76 5 6 7 8 9

11 12 13 14 15 16

AUTO WAH+DIST AUTO WHA+ODRV (variation block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Cutoff Frequency

Offset 4 Resonance 1.0~12.0 10-120 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127

12 EQ Low Gain

(distortion)

13 EQ Mid Gain

(distortion)

14 LPF Cutoff 1.0kHz~thru 34-60 table#3 15 Output Level 0~127 0-127 16

0~127 0-127

-12~+12dB 52-76

AUTO WAH (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz~39.7Hz 0-127 table#1 2 LFO Depth 0~127 0-127 3 Cutoff Frequency

Offset 4 Resonance 1.0~12.0 10-120 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127 12 13 14 15 16

TOUCH WAH 1 (variation, insertion1,2 block) TOUCH WAH+DIST (variation block)

No. Parameter Display Value See Table Control

1 Sensitive 0~127 0-127 2 Cutoff Frequency

●

Offset 3 Resonance 1.0~12.0 10-120 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127 12 13 14 15 16

0~127 0-127

●

TOUCH WAH 2 (variation, insertion1,2 block) TOUCH WAH+ODRV (variation block)

No. Parameter Display Value See Table Control

1 Sensitive 0~127 0-127 2 Cutoff Frequency

Offset 3 Resonance 1.0~12.0 10-120 4 5 6 EQ Low Frequency 32Hz~2.0kHz 4-40 table#3 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3 9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Drive 0~127 0-127

12 EQ Low Gain

(distortion)

13 EQ Mid Gain

(distortion)

14 LPF Cutoff 1.0kHz~thru 34-60 table#3 15 Output Level 0~127 0-127 16

0~127 0-127

-12~+12dB 52-76

PITCH CHANGE 2 (variation block)

No. Parameter Display Value See Table Control

1 Pitch -24~+24 40-88 2 Initial Delay 0~127 0-127 table#7 3 Fine 1 -50~+50cent 14-114 4 Fine 2 -50~+50cent 14-114 5 Feedback Level -99~+99% 1-127 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Pan 1 L63~R63 1-127 12 Output Level 1 0~127 0-127 13 Pan 2 L63~R63 1-127 14 Output Level 2 0~127 0-127 15 16

PITCH CHANGE 1 (variation block)

No. Parameter Display Value See Table Control

1 Pitch -24~+24 40-88 2 Initial Delay 0~127 0-127 table#7

●

3 Fine 1 -50Hz~+50Hz 14-114 4 Fine 2 -50Hz~+50Hz 14-114 5 Feedback Level -99~+99% 1-127 6 7 8 9

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Pan 1 L63~R63 1-127 12 Output Level 1 0~127 0-127 13 Pan 2 L63~R63 1-127 14 Output Level 2 0~127 0-127 15 16

AURAL EXCITER (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 HPF Cutoff 500Hz~16.0kHz 28-58 table#3 2 Drive 0~127 0-127 3 Mix Level 0~127 0-127 4 5 6 7 8 9

11 12 13 14 15 16

●

Aural Exciter is a registered trademark of Aphex Corporation.

MU90 Effect Parameter List

COMPRESSOR (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Attack 1~40ms 0-19 table#8 2 Release 10~680ms 0-15 table#9 3 Threshold -48~-6dB 79-121 4 Ratio 1.0~20.0 0-7 table#10 5 Output Level 0~127 0-127 6 7 8 9

11 12 13 14 15 16

VOICE CANCELAR (variation block)

No. Parameter Display Value See Table Control

1 2 3 4 5 6 7 8 9

11 Low Adjust 0~26 0-26 12 High Adjust 0~26 0-26 13 14 15 16

NOISE GATE (variation, insertion1,2 block)

No. Parameter Display Value See Table Control

1 Attack 1~40ms 0-19 table#8 2 Release 10~680ms 0-15 table#9 3 Threshold -72~-30dB 55-97 4 Output Level 0~127 0-127 5 6 7 8 9

11 12 13 14 15 16

Explanation of effect parameters

Parameter name Effect types in which the parameter exists Explanation of parameter

AM Depth TREMOLO Depth of volume modulation AMP Type AMP SIMULATOR Select the amp type to be simulated Attack COMPRESSOR type Time until when the compressor begins to take effect

Cch Delay DELAY L,C,R Delay length of center channel Cch Level DELAY L,C,R Volume of center channel Crossover Frequency 2W AY RO TAR Y SPEAKER Crossover frequency between the high frequency speaker and the low frequency speak er Cutoff Frequency Offset WAH type Frequency offset value which will control the wah filter Delay Offset CHORUS type Offset value of delay modulation Delay Time KARAOKE 1,2,3 Interval between repeats of the karaoke echo

Delay2 Level ECHO Volume of the second delay Density REVERB type, EARLY REF type Density of the reflections. Higher values produce greater density. Depth REVERB type Depth of the room to be simulated Detune ENSEMBLE DETUNE Amount of pitch shift Diffusion REVERB type, EARLY REF type, PHASER Controls the amount of spread Drive DISTORTION type The degree of distortion

Drive High 2WAY ROTARY SPEAKER Depth of the modulation caused by the rotation of the low frequency speaker Drive Low 2WAY ROTARY SPEAKER Depth of the modulation caused by the rotation of the high frequency speaker Dry/Wet All types Balance between dry sound and effect sound Edge (Clip Curve) DISTORTION type Curve of distortion character (sharp (127) distorts suddenly, and mild (0) distorts gradu-

EQ High Frequency All types Frequency at which the EQ will boost/cut the high range EQ High Gain All types Amount of gain with which the EQ will boost/cut the high range EQ Low Frequency All types Frequency at which the EQ will boost/cut the low range EQ Low Gain All types Amount of gain with which the EQ will boost/cut the low range EQ Mid Frequency All types Frequency at which the EQ will boost/cut the mid range EQ Mid Gain All types Amount of gain with which the EQ will boost/cut the mid range EQ Mid Width All types Width of the area at which the EQ will boost/cut the mid range Er/Rev Balance REVERB type Level balance between the early reflections and the reverb sound F/R Depth AUTO PAN Depth of front/back panning (valid when PAN Direction=Lturn, Rturn) Feedback Delay DELAY L,C,R Length of feedback delay Feedback Delay 1 DELAY L, R Length of feedback delay 1 Feedback Delay 2 DELAY L, R Length of feedback delay 2 Feedback Level REVERB type Amount of feedback for the initial delay

Fine 1 PITCH CHANGE type Fine pitch setting for first unit Fine 2 PITCH CHANGE type Fine pitch setting for second unit Height REVERB type Height of the room to be simulated High Adjust VOICE CANCELAR Adjust the upper limit of the mid-range frequencies to be attenuated High Damp REVERB type, DELAY type, EARLY REF type Adjust the decay of the high frequencies (smaller values will cause high frequencies to

HPF Cutoff Initial Delay REVERB type Delay time until the early reflections

Input Mode All types Mono/stereo switch for the input Input Select CROSS DELAY Select the input L/R Depth AUTO PAN Depth of left/right panning L->R Delay CROSS DELAY Delay time from left (input) to right (output) Lch Delay DELAY type Delay length of the left channel Lch Delay 1 ECHO First delay length of the left channel Lch Delay 2 ECHO Second delay length of the left channel Lch Feedback Level ECHO Feedback amount of the left channel Lch Init Delay ENSEMBLE DETUNE Length of left channel delay LFO Depth CHORUS type, FLANGER type, SYMPHONIC type Frequency of delay modulation

LFO Frequency CHORUS type, FLANGER type, SYMPHONIC Frequency of delay modulation

LFO Phase Difference PHASER type, FLANGER type L/R phase difference between modulation waveforms (At 0 deg (=64) there is no phase

Liveness EARLY REF type ER decay. Lower values produce faster decay. Low Adjust VOICE CANCELAR Adjust the lower limit of the mid-range that will be attenuated Low/High 2WAY ROTARY SPEAKER Volume balance between the high range speaker and the low range speaker LPF Cutoff All types Frequency at which the low pass filter will cut the high range Mic L-R Angle 2WAY ROTARY SPEAKER L/R angle of the mics which will pick up the output Mix Level AURAL EXCITER Level of the effect sound which will be mixed into the dry sound Output Level All types Output level Output Level 1 PITCH CHANGE type Output level of first unit Output Level 2 PITCH CHANGE type Output level of second unit Output Phase AMBIENCE Exchange the L/R phase of the effect sound Pan 1 PITCH CHANGE type PAN of first unit Pan 2 PITCH CHANGE type PAN of second unit PAN Direction AUTO PAN Type of auto pan (L<->R is sine wave, L/R is square wave) Phase Shift Offset PHASER type Offset value of phase modulation Pitch PITCH CHANGE type Pitch setting in semitone steps

NOISE GATE Time until when the gate begins to open

AMBIENCE Delay length

AURAL EXCITER The degree to which the exciter effect is applied

ally)

DELAY type, EARLY REF type, PITCH CHANGE type Amount of feedback KARAOKE type Setting for delay repeats CHORUS type, FLANGER type Level at which the delayed output is returned to the input (negative values invert the

PHASER type Level at which the output of the phaser is returned to the input (negati ve v alues in vert the

REVERB type, EARLY REF type, KARAOKE type, AURAL EXCITER

EARLY REF type Length of delay until the ER (Gate Reverb) sounds PITCH CHANGE type Delay length

ROTARY SPEAKER Modulation depth caused by speaker rotation PHASER type Depth of phase modulation WAH type Depth to which wah filter is controlled

ROTARY SPEAKER Frequency at which the speaker rotates TREMOLO Modulation frequency AUTO PAN Auto pan frequency PHASER type Frequency of phase modulation WAH type Frequency at which wah filter is controlled

phase)

decay more rapidly) Frequency at which the high pass filter will cut the low range

difference.)

Explanation of effect parameters

PM Depth TREMOLO Depth of delay modulation

R->L Delay CROSS DELAY Delay time from right (input) to left (output)

Ratio COMPRESSOR type Compression ratio of the compressor

Rch Delay DELAY type Delay length of the right channel

Rch Delay 1 ECHO First delay length of the right channel

Rch Delay 2 ECHO Second delay length of the right channel

Rch Feedback Level ECHO Feedback amount of the right channel

Rch Init Delay ENSEMBLE DETUNE Length of right channel delay

Release COMPRESSOR type Time until when the compressor effect is removed

Resonance WAH type Bandwidth of the wah filter

Rev Delay REVERB type Delay time from the early reflections until the reverb sound

Reverb Time REVERB type Length of reverb

Room Size EARLY REF type ER will become longer as the size of the room (this value) increases

Rotor Speed 2WAY ROTARY SPEAKER Frequency at which the speaker rotates

Sensitive WAH type Sensitivity with which the wah filter will respond to changes in the input

Stage PHASER type Number of stages in the phase shifter

Threshold COMPRESSOR type Input level at which the effect begins to apply

Type EARLY REF type Select the type

Wall Vary REVERB type Condition of the walls of the room being simulated (higher values produce more random

Width REVERB type Width of the room being simulated

Note (The types such as “REVERB type” referred to in the above table include the following effects.)

CHORUS type CHORUS1, CHORUS2, CHORUS3, CHORUS4, CELESTE1, CELESTE2, CELESTE3, CELESTE4, COMPRESSOR type COMPRESSOR, COMP+DIST DELAY type DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY DISTORTION type DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST,

EARLY REF type EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE FLANGER type FLANGER1, FLANGER2, FLANGER3 KARAOKE type KARAOKE1, KARAOKE2, KARAOKE3 PHASER type PHASER1, PHASER2 PITCH CHANGE type PITCH CHANGE1, PITCH CHANGE2 REVERB type HALL1, HALL2, ROOM1, ROOM2, ROOM3, STAGE1, STAGE2, PLATE, WHITE ROOM, TUNNEL, CANYON, BASEMENT W AH type A UTO WAH, AUTO WAH+DIST , AUTO WAH+ODR V, T OUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODR V

NOISE GATE Time until when the gate is closed

NOISE GATE Input level at which the gate begins to open

reflections)

TOUCH W AH+ODRV, COMP+DIST

Data V alue Assign Table

table #1 LFO Frequency

Data Value

00 1 0.04 2 0.08 3 0.13 4 0.17 5 0.21 6 0.25 7 0.29 8 0.34

9 0.38 10 0.42 11 0.46 12 0.51 13 0.55 14 0.59 15 0.63 16 0.67 17 0.72 18 0.76 19 0.80 20 0.84 21 0.88 22 0.93 23 0.97 24 1.01 25 1.05 26 1.09 27 1.14 28 1.18 29 1.22 30 1.26 31 1.3

Data Value Data Value Data Value

32 1.35 33 1.39 34 1.43 35 1.47 36 1.51 37 1.56 38 1.60 39 1.64 40 1.68 41 1.72 42 1.77 43 1.81 44 1.85 45 1.89 46 1.94 47 1.98 48 2.02 49 2.06 50 2.10 51 2.15 52 2.19 53 2.23 54 2.27 55 2.31 56 2.36 57 2.40 58 2.44 59 2.48 60 2.52 61 2.57 62 2.61 63 2.65

64 2.69 65 2.78 66 2.86 67 2.94 68 3.03 69 3.11 70 3.20 71 3.28 72 3.37 73 3.45 74 3.53 75 3.62 76 3.70 77 3.87 78 4.04 79 4.21 80 4.37 81 4.54 82 4.71 83 4.88 84 5.05 85 5.22 86 5.38 87 5.55 88 5.72 89 6.06 90 6.39 91 6.73 92 7.07 93 7.40 94 7.74 95 8.08

96 8.41 97 8.75 98 9.08

99 9.42 100 9.76 101 10.1 102 10.8 103 11.4 104 12.1 105 12.8 106 13.5 107 14.1 108 14.8 109 15.5 110 16.2 111 16.8 112 17.5 113 18.2 114 19.5 115 20.9 116 22.2 117 23.6 118 24.9 119 26.2 120 27.6 121 28.9 122 30.3 123 31.6 124 33.0 125 34.3 126 37.0 127 39.7

table#3 EQ Frequency

Data Value

850

956 10 63 11 70 12 80 13 90 14 100 15 110 16 125 17 140 18 160 19 180 20 200 21 225 22 250 23 280 24 315 25 355 26 400 27 450 28 500 29 560 30 630 31 700 32 800 33 900 34 1.0k 35 1.1k 36 1.2k 37 1.4k 38 1.6k 39 1.8k

Data Value

40 2.0k 41 2.2k 42 2.5k 43 2.8k 44 3.2k 45 3.6k 46 4.0k 47 4.5k 48 5.0k 49 5.6k 50 6.3k 51 7.0k 52 8.0k 53 9.0k 54 10.0k 55 11.0k 56 12.0k 57 14.0k 58 16.0k 59 18.0k 60

THRU(20.0k)

table#2 Modulation Delay Offset

Data Value

0 0.0 1 0.1 2 0.2 3 0.3 4 0.4 5 0.5 6 0.6 7 0.7 8 0.8

9 0.9 10 1.0 11 1.1 12 1.2 13 1.3 14 1.4 15 1.5 16 1.6 17 1.7 18 1.8 19 1.9 20 2.0 21 2.1 22 2.2 23 2.3 24 2.4 25 2.5 26 2.6 27 2.7 28 2.8 29 2.9 30 3.0 31 3.1

Data Value Data Value Data Value

32 3.2 33 3.3 34 3.4 35 3.5 36 3.6 37 3.7 38 3.8 39 3.9 40 4.0 41 4.1 42 4.2 43 4.3 44 4.4 45 4.5 46 4.6 47 4.7 48 4.8 49 4.9 50 5.0 51 5.1 52 5.2 53 5.3 54 5.4 55 5.5 56 5.6 57 5.7 58 5.8 59 5.9 60 6.0 61 6.1 62 6.2 63 6.3

64 6.4 65 6.5 66 6.6 67 6.7 68 6.8 69 6.9 70 7.0 71 7.1 72 7.2 73 7.3 74 7.4 75 7.5 76 7.6 77 7.7 78 7.8 79 7.9 80 8.0 81 8.1 82 8.2 83 8.3 84 8.4 85 8.5 86 8.6 87 8.7 88 8.8 89 8.9 90 9.0 91 9.1 92 9.2 93 9.3 94 9.4 95 9.5

96 9.6 97 9.7 98 9.8

99 9.9 100 10.0 101 11.1 102 12.2 103 13.3 104 14.4 105 15.5 106 17.1 107 18.6 108 20.2 109 21.8 110 23.3 111 24.9 112 26.5 113 28.0 114 29.6 115 31.2 116 32.8 117 34.3 118 35.9 119 37.5 120 39.0 121 40.6 122 42.2 123 43.7 124 45.3 125 46.9 126 48.4 127 50.0

table#4 Reverb time

Data Value

0 0.3 1 0.4 2 0.5 3 0.6 4 0.7 5 0.8 6 0.9 7 1.0 8 1.1

9 1.2 10 1.3 11 1.4 12 1.5 13 1.6 14 1.7 15 1.8 16 1.9 17 2.0 18 2.1 19 2.2 20 2.3 21 2.4 22 2.5 23 2.6 24 2.7 25 2.8 26 2.9 27 3.0 28 3.1 29 3.2 30 3.3 31 3.4

Data Value Data Value

32 3.5 33 3.6 34 3.7 35 3.8 36 3.9 37 4.0 38 4.1 39 4.2 40 4.3 41 4.4 42 4.5 43 4.6 44 4.7 45 4.8 46 4.9 47 5.0 48 5.5 49 6.0 50 6.5 51 7.0 52 7.5 53 8.0 54 8.5 55 9.0 56 9.5 57 10.0 58 11.0 59 12.0 60 13.0 61 14.0 62 15.0 63 16.0

64 17.0 65 18.0 66 19.0 67 20.0 68 25.0 69 30.0

Data V alue Assign Table

table#5 Delay Time(200.0ms)

Data Value

0 0.1 1 1.7 2 3.2 3 4.8 4 6.4 5 8.0 6 9.5 7 11.1 8 12.7

9 14.3 10 15.8 11 17.4 12 19.0 13 20.6 14 22.1 15 23.7 16 25.3 17 26.9 18 28.4 19 30.0 20 31.6 21 33.2 22 34.7 23 36.3 24 37.9 25 39.5 26 41.0 27 42.6 28 44.2 29 45.7 30 47.3 31 48.9

Data Value

32 50.5 33 52.0 34 53.6 35 55.2 36 56.8 37 58.3 38 59.9 39 61.5 40 63.1 41 64.6 42 66.2 43 67.8 44 69.4 45 70.9 46 72.5 47 74.1 48 75.7 49 77.2 50 78.8 51 80.4 52 81.9 53 83.5 54 85.1 55 86.7 56 88.2 57 89.8 58 91.4 59 93.0 60 94.5 61 96.1 62 97.7 63 99.3

table#6 Room Size

Data Value

0 0.1 1 0.3 2 0.4 3 0.6 4 0.7 5 0.9 6 1.0 7 1.2 8 1.4

9 1.5 10 1.7 11 1.8 12 2.0 13 2.1 14 2.3 15 2.5 16 2.6 17 2.8 18 2.9 19 3.1 20 3.2 21 3.4 22 3.5 23 3.7 24 3.9 25 4.0 26 4.2 27 4.3 28 4.5 29 4.6 30 4.8 31 5.0

Data Value

32 5.1 33 5.3 34 5.4 35 5.6 36 5.7 37 5.9 38 6.1 39 6.2 40 6.4 41 6.5 42 6.7 43 6.8 44 7.0

Table#8 Compressor Attack Time

Data Value

01 12 23 34 45 56 67 78 89

910 10 12 11 14 12 16 13 18 14 20 15 23 16 26 17 30 18 35 19 40

Table#9 Compressor Release Time

Data Value

010 115 225 335 445 555 665 775 885

9 100 10 115 11 140 12 170 13 230 14 340 15 680

Table#10 Compressor Ratio

Data Value

0 1.0

1 1.5

2 2.0

3 3.0

4 5.0

5 7.0

6 10.0

7 20.0

table#7 Delay Time(400.0ms)

Data Value

0 0.1 1 3.2 2 6.4 3 9.5 4 12.7 5 15.8 6 19.0 7 22.1 8 25.3

9 28.4 10 31.6 11 34.7 12 37.9 13 41.0 14 44.2 15 47.3 16 50.5 17 53.6 18 56.8 19 59.9 20 63.1 21 66.2 22 69.4 23 72.5 24 75.7 25 78.8 26 82.0 27 85.1 28 88.3 29 91.4 30 94.6 31 97.7

Data Value Data Value Data Value

32 100.9 33 104.0 34 107.2 35 110.3 36 113.5 37 116.6 38 119.8 39 122.9 40 126.1 41 129.2 42 132.4 43 135.5 44 138.6 45 141.8 46 144.9 47 148.1 48 151.2 49 154.4 50 157.5 51 160.7 52 163.8 53 167.0 54 170.1 55 173.3 56 176.4 57 179.6 58 182.7 59 185.9 60 189.0 61 192.2 62 195.3 63 198.5

64 201.6 65 204.8 66 207.9 67 211.1 68 214.2 69 217.4 70 220.5 71 223.7 72 226.8 73 230.0 74 233.1 75 236.3 76 239.4 77 242.6 78 245.7 79 248.9 80 252.0 81 255.2 82 258.3 83 261.5 84 264.6 85 267.7 86 270.9 87 274.0 88 277.2 89 280.3 90 283.5 91 286.6 92 289.8 93 292.9 94 296.1 95 299.2

96 302.4 97 305.5 98 308.7

99 311.8 100 315.0 101 318.1 102 321.3 103 324.4 104 327.6 105 330.7 106 333.9 107 337.0 108 340.2 109 343.3 110 346.5 111 349.6 112 352.8 113 355.9 114 359.1 115 362.2 116 365.4 117 368.5 118 371.7 119 374.8 120 378.0 121 381.1 122 384.3 123 387.4 124 390.6 125 393.7 126 396.9 127 400.0

table#11 Reverb Width;Depth;Height

Data Value

0 0.5 1 0.8 2 1.0 3 1.3 4 1.5 5 1.8 6 2.0 7 2.3 8 2.6

9 2.8 10 3.1 11 3.3 12 3.6 13 3.9 14 4.1 15 4.4 16 4.6 17 4.9 18 5.2 19 5.4 20 5.7 21 5.9 22 6.2 23 6.5 24 6.7 25 7.0 26 7.2 27 7.5 28 7.8 29 8.0 30 8.3 31 8.6

Data Value Data Value Data Value

32 8.8 33 9.1 34 9.4 35 9.6 36 9.9 37 10.2 38 10.4 39 10.7 40 11.0 41 11.2 42 11.5 43 11.8 44 12.1 45 12.3 46 12.6 47 12.9 48 13.1 49 13.4 50 13.7 51 14.0 52 14.2 53 14.5 54 14.8 55 15.1 56 15.4 57 15.6 58 15.9 59 16.2 60 16.5 61 16.8 62 17.1 63 17.3

64 17.6 65 17.9 66 18.2 67 18.5 68 18.8 69 19.1 70 19.4 71 19.7 72 20.0 73 20.2 74 20.5 75 20.8 76 21.1 77 21.4 78 21.7 79 22.0 80 22.4 81 22.7 82 23.0 83 23.3 84 23.6 85 23.9 86 24.2 87 24.5 88 24.9 89 25.2 90 25.5 91 25.8 92 26.1 93 26.5 94 26.8 95 27.1

96 27.5 97 27.8 98 28.1

99 28.5 100 28.8 101 29.2 102 29.5 103 29.9 104 30.2

MIDI Data Format

1. Channel messages

1.1 Note-on / Note-off

These are messages which convey keyboard performance data. Range of received notes = C-2 ...G8 Velocity range = 1...127 (Velocity is received only for note-on)

When the Multi Part parameter Rcv NOTE MESSAGE = OFF, that part is not received. For Drum parts*, key-off is not received when the Drum Setup parameter Rcv NOTE OFF = OFF. For Drum parts, key-on is not received when the Drum Setup parameter Rcv NOTE ON = OFF. * Drum Part indicates that the Multi Part parameter PART MODE is DRUM or DRUMS1...4.

1.2 Control Changes

These messages convey controller operations such as for volume and pan. The function is distinguished by the control number (Ctrl#). When the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes.

1.2.1 Bank Select

These messages select the voice bank.

Control# Parameter Data Range 0 Bank Select MSB 0,64, 126, 127

32 Bank Select LSB 0...127

Bank Select processing is suspended until a Program Change message is received, and when a voice from a different voice bank is to be selected, Bank Select and a program change message must be transmitted as a set, in the order of Bank Select MSB, LSB, and Program Change. Bank Select is not received when Sound Module Mode = C/M.

1.2.2 Modulation

In general this message controls the depth at which vibrato is applied, but the depth of the following seven effects can be controlled. The effect of these messages can be changed by the following parameters.

• Multi Part Parameter

1. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH

• Effectl Parameter

7. MW VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as an Insertion effect.)

With the initial settings, the LFO Pitch Modulation (PMOD) effect will apply.

Control# Parameter Data Range 0 Modulation 0...127

When the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation. If the receiving channel is a drum part, effects 5 and 6 will not apply.

1.2.3 Portamento Time

This message controls the way in which portamento (see 1.2.9) is applied.

Control# Parameter Data Range 5 Portamento Time 0...127

When Portamento = ON, this adjusts the speed of the pitch change. A value of 0 is the shortest portamento time, and 127 is the longest portamento time. If the receiving channel is a drum part, Portamento Time is not received.

1.2.4 Data Entry

This message sets the value of the parameter specified by RPN (see 1.2.22) or NRPN (see

1.2.21).

Control# Parameter Data Range 6 Data Entry MSB 0...127 38 Data Entry LSB 0...127

1.2.5 Main Volume

This message control the volume of each part. (Use it to adjust the volume balance of each part.)

Control# Parameter Data Range 7 Main Volume 0...127

If the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume. 0 is silence, 127 is maximum volume.

(Normal voice,SFX voice, SFX kit, Drum kit)

1.2.6 Panpot

This message controls the stereo location of the sound of each part.

Control# Parameter Data Range 10 Pan 0...64...127

If the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot. 0 is left, 64 is center, 127 is right.

1.2.7 Expression

This message controls the dynamics of each part. (Use it to create volume changes during a song.)

Control# Parameter Data Range 11 Expression 0...127

If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not recei ve Expression.

1.2.8 Hold1

This message controls sustain pedal on/off.

Control# Parameter Data Range 64 Holdl 0...63,64...127

When ON, the currently-sounding notes will be sustained even after note-off is received. If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1.

1.2.9 Portamento

This message controls portamento pedal on/off.

