Yamaha WD83390, 006IPTO-F0 User Manual

Owner’s Manual

Keep This Manual For Future Reference.

Owner’s Manual

Keep This Manual For Future Reference.

E

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con­tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.

2. IMPORTANT:

or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.

3. NOTE:

requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reason­able level of assurance that your use of this product in a residential
environment will not result in harmful interference with other elec­tronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

When connecting this product to accessories and/

This product has been tested and found to comply with the

not guarantee that interference will not occur in all installations. If
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to elimi­nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by
the interference.

Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please con­tact Yamaha Corporation of America, Electronic Service Division,
6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning
må kun ske med batteri af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller
en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo
ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty
paristo valmistajan ohjeiden mukaisesti.

(lithium caution)

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op
het moment dat u het apparaat ann het einde van de levensduur of
gelieve dan contact op te nemen met de vertegenwoordiging van
Yamaha in uw land.

•For the removal of the battery at the moment of the disposal at the
end of life please consult your retailer or Yamaha representative
office in your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical
waste.

(lithium disposal)

This product contains a battery that contains perchlorate material.
Perchlorate Material—special handling may apply,
See www.dtsc.ca.gov/hazardouswaste/perchlorate.

YAMAHA CORPORATION OF AMERICA.

(Perchlorate)* This applies only to products distributed by

This product contains a high intensity lamp that contains
a small amount of mercury. Disposal of this material
may be regulated due to environmental considerations.
For disposal information in the United States, refer to
the Electronic Industries Alliance web site:
www.eiae.org

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif.

Telephone : [phone]

Type of Equipment : Digital Production Console

Model Name : DM1000

This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interfer­ence that may cause undesired operation.

See user manual instructions if interference to radio reception is sus­pected.

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

90620

(FCC DoC)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in accordance
with the following code:

As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in
your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected
to the terminal in the plug which is marked by the letter E or by the
safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the termi­nal which is marked with the letter L or coloured RED.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (3 wires)

GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE

YAMAHA CORPORATION OF AMERICA.

(mercury)* This applies only to products distributed by

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The above warning is located on the side
of the unit

IMPORTANT SAFETY INSTRUCTIONS

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.

The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and mainte­nance (servicing) instructions in the literature
accompanying the product.

1 Read these instructions.
2Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instruc­tions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other appa­ratus (including amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug
has two blades with one wider than the other. A
grounding type plug has two blades and a third
grounding prong. The wide blade or the third
prong are provided for your safety. If the pro­vided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete
outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience
receptacles, and the point where they exit from
the apparatus.

11 Only use attachments/accessories specified by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table spec­ified by the manufacturer, or
sold with the apparatus.
When a cart is used, use cau­tion when moving the cart/
apparatus combination to
avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualified service person-

nel. Servicing is required when the apparatus
has been damaged in any way, such as power­supply cord or plug is damaged, liquid has been
spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or mois­ture, does not operate normally, or has been
dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

Power supply/Power cord

• Only use the voltage specified as correct for the device. The required voltage is
printed on the name plate of the device.

• Use only the specified power code.

• Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.

• Be sure to connect to an appropriate outlet with a protective grounding
connection. Improper grounding can result in electrical shock.

Do not open

• Do not open the device or attempt to disassemble the internal parts or modify
them in any way. The device contains no user-serviceable parts. If it should
appear to be malfunctioning, discontinue use immediately and have it inspected
by qualified Yamaha service personnel.

Water warning

• Do not expose the device to rain, use it near water or in damp or wet conditions,
or place containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

If you notice any abnormality

• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the device, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the device inspected by
qualified Yamaha service personnel.

• If this device should be dropped or damaged, immediately turn off the power
switch, disconnect the electric plug from the outlet, and have the device
inspected by qualified Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the device or other property. These precautions include, but are not limited to, the following:

Power supply/Power cord

• Remove the electric plug from the outlet when the device is not to be used for
extended periods of time, or during electrical storms.

• When removing the electric plug from the device or an outlet, always hold the
plug itself and not the cord. Pulling by the cord can damage it.

Location

• When transporting or moving the device, always use two or more people.

• Before moving the device, remove all connected cables. When you move the
device with the MB1000 attached, do not permit impact or stress on the cable
connector that connects the MB1000 to the device.

• When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.

•Avoid setting all equalizer controls and faders to their maximum. Depending on
the condition of the connected devices, doing so may cause feedback and may
damage the speakers.

• Do not expose the device to excessive dust or vibrations, or extreme cold or heat
(such as in direct sunlight, near a heater, or in a car during the day) to prevent
the possibility of panel disfiguration or damage to the internal components.

• Do not place the device in an unstable position where it might accidentally fall
over.

• Do not block the vents. This device has ventilation holes at the top/front/rear/
sides to prevent the internal temperature from rising too high. In particular, do
not place the device on its side or upside down, or place it in any poorly­ventilated location, such as a bookcase or closet.

• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile
phone, or other electric devices. Otherwise, the device, TV, or radio may
generate noise.

• If you are using the optional MB1000 Peak Meter Bridge, do not hold only the
MB1000 when moving this unit. Otherwise, the meter brackets may be
damaged, the main unit may malfunction, or you may be injured if the unit falls.

Connections

• Before connecting the device to other devices, turn off the power for all devices.
Before turning the power on or off for all devices, set all volume levels to
minimum.

• Be sure to connect to a properly grounded power source. A ground screw
terminal is provided on the rear panel for safely grounding the device and
preventing electrical shock.

(5)-1 1/2

Handling caution Backup battery

• Do not insert your fingers or hand in any gaps or openings on the device (vents,
etc.).

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any
gaps or openings on the device (vents, etc.) If this happens, turn off the power
immediately and unplug the power cord from the AC outlet. Then have the
device inspected by qualified Yamaha service personnel.

• Do not use headphones for a long period of time at a high or uncomfortable
volume level, since this can cause permanent hearing loss. If you experience
any hearing loss or ringing in the ears, consult a physician.

• Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause
problems with electrical contact or fader motion.

