Yamaha SU700 User Manual
SAMPLING UNIT
Owner's Manual
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
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should be referred to qualified service personnel.
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sound levels that could cause permanent hearing loss. DO NOT
operate for a long period of time at a high volume level or at a
level that is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
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92-469-2
PLEASE KEEP THIS MANUAL
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REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
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responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
92-469- ➀ (rear)
Model _____________________________________
Serial No. __________________________________
Purchase Date ______________________________
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• This instrument contains no user-serviceable parts. Do not attempt to
disassemble or modify the internal components in any way.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power
switch, disconnect the electric plug from the outlet, and have the instrument
inspected by qualified Yamaha service personnel.
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy
objects on it, or place it in a position where anyone could walk on, trip over,
or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord. Pulling by the cord can damage it.
• Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
• Remove the electric plug from the outlet when the instrument is not to be
used for extended periods of time, or during electrical storms.
• Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
• Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the internal
components.
• Do not use the instrument near other electrical products such as televisions,
radios, or speakers, since this might cause interference which can affect
proper operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
• Before moving the instrument, remove all connected cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do
not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do
not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If
you experience any hearing loss or ringing in the ears, consult a physician.
■SAVING USER DATA
• Always save data to a floppy disk frequently, in order to help prevent the loss
of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or
modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Intro Yamaha SU700 Sampling Unit
Owner’s Manual
Thank you for your purchase of the Yamaha SU700 sampling unit. The
SU700 is a combination sampler, sequencer, mixer, and multi-effector—
a powerful new tool for a wide range of performance and recording
environments.
This manual will help you learn what you need to know to make effective use of all of the SU700’s many features. Please read through the
essential parts of the manual carefully before beginning work with the
SU700, and refer back to the manual for additional information as
necessary. Please keep the manual in a safe and handy location so that
you can refer to it as necessary.
INTRO
Intro 5
Intro
Features
The SU700 is an ideal tool for artists in need of sampling and sequencing capabilities
for their recording and performance work. Here is just an abbreviated list of what’s
included.
◆ Forty-two tracks. With 40 sample tracks plus 2 special tracks, you can make your
songs as complex as you wish.
◆ Three different sample track types. LOOP tracks that generate automatic con-
tinuous loops; COMPOSED LOOP tracks that let you build your own custom loop
phrases; and FREE tracks that are ideal for adding fills and playing along in real
time.
◆ AUDIO IN track lets you mix realtime vocals into your songs. You can control
the sound of the realtime audio using both the knob functions and the effects.
◆ Intuitive, playable controls. Use pads and knobs to control an astonishing num-
ber of functions on each track. You can record all control actions as sequence data,
or you can apply controls on the fly during realtime performance. Special ribbon
controller can be set to “scratch out” samples, or can be set to control level, pitch,
or virtually any other parameter.
◆ Powerful sampling capability. Provides high-quality sampling at any of five dif-
ferent sampling frequencies.
◆ Triple-block effect system applies up to three effects at any given time. Select
from a total of 43 great-sounding Yamaha effects. Set effect parameters for the
effect itself, for the effect block, and for each track.
◆ Scene memory stores up to eight scenes. Each scene holds an entire set of knob
settings, mute settings, and effects. You can recall scenes instantly during performance, and you can record scene changes directly into your song.
◆ Ample MIDI support. Use an external sequencer to control and synchronize
SU700 track play; or use the SU700 to control playback from an external tone generator.
◆ Easily expandable. Supports up to 64MB of expansion memory. Optional SCSI
board (ASIB1) enables connection to external SCSI storage device. Optional I/O expansion board (AIEB1) adds digital and optical input/out and six assignable analog
outputs.
◆ Colorful, easy-to-read fluorescent display gives you all the feedback you need to
maintain full control of the SU700’s power.
6 Intro
Accessories
Please check your SU700 package to confirm that all of the following accessories are
present. If any items are missing or damaged, please contact your Yamaha dealer for
assistance.
●
Sampling CD “SU700 Sampling Audio”
●
Demo floppy disk
●
Power cord
●
This Owner’s Manual
●
Flat 40-pin cable and round 3-pin cable (for use with optional AIEB1 board)
Using the Manual
Recommended Approach
Before switching on the machine you should read though Chapter 1 to familiarize
yourself with the SU700 arrangement, and the usage of each of the SU700 controls
and connectors. You may then want to jump into the comprehensive tutorial provided in Chapter 2, or instead read Chapters 3 and 4 first to familiarize yourself with
the underlying concepts of SU700 operation. Refer also to Chapter 5 for details about
samples and sampling.