Control# Parameter Data Range 64 Portamento 0...63,64...127

When ON, the pitch will smoothly change from one note to the next. The time over which the pitch change occurs is adjusted by Portamento Time (see 1.2.3). If the Multi Part parameter MONO/POLY MODE = MONO, turning Portamento = ON will also cause the sound to be smoothly connected (legato). If any of the following Multi Part parameter settings apply, that part will not receive Portamento.

• Rcv PORTAMENTO = OFF

• PART MODE = DRUM, DRUMSI...4

1.2.10Sostenuto

This message controls sostenuto pedal on/off.

Control# Parameter Data Range 66 Sostenuto 0...63,64...127

When sostenuto is turned on while a note is sounding, that note will continue sustaining until sostenuto is turned off. If the following Multi Part parameter setting applies, that part will not receive Sostenuto.

• Rcv SOSTENUTO = OFF

1.2.11Soft Pedal

This message controls soft pedal on/off.

Control# Parameter Data Range 67 Soft Pedal 0...63,64...127

When ON, the sound will be softer. If any of the following Multi Part parameter settings apply , that part will not recei ve Soft Pedal.

• Rcv SOFT PEDAL = OFF

• PART MODE = DRUM, DRUMI...4

1.2.12Harmonic Content

This message adjusts the resonance of the filter that is specified by the sound.

Control# Parameter Data Range 71 Harmonic Content 0...64...127

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Higher values will produce a more distinctive sound. For some sounds, the effective range may be narrower than the settable range.

1.2.13Release Time

This message adjusts the EG Release Time specified by the sound.

Control# Parameter Data Range 72 Release Time 0...64...127

(OFF , ON)

(-64...0...+63)

MIDI Data Format

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Higher values will lengthen the release which occurs after note-off.

1.2.14Attack Time

This message adjusts the EG Attack Time specified by the sound.

Control# Parameter Data Range 73 Attack Time 0...64...127

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Higher values will make the attack more gradual, and lower values will make the attack more sharp.

1.2.15Brightness

This message adjusts the low pass filter cutoff frequency specified by the sound.

Control# Parameter Data Range 74 Brightness 0...64...127

Since this is a relative change parameter, it specifies an increase or decrease centered at

64. Lower values will produce a more mellow sound. For some sounds, the effective range may be narrower than the settable range.

1.2.16Portamento Control

This message specifies the key source number for portamento (the key number from which portamento will start). The portamento source key is specified as 0...127. When Portamento Control is received, the currently sounding pitch will change at a speed of Portamento Time 0 to the key of the next note-on that is recei ved on the same channel.

Control# Parameter Data Range 84 Portamento Control 0...127

This is received even if Rcv PORTAMENTO = OFF.

1.2.17Effect1 Depth (Reverb Send Level)

This message specifies the send level for the reverb effect.

Control# Parameter Data Range 91 Effect1 Depth 0...127

Higher values will produce a deeper reverb. The result of the value will depend on the state of the reverb effect.

1.2.18Effect3 Depth (Chorus Send Level)

This message specifies the send level for the chorus effect.

Control# Parameter Data Range 93 Effect3 Depth 0...127

Higher values will produce more modulation and spaciousness. The result of the value will depend on the state of the chorus effect.

1.2.19 Effect4 Depth (Variation Effect Send Level)

This message specifies the send level for the variation effect.

Control# Parameter Data Range 94 Effect4 Depth 0...127

However, this is not received if the Variation Effect parameter Variation Connection = 0 (Insertion).

1.2.20Data Increment / Decrement (for RPN)

This message increases or decreases the value of the parameter specified by RPN (see

1.2.22) in units of 1.

Control# Parameter Data Range 96 RPN Increment -97 RPN Decrement --

The data byte is ignored.

1.2.21NRPN (Non-registered Parameter Number)

These messages are used to set parameters such as vibrato, filter, EG, or drum setup etc. The parameter is specified by transmitting a NRPN MSB and NRPN LSB, and subsequently Data Entry (see 1.2.4) is used to set the value of the specified parameter.

Control# Parameter Data Range 98 NRPN LSB 0...127 99 NRPN MSB 0...127

When the Multi Part parameter Rcv NRPN = OFF, NRPN for that part will not be received. The following NRPN messages can be received.

(-64...0...+63)

(C-2...G8)

NRPN Data Entry*1

MSB LSB MSB LSB Parameter name and range of values

01H 08H mm -- *2 Vibrato Rate

01H 09H mm -- Vibrato Depth

01H 0AH mm -- *3 Vibrato Delay

01H 20H mm -- Low Pass Filter Cutoff Frequency

01H 21H mm -- Low Pass Filter Resonance

01H 24H mm -- High Pass Filter Cutoff Frequency

01H 30H mm -- *4 EQ Bass Gain

01H 31H mm -- *4 EQ Treble Gain

01H 34H mm -- *4 EQ Bass Frequency

01H 35H mm -- *4 EQ Treble Frequency

01H 63H mm -- EG Attack Time

01H 64H mm -- EG Decay Time

01H 66H mm -- EG Release Time

14H rr mm -- Drum Low Pass Filter Cutoff Frequency

15H rr mm -- Drum Low Pass Filter Resonance

16H rr mm -- Drum EG Attack Rate

17H rr mm -- Drum EG Decay Rate

18H rr mm -- Drum Instrument Pitch Coarse

19H rr mm -- Drum Instrument Pitch Fine

1AH rr mm -- Drum Instrument Level

1CH rr mm -- Drum Instrument Panpot

1DH rr mm -- Drum Instrument Reverb Send Level

1EH rr mm -- Drum Instrument Chorus Send Level

1FH rr mm -- Drum Instrument Variation Send Level

mm : 00H - 40H - 7FH (-64...0...+63)

mm : 04H - 28H (32...2.0k[Hz])

mm : 1CH - 3AH (500...16.0k[Hz])

mm : 00H - 40H - 7FH (-64...0...+63)

rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63)

rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) Applies to both Decay 1 and 2

rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63)

rr : drum instrument note number mm : 00H - 7FH (0...maximum)

rr : drum instrument note number mm : 00H,01H-40H-7FH (RND, L63...C...R63)

rr : drum instrument note number mm : 00H - 7FH (0...maximum)

rr : drum instrument note number mm : 00H - 7FH (0...maximum) when Variation Connection = SYSTEM mm : 00H, 01H-7FH(OFF,ON) when Variation Connection = INSERTION

MIDI Data Format

24H rr mm -- Drum High Pass Filter Cutoff Frequency

30H rr mm -- Drum EQ Bass Gain

31H rr mm -- Drum EQ Treble Gain

34H rr mm -- Drum EQ Bass Frequency

35H rr mm -- Drum EQ Treble Frequency

MSB 14H-35H (for drum) is received when the Multi Part parameter PART MODE = DRUMS1...4.

*1 See 1.2.4 *2 ‘—’ indicates that the value is ignored. *3 Adjusts the time at which the vibrato effect begins after a note is played. Lower

values will cause the effect to begin applying sooner, and higher values will cause the effect to begin applying later. This has no effect when Bank Select MSB=127 is selected.

*4 This has no effect when the Multi Part parameter PART MODE = DRUM or

DRUMS1...4.

1.2.22RPN (Registered Parameter Number)

These messages make part settings such as Pitch Bend Sensitivity and Tuning. The RPN MSB and RPN LSB are transmitted to specify the parameter which is to be controlled, and subsequently Data Entry (see 1.2.4) is used to set the value of the specified parameter.

Control# Parameter Data Range 100 RPN LSB 0...127 101 RPN MSB 0...127

If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message.

The following RPN messages can be received.

RPN Data Entry *1

MSB LSB MSB LSB Parameter name and range of values

00H 00H mm -- *2 Pitch Bend Sensitivity

00H 01H mm ll Fine Tuning

00H 02H mm -- Coarse Tuning

7FH 7FH -- -- RPN Null

*1 Refer to 1.2.4. *2 ‘--’ indicates that the setting value is ignored.

1.2.23Assignable Controller

By specifying a control change number of 0...95 for a part, you can control the way in which an effect is applied. For each part, this instrument allows two control change numbers to be specified: AC1 and AC2. The following parameters specify the effects that are controlled by AC1 and AC2.

• Multi Part Parameter

1. ACI,AC2 PITCH CONTROL

2. ACI,AC2 FILTER CONTROL

3. ACI,AC2 AMPLITUDE CONTROL

4. ACI,AC2 LFO PMOD DEPTH

5. ACI,AC2 LFO FMOD DEPTH

6. ACI,AC2 LFO AMOD DEPTH

• Effectl Parameter

7. ACI,AC2 VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion.) The AC1 control change number is specified by the Multi Part parameter or A/D Part parameter AC1 CONTROLLER NUMBER. The AC2 control change number is specified by the Multi Part parameter or A/D Part parameter AC2 CONTROLLER NUMBER.

mm : 00H - 40H - 7FH (-64...0...+63)

mm : 04H - 28H (32...2.0k[Hz])

mm : 1CH - 3AH (500...16.0k[Hz])

mm:00H - 18H (0...+24 semitones) Set in semitone units up to two octaves

mm ll: 00H 00H -100 cents

mm ll: 40H 00H0 cents

:: mm ll: 7FH 7FH +100 cents [Note] After mm ll: 00H 7FH (=-87.5) cents comes 01H

00H (=-87.4 cents)

mm:28H - 40H - 58H (-24...0...+24 semitones)

Puts the RPN and NRPN numbers in an un-set condition. The internal setting values will not change.

1.3 Channel Mode messages

These messages specify the basic operation of each part.

1.3.1 All Sound Off

Silences all currently sounding notes on the corresponding channel. However the status of channel messages such as Note-on or Hold On is preserved.

Control# Parameter Data Range 120 All Sound Off 0

1.3.2 Reset All Controllers

The values of the following controllers will change.

Controller Value Pitch Bend Change +/-0 (center) Channel Pressure 0 (off) Polyphonic Key Pressure 0 (off) Modulation 0 (off) Expression 127 (maximum) Hold 0 (off) Portamento 0 (off) Sostenuto 0 (off) Soft Pedal 0 (off) Portamento Control Reset the Portamento Source Note Number that was re-

RPN Number un-set, internal data will not change. NRPN Number un-set, internal data will not change.

The following data will not change Program Change, Bank Select MSB/LSB, Volume, Pan, Effect Send Levels 1/3/4, and the value of parameters which were set using RPN and NRPN.

Control# Parameter Data Range 121 Reset All Controllers 0

1.3.3 All Note Off

Turns off all notes which are currently “note-on” for the corresponding channel. However if Hold1 or Sostenuto are ON, the notes will continue sounding until these are turned off.

Control# Parameter Data Range 123 All Note Off 0

1.3.4 Omni Off

Performs the same processing as when All Note Off is received.

Control# Parameter Data Range 124 Omni Off 0

1.3.5 Omni On

Performs the same processing as when All Sound Off is received.

Control# Parameter Data Range 125 Omni On 0

1.3.6 Mono

Performs the same processing as when All Sound Off is receiv ed, and if the v alue (mono number) is within the range of 0...16, sets the corresponding channel to Mode4* (m=1).

Control# Parameter Data Range 126 Mono 0...16

* Mode4 is when only the messages of the specified channel are received, and notes are

sounded monophonically.

1.3.7 Poly

Performs the same processing as when All Note Off is recei ved, and sets the corresponding channel to Mode3*.

Control# Parameter Data Range 127 Poly 0

* Mode3 is when only the messages of the specified channel are received, and notes are

sounded polyphonically.

ceived

MIDI Data Format

1.4 Program Change

This message selects sounds. This changes the program number of the receiving channel. If the voice bank is also to be changed, transmit this message together with the Bank Select message (see 1.2.1). If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not receive Program Change messages. If Sound Module Mode = C/M, the Drum Part will not receive Program Change messages.

1.5 Pitch Bend

This message conveys pitch bend operations. In general this message modifies the pitch of a part, but it can also control the depth of the following seven effects. The result of this message can be changed by the following parameters.

• Multi Part Parameter

1. BEND PITCH CONTROL

2. BEND FILTER CONTROL

3. BEND AMPLITUDE CONTROL

4. BEND LFO PMOD DEPTH

5. BEND LFO FMOD DEPTH

6. BEND LFO AMOD DEPTH

• Effectl Parameter

7. BEND VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion.) By default this will function as Pitch Control. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive Pitch Bend messages.

1.6 Channel Aftertouch

This message conveys the force with which the keyboard is pressed after notes are played (for an entire MIDI channel). The pressure can be controlled for each part. This message will create changes in the currently-sounding notes. The effect of this message can be specified by the following parameters.

• Multi Part Parameter

1. CAT PITCH CONTROL

2. CAT FILTER CONTROL

3. CAT AMOLITUDE CONTROL

4. CAT LFO PMOD DEPTH

5. CAT LFO FMOD DEPTH

6. CAT LFO AMOD DEPTH

• Effectl Parameter

7. CAT VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion.) By default there will be no effect. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch messages.

1.7 Polyphonic Aftertouch

This message conveys the force with which a key is pressed after a note is played (for an individual note). The pressure can be controlled independently for each note. This message will create changes in the currently-sounding note. The effect of this message can be specified by the following Multi Part parameters.

1. PAT PITCH CONTROL

2. PAT FILTER CONTROL

3. PAT AMPLITUDE CONTROL

4. PAT LFO PMOD DEPTH

5. PAT LFO FMOD DEPTH

6. PAT LFO AMOD DEPTH By default there will be no effect. The effect will apply to note numbers 36...97. In the case of the following Multi Part parameter settings, that part will not receive Polyphonic Aftertouch messages.

Rcv CHANNEL AFTER TOUCH = OFF PART MODE = DRUM, DRUMSI...4

2. System Exclusive messages

2.1 Parameter change

This instrument uses the following parameter changes.

[ UNIVERSAL REALTIME MESSAGE ]

1) Master V olume

[ UNIVERSAL NON REALTIME MESSAGE ]

1) General MIDI System On

2) Identity Request (INQUIRY MESSAGE)

3) Identity Reply (INQUIRY MESSAGE)

[ XG PARAMETER CHANGE]

1) XG System on

2) XG System parameter change

3) Multi Effect1 parameter change

4) Multi EQ parameter change

5) Multi Effect2 parameter change

6) Display parameter change

7) Multi Part parameter change

8) AD Part parameter change

9) AD System parameter change

10)Drums Setup parameter change

[ MU80 NATIVE PARAMETER CHANGE]

1) System parameter change

2) Remote switch

[ MU90,MU90R NATIVE PARAMETER CHANGE]

1) Current Performance parameter change

[ Other ]

1) Master tuning

2) TG300 System parameter change

3) TG300 Multi Effect parameter change

4) TG300 Multi Part parameter change

2.1.1 Universal realtime messages

2.1.1.1 Master Volume

11110000 F0H = Exclusive status 01111111 7FH = Universal Real Time 01111111 7FH = ID of target device 00000100 04H = Sub-ID #1=Device Control Mes sage 00000001 01H = Sub-ID #2=Master Volume

* 0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB 11110111 F7H = End of Exclusive or 11110000 F0H = Exclusive status 01111111 7FH = Universal Real Time 0xxxnnnn XNH = Device Number, xxx = don’t care 00000100 04H = Sub-ID #1=Device Control Message 00000001 01H = Sub-ID #2=Master Volume 0sssssss SSH = Volume LSB 0ttttttt TTH = Volume MSB 11110111 F7H = End of Exclusive

When this is received, the Volume MSB will be reflected in the System parameter MASTER VOLUME. * This indicates that SSH is the hexadecimal expression of the binary 0sssssss. The same

applies for other cases.

2.1.2 Universal non-realtime messages

2.1.2.1 General MIDI System On

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 01111111 7FH = ID of target device 00001001 09H = Sub-ID #1=General MIDI Message 00000001 01H = Sub-ID #2=General MIDI On 11110111 F7H = End of Exclusive or 11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 0xxxnnnn XNH = N:Device Number, X:don’t care 00001001 09H = Sub-ID #1=General MIDI Message 00000001 01H = Sub-ID #2=General MIDI On 11110111 F7H = End of Exclusive

When this message is received, the SOUND MODULE MODE will be set to XG, and all settings except for MIDI Master Tuning will be reset to their default values. However in the following cases this is not received.

• SOUND MODULE MODE = C/M

• When the XG Model System parameter (see table 2-2) Rcv GM EXCLUSIVE MESSAGE=OFF.

Since approximately 50 ms is required to execute this message, an appropriate interval must be left before the next message.

MIDI Data Format

2.1.2.2 Identity Request

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 0mmmmmmm MMH = Device Number 00000110 06H = Sub-ID #1=General Information 00000001 01H = Sub-ID #2=Identity Request 11110111 F7H = End of Exclusive

When this message is received, this instrument will transmit the following 2.1.2.3 Identity Reply message.

2.1.2.3 Identity Reply

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 0mmmmmmm MMH = Device Number 00000110 06H = Sub-ID #1=General Information 00000010 02H = Sub-ID #2=Identity Reply 01000011 43H = YAMAHA ID 00000000 00H = Device Family Code LSB

01000001 41H = Device Family Code MSB

01010010 52H = Device Number Code LSB

00000010 02H = Device Number Code MSB

00000000 00H 00000000 00H 00000000 00H 00000001 01H = Tone Generator Code=XG 11110111 F7H = End of Exclusive

When this instrument receives a 2.1.2.2 Identity Request message, it will transmit this message.

2.1.3 XG Parameter Change

This message sets XG-related parameters. One parameter can be modified by each message. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 01001100 4CH Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0sssssss SSH Data

11110111 F7H End of Exclusive

For parameters with a data size of 2 or 4, the corresponding number of data bytes will be transmitted.

2.1.3.1 XG System On

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 01001100 4CH Model ID 00000000 00H Address High 00000000 00H Address Mid 01111110 7EH Address Low 00000000 00H Data 11110111 F7H End of Exclusive

When On is received, SOUND MODULE MODE will be set to XG. Since approximately 50 ms is required to execute this message, an appropriate interval must be left before the next message.

2.1.3.2 XG System parameter change This message sets the XG SYSTEM block (see tables <1-1> and <1-2>).

2.1.3.3 Multi Effect1 parameter change This message sets the MULTI EFFECT1 block (see tables <1-1> and <1-4>).

2.1.3.4 Multi EQ parameter change This message sets the MULTI EQ block (see tables <1-1> and <1-5>).

2.1.3.5 Multi Effect2 parameter change This message sets the MULTI EFFECT2 block (see tables <1-1> and <1-6>).

2.1.3.6 Display parameter change This message sets the DISPLAY block (see tables <1-1> and <1-7>).

2.1.3.7 Multi Part parameter change This message sets the MULTI PART block (see tables <1-1> and <1-8>).

2.1.3.8 AD Part parameter change This message sets the AD PART block (see tables <1-1> and <1-9>).

MU90R ID #1

MU90R ID #2

MU90R ID #3

MU90R ID #4

2.1.3.9 AD Part parameter change This message sets the AD SYSTEM block (see tables <1-1> and <1-10>).

2.1.3.10 Drums Setup parameter change This message sets the DRUMS SETUP block (see tables <1-1> and <1-11>).

2.1.4 MU80 Native parameter changes

These messages set parameters unique to the MU80. One parameter can be modified by each message. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:Device Number 01001001 49H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

11110111 F7H End of Exclusive

For parameters with a data size of 2 or 4, the corresponding number of data bytes will be transmitted.

2.1.4.1 System parameter change This message sets the SYSTEM block (see tables <2-1> and <2-2>).

2.1.4.2 Remote switch This message sets the REMOTE SWITCH block (see tables <2-1> and <2-3>).

2.1.5 MU90/MU90R Native parameter changes

These messages set parameters unique to the MU90/MU90R. One parameter can be modified by each message. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:Device Number 01011001 59H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

11110111 F7H End of Exclusive

For parameters with a data size of 2 or 4, the corresponding number of data bytes will be transmitted.

2.1.5.1 Current Performance parameter change This message sets the CURRENT PERFORMANCE block (see tables <3-1> and <32>).

2.1.6 Other parameter changes

2.1.6.1 Master Tuning This message simultaneously modifies the pitch of all channels.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 00100111 27H Model ID 00110000 30H Address High 00000000 00H Address Mid 00000000 00H Address Low 0mmmmmmm MMH Master Tune MSB 0lllllll LLH Master Tune LSB 0xxxxxxx XXH don’t care 11110111 F7H End of Exclusive

Normally the XG SYSTEM parameter MASTER TUNE should be used (see table <12>).

2.2 Bulk Dump

This instrument uses the following bulk dumps.

[ XG BULK DUMP ]

1) XG System bulk dump

2) System Information bulk dump

3) Multi Effect1 bulk dump

4) Multi EQ bulk dump

5) Multi Effect2 bulk dump

6) Multi Part bulk dump

7) AD Part bulk dump

8) Drums Setup bulk dump

[ MU80 NATIVE BULK DUMP ]

1) System bulk dump

2) MU80, MU50 Internal Performance bulk dump

[ MU90,MU90R NATIVE BULK DUMP ]

1) Internal Performance bulk dump

MIDI Data Format

2.2.1 XG Bulk Dump

These messages set XG-related parameters. Unlike parameter changes, a single message can set multiple parameters. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01001100 4CH Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

Address and Byte Count are given in tables 1-n. Byte Count indicates the total size of the data in tables 1-n. Bulk Dump and Dump Request messages are received when the beginning of the block is specified as the address. “Block” indicates the unit size of the data string included in the total size in tables 1-n. Check sum is the value which produces a lower 7 bits of 0 when the Start Address, Byte Count, and the Check Sum itself are added.

2.2.1.1 XG System bulk dump This message sets the XG SYSTEM block (see tables <1-1> and <1-2>).

2.2.1.2 System Information bulk dump This message indicates the contents of the SYSTEM INFORMATION b lock (see tables <1-1> and <1-3>). This message is transmitted in response to a dump request, but will be ignored if it is received.

2.2.1.3 Multi Effect1 bulk dump This message sets the MULTI EFFECT1 block (see tables <1-1> and <1-4>).

2.2.1.4 Multi EQ bulk dump This message sets the MULTI EQ block (see tables <1-1> and <1-5>).

2.2.1.5 Multi Effect2 bulk dump This message sets the MULTI EFFECT2 block (see tables <1-1> and <1-6>).

2.2.1.6 Multi Part bulk dump This message sets the MULTI PART block (see tables <1-1> and <1-8>).

2.2.1.7 A/D Part bulk dump This message sets the A/D PART block (see tables <1-1> and <1-9>).

2.2.1.8 Drums Setup bulk dump This message sets the DRUMS SETUP block (see tables <1-1> and <1-11>).

2.2.2 MU80 Native bulk dump These messages set parameters unique to the MU80. Unlike parameter changes, a single message can set multiple parameters.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01001001 49H Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

The details are the same for 2.2.1 XG Bulk Dump. However for the address, byte count and block, refer to tables 2-n.

2.2.2.1 System bulk dump This message sets the SYSTEM block (see tables <2-1> and <2-2>).

2.2.2.2 MU80/MU50 Internal Performance bulk dump This message is in MU80/MU50 data format. It sets the INTERNAL PERFORMANCE block (see tables <2-1> and <2-4>).

2.2.3 MU90/MU90R Native bulk dump

This message sets parameters that are unique to the MU90/MU90R. Unlike parameter changes, a single message can set multiple parameters.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01011001 59H Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

The details are the same for 2.2.1 XG Bulk Dump. However for the address, byte count and block, refer to tables 3-n.

2.2.3.1 Internal Performance bulk dump This message sets the INTERNAL PERFORMANCE block (see tables <3-1> and <33>).

2.3 Parameter Request

These messages request that parameter values be transmitted. The transmitted data will be in the format of parameter change messages (see 2.1.3 and

2.1.4).

2.3.1 XG parameter request

This message requests that XG parameter settings be transmitted. The transmitted data will be in the format of an XG Parameter Change (see 2.1.3).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0011nnnn 3NH N:device Number 01001100 4CH Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

2.3.2 MU80 Native parameter request

This message requests that parameters unique to the MU80 be transmitted. The transmitted data will be in the format of an XG Model Native Parameter Change (see

2.1.4).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0011nnnn 3NH N:Device Number 01001001 49H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

2.3.3 MU90/MU90R Native parameter request

This message requests that parameters unique to the MU90/MU90R be transmitted. The transmitted data will be in the format of a MU90/MU90R Native Parameter Change (see 2.1.4).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0011nnnn 3NH N:Device Number 01011001 59H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

2.4 Dump Request

These messages request that parameter values of the specified block be transmitted. The transmitted data will be in bulk dump format.

2.4.1 XG dump request

This message requests that all parameter values of the specified block of XG parameters be transmitted. The transmitted data will be in XG Bulk Dump format (see 2.2.1).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N:device Number 01001100 4CH Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

The address is valid if the beginning of the block is specified. Transmission/reception of dump requests cannot be turned off by a MIDI switch other than Exclusive = off.

MIDI Data Format

2.4.2 MU80 Native dump request

This message requests that all parameter values of the specified block of MU80 native parameters be transmitted. The transmitted data will be in MU80 Native Bulk Dump format (see 2.2.2).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N:Device Number 01001001 49H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

Details are the same as 2.4.1 XG Bulk Dump Request.

2.4.2 MU90/MU90R Native dump request

This message requests that all parameter values of the specified block of MU90/MU90R native parameters be transmitted. The transmitted data will be in MU90/MU90R Native Bulk Dump format (see 2.2.3).

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N:Device Number 01011001 59H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive

Details are the same as 2.4.1 XG Bulk Dump Request.

3. Realtime messages

3.1 Active Sensing

a) Transmission

Not transmitted.

b) Reception

Once FE has been received, if no MIDI messages are received for an interval of approximately 300 msec, the same processing will be performed as when ALL SOUND OFF, ALL NOTE OFF, and RESET ALL CONTROLLERS are received, and the instrument will return to a status of never having received FE.