• Do not rest your weight on the device or place heavy objects on it, and avoid use
excessive force on the buttons, switches or connectors.

• This device has rear-panel slots for installing mini-YGDAI cards. For technical
reasons, certain card combinations are not supported. Before installing any
cards, check the Yamaha web site (see page 6) to see whether your card is
compatible. Also check the total number of cards that can be installed in the
unit.
Installing cards that are not endorsed by Yamaha may cause electrical shock,
fire, or damage to the unit.

• Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit.

• The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment.

• When connecting D-sub cables, be sure to tighten the screws on both sides of the connector securely. To disconnect the cable, loosen the screws completely, then remove
the cable by holding the connector part. Do not remove the plug by pulling the cable while the screws are still attached. Otherwise, the connector may be damaged, leading
to malfunction.

• When you change the wordclock settings on any device in your digital audio system, some devices may output noise, so turn down your power amps beforehand,
otherwise your speakers may be damaged.

• This device has a built-in backup battery. When you unplug the power cord from
the AC outlet, the internal data is retained. However, if the backup battery fully
discharges, this data will be lost. If the backup battery is running low, when you
turn on the device the display indicates “WARNING Low Battery!.” In this case,
immediately save the data to an external media using MIDI Bulk Dump, then
have qualified Yamaha service personnel replace the backup battery.

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.

Always turn the power off when the device is not in use.
The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualified Yamaha service

personnel about replacing defective components.

* The illustrations and screen displays as shown in this Owner’s Manual are for instructional purposes only, and may be different from the ones on your device.
* The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
* THX and THX pm3 are registered trademarks of THX Ltd.

(5)-1 2/2

6

Yamaha Pro Audio global website

Yamaha Pro Audio global website

http://www.yamahaproaudio.com/

Package Contents

• DM1000 Digital Production Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• MB1000 Peak Meter Bridge

• SP1000 Wooden Side Panels

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

About this Owner’s Manual

This Owner’s Manual explains how to operate the DM1000 Digital Production Console.
The table of contents can help you familiarize yourself with the manual’s organization and

to locate tasks and topics The index can help you locate specific information.
Before diving in, it is recommended that you read the “Operating Basics” chapter, starting

on page 29.
Each chapter in this manual discusses a specific section or function of the DM1000. The

Input and Output Channels are explained in the following chapters: “Input Channels,” “Bus
Outs,” and “Aux Sends.” Where possible, these chapters have been organized in order of sig­nal flow, from input to output.

Conventions Used in this Manual

The DM1000 features two types of buttons: physical buttons that you can press (e.g.,
ENTER and DISPLAY) and buttons that appear on the display pages. References to physical
buttons are enclosed in square brackets, for example, “press the [ENTER] button.” Refer­ences to display page buttons are not emphasized, for example, “move the cursor to the ON
button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right
Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro­cedures reference only the [DISPLAY] button method. See “Selecting Display Pages” on
page 30 for details on all the ways in which pages can be selected.

DM1000 Version 2—Owner’s Manual

New Functions in DM1000 Version 2 7

New Functions in DM1000 Version 2

The following functions have been added to the DM1000 as part of the upgrade of the firm­ware from version 1.0 to version 2.0.

Control Surface

• Encoder mode now features an assignable function, ALT LAYER, which enables you to con­trol the channel level for all 32 channels without switching between layers. → page 36

•There are now 50 assignable Encoder mode parameters. → page 38

Aux Sends

•If an Aux Send is set to pre-fader, you can set the Pre point before or after channel mute.
→ page 99

•The AUX SELECT [AUX 1–8] buttons enable you to solo or unsolo Aux Sends without
switching to the Master layer. → page 107

Control Room Monitor

•You can select whether the Input Channel’s Pan setting is used when the Input Channel Solo
signal is set to Pre Fader. → page 120

•Raising the channel faders for soloed Channels from –∞ can unsolo the Channels.
→ page 121

•You can simultaneously select 2TR D1 or 2TR D2, and STEREO as control room monitor
sources. → page 123

Surround Function

•The on/off status of the Follow Pan button is reflected in the pan and Surround Pan
settings. → page 125

•The Surround Monitor function now supports THX Surround. → page 138

•You can simultaneously select BUS and SLOT as surround monitor sources. → page 137

Group/Link

•The Fader Group Master function enables you to control the overall level of the Fader group
channels simultaneously while maintaining the relative level balance of each channel.
→ page 150

•The Mute Group Master function enables you to mute all channels in a Mute group
simultaneously. → page 152

Internal Effects

•You can add optional Add-On Effects to the preset effects. → page 161

Scene Memory

•Any channel or parameter settings in the current scene can be copied and pasted into other
scenes. → page 171

•You can select additional parameters for the Recall Safe function. → page 170

DM1000 Version 2—Owner’s Manual

→

→

→

→

→

→

→

→

8

New Functions in DM1000 Version 2

Automix

•You can insert the mix parameters in a region specified in the Automix data. → page 193

•Touching the faders can punch parameter values in and out if the corresponding OVER­WRITE button is set to on (Touch Sence Edit In ALL ).

page 271

Remote Control

•Cubase SX has been added as a target of the Remote layer. → page 215

•The Joystick or the controls in the SELECTED CHANNEL section enable you to control Pro
To ols Surround Pan settings.

•Yamaha’s proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and
General DAW. This enables you to control these devices using the DM1000’s SELECTED
CHANNEL section. (Controllable functions vary depending on the DAW software and ver­sion you are using.)

page 216

Other Functions

•You can control the DM1000 from a connected Video Editor via the ESAM protocol.

page 259

•You can set the Routing ST Pair Link so that the routing from paired channels to the Stereo
Bus is linked.

•Some Operation Lock Safe parameters have been added.

•You can remotely control a connected Yamaha AD8HR A/D converter.

•You can assign the selected channels to a Fader or Mute group using the USER DEFINED
KEYS.