INTRO
Chapters 6 to 10 and various appendixes offer detailed reference information, and
should be referred to as necessary.
Chapter Arrangement
■ Chapter 1: SU700 Components, Connections, And Start-Up
Explains all of the SU700 controls and connectors, and shows you how to connect
up and start the SU700. Please read through this chapter before you begin working
the SU700.
■ Chapter 2: Tutorial
Takes you through a comprehensive tutorial, showing you step-by-step how to
build a complex song using samples provided on the accessory CD. Working
through the tutorial will help you gain rapid mastery of SU700 operation.
Intro 7
Intro
■ Chapter 3: Basic Concepts, Track Types, and Memory
Introduces basic concepts underlying SU700 operation. Also provides a detailed explanation of the different track types, and explains how the SU700 memory is organized. You should read through this chapter before you begin serious work with
the SU700.
■ Chapter 4: SU700 Operating Modes
Describes the six operating modes. Shows you how you can immediately identify
the current mode by looking at the screen display; explains how you move from
one mode to another; and indicates the operations that are and are not available
from each mode.
■ Chapter 5: Samples and Sampling
Explains samples, sampling, and the various sampling parameters. Provides detailed procedures for recording samples onto the SU700.
■ Chapter 6: Using the Features
Offers detailed, reference-level explanations about how to use each of the SU700’s
song-related features. Describes pad usage, knob usage, ribbon usage, scenes,
markers, quantizing, and more.
■ Chapter 7: Effects
Gives a detailed explanation of the SU700’s effects implementation. Describes the
relation between tracks, effects, and the three effect blocks; explains how to set up
the effects and record your setups into scenes; and explains the difference between
system effects and insertion effects.
■ Chapter 8: Knob Functions
Gives detailed information about the 22 parameters controlled by the track knobs.
■ Chapter 9: Editing Functions
Describes the functions provided by the SU700’s Editing Function panel. You use
these features to clear or set up the effects, to delete note events, to reset knob settings to their defaults, and to assist in name-editing.
■ Chapter 10: Jobs
Provides detailed explanations and procedures for all of the SU700 jobs. You use
these jobs for a wide variety of purposes—to configure your system, to save and
load data, to edit or delete song data, to set the track characteristics, and much
more.
8 Intro
■ Appendixes
Appendix 1 provides detailed instructions for installing each of the SU700’s supported options. Appendix 2 gives the SU700 specifications. Appendix 3 offers a
number of helpful usage tips. Appendix 4 explains the SU700 error messages. Appendix 5 lists and describes the 43 built-in effects and their associated parameters.
Appendix 6 explains the MIDI implementation.
Notations
This manual employs the following notational conventions.
●
Button names are capitalized printed in uppercase bold and enclosed in brackets.
Examples: [CANCEL] and [OK].
●
Words that appear directly on the screen are printed in a distinctive font.
Examples: SONG01 and SELECT TRACK.
●
Jobs are identified by the job-group selector and job selector that you must press to
access them. The group-selector appears first, followed by a bar, followed by the
job selector.
Examples: SONG | NAME and RESAMPLE | TRACK
In cases where you must then select from multiple jobs by turning the dial, the job
name is appended as shown below.
Example: SAMPLE | PROCESS/TRIM
●
Buttons on the Knob Function panel and Editing Function panel are indicated by
the group name, then a slash, then the button name.
Examples: SOUND/[LEVEL] and NAME/[INSERT]
●
SU700 operating modes are written in uppercase.
Examples: REC STANDBY and PLAY
INTRO
●
The following icons and symbols are also used.
NOTE
. Indicates reference information indirectly related to the con-
tent of the main text. May contain practical advice or general supplementary information.
Procedure. Step-by-step instructions for carrying out a particular op-
eration. Note that a ▼ mark within a procedure indicates the result
produced by carrying out the immediately preceding instruction.
→number Page reference. Directs to another page for related information.
Intro 9
Intro
Finally, please note that screen illustrations and other drawings presented in this
manual are for explanatory purposes only, and in some cases may differ from actual
displays and configurations.