MIDI Data Format

Parameter Base Address MODEL ID = 4C

Parameter Description

XG SYSTEM 00 00 00 System

INFORMATION 01 00 00 System Information EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )

EFFECT 2 03 00 00 Insertion Effect 1

DISPLAY 06 00 00 Display Letter

MULTI PART 08 00 00 Multi Part 1

MULTI PART 0A 00 00 Multi Part 1 (additional) :

A/D PART 10 00 00 A/D Part 1

A/D SYSTEM 11 00 00 A/D System DRUM 30 0D 00 Drum Setup 1

Address

(H) (M) (L)

00 00 7D Drum setup Reset 00 00 7E XG System On 00 00 7F All Parameter Reset

02 40 00 Multi EQ

03 01 00 Insertion Effect 2

07 00 00 Display Bit Map

08 0F 00 Multi Part 16 08 10 00 Multi Part 17

08 1F 00 Multi Part 32

0A 0F 00 Multi Part 16 0A 10 00 Multi Part 17

0A 1F 00 Multi Part 32

10 01 00 A/D Part 2

31 0D 00 Drum Setup 2 32 0D 00 Drum Setup 3 33 0D 00 Drum Setup 4

Address Parameter

3n 0D 00 note number 13 3n 0E 00 note number 14

3n 5B 00 note number 91

MIDI Parameter Change table ( XG SYSTEM )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 00 00 00 4 00 - 0F MASTER TUNE -102.4...0...+102.3[cent] 00 04 00 00

01 00 - 0F 1st bit3-0→bit15-12 02 00 - 0F 2nd bit3-0→bit11-8 03 00 - 0F 3rd bit3-0→bit7-4

04 1 00 - 7F MASTER VOLUME 0...127 7F 05 1 00 - 7F MASTER ATTENUATOR 0...127 00 06 1 28 - 58 TRANSPOSE -24...0...+24[semitones] 40 7D 1 N DRUM SETUP RESET N: Drum setup number(receive only) -7E 1 00 XG SYSTEM ON 00=XG system ON (receive only) -7F 1 00 ALL PARAMETER RESET 00=ON (receive only) --

TOTAL SIZE 07

4th bit3-0→bit3-0

MIDI Parameter Change table ( SYSTEM INFORMATION )

Address Size Data Parameter (H) (H) (H) 01 00 00 E 20 - 7F Model Name 1 32...127(ASCII CHARACTER)

::: : 0D 20 - 7F Model Name 14 32...127(ASCII CHARACTER) 0E 1 00 - 7F XG Level 1 0F 1 00 - 7F XG Level 2

TOTAL SIZE 10

Transmitted in response to a dump request, but not received.

MIDI Data Format

MIDI Parameter Change table ( EFFECT 1)

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 02 01 00 2 00 - 7F REVERB TYPE MSB Refer to the Effect Program List 01(=HALL1)

02 1 00 - 7F REVERB PARAMETER 1 " 12(depends on reverb type) 03 1 00 - 7F REVERB PARAMETER 2 " 0A(") 04 1 00 - 7F REVERB PARAMETER 3 " 08(") 05 1 00 - 7F REVERB PARAMETER 4 " 0D(") 06 1 00 - 7F REVERB PARAMETER 5 " 31(") 07 1 00 - 7F REVERB PARAMETER 6 " 00(") 08 1 00 - 7F REVERB PARAMETER 7 " 00(") 09 1 00 - 7F REVERB PARAMETER 8 " 00(") 0A 1 00 - 7F REVERB PARAMETER 9 " 00(") 0B 1 00 - 7F REVERB PARAMETER 10 " 00(") 0C 1 00 - 7F REVERB RETURN -∞dB...0dB...+6dB(0...96...127) 40 0D 1 01 - 7F REVERB PAN L63...C...R63 40

TOTAL SIZE 0E

02 01 10 1 00 - 7F REVERB PARAMETER 11 Refer to the Effect Parameter List 00(depends on reverb type)

11 1 00 - 7F REVERB PARAMETER 12 " 04(") 12 1 00 - 7F REVERB PARAMETER 13 " 32(") 13 1 00 - 7F REVERB PARAMETER 14 " 08(") 14 1 00 - 7F REVERB PARAMETER 15 " 40(") 15 1 00 - 7F REVERB PARAMETER 16 " 00(")

TOTAL SIZE 6

02 01 20 2 00 - 7F CHORUS TYPE MSB Refer to the Effect Program List 41(=CHORUS1)

22 1 00 - 7F CHORUS PARAMETER 1 " 06(depends on chorus type) 23 1 00 - 7F CHORUS PARAMETER 2 " 36(") 24 1 00 - 7F CHORUS PARAMETER 3 " 4D(") 25 1 00 - 7F CHORUS PARAMETER 4 " 6A(") 26 1 00 - 7F CHORUS PARAMETER 5 " 00(") 27 1 00 - 7F CHORUS PARAMETER 6 " 1C(") 28 1 00 - 7F CHORUS PARAMETER 7 " 40(") 29 1 00 - 7F CHORUS PARAMETER 8 " 2E(") 2A 1 00 - 7F CHORUS PARAMETER 9 " 40(") 2B 1 00 - 7F CHORUS PARAMETER 10 " 40(") 2C 1 00 - 7F CHORUS RETURN -∞dB...0dB...+6dB(0...96...127) 40 2D 1 01 - 7F CHORUS PAN L63...C...R63(1...64...127) 40 2E 1 00 - 7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...96...127) 00

TOTAL SIZE 0F

02 01 30 1 00 - 7F CHORUS PARAMETER 11 Refer to the Effect Parameter List 2E(depends on chorus type)

31 1 00 - 7F CHORUS PARAMETER 12 " 40(") 32 1 00 - 7F CHORUS PARAMETER 13 " 0A(") 33 1 00 - 7F CHORUS PARAMETER 14 " 00(") 34 1 00 - 7F CHORUS PARAMETER 15 " 00(") 35 1 00 - 7F CHORUS PARAMETER 16 " 00(")

TOTAL SIZE 6

02 01 40 2 00 - 7F VARIATION TYPE MSB Refer to the Effect Program List 05(=DELAY L,C,R)

42 2 00 - 7F VARIATION PARAMETER 1 MSB " 1A(depends on variation type)

44 2 00 - 7F VARIATION PARAMETER 2 MSB " 0D(")

46 2 00 - 7F VARIATION PARAMETER 3 MSB " 27(")

48 2 00 - 7F VARIATION PARAMETER 4 MSB " 27(")

4A 2 00 - 7F VARIATION PARAMETER 5 MSB " 00(")

4C 2 00 - 7F VARIATION PARAMETER 6 MSB " 00(")

4E 2 00 - 7F VARIATION PARAMETER 7 MSB " 00(")

50 2 00 - 7F VARIATION PARAMETER 8 MSB " 00(")

52 2 00 - 7F VARIATION PARAMETER 9 MSB " 00(")

54 2 00 - 7F VARIATION PARAMETER 10 MSB " 00(") 56 1 00 - 7F VARIATION RETURN -∞dB...0dB...+6dB(0...96...127) 40

57 1 01 - 7F VARIATION PAN L63...C...R63(1...64...127) 40 58 1 00 - 7F SEND VARIATION TO REVERB -∞dB...0dB...+6dB(0...96...127) 00 59 1 00 - 7F SEND VARIATION TO CHORUS -∞dB...0dB...+6dB(0...96...127) 00 5A 1 00 - 01 VARIATION CONNECTION INSERTION , SYSTEM 00 5B 1 00 - 7F VARIATION PART NUMBER Part1...32(0...31) 7F

5C 1 00 - 7F MW VARIATION CONTROL DEPTH -64...0...+63 40 5D 1 00 - 7F BEND VARIATION CONTROL DEPTH -64...0...+63 40 5E 1 00 - 7F CAT VARIATION CONTROL DEPTH -64...0...+63 40 5F 1 00 - 7F AC1 VARIATION CONTROL DEPTH -64...0...+63 40 60 1 00 - 7F AC2 VARIATION CONTROL DEPTH -64...0...+63 40

TOTAL SIZE 21

00 - 7F REVERB TYPE LSB " 00

00 - 7F CHORUS TYPE LSB " 00

00 - 7F VARIATION TYPE LSB " 00

00 - 7F VARIATION PARAMETER 1 LSB " 05(")

00 - 7F VARIATION PARAMETER 2 LSB " 03(")

00 - 7F VARIATION PARAMETER 3 LSB " 08(")

00 - 7F VARIATION PARAMETER 4 LSB " 08(")

00 - 7F VARIATION PARAMETER 5 LSB " 4A(")

00 - 7F VARIATION PARAMETER 6 LSB " 64(")

00 - 7F VARIATION PARAMETER 7 LSB " 0A(")

00 - 7F VARIATION PARAMETER 8 LSB " 00(")

00 - 7F VARIATION PARAMETER 9 LSB " 00(")

00 - 7F VARIATION PARAMETER 10 LSB " 20(")

AD1, AD2(64, 65) OFF(127)

MIDI Data Format

02 01 70 1 00 - 7F VARIATION PARAMETER 11 Refer to the Effect Parameter List 00(depends on variation type)

71 1 00 - 7F VARIATION PARAMETER 12 " 3C(") 72 1 00 - 7F VARIATION PARAMETER 13 " 1C(") 73 1 00 - 7F VARIATION PARAMETER 14 " 40(") 74 1 00 - 7F VARIATION PARAMETER 15 " 2E(") 75 1 00 - 7F VARIATION PARAMETER 16 " 40(")

TOTAL SIZE 6

MIDI Parameter Change table ( MULTI EQ )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 02 40 00 1 00 - 04 EQ TYPE flat, jazz, pops, rock, classic 00

01 1 34 - 4C EQ GAIN1 -12...0...+12[dB] 40(depends on EQ type) 02 1 04 - 28 EQ FREQUENCY1 32...2.0k[Hz] 0C(") 03 1 01 - 78 EQ Q1 0.1...12.0 07(") 04 1 00 - 01 EQ SHAPE1 shelving , peaking 00(") 05 1 34 - 4C EQ GAIN2 -12...0...+12[dB] 40(") 06 1 0E - 36 EQ FREQUENCY2 100...10.0k[Hz] 1C(") 07 1 01 - 78 EQ Q2 0.1...12.0 07(") 08 1 NOT USED -09 1 34 - 4C EQ GAIN3 -12...0...+12[dB] 40(") 0A 1 0E - 36 EQ FREQUENCY3 100...10.0k[Hz] 22(") 0B 1 01 - 78 EQ Q3 0.1...12.0 07(") 0C 1 NOT USED -0D 1 34 - 4C EQ GAIN4 -12...0...+12[dB] 40(") 0E 1 0E - 36 EQ FREQUENCY4 100...10.0k[Hz] 2E(") 0F 1 01 - 78 EQ Q4 0.1...12.0 07(") 10 1 NOT USED -11 1 34 - 4C EQ GAIN5 -12...0...+12[dB] 40(") 12 1 1C - 3A EQ FREQUENCY5 0.5k...16.0k[Hz] 34(") 13 1 01 - 78 EQ Q5 0.1...12.0 07(") 14 1 00 - 01 EQ SHAPE5 shelving , peaking 00(")

TOTAL SIZE 15

MIDI Parameter Change table ( EFFECT 2)

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 03 00 00 2 00 - 7F INSERTION EFFECT1 TYPE MSB Refer to the Effect Program List 49(=DISTORTION)

02 1 00 - 7F INSERTION EFFECT1 PARAMETER1 " 28(depends on insertion effect1 type) 03 1 00 - 7F INSERTION EFFECT1 PARAMETER2 " 14(") 04 1 00 - 7F INSERTION EFFECT1 PARAMETER3 " 48(") 05 1 00 - 7F INSERTION EFFECT1 PARAMETER4 " 35(") 06 1 00 - 7F INSERTION EFFECT1 PARAMETER5 " 40(") 07 1 00 - 7F INSERTION EFFECT1 PARAMETER6 " 00(") 08 1 00 - 7F INSERTION EFFECT1 PARAMETER7 " 2B(") 09 1 00 - 7F INSERTION EFFECT1 PARAMETER8 " 4A(") 0A 1 00 - 7F INSERTION EFFECT1 PARAMETER9 " 0A(") 0B 1 00 - 7F INSERTION EFFECT1 PARAMETER10 " 7F(") 0C 1 00 - 7F INSERTION EFFECT1 PART NUMBER Part1...32(0...31) 7F

0D 1 00 - 7F MW INSERTION CONTROL DEPTH -64...0...+63 40 0E 1 00 - 7F BEND INSERTION CONTROL DEPTH -64...0...+63 40 0F 1 00 - 7F CAT INSERTION CONTROL DEPTH -64...0...+63 40 10 1 00 - 7F AC1 INSERTION CONTROL DEPTH -64...0...+63 40 11 1 00 - 7F AC2 INSERTION CONTROL DEPTH -64...0...+63 40

TOTAL SIZE 12

20 1 00 - 7F INSERTION EFFECT1 PARAMETER11 Refer to the Effect Parameter List 78(depends on insertion effect1 type) 21 1 00 - 7F INSERTION EFFECT1 PARAMETER12 " 00(") 22 1 00 - 7F INSERTION EFFECT1 PARAMETER13 " 00(") 23 1 00 - 7F INSERTION EFFECT1 PARAMETER14 " 00(") 24 1 00 - 7F INSERTION EFFECT1 PARAMETER15 " 00(") 25 1 00 - 7F INSERTION EFFECT1 PARAMETER16 " 00(")

TOTAL SIZE 6

00 - 7F INSERTION EFFECT1 TYPE LSB " 00

AD1, AD2(64, 65) OFF(127)

MIDI Data Format

30 2 00 - 7F INSERTION EFFECT1 PARAMETER1 MSB Refer to the Effect Parameter List 00(depends on insertion effect1 type)

32 2 00 - 7F INSERTION EFFECT1 PARAMETER2 MSB " 00(")

34 2 00 - 7F INSERTION EFFECT1 PARAMETER3 MSB " 00(")

36 2 00 - 7F INSERTION EFFECT1 PARAMETER4 MSB " 00(")

38 2 00 - 7F INSERTION EFFECT1 PARAMETER5 MSB " 00(")

3A 2 00 - 7F INSERTION EFFECT1 PARAMETER6 MSB " 00(")

3C 2 00 - 7F INSERTION EFFECT1 PARAMETER7 MSB " 00(")

3E 2 00 - 7F INSERTION EFFECT1 PARAMETER8 MSB " 00(")

40 2 00 - 7F INSERTION EFFECT1 PARAMETER9 MSB " 00(")

42 2 00 - 7F INSERTION EFFECT1 PARAMETER10 MSB " 00(")

TOTAL SIZE 14

For bulk transmission which includes EFFECT TYPE data, the parameters of addresses 02-0B will always be transmitted. Ho wever for an EFFECT TYPE which requires MSB, the parameters of addresses 02-0B are not received when bulk data is received.

03 01 00 2 00 - 7F INSERTION EFFECT2 TYPE MSB Refer to the Effect Program List 49(=DISTORTION)

02 1 00 - 7F INSERTION EFFECT2 PARAMETER1 " 28(depends on insertion effect2 type) 03 1 00 - 7F INSERTION EFFECT2 PARAMETER2 " 14(") 04 1 00 - 7F INSERTION EFFECT2 PARAMETER3 " 48(") 05 1 00 - 7F INSERTION EFFECT2 PARAMETER4 " 35(") 06 1 00 - 7F INSERTION EFFECT2 PARAMETER5 " 40(") 07 1 00 - 7F INSERTION EFFECT2 PARAMETER6 " 00(") 08 1 00 - 7F INSERTION EFFECT2 PARAMETER7 " 2B(") 09 1 00 - 7F INSERTION EFFECT2 PARAMETER8 " 4A(") 0A 1 00 - 7F INSERTION EFFECT2 PARAMETER9 " 0A(") 0B 1 00 - 7F INSERTION EFFECT2 PARAMETER10 " 7F(") 0C 1 00 - 7F INSERTION EFFECT2 PART NUMBER Part1...32(0...31) 7F

TOTAL SIZE 12

20 1 00 - 7F INSERTION EFFECT2 PARAMETER11 Refer to the Effect Parameter List 78(depends on insertion effect2 type) 21 1 00 - 7F INSERTION EFFECT2 PARAMETER12 " 00(") 22 1 00 - 7F INSERTION EFFECT2 PARAMETER13 " 00(") 23 1 00 - 7F INSERTION EFFECT2 PARAMETER14 " 00(") 24 1 00 - 7F INSERTION EFFECT2 PARAMETER15 " 00(") 25 1 00 - 7F INSERTION EFFECT2 PARAMETER16 " 00(")

TOTAL SIZE 6

30 2 00 - 7F INSERTION EFFECT2 PARAMETER1 MSB Refer to the Effect Parameter List 00(depends on insertion effect2 type)

32 2 00 - 7F INSERTION EFFECT2 PARAMETER2 MSB " 00(")

34 2 00 - 7F INSERTION EFFECT2 PARAMETER3 MSB " 00(")

36 2 00 - 7F INSERTION EFFECT2 PARAMETER4 MSB " 00(")

38 2 00 - 7F INSERTION EFFECT2 PARAMETER5 MSB " 00(")

3A 2 00 - 7F INSERTION EFFECT2 PARAMETER6 MSB " 00(")

3C 2 00 - 7F INSERTION EFFECT2 PARAMETER7 MSB " 00(")

3E 2 00 - 7F INSERTION EFFECT2 PARAMETER8 MSB " 00(")

40 2 00 - 7F INSERTION EFFECT2 PARAMETER9 MSB " 00(")

42 1 00 - 7F INSERTION EFFECT2 PARAMETER10 MSB " 00(")

TOTAL SIZE 14

When using an EFFECT TYPE for which MSB is not required, the parameters of addresses 02-0B are received, and the parameters of addresses 30-42 are not received. When using an EFFECT TYPE for which MSB is required, the parameters of addresses 30-42 are received, and the parameters of addresses 02-0B are not received. For bulk transmission which includes EFFECT TYPE data, the parameters of addresses 02-0B will always be transmitted. Ho wever for an EFFECT TYPE which requires MSB, the parameters of addresses 02-0B are not received when bulk data is received.

00 - 7F INSERTION EFFECT1 PARAMETER1 LSB " 28(")

00 - 7F INSERTION EFFECT1 PARAMETER2 LSB " 14(")

00 - 7F INSERTION EFFECT1 PARAMETER3 LSB " 48(")

00 - 7F INSERTION EFFECT1 PARAMETER4 LSB " 35(")

00 - 7F INSERTION EFFECT1 PARAMETER5 LSB " 40(")

00 - 7F INSERTION EFFECT1 PARAMETER6 LSB " 00(")

00 - 7F INSERTION EFFECT1 PARAMETER7 LSB " 2B(")

00 - 7F INSERTION EFFECT1 PARAMETER8 LSB " 4A(")

00 - 7F INSERTION EFFECT1 PARAMETER9 LSB " 0A(")

00 - 7F INSERTION EFFECT1 PARAMETER10 LSB " 7F(")

00 - 7F INSERTION EFFECT2 TYPE LSB " 00

AD1, AD2(64, 65) OFF(127)

00 - 7F INSERTION EFFECT2 PARAMETER1 LSB " 28(")

00 - 7F INSERTION EFFECT2 PARAMETER2 LSB " 14(")

00 - 7F INSERTION EFFECT2 PARAMETER3 LSB " 48(")

00 - 7F INSERTION EFFECT2 PARAMETER4 LSB " 35(")

00 - 7F INSERTION EFFECT2 PARAMETER5 LSB " 40(")

00 - 7F INSERTION EFFECT2 PARAMETER6 LSB " 00(")

00 - 7F INSERTION EFFECT2 PARAMETER7 LSB " 2B(")

00 - 7F INSERTION EFFECT2 PARAMETER8 LSB " 4A(")

00 - 7F INSERTION EFFECT2 PARAMETER9 LSB " 0A(")

00 - 7F INSERTION EFFECT2 PARAMETER10 LSB " 7F(")

MIDI Data Format

MIDI Parameter Change table ( DISPLAY DATA )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 06 00 00 20 20 - 7F DISPLAY LETTER Data1 32...127(ASCII CHARACTER) --

:: : : 1F DISPLAY LETTER Data32 32...127(ASCII CHARACTER) --

TOTAL SIZE 20

07 00 00 30 00 - 7F DISPLAY BITMAP Data1 * 0...127 --

:: : : 2F DISPLAY BITMAP Data48 0...127 --

TOTAL SIZE 30

* How DISPLAY BITMAP data and the screen display are related In the horizontal direction, seven pixels form one byte of data. To display a pixel, set its data bit to 1. To turn off the pixel, set its data bit to 0. This data is arranged in the screen as follows.

b7 b6 b5 b4 b3 b2 b1 b0 b7 b6 b5 b4 b3 b2 b1 b0 b7 b6 b5 b4 b3 b2 b1 b0(“b” indicates “bit”) Data1 0*******Data17 0*******Data33 0 * * ----Data2 Data18 Data34 Data3 Data19 Data35 Data4 Data20 Data36 Data5 Data21 Data37 Data6 Data22 Data38 Data7 Data23 Data39 Data8 Data24 Data40 Data9 Data25 Data41 Data10 Data26 Data42 Data11 Data27 Data43 Data12 Data28 Data44 Data13 Data29 Data45 Data14 Data30 Data46 Data15 Data31 Data47 Data16 Data32 Data48

Only bit 6 and bit 5 are used for Data33-Data48.

Bitmap data can also be received just for a specific pixel. In this case, the other pixels will display their pre vious status. Display Data parameter changes can transmit data continuously from a desired location.

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 08 nn 00 1 00 - 40 ELEMENT RESERVE 0...64 part10, 26=0

nn 01 1 00 - 7F BANK SELECT MSB 0...127 part10,26=7F

nn 02 1 00 - 7F BANK SELECT LSB 0...127 00 nn 03 1 00 - 7F PROGRAM NUMBER 1...128 00 nn 04 1 00-1F,7F Rcv CHANNEL A1...A16, B1...B16, OFF Part No.

nn 05 1 00 - 01 MONO/POLY MODE MONO , POLY 01 nn 06 1 00 - 02 SAME NOTE NUMBER SINGLE, MULTI, INST(for DRUM) 01

nn 07 1 00 - 05 PART MODE NORMAL, DRUM, DRUMS1...4 Part10=2, Part26=4

nn 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] 40 nn 09 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] 08 00 nn 0A 00 - 0F 1st bit3-0→bit7-4

nn 0B 1 00 - 7F VOLUME 0...127 64 nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0...127 40 nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0...127 40 nn 0E 1 00 - 7F PAN RND, L63...C...R63 40 nn 0F 1 00 - 7F NOTE LIMIT LOW C-2...G8 00 nn 10 1 00 - 7F NOTE LIMIT HIGH C-2...G8 7F nn 11 1 00 - 7F DRY LEVEL 0...127 7F nn 12 1 00 - 7F CHORUS SEND 0...127 00 nn 13 1 00 - 7F REVERB SEND 0...127 28 nn 14 1 00 - 7F VARIATION SEND 0...127 00 nn 15 1 00 - 7F VIBRATO RATE -64...0...+63 40 nn 16 1 00 - 7F VIBRATO DEPTH -64...0...+63 40 nn 17 1 00 - 7F VIBRATO DELAY -64...0...+63 40 nn 18 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 40 nn 19 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 40 nn 1A 1 00 - 7F EG ATTACK TIME -64...0...+63 40 nn 1B 1 00 - 7F EG DECAY TIME -64...0...+63 40 nn 1C 1 00 - 7F EG RELEASE TIME -64...0...+63 40 nn 1D 1 28 - 58 MW PITCH CONTROL -24...0...+24[semitones] 40 nn 1E 1 00 - 7F MW LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -100...0...+100[%] 40 nn 20 1 00 - 7F MW LFO PMOD DEPTH 0...127 0A

KEY ON ASSIGN

2nd bit3-0→bit3-0

other parts =2

other parts=0

MIDI Data Format

nn 21 1 00 - 7F MW LFO FMOD DEPTH 0...127 00 nn 22 1 00 - 7F MW LFO AMOD DEPTH 0...127 00 nn 23 1 28 - 58 BEND PITCH CONTROL -24...0...+24[semitones] 42 nn 24 1 00 - 7F BEND LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -100...0...+100[%] 40 nn 26 1 00 - 7F BEND LFO PMOD DEPTH 0...127 00 nn 27 1 00 - 7F BEND LFO FMOD DEPTH 0...127 00 nn 28 1 00 - 7F BEND LFO AMOD DEPTH 0...127 00

TOTAL SIZE 29

nn 30 1 00 - 01 Rcv PITCH BEND OFF, ON 01 nn 31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF, ON 01 nn 32 1 00 - 01 Rcv PROGRAM CHANGE OFF, ON 01 nn 33 1 00 - 01 Rcv CONTROL CHANGE OFF, ON 01 nn 34 1 00 - 01 Rcv POLY AFTER TOUCH(PAT) OFF, ON 01 nn 35 1 00 - 01 Rcv NOTE MESSAGE OFF, ON 01 nn 36 1 00 - 01 Rcv RPN OFF, ON 01 nn 37 1 00 - 01 Rcv NRPN OFF, ON XGmode=01, GMmode=00 nn 38 1 00 - 01 Rcv MODURATION OFF, ON 01 nn 39 1 00 - 01 Rcv VOLUME OFF, ON 01 nn 3A 1 00 - 01 Rcv PAN OFF, ON 01 nn 3B 1 00 - 01 Rcv EXPRESSION OFF, ON 01 nn 3C 1 00 - 01 Rcv HOLD1 OFF, ON 01 nn 3D 1 00 - 01 Rcv PORTAMENTO OFF, ON 01 nn 3E 1 00 - 01 Rcv SOSTENUTO OFF, ON 01 nn 3F 1 00 - 01 Rcv SOFT PEDAL OFF, ON 01 nn 40 1 00 - 01 Rcv BANK SELECT OFF, ON XGmode=01, GMmode=00 nn 41 1 00 - 7F SCALE TUNING C -64...0...+63[cent] 40 nn 42 1 00 - 7F SCALE TUNING C# -64...0...+63[cent] 40 nn 43 1 00 - 7F SCALE TUNING D -64...0...+63[cent] 40 nn 44 1 00 - 7F SCALE TUNING D# -64...0...+63[cent] 40 nn 45 1 00 - 7F SCALE TUNING E -64...0...+63[cent] 40 nn 46 1 00 - 7F SCALE TUNING F -64...0...+63[cent] 40 nn 47 1 00 - 7F SCALE TUNING F# -64...0...+63[cent] 40 nn 48 1 00 - 7F SCALE TUNING G -64...0...+63[cent] 40 nn 49 1 00 - 7F SCALE TUNING G# -64...0...+63[cent] 40 nn 4A 1 00 - 7F SCALE TUNING A -64...0...+63[cent] 40 nn 4B 1 00 - 7F SCALE TUNING A# -64...0...+63[cent] 40 nn 4C 1 00 - 7F SCALE TUNING B -64...0...+63[cent] 40 nn 4D 1 28 - 58 CAT PITCH CONTROL -24...0...+24[semitones] 40 nn 4E 1 00 - 7F CAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL -100...0...+100[%] 40 nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0...127 00 nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0...127 00 nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0...127 00 nn 53 1 28 - 58 PAT PITCH CONTROL -24...0...+24[semitones] 40 nn 54 1 00 - 7F PAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 55 1 00 - 7F PAT AMPLITUDE CONTROL -100...0...+100[%] 40 nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0...127 00 nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0...127 00 nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0...127 00 nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10 nn 5A 1 28 - 58 AC1 PITCH CONTROL -24...0...+24[semitones] 40 nn 5B 1 00 - 7F AC1 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL -100...0...+100[%] 40 nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0...127 00 nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0...127 00 nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0...127 00 nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11 nn 61 1 28 - 58 AC2 PITCH CONTROL -24...0...+24[semitones] 40 nn 62 1 00 - 7F AC2 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL -100...0...+100[%] 40 nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0...127 00 nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0...127 00 nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0...127 00 nn 67 1 00 - 01 PORTAMENTO SWITCH OFF, ON 00 nn 68 1 00 - 7F PORTAMENTO TIME 0...127 00 nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64...0...+63 40 nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64...0...+63 40 nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64...0...+63 40 nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64...0...+63 40 nn 6D 1 01 - 7F VELOCITY LIMIT LOW 1...127 01 nn 6E 1 01 - 7F VELOCITY LIMIT HIGH 1...127 7F

TOTAL SIZE 3F

nn 70 1 NOT USED -nn 71 1 NOT USED -nn 72 1 00 - 7F EQ BASS GAIN -12 - +12[dB] 40 nn 73 1 00 - 7F EQ TREBLE GAIN -12 - +12[dB] 40

TOTAL SIZE 4

MIDI Data Format

nn 74 1 NOT USED -nn 75 1 NOT USED -nn 76 1 04 - 28 EQ BASS FREQUENCY 32...2.0k[Hz] 0C nn 77 1 1C - 3A EQ TREBLE FREQUENCY 500...16.0k[Hz] 36 nn 78 1 NOT USED -nn 79 1 NOT USED -nn 7A 1 NOT USED -nn 7B 1 NOT USED -nn 7C 1 NOT USED -nn 7D 1 NOT USED -nn 7E 1 NOT USED -nn 7F 1 NOT USED --

TOTAL SIZE 0C

0A nn 10 1 00, 08,28,29 OUTPUT SELECT 0:stereo out, 8:indiv1+2 0

TOTAL SIZE 1 When data other than the above is received, 0:Stereo Out will be selected.