•You can switch the windows of the included Studio Manager software application using the
USER DEFINED KEYS.

page 268

page 280

page 287

page 293

page 293

DM1000 Version 2—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . 15

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Assigning Parameters to the ENCODER MODE [ASSIGN] button . . . . . . . . . . 37

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Contents

9

4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . 43

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

5 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . 53

Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Converting Sampling Rates of Signals Received at 2TR Digital Inputs . . . . . . . . 55

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . 59

6 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . 75

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Using MS Stereo Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

7 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . 83

Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . 88

Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

DM1000 Version 2—Owner’s Manual

10

Contents

8 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . 102

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Excluding Certain Channels from Aux Sends (Mix Minus) . . . . . . . . . . . . . . . . . 105

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Soloing AUX Sends using the [AUX 1]–[AUX 8] Buttons . . . . . . . . . . . . . . . . . . 107

9 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . 109

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

10 Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . 119

Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Using the Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Using the Talkback Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

11 Surround Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

12 Grouping Channels & Linking Parameters . . . . . . . . . 147

Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Using Fader Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Using Mute Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

13 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

About Surround Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

14 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Storing and Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

DM1000 Version 2—Owner’s Manual

Contents

15 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

Setting Up for Automix Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Inserting Mix Parameters into Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Punching In & Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

[SEL] Button Functions While the [AUTO] Button Indicator Is On . . . . . . . . . 199

Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199

Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Fader1 &2 pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Nuendo/Cubase SX Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

Other DAW Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

11

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

MIDI & the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . . 249

Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 250

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . . 256

Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . 256

19 Controlling the DM1000 from a Video Editor . . . . . . 259

About ESAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Connection Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Crossfade via ESAM Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

Video Editors with confirmed compatibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Supported Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Remote Connector Pin Assignment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

20 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Changing the Input and Output Connector Names . . . . . . . . . . . . . . . . . . . . . . . 265

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 272

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Using GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Using the AD8HR/AD824 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Initializing the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

DM1000 Version 2—Owner’s Manual

12 Contents

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . 293

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . 332

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302

GPI Trigger Source & Target List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 306

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

I/O Slot Spec (1–2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

REMOTE Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

CONTROL Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360

Appendix D: About Optional Product . . . . . . . . . . . . . . . 374

MB1000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

Installing the SP1000 Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377

Rack Mounting the DM1000 Using the RK1 Rack Mount Kit . . . . . . . . . . . . . . . 377

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378

MIDI Implementation Chart . . . . . . . . . . . . . . . End of Manual

DM1000 Block Diagram. . . . . . . . . . . . . . . . . . . End of Manual

DM1000 Level Diagram . . . . . . . . . . . . . . . . . . . End of Manual

DM1000 Version 2—Owner’s Manual

1 Welcome

Thank you for choosing the Yamaha DM1000 Digital Production Console.
The compact DM1000 Digital Console features 24-bit/96 kHz digital audio processing

without compromise, as well as 48-channel simultaneous mixing. The DM1000 covers a
broad range of needs and applications, including multi-track recording, 2-channel mix­down, and cutting-edge surround sound production. This integrated, comprehensive
audio system features remote control function for DAWs (Digital Audio Workstations) as
popularized by the DM2000 and 02R96 Digital Mixing Consoles.

The DM1000 offers the following features:

■ Hardware Features

• 17 touch-sensitive 100-mm motorized faders (for touch-sensitive selection of channels,
or for punching in and out during Automix recording)

•Faders can set levels for Input Channels, Aux Sends, and Bus Outs.

•Rotary Encoders enable you to control panning for each channel, AUX send levels, and
various parameters.

•Six selectable software layers determine the function of channel faders and Encoders.

• 320 x 240 dot LCD display with fluorescent backlighting

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of
channel mix parameters.

• 12 USER-DEFINED KEYS enable you to assign functions to control DM1000 internal
parameters.

•Two expansion slots for optional digital I/O, AD, and DA cards.

Welcome 13

1

Welcome

■ Sonic Specifications

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

■ Inputs and Outputs

• 16 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 Omni Outs assignable to Stereo Out, Bus Out, Monitor Out, and Input Channel
Direct Outs.

•Two optional slots allow a maximum of 32 inputs.

•Two 2-track digital inputs, with sampling rate converters capable of converting sam­pling rates of 44.1 kHz through 96 kHz.

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg­acy multi-track digital recorders.

•You can cascade two DM1000s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to
desired output jacks.

DM1000 Version 2—Owner’s Manual

14 Chapter 1—Welcome

■ Channel Configuration

•Simultaneous mixing of up to 48 Input Channels. Group multiple channels and pair
channels for stereo.

•8 Bus Outs and 8 AUX Sends. Buses 1-8 can be routed to Stereo Buses for use as Group
Buses.

•Channel library for storing and recalling the channel settings for each Input Channel
and Output Channel.

• 4-band EQ and dynamics processor equip all channels. Dynamics processor and EQ set­tings can be stored in libraries and recalled.

■ Effects

•Four high-quality multi-channel effects (Apply effects via AUX Sends or Channel
Inserts).

• Effect library for storing and recalling effect settings.

•Optional Add-On Effects packages for adding effects that utilize a variety of new algo­rithms.

■ Scene Memory

•Scene memories for storing and recalling the mix settings as Scenes.

•Snapshot style automation with Scene memories recallable via Automix.

■ Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production.

•Joystick for adjusting each channel's surround pan.

■ Automix

•Automated controls of channel faders and parameters via Automix. (Even more power­ful when combined with an MTR, DAW, and MIDI sequence system.)

•Control parameters of connected MIDI devices via Automix.

■ Remote Control

•Control and manage your DM1000 from your Mac or PC using bundled Studio Man­ager software

•Remote Layers for controlling popular DAWs (Digital Audio Workstations), including
Pro Tools, Nuendo, etc.

•Control an external recorder via MMC commands and P2 commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection.