10 Intro
Table of Contents
Intro Yamaha SU700 Sampling Unit Owner’s Manual
Features ............................................................................................................. 6
Accessories ........................................................................................................ 7
Using the Manual .............................................................................................. 7
Notations ........................................................................................................... 9
Chapter 1 SU700 Components, Connections, and Startup
1.1 SU700 Layout ........................................................................................ 14
1.2 SU700 Display Configuration............................................................... 23
1.3 Connecting Up....................................................................................... 29
1.4 Starting Up ............................................................................................ 33
Chapter 2 Tutorial
2.1 Setting Up .............................................................................................. 36
2.2 Listening to the Demo Song ................................................................. 37
2.3 Building Your Own Song ...................................................................... 47
2.4 Modifying sampled sounds................................................................... 95
Chapter 3 Basic Concepts, Track Types, and Memory
3.1 Basics ................................................................................................... 132
3.2 Sample-Track Types ............................................................................ 135
3.3 Memory Implementation.................................................................... 137
TABLE OF CONTENTS
Chapter 4 SU700 Operating Modes
4.1 Introduction ........................................................................................ 140
4.2 Sequencer Modes ................................................................................ 141
4.3 Other Modes ........................................................................................ 146
Chapter 5 Samples and Sampling
5.1 All about Samples ............................................................................... 150
5.2 Sample Recording Procedure............................................................. 156
Chapter 6 Using the Features
Chapter 7 Effects
7.1 Introduction ........................................................................................ 186
7.2 Using the Effects ................................................................................. 186
7.3 Effect Blocks ....................................................................................... 188
7.4 System Effects ..................................................................................... 189
7.5 Insertion Effects .................................................................................. 190
7.6 Usage Tips............................................................................................ 191
7.7 Changing the Effect Resolution ......................................................... 192
Table of Contents 11
Chapter 8 Knob Functions
Chapter 9 Editing Functions
Chapter 10 Jobs
Table of Contents
Appendix
8.1 Overview .............................................................................................. 194
8.2 Knob Settings for Each Track ............................................................ 195
8.3 Quantize and Resolution .................................................................... 196
8.4 Parameter Descriptions ...................................................................... 197
9.1 Overview .............................................................................................. 214
9.2 EFFECT SETUP Group ...................................................................... 214
9.3 JOB Group ........................................................................................... 220
9.4 NAME Group ...................................................................................... 221
10.1 Overview and Job List......................................................................... 224
10.2 General Procedure .............................................................................. 225
10.3 Job Explanations ................................................................................. 227
Installing the Options ................................................................................... 312
Specifications ................................................................................................ 326
SU700 Usage Hints ....................................................................................... 328
Error Messages ............................................................................................. 331
Effect Type List ............................................................................................. 333
Effect Parameter List.................................................................................... 335
MIDI Data Format ........................................................................................ 345
MIDI Implementation Chart ........................................................................ 348
12 Table of Contents
Chapter 1
SU700 Components,
Connections, and Startup
This chapter describes the SU700’s layout and screen displays, shows
you how you can connect the SU700 to other devices, and takes you
through the SU700 startup procedure.
CHAPTER 1
CONTENTS
1.1 SU700 Layout 14
1.2 SU700 Display Configuration 23
1.3 Connecting Up 29
1.4 Starting Up 33
Chapter 1 SU700 Components, Connections, and Startup 13
1.1 SU700 Layout
3
56
This section explains all of the SU700 components.
1.1.1 Main Panel
O
P
N
MKJIH
L
1
G
F
E
D
C
B
A
0
9
8
7
2
SU700 Components, Connections, and Startup
1 Display
The display provides all the information you need to work effectively at the
SU700. For a detailed explanation of common screen displays and indications, see
page 23.
Chapter 1
14 Chapter 1 SU700 Components, Connections, and Startup
4
2 TRACK BANK Selectors
You use the track bank selectors in combination with the sample track pads to se-
lect tracks for playback, recording, editing, and control.
The SU700 provides four track banks, each with ten sample tracks. This gives you
a total of 40 sample tracks. This means that each song can utilize anywhere from
1 to 40 samples.
3 Sample Track Pads
You use these 10 pads to control play on the sample tracks, and to select tracks for
sample recording, track editing, and track setup.
Each pad can be used to control a variety of operations. At any given time, each
pad controls a single operation only. You can switch the pad operation using the
PAD FUNCTION selectors (see item 5 below).
The pads for COMPOSED LOOP and FREE tracks include velocity sensors that
are effective for PLAY and LOOP RESTART pad functions. (→ p.167, 301)
4 AUDIO IN Track Pad
You use this pad to set or release the mute for the AUDIO IN track, or to select the
AUDIO IN track during setup work.
CHAPTER 1
5 MASTER Track Pad
Use this pad to set or release the mute on all other tracks, to restart looping on the
LOOP and COMPOSED LOOP tracks, or to select the MASTER track during setup
work.