0A nn 20 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63 40

nn 21 1 NOT USED --

TOTAL SIZE 2

nn = PART NUMBER

In the case of the DRUM PART, there will be no effect for the following parameters.

• BANK SELECT LSB

• MONO/POLY MODE

• SCALE TUNING

• PORTAMENTO

• PITCH EG

• FILTER MODURATION DEPTH(FMOD DEPTH)

• AMPLITUDE MODURATION DEPTH(AMOD DEPTH)

• OUTPUT SELECT

MIDI Parameter Change table ( A/D PART )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 10 0n 00 1 00 - 01 INPUT GAIN MIC , LINE 00

01 1 00 - 7F BANK SELECT MSB 0...127 00 02 1 00 - 7F BANK SELECT LSB 0...127 00 03 1 00 - 7F PROGRAM NUMBER 1...128 00 04 1 00-1F, 7F Rcv CHANNEL A1...A16,B1...B16, OFF 7F 05 1 NOT USED -06 1 NOT USED -07 1 NOT USED -08 1 NOT USED -09 1 NOT USED -0A 1 NOT USED -0B 1 00 - 7F VOLUME 0...127 00 0C 1 NOT USED -0D 1 NOT USED -0E 1 01 - 7F PAN L63...C...R63 40 0F 1 NOT USED -10 1 NOT USED -11 1 00 - 7F DRY LEVEL 0...127 7F 12 1 00 - 7F CHORUS SEND 0...127 00 13 1 00 - 7F REVERB SEND 0...127 00 14 1 00 - 7F VARIATION SEND 0...127 00

TOTAL SIZE 15

10 0n 30 1 NOT USED --

31 1 NOT USED -32 1 00 - 01 Rcv PROGRAM CHANGE OFF , ON 00 33 1 00 - 01 Rcv CONTROL CHANGE OFF , ON 01 34 1 NOT USED -35 1 00 - 01 MUTE ON, OFF 01 36 1 NOT USED -37 1 NOT USED -38 1 NOT USED -39 1 00 - 01 Rcv VOLUME OFF , ON 01 3A 1 00 - 01 Rcv PAN OFF , ON 01 3B 1 00 - 01 Rcv EXPRESSION OFF , ON 01 3C 1 NOT USED -3D 1 NOT USED -3E 1 NOT USED -3F 1 NOT USED -40 1 00 - 01 Rcv BANK SELECT OFF , ON 00 41 1 NOT USED -42 1 NOT USED -43 1 NOT USED -44 1 NOT USED -45 1 NOT USED -46 1 NOT USED -47 1 NOT USED -48 1 NOT USED -49 1 NOT USED -4A 1 NOT USED --

40:indiv1,41:indiv2

MIDI Data Format

4B 1 NOT USED -4C 1 NOT USED -4D 1 NOT USED -4E 1 NOT USED -4F 1 NOT USED -50 1 NOT USED -51 1 NOT USED -52 1 NOT USED -53 1 NOT USED -54 1 NOT USED -55 1 NOT USED -56 1 NOT USED -57 1 NOT USED -58 1 NOT USED -59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10 5A 1 NOT USED -5B 1 NOT USED -5C 1 NOT USED -5D 1 NOT USED -5E 1 NOT USED -5F 1 NOT USED -60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11

TOTAL SIZE 31

n:A/D Part number( 0 - 1 )

MIDI Parameter Change table ( A/D System )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 11 00 00 1 00 - 01 A/D1,2 MONO/STEREO MODE MONO/STEREO 00 TOTAL SIZE 1

MIDI Parameter Change table ( DRUM SETUP )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 3n rr 00 1 00 - 7F PITCH COARSE -64...0...+63 40

01 1 00 - 7F PITCH FINE -64...0...+63[cent] 40 02 1 00 - 7F LEVEL 0...127 depend on the note 03 1 00 - 7F ALTERNATE GROUP OFF,1...127 " 04 1 00 - 7F PAN RND,L63...C...R63 " 05 1 00 - 7F REVERB SEND 0...127 " 06 1 00 - 7F CHORUS SEND 0...127 " 07 1 00 - 7F VARIATION SEND 0...127 7F 08 1 00 - 01 KEY ASSIGN SINGLE , MULTI 00 09 1 00 - 01 Rcv NOTE OFF OFF , ON depend on the note 0A 1 00 - 01 Rcv NOTE ON OFF , ON 01 0B 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...63 40 0C 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...63 40 0D 1 00 - 7F EG ATTACK RATE -64...0...63 40 0E 1 00 - 7F EG DECAY1 RATE -64...0...63 40 0F 1 00 - 7F EG DECAY2 RATE -64...0...63 40

TOTAL SIZE 10

3n rr 20 1 00 - 7F EQ BASS GAIN -12 - +12[dB] 40

21 1 00 - 7F EQ TREBLE GAIN -12 - +12[dB] 40 22 1 NOT USED -23 1 NOT USED -24 1 04 - 28 EQ BASS FREQUENCY 32...2.0k[Hz] 0C 25 1 1C - 3A EQ TREBLE FREQUENCY 500...16.0k[Hz] 36 26 1 NOT USED -27 1 NOT USED -28 1 NOT USED -29 1 NOT USED -2A 1 NOT USED -2B 1 NOT USED -2C 1 NOT USED -2D 1 NOT USED --

TOTAL SIZE 0E

3n rr 40 1 00, 08,28,29 OUTPUT SELECT 0:stereo out, 8:indiv1+2 0

TOTAL SIZE 1 When data other than the above is received, 0:Stereo Out will be selected.

3n rr 50 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...63 40

51 1 NOT USED --

TOTAL SIZE 2

3n rr 60 1 30 - 50 VELOCITY SENSE PITCH -16...0...16 depend on the note

61 1 30 - 50 VELOCITY SENSE LPF CUTOFF -16...0...16 "

TOTAL SIZE 2

40:indiv1,41:indiv2

MIDI Data Format

n:Drum Setup Number(0 - 3) rr:note number(0D - 5B)

The MU90 will initialize all Drum Setup data in the following cases. When XG SYSTEM ON is received When GM SYSTEM ON is received When DRUM SETUP RESET is received (in XG mode)

[Note] When a program change is received by a part to which a Drum Setup is assigned, the assigned Drum Setup will be initialized. If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will be reflected in all parts to which it is assigned.

MIDI Data Format

Parameter Base Address MODEL ID = 49

Parameter Description

MU80 SYSTEM 00 00 00 System REMOTE SWITCH 0A 00 00 Remote Switch MU80 30 00 00 #1 Common INTERNAL : : PERFORMANCE 30 63 00 #100 Common

MIDI Parameter Change table ( SYSTEM )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 00 00 00 1 00 - 01 MUTE LOCK OFF , ON 00

01 1 00 - 01 AD LOCK OFF , ON 00 02 1 00 - 01 EQ LOCK OFF , ON 00 03 1 00 - 01 Rcv GM EXCLUSIVE MESSAGE OFF , ON 01 04 1 00 - 01 Rcv BANK SELECT OFF , ON 01 05 1 00 - 04 BULK OUT INTERVAL TIME 50, 100, 150, 200, 300 02 06 1 00 - 10 PERFORMANCE SYSTEM CHANNEL 1...16, all 00 07 1 28 - 58 PERFORMANCE SYSTEM TRANSPOSE -24...0...+24[semitone] 40 08 1 00 - 07 LCD CONTRAST 1...8 01 09 1 00 - 07 MULTI PORT NUMBER for MIDI OUT 1...8 00

TOTAL SIZE 0A

00 00 10 1 00 - 01 DRUM EDIT Rcv NOTE OFF , ON 01 TOTAL SIZE 1

00 00 11 1 00 - 01 OUTPUT SELECT LOCK OFF , ON 00 TOTAL SIZE 1

Address

(H) (M) (L)

31 00 00 #1 Part1

:: 31 63 00 #100 Part1 32 00 00 #1 Part2

:: 32 63 00 #100 Part2 33 00 00 #1 Part3

:: 33 63 00 #100 Part3 34 00 00 #1 Part4

:: 34 63 00 #100 Part4

MU80 Performance Common INT

Address (H) Parameter

30 pp 00 System

pp 20 Effect pp 70 EQ

pp: Performance#

MIDI Parameter Change table ( REMOTE SWITCH )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 0A 00 00 1 00-01 PLAY SWITCH OFF , ON --

01 1 00-01 UTIL SWITCH OFF , ON -02 1 00-01 MODE SWITCH OFF , ON -03 1 00-01 EDIT SWITCH OFF , ON -04 1 00-01 EFFECT SWITCH OFF , ON -05 1 00-01 EQ SWITCH OFF , ON -06 1 00-01 MUTE/SOLO SWITCH OFF , ON -07 1 00-01 ENTER SWITCH OFF , ON -08 1 00-01 EXIT SWITCH OFF , ON -09 1 00-01 PART- SWITCH OFF , ON -0A 1 00-01 SELECT- SWITCH OFF , ON -0B 1 00-01 VALUE- SWITCH OFF , ON -0C 1 00-01 PART+ SWITCH OFF , ON -0D 1 00-01 SELECT+ SWITCH OFF , ON -0E 1 00-01 VALUE+ SWITCH OFF , ON --

TOTAL SIZE 0F

MIDI Parameter Change table ( MU80, MU50 INTERNAL PERFORMANCE )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 30 pp 00 0C 20 - 7F PERFORMANCE NAME 32...127(ASCII CHARACTER) depends on performance number

pp 0C 01 00 - 7F PERFORMANCE VOLUME 0...127 " pp 0D 01 01 - 7F PERFORMANCE PAN L63...C...R63(1...64...127) " pp 0E 01 00 - 60 AC1 CC NUMBER 0...95, CAT(96) " pp 0F 01 00 - 01 A/D INPUT OFF , ON "

TOTAL SIZE 10

MIDI Data Format

30 pp 20 2 00-7F REVERB TYPE MSB Refer to the Effect Program List depends on performance number

pp 21 00-7F REVERB TYPE LSB " " pp 22 1 00-7F REVERB PARAMETER 1 " " pp 23 1 00-7F REVERB PARAMETER 2 " " pp 24 1 00-7F REVERB PARAMETER 3 " " pp 25 1 00-7F REVERB PARAMETER 4 " " pp 26 1 00-7F REVERB PARAMETER 5 " " pp 27 1 00-7F REVERB RETURN -∞dB...0dB...+6dB(0...96...127) " pp 28 1 01-7F REVERB PAN L63...C...R63 " pp 29 2 00-7F CHORUS TYPE MSB Refer to the Effect Program List " pp 2A 00-7F CHORUS TYPE LSB " " pp 2B 1 00-7F CHORUS PARMETER 1 " " pp 2C 1 00-7F CHORUS PARMETER 2 " " pp 2D 1 00-7F CHORUS PARMETER 3 " " pp 2E 1 00-7F CHORUS PARMETER 4 " " pp 2F 1 00-7F CHORUS PARMETER 5 " " pp 30 1 00-7F CHORUS RETURN -∞dB...0dB...+6dB(0...96...127) " pp 31 1 01-7F CHORUS PAN L63...C...R63 " pp 32 1 00-7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...96...127) " pp 33 2 00-7F VARIATION TYPE MSB Refer to the Effect Program List " pp 34 00-7F VARIATION TYPE LSB " " pp 35 2 00-7F VARIATION PARMETER 1 MSB " " pp 36 00-7F VARIATION PARMETER 1 LSB " " pp 37 2 00-7F VARIATION PARMETER 2 MSB " " pp 38 00-7F VARIATION PARMETER 2 LSB " " pp 39 2 00-7F VARIATION PARMETER 3 MSB " " pp 3A 00-7F VARIATION PARMETER 3 LSB " " pp 3B 2 00-7F VARIATION PARMETER 4 MSB " " pp 3C 00-7F VARIATION PARMETER 4 LSB " " pp 3D 2 00-7F VARIATION PARMETER 5 MSB " " pp 3E 00-7F VARIATION PARMETER 5 LSB " " pp 3F 2 00-7F VARIATION PARMETER 10 MSB " " pp 40 00-7F VARIATION PARMETER 10 LSB " " pp 41 1 00-7F VARIATION RETURN -∞dB...0dB...+6dB(0...96...127) " pp 42 1 01-7F VARIATION PAN L63...C...R63(1...64...127) " pp 43 1 00-7F SEND VARIA TION TO REVERB -∞dB...0dB...+6dB(0...96...127) " pp 44 1 00-7F SEND VARIA TION TO CHORUS -∞dB...0dB...+6dB(0...96...127) " pp 45 1 00-7F AC1 VARIATION CONTROL DEPTH 0...127 " pp 46 1 00-01 VARIATION CONNECTION INSERTION , SYSTEM " pp 47 1 00-03,7F VARATION PART Part1...4(0...3) "

pp 48 2 00-7F INSERTION EFFECT 1 TYPE MSB Refer to the Effect Program List " pp 49 00-7F INSERTION EFFECT 1 TYPE LSB " " pp 4A 1 00-7F INSERTION EFFECT 1 PARAMETER1 " " pp 4B 1 00-7F INSERTION EFFECT 1 PARAMETER2 " " pp 4C 1 00-7F INSERTION EFFECT 1 PARAMETER3 " " pp 4D 1 00-7F INSERTION EFFECT 1 PARAMETER4 " " pp 4E 1 00-7F INSERTION EFFECT 1 PARAMETER5 " " pp 4F 1 00-7F INSERTION EFFECT 1 PARAMETER10 " " pp 50 1 00-7F INSERTION EFFECT 1 PART Part1...4(0...3) "

TOTAL SIZE 31

30 pp 70 1 00 - 04 EQ TYPE flat,jazz,pops,rock,concert depends on performance number

pp 71 1 34 - 4C EQ GAIN1 -12...0...+12[dB] " pp 72 1 34 - 4C EQ GAIN2 -12...0...+12[dB] " pp 73 1 34 - 4C EQ GAIN3 -12...0...+12[dB] " pp 74 1 34 - 4C EQ GAIN4 -12...0...+12[dB] " pp 75 1 34 - 4C EQ GAIN5 -12...0...+12[dB] "

TOTAL SIZE 06

3n pp 00 1 00 - 7F PROGRAM NUMBER 1...128 depends on performance number 3n pp 01 1 00 - 7F BANK SELECT 0...127 (Refer to the XG voice map) " 3n pp 02 1 00 - 7F VOLUME 0...127 " 3n pp 03 1 00, 01 - 7F PAN RND, L63...C...R63 " 3n pp 04 1 00 - 7F DRY SEND LEVEL 0...127 " 3n pp 05 1 00 - 7F CHORUS SEND 0...127 " 3n pp 06 1 00 - 7F REVERB SEND 0...127 " 3n pp 07 1 00 - 7F VARIATION SEND 0...127 " 3n pp 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] " 3n pp 09 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 " 3n pp 0A 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 " 3n pp 0B 1 00 - 7F EG ATTACK TIME -64...0...+63 " 3n pp 0C 1 00 - 7F EG DECAY TIME -64...0...+63 " 3n pp 0D 1 00 - 7F EG RELEASE TIME -64...0...+63 " 3n pp 0E 1 00 - 7F VIBRATO RATE -64...0...+63 " 3n pp 0F 1 00 - 7F VIBRATO DEPTH -64...0...+63 " 3n pp 10 1 00 - 7F VIBRATO DELAY -64...0...+63 " 3n pp 11 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] " 3n pp 11 00 - 0F 1st bit3-0→bit7-4

Rcv NOTE MESSAGE 1st bit6 : OFF,ON(0,1) MONO/POLY MODE 1st bit5 : MONO,POLY(0,1)

PORTAMENTO SWITCH * 1st bit4 : OFF,ON(0,1)

AD1, AD2(64, 65) OFF(127)

2nd bit3-0→bit3-0

MIDI Data Format

3n pp 18 1 00 - 7F MW LFO FMOD DEPTH * 0...127 " 3n pp 19 1 28 - 58 PITCH BEND CONTROL * -24...0...+24[semitones] " 3n pp 1A 1 00 - 7F AC1 LOW PASS FILTER CONTROL * -64...0...63 " 3n pp 1B 1 00 - 7F AC1 AMPLITUDE CONTROL * -100...0...+100[%] " 3n pp 1C 1 00 - 7F VELOCITY SENSE DEPTH 0...127 " 3n pp 1D 1 00 - 7F VELOCITY SENSE OFFSET 0...127 " 3n pp 1E 1 00 - 7F NOTE LIMIT LOW C-2...G8 " 3n pp 1F 1 00 - 7F NOTE LIMIT HIGH C-2...G8 " 3n pp 20 1 00 - 7F PORTAMENTO TIME * 0...127 " 3n pp 21 1 01 - 7F VELOCITY LIMIT LOW 1...127 " 3n pp 22 1 01 - 7F VELOCITY LIMIT HIGH 1...127 " TOTAL SIZE 23

n: performance part number (01-04) pp:performance number (00-63) For parameters marked by an *, only the data of n=1 is received as common data, and the data of n=2-4 is not received.

MIDI Data Format

Parameter Base Address MODEL ID = 59

Parameter Description

CURRENT 09 00 00 Part1 PERFORMANCE 09 01 00 Part2

INTERNAL 30 00 00 #1 Part1 PERFORMANCE : :

Address

(H) (M) (L)

09 02 00 Part3

09 03 00 Part4 0B 00 00 Common 0C 00 00 Insertion1 Effect 0C 01 00 Insertion2 Effect

30 63 00 #100 Part1

31 00 00 #1 Part2

:: 31 63 00 #100 Part2 32 00 00 #1 Part3

:: 32 63 00 #100 Part3 33 00 00 #1 Part4

:: 33 63 00 #100 Part4 40 00 00 #1 Common

:: 40 63 00 #100 Common 50 00 00 #1 Insertion1 Effect

:: 50 63 00 #100 Insertion1 Effect 51 00 00 #1 Insertion2 Effect

:: 51 63 00 #100 Insertion2 Effect

Performance Common CUR

Address (H) Parameter

0B 00 00 System

00 20 Effect 00 70 EQ

Performance Common INT

Address (H) Parameter

40 pp 00 System

pp 20 Effect pp 70 EQ

pp: Performance#

MIDI Parameter Change table (CURRENT PERFORMANCE )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 09 0n 00 1 00 - 7F PROGRAM NUMBER 1...128 depends on performance number

0n 01 1 00 - 7F BANK SELECT 0...127 (Refer to the XG voice map) " 0n 02 1 00 - 7F VOLUME 0...127 " 0n 03 1 00 - 7F PAN RND,L63...C...R63(0, 1...64...127) " 0n 04 1 00 - 7F DRY SEND LEVEL 0...127 " 0n 05 1 00 - 7F CHORUS SEND 0...127 " 0n 06 1 00 - 7F REVERB SEND 0...127 " 0n 07 1 00 - 7F VARIATION SEND 0...127 " 0n 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] " 0n 09 1 00 - 01 Rcv NOTE MESSAGE(MUTE) OFF , ON(0, 1) " 0n 0A 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 " 0n 0B 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 " 0n 0C 1 00 - 7F EG ATTACK TIME -64...0...+63 " 0n 0D 1 00 - 7F EG DECAY TIME -64...0...+63 " 0n 0E 1 00 - 7F EG RELEASE TIME -64...0...+63 " 0n 0F 1 00 - 7F VIBRATO RATE -64...0...+63 " 0n 10 1 00 - 7F VIBRATO DEPTH -64...0...+63 " 0n 11 1 00 - 7F VIBRATO DELAY -64...0...+63 " 0n 12 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] " 0n 13 00 - 0F 1st bit3-0→bit7-4

0n 14 1 00 - 7F PITCH EG INITIAL LEVEL -64...0...+63 " 0n 15 1 00 - 7F PITCH EG ATTACK TIME -64...0...+63 " 0n 16 1 00 - 7F PITCH EG RELEASE LEVEL -64...0...+63 " 0n 17 1 00 - 7F PITCH EG RELEASE TIME -64...0...+63 " 0n 18 1 00 - 01 MONO/POLY MODE MONO , POLY(0, 1) " 0n 19 1 00 - 7F VELOCITY SENSE DEPTH 0...127 " 0n 1A 1 00 - 7F VELOCITY SENSE OFFSET 0...127 " 0n 1B 1 00 - 7F NOTE LIMIT LOW C-2...G8(0...127) " 0n 1C 1 00 - 7F NOTE LIMIT HIGH C-2...G8(0...127) " 0n 1D 1 01 - 7F VELOCITY LIMIT LOW 1...127 " 0n 1E 1 01 - 7F VELOCITY LIMIT HIGH 1...127 " 0n 1F 1 00 - 7F EQ BASS -64 ...0...+63(-12 - +12[dB]) " 0n 20 1 00 - 7F EQ TREBLE -64...0...+63(-12 - +12[dB]) " 0n 21 1 04 - 28 EQ BASS frequency 32...2.0k[Hz] " 0n 22 1 1C - 3A EQ TREBLE frequency 500...16.0k[Hz] " 0n 23 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63 "

TOTAL SIZE 24

n: performance part number (00-03)

2nd bit3-0→bit3-0

MIDI Data Format

0B 00 00 0C 20 - 7F PERFORMANCE NAME 32...127(ASCII CHARACTER) depends on performance number

0C 01 00 - 7F PERFORMANCE VOLUME 0...127 " 0D 01 01 - 7F PERFORMANCE PAN L63...C...R63 " 0E 01 00 - 60 AC1 CC NUMBER 0...95,CAT " 0F 01 00 - 01 A/D INPUT OFF , ON " 10 01 00 - 7F MW LFO PMOD DEPTH 0...127 " 11 01 00 - 7F MW LFO FMOD DEPTH 0...127 " 12 01 28 - 58 BEND PITCH CONTROL -24..0..+24[semitones] " 13 01 00 - 7F AC1 LOW PASS FILTER CONTROL -64 ...0...+63 " 14 01 00 - 7F AC1 AMPLITUDE CONTROL -64 ...0...+63 " 15 01 00 - 7F AC1 LFO FMOD DEPTH 0...127 " 16 01 00 - 01 PORTAMENTO SWITCH OFF , ON(0, 1) " 17 01 00 - 7F PORTAMENTO TIME 0...127 "

TOTAL SIZE 18

0B 00 20 2 00-7F REVERB TYPE MSB Refer to the Effect Program List depends on performance number

21 00-7F REVERB TYPE LSB " " 22 1 00-7F REVERB PARAMETER 1 " " 23 1 00-7F REVERB PARAMETER 2 " " 24 1 00-7F REVERB PARAMETER 3 " " 25 1 00-7F REVERB PARAMETER 4 " " 26 1 00-7F REVERB PARAMETER 5 " " 27 1 00-7F REVERB RETURN -∞dB...0dB...+6dB(0...96...127) " 28 1 01-7F REVERB PAN L63...C...R63 " 29 2 00-7F CHORUS TYPE MSB Refer to the Effect Program List " 2A 00-7F CHORUS TYPE LSB " " 2B 1 00-7F CHORUS PARAMETER 1 " " 2C 1 00-7F CHORUS PARAMETER 2 " " 2D 1 00-7F CHORUS PARAMETER 3 " " 2E 1 00-7F CHORUS PARAMETER 4 " " 2F 1 00-7F CHORUS PARAMETER 5 " " 30 1 00-7F CHORUS RETURN -∞dB...0dB...+6dB(0...96...127) " 31 1 01-7F CHORUS PAN L63...C...R63(1...64...127) " 32 1 00-7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...96...127) " 33 2 00-7F VARIATION TYPE MSB Refer to the Effect Program List " 34 00-7F VARIATION TYPE LSB " " 35 2 00-7F VARIATION PARAMETER 1 MSB " " 36 00-7F VARIATION PARAMETER 1 LSB " " 37 2 00-7F VARIATION PARAMETER 2 MSB " " 38 00-7F VARIATION PARAMETER 2 LSB " " 39 2 00-7F VARIATION PARAMETER 3 MSB " " 3A 00-7F VARIATION PARAMETER 3 LSB " " 3B 2 00-7F VARIATION PARAMETER 4 MSB " " 3C 00-7F VARIATION PARAMETER 4 LSB " " 3D 2 00-7F VARIATION PARAMETER 5 MSB " " 3E 00-7F VARIATION PARAMETER 5 LSB " " 3F 2 00-7F VARIATION PARAMETER 10 MSB " " 40 00-7F VARIATION PARAMETER 10 LSB " " 41 1 00-7F VARIATION RETURN -∞dB...0dB...+6dB(0...96...127) " 42 1 01-7F VARIATION PAN L63...C...R63 " 43 1 00-7F SEND VARIA TION TO REVERB -∞dB...0dB...+6dB(0...96...127) " 44 1 00-7F SEND VARIA TION TO CHORUS -∞dB...0dB...+6dB(0...96...127) " 45 1 00-7F AC1 VARIATION CONTROL DEPTH 0...127 " 46 1 00-01 VARIATION CONNECTION INSERTION , SYSTEM " 47 1 00-7F VARIATION PART Part1...4(0...3) "