•Scene recall and mix parameter changes via MIDI

■ ESAM

•Controls the DM1000 from a connected Video Editor via the ESAM II protocol

DM1000 Version 2—Owner’s Manual

Control Surface & Rear Panel 15

AUXPAN

DISPLAY

ASSIGN

ENCODER MODE

EQUALIZER

LOW

HIGH

GAIN

Q

FREQUENCY

LOW MID

HIGH MID

ROUTING

12

34

56

78

STEREO DIRECT

DISPLAY

DISPLAY

SELECTED CHANNEL

16

BUS 8

32 48

15

BUS 7

31 47

14

BUS 6

30 46

13

BUS 5

29 45

12

BUS 4

28 44

11

BUS 3

27 43

10

16151413121110

20dB

ONOFF

+48V

1

2

3

4

5

6

78 1213

14

15

16

91011

1615141312111098765432

PEAK

SIGNAL

1

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PAD

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 1

1

1

17 33

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 2

2

2

18 34

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 3

3

3

19 35

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 4

4

4

20 36

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 5

5

5

21 37

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 6

6

6

22 38

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 7

7

7

23 39

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 8

8

8

24 40

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

BUS 1

9

9

25 41

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60
70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

BUS 2

26 42

AUTO

ON

SEL

STEREO

70

60

50

40

30

20

15

10

5

0

AUX2 AUX3 AUX4

AUX6AUX5 AUX7 AUX8

AUX SELECT

DISPLAY

FADER MODE

FADER

AUX

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAIR/GROUP

INPUT

OUTPUT

EFFECTSURROUND DYNAMICS SCENE

/

PAN/

INSERT/DELAY

PATCH

PATCH

GRAB

SCENE MEMORY

STORERECALL

DISPLAY

USER DEFINED
KEYS

ENTER

INC

DEC

TALKB ACK LEVEL

PHONES

LEVEL

010

010

PHONES

MONITOR

LEVEL

SOLO CLEAR

2TR D1

2TR D2

DIMMER

TALKBACK

MONITOR

STEREO

SLOT

BUS

DISPLAY

100

F1 F2 F3

F4

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

AD Input Section (p. 16) SELECTED CHANNEL Section (p. 21)

Headphones
& Talkback
Section
(p. 23)

MONITOR
Section (p. 24)

Channel Strip Section (p. 17) STEREO Section (p. 17) USER DEFINED KEYS

Section (p. 23)

Data Entry
Section (p. 23)

LAYER Section
(p. 22)

SCENE MEMORY
Section (p. 22)

Display Section
(p. 20)

DISPLAY ACCESS Section
(p. 19)

AUX SELECT
Section (p. 18)

ENCODER
MODE Section
(p. 18)

FADER MODE
Section (p. 18)

2 Control Surface & Rear Panel

Control Surface

2

Control Surface & Rear Panel

DM1000 Version 2—Owner’s Manual

A

B

C

D

E

16

PAD

Chapter 2—Control Surface & Rear Panel

AD Input Section

1

5

2

1

+48V

+48V

ONOFF

ONOFF

4

3

+48V

+48V

ONOFF

ONOFF

1

20dB

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

-60

-60

-60

-60

-16

-16

-16

GAIN

PEAK

SIGNAL

GAIN

PEAK

SIGNAL

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-60

-16

-16

GAIN

PEAK

SIGNAL

+48V ON/OFF switches 1–16

These switches turn on or off the +48 V phantom power feed to each INPUT.

PAD switches 1–16

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

+48V

GAIN

PEAK

SIGNAL

6

78 1213

+48V

+48V

ONOFF

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

ONOFF

-60

-60

-16

GAIN

PEAK

SIGNAL

-60

-16

GAIN

PEAK

SIGNAL

91011

+48V

+48V

ONOFF

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

-60

-16

GAIN

PEAK

SIGNAL

+48V

+48V

ONOFF

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

-60

-16

GAIN

PEAK

SIGNAL

+48V

ONOFF

14

+48V

+48V

+48V

ONOFF

ONOFF

+48V

ONOFF

ONOFF

16

15

1615141312111098765432

2

-60

-60

-16

-16

GAIN

GAIN

PEAK

PEAK

SIGNAL

SIGNAL

-60

-16

GAIN

PEAK

SIGNAL

3
4

5

GAIN controls 1–16

These controls adjust input sensitivity for each AD Input. Input sensitivity is +4 dB to
–40 dB when the Pad is on, and –16 dB to –60 dB when the Pad is off.

PEAK indicators 1–16

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad
switch and GAIN control so that the indicator rarely lights up at signal peak.

SIGNAL indicators

These indicators light up when the input signal level is 20 dB below nominal.

Note: Screw holes for attaching a cover are located at both sides of the AD input section of the
DM1000. (Size M3, horizontal spacing 417 mm, vertical spacing 36 mm.) You may wish to
fabricate your own cover and attach it to the front panel to prevent the controls from being
operated inadvertently. Yamaha does not sell such a cover. If you fabricate and attach your
own cover, make sure that the mounting screws do not extend more than 10 mm into the front
panel. You will need to allow approximately 15–20 mm between the top panel and the cover
in order to clear the control knobs and buttons.

DM1000 Version 2—Owner’s Manual

Channel Strip Section

Control Surface 17

1

2

3

4

5

+10

5

0

5

10

15

20

30

40

50

SEL

SOLO

ON

1

1

17 33

AUX 1

A Encoders 1–16

These rotary Encoders adjust the channel parameter settings. Depending on the button
selected in the ENCODER MODE section (see page 18), the Encoders will adjust the chan­nel pan setting (when the ENCODER MODE [PAN] button indicator is lit), the AUX Send
level (when the ENCODER MODE [AUX] button indicator is lit), or any parameter (when
the ENCODER MODE [ASSIGN] button indicator is lit).

These Encoders also feature push switches that are used to view the value of the parameter
currently assigned to the Encoder, or to punch in or out during Automix recording.

B [SEL] buttons 1–16

0

5

10

15

20

30

40

50

60
70

These buttons enable you to select desired channels. The [SEL] button indicator for the cur­rently-selected channel lights up. The channel selected by each [SEL] button depends on the
currently-selected button in the LAYER section (see page 22).