6 PAD FUNCTION Selectors
The pad function selectors select the operation to be controlled by the pad.
Each track has a default pad function that is effective whenever you are working
at the main screen. You can set these defaults using the TRACK SET | MAIN job
(→ p. 231).
You can override the defaults by pressing any of these selectors during song recording, playback, or standby. This will switch you to a function screen and will
cause all pads to switch to the selected function.
For detailed information about pad functions and their selection, see page 166.
For information about the difference between the main screen and the function
screens, see page 144.
Chapter 1 SU700 Components, Connections, and Startup 15
7 Knobs
You use these knobs to control the values of multiple parameters (or knob settings)
on each track. At any given time each knob controls a single parameter only. You
use the KNOB FUNCTION panel (see item 9 below) to switch the parameter controlled by the knobs.
When you are working the main screen, each knob controls its default parameter.
You can set these default separately for each track using the TRACK SET | MAIN
job (→ p.231).
8 [RIBBON TRACK] Button
You use this button when you want to change the track(s) controlled by the ribbon. You select the track(s) by holding down the button and pressing the appropriate pad.
If you press the pad for a sample track, then the ribbon will work on all four
tracks associated with that pad (the tracks in Banks 1, 2, 3, and 4 for that pad). If
you press the pad for the AUDIO IN or MASTER track, then the ribbon will operate on that track only.
9 NOTE Display and Button
The bottom right corner of the display indicates relevant Quantize or Resolution
interval. If necessary, you can adjust the setting by pressing the [NOTE] button
(so that the indication starts blinking) and then turning the dial. Intervals are indicated using note images (
, , etc.).
Exception: To set the resolution for the ROLL pad function, you must first press the
[NOTE] button, and then hold down the [ROLL] button while turning the dial.
0 BPM Display and Button
The center right line of the screen indicates the song’s current tempo, in BPM
(beats per minute). You can change the tempo by pressing the [BPM] button (so
that the BPM indication starts blinking) and then turning the dial.
A MEASURE Display and Button
The top right corner of the screen indicates the current song location, by measure
SU700 Components, Connections, and Startup
and beat. One way to change the location is to use the
described above. Another way is to press the [MEASURE] button (so that the measure indication starts blinking) and then turn the dial.
B Ribbon Controller
You can set the ribbon up to control a single selected function with respect to a
single pad. You select the track set using the [RIBBON TRACK] button; see below.
Chapter 1
, , and buttons, as
16 Chapter 1 SU700 Components, Connections, and Startup
Once you have set this up, you can rub your finger along the ribbon to control the
selected function on the corresponding track. For example, if you set the function
to LEVEL then you use the ribbon to adjust the level on the track.
Available functions include most of the knob functions, and a special scratch function that lets you scratch out the sound of a selected track—the same kind of
sound that you would get by manually turning a vinyl record forward or backward. For more information about ribbon use, see page 172.
C [CANCEL] and [OK] Buttons
Use these buttons to confirm or cancel various operations, or to move forward or
backward through the various job screens. Actual operation varies according to
the SU700’s current state.
D Dial
Use this dial to enter and adjust various values. Actual operation varies according
to the SU700’s current state. The value that can be adjusted by the dial is usually
shown in blinking format on the display.
E [BPM COUNTER] button
This button makes it easy to set the tempo to match the tempo of external playback that you may be preparing to record or play along with. To get a tempo reading, simply tap on the counter along with the beat (hitting the counter once at
each beat). The SU700 detects a BPM value from your taps, and flashes this value
in the BPM area on the screen. If you wish to keep the new tempo, press [OK]. (If
you do not press [OK], the SU700 will restore the previous setting.)
CHAPTER 1
F Cursor Buttons (
Use these buttons to move the cursor position when editing names on the screen,
or to move from one parameter to another when working at setup screens containing multiple parameters.
G MASTER VOLUME Knob
Turn the knob to adjust the output level to the STEREO OUT jacks. Note that this
adjustment does not affect the output level to any of the outputs on the optional
AIEB1 board.
H SAMPLING: STANDBY/START/STOP Button ([SAMPLING] button)
Use this button to begin and end sample recording. For details about how to
record samples, see the explanation beginning on page 156.