TOTAL SIZE 28

0B 00 70 1 00 - 04 EQ TYPE flat,jazz,pops,rock,concert depends on performance number

71 1 34 - 4C EQ GAIN1 -12...0...+12[dB] " 72 1 34 - 4C EQ GAIN2 -12...0...+12[dB] " 73 1 34 - 4C EQ GAIN3 -12...0...+12[dB] " 74 1 34 - 4C EQ GAIN4 -12...0...+12[dB] " 75 1 34 - 4C EQ GAIN5 -12...0...+12[dB] "

TOTAL SIZE 06

AD1, AD2(64, 65) OFF(127)

0C 00 00 2 00-7F INSERTION EFFECT 1 TYPE MSB Refer to the Effect Program List depends on performance number

01 00-7F INSERTION EFFECT 1 TYPE LSB " " 02 2 00-7F INSERTION EFFECT 1 PARAMETER1 MSB " " 03 00-7F INSERTION EFFECT 1 PARAMETER1 LSB " " 04 2 00-7F INSERTION EFFECT 1 PARAMETER2 MSB " " 05 00-7F INSERTION EFFECT 1 PARAMETER2 LSB " " 06 2 00-7F INSERTION EFFECT 1 PARAMETER3 MSB " " 07 00-7F INSERTION EFFECT 1 PARAMETER3 LSB " " 08 2 00-7F INSERTION EFFECT 1 PARAMETER4 MSB " " 09 00-7F INSERTION EFFECT 1 PARAMETER4 LSB " " 0A 2 00-7F INSERTION EFFECT 1 P ARAMETER5 MSB " " 0B 00-7F INSERTION EFFECT 1 PARAMETER5 LSB " " 0C 2 00-7F INSERTION EFFECT 1 PARAMETER10 MSB " " 0D 00-7F INSERTION EFFECT 1 PARAMETER10 LSB " " 0E 1 00-7F INSERTION EFFECT 1 PART Part1...4(0...3) "

TOTAL SIZE 0F

AD1, AD2(64, 65) OFF(127)

MIDI Data Format

0C 01 00 2 00-7F INSERTION EFFECT 2 TYPE MSB Refer to the Effect Program List depends on performance number

01 00-7F INSERTION EFFECT 2 TYPE LSB " " 02 2 00-7F INSERTION EFFECT 2 PARAMETER1 MSB " " 03 00-7F INSERTION EFFECT 2 PARAMETER1 LSB " " 04 2 00-7F INSERTION EFFECT 2 PARAMETER2 MSB " " 05 00-7F INSERTION EFFECT 2 PARAMETER2 LSB " " 06 2 00-7F INSERTION EFFECT 2 PARAMETER3 MSB " " 07 00-7F INSERTION EFFECT 2 PARAMETER3 LSB " " 08 2 00-7F INSERTION EFFECT 2 PARAMETER4 MSB " " 09 00-7F INSERTION EFFECT 2 PARAMETER4 LSB " " 0A 2 00-7F INSERTION EFFECT 2 PARAMETER5 MSB " " 0B 00-7F INSERTION EFFECT 2 PARAMETER5 LSB " " 0C 2 00-7F INSERTION EFFECT 2 PARAMETER10 MSB " " 0D 00-7F INSERTION EFFECT 2 PARAMETER10 LSB " " 0E 1 00-7F INSERTION EFFECT 2 PART Part1...4(0...3) "

TOTAL SIZE 0F

MIDI Parameter Change table ( INTERNAL PERFORMANCE )

Address Size Data Parameter Description Initial value (H) (H) (H) (H) 3n pp 00 1 00 - 7F PROGRAM NUMBER 1...128 depends on performance number 3n pp 01 1 00 - 7F BANK SELECT 0...127 (Refer to the XG voice map) " 3n pp 02 1 00 - 7F VOLUME 0...127 " 3n pp 03 1 00, 01 - 7F PAN RND, L63...C...R63 " 3n pp 04 1 00 - 7F DRY SEND LEVEL 0...127 " 3n pp 05 1 00 - 7F CHORUS SEND 0...127 " 3n pp 06 1 00 - 7F REVERB SEND 0...127 " 3n pp 07 1 00 - 7F VARIATION SEND 0...127 " 3n pp 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] " 3n pp 09 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 " 3n pp 0A 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 " 3n pp 0B 1 00 - 7F EG ATTACK TIME -64...0...+63 " 3n pp 0C 1 00 - 7F EG DECAY TIME -64...0...+63 " 3n pp 0D 1 00 - 7F EG RELEASE TIME -64...0...+63 " 3n pp 0E 1 00 - 7F VIBRATO RATE -64...0...+63 " 3n pp 0F 1 00 - 7F VIBRATO DEPTH -64...0...+63 " 3n pp 10 1 00 - 7F VIBRATO DELAY -64...0...+63 " 3n pp 11 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] " 3n pp 12 00 - 7F 1st bit3-0→bit7-4

Rcv NOTE MESSAGE 1st bit6 : OFF,ON(0,1)

3n pp 13 1 00 - 7F PITCH EG INITIAL LEVEL 0...127 " 3n pp 14 1 00 - 7F PITCH EG ATTACK TIME 0...127 " 3n pp 15 1 00 - 7F PITCH EG RELEASE LEVEL 0...127 " 3n pp 16 1 00 - 7F PITCH EG RELEASE TIME 0...127 " 3n pp 17 1 00 - 7F VELOCITY SENSE DEPTH 0...127 " 3n pp 18 1 00 - 7F VELOCITY SENSE OFFSET 0...127 " 3n pp 19 1 00 - 7F NOTE LIMIT LOW C-2...G8 " 3n pp 1A 1 00 - 7F NOTE LIMIT HIGH C-2...G8 " 3n pp 1B 1 01 - 7F VELOCITY LIMIT LOW 1...127 " 3n pp 1C 1 01 - 7F VELOCITY LIMIT HIGH 1...127 " 3n pp 1D 1 00 - 7F EQ BASS -64 ...0...+63(-12 - +12[dB]) " 3n pp 1E 1 00 - 7F EQ TREBLE -64...0...+63(-12 - +12[dB]) " 3n pp 1F 1 04 - 28 EQ BASS frequency 32...2.0k[Hz] " 3n pp 20 1 1C - 3A EQ TREBLE frequency 500...16.0k[Hz] " 3n pp 21 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63 " TOTAL SIZE 22

n: performance part number (00-03) pp:performance number (00-63)

MONO/POLY MODE 1st bit5 : MONO,POLY(0,1)

AD1, AD2(64, 65) OFF(127)

2nd bit3-0→bit3-0

40 pp 00 0C 20 - 7F PERFORMANCE NAME 32...127(ASCII CHARACTER) depends on performance number

pp 0C 01 00 - 7F PERFORMANCE VOLUME 0...127 " pp 0D 01 01 - 7F PERFORMANCE PAN L63...C...R63(1...64...127) " pp 0E 01 00 - 60 AC1 CC NUMBER 0...95,CAT " pp 0F 01 00 - 01 A/D INPUT OFF , ON " pp 10 01 00 - 7F MW LFO PMOD DEPTH 0...127 " pp 11 01 00 - 7F MW LFO FMOD DEPTH 0...127 " pp 12 01 28 - 58 BEND PITCH CONTROL -24..0..+24[semitones] " pp 13 01 00 - 7F AC1 FILTER CONTROL -64 ...0...+63 " pp 14 01 00 - 7F AC1 AMPLITUDE CONTROL -100...0...+100[%] " pp 15 01 00 - 7F AC1 LFO FMOD DEPTH 0...127 " pp 16 01 00 - 01 PORTAMENTO SWITCH OFF , ON(0, 1) " pp 17 01 00 - 7F PORTAMENTO TIME 0...127 "

TOTAL SIZE 18

MIDI Data Format

40 pp 20 2 00-7F REVERB TYPE MSB Refer to the Effect Program List depends on performance number

TOTAL SIZE 28

40 pp 70 1 00 - 04 EQ TYPE flat,jazz,pops,rock,concert depends on performance number

TOTAL SIZE 06

AD1, AD2(64, 65) OFF(127)

50 pp 00 2 00-7F INSERTION EFFECT 1 TYPE MSB Refer to the Effect Program List depends on performance number

pp 01 00-7F INSERTION EFFECT 1 TYPE LSB " " pp 02 2 00-7F INSERTION EFFECT 1 PARAMETER1 MSB " " pp 03 00-7F INSERTION EFFECT 1 PARAMETER1 LSB " " pp 04 2 00-7F INSERTION EFFECT 1 PARAMETER2 MSB " " pp 05 00-7F INSERTION EFFECT 1 PARAMETER2 LSB " " pp 06 2 00-7F INSERTION EFFECT 1 PARAMETER3 MSB " " pp 07 00-7F INSERTION EFFECT 1 PARAMETER3 LSB " " pp 08 2 00-7F INSERTION EFFECT 1 PARAMETER4 MSB " " pp 09 00-7F INSERTION EFFECT 1 PARAMETER4 LSB " " pp 0A 2 00-7F INSERTION EFFECT 1 PARAMETER5 MSB " " pp 0B 00-7F INSERTION EFFECT 1 PARAMETER5 LSB " " pp 0C 2 00-7F INSERTION EFFECT 1 PARAMETER10 MSB " " pp 0D 00-7F INSERTION EFFECT 1 PARAMETER10 LSB " " pp 0E 1 00-7F INSERTION EFFECT 1 PART Part1...4(0...3) "

TOTAL SIZE 0F

51 pp 00 2 00-7F INSERTION EFFECT 2 TYPE MSB Refer to the Effect Program List depends on performance number

pp 01 00-7F INSERTION EFFECT 2 TYPE LSB " " pp 02 2 00-7F INSERTION EFFECT 2 PARAMETER1 MSB " " pp 03 00-7F INSERTION EFFECT 2 PARAMETER1 LSB " " pp 04 2 00-7F INSERTION EFFECT 2 PARAMETER2 MSB " " pp 05 00-7F INSERTION EFFECT 2 PARAMETER2 LSB " " pp 06 2 00-7F INSERTION EFFECT 2 PARAMETER3 MSB " " pp 07 00-7F INSERTION EFFECT 2 PARAMETER3 LSB " " pp 08 2 00-7F INSERTION EFFECT 2 PARAMETER4 MSB " " pp 09 00-7F INSERTION EFFECT 2 PARAMETER4 LSB " " pp 0A 2 00-7F INSERTION EFFECT 2 PARAMETER5 MSB " " pp 0B 00-7F INSERTION EFFECT 2 PARAMETER5 LSB " " pp 0C 2 00-7F INSERTION EFFECT 2 PARAMETER10 MSB " " pp 0D 00-7F INSERTION EFFECT 2 PARAMETER10 LSB " " pp 0E 1 00-7F INSERTION EFFECT 2 PART Part1...4(0...3) "

TOTAL SIZE 0F

pp:performance number (00-63)

AD1, AD2(64, 65) OFF(127)

Memo

MIDI Data Format

YAMAHA [ Tone Generator ] Date :16-DEC-1996

Model MU90R MIDI Implementation Chart

Version : 1.0

Transmitted Recognized Remarks

Function...

Basic Default x 1 - 16

Channel Changed x 1 - 16

Default x 3

Mode Messages x 3, 4 (m=1) *2

Altered ************** x

Note x 0 - 127

Number : True voice ************** 0 - 127

Velocity Note ON x o 9nH,v=1-127

Note OFF x x

After Key's x o *1

Touch Ch's x o *1

Pitch Bend x o 0-24 semi *1

0,32 x o *1 Bank Select

1,5,7,10,11 x o *1

6,38 x o *1 Data Entry 64-67 x o *1

Control 71-74 x o *1 Sound Controller

84 x o *1 Portamento Cntrl

Change 91,93,94 x o *1 Effect Depth

96-97 x o *1 RPN Inc,Dec

98-99 x o *1 NRPN LSB,MSB 100-101 x o *1 RPN LSB,MSB

120 x o All Sound Off

121 x o Reset All Cntrls

MIDI Data Format

MIDI Inprementation Chart

MIDI Data Format

Prog x o 0 - 127

Change : True # **************

System Exclusive o *3 o *3

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System : Clock x x

Real Time: Commands x x

Aux : Local ON/OFF xx

: All Notes OFF x o(123-127)

Mes- : Active Sense xo

sages : Reset xx

Notes: *1 receive if switch is on.

*2 m is always treated as "1" regardless of its value.

*3 transmit/receive if exclusive switch is on.

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

MIDI Inprementation Chart

MU90 XG Voice List

MelloGrP

MelloEP1

ClaviWah

Harpsi.2

70sPcOr1

NylonGt3

NylonGt2

SteelGt2

MelloGtr

DistGtr2

FlangeBa

FingrDrk

ResoSlap

ResoBass

AcidBass

FastResB

SynBa2Dk

SynBa1Dk

ClkSynBa

Arco Str

Reso Str

Ch.Aahs2

Trmbone2

BriteTrp

Trumpet2

Tuba 2

SynBrss3

PolyBrss

RezSynBr

MildBrss

Soft Brs

KSP Stereo Single Slow Fast Decay Double Attack Bright Dark Resonant Attack Release Sweep Resonant Sweep

pgm#

Bank Select LSB Bank 0 E Bank 1 E Bank 3 E Bank 6 E Bank 8 E Bank 12 E Bank 14 E Bank 16 E Bank 17 E Bank 18 E Bank 19 E Bank 20 E Bank 24 E Bank 25 E Bank 26 E Bank 27 E

Instrument Group

GrndPnoK

GrandPno

(1-128)

Piano 1

BritPnoK

ElGrPnoK

BritePno

El.Grand

HnkyTnkK

El.Pno1K

El.Pno2K

HnkyTonk

E.Piano1

E.Piano2

Harpsi.K

Clavi K

Harpsi

Clavi

Celesta

Glocken

MusicBox

Chromatic

Percussion

Vibes K

MarimbaK

Vibes

Marimba

Xylophon

TubulBel

Dulcimer

DrawOrgn

Organ 17

DstRthmG

Seq Bass

Slow Vln

MelloSB1

SlwTrStr

Slow Str

LegatoSt

S.Strngs

S.SlwStr

LoFi Hit

S.Choir

SfrzndBr

FrHrSolo

BrssSec3

Quack Br

:Same as Bank

PercOrgn

RockOrgn

ChrchOrg

ReedOrgn

Acordion

Harmnica

TangoAcd

NylonGtr

SteelGtr

Jazz Gtr

CleanGtr

Mute Gtr

Ovrdrive

Dist.Gtr

GtrHarmo

Aco.Bass

FngrBass

PickBass

Fretless

SlapBas1

SlapBas2

SynBass1

SynBass2

Violin

Viola

Cello

Contrabs

Trem.Str

Pizz.Str

Harp

Timpani

Strings1

Strings2

Syn Str1

Syn Str2

ChoirAah

VoiceOoh

SynVoice

Orch.Hit

Trumpet

Trombone

Tuba

Mute Trp

Guitar 25

Bass 33

Strings 41

Ensemble 49

Fr. Horn

Brass 57

BrssSect

SynBrss1

SynBrss2

E: Number of elements

MU90 XG Voice List

Shroud

Hollow

Mondo 1 RezzySaw

WaspySyn

HeavySyn

Big Lead

Digi Saw

Dyna Saw

SynthAah

Big&Low

Sine Pad

Soft Pad

ThickPad

Converge

Shwimmer

Prologue

TinyBell

HollwRls

WarmAtms

KSP Stereo Single Slow Fast Decay Double Attack Bright Dark Resonant Attack Release Sweep Resonant Sweep

pgm#

(1-128)

Bank Select LSB Bank 0 E Bank 1 E Bank 3 E Bank 6 E Bank 8 E Bank 12 E Bank 14 E Bank 16 E Bank 17 E Bank 18 E Bank 19 E Bank 20 E Bank 24 E Bank 25 E Bank 26 E Bank 27 E

Instrument Group

SprnoSax

Alto Sax

Reed 65

TenorSax

Bari.Sax

Oboe

Eng.Horn

Bassoon

Clarinet

Piccolo

Pipe 73

Flute

Recorder

PanFlute

Bottle

Shakhchi

Whistle

LMSquare

SquarLd2

Ocarina

SquareLd

Synth Lead 81

ThickSaw

Saw Ld 2

Saw Ld

CaliopLd

Chiff Ld

CharanLd

Voice Ld

Fifth Ld

Bass&Ld

NewAgePd

Warm Pad

PolySyPd

Synth Pad 89

ChoirPad

BowedPad

MetalPad

Halo Pad

SweepPad

Rain

Synth Effects 97

Popcorn

SynDrCmp

SoundTrk

Crystal

Atmosphr

Bright

100

101

Echo Pan

Echoes 2

Goblins

Echoes

102

103

Sci-Fi

104

Sitar

Ethnic 105

Banjo

106

Shamisen

Koto

107

108

Kalimba

Bagpipe

110

109

Fiddle

111

Shanai

112

TnklBell

Agogo

114

Percussive 113

SteelDrm

Woodblok

115

116

TaikoDrm

MelodTom

117

118

Syn Drum

RevCymbl

119

120

FretNoiz

BrthNoiz

122

Sound Effects 121

Seashore

123

124

Telphone

Helicptr

125

126

Applause

Gunshot

127

128

:Same as Bank 0

E: Number of elements

MU90 XG Voice List

2 Dream 2

PianoStr

ElGrPno3

ElGrPno2

2 60sEl.P1 1

VX El.P1

VX El.P2

DXKotoEP

DX+Analg

HardEl.P

DX Phase

PierceCl

PulseClv

Orgel

SineMrmb

HardVibe

70sDrOr2

WarmJzOr

Organ Ba

JazOrgan

16+2"2/3

Even Bar

SloRotar

TrmOrgFl

RotaryOr

OrgFlute

NotreDam

MidT.Gtr

GtFeedbk

Mod.Bass

Thum&Slp

Sqr.Bass

TngoAcd2

CleanGt2

AcoHarmo

Jazzy Ba

Jazz Man

RckRthm1

VXUprght

FunkGtr2

Gt.Pinch

MuteStlG

FunkGtr1

RckRthm2

FeedbGt2

FeedbkGt

FngBass2

FngrSlap

JazzRthm

Ba&DstEG

VelGtHrm

Puff Org

Stl&Body

Nyln&Stl

Slapper

VeloSlap

AtkPulse

Orbiter

X WireBa

DX Bass

TechnoBa

ModulrBa

Susp.Str

Dst.5ths

YangChin

Strings3

70s Str

Velo.Str

TremOrch

Orchstr2

Kingdom

Orchestr

Warm Str

Syn Str5

Syn Str4

GrandPad

Male Aah

StrngAah

VoiceDoo

ChoirStr

AnaVoice

Choral

SyVoice2

BrssStab

DrkTpSft

Impact

Dark Trp

MellowTb

BrghtTrb

MuteTrp2

AnaBrss1

AnaBrss2

AnVelBr1

AnVelBr2

MelloBrs

Hi Brass

ChoirBrs

BrssSec2

SyBrsSub

SynBrss4

BrssFall

Muted Detune 1 Detune 2 Detune 3 Octave 1 Octave 2 5th 1 5th 2 Bend Tutti Velocity Switch Velocity Cross Fade Other Waves

pgm#

Bank Select LSB Bank 28 E Bank 32 E Bank 33 E Bank 34 E Bank 35 E Bank 36 E Bank 37 E Bank 38 E Bank 39 E Bank 40 E Bank 41 E Bank 42 E Bank 43 E Bank 45 E Bank 64 E Bank 65 E

Instrument Group

(1-128)

60sDrOr3

PercOrg2

141516

DrawOrg2

Dulcimr2

70sDrOr1

60sDrOr2

60sDrOr1

DetDrwOr

Organ 17

Lite Org

DetPrcOr

ChurOrg2

ChurOrg3

AccordIt

Harmo. 2

Guitar 25

Harpsi.3

DXLegend

DX Hard

Det.CP80

Chor.EP1

Chor.EP2

Chromatic

Piano 1

Percussion

12StrGtr

Jazz Amp

ChorusGt

PowerGt1

PowerGt2

DistGtr3

OrchHit2

Warm Trp

Brass 57

HornOrch

Tp&TbSc2

Tp&TbSec

:Same as Bank 0

FrHorn 2

JumpBrss

E: Number of elements

Bass 33

Fretles4

Fretles3

Fretles2

MutePkBa

PunchThm

Clv Bass

SmthSynB

Strings 41

424344

60sStrng

Syn Str3

MelChoir

Ensemble 49

MU90 XG Voice List

SoloSine

PureLead

HardSync

WireLead

Br.Layer

Soft Wrl

RotarStr

ClickPad

Lite Pad

GlassPad

Pan Pad

Sweepy

AfrcnWnd

Rave

SftCryst

Harp Vox

Creeper

Big Pan

Odin

Real Tom

ElecPerc

TnrSax 2

HyprAlto

SoftTenr

Sax Sect

BrthTnSx

PanFlut2

Mellow

Digger

Vent Syn

VeloLead

Dr.Lead

PulseSaw

Dim Saw

Rubby

DistLead

Vox Lead

Fat&Prky

Fantasy

Horn Pad

PolyPd80

Heaven

Glacier

Tine Pad

PolarPad

HrmoRain

ClaviPad

Ancestrl

SynMalet

ChorBell

ClearBel

GlockChi

NylnHarp

FantaBel

Nylon EP

GobSynth

EchoBell

Starz

BigKalim

Shanai 2

Mel Tom2

Ana Tom

Rev Cym2

Muted Detune 1 Detune 2 Detune 3 Octave 1 Octave 2 5th 1 5th 2 Bend Tutti Velocity Switch Velocity Cross Fade Other Waves

pgm#

Bank Select LSB Bank 28 E Bank 32 E Bank 33 E Bank 34 E Bank 35 E Bank 36 E Bank 37 E Bank 38 E Bank 39 E Bank 40 E Bank 41 E Bank 42 E Bank 43 E Babk 45 E Bank 64 E Bank 65 E

Instrument Group

(1-128)

Reed 65

6869707172

Pipe 73

747576

777879

2 Osc

Toy Lead

DoublSaw

Synth Lead 81

Big Five

Synth Pad 89

RndGlock

100

Synth Effects 97

Sitar 2

DetSitar

MuteBnjo

111

110

112

114

115

116

117

118

101

103

104

102

106

107

108

109

Ethnic 105

Percussive 113

119

120

122

123

124

Sound Effects 121

:Same as Bank 0

E: Number of elements

125

126

127

128

SFX VOICE

pgm#

(1-128)

CuttngNz

CttngNz2

DstCutNz

Str Slap

B.Slide

P.Scrape

2 13

Log Drum

Balimba

Balafon

2 15

2 16

Carillon

Santur

ChrchBel

Cimbalom

Fl.KClik

MU90 XG Voice List

Shower

Thunder

Wind

Stream

Bubble

Feed

2 36

1 25

Ukulele

2 26

1 27

Mandolin

PdlSteel

2 29

Mu.DstGt

SmthFrtl

SynFretl

2 39

Hammer

Dog

Horse

Tweet 2

Kitty

Growl

Haunted

Ghost

Maou

1 54

1 57

VoiceHmn

FluglHrn

2 56

pgm#

(1-128)

Bank Select LSB Bank 66 E Bank 67 E Bank 68 E Bank 69 E Bank 70 E Bank 71 E Bank 72 E Bank 73 E Bank 96 E Bank 97 E Bank 98 E Bank 99 E Bank 100 E Bank 101 E Bank Select LSB Bank 0

Piano 1 1

Instrument Group

EuroHit+

Euro Hit

6thHit +

6th Hit

1 StdiumO2 2 GospelOr 1 ClkGsplO 2 ChapelOr 2 17

StdiumOr

DrawOrg3

2 18

2 19

CheezOrg

ClikOrgn

2 2

3 3

4 4

5 5

6 6

7 7

8 8

9 9

11 11

10 10

12 12

Chromatic

Percussion

FstRotar

14 14

20 20

21 21

22 22

Organ 17

2 28

NaslGtSt

NasalGtr

1 32

MidTGtSt

23 23

24 24

Guitar 25

GtrHrmo2

30 30

31 31

34 34

Bass 33 33

HardReso

1 40

Fish

MetlBass

RubberBa

CS Light

42 42

43 43

44 44

45 45

46 46

47 47

35 35

37 37

38 38

Strings 41 41

48 48

50 50

Ensemble 49 49

BassHit+

Bass Hit

BrStab80

DoublHit

58 58

59 59

51 51

52 52

53 53

55 55

60 60

:Same as Bank 0 :No Sound

E: Number of elements E : Number of elements

61 61

62 62

63 63

64 64

Brass 57

SFX VOICE

pgm#

(1-128)

Call

DoorSqek

DoorSlam

ScratchC

ScratchS

WindChim

Telphon2

Ignition

Squeal

Exhaust

Crash

MU90 XG Voice List

Siren

Train

JetPlane

Starship

Burst

Coaster

Submarin

Laugh

Scream

Punch

Heart

Footstep

Applaus2

MchinGun

LaserGun

Xplosion

Firework

1 72

BassClar

2 76

Kawala

2 82

Seq Ana.