These buttons also allow you to select channels for Automix recording and playback, create
or cancel channel pairs, and add channels to (or remove them from) Fader, Mute, EQ, and
Compressor groups.

C [SOLO] buttons 1–16

These buttons solo the selected channels. The [SOLO] button indicator of the cur­rently-soloed channel lights up.

D [ON] buttons 1–16

These buttons turn the selected channels on or off. The [ON] button indicators for On
channels light up.

E Channel faders 1–16

These are touch-sensitive 100 mm motorized faders. Depending on the button selected in
the FADER MODE Section (see page 18), the faders will adjust the input or output level of
the selected channels or buses, or adjust the AUX Send level.

2

Control Surface & Rear Panel

1

2

3

4

STEREO Section

A [AUTO] button

AUTO

SEL

ON

0

5

10

15

20

30

40

50

60

70

STEREO

When this button is turned on, you can use the [SEL] buttons 1–16 to turn the Automix
function on or off.

B [SEL] button

Selects the Stereo Bus.

C [ON] button

Tu r ns the selected bus on or off.

D [STEREO] fader

This touch-sensitive 100 mm motorized fader adjusts the final output level of the Stereo
Bus.

DM1000 Version 2—Owner’s Manual

18 Chapter 2—Control Surface & Rear Panel

AUX SELECT Section

DISPLAY

AUX1

AUX SELECT

AUX2 AUX3 AUX4

AUX6AUX5 AUX7 AUX8

1

2

A [DISPLAY] button

This button displays an Aux-related page (see page 99).

B [AUX 1]–[AUX 8] buttons

These buttons select an Aux Send. When you press a button to select an AUX Send, the cor­responding button indicator lights up.

ENCODER MODE Section

1

A [DISPLAY] button

This button displays an Encoder page, enabling you to assign functions to Encoders 1–16
(see page 37). To use a function assigned to an Encoder, press the [ASSIGN] button to turn
on the button indicator.

ENCODER MODE

DISPLAY

AUXPAN

ASSIGN

2 3 4

B [PAN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan­nel panpots.

C [AUX] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan­nel Aux Send. The Send destination is selected in the AUX SELECT Section.

D [ASSIGN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as
assignable controls for the parameters assigned on the Encoder pages. (By default, Input
Patches of the corresponding Input Channels are assigned.)

FADER MODE Section

FADER MODE

FADE R

1

A [FADER/AUX] button

Toggles between the desired parameter to be adjusted by channel faders 1–16. The faders
adjust the Channel or Bus level when the FADER indicator is lit, and adjust the Aux Send
level when the AUX indicator is lit.

B FADER indicator
C AUX indicator

An indicator lights up to indicate the parameter selected via the [FADER/AUX] button.

2

AUX

3

DM1000 Version 2—Owner’s Manual

DISPLAY ACCESS Section

Control Surface 19

6
5

9
J

1 2 3

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

/

PAIR/GROUP

INSERT/DELAY

PAN/

M

N O P

4

INPUT
PATC H

EFFECTSURROUND DYNAMICS SCENE

OUTPUT
PATCH

7
8

L
K

A [AUTOMIX] button

This button displays an Automix page, enabling you to make Automix settings (see
page 187).

B [DIO] button

This button displays a DIO page, enabling you to make digital I/O settings (see page 55).

C [SETUP] button

This button displays a Setup page, enabling you to make the DM1000 internal settings.

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view
information about installed optional cards.

2

Control Surface & Rear Panel

E [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 248).

F [REMOTE] button

This button displays a Remote page, enabling you to control a DAW remotely and make
machine control settings (see page 215).

G [METER] button

This button displays a Meter page, which displays Input Channel levels, or Bus Out or Aux
Send Out levels (see page 39).

H [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a specific
channel (see page 72).

I [PAIR/GROUP] button

This button displays a Pair/Group page, enabling you to pair channels, group multiple fad­ers, or mute channels (see page 78 and 147).

J [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the
signal to be inserted, or set the delay parameters (see page 63 and 158).

K [INPUT PATCH] button

This button displays an In Patch page, enabling you to patch input signals and Bus Out sig­nals to the desired Input Channels (see page 109).

L [OUTPUT PATCH] button

This button displays an Out Patch page, enabling you to patch Bus Out and Insert Out sig­nals to the desired destination (see page 112).

M [PAN/SURROUND] button

This button displays a Pan/Surr page, enabling you to adjust stereo or surround pan settings
(see page 70 and 125).

DM1000 Version 2—Owner’s Manual

20 Chapter 2—Control Surface & Rear Panel

N [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compres­sors (see page 65).

O [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and
use optional plug-in cards (see page 159).

P [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 163).

Display Section

1

OVER

OVER

0

0

-2

-2

-4

-4

-6

-6

-8

-8

-10

-10

-12

-12

-14

-14

-18

-18

-24

-24

-30

-30

-36

-36

-42

-42

-48

-48

-56

-56

-72

-72

LR

2

3

F1 F2 F3

F4

45 6

A Display

This is a 320 x 240 dot LCD display with a fluorescent backlight.

B Stereo meters

These 32-segment level meters display the final output level of the Stereo Bus.

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the
screen using one of these buttons displays the corresponding page. (See page 30 for more
information on displaying a page.)

E Left Tab Scroll [ ] button
F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these
buttons to display the additional tabs. These buttons are available only when the left or right
Tab Scroll arrow appears.

DM1000 Version 2—Owner’s Manual

Tab Scroll arrow

Control Surface 21

SELECTED CHANNEL Section

1 5

SELECTED CHANNEL

ROUTING

DISPLAY

12

2

3

34

56

78

STEREO DIRECT

4

A ROUTING [DISPLAY] button

This button displays a Routing page, enabling you to route selected channels to the desired
Bus, and adjust the level of the signals routed from Buses 1–8 to the Stereo Bus (see page 71
and 85).

DISPLAY

Q

FREQUENCY

GAIN

GRAB

EQUALIZER

HIGH

HIGH MID

LOW MID

LOW

MN

J
6

7
8

9
K
L

2

Control Surface & Rear Panel

B ROUTING [1]–[8] buttons
C ROUTING [STEREO] button
D ROUTING [DIRECT] button

These buttons select the desired Bus for routing the selected Input Channel signals. The cor­responding button indicator for the currently-selected Bus lights up.