I SAMPLING: ANALOG LEVEL Knob
Turn this knob to adjust the input level when recording a sample from analog input. The screen displays a level meter that will help you set an appropriate level.
and )
Chapter 1 SU700 Components, Connections, and Startup 17
J [UNDO/REDO] Button
You use this button to undo or redo all changes that you recorded into your song
during your previous recording pass. This feature is useful for undoing poor results, or for comparing “before” and “after” versions to determine which you want
to keep. The [UNDO/REDO] button operates only while the sequencer is in PLAY
STANDBY mode. (→ p.183)
K Sequencer Controls
Use these buttons to control the sequencer. Button usage is outlined below. For
detailed information, refer to “Using the Sequencer,” (→ p.162). Also refer to
Chapter 4, “SU700 Operating Modes,” for an overview of the different sequencer
modes (→ p.139).
RECORD
Press to enter recording standby.
TOP OF SONG
Press to jump back to the top of the song (first beat of first measure).
FAST REVERSE
Hold down to move rapidly backward through the song.
STOP
Press to stop song playback or recording.
PLAY
Press to start song playback or recording.
FAST FORWARD
Hold down to move rapidly forward through the song.
L Job Grid
You use these buttons to access various SU700 jobs. These jobs let you carry out
a wide variety of editing, setup, and management tasks.
To select a job, you first press one of the job group selectors along the top of the
grid, and then press one of the job selectors along the left of the grid. You can then
carry out the job using the dial, cursor buttons, [CANCEL] or [OK] buttons, and
any other relevant controls.
For detailed explanations of all jobs, refer to Chapter 10, “Jobs,” on page 223.
SU700 Components, Connections, and Startup
M [SCENE/MARKER] Buttons
Operation depends on whether you have selected [SCENE] or [MARKER] with
the scene/marker switch.
If SCENE: The SU700 lets you store up to eight scenes per song. A scene is an
Chapter 1
entire environment of knob settings, mute settings, and effect settings. To store the current environment, hold down one of the scene
buttons (from [TOP] to [G]) for approximately 1.5 seconds, until
the screen says SCENE STORED. To recall a scene, press the corre-
sponding scene button briefly.
18 Chapter 1 SU700 Components, Connections, and Startup
If you store a scene into the [TOP] button, this scene will automatically be recalled when you return the song to its start position.
You can use the [INIT] scene button to initialize (clear) the content
of any scene. Simply hold down the [INIT] button and then press
the scene button that you want to initialize. (→ p.180)
Note that you can store and initialize scenes only while the sequencer is in PLAY or PLAY STANDBY mode. You can recall scenes
at any time.
For more information about scenes, refer to page 176.
If MARKER: Use markers [1] to [8] to store song positions or to immediately
jump the song to a stored position. These buttons only work while
the sequencer is in PLAY or PLAY STANDBY mode.
To store the current position, hold down one of the marker buttons
for about 1.5 seconds, until the screen says MARKER STORED. To
jump to that position, press the same button briefly.
N SCENE/MARKER Switch
Use this switch to select the operating mode of the [SCENE/MARKER] buttons.
Set the switch to the left if you want the buttons to control scenes; set to the right
if you want the buttons to control markers.
CHAPTER 1
O KNOB FUNCTION Panel
When you press one of these buttons during song standby, recording, or playback,
the display automatically switches to the corresponding function screen, and all
knobs automatically get control of the selected parameter. You can adjust the
value on each track by turning the corresponding knob (and using the bank selectors as necessary to switch the bank).
You can also use these buttons to make selections within certain jobs; for example, to select the default knob functions for the TRACK SET | MAIN job.
For detailed information, refer to Chapter 8, page 193.
P Edit Function Panel
You can use these buttons to perform various tasks: to set up each of the three effect blocks, to switch off any of the effects, to reset knob settings on selected
tracks, and to insert or delete characters within a name you are editing. For detailed information, see Chapter 9, page 213.
Chapter 1 SU700 Components, Connections, and Startup 19
1.1.2 Front Panel
3
1 Floppy-Drive Slot
The drive accepts 3.5" floppy disks (2HD or 2DD). You can use the disks to save
and reload all data, and to import commercially available sample or voice data.
2 Floppy Eject Button
Press this button to eject the floppy disk currently inserted in the slot. Remember:
Do not eject the disk while the access lamp is lit.
3 Floppy Access Lamp
This lamp lights up to indicate that the SU700 is currently accessing the disk.
CAUTION
Do not press the EJECT button or switch off the power while this lamp is lit, as doing so
may destroy data on the disk or cause damage to the disk drive.
4 Headphone Jack
Connects to standard stereo headphones. Outputs the same signal as the stereo
output jacks on the rear panel.
1
2
4
SU700 Components, Connections, and Startup
Chapter 1
20 Chapter 1 SU700 Components, Connections, and Startup
1.1.3 Rear Panel
67 8
OUTIN
STEREO OUT
R L/MONO
1
ANALOG INPUT
R L
2
ASSIGNABLE OUTDIGITALOPTICAL
MIDI
OUT IN
345
AS2 AS1AS3AS4AS5AS6OUTIN
CAUTION
RISK OF ERECTRIC SHOCK
ATTENTION :RISQUE DE CHOC ELECTRIQUE ME PAS OUVRIR.
WARNING
DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
DO NOT OPEN
TO REDUCE THE RISK OF FIRE OR ERECTRIC SHOCK
9
SCSI
POWER
AC INLET
ON/ OFF
∗ Circled numbers indicate standard connectors. Numbers enclosed in squares indicate options.
In its standard configuration, the rear panel provides connectors 1 to 5 above. If
you install the optional AIEB1 board, you also get the assignable and digital outputs
(items 7, 8, and, 9 above). If you install the optional ASIB1 board (SCSI board),
you also get the SCSI connector (number 6 above).
Note that if an option board is not installed, the corresponding area of the panel is
covered with an expansion cover.
CHAPTER 1
1 STEREO OUT Jacks
These jacks output the stereo analog signal produced by the SU700 to powered
speakers or other playback device. (For monaural output, use the left jack only.)
These are the standard outputs.
2 ANALOG INPUT Jacks
Standard analog input jacks accept line or microphone input. Use these jacks to
input analog signals to be recorded (as samples) or fed to the AUDIO IN track
(during realtime performance).
Note that you must use the SYSTEM | SETUP job to inform the system of the
actual audio input you are using (→ p.298).
3 MIDI Connectors
Standard MIDI connectors. Use these connectors to link the SU700 to other MIDI
devices.
Chapter 1 SU700 Components, Connections, and Startup 21
4 AC Inlet
Connects to SU700 power cord.
CAUTION
Use the supplied power cord only. Use of a different cord may result in electric shock or
device damage.
5 POWER Switch
Switches the SU700 power ON and OFF.
<If AEIB1 option board is installed>
6 OPTICAL IN/OUT connectors
7 DIGITAL IN/OUT connectors
Use the OPTICAL connectors to input or output digital audio signals over opticalfiber cable. Use the DIGITAL connectors to input or output digital audio signals
over coaxial (RCA-pin) cable, in CD/DAT (S/P DIF) format.
Each connector can support both mono and stereo signals.
Input Signal: The SU700 can accept input digital frequencies of 11.025kHz,
22.05kHz, 32.0kHz, 44.1kHz, and 48.0kHz. (If you wish to enable
this input, you must open the SYSTEM | SETUP job and set AU-
DIO IN to either OPTICAL or DIGITAL. See page 302.)
Output Signal: The output frequency is always 44.1kHz. The output is the digital
8 ASSIGNABLE analog output jacks
You can set the output destination independently for each nonempty sample
track. Settings can be entered separately for each song. Note that these settings
are not available for the AUDIO IN track, for the MASTER TRACK, and for
sample tracks that do not currently contain a sample.
Under default conditions, output is directed to the STEREO OUT jacks (and OP-
SU700 Components, Connections, and Startup
Chapter 1
TICAL and DIGITAL connectors). As an alternative, however, you can use the
TRACK SET | SETUP job to direct the track’s output to any one of the assignable
outputs (AS 1 to AS 6), or to an adjacent pair of outputs (AS 1+2, AS 3+4, or AS
5+6). Note that signals directed to assignable outputs do not pass through the ef-
fects blocks (do not receive any effects).
<If ASIB1 option board is installed>
9 SCSI connector
A SCSI-2 D-sub half-pitch 50-pin connector that can be used to connect to an external SCSI disk device. Allows for convenient saving and loading of large quantities of data.
equivalent of the signal directed to the STEREO OUT jacks, but
is not passed through the effects blocks. Note that the OPTICAL
OUT and DIGITAL OUT connectors will always produce the identical signal.
22 Chapter 1 SU700 Components, Connections, and Startup
1.2 SU700 Display Configuration
You refer to the SU700 screen for information and guidance during all SU700 operations. This section presents an overview of the various screen displays.
The first part, “Screen Layout,” introduces the various elements of the display panel.
The second part, “Main-Screen and Function-Screen Displays,” shows screen examples for the two most frequently used working environments. The third part,
“Other Screen Indication,” gives an overview of less commonly encountered screen
indications.
1.2.1 Screen Layout
The screen is divided into several different areas, each presenting a different type of
information. The general arrangement is described below. The amount of information displayed at any given time will vary according to the operating mode and current conditions.
2
1
4
5
1 Bank ............................ Shows the currently selected bank. Always displayed.
2 REC indicator ............ Comes on to indicate that the sequencer is in REC or REC
3 Pad function .............. Shows the currently selected pad function. Displayed
4 Parameter data .......... This area shows parameter information and error mes-
3
MEASURE
BPM
NOTE
6
7
8
STANDBY mode.
whenever you are working at a function screen.
sages.
When you are at the main screen, this area shows the current song number and song name. When you are at a
function screen, this area shows the current knob function and the function value. When you are executing a
job, this area shows the job type and/or current setting.
Before you record a sample, you refer to this area to set
the sampling parameters.
CHAPTER 1
Chapter 1 SU700 Components, Connections, and Startup 23
5 Track indicator .......... When you are working at the main screen or a function
screen, each vertical bar meter (or track meter) indicates
the relevant knob-function value for the corresponding
track (of the current bank). The brackets (above and below the meter) are visible if the track is not muted; they
disappear if the track is muted.
When you are standing by to record a sample, the meter
area operates as a two-bar horizontal level meter that you
can use to monitor the input level. The upper bar indicates the L-channel level; the lower bar indicates the Rchannel level.
6 MEASURE .................. Shows the current location (measure and beat) within the
current song.
7 BPM ............................. Shows the current tempo (in beats per minute).
8 NOTE ........................... Shows the quantize interval or time resolution, when ap-
plicable.
SU700 Components, Connections, and Startup
Chapter 1
24 Chapter 1 SU700 Components, Connections, and Startup
1.2.2 Main-Screen and Function-Screen Displays
The screen display content varies according to the current machine state. This section shows screen displays for two most commonly used machine states.
Main Screen
This screen that appears immediately following power-on. It is also the default
screen, and will reappear when you exit from job mode, when you finish sample recording, and when you press [OK] to escape from a function screen.
Note that this screen can appear only while the sequencer is operating in PLAY
STANDBY or PLAY mode. (→ p.142)
When you are working at this screen, the knob and pad action for each track is deter-
mined by the settings you make at the TRACK SET | MAIN job (→ p.231). This means
that the knobs and pads on different tracks may operate in different ways.
1
2
3
1 Currently selected bank.
2 Currently selected song number and name. (If the sequencer is in PLAY STANDBY, you can change to a dif-
ferent song by turning the dial and then pressing [OK].)
3 Shows function values and muting for each track within the current bank.
• Note that all meters always indicate the value for the default knob parameter on the most recently controlled track (the track whose pad or knob you last touched). If you hit the pad on a track whose default
knob-function is set to PITCH, for example, then all meters indicate PITCH levels. If you then hit a pad on
another track whose default knob function is set to ATTACK, all meters change to indicate ATTACK levels.
• Brackets are visible if track is non-muted; invisible if track is muted.
4 Current position in song.
5 Tempo setting.
6 The NOTE area is always empty.
4
5
6
CHAPTER 1
Chapter 1 SU700 Components, Connections, and Startup 25
Function Screen
You enter this screen from the main screen when you press any knob-function or
pad-function button, or when you press the [REC] button.
When you are working at a function screen, knob functions and pad functions are the
same on all tracks.
A typical display appears as follows.
1 2 4
3
6
5
1 Appears only if you have pressed to set the sequencer into RECORD mode.
2 Indicates the current pad function.
3 Indicates the current knob function.
4 Indicates the knob-function value for the track whose pad or knob you last used.
5 Each meter indicates the knob function’s value ( in this case, the PITCH value) for the corresponding track.
The bracket is visible if the track is not muted; invisible if the track is muted.
6 Indicates the QUANTIZE or RESOLUTION setting, if applicable. (Does not appear for some knob functions.)
SU700 Components, Connections, and Startup
1.2.3 Other Screen Indications
Track Selection
Before you can record a sample, you must select the target track. Many job screens
will also require you to select a track.
To select a track, you press the appropriate bank selector and hit the appropriate
track pad (in either order). The bank number will appear at the upper left of the
screen, and brackets will move to indicate the selected track.
When you are making this type of a selection, the screen will also let you know
whether or not the selected track contains a sample. If the track does contain a
sample, then a double bar will appear at the center of the bracketed area. If the track
is empty, then no bar will appear.
The following shows the display you use to select the track when preparing to record
a sample.
Chapter 1
26 Chapter 1 SU700 Components, Connections, and Startup
Indicates that the selected track already contains a sample. If the track is empty, this
bar will not appear.
NOTE:
For TRACK EDIT | EVENT COPY, TRACK EDIT | EVENT INIT etc., it is also important to
know whether a selected track contains recorded sequence data. For these jobs, six bars
will appear at the center of the bracketed area to indicate that the track contains both a
sample and some sequence data.
Sample only: Sample plus sequence data:
Sample Recording Meter
When you are standing by to record a sample (or to execute a resampling job), the
meter operates as a two-bar horizontal level meter. The top part of the meter monitors the level for the LEFT channel input, while the bottom part of the meter moni-
tors the level for the RIGHT channel input. In addition, the word CLIP will appear at
the upper right of the screen if the input level exceeds the clip level.
In general, you want to adjust the input level so that the meter peaks all the way to
the right without triggering the CLIP indication.
The following shows how the screen may appear when you are standing by to begin
sample recording.
5
1
2
3
CHAPTER 1
4
1 Shows the recording parameters.
2 Monitors the left-channel input level.
3 Monitors the right-channel input level.
4 Shows the destination track.
5 CLIP indicator
Chapter 1 SU700 Components, Connections, and Startup 27
Flashing Parameters
When you are working at a screen that allows you to set more than one parameter
value, the parameter currently selected for setting will be blinking, indicating that
you can proceed to change its value by turning the dial (or pressing an appropriate
button). Note that only one parameter can be blinking at any given time.
In the screen illustration shown above, for example, the 44K value (frequency setting)
is flashing. This tells you that turning the dial will change the frequency setting. If
you wish to change one of the other parameters, then you would first need to press
the
Multipage Displays
Some setup screens consist of multiple pages. A right-arrow in the display indicates
that you can advance to another page by pressing the
means that you can move back to a previous page by pressing the
The following shows the third page of the AMPSIM-effect setup screen.
to move the flashing indication to either 16BIT or STEREO.
cursor button; a left arrow
button.
SU700 Components, Connections, and Startup
Ribbon-Track Indication
When you press the [RIBBON TRACK] button, the brackets for the currently selected ribbon track blink on the screen. You can change the selection by pressing a
different pad. (→ p.172)
Chapter 1
28 Chapter 1 SU700 Components, Connections, and Startup
1.3 Connecting Up
The SU700 is extremely easy to set up. Simply connect the appropriate components
as described below.
Power
Connect the power as follows.
Confirm that the power switch (on the rear panel) is in the OFF position (pro-
1.
truding from the panel). If the switch is ON, press it so that it pops out into the
OFF position.
Connect the small end of the supplied power cable to the power inlet on the rear
2.
panel.
Connect the other end to a standard wall outlet.
3.
CAUTION
Do not connect the power while the power switch is ON.
Input Source
If you are going to record a sample or supply an audio input signal to accompany
realtime playback, you need to connect an input source. You can connect up one or
more of the following.
●
Connect a microphone to the one of the ANALOG INPUT jacks on the rear panel.
●
Connect analog line input (for example, from a CD player or electronic instrument)
to the ANALOG INPUT jacks on the rear panel. To input a stereo signal, connect to
both jacks.
●
(If you have installed the optional AIEB1 board:) Connect a digital or optical line
to the DIGITAL IN or OPTICAL IN connector on the rear panel.
CHAPTER 1
Chapter 1 SU700 Components, Connections, and Startup 29
To enable input, you must set the A UDIO IN parameter to the source you wish to
use. You can set the parameter using the SYSTEM | SETUP job; see page 302. The
SU700 can only accept input from one source at a time.
CD Record (turntable) Microphone
STEREO OUT
ANALOG INPUT
R L/MONO
R L
Electric keyboard
Output
You can connect any or all of the following.
●
Connect amplifiers, powered speakers, mixer, analog recorder, or other such device
to the STEREO OUT jacks on the rear panel.
SU700 Components, Connections, and Startup
IMPORTANT
If you are connecting up a single speaker or amp only, be sure to connect to the L/MONO
jack.
NOTE:
If connecting to a device with adjustable pan (such as a mixer) set the pan for the channel
receiving the L/MONO output all the way to the left; set the pan for the RIGHT output all
the way to the right.
●
Connect headphones to the PHONES jack on the front panel.
●
(If you have installed the optional AIEB1 board:) Connect speakers to any of the
ASSIGNABLE OUT jacks on the rear panel, or connect a digital device to the DIGITAL OUT or OPTICAL OUT connector on the rear panel.
If using powered speakers, connect as shown below.
Chapter 1
30 Chapter 1 SU700 Components, Connections, and Startup
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