2 99

Gamelmba

BellHarp

2 102

Dharma

2 101

Smokey

BelChoir

Puffy

Glisten

2 106

Oud

2 105

Tamboura

Gopichnt

Tambra

Rabab

2 107

Tsugaru

2 Kanoon 2 108

Taisho-k

2113

AsianBel

Rama Cym

S.Gamlan

2 115

Gamelan

ThaiBell

2 112

Hichriki

Altair

GlasPerc

2 114

1 116

1 117

Pungi

Bonang

Atrigane

Tablas

Castanet

Gr.Cassa

1 120

Rev Tom2

Rev Tom1

RevConBD

RevKick1

RevSnar2

RevSnar1

pgm#

(1-128)

Bank Select LSB Bank 66 E Bank 67 E Bank 68 E Bank 69 E Bank 70 E Bank 71 E Bank 72 E Bank 73 E Bank 96 E Bank 97 E Bank 98 E Bank 99 E Bank 100 E Bank 101 E Bank Select LSB Bank 0

Reed 65 65

Instrument Group

AirBells

Night

2 103

DigiBell

MilkyWay

2 98

VibeBell

2 100

ChrstBel

Planet

LoudGlok

AtmosPad

100

101

Reso&Pan

ToHeaven

StarDust

Ritual

Creation

Ring Pad

SynPiano

102

103

2 118

Rock Tom

111 111

110 110

104 104

106

112

107

108

109 109

Ethnic 105

118

119 119

114

115

116

117

120

122 122

123 123

124 124

Percussive 113

Sound Effects 121 121

:Same as Bank 0 :No Sound

E: Number of elements E : Number of elements

125 125

126 126

127 127

128 128

1 81

SyncLead

Pulse Ld

1 85

SineLead

74 74

75 75

77 77

78 78

66 66

67 67

68 68

69 69

70 70

71 71

79 79

Pipe 73 73

SynPluck

80 80

83 83

84 84

86 86

Synth Lead 81

2 91

2 92

Snow Pad

CosmicPd

SquarPad

CC Pad

2 96

2 97

Ana. Pad

Itopia

Celstial

Carib

Fairy

93 93

94 94

95 95

87 87

88 88

90 90

Synth Pad 89 89

Synth Effects 97

MU90 TG300B Voice List

MelloGrP 1

GrndPnoK

BritPnoK

HnkyTnkK

VX El.P1 2

Chor.EP1

VX El.P2 2

Chor.EP2

Harpsi.K 1

Harpsi.3

Clavi K

Vibes K

Balimba

Balafon

MarimbaK

Carillon

ChrchBel

60sDrOr1 2 60sDrOr2 2 60sDrOr3 2

70sDrOr2

SloRotar

ChurOrg3

RotaryOr

ChurOrg2

AccordIt

NylonGt3

Nyln&Stl 2 Mandolin

Ukulele

12StGtr

FunkGtr2

ChorusGt

PowerGt1 2 PowerGt2 2 Dst.5ths 2

AcoHarmo 1

FeedbGt2

GtFeedbk

MutePKBa

ResoSlap

MelloSB1 1 SmthSynB

SynBa2Dk

ResoBass

RubberBa

TechnoBa

FastResB

X WireBa

Slow Vln

Susp.Str

SlwTrStr

S.Strngs

ChoirStr

TremOrch

S.SlwStr

Orchstr2

WarmStr

HornOrch 2

BrssFall 1

AnaBrss1 2

AnaBrss2 2 AnVelBr2 2

DoublHit** 2 LoFi Hit 2

MelChoir

BrssStab

S.Choir

SyVoice2

Quack Br

BrssSec2

GrandPno

pgm#

(1-128)

Bank Select LSB Bank 0 E Bank 1 E Bank 2 E Bank 3 E Bank 4 E Bank 5 E Bank 6 E Bank 7 E Bank 8 E Bank 9 E Bank 10 E Bank 11 E Bank 16 E Bank 17 E Bank 18 E Bank 19 E

Piano 1

Instrument Group

ElGrPno3 2 ElGrPnoK

ElGrPno

BritePno

El.Grand

HnkyTonk

E.Piano1

E.Piano2

Harpsi.

Clavi

Celesta

Glocken

Chromatic 9

Percussion 10

HardVibe

MusicBox

Vibes

Marimba

Xylophon

Dulcimr2 2 Cimbalom

TubulBel

Dulcimer

70sDrOr1 2 DetDrwOr

70sPcOr1 2 DetPrcOr

DrawOrgn

PercOrgn

Organ 17

Harmo.2 2

MelloGtr 1 PdlSteel

Mu.DstGt 2 FunkGtrl

DistGtr2 2 DistGtr3 2 FeedbkGt

FngBass2 2 Jazzy Ba 1

Fretles2 2 Fretles3 2 Fretles4 2 SynFretl 2 SmthFrtl 2

SynBa1 Dk 1 AcidBass

RockOrgn

ChrchOrg

ReedOrgn

Acordion

Harmnica

TangoAcd

NylonGtr

SteelGtr

Jazz Gtr

CleanGtr

Mute Gtr

Ovrdrive

Dist.Gtr

GtrHarmo

Aco.Bass

FngrBass

Guitar 25

PickBass

Bass 33

Fretless

SlapBas1

SlapBas2

SynBass1

ClkSynBa 2 ModulrBa 2 Seq Bass 2 DX Bass

SynBass2

Violin

Strings 41

Viola

Cello

Contrabs

Trem.Str

Pizz.Str

Harp

Timpani

Slow Str 1 Orchestr

70s Str 1 LegatoSt

Strings1

Strings2

Ensemble 49

Syn Str4 2 Syn Str3

Syn Str1

Syn Str2

ChoirAah

VoiceDoo

SynVoice

OrchHit2 2 Impact

Trumpet2 1 FluglHrn

Orch.Hit

Trumpet

Brass 57

Trmbone2 2

Tuba 2 1

Trombone

Tuba

Mute Trp

FrHorn2 2 FrHrSolo

Fr. Horn

BrssSect

PolyBrss 2 SynBrss3

Soft Brs 2 SynBrss4

SynBrss1

SynBrss2

MU90 TG300B Voice List

HyprAlto 2

BrthTnSx 2

BassClar 1

Kawala 2

DistLead 2

Taisho-k 2 Kanoon 2

Bonang 2 Altair 2 Gamelan 2 S.Gamlan 2 Rama Cym 2

Atrigane 2

Castanet 1

Gr.Cassa 1

Ana Tom 1 ElecPerc 2

SprnoSax

pgm#

(1-128)

Bank Select LSB Bank 0 E Bank 1 E Bank 2 E Bank 3 E Bank 4 E Bank 5 E Bank 6 E Bank 7 E Bank 8 E Bank 9 E Bank 10 E Bank 11 E Bank 16 E Bank 17 E Bank 18 E Bank 19 E

Reed 65

Instrument Group

Alto Sax

TenorSax

Bari.Sax

Oboe

Eng.Horn

Bassoon

Clarinet

Piccolo

Flute

Pipe 73

Recorder

PanFlute

Bottle

Shakhchi

Whistle

Ocarina

SquarLd2 1 Hollow 1 Mellow 2 SoloSine 2 Shroud 2 LMSquare 2 SineLead 1

Saw Ld 2 1 PulseSaw 2 ThickSaw 2 Big Lead 2 VeloLead 2 HeavySyn 2 Dyna Saw 1 Dr.Lead 2 WaspySyn 2

SquareLd

Saw Ld

Synth Lead 81

Vent Syn 2 PureLead 2

CaliopLd

Chiff Ld

CharanLd

Voice Ld

Fat&Prky

Big Five

Big&Low

Fifth Ld

Bass&Ld

Fantasy

ThickPad 2 Horn Pad 2 RotarStr 2 Soft Pad 2

PolyPd80 2

NewAgePd

Warm Pad

PolySyPd

Synth Pad 89

Heaven 2

ChoirPad

BowedPad

Tine Pad 2 Pan Pad 2

MetalPad

Halo Pad

PolarPad 2 Converge 2 Shwimmer 2 Celstial 2

HrmoRain 2 AfrcnWnd 2 ClaviPad 2

SweepPad

Rain

Synth Effects 97

Ancestrl 2 Prologue 2 Rave 2

SynMalet 1 SftCryst 2 RndGlock 2 LoudGlok 2 GlockChi 2 ClearBel 2 ChrstBel 2 VibeBell 2 DigiBell 2 ChorBell 2 AirBells 2 BellHarp 2 Gamelmba 2

WarmAtms 2 NylnHarp 2 Harp Vox 2 HollwRls 2 Nylon EP 2 AtmosPad 2

GobSynth 2 Creeper 2

EchoBell 2 Echo Pan 2 Echoes 2 2 Big Pan 2 Reso&Pan 2 SynPiano 2

Starz 2

Sitar 2 2 DetSitar 2 Tambra 2 Tamboura 2

MuteBnjo 1 Rabab 2 Gopichnt 2

Tsugaru 2

SoundTrk

Crystal

Atmosphr

Bright

Goblins

Echoes

Sci-Fi

Sitar

100

Banjo

101

102

103

104

106

Shamisen

Koto

107

108

Kalimba

Bagpipe

110

109

Fiddle

111

Shanai 2 1 Pungi 1 Hichriki 2

Shanai

112

Ethnic 105

TnklBell

Agogo

114

Percussive 113

SteelDrm

Woodblok

115

116

Real Tom 2 Mel Tom2 1 Rock Tom 2

TaikoDrm

MelodTom

117

118

Rev Cym2 1 RevSnar1 1 RevSnar2 1 RevKick1 1 RevConBD 1

Syn Drum

RevCymbl

119

120

CuttngNz 1 Str Slap 1 CttngNz2 2 DstCutNz 2 B.Slide 2 P.Scrape 1

Fl.KClik 1

FretNoiz

BrthNoiz

122

Sound Effects 121

Shower 1 Thunder 1 Wind 1 Stream 2 Bubble 2

Dog 1 Horse 1 Tweet 2 1 Kitty 1 Growl 1

Seashore

123

124

Call 1 DoorSqek 1 DoorSlam 1 ScratchC 1 WindChim 1 ScratchS 2

Ignition 1 Squeal 1 Exhaust 1 Crash 1 Siren 1 Train 1 JetPlane 2 Starship 2 Burst 2 Coaster 2

Telphone

Helicptr

125

126

Laugh 1 Scream 1 Punch 1 Heart 1 Footstep 1

MchinGun 2 LaserGun 2 Xplosion 2

Applause

Gunshot

127

128

MU90 TG300B Voice List

A-Piano1 2 a.piano1 12A-Piano2 2 a.piano2 13A-Piano3 2 a.piano3 14A-Piano4 2 e.piano1 1

pgm#

(1-128)

Bank Select LSB Bank 24 E Bank 25 E Bank 26 E Bank 32 E Bank 33 E Bank 40 E Bank 126 E Bank 127 E

Piano 1

Instrument Group

60sEl.P1 1 HardEl.P 2 MelloEP1 2 El.Pno1K 1 A-Piano5 1 e.piano2 16DX Hard 2 El.Pno2K 1 A-Piano6 1 e.piano3 17Harpsi.2 2 A-Piano7 1 e.piano4 1

E-Piano1 2 hnkytnk 2

E-Piano2 2 e.organ1 2

E-Piano3 2 e.organ2 211A-Guitr1 1 e.organ3 212A-Guitr2 2 e.organ4 2

E-Guitr1 2 pipeorg2 215E-Guitr2 1 pipeorg3 216Slap-1 2 acordion 2

LogDrum 2 A-Guitr3 2 pipeorg1 2

Chromatic 9

Percussion 10

Slap-6 2 clavi2 122Slap-7 2 clavi3 123Slap-8 2 celesta1 124Finger-1 1 celesta2 1

PereOrg2 2 Slap-3 2 harpsi2 2

CheezOrg 2 DrawOrg2 2 Even Bar 2 Organ Ba 1 Slap-2 2 harpsi1 1

FstRotar 2 Slap-4 2 harpsi3 120OrgFlute 2 TrmOrgFl 2 Slap-5 2 clavi1 1

Organ 17

VelGtHrm 2 NylonGt2 1 Requinto 1 Finger-2 2 synbras1 2

Guitar 25

Picked-2 2 synbras3 228FretlsBs 1 synbras4 229A-Bass 2 synbass1 130Choir-1 1 synbass2 1

SteelGt2 1 Picked-1 1 synbras2 2

Choir-3 2 synbass4 1

Choir-4 2 newgepd 234Strngs-1 2 synharmo 235Strngs-2 2 choir pd 236Strngs-3 2 bowed pd 237Strngs-4 2 soundtrk 238E-Organ1 2 atmosphr 239E-Organ2 2 syn warm 240E-Organ3 2 synfunny 1

RckRthm1 2 RckRthm2 2 Choir-2 1 synbass3 2

Bass 33

E-Organ4 2 synecho1 242E-Organ5 2 rain 243E-Organ6 2 synoboe 244E-Organ7 2 synecho2 245E-Organ8 2 synsolo 246E-Organ9 2 syndorg 247SoftTP-1 1 synbell 148SoftTP-2 1 squareld 2

Strings 41

Velo.Str 2 TP/TRB-1 1 strsect1 2

Ensemble 49

TP/TRB-2 1 strsect2 251TP/TRB-3 1 strsect3 252TP/TRB-4 1 pizz.str 1

Ch.Aahs2 2 TP/TRB-5 2 violin 1 2

TP/TRB-6 2 violin 2 155Sax-1 1 cello 1 156Sax-2 1 cello 2 1

Sax-4 2 harp 1 159Brass-1 1 harp 2 160Brass-2 1 guitar 1 161Brass-3 2 guitar 2 162Brass-4 2 elecgtr1 163Brass-5 2 elecgtr2 264Orch-Hit 1 sitar 1

BriteTrp 2 Warm Trp 2 Sax-3 1 contrabs 1

Brass 57

MU90 TG300B Voice List

Silence a.bass 1 166Silence a.bass 2 167Silence e.bass 1 168Silence e.bass 2 169Silence slapbas1 170Silence slapbas2 171Silence fretles1 172Silence fretles2 1

pgm#

(1-128)

Bank Select LSB Bank 24 E Bank 25 E Bank 26 E Bank 32 E Bank 33 E Bank 40 E Bank 126 E Bank 127 E

Reed 65

Instrument Group

Silence ﬂute1 174Silence ﬂute2 175Silence piccolo1 176Silence piccolo2 277Silence recorder 178Silence panpipes 279Silence sax1 280Silence sax2 1

Pipe 73

Silence sax3 182Silence sax4 183Silence clarinet1 184Silence clarinet2 185Silence oboe 186Silence eng.horn 187Silence bassoon 188Silence harmnica 1

Synth Lead 81

Silence trumpet1 190Silence trumpet2 191Silence trmbone1 292Silence trmbone2 293Silence fr.horn1 194Silence fr.horn2 295Silence tuba 296Silence brssect1 1

Synth Pad 89

Silence brssect2 298Silence vibe1 199Silence vibe2 1

Synth Effects 97

Silence symallet 1

Silence maletwin 2

Silence glocken 2

Silence tubulbel 1

Silence xylophen 1

Silence marimba 2

Silence sho 2

Silence shakhchi 2

Silence whistle1 2

Silence whistle2 1

Silence bottle 2

Silence breath 2

Silence timpani 1

Silence melotom 1

Silence deepsnar 1

Silence e.perc1 1

Silence e.perc2 1

Silence taiko 1

Silence taikorim 1

Silence castanet 1

Silence triangle 1

Silence orchehit 1

Silence telphone 1

Silence bird 1

Silence jam 1

Silence efctwatr 2

Silence efctjngl 2

Oud 2 Silence koto 1

111

110

112

100

101

102

103

104

106

107

108

Ethnic 105

109

114

Percussive 113

Rev Tom1 1 Rev Tom2 1 Silence cymbal 2

115

116

117

118

119

120

122

123

124

125

126

127

128

Sound Effects 121

About the 128 GM sounds

Group

Piano 1 Grand Piano GrandPno Grand piano

Chromatic Percussion

Organ 17 Drawbar Organ DrawOrgn Drawbar organ

Guitar 25 Nylon Guitar NylonGtr Classical guitar

Bass 33 Acoustic Bass Aco.Bass Upright bass

Strings 41 Violin Violin Violin

Ensemble 49 Strings 1 Strings1 Strings

Brass 57 Trumpet Trumpet Trumpet

Pgm#

(1-128)

Instrument name Display Explanation of voice

2 Bright Piano BritePno Bright and crisp grand piano 3 Electric Grand Piano El.Grand Electric grand piano (CP80) 4 Honky-tonk Piano HnkyTonk Ragtime-style piano 5 Electric Piano 1 E.Piano1 Electric piano 6 Electric Piano 2 E.Piano2 Electric piano with metallic resonance (DX) 7 Harpsichord Harpsi. Harpsichord 8 Clavi Clavi Clavi

9 Celesta Celesta Celesta 10 Glockenspiel Glocken Glockenspiel 11 Music Box MusicBox Music box 12 Vibraphone Vibes Vibraphone (metal bars with resonator tubes) 13 Marimba Marimba Marimba (wooden bars with resonator tubes) 14 Xylophone Xylophon Xylophone (wooden bars) 15 Tubular Bells TubulBel Tubular bells 16 Dulcimer Dulcimer Dulcimer (struck string instrument)

18 Percussive Organ PercOrgn Electronic organ with strong attack 19 Rock Organ RockOrgn Rock-style organ 20 Church Organ ChrchOrg Pipe organ 21 Reed Organ ReedOrgn Bright and light organ 22 Accordion Acordion Accordion 23 Hamonica Harmnica Harmonica 24 Tango Accordion TangoAcd Tango accordion

26 Steel Guitar SteelGtr Folk guitar 27 Jazz Guitar Jazz Gtr Electric guitar (jazz) 28 Clean Guitar CleanGtr Electric guitar 29 Muted Guitar Mute Gtr Muted guitar 30 Overdriven Guitar Ovrdrive Overdriven guitar 31 Distortion Guitar Dist.Gtr Distorted guitar 32 Guitar Harmonics GtrHarmo Harmonics

34 Finger Bass FngrBass Electric bass (finger plucked) 35 Pick Bass PickBass Electric bass (played with a pick) 36 Fretless Bass Fretless Fretless bass 37 Slap Bass 1 SlapBas1 Slapped bass 38 Slap Bass 2 SlapBas2 Slapped bass with soft attack 39 Synth Bass 1 SynBass1 Synth bass with “sweep” 40 Synth Bass 2 SynBass2 Synth bass

42 Viola Viola Viola 43 Cello Cello Cello 44 Contrabass Contrabs Contrabass 45 Tremolo Strings Trem.Str Strings played with tremolo 46 Pizzicato Strings Pizz.Str Strings played pizzicato 47 Orchestral Harp Harp Harp 48 Timpani Timpani Timpani

50 Strings 2 Strings2 Strings with gentle attack 51 Synth Strings 1 Syn Str1 Synth strings 52 Synth Strings 2 Syn Str2 Synth strings with gentle attack 53 Choir Aahs ChoirAah Choir singing “aah” 54 Voice Oohs VoiceOoh Choir singing “ooh” 55 Synth Voice SynVoice Vocoder-type chorus 56 Orchestra Hit Orch.Hit Orchestra hit

58 Trombone Trombone Trombone 59 Tuba Tuba Tuba 60 Muted Trumpet Mute Trp Muted trumpet 61 French Horn Fr. Horn French horn 62 Brass Section BrssSect Brass section 63 Synth Brass 1 SynBrss1 Synth brass 64 Synth Brass 2 SynBrss2 Synth brass with gentle attack

About the 128 GM sounds

Reed 65 Soprano Sax SprnoSax Soprano sax

Pipe 73 Piccolo Piccolo Piccolo

Synth Lead 81 Square Lead SquareLd Analog synth lead (square wave)

Synth Pad 89 New Age Pad NewAgePd Bell + chorus

Synth Effects

Ethnic 105 Sitar Sitar Sitar

Percussive 113 Tinkle Bell TnklBell Bell

Sound Effects

66 Alto Sax Alto Sax Alto sax 67 Tenor Sax TenorSax Tenor sax 68 Baritone Sax Bari.Sax Baritone sax 69 Oboe Oboe Oboe 70 English Horn Eng.Horn English horn 71 Bassoon Bassoon Bassoon 72 Clarinet Clarinet Clarinet

74 Flute Flute Flute 75 Recorder Recorder Recorder 76 Pan Flute PanFlute Pan flute 77 Blown Bottle Bottle Blown bottle 78 Shakuhachi Shakhchi Shakuhachi 79 Whistle Whistle Whistle 80 Ocarina Ocarina Ocarina

82 Sawtooth Lead Saw Ld Analog synth lead (sawtooth wave) 83 Calliope Lead CaliopLd Pan flute-type lead 84 Chiff Lead Chiff Ld Synth brass-type lead 85 Charang Lead CharanLd Distortion guitar-type lead 86 Voice Lead Voice Ld Chorus lead 87 Fifths Lead Fifth Ld Synth lead + perfect 4th below 88 Bass & Lead Bass&Ld Synth bass + synth lead

90 Warm Pad Warm Pad Pad with gentle attack 91 Poly Synth Pad PolySyPd Synth brass-style pad 92 Choir Pad ChoirPad Chorus pad 93 Bowed Pad BowedPad Glass harp-style pad 94 Metallic Pad MetalPad Pad with hard synth strings 95 Halo Pad Halo Pad Pad with breath noise 96 Sweep Pad SweepPad Sweep pad with gentle attack 97 Rain Rain Warm and transparent synth sound 98 Sound Track SoundTrk Analog synth pad + perfect 4th above

99 Crystal Crystal Music box, bell 100 Atmosphere Atmosphr Harp + strings 101 Brightness Bright Synth chorus with strong attack and rapid decay 102 Goblins Goblins Sweep sound with gentle attack + murmuring 103 Echoes Echoes Pad with definite attack + release echo 104 Sci-Fi Sci-Fi Metallic synth pad

106 Banjo Banjo Banjo 107 Shamisen Shamisen Shamisen 108 Koto Koto Koto 109 Kalimba Kalimba Kalimba 110 Bagpipe Bagpipe Bagpipe 111 Fiddle Fiddle Fiddle (violin) 112 Shanai Shanai Ethnic woodwind

114 Agogo Agogo Agogo 115 Steel Drums SteelDrm Steel drums 116 Woodblock WoodBlok Woodblock 117 Taiko Drum TaikoDrm Japanese taiko drum 118 Melodic Tom MelodTom Melodic tom 119 Synth Drum Syn Drum Synth drum 120 Reverse Cymbal RevCymbl Reversed cymbal 121 Fret Noise FretNoiz Fret noise 122 Breath Noise BrthNoiz Breath noise 123 Seashore Seashore Waves 124 Bird Tweet Tweet Birds chirping 125 Telephone Ring Telphone Telephone ringing 126 Helicopter Helicptr Helicopter 127 Applause Applause Audience applauding 128 Gunshot Gunshot Gunshot

C/M Voice List

pgm#

(1-128)

1 acoustic piano 1 a.piano1 1 Acoustic Piano 1 A-Piano1 2 2 acoustic piano 2 a.piano2 1 Acoustic Piano 2 A-Piano2 2 3 acoustic piano 3 a.piano3 1 Acoustic Piano 3 A-Piano3 2 4 electric piano 1 e.piano1 1 Acoustic Piano 4 A-Piano4 2 5 electric piano 2 e.piano2 1 Acoustic Piano 5 A-Piano5 1 6 electric piano 3 e.piano3 1 Acoustic Piano 6 A-Piano6 1 7 electric piano 4 e.piano4 1 Acoustic Piano 7 A-Piano7 1 8 honky-tonk piano hnkytnk 2 Electric Piano 1 E-Piano1 2

9 electric organ 1 e.organ1 2 Electric Piano 2 E-Piano2 2 10 electric organ 2 e.organ2 2 Electric Piano 3 E-Piano3 2 11 electric organ 3 e.organ3 1 Acoustic Guitar 1 A-Guitr1 1 12 electric organ 4 e.organ4 1 Acoustic Guitar 2 A-Guitr2 2 13 pipe organ 1 pipeorg1 2 Acoustic Guitar 3 A-Guitr3 2 14 pipe organ 2 pipeorg2 2 Electric Guitar 1 E-Guitr1 2 15 pipe organ 3 pipeorg3 2 Electric Guitar 2 E-Guitr2 1 16 accordion acordion 2 Slap Bass 1 Slap-1 2 17 harpsichord 1 harpsi1 1 Slap Bass 2 Slap-2 2 18 harpsichord 2 harpsi2 2 Slap Bass 3 Slap-3 2 19 harpsichord 3 harpsi3 1 Slap Bass 4 Slap-4 2 20 clavi 1 clavi1 1 Slap Bass 5 Slap-5 2 21 clavi 2 clavi2 1 Slap Bass 6 Slap-6 2 22 clavi 3 clavi3 1 Slap Bass 7 Slap-7 2 23 celesta 1 celesta1 1 Slap Bass 8 Slap-8 2 24 celesta 2 celesta2 1 Finger Bass 1 Finger-1 1 25 synth brass 1 synbras1 2 Finger Bass 2 Finger-2 2 26 synth brass 2 synbras2 2 Picked Bass 1 Picked-1 1 27 synth brass 3 synbras3 2 Picked Bass 2 Picked-2 2 28 synth brass 4 synbras4 2 Fretless Bass FretlsBs 1 29 synth bass 1 synbass1 1 Acoustic Bass A-Bass 2 30 synth bass 2 synbass2 1 Choir 1 Choir-1 1 31 synth bass 3 synbass3 2 Choir 2 Choir-2 1 32 synth bass 4 synbass4 1 Choir 3 Choir-3 2 33 new age pad newagepd 2 Choir 4 Choir-4 2 34 synth harmo synharmo 2 Strings 1 Strngs-1 2 35 choir pad choir pd 2 Strings 2 Strngs-2 2 36 bowed pad bowed pd 2 Strings 3 Strngs-3 2 37 sound track soundtrk 2 Strings 4 Strngs-4 2 38 atmosphere atmosphr 2 Electric Organ 1 E-Organ1 2 39 synth warm syn warm 2 Electric Organ 2 E-Organ2 2 40 synth funny synfunny 1 Electric Organ 3 E-Organ3 2 41 synth echo 1 synecho1 2 Electric Organ 4 E-Organ4 2 42 rain rain 2 Electric Organ 5 E-Organ5 2 43 synth oboe synoboe 2 Electric Organ 6 E-Organ6 2 44 synth echo 2 synecho2 2 Electric Organ 7 E-Organ7 2 45 synth solo synsolo 2 Electric Organ 8 E-Organ8 2 46 synth reed organ synrdorg 2 Electric Organ 9 E-Organ9 2 47 synth bell synbell 1 Soft Trumpet 1 SoftTP-1 1 48 square lead squareld 2 Soft Trumpet 2 SoftTP-2 1 49 string section 1 strsect1 2 Trumpet/Trombone 1 TP/TRB-1 1 50 string section 2 strsect2 2 Trumpet/Trombone 2 TP/TRB-2 1 51 string section 3 strsect3 2 Trumpet/Trombone 3 TP/TRB-3 1 52 pizzicato strings pizz.str 1 Trumpet/Trombone 4 TP/TRB-4 1 53 violin 1 violin 1 2 Trumpet/Trombone 5 TP/TRB-5 2 54 violin 2 violin 2 1 Trumpet/Trombone 6 TP/TRB-6 2 55 cello 1 cello 1 1 Sax 1 Sax-1 1 56 cello 2 cello 2 1 Sax 2 Sax-2 1 57 contrabass contrabs 1 Sax 3 Sax-3 1 58 harp 1 harp 1 1 Sax 4 Sax-4 2 59 harp 2 harp 2 1 Brass 1 Brass-1 1 60 guitar 1 guitar 1 1 Brass 2 Brass-2 1 61 guitar 2 guitar 2 1 Brass 3 Brass-3 2 62 electric guitar 1 elecgtr1 2 Brass 4 Brass-4 2 63 electric guitar 2 elecgtr2 2 Brass 5 Brass-5 2 64 sitar sitar 1 Orchestra Hit Orch-Hit 1