E EQUALIZER [DISPLAY] button

This button displays an EQ page, enabling you to set the selected channel equalizer (see
page 67 and 68).

F EQUALIZER [HIGH] button
G EQUALIZER [HIGH-MID] button
H EQUALIZER [LOW-MID] button
I EQUALIZER [LOW] button

These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW). The corre­sponding button indicator of the currently-selected band lights up.

J EQUALIZER [Q] control

This control adjusts the currently-selected band Q.

K EQUALIZER [FREQUENCY] control

This control adjusts the currently-selected band frequency.

L EQUALIZER [GAIN] control

This control adjusts the currently-selected band gain.

M [GRAB] button

This button enables Joystick control of the surround pan setting for the currently-selected
Input Channel. This button can be turned on only when the surround pan setting is avail­able.

N Joystick

The Joystick is used to set the surround pan position (see page 131).

DM1000 Version 2—Owner’s Manual

22 Chapter 2—Control Surface & Rear Panel

LAYER Section

1

A [1-16]/[17-32]/[33-48] buttons

These buttons select an Input Channel Layer. The channel strips control Channels 1–16,
17–32, or 33–48, depending on the button selected here. (See page 33 for more information
on Layers.)

B [REMOTE 1]/[REMOTE 2] buttons

These buttons select the Remote Layer, which can be used to control external devices,
including DAWs. (See page 215 for more information on the Remote Layer.)

C [MASTER] button

This button selects the Master Layer, which can be used to control Bus and Aux Send. (See
page 33 for more information on the Master Layer.)

2

3

SCENE MEMORY Section

SCENE ME MORY

STORERECALL

21 3 4 5

A Scene memory display

The number of the currently-selected Scene memory is displayed here.

B Edit indicator

If you adjust a mix parameter after a Scene has been recalled or stored, a dot flashes here.

C [STORE] button

This button enables you to store the current mix settings (See page 163 for more informa­tion on Scene Memories).

D Scene Up [ ] / Down [ ] buttons

These buttons select a Scene to store or recall. Pressing the Scene Up [ ] button increments
the selection; pressing the Scene Down [ ] button decrements the selection. Holding down
either key increments or decrements the selection continuously.

E [RECALL] button

This button recalls the Scene memory selected by the Scene Up [ ] / Down [ ] buttons.

DM1000 Version 2—Owner’s Manual

USER DEFINED KEYS Section

Control Surface 23

1

2

4

USER DEFINED
KEYS

DISPLAY

DEC

A [DISPLAY] button

This button displays a User Def page, enabling you to assign functions to but­tons 1–12 (see page 274).

B [1]–[12] buttons

These buttons perform the functions assigned in the User Def pages.

Data Entry Section

3

INC

A Parameter wheel

This control adjusts the parameter values shown on the display. Turning it
clockwise increases the value; turning it counterclockwise decreases the value.
This wheel also enables you to scroll a displayed list and select a character for
entry (see page 32).

B [ENTER] button

This button activates a selected (highlighted) button on the display, and con­firms the edited parameter values.

2

Control Surface & Rear Panel

1

2

C [DEC] & [INC] buttons

These buttons increment or decrement a parameter value by one. Pressing the
[INC] button increments the value; pressing the [DEC] button decrements

ENTER

the value. Holding down either key increments or decrements the value con­tinuously.

D Left, Right, Up, Down ([ ]/[ ]/[ ]/[ ]) cursor buttons

These buttons move the cursor around the display pages, or select parameters
and options. Holding down a cursor button moves the cursor continuously
in the respective direction.

Headphones & Talkback Section

A TALKBACK LEVEL control

This control sets the level of the built-in talkback microphone. (See page 123 for more
information on the Talkback function.)

B Talkback mic

This built-in microphone is used for talkback.

010

TALKBACK LEVEL

010

PHONES

LEVEL

21

43

PHONES

C PHONES LEVEL control

This control sets the level of the PHONES. (See page 119 for more information on moni­toring through the headphones.)

D PHONES jack

You can connect a set of stereo headphones to this stereo phone jack.

DM1000 Version 2—Owner’s Manual

24 Chapter 2—Control Surface & Rear Panel

MONITOR Section

1

2

4

7

MONITOR

DISPLAY

SOLO CLEAR

2TR D2

2TR D1

SLOT

TALKBACK

DIMMER

3
5

STEREO

BUS

MONITOR

LEVEL

6
8

100

9 J K

A [DISPLAY] button

This button displays a Monitor page, enabling you to adjust monitor settings (see page 119
and 136).

B [SOLO] indicator

This indicator flashes when a single or multiple channels are soloed.

C [CLEAR] button

This button “unsolos” all soloed Channels.

D [2TR D1] button
E [2TR D2] button
F [STEREO] button

These buttons select the Control Room Monitor output signal. When the [2TR D1] button
indicator is lit, the signal at the 2TR OUT DIGITAL 1 jack is selected. When the [2TR D2]
button indicator is lit, the signal at the 2TR OUT DIGITAL 2 jack is selected. When the
[STEREO] button indicator is lit, the Stereo Bus signal is selected.

If you change the parameter setting on the Monitor | C-R/TB page (see page 122), you can
monitor the OMNI IN signal, instead of the 2TR IN DIGITAL signal, when you press the
[2TR D1] or [2TR D2] button.

G [SLOT] button
H [BUS] button

These buttons select the Surround Monitor signal source. When the [BUS] button indicator
is lit, the Bus 1–8 signals are selected. When the [SLOT] button indicator is lit, the signals
from Slots 1/2 are selected. (See page 136 for more information on the Surround Monitor.)

I [DIMMER] button

This button activates the Dimmer function, which lowers the Monitor and Surround Mon­itor signals. This function is convenient when you wish to talk in the control room during
mixdown. The [TALKBACK] button indicator flashes while the Talkback function is active
(see page 120).

J [TALKBACK] button

This button turns on the Talkback function. While the button indicator is lit, the Talkback
mic signal is sent to any desired Bus or Slot (see page 123).

K MONITOR LEVEL control

This control adjusts the monitor level.

Note:

• The DM1000 allows you to patch source signals to any output jack (other than the PHONES
jack). Therefore, the console does not feature a dedicated monitor output jack. Instead, you
can route monitoring signals to any desired output jack (typically to OMNI OUT jacks
1–12).

•By default, monitoring signals are assigned to OMNI OUT jacks 11 and 12.

DM1000 Version 2—Owner’s Manual

Rear Panel

Rear Panel 25

AD Input and Output Section (p. 25)

2

Control Surface & Rear Panel

1

SLOT

23456781101112131415 9

23456781101112 9

2TR IN

DIGITAL

2

2

COAXIAL AES/EBUCOAXIALAES/EBU

POWER

ON
OFF

16

4

AC IN

OMNI

213

IN

METER

CONTROL

SMPTE IN

INPUT

SLOT

REMOTE MIDI

INOUT

TO HOST

USB

WORD CLOCK

INOUT

Power Section (p. 27) Digital I/O & Control Section (p. 26) SLOT Section (p. 26)

AD Input and Output Section

1

1

16

4

OMNI

213

IN

INPUT

23456781101112131415 9

23456781101112 9

2 3

A INPUT connectors 1–16

These balanced XLR-3-31-type con-

Male XLR plug

nectors accept line-level and micro­phone signals. The nominal signal level
ranges from –60 dB through +4 dB.

B OMNI IN connectors 1–4

These balanced XLR-3-31-type connectors accept line-level signals. The nominal signal
level is +4 dB.

C OMNI OUT connectors 1–4

These balanced XLR-3-32-type con-

Female XLR plug

nectors output any Bus signals and
channel Direct Out signals. The nomi­nal signal level is +4 dB.

1 (ground)

3 (cold)

2 (hot)

2 (hot)

3 (cold)

1 (ground)

DM1000 Version 2—Owner’s Manual

26 Chapter 2—Control Surface & Rear Panel

SLOT Section

SLOT

SLOT

1

A SLOT 1 & 2

You can insert optional mini-YGDAI cards into these slots. (See page 28 for more informa­tion on installing these cards.)

Digital I/O & Control Section

1

METER

CONTROL

SMPTE IN

REMOTE MIDI

432

INOUT

TO HOST

USB

6 7 8 9 J L K5

WORD CLOCK

1

INOUT

2

COAXIAL AES/EBUCOAXIALAES/EBU

2TR IN

DIGITAL

2

1

A METER connector

This connector enables you to connect an optional MB1000 Meter Bridge.

B CONTROL connector

This 25-pin D-sub connector provides access to the GPI (General Purpose Interface).
Through this connector, the Talkback function can be turned on and off from external
equipment, or external equipment can be started or stopped from the DM1000 (see
page 276).

C SMPTE TIME CODE INPUT connector

This balanced XLR-3-31-type connector is used to input SMPTE timecode to synchronize
the Automix function.

D REMOTE connector

This 9-pin D-Sub connector is used to remotely control external equipment that supports
the Yamaha AD8HR, AD824 and Sony P2 Protocol (remote control commands that are
used on TASCAM DA-98HR and other professional video recorders). Use a reverse cable to
connect an AD8HR/AD824, and use a straight cable to connect a P2 Protocol device. Use a
reverse cable to connect two DM1000s to each other. Connecting two DM1000s to each
other enables communication via MIDI Protocol and SOLO Logic synchronization.

This connector can also be used to control the DM1000 from a video editor that supports
the ESAM II protocol. In this case, use the dedicated cable to make the connection (see
page 264).

E MIDI IN & OUT ports

These standard MIDI IN and OUT ports enable you to connect the DM1000 to other MIDI
equipment.

F TO HOST USB port

This USB port enables you to connect a computer equipped with a USB port.

DM1000 Version 2—Owner’s Manual

Rear Panel 27

G WORD CLOCK OUT connector

This BNC connector outputs a wordclock signal from the DM1000 to a connected external
device.

H WORD CLOCK IN connector

This BNC connector inputs a wordclock signal from a connected external device to the
DM1000.

I 2TR OUT DIGITAL AES/EBU 1

This XLR-3-31-type connector outputs AES/EBU format digital audio. The connector is
typically used to connect the digital stereo input (AES/EBU format) of a DAT recorder, MD
recorder, or CD recorder.

J 2TR OUT DIGITAL COAXIAL 2

This phono connector outputs consumer format (IEC-60958) digital audio. The connector
is typically used to connect the digital stereo input (consumer format) of a DAT recorder,
MD recorder, or CD recorder.

K 2TR IN DIGITAL AES/EBU 1

This XLR-3-32-type connector accepts AES/EBU format digital audio. The connector is
typically used to connect the digital stereo output (AES/EBU format) of a DAT recorder,
MD recorder, or CD recorder.

2

Control Surface & Rear Panel

L 2TR IN DIGITAL COAXIAL 2

This phono connector accepts consumer format (IEC-60958) digital audio. The connector
is typically used to connect the digital stereo output (consumer format) of a DAT recorder,
MD recorder, or CD recorder.

Power Section

1

POWER

ON
OFF

A Grounding screw

Be sure to use this screw to ground the DM1000 to protect yourself against electrical shock.
The supplied power cord features a three-pin plug. If the ground terminal of the AC outlet

is grounded, then the unit will be grounded sufficiently via the power cord. If the AC outlet
does not provide a suitable ground, this screw must be connected to a suitable ground
point. Grounding is also an effective method for eliminating hum, interference, and other
noise.

AC IN

32

B POWER ON/OFF switch

This switch turns the power to the DM1000 on or off.

Note: To prevent loud clicks and thumps in your speakers, turn on your audio equipment in
the following order (reverse this order when turning off )—sound sources, multitrack and mas­ter recorders, DM1000, monitoring power amplifiers.

C AC IN connector

This connector enables you to connect the DM1000 to an AC outlet via the supplied power
cord.

DM1000 Version 2—Owner’s Manual

28 Chapter 2—Control Surface & Rear Panel

WORD

CLOCK

IN

OUT

CONTROL

IN

OUT

TO HOST

USB

REMOTE MIDI

SMPTE IN

COAXIAL AES/EBU

COAXIAL

AES/EBU

2

2

1

2TR IN
DIGITAL

METER

POWER

ON
OFF

1

SLOT

SLOT

INPUT

OMNI

IN

23

4

56

78

1

10

1112

13

145

9

23

4

567

8

1

10

11

12

9

2

1

3

DIGITAL MIXING CONSOLE
MODEL DM1000

AC IN

WORD

CLOCK

IN

OUT

CONTROL

IN

OUT

TO HOST

USB

REMOTE MIDI

SMPTE IN

COAXIAL AES/EBU

COAXIAL

AES/EBU

2

2

1

2TR IN
DIGITAL

METER

POWER

ON
OFF

1

SLOT

SLOT

INPUT

OMNI

IN

23

4

56

78

1

10

1112

13

145

9

23

4

567

8

1

10

11

12

9

2

1

3

DIGITAL MIXING CONSOLE
MODEL DM1000

AC IN

Installing an Optional Card

Visit the following Yamaha Pro Audio web site to ensure that the card you are installing is
supported by the DM1000. Also, verify the number of cards (including other Yamaha or
third-party cards) that can be installed in the unit.

<http://www.yamahaproaudio.com/>.

Follow the steps below to install an optional mini-YGDAI card.

1 Make sure that the power to the DM1000 is turned off.

2 Undo the two fixing screws and remove the slot cover, as shown below.

Keep the cover and fixing screws in a safe place for future use.

3 Insert the card between the guide rails and slide it all the way into the slot,

as shown below.

You may have to push firmly to fully insert the card into the internal connector.

DM1000 Version 2—Owner’s Manual

4 Secure the card using the attached thumbscrews.

Tighten the screws firmly, or else the card may not be grounded correctly, which may cause
the DM1000 to malfunction.

3 Operating Basics

This chapter describes basic operations on the DM1000, including how to use the display
and operate the controls on the top panel.

Operating Basics 29

About the Display

The top panel display indicates various parameters that you must set before you can operate
the DM1000. The display indicates the following items:

3Current Scene

1Selected DISPLAY
2Selected channel
JPage title

LPage area

3

Operating Basics

5EDIT indicator

4EDIT indicator 6MIDI indicator

7Surround mode indicator

8Sampling rate indicator

9Timecode counter
KChannel name

NTab Scroll arrowsMPage tabs

A Selected DISPLAY

This section indicates the currently-selected display page group.

B Selected channel

This section indicates the Input or Output Channel currently selected by its correspond­ing [SEL] button or fader. The first four characters are the Channel ID (e.g.,
CH1–CH48, BUS1–BUS8, AUX1–AUX8, ST-L, ST-R). The second four characters are
the channel’s Short name. You can edit the channel’s Short name if you desire (see
page 79 and 91).

C Current Scene

This section indicates the number and title of the currently-selected Scene memory (see
page 164). If the selected Scene is write-protected, a padlock icon ( ) appears.

D EDIT indicator

This indicator appears when the current mix settings no longer match those of the Scene
that was most-currently recalled. It works in unison with the Edit indicator dot on the
Scene Memory display.

E ESAM indicator

This indicator appears when you select ESAM for the REMOTE FUNCTION parameter
on the Setup | Remote page (see page 260).

DM1000 Version 2—Owner’s Manual

30 Chapter 3—Operating Basics

F MIDI indicator

This indicator appears when the DM1000 is receiving MIDI data via the MIDI IN port,
USB port, REMOTE connector, or an installed MY8-mLAN card.

G Surround mode indicator

This indicator identifies the currently-selected Surround mode (ST=stereo, 3-1, 5.1, or

6.1) (see page 125).

H Sampling rate indicator

This indicator identifies the DM1000’s current sampling rate: 44.1 kHz (44k), 48 kHz
(48k), 88.2 kHz (88k), or 96 kHz (96k).

I Timecode counter

This counter displays the current position in the MIDI timecode being received via the
MIDI IN port, USB port, REMOTE connector, or an installed MY8-mLAN card. It
works in unison with the timecode counter on an optional MB1000 Meter Bridge.

If MIDI clock is selected as the timecode source on the Setup | Time Ref page, this
counter indicates the current MIDI clock position in bars:beats:clocks.

J Page title

This section indicates the title of the current page.

K Channel name

Depending on which page is currently selected, the channel name is the Long name of
the channel currently selected by its corresponding [SEL] button or the cursor buttons.

L Page area

This page area displays various page contents.

M Page tabs

These tabs enable you to select a display page.

N Tab Scroll arrows

These arrows indicate that more pages are available.

Selecting Display Pages

To select a display page:

1 Press the corresponding button on the top panel to select the desired page

group.

Display pages are grouped by function. To select a page group, press the [DISPLAY] button
in the following sections: AUX SELECT, ENCODER MODE, ROUTING, EQUALIZER,
MONITOR, USER DEFINED KEY. You can select additional page groups by pressing the
desired button in the DISPLAY ACCESS section.

2You can select pages that have currently-displayed tabs by pressing the

[F1]–[F4] buttons.

If the selected display page group contains multiple pages, press the [F1]–[F4] buttons
below the corresponding tab to select a specific page.

3To select a page for which a tab is not currently displayed, press either the

Left or Right [ ]/[ ] Tab Scroll button (depending on where the page is
located) to display the page tab, then press the corresponding [F1]–[F4] but­ton.

If display page groups contain more than four pages, either the left or right arrow appears.
To display the currently-hidden tabs, press the Right or Left [ ]/[ ] Tab Scroll button.

You can also select a page from a page group as follows:

DM1000 Version 2—Owner’s Manual