TYPE1 Part1~9 TYPE2 Part11~16

(full name) (display) E (full name) (display) E

C/M Voice List

pgm#

(1-128)

65 acoustic bass 1 a.bass 1 1 Silence Silence 66 acoustic bass 2 a.bass 2 1 Silence Silence 67 electric bass 1 e.bass 1 1 Silence Silence 68 electric bass 2 e.bass 2 1 Silence Silence 69 slap bass 1 slapbas1 1 Silence Silence 70 slap bass 2 slapbas2 1 Silence Silence 71 fretless bass 1 fretles1 1 Silence Silence 72 fretless bass 2 fretles2 1 Silence Silence 73 flute 1 flute1 1 Silence Silence 74 flute 2 flute2 1 Silence Silence 75 piccolo 1 piccolo1 1 Silence Silence 76 piccolo 2 piccolo2 2 Silence Silence 77 recorder recorder 1 Silence Silence 78 pan pipes panpipes 2 Silence Silence 79 sax 1 sax1 2 Silence Silence 80 sax 2 sax2 1 Silence Silence 81 sax 3 sax3 1 Silence Silence 82 sax 4 sax4 1 Silence Silence 83 clarinet 1 clarint1 1 Silence Silence 84 clarinet 2 clarint2 1 Silence Silence 85 oboe oboe 1 Silence Silence 86 english horn eng.horn 1 Silence Silence 87 bassoon bassoon 1 Silence Silence 88 harmonica harmnica 1 Silence Silence 89 trumpet 1 trumpet1 1 Silence Silence 90 trumpet 2 trumpet2 1 Silence Silence 91 trombone 1 trmbone1 2 Silence Silence 92 trombone 2 trmbone2 2 Silence Silence 93 frugel horn 1 fr.horn1 1 Silence Silence 94 frugel horn 2 fr.horn2 2 Silence Silence 95 tuba tuba 2 Silence Silence 96 brass section 1 brssect1 1 Silence Silence 97 brass section 2 brssect2 2 Silence Silence 98 vibraphone 1 vibe1 1 Silence Silence

99 vibraphone 2 vibe2 1 Silence Silence 100 synth mallet symallet 1 Silence Silence 101 mallet windbell maletwin 2 Silence Silence 102 glockenspiel glocken 2 Silence Silence 103 tublar bells tubulbel 1 Silence Silence 104 xylophone xylophen 1 Silence Silence 105 marimba marimba 2 Silence Silence 106 koto koto 1 Silence Silence 107 sho sho 2 Silence Silence 108 shakuhachi shakhchi 2 Silence Silence 109 whistle 1 whistle1 2 Silence Silence 110 whistle 2 whistle2 1 Silence Silence 111 bottle bottle 2 Silence Silence 112 breath pipe breath 2 Silence Silence 113 timpani timpani 1 Silence Silence 114 melodi tom melotom 1 Silence Silence 115 deep snare deepsnar 1 Silence Silence 116 electric percussion 1 e.perc1 1 Silence Silence 117 electric percussion 2 e.perc2 1 Silence Silence 118 taiko taiko 1 Silence Silence 119 taiko rim taikorim 1 Silence Silence 120 cymbal cymbal 2 Silence Silence 121 castanet castanet 1 Silence Silence 122 triangle triangle 1 Silence Silence 123 orchestra hit orchehit 1 Silence Silence 124 telephone telphone 1 Silence Silence 125 bird tweet bird 1 Silence Silence 126 one note jam jam 1 Silence Silence 127 effect water efctwatr 2 Silence Silence 128 effect jungle efctjngl 2 Silence Silence

TYPE1 Part1~9 TYPE2 Part11~16

(full name) (display) E (full name) (display) E

MU90 Performance List

Preset Performance List (MSB=001, LSB=000)

Pgm# Category Performance Name Comment

1 FX Heavens Door Warm effect sound. MW controls the filter. 2 PF Rich Piano A robust concert grand. 3 BR Saw Classic Analog sawtooth brass. Delay effect. 4 FX Analog Age Warm and transparent analog synth pad. Aftertouch controls the filter. 5 PD Big Atmos Distinctive synth pad. MW controls the filter. 6 KS Two Flutish Left hand is pad, right hand is pan flute. 7 BA Session Bass Velocity switches between a fingered-plucked bass and slap bass. 8 OR 70s Organ AT Organ of the 70’s. Aftertouch controls the rotary speed.

9 SL Touch Line Sawtooth with fuzz. Move the filter and use for techno sequences. 10 SC Rave Mecca Dance sound for chording. MW controls the filter. 11 EN Superstrings Warm analog synth sound. MW controls the filter. 12 PF EP Street Solid electric piano. Deep chorus. 13 LD Fat Lead Classic saucy bass. Four oscillators. 14 PD Fancy Pad Pad with atmosphere. Aftertouch controls the filter. 15 SC Dikk Tekk Use on hard sequence phrases. MW controls the filter. 16 ST Laser Harp Synth with deep phasing. 17 GT Gary Guitar Good old distortion guitar of yesterday. 18 OR Full Organ Bright electric organ. MW controls the filter. 19 LD Dyno Lead Classical analog synth. Portamento is effective. 20 PF CP70 On Stage The well-known Yamaha electric grand. 21 BR Super Brass Powerful straight-ahead brass section. MW controls the filter. 22 FX Ethnograph Memorable new-age sound collage. 23 SL Tecspiration Analog techno sound with fuzz. 24 CO Vox Pop Tight synth chorus. Use on rapid passages. 25 PD Dark Pad Dark synth pad. MW controls the filter. 26 FX Sparkle Pad Sparkling pad. MW creates a surprising change. 27 BR Jump-off Classic synth brass. 28 OR Overdrive OR Organ with overdrive. 29 GT Ricky Guitar Clean electric guitar for lead parts. 30 SC Euro Hook Thick analog sound for percussive sequences. 31 RD Groovin’ Baritone Baritone sax. 32 FX Alien Peace Beautiful digital synth that uses two completely different elements. 33 KS Hit House A novel split. Four brass shots. 34 GT 6-string Guitar Steel-stringed acoustic guitar. 35 EN Phase Strings Analog synth strings with phaser. MW controls the filter. 36 KS Minstrel Split with phased synth hi-hat and calliope lead. 37 OR Early Bird Organ with symphonic effect. Use for dance music. 38 CO Orchestral Suite Orchestral combination of strings, horn and bell. 39 SC Fat Hook The ultimate synth for Euro-sound. 40 KS R&B Gig Split with piano/strings and organ. 41 OR Deep Harp Clear harmonica. Great for solos. 42 FX Almost Heaven Distinctive bell pad. 43 SL Digi Bizzar Intense digital synth sound. For electronic music. 44 OR Euro Accordion Accordion with European flavor. 45 EN 2 Octaves Strings Bright analog strings. Two-octave layer. 46 PF New House Piano Piano for the new music scene. 47 OR Crisp Organ Percussive electric organ. 48 GT Rich Jazz Guitar Rich-sounding guitar for jazz. 49 BA Flangi Baze Simulation of a monophonic analog bass. MW controls the filter. 50 KS 1st Violin Split with string ensemble and solo violin. 51 EN Deep Choir Mixed choir with long reverb. 52 PF Old Clavi Old clavi with dynamic wah. 53 SC Dance Chord Thick analog synth for chordal backing of dance music. 54 FX White Train Soporific pad. Aftertouch controls the filter. 55 BR Power Synth Brass Powerful synth brass. 56 BA Deep Port Thick synth bass with sustain. Portamento is applied. 57 SC Floor Tack Synth for dance music chord work. MW controls the filter. 58 GT Rich Nylon Guitar Rich nylon-stringed acoustic guitar. 59 OR Solemn Organ Solemn pipe organ. 60 CO Piano & Strings Layered acoustic piano and stereo strings. 61 RD Rich Bass Clarinet Richly expressive bass clarinet for soloists. 62 BR Slap Switch Slap bass with velocity switching. 63 EN Hi Strings Hybrid strings, mixed acoustic and synth. 64 PD Soft Sweep Spacious pad. MW modifies the tone. 65 OR Draw Organ MW Drawbar organ. MW changes the rotary speed. 66 SL Porta Line MW Synth lead with a simple feeling. MW controls the filter. 67 FX Crypt A sound effect that uses portamento effectively. Raise MW for further changes. 68 PF Easy Seven Classical-sounding FM electric piano. Layered with synth strings. 69 KS Guitar & Sax Split sound with soft-feeling guitar and breathy tenor sax. 70 PF Gut EP Layered sound with DX electric piano and acoustic guitar. MW brings in a pad. 71 BA SQ2003 Wheel Fuzz synth with strong filter modulation. MW controls the filter. 72 PD Easter Ethnic-style pad sound, also playable as lead. 73 SC Dance Comp Rhythm synth sound suitable for chord sequences. 74 ET Ethnic Seq Sound with velocity split between kalimba and shamisen. 75 BR Trombonist Expressive brass sound suitable for solos. 76 FX Orion Mysterious sound effect. MW controls the filter. 77 BR Remix Brass Sound with velocity split between strings/brass section and brass fall. 78 PF Specter EP An electric piano where moving the MW allows you to play a variety of tonalities. 79 SC Tech Chord 1 Dance sound with layered minor third and fifth. MW controls the filter. 80 KS Bass + Piano/Brass Split sound between a velocity-split piano and brass, and bass. 81 BA SQ-Bass Synth bass suitable for techno/dance sequences. 82 EN Rich Strings Strings in which velocity will change the attack and depth. 83 BR Hybrid Brass Punch brass which combines acoustic and synth. 84 PF Phaze Clavi Analog clavi. MW controls the phaser effect. 85 SC Toy SQ Analog sound for step-recording, with cross delay applied. 86 SE MUtopia Futuristic pad. Aftertouch controls the filter. 87 PD Float Pad Soft-feeling pad. MW controls the filter. 88 OR Tiny Pipe Small pipe organ.

MU90 Performance List

Pgm# Category Performance Name Comment

89 SC Sweet Wine Synth sound suitable for electronic music. 90 PD Pad Swell Bright-feeling synth pad with filter change effect. 91 FX Aquarius 90 Sound effect consisting of underwater sounds, voice, and struck glass. 92 ET Perc Shamisen Percussive shamisen. 93 PF Clav-babe Synth clavi with distinctive auto-wah. 94 PD Space Wall Synth pad with deep modulation. 95 CP Door Bell Music box with a bell-like sound. 96 SC FAT*SQ Fat synth lead with just a touch of portamento. 97 PF Clavinova Layered sound with piano, electric piano and strings. 98 KS Volksmusik Split sound between accordion and brass ensemble. 99 KS Jfunk Jammin Split sound between a solid electric piano and bass.

100 KS Alpen Echo Split sound between tuba and trumpet. MW controls the delay effect.

PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations KS : keyboard splits

MU90 Performance List

Internal Performance List (MSB=002, LSB=000)

Pgm# Category Performance Name Comment

1 PF Concert Grand Rich full concert grand piano that simulates even the resonances

2 PF MIDI Grand Layered electric piano and piano. Raise MW for piano and pad.

3 PF 60s Piano Old stage electric piano with a bit of distortion effect.

4 PF CP Pad Pad layer that brings out the character of the Yamaha CP80.

5 PF Phase EP Electric piano with sharp phaser.

6 PF Rich DX EP Electric piano sound of the famous DX7.

7 PD Grand Pad Gentle and dark synth pad. Two-octave layer.

8 PD Pictures Synth pad with a layered 5th interval. MW controls the filter.

9 PD Movie Pad Big and rich string-type pad. 10 PD Aquamarine Pad suggestive of underwater. 11 PD Polypad Classic analog synth pad of yesterday. 12 PD Blonk Y Combination of analog sound and voice pad. Aftertouch controls the filter. 13 PD Dark Pad Dark pad suitable for pop. 14 SC Analog SQ 1 Analog synth with decay, suitable for sequenced phrases. 15 SC Analog SQ 2 Analog synth with short decay, suitable for sequenced phrases. 16 SC Rave Chord Typical chord synth, suitable for rave. 17 SC Short SQ Analog synth with extremely short decay, suitable for sequenced phrases. 18 SC Fat Poly Fat synth sound suitable for dance. 19 OR Backyard Organ Jazz-type organ suitable for accompaniment. 20 OR Old Days Organ Percussive organ. MW controls rotary speed. 21 OR Stereo Field Organ Organ with a sense of stereo. 22 OR Drawbars 1 AT Drawbar organ of the 70’s. Aftertouch controls the rotary speed. 23 OR Drawbars 2 MW Sentimental organ. MW controls rotary speed. 24 OR Full Church Church-style pipe organ. 25 OR Old Rock Organ Electric organ of the 60’s. 26 OR Progressive Organ Organ typical of progressive rock. MW has rotary speaker effect. 27 Gt 12-string Fantasy Twelve-string guitar sound, with pad added to sustained notes. 28 GT Wah Guitar Funky electric guitar with auto-wah. 29 GT Arpeggio EG Clean electric guitar suitable for playing arpeggios. 30 GT Rich 12-string Guitar Acoustic twelve-string guitar. 31 GT Pedal Steel Wheeler Pedal steel guitar. Try using the pitch bend wheel. 32 GT Chorus Guitar Electric guitar with chorus applied. 33 BA Hip Bais Synth bass with wah. MW controls the filter. 34 BA Rezzy Bass Synth bass with strong resonance, suitable for sequenced techno phrases. 35 BA Fuzzline Synth bass with distortion. MW controls the filter. 36 BA Bassline 1 Synth bass suitable for dance or techno. 37 BA Bassline 2 Synth bass with short decay. 38 EN Pink Bass MW Synth bass with distortion and portamento. 39 EN Vienna Strings String ensemble with an acoustic feel. 40 EN Orchestra Plus Orchestral sound with timpani on strongly played notes. 41 EN Synth Ensemble String ensemble synth sound. 42 EN Mello Strings Strings sound using fabled instruments. 43 EN Ooh Choir Chorus with spaciousness produced by an effect. 44 EN Compu Vox Use on sequenced phrases. MW controls the auto-pan speed. 45 BR Cutting Brass Sharp brass section. 46 BR Tijuana Brass Soft brass section of the 60’s. 47 BR CS80 Mind Brass sound of the classic Yamaha CS80 synthesizer. 48 BR Fat Ensemble Warm analog synth-type pad. 49 BR Tech Brass Synth bass with distortion, suitable for techno. 50 BR Thin Brass Classic synth bass of yesterday. 51 LD Mono Wire Lead Mild synth lead. 52 LD Vintage Lead Old-style analog solo synth. 53 LD Sticky Lead Synth lead characterized by velocity controlling the tonal change of the attack. 54 LD Saww Lead Percussive synth lead with detuning. 55 LD Fat Glide Fat-sounding synth lead. 56 LD Early Lead Mild synth lead with attack. MW controls the filter. 57 FX Dreamer Sweeped synth lead with gentle attack. MW controls the filter. 58 FX Slow Sweep Synth sound with slow filter change. 59 FX Flower Layered sound of harp and chorus. 60 FX High Light Synth sound that layers a variety of sounds. 61 PF DX Lover Rich electric piano that blends great DX-type sounds. 62 PF Clav Western Old-feeling clavi-type sound. 63 PF TX802 EP FM-type electric piano. A versatile sound usable in a variety of styles. 64 PF Chorus DX EP DX electric piano with chorus. 65 PF EP Velo SW Old-feeling electric piano where velocity changes the tone. 66 CP Cool Vibes Percussive vibraphone with reverb. 67 SC Poly Syn The great analog poly synth. 68 SC Tech Chord 2 Dance sound with layered minor third and fifth. MW controls the filter. 69 SC Hi Pass SQ 1 Synth sound using a high pass filter. 70 SC Eight Oscis Thick-sounding synth brass. 71 SC HPF Flight Light-feeling synth lead suitable for sequenced phrases. 72 SC Acid Hook Percussive synth sound. Also usable as synth bass. 73 SC Fat Comp Versatile comping sound that can be played either as brass or as lead. 74 OR 70s Rock Organ Rock organ typical of the 70’s. 75 OR Click Organ MW Electronic organ with key click sound. MW changes the rotary speed. 76 OR Nice Organ Bright-feeling organ of the 80’s. 77 OR Sacral Organ Full digital organ. MW changes the rotary speed. 78 OR Baroque Feel Solemn pipe organ with layered strings. 79 OR Plain Pipe Simple-feeling pipe organ. 80 OR French Accordion Accordion with a French touch. 81 OR Lambada Accordion Accordion suitable for tango or lambada. 82 BA Vacuum Bass Thick bass with phaser. 83 BA Water Phase Bass Thick bass with distinctive tonal changes controlled by velocity. 84 BA Frankfurt Bass Synth bass with deep resonance, suitable for sequenced phrases. 85 KS Pizza Time Split ensemble strings and pizzicato. 86 RD Soft Sax Section Mild sax section with four saxes combined. 87 ET Banjo Man Banjo sound suitable for Dixie style. 88 ET Kanoonics Kanoon (an instrument sounding similar to a koto) with a percussive feel.

MU90 Performance List

Pgm# Category Performance Name Comment

89 SE Devil’s House Sound effect evocative of the devil’s house. Play strongly around C3 for devil’s voice and screams. 90 SE Alien A mysterious creature from space. Hear wailing with strong velocities. 91 SE Sea View Imagine that you are traveling through the ocean depths. 92 KS Phat & Funky Split sound with strings and wah guitar. 93 CO Horn & Strings Versatile strings sound with horn mixed in. 94 CO Clavorgue A blend of clavi and organ. 95 CO 1950’s Jazz Split sound with golden oldie upright bass and piano 96 CO Mari Voice Combination of marimba and voice sounds. 97 FX Sweepy Line Percussive synth with a feeling of resonance. 98 FX Blue & Blue Transparent pad. 99 FX Space Legend Chorus-type pad with spacy feeling.

100 FX Z-Hole Pad sound that draws you into an unknown world.

With the factory settings, the internal performances will be occupied by the above sounds. PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations KS : keyboard splits

XG Drum Map

Bank MSB# 127 127 127 127 127 Program# 12349 Note# Note Key

13 C# -1 3 Surdo Mute 1 14 D -1 3 Surdo Open 1 Surdo Open V 1 Surdo Open B 1 15 D# -1 Hi Q 1 Hi Q B 1 16 E -1 Whip Slap 1 Whip Slap B 1 17 F -1 4 Scratch H 1 Scratch H B 1 18 F# -1 4 Scratch L 1 Scratch L B 1 19 G -1 Finger Snap 1 Finger Snap B 1 20 G# -1 Click Noise 1 Click Noise B 1 21 A -1 Metronome Click 1 Metronome Click B 1 22 A# -1 Metronome Bell 1 Metronome Bell B 1 23 B -1 Seq Click L 1 Seq Click L B 1 24 C 0 Seq Click H 1 Seq Click H B 1 25 C# 0 Brush Tap 1 Brush Tap V 1 Brush Tap B 1 26 D 0 O Brush Swirl 1 Brush Swirl V 1 Brush Swirl B 1 27 D# 0 Brush Slap 1 Brush Slap V 1 Brush Slap B 1 28 E 0 O Brush Tap Swirl 1 Brush Tap Swirl V 1 Brush Tap Swirl B 1 29 F 0 O Snare Roll 1 Snare Roll 2 1 Snare Roll V 1 Snare Roll B 1 30 F# 0 Castanet 1 Castanet B 1 31 G 0 Snare Soft 1 Snare Soft 2 1 Snare Dry Soft 1 Snare Soft B 1 32 G# 0 Sticks 1 Sticks B 1 33 A 0 Kick Soft 1 Kick Dry Soft 1 Kick Soft B 1 34 A# 0 Open Rim Shot 1 Open Rim Shot H Short 1 Open Rim Shot Dry V 1 Open Rim Shot B 1 35 B 0 Kick Tight 1 Kick Tight Short 1 Kick Dry Tight 1 Kick Tight B 1 36 C 1 Kick 1 Kick Short 1 Kick Dry Mute 1 Kick B 1 Kick Room 1 37 C# 1 Side Stick 1 38 D 1 Snare 1 Snare Short 1 Snare Dry 1 Snare B 1 Snare Snappy 1 39 D# 1 Hand Clap 1 40 E 1 Snare Tight 1 Snare Tight H 1 Snare Dry Mute 1 Snare Tight B 1 Snare Tight Snappy 1 41 F 1 Floor Tom L 1 42 F# 1 1 Hi-Hat Closed 1 43 G 1 Floor Tom H 1 Floor Tom H Short 1 Floor Tom H B 1 Tom Room 2 1 44 G# 1 1 Hi-Hat Pedal 1 45 A 1 Low Tom 1 Low Tom Short 1 Low Tom B 1 Tom Room 3 1 46 A# 1 1 Hi-Hat Open 1 47 B 1 Mid Tom L 1 Mid Tom L Short 1 Mid Tom L B 1 Tom Room 4 1 48 C 2 Mid Tom H 1 49 C# 2 Crash Cymbal 1 1 50 D 2 High Tom 1 HIgh Tom Short 1 High Tom B 1 Tom Room 6 1 51 D# 2 Ride Cymbal 1 1 52 E 2 Chinese Cymbal 1 Chinese Cymbal V 1 Chinese Cymbal B 1 53 F 2 Ride Cymbal Cup 1 Ride Cymbal Cup Short 1 54 F# 2 Tambourine 1 Tambourine B 1 55 G 2 Splash Cymbal 1 Splash Cymbal V 1 Splash Cymbal B 1 56 G# 2 Cowbell 1 Cowbell L 1 57 A 2 Crash Cymbal 2 1 Crash Cymbal 2 V 1 Crash Cymbal 2 B 1 58 A# 2 Vibraslap 1 Vibraslap B 1 59 B 2 Ride Cymbal 2 1 Ride Cymbal 2 V 1 Ride Cymbal 2 B 1

off

Alternate assign

Standard Kit

Standard Kit 2

Dry Kit

Surdo Mute V 1 Surdo Mute B 1

Side Stick Dry 1 Side Stick B 1

Floor Tom L Short 1 Floor Tom L B 1 Tom Room 1 1

Mid Tom H Short 1 Mid Tom H B 1 Tom Room 5 1 Crash Cymbal 1 V 1 Crash Cymbal 1 B 1

Ride Cymbal 1 V 1 Ride Cymbal 1 B 1

Brilliant Kit

Hand Clap B 1

Hi-Hat Closed L B 1

Hi-Hat Pedal B 1

Hi-Hat Open B 1

Room Kit

: Same as standard Kit : No sound

XG Drum Map

Bank MSB# 127 127 127 127 127 Program# 10 17 18 25 26 Note# Note Key

13 C# -1 3 Surdo Mute V 1 14 D -1 3 Surdo Open V 1 Surdo Open V 1 15 D# -1 16 E -1 17 F -1 4 18 F# -1 4 19 G -1 20 G# -1 21 A -1 22 A# -1 23 B -1 24 C 0 25 C# 0 Brush Tap V 1 Brush Tap V 1 26 D 0 O Brush Swirl V 1 Brush Swirl V 1 27 D# 0 Brush Slap V 1 Brush Slap V 1 28 E 0 O Brush Tap Swirl V 1 Brush Tap Swirl V 1 Reverse Cymbal 1 Riverse Cymbal 1 29 F 0 O Snare Roll V 1 30 F# 0 Hi Q 2 1 Hi Q 2 1 31 G 0 32 G# 0 33 A 0 Kick Tight 2 1 Kick Tight 3 1 Kick 3 1 Kick Tight 2 1 34 A# 0 35 B 0 Kick Dark 1 Kick 2 1 Kick 4 1 Kick Gate 1 Kick Analog Short 1 36 C 1 Kick Room Gate 1 Kick Gate 1 Kick Gate 2 1 Kick Gate Heavy 1 Kick Analog 1 37 C# 1 38 D 1 Snare Snappy 2 1 Snare Rock 1 Snare Rock 2 1 Snare Noisy 2 1 Snare Analog 1 39 D# 1 40 E 1 Snare Tight Snappy 2 1 Snare Rock Rim 1 Snare Rock Rim Q 1 Snare Noisy 3 1 Snare Analog 2 1 41 F 1 Tom Room 1 Q 1 Tom Rock 1 1 Tom Rock 1 H 1 Tom Electro 1 1 Tom Analog 1 1 42 F# 1 1 Hi-Hat Closed Q 1 43 G 1 Room Tom 2 Q 1 Tom Rock 2 1 Tom Rock 2 H 1 Tom Electro 2 1 Tom Analog 2 1 44 G# 1 1 Hi-Hat Pedal Q 1 45 A 1 Room Tom 3 Q 1 Tom Rock 3 1 Tom Rock 3 L Short 1 Tom Electro 3 1 Tom Analog 3 1 46 A# 1 1 Hi-Hat Open L 1 47 B 1 Tom Room 4 Dark 1 Tom Rock 4 1 Tom Rock 4 L Short 1 Tom Electro 4 1 Tom Analog 4 1 48 C 2 Tom Room 5 L Dark 1 Tom Rock 5 1 Tom Rock 5 L Short 1 Tom Electro 5 1 Tom Analog 5 1 49 C# 2 50 D 2 Tom Room 6 L Dark 1 Tom Rock 6 1 Tom Rock 6 L Short 1 Tom Electro 6 1 Tom Analog 6 1 51 D# 2 Ride Cymbal 1 V 1 52 E 2 Chinese Cymbal V 1 Chinese Cymbal V 1 53 F 2 54 F# 2 55 G 2 Splash Cymbal V 1 Splash Cymbal V 1 56 G# 2 Cowbell Analog 1 57 A 2 Crash Cymbal 2 V 1 58 A# 2 59 B 2 Ride Cymbal 2 V 1 Ride Cymbal 2 V 1

off

Alternate assign

Dark Room Kit

Rock Kit

Snare Noisy 1 Snare Noisy 5 1 Snare Snappy Electro 1 Snare Noisy 4 1

Rock Kit 2

Surdo Mute V 1

Snare Roll V 1

Hi-Hat Closed 2 1 Hi-Hat Closed Analog 1

Hi-Hat Pedal 2 1 Hi-Hat closed Analog 2 1

Hi-Hat Open 2 1 Hi-Hat Open Analog 1

Ride Cymbal 1 V 1

Crash Cymbal 2 V 1

Electro Kit

Analog Kit

Side Stick Analog 1

Crash Analog

: Same as standard Kit : No sound

XG Drum Map

Bank MSB# 127 127 127 127 127 Program# 27 28 29 30 33 Note# Note Key

13 C# -1 3 Surdo Mute V 1 14 D -1 3 Surdo Open V 1 Surdo Open V 1 Surdo Open V 1 15 D# -1 16 E -1 17 F -1 4 18 F# -1 4 19 G -1 20 G# -1 21 A -1 22 A# -1 23 B -1 24 C 0 25 C# 0 Brush Tap V 1 Brush Tap V 1 Brush Tap V 1 26 D 0 O Brush Swirl V 1 Brush Swirl V 1 Brush Swirl V 1 27 D# 0 Brush Slap V 1 Brush Slap V 1 Brush Slap V 1 28 E 0 O Reverse Cymbal 1 Reverse Cymbal 1 Brush Tap Swirl V 1 Brush Tap Swirl V 1 29 F 0 O Snare Roll V 1 Snare Roll V 1 Snare Roll V 1 30 F# 0 Hi Q 2 1 Hi Q 2 1 31 G 0 Snare Analog 3 1 Snare Techno 3 1 Open Rim Shot 2 Soft 1 Rim Gate 2 1 32 G# 0 33 A 0 Kick Techno Soft 1 Kick Techno Q 1 Kick Dry Soft 2 1 Kick Cough 1 34 A# 0 Open Rim Short Dry V 1 Rim Gate 1 Open Rim Shot 2 1 Rim Gate 3 1 35 B 0 Kick Techno Tight 1 Kick Techno L 1 Kick Dim 1 Kick Zap 1 36 C 1 Kick Techno 1 Kick Techno 2 1 Kick Boon 1 Kick Dawn 1 Kick Jazz 1 37 C# 1 Side Stick Analog 1 Side Stick Analog 1 Side Stick Dry 1 Side Stick Dry 1 38 D 1 Snare Techno 1 Snare Clap 2 Snare Dry Mute 1 Snare Tin 1 39 D# 1 40 E 1 Snare Techno 2 1 Snare Dry 2 1 Snare White 1 Snare Can 1 41 F 1 Tom Analog 1 1 Tom Analog 1 1 Floor Tom L Short 1 Floor Tom L Short 1 Tom Jazz 1 1 42 F# 1 1 Hi-Hat Closed Analog 1 Hi-Hat Closed 3 1 Hi-Hat Closed 2 H 1 Hi-Hat Closed 2 Sloft 1 43 G 1 Tom Analog 2 1 Tom Analog 2 1 Floor Tom H Short 1 Floor Tom H Short 1 Tom Jazz 2 1 44 G# 1 1 Hi-Hat Closed Analog 2 1 Hi-Hat Closed Analog 2 1 Hi-Hat Pedal 2 H 1 Hi-Hat Pedal 2 Soft 1 45 A 1 Tom Analog 3 1 Tom Analog 3 1 Low Tom Short 1 Low Tom Short 1 Tom Jazz 3 1 46 A# 1 1 Hi-Hat Open Analog 1 Hi-Hat Open 3 1 Hi-Hat Open 2 L 1 Hi-Hat Open 2 Soft 1 47 B 1 Tom Analog 4 1 Tom Analog 4 1 Mid Tom L Short 1 Mid Tom L Short 1 Tom Jazz 4 1 48 C 2 Tom Analog 5 1 Tom Analog 5 1 Mid Tom H Short 1 Mid Tom H Short 1 Tom Jazz 5 1 49 C# 2 Crash Analog 1 Crash Analog 1 Crash Cymbal 1 V 1 Crash Cymbal 1 V 1 50 D 2 Tom Analog 6 1 Tom Analog 6 1 High Tom Short 1 High Tom Short 1 Tom Jazz 6 1 51 D# 2 Ride Cymbal 1 V 1 52 E 2 Chinese Cymbal V 1 Chinese Cymbal V 1 Chinese Cymbal V 1 53 F 2 54 F# 2 55 G 2 Splash Cymbal V 1 Splash Cymbal V 1 Splash Cymbal V 1 56 G# 2 Cowbell Analog 1 Cowbell Analog 1 57 A 2 Crash Cymbal 2 V 1 Crash Cymbal 2 V 1 Crash Cymbal 2 V 1 58 A# 2 59 B 2 Ride Cymbal 2 V 1 Ride Cymbal 2 V 1 Ride Cymbal 2 V 1

off

Alternate assign

Analog Kit 2

Dance Kit

Hip Hop Kit

Surdo Mute V 1 Surdo Mute V 1

Ride Cymbal 1 V 1 Ride Cymbal 1 V 1

Jungle Kit

Jazz Kit

: Same as standard Kit : No sound

XG Drum Map

Bank MSB# 127 127 127 126 126 Program# 34 41 49 1 2 Note# Note Key

13 C# -1 3 Surdo Mute V 1 14 D -1 3 Surdo Open V 1 15 D# -1 16 E -1 17 F -1 4 18 F# -1 4 19 G -1 20 G# -1 21 A -1 22 A# -1 23 B -1 24 C 0 25 C# 0 Brush Tap V 1 26 D 0 O Brush Swirl V 1 27 D# 0 Brush Slap V 1 28 E 0 O Brush Tap Swirl V 1 29 F 0 O Snare Roll V 1 30 F# 0 31 G 0 Brush Slap 2 1 32 G# 0 33 A 0 Kick Soft 2 1 34 A# 0 35 B 0 Gran Cassa 1 36 C 1 Kick Jazz L 1 Kick Small 1 Gran Cassa Mute 1 Cutting Noise 1 Phone Call 1 37 C# 1 38 D 1 Snare H 1 Brush Slap 3 1 Band Snare 1 Distorted Cutting Noise 2 Door Slam 1 39 D# 1 40 E 1 Snare Tight L 1 Brush Tap 2 1 Band Snare 2 1 Bass Slide 2 Scratch H 3 2 41 F 1 Tom Jazz 7 1 Tom Brush 1 1 Tom Jazz 1 1 Pick Scrape 1 Wind Chime 1 42 F# 1 1 Hi-Hat Closed L 1 43 G 1 Tom Jazz 8 1 Tom Brush 2 1 Tom Jazz 2 1 44 G# 1 1 Hi-Hat Pedal L 1 45 A 1 Tom Jazz 9 1 Tom Brush 3 1 Tom Jazz 3 1 46 A# 1 1 Hi-Hat Open L 1 47 B 1 Tom Jazz 10 1 Tom Brush 4 1 Tom Jazz 4 1 48 C 2 Tom Jazz 11 1 Tom Brush 5 1 Tom Jazz 5 1 49 C# 2 Hand Cymbal 1 50 D 2 Tom Jazz 12 1 Tom Brush 6 1 Tom Jazz 6 1 51 D# 2 Ride Cymbal 1 V 1 Hand Cymbal Short 1 52 E 2 Chinese Cymbal V 1 Flute Key Click 1 Ignition 1 53 F 2 Ride Cymbal Cup L 1 54 F# 2 55 G 2 Splash Cymbal V 1 56 G# 2 57 A 2 Crash Cymbal 2 V 1 58 A# 2 59 B 2 Ride Cymbal 2 V 1

off

Alternate assign

Jazz Kit 2

Brush Kit

Symphony Kit

Hand Cymbal 2 1 Train 1

Hand Cymbal 2 Short 1 Starship 2

SFX Kit 1

Cutting Nose 2 2 Door Squeak 1

String Slap 1 Scratch Cut 1

SFX Kit 2

Telephone Ring 2 1

Squeal 1 Exhaust 1 Crash 1 Siren 2

Jet Plane 2

: Same as standard Kit : No sound

XG Drum Map

Bank MSB# 127 127 127 127 127 Program# 12349 Note# Note Key

60 C 3 Bongo H 1 61 C# 3 Bong L 1 Bongo L V 1 Bongo L B 1 62 D 3 Conga H Mute 1 Conga H Mute V 1 Conga H Mute B 1 63 D# 3 Conga H Open 1 Conga H Open V 1 Conga H Open B 1 64 E 3 Conga L 1 Conga L V 1 Conga L B 1 65 F 3 Timbale H 1 Timbale H V 1 Timbale H B 1 66 F# 3 Timbale L 1 Timbale L V 1 Timbale L B 1 67 G 3 Agogo H 1 Agogo H V 1 Agogo H B 1 68 G# 3 Agogo L 1 Agogo L V 1 Agogo L B 1 69 A 3 Cabasa 1 Cabasa B 1 70 A# 3 Maracas 1 Maracas B 1 71 B 3 O Samba Whistle H 1 Samba Whistle H V 1 Samba Whistle H B 1 72 C 4 O Samba Whistle L 1 Samba Whistle L V 1 Samba Whistle L B 1 73 C# 4 Guiro Short 1 Guiro Short B 1 74 D 4 O Guiro Long 1 Guiro Long B 1 75 D# 4 Claves 1 Claves B 1 76 E 4 Wood Block H 1 Wood Block H B 1 77 F 4 Wood Block L 1 Wood Block L B 1 78 F# 4 Cuica Mute 1 Cuica Mute V 1 Cuica Mute B 1 79 G 4 Cuica Open 1 Cuica Open V 1 Cuica Open B 1 80 G# 4 2 Triangle Mute 1 Triangle Mute B 1 81 A 4 2 Triangle Open 1 Triangle Open B 1 82 A# 4 Shaker 1 Shaker B 1 83 B 4 Jingle Bells 1 Jingle Bells B 1 84 C 5 Bell Tree 1 Bell Tree B 1 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 90 F# 5 91 G 5

off

Alternate assign

Standard Kit

Standard Kit 2

Dry Kit

Bongo H V 1 Bongo H B 1

Brilliant Kit

Room Kit

: Same as standard Kit : No sound

XG Drum Map

Bank MSB# 127 127 127 127 127 Program# 10 17 18 25 26 Note# Note Key

60 C 3 Bongo H V 1 61 C# 3 Bongo L V 1 Bongo L V 1 62 D 3 Conga H Mute V 1 Conga H Mute V 1 Conga Analog H 1 63 D# 3 Conga H Open V 1 64 E 3 Conga L V 1 65 F 3 Timbale H V 1 66 F# 3 Timbale L V 1 Timbale L V 1 67 G 3 Agogo H V 1 Agogo H V 1 68 G# 3 Agogo L V 1 Agogo L V 1 69 A 3 70 A# 3 Maracas 2 1 71 B 3 O Samba Whistle H V 1 72 C 4 O Samba Whistle L V 1 Samba Whistle L V 1 73 C# 4 74 D 4 O 75 D# 4 Claves 2 1 76 E 4 77 F 4 78 F# 4 Cuica Mute V 1 Cuica Mute V 1 Scratch H 2 1 Scratch H 2 1 79 G 4 Cuica Open V 1 80 G# 4 2 81 A 4 2 82 A# 4 83 B 4 84 C 5 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 90 F# 5 91 G 5

off

Alternate assign

Dark Room Kit

Rock Kit

Rock Kit 2

Bongo H V 1

Conga H Open V 1 Conga Analog M 1 Conga L V 1 Conga Analog L 1 Timbale H V 1

Samba Whistle H V 1

Cuica Open V 1 Scratch L 2 1 Scratch L 3 1

Electro Kit

Analog Kit

: Same as standard Kit : No sound

XG Drum Map

Bank MSB# 127 127 127 127 127 Program# 27 28 29 30 33 Note# Note Key

60 C 3 Bongo H V 1 61 C# 3 Bongo L V 1 Bongo L V 1 Bongo L V 1 62 D 3 Conga Analog H 1 Conga Analog H 1 Conga H Mute V 1 Conga H Mute V 1 63 D# 3 Conga Analog M 1 Conga Analog M 1 Conga H Open V 1 Conga H Open V 1 64 E 3 Conga Analog L 1 Conga Analog L 1 Conga L V 1 Conga L V 1 65 F 3 Timbale H V 1 Timbale H V 1 Timbale H V 1 66 F# 3 Timbale L V 1 Timbale L V 1 Timbale L V 1 67 G 3 Agogo H V 1 Agogo H V 1 Agogo H V 1 68 G# 3 Agogo L V 1 Agogo L V 1 Agogo L V 1 69 A 3 70 A# 3 Maracas 2 1 Maracas 2 1 71 B 3 O Samba Whistle H V 1 Samba Whistle H V 1 Samba Whistle H V 1 72 C 4 O Samba Whistle L V 1 Samba Whistle L V 1 Samba Whistle L V 1 73 C# 4 74 D 4 O 75 D# 4 Claves 2 1 Claves 2 1 76 E 4 77 F 4 78 F# 4 Scratch H 2 1 Scratch H 2 1 Cuica Mute V 1 Cuica Mute V 1 79 G 4 Scratch L 3 1 Scratch L 3 1 Cuica Open V 1 Cuica Open V 1 80 G# 4 2 81 A 4 2 82 A# 4 83 B 4 84 C 5 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 90 F# 5 91 G 5

off

Alternate assign

Analog Kit 2

Dance Kit

Hip Hop Kit

Bongo H V 1 Bongo H V 1

Jungle Kit

Jazz Kit

: Same as standard Kit : No sound

XG Drum Map

Bank MSB# 127 127 127 126 126 Program# 34 41 49 1 2 Note# Note Key

60 C 3 Bongo H V 1 61 C# 3 Bongo L V 1 62 D 3 Conga H Mute V 1 63 D# 3 Conga H Open V 1 64 E 3 Conga L V 1 65 F 3 Timbale H V 1 66 F# 3 Timbale L V 1 67 G 3 Agogo H V 1 68 G# 3 Agogo L V 1 Shower 2 Laugh 1 69 A 3 70 A# 3 71 B 3 O Samba Whistle H V 1 72 C 4 O Samba Whistle L V 1 73 C# 4 74 D 4 O 75 D# 4 76 E 4 77 F 4 78 F# 4 Cuica Mute V 1 79 G 4 Cuica Open V 1 80 G# 4 2 81 A 4 2 82 A# 4 83 B 4 84 C 5 Dog 1 Machine Gun 1 85 C# 5 86 D 5 87 D# 5 88 E 5 89 F 5 Haunted 2 90 F# 5 Ghost 2 91 G 5 Maou 2

off

Alternate assign

Jazz Kit 2

Brush Kit

Symphony Kit

SFX Kit 1

Thunder 1 Scream 1 Wind 1 Punch 1 Stream 2 Heart Beat 1 Bubble 2 Foot Steps 1 Feed 2 Applause 2 1

Horse 1 Laser Gun 2 Bird Tweet 2 1 Explosion 2 Kitty 1 Firework 2 Growl 1

SFX Kit 2

Burst 2 Roller coaster 2 Submarine 2

: Same as standard Kit : No sound

TG300B Drum Map

Program# 1 9 17 25 26 Note# Note Alternate assign Standard Kit

25 C# 0 Snare Roll TG 1 26 D 0 Finger Snap TG 1 27 D# 0 Hi Q TG 1 28 E 0 Whip Slap TG 1 29 F 0 7 Scratch H TG 1 30 F# 0 7 Scratch L TG 1 31 G 0 Sticks TG 1 32 G# 0 Click Noise TG 1 33 A 0 Metronome Click TG 1 34 A# 0 Metronome Bell TG 1 35 B 0 Kick Tight 1 36 C 1 Kick 1 Kick Room 1 Kick Power 1 Kick Electro TG 1 Kick Analog 1 37 C# 1 Side Stick 1 38 D 1 Snare 1 39 D# 1 Hand Clap 1 40 E 1 Snare Tight 1 Snare Power 2 1 41 F 1 Floor Tom L 1 Tom Room 1 1 Tom Room 1 1 Tom Electro 1 1 Tom Analog 1 1 42 F# 1 1 Hi-Hat Closed 1 43 G 1 Floor Tom H 1 Tom Room 2 1 Tom Room 2 1 Tom Electro 2 1 Tom Analog 2 1 44 G# 1 1 Hi-Hat Pedal 1 45 A 1 Low Tom 1 Tom Room 3 1 Tom Room 3 1 Tom Electro 3 1 Tom Analog 3 1 46 A# 1 1 Hi-Hat Open 1 47 B 1 Mid Tom L 1 Tom Room 4 1 Tom Room 4 1 Tom Electro 4 1 Tom Analog 4 1 48 C 2 Mid Tom H 1 Tom Room 5 1 Tom Room 5 1 Tom Electro 5 1 Tom Analog 5 1 49 C# 2 Crash Cymbal 1 1 50 D 2 High Tom 1 Tom Room 6 1 Tom Room 6 1 Tom Electro 6 1 Tom Analog 6 1 51 D# 2 Ride Cymbal 1 1 52 E 2 Chinese Cymbal 1 Reverse Cymbal TG 1 53 F 2 Ride Cymbal Cup 1 54 F# 2 Tambourine 1 55 G 2 Splash Cymbal 1 56 G# 2 Cowbell 1 Cowbell Analog 1 57 A 2 Crash Cymbal 2 1 58 A# 2 Vibraslap 1 59 B 2 Ride Cymbal 2 1 60 C 3 Bongo H 1 61 C# 3 Bongo L 1 62 D 3 Conga H Mute 1 Conga Analog H 1 63 D# 3 Conga H Open 1 64 E 3 Conga L 1 65 F 3 Timbale H 1 66 F# 3 Timbale L 1 67 G 3 Agogo H 1 68 G# 3 Agogo L 1 69 A 3 Cabasa 1

Room Kit

Power Kit

Snare Power 1 Snare Electro TG 1 Snare Analog 1

Electro Kit

Analog Kit

Side Stick Analog 1

Hi-Hat Closed Analog 1

Hi-Hat Closed Analog 2 1

Hi-Hat Open Analog 1

Crash Analog 1

Conga Analog M 1 Conga Analog L 1

: Same as standard Kit : No sound

TG300B Drum Map

Program# 33 41 49 57 128 Note# Note Alternate assign Jazz Kit

25 C# 0 26 D 0 27 D# 0 Hi-Hat Closed Orchestra 1 28 E 0 Hi-Hat Pedal Orchestra 1 29 F 0 7 Hi-Hat Open Orchestra 1 30 F# 0 7 Ride Cymbal 1 Orchestra 1 31 G 0 32 G# 0 33 A 0 34 A# 0 35 B 0 Kick Tight Jazz TG 1 Kick Tight Jazz TG 1 Kick Orchestra 1 Kick Tight CM 1 36 C 1 Kick Jazz 1 Kick Small 1 Gran Cassa Orchestra 1 37 C# 1 38 D 1 39 D# 1 40 E 1 41 F 1 Tom Jazz 1 1 Tom Jazz 1 1 Timpani F 1 Scratch H TG 1 Floor Tom L CM 1 42 F# 1 1 43 G 1 Tom Jazz 2 1 Tom Jazz 2 1 Timpani G 1 Sticks TG 1 Floor Tom H CM 1 44 G# 1 1 45 A 1 Tom Jazz 3 1 Tom Jazz 3 1 Timpani A 1 Metronome Click TG 1 Low Tom CM 1 46 A# 1 1 47 B 1 Tom Jazz 4 1 Tom Jazz 4 1 Timpani B 1 Guitar Fret Noise 2 Mid Tom L CM 1 48 C 2 Tom Jazz 5 1 Tom Jazz 5 1 Timpani C 1 Cutting Noise H 1 Mid Tom H CM 1 49 C# 2 50 D 2 Tom Jazz 6 1 Tom Jazz 6 1 Timpani D 1 String Slap 1 High Tom CM 1 51 D# 2 52 E 2 53 F 2 Timpani F’ 1 Scream 1 54 F# 2 Punch 1 Tambourine CM 1 55 G 2 56 G# 2 Footsteps 1 Cowbell CM 1 57 A 2 58 A# 2 Applause 1 59 B 2 Hand Cymbal L TG 1 Door Squeak 1 60 C 3 Door Slam 1 Bongo H CM 1 61 C# 3 62 D 3 63 D# 3 64 E 3 65 F 3 66 F# 3 67 G 3 68 G# 3 69 A 3

Brush Kit

Brush Tap TG 1 Band Snare TG 1 Snare CM 1 Brush Slap TG 1 Castanet TG 2 1 Hi Q TG 1 Hand Clap CM 1 Brush Swirl TG 1 Band Snare TG 1 Whip Slap TG 1 Snare Electro CM 1

Orchestra Kit

Timpani F# 1 Scratch L TG 1 Hi-Hat Closed CM 1

Timpani G# 1 Click Noise TG 1 Hi-Hat Open Short CM 1

Timpani A# 1 Metronome Bell TG 1 Hi-Hat Open CM 1

Timpani C# 1 Cutting Noise L 1 Crash Cymbal CM 1

Timpani D# 1 Flute Key Click 1 Ride Cymbal CM 1 Timpani E 1 Laugh 1

Hand Cymbal H TG 1 Footsteps 1

SFX Set

Heartbeat 1

Scratch Cut 1 Bongo L CM 1 Wind Chime 1 Conga H Mute CM 1 Ignition 1 Conga H Open CM 1 Squeal 1 Conga L CM 1 Exhaust 1 Timbale H CM 1 Crash 1 Timbale L CM 1 Siren 1 Agogo H CM 1 Train 1 Agogo L CM 1 Jet Plane 2 Cabasa CM 1

C/M Kit

Kick CM 1 Side Stick CM 1

: Same as standard Kit : No sound

TG300B Drum Map

Program# 1 9 17 25 26 Note# Note Alternate assign Standard Kit

70 A# 3 Maracas 1 71 B 3 2 Samba Whistle H TG 1 72 C 4 2 Samba Whistle L TG 1 73 C# 4 3 Guiro Short TG 1 74 D 4 3 Guiro Long TG 1 75 D# 4 Claves 1 Claves 2 1 76 E 4 Wood Block H 1 77 F 4 Wood Block L 1 78 F# 4 4 Cuica Mute TG 1 79 G 4 4 Cuica Open TG 1 80 G# 4 5 Triangle Mute TG 1 81 A 4 5 Triangle Open TG 1 82 A# 4 Shaker 1 83 B 4 Jingle Bells 1 84 C 5 Bell Tree 1 85 C# 5 Castanet TG 1 86 D 5 6 Surdo Mute TG 1 87 D# 5 6 Surdo Open TG 1 88 E 5 89 F 5 90 F# 5 91 G 5 92 G# 5 93 A 5 94 A# 5 95 B 5 96 C 6 97 C# 6 98 D 6

99 D# 6 100 E 6 101 F 6 102 F# 6 103 G 6 104 G# 6 105 A 6 106 A# 6 107 B 6 108 C 7

Room Kit

Power Kit

Electro Kit

Analog Kit

Maracas 2 1

: Same as standard Kit : No sound

TG300B Drum Map

Program# 33 41 49 57 128 Note# Note Alternate assign Jazz Kit

70 A# 3 71 B 3 2 72 C 4 2 73 C# 4 3 74 D 4 3 75 D# 4 Explosion 2 Claves CM 1 76 E 4 77 F 4 78 F# 4 4 79 G 4 4 80 G# 4 5 81 A 4 5 82 A# 4 83 B 4 84 C 5 85 C# 5 86 D 5 6 87 D# 5 6 88 E 5 89 F 5 90 F# 5 91 G 5 92 G# 5 93 A 5 94 A# 5 95 B 5 96 C 6 97 C# 6 98 D 6

99 D# 6 100 E 6 101 F 6 102 F# 6 103 G 6 104 G# 6 105 A 6 106 A# 6 107 B 6 108 C 7

Brush Kit

Orchestra Kit

Applause 1 Squeal 1

SFX Set

Helicopter 1 Maracas CM 1 Starship 2 Samba Whistle H TG CM 1 Gunshot 1 Samba Whistle L TG CM 1 Machine Gun 1 Vibraslap CM 1 Laser Gun 2

Dog 1 Laugh 1 Horse 1 Scream 1 Bird Tweet 2 Punch 1 Shower 2 Heartbeat 1 Thunder 1 Footsteps 1 Wind 1 Footsteps 1 Seashore 2 Applause 1 Stream 2 Door Squeak 1 Bubble 2 Door Slam 1

C/M Kit

Scratch Cut 1 Wind Chime 1 Ignition 1

Exhaust 1 Crash 1 Siren 2 Train 1 Jet Plane 2 Helicopter 1 Starship 2 Gunshot 1 Machine Gun 1 Laser Gun 2 Explosion 2 Dog 1 Horse 1 Bird Tweet 2 Shower 2 Thunder 1 Wind 1 Seashore 2 Stream 2 Bubble 2

: Same as standard Kit : No sound

C/M Drum Map

Note# Note Alternate C/M Kit E

35 B0 Kick Tight CM 1 36 C1 Kick CM 1 37 C#1 Side Stick CM 1 38 D1 Snare CM 1 39 D#1 Hand Clap CM 1 40 E1 Snare Electro CM 1 41 F1 Floor Tom L CM 1 42 F#1 1 Hi-Hat Closed CM 1 43 G1 Floor Tom H CM 1 44 G#1 1 45 A1 Low Tom CM 1 46 A#1 1 Hi-Hat Open CM 1 47 B1 Mid Tom L CM 1 48 C2 Mid Tom H CM 1 49 C#2 Crash Cymbal CM 1 50 D2 High Tom CM 1 51 D#2 Ride Cymbal CM 1 52 E2 53 F2 54 F#2 Tambourine CM 1 55 G2 56 G#2 Cowbell CM 1 57 A2 58 A#2 59 B2 60 C3 Bongo H CM 1 61 C#3 Bongo L CM 1 62 D3 Conga H Mute CM 1 63 D#3 Conga H Open CM 1 64 E3 Conga L CM 1 65 F3 Timbale H CM 1 66 F#3 Timbale L CM 1 67 G3 Agogo H CM 1 68 G#3 Agogo L CM 1 69 A3 Cabasa CM 1 70 A#3 Maracas CM 1 71 B3 2 72 C4 2 73 C#4 3 Vibraslap CM 1 74 D4 3 75 D#4 Claves CM 1 76 E4 Laugh 1 77 F4 Scream 1 78 F#4 4 Punch 1 79 G4 4 Heartbeat 1 80 G#4 5 Footsteps 1 81 A4 5 Footsteps 1 82 A#4 Applause 1 83 B4 Door Squeak 1 84 C5 Door Slam 1 85 C#5 Scratch Cut 1 86 D5 6 Wind Chime 1 87 D#5 6 Ignition 1 88 E5 Squeal 1 89 F5 Exhaust 1 90 F#5 Crash 1 91 G5 Siren 2 92 G#5 Train 1 93 A5 Jet Plane 2 94 A#5 Helicopter 1 95 B5 Starship 2 96 C6 Gunshot 1 97 C#6 Machine Gun 1 98 D6 Laser Gun 2

99 D#6 Explosion 2 100 E6 Dog 1 101 F6 Horse 1 102 F#6 Bird Tweet 2 103 G6 Shower 2 104 G#6 Thunder 1 105 A6 Wind 1 106 A#6 Seashore 2 107 B6 Stream 2 108 C7 Bubble 2

Assign

Hi-Hat Open Short CM

Samba Whistle H TG CM Samba Whistle L TG CM

: No Sound

1 1

Yamaha XG MU90R User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual