Yamaha MDF3 User Manual

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authori­zation to use this product in the USA.
Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in
to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
1
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precau­tions include, but are not limited to, the following:
• Do not open the instrument or at­tempt to disassemble the internal parts or modify them in any way. The instrument contains no user­serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it in­spected by qualified Yamaha ser­vice personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• If the AC adaptor cord or plug be­comes frayed or damaged, or if there is a sudden loss of sound dur­ing use of the instrument, or if any unusual smells or smoke should
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appear to be caused by it, immedi­ately turn off the power switch, dis­connect the adaptor plug from the outlet, and have the instrument in­spected by qualified Yamaha ser­vice personnel.
• Use the specified adaptor (PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Before cleaning the instrument, al­ways remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, al­ways hold the plug itself and not the cord.
• Do not connect the instrument to an electrical outlet using a multiple­connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• Unplug the AC power adaptor when not using the instrument, or during electrical storms.
• Always make sure all batteries are inserted in conformity with the +/– polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.
• Always replace all batteries at the same time. Do not use new batter­ies together with old ones. Also, do not mix battery types, such as al­kaline batteries with manganese batteries, or batteries from different makers, or different types of batter­ies from the same maker, since this can cause overheating, fire, or bat­tery fluid leakage.
• Do not dispose of batteries in fire.
• Do not attempt to recharge batter­ies that are not intended to be charged.
(4)
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instru­ment or other property. These precautions include, but are not limited to, the following:
• If the instrument is not to be in use for a long time, remove the batter­ies from it, in order to prevent pos­sible fluid leakage from the battery.
• Keep batteries away from children.
• Before connecting the instrument to other electronic components, turn off the power for all components. Be­fore turning the power on or off for all components, set all volume lev­els to minimum.
• Do not expose the instrument to excessive dust or vibrations, or ex­treme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the pos­sibility of panel disfiguration or dam­age to the internal components.
(4)
• Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products.
• Do not place the instrument in an unstable position where it might ac­cidentally fall over.
• Before moving the instrument, re­move all connected adaptor and other cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl or plastic objects on the instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or un­comfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a phy­sician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the in­strument is not in use.
Make sure to discard used batteries according to local regulations.
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Handling the Floppy Disk Drive(FDD) and Floppy Disk
Precautions
• Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.
Compatible Disk Type
• 3.5” 2DD and 2HD type floppy disks can be used. A blank 2HD floppy disk has been included with your instrument for you to record your performances.
Inserting/Ejecting Floppy Disks
To insert a floppy disk into the disk drive:
• Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out.
To eject a floppy disk:
• Before ejecting a floppy disk make sure that the floppy disk drive is not in opera­tion (the DISK IN USE indicator should be off.)
• Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, care­fully remove it by hand.
• Never attempt to remove the disk or turn the power off during recording, reading and playing back. Doing so can damage the disk and possibly the disk drive.
• If the eject button is pressed too quickly, or if it is not pressed in as far as it will go, the disk may not eject properly. The eject button may become stuck in a half-pressed position with the disk extending from the drive slot by only a few millimeters. If this happens, do not attempt to pull out the partially ejected disk, since using force in this situation can damage the disk drive mechanism or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure.
• Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read and write errors.
Cleaning the Disk Drive Read/Write Head
• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors.
• To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially-available dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the avail­ability of proper head-cleaning disks.
Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks.
4
Handling the Floppy Disk Drive(FDD) and Floppy Disk
About the Floppy Disks
To handle floppy disks with care:
• Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use.
• Do not expose the disk to direct sunlight, extremely high or low tempera­tures, or excessive humidity, dust or liquids.
• Do not open the sliding shutter and touch the exposed surface of the floppy disk inside.
• Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable.
• Never use a floppy disk with a deformed shutter or housing.
• Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
YAMAHA is not responsible for damage caused by improper handling or operation.
To protect your data (Write-protect Tab):
• To prevent accidental erasure of important data, slide the disk’s write­protect tab to the “protect” position (tab open).
Write protected Write enabled
Data backup
• For maximum data security Yamaha recommends that you keep two cop­ies of important data on separate floppy disks. This gives you a backup if one disk is lost or damaged. To make a backup disk use the Backup func­tion on page 54.
YAMAHA provides no guarantee against disk damage.
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* Atari is the registered trademark of Atari Corporation.
* IBM PC/AT is the registered trademark of International Business Machines Corporation.
* MS-DOS is the registered trademark of Microsoft Corporation.
* The company names and product names in this owner’s manual are the trademarks or
registered trademarks of their respective companies.
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C
ONGRATULATIONS
You are now the proud owner of a Yamaha MDF3 MIDI Data Filer. This compact data storage unit is capable of storing bulk data from nearly any MIDI-equipped synthesizer, tone generator, or sequencer on convenient 3.5" 2HD/2DD floppy disks. The MDF3 is also able to record and play back sequencer data in realtime, a feature which makes it handy for use as a portable sequencer.
To put the MDF3 to work, you will need to connect it to at least one other MIDI device. If you own the Yamaha QX3 or a MIDI­equipped personal computer with a 3.5" disk drive, the MDF3 will also be able to read the data from disks you create with these devices, for maximum flexibility and convenience in data management.
This Owner’s Manual has been written for easy reference, and includes helpful advice for a wide range of applications. In order to take full advantage of the many capabilities of your MDF3, we urge you to read through the manual carefully first, then keep it on hand for future reference.
F
EATURES
!
• MIDI data recorder capability
The MDF3 is able to receive, store, and re-transmit MIDI System Exclusive data from nearly any MIDI instrument with bulk data transmission capability, including devices made by manufacturers other than Yamaha. The MDF3 can also read and transmit bulk data files created by the Yamaha MDF2 Data Filer and the QX3 sequencer in that device’s MDR mode.
• Sequencer capability
The MDF3 is capable of recording sequence data to disk, and playing back this data in realtime. It can also play back data files written by other MIDI devices using Standard MIDI File format 0/1, as well as ESEQ sequence files created by
the Yamaha QX3, etc. (You can also play back the MDF2’s SEQ data). Other convenient playback functions allow you to play a program of up to 99 sequence data files in a speci­fied order, and to play back files repeatedly in an endless loop.
• Ample data storage capacity
The MDF3 can store as many as 99 bulk or sequence files — on each 2HD/2DD floppy disk. If necessary, a single bulk or sequence data file can occupy the disk’s total ca­pacity of roughly 1,200/600 kilobytes of data. In sequencer mode, this corresponds to approximately 150,000/75,000 notes’ worth of sequence data.
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A
BOUT THIS MANUAL
This Owner’s Manual introduces the MDF3’s functions in an order close to that in which you are most likely to be using them. As you read through the manual, you will soon learn how the MDF3 works; and you will find, in addition, a number of hints on how you can put its features to use.
Nearly every operation in this manual is described as a series of simple steps, often including diagrams that make the procedure easy to follow. Supplementary infor­mation about the operation will be preceded by the words ”Note”, “Hint”, or ”Cau­tion”. Hints and notes serve as clues to details about the operation that you will not want to overlook.
For further information regarding the operation of the MDF3, you can refer to the following sections:
MDF3 Mode Overview (page 20)
This map summarizes the MDF3’s major functions, and serves as a convenient guide to common operations.
What Error Messages Tell You (page 63)
If an error message appears in the LCD while you are using the MDF3, refer to this appendix for an explanation of the problem and advice on how to solve it.
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This manual is accompanied by the following supplementary documentation:
MIDI Implementation Chart
This chart summarizes the MDF3’s MIDI capabilities, and helps you to determine whether the MDF3 is compatible with the other equipment you are using.
MIDI Data Format
Advanced MIDI users who do their own programming will want to refer to this document for a detailed description of the MIDI Data Formats used by the MDF3.
T
ABLE OF CONTENTS
ABOUT THIS MANUAL ................................................ 8
BASIC TERMS AND KEYWORDS ............................... 10
INTRODUCING THE MDF3....................................... 12
PREPARING TO USE THE MDF3 ................................ 14
Supplying Power ...................................................... 14
Connecting a MIDI Device ...................................... 15
Turning the Power On .............................................. 15
Formatting a Floppy Disk ......................................... 16
Handling Floppy Disks ............................................. 18
Protecting the data on a disk .................................... 19
MDF3 MODE OVERVIEW .......................................... 20
MDR MODE ................................................................ 23
Receiving Bulk Data ................................................ 24
Transmitting Bulk Data ............................................. 27
Notes on MDR Data Reception and Transmission .... 29
SEQ MODE .................................................................. 31
Recording Sequence Data ........................................ 32
Playing Back Sequence Data .................................... 35
Notes on SEQ Data Recording and Playback ........... 38
JOB MODE .................................................................. 39
Repeating Playback .................................................. 40
Creating a Playback Program ................................... 41
Changing the Record Tempo .................................... 43
Selecting a MIDI Sync Mode .................................... 44
Enabling MIDI Control Messages ............................. 45
Notes on MIDI Synchronization ............................... 46
UTILITY MODE ........................................................... 47
File Names in UTILITY Mode ................................... 48
Renaming Files ........................................................ 49
Deleting Files ........................................................... 51
Copying or Appending Files ..................................... 52
Copying Disks .......................................................... 54
Formatting Disks ...................................................... 56
Displaying Disk Information .................................... 57
THE STANDARD MIDI FILE AND ESEQ FORMATS .... 58
ADVANCED FILE MANAGEMENT TECHNIQUES..... 59
Reading MDF3 Disks with a Computer .................... 59
Changing MDF3 File Name Extensions .................... 60
APPLICATIONS ........................................................... 62
A Portable MIDI Playback System ............................ 62
An Extended MIDI System ........................................ 62
WHAT ERROR MESSAGES TELL YOU ....................... 63
ABOUT THE MIDI IMPLEMENTATION CHART ....... 65
SPECIFICATIONS ........................................................ 66
INDEX .......................................................................... 67
JOBSEQMDR UTIL
9
B
ASIC TERMS AND KEYWORDS
MIDI-related terminology
Here we define several basic terms used in this manual. These terms are frequently used in describing the functions of MIDI equipment.
MIDI An abbreviation for Musical Instrument Digi-
tal Interface, which is the name of an interna­tional standard providing for the communica­tion of data between electronic musical instru­ments. MIDI allows musical instruments such as synthesizers and drum machines to com­municate with each other, and to be controlled by sequencers or computers.
MIDI Any piece of electronic equipment capable of
device receiving or sending data in a manner that com-
plies with the MIDI standard. This term is of­ten applied to synthesizers, tone generators, rhythm machines, and sequencers; however, it also includes a variety of peripheral devices including signal processors and patch bays, not to mention MIDI data recorders such as the MDF3.
MIDI data Data in a format that complies with the MIDI
standard. MIDI data can be divided between two broad categories : sequence data and bulk data.
sequence The data used to record and play back music.
data Generally speaking, sequence data consists of
note on and off messages, control change mes­sages, and program change messages. In spe­cial cases, however, it may also include cer­tain types of system exclusive data.
bulk data Data transmitted in units known as blocks, usu-
ally for the purpose of storage or retrieval. Each MIDI device usually transmits bulk data in a unique format that distinguishes it from the bulk data of other devices; thus, it is also known by the name “system exclusive data”. Bulk data is usually not directly related to a musical per­formance; rather, it is used as a means for trans­ferring large blocks of data, such as voice data, samples, or system setup data, between two MIDI devices.
bulk dump A transmission of bulk data from one MIDI
device to another.
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Keywords for MDF3 operation
The terms defined below are used throughout the manual to describe functions pe­culiar to the MDF3. The same words are frequently used in describing other MIDI devices, as well; but keep in mind that in many cases the actual function in question may differ considerably from that performed by the MDF3.
file A position on a disk where data is stored and
assigned a name. The MDF3 is capable of man­aging up to 99 files on a single disk. The num­ber of files that can be created on any given disk is physically limited by the size of the files and the disk’s capacity of approximately 1,200 (MF2HD)/600 (MF2DD) kilobytes.
MDR mode The mode of operation in which the MDF3 is
used to receive and transmit MIDI bulk data.
MDR data The contents of the data file that is created
when the MDF3 receives bulk data from an­other MIDI device.
reception Generally, the receiving by one MIDI device
of MIDI data from another. In this manual, “re­ception” refers specifically to the MDF3’s re­ception of bulk data. The MDF3 automatically writes the bulk data it receives to disk as an MDR data file.
transmission Generally speaking, the sending of data from
one MIDI device to another. In this manual, “transmission” means specifically the transmis­sion of MDR data by the MDF3. When the MDF3 transmits the contents of an MDR data
file, it simultaneously reads data from the disk and outputs it via the MIDI OUT jack.
SEQ mode The mode of operation in which the MDF3 is
used to record and play back sequence data.
SEQ data The contents of the file that is created when
the MDF3 records sequence data. Such data is often referred to as “song data”. Strictly speak­ing, however, such a file can contain as many as several songs, or as little as a single phrase.
recording The reception of MIDI sequence data. Record-
ing is different from the reception of bulk data in that the data is received in realtime. The MDF3 automatically writes the sequence data it receives to disk as a SEQ data file.
playback The transmission of sequence data from one
MIDI device to another. Playback differs from the transmission of bulk data in that the se­quence data is transmitted in realtime. When the MDF3 plays back a SEQ data file, it simul­taneously reads data from the disk and outputs it via the MIDI OUT jack.
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I
NTRODUCING THE
MDF3
Front panel
r t
w
q
y u i
e
w LCD The LCD displays a variety of information to as-
sist you in operating the MDF3.
e Mode keys These keys allow you to switch between the
MDF3’s four operating modes. The MDF3’s modes — MDR mode, SEQ mode, JOB mode, and UTILITY mode — are outlined in the MDF3 Mode Overview on page 20.
r CURSOR keys These keys move the cursor in the LCD to the left
or right. They can also be used to fast forward or rewind a file during playback in SEQ mode.
t FILE DATA These keys are used to select a file ( in the MDR
keys and SEQ modes) or a function (in the JOB and
UTILITY modes). They can also be used to change the tempo during playback in SEQ mode.
y REC key This key is used in combination with the START/
STOP key to begin the reception/recording of data
in MDR and SEQ modes.
u PAUSE key This key pauses the recording or playback of a
file in progress in SEQ mode .It can also be used in combination with the REC key to tell the MDF3 to standby for recording in this mode.
q MIDI LED This LED lights when the MDF3
is receiving MIDI data. Note that it does not light when data is be­ing transmitted, however.
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i START/STOP This key is used to start and stop reception/
key recording or transmission/playback in MDR and
SEQ modes. It is also used to execute functions in the JOB and UTILITY modes.
Rear Panel
Side Panel
!4
o !0 !1 !2 !3
o MIDI OUT This jack outputs MIDI data.
!0 MIDI IN Received MIDI data is input via this
jack.
!1 FOOT SW This jack enables START/STOP control
by pressing the foot switch (optional Yamaha FC4, FC5, etc.) if it is con­nected.
22
!
2 DC IN The DC plug of an optional AC power
22
adapter (Yamaha PA-3B) can be con­nected here.
!3 POWER This switch turns the power to the
MDF3 on and off.
!6
!5
!4 Disk Drive This 3.5" disk drive is capable of ac-
cepting both 2HD and 2DD floppy disks.
!5 Eject button This button ejects the floppy disk from
the disk drive.
!6 Disk Access This LED lights when data is being
LED written to or read from a disk. Never
attempt to remove a disk from the disk drive while this lamp is lit.
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P
REPARING TO USE THE

Supplying Power

MDF3
Using an Optional AC adaptor
If you use the MDF3 often, you will probably want to power it with an AC power adaptor. The MDF3 can be powered by the Yamaha PA-3B power adaptor, which is available for pur­chase separately.
Before you connect the adaptor, check to make sure that the POWER switch on the rear panel is turned off.
Plug the round end of the adaptor cord into the DC IN jack on the back panel of the MDF3, then plug the adaptor itself into an AC outlet.
PA-3B
DC IN
Caution:
in your locale. Do not use an adaptor other than PA-3B. Any other AC adaptor using different voltage can damage the MDF3.
Unplug the AC power adaptor when not using the instrument, or during electrical storms.
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Be sure to use a power adaptor that is suited to the voltage
Using Batteries
Under normal operating conditions, the MDF3 can be oper­ated continuously for approximately three hours using a fresh set of batteries.
Before you begin to insert the batteries, check to make sure that the POWER switch on the rear panel is turned off. Then, place six size “AA” alkaline batteries in the battery compart­ment located on the underside of the unit.
+ – +
+ – +
+ – +
Make sure that the batteries are oriented properly. The cor­rect orientation is indicated by the markings on the inside of the compartment.
Caution:
plete set of six new batteries. NEVER mix old and new batteries.
Do not use different types of batteries (e.g. alkaline and manganese) at the same time.
Be sure to remove the batteries from the MDF3 when you will not being using it for an extended period of time. If you leave batteries in the unit during extended periods of disuse, you run the risk of damage due to corrosion.
When the batteries run down, replace them with a com-

Connecting a MIDI Device

Turning the Power On

You need only one MIDI cable to connect the MDF3 to an­other MIDI device.
When you will be using the MDF3 to receive or record data, plug one end of the cable into the MIDI IN jack on the MDF3 back panel, and the other end into the MIDI OUT jack of the other device.
MIDI cable
MIDI IN
MDF3
MIDI OUT
extemal MIDI device
(keyboard, sequencer, etc)
To transmit or play back data from the MDF3 , simply reverse these connections.
MIDI cable
MIDI OUT
MDF3
MIDI IN
extemal MIDI device
(keyboard, sequencer, etc)
To turn on the MDF3, simply press the POWER switch on the rear panel.
The message “YAMAHA MDF3” will appear in the LCD for a few moments. Then, if there is no disk in the disk drive, this message will be replaced by the following display:
!~~~~No~disk~~~~
Insert the 3.5" 2HD/2DD floppy disk that came with your MDF3 in the disk drive. Be sure to insert the disk with the label side facing up and the arrow pointing toward the disk drive.
Push the disk in gently, until you hear it settle into the drive with a click.
If you have two MIDI cables, you can connect the MIDI IN jack of each device to the MIDI OUT jack of the other. This convenient arrangement will allow you to avoid the repeated changing of MIDI cable connections.
Note:
The MDF3 is capable of using 3.5" 2HD/2DD floppy disks.
Please do not try to use any other type of disk.
15

Formatting a Floppy Disk

Before the MDF3 can create files on a new disk, it must prepare the disk to accept the data using a procedure known as “formatting”. Follow the steps below to format the floppy disk that came with your MDF3.
1.
Enter the UTILITY mode.
Press the UTIL key. The LED above the key will light.
2.
Select ”05: Format”
Press the FILE DATA [+] key four times. The following message will appear in the LCD.
05:~~~~~~~Format Format~disk
~å
3.
Press the START/STOP key.
The LED above the key will flash, and the following mes­sage will appear in the LCD:
4.
Insert a disk.
If you have not already done so, insert the 2HD/2DD disk to be formatted in the disk drive.
Note:
If you format a disk that has been used before, any data it contains will be erased. Make absolutely sure that a disk does not contain any important data before you format it.
16
5.
Press the START/STOP key.
The LED above the key will light steadily, and the LCD will display a message tell­ing you what percentage of the disk has been formatted.
Formatting~~~93%
It should take approximately 70 seconds to format a single floppy disk. When the disk has been completely formatted, the START/STOP LED will begin to flash again, and the “Format disk” message will reappear.
6.
Format another disk.
If you wish to format another disk at this point, eject the disk and insert a new one. Then press the START/STOP key to be- gin formatting once more.
7.
Exit the function.
When you’re done formatting disks, press any mode key (MDR, SEQ, JOB, or UTIL) to exit the “Format” function.
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Handling Floppy Disks

The 3.5" 2HD/2DD floppy disk is a reliable and convenient medium for data storage, capable of holding large amounts of data in a small package. The disk itself is a delicate piece of magnetic film, which is protected from dust and dirt by a hard plastic cover and a shutter. This design is capable of preserving your data against most contingencies. However, for the greatest reliability, you should observe a few basic cautions when handling your disks.
• Use 2HD/2DD disks. The MDF3 is not designed to handle disks meeting other specifications.
• Never remove a disk from the disk drive while the disk access LED is lit. Doing so can damage the floppy disk or the disk drive.
• Avoid touching the shutter of a disk. Never open the shutter and touch the actual disk surface.
• Avoid placing disks close to speakers, televisions, magnets, or other objects with magnetic fields. Even weak magnetic fields can damage or erase the data on a disk.
• Do not leave your disks in cars or other locations where they may be exposed to extreme heat or cold.
• Do not leave your disks in places where they may be exposed to condensation or extremely high humidity.
• Avoid using or storing disks in places where they may be exposed to large amounts of dust or dirt.
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Follow these cautions scrupulously. Improper handling can render a disk useless, and may cause damage to the MDF3’s disk drive as well.

Protecting the data on a disk

If you turn a disk face down, you will find a small plastic tab in the lower right corner. This tab is a write-protect switch that you can use to prevent the accidental loss of valuable data. When this tab is in the up position (so the window is closed), the MDF3 will be able to read and write data to the disk normally.
To protect the data on a disk, push the tab down so that the window is open. The MDF3 will be able to read the data on the disk as usual. However, if you try to receive or record data using the disk, the MDF3 will display an error message telling you that the disk is write-protected.
You will see the same message if you try to format a write-protected disk or change the data it contains using one of the UTILITY mode functions.
Note:
To protect disks against accidental erasure, it is a good idea to set the protect tab down and keep the disk in a safe place. You also might consider making a backup copy of the disk using the UTILITY mode ”Backup” function. Finally, clear labeling of disk contents is a simple but effective way to prevent the acci­dental loss of valuable data.
!~~Disk~protect
19
MDF3 M
ODE OVERVIEW
Now that you’ve formatted a floppy disk, you’re ready to start using the MDF3. The overview below summarizes the use of each of the MDF3’s four modes, and shows you how to access the JOB and UTILITY mode functions.
MDR mode (page 23)
This mode lets you receive bulk data from a MIDI device and save it to disk as an MDR data file. In this mode the MDF3 can also transmit the contents of MDR files it creates, as well as bulk data files created by the Yamaha MDF2 and the QX3 in MDR mode.
JOB mode (page 39)
This mode lets you play back SEQ data files repeatedly, or in a programmed order. It also allows you to set the sequence data playback tempo, and to enable or disable the transmis­sion and reception of MIDI sync and system control mes­sages.
20
SEQ mode (page 31)
This mode lets you record sequence data as standard MIDI files. In this mode, the MDF3 can also play back the SEQ data files it creates (You can also play back the MDF2’s SEQ data files), as well as Yamaha ESEQ data files and standard MIDI files created by other devices.
UTILITY mode (page 47)
The UTILITY mode lets you rename, delete, copy, and ap­pend files. It also allows you to format or copy disks, and to check the amount of space remaining on a disk.
Hint:
In the JOB and UTILITY modes, you can use the FILE DATA
keys to select a function, and the START/STOP key to execute the function you’ve selected.
JOB mode functions
UTILITY mode functions
01:~~Repeat~play
02:~~~~Prog~play
03:~Record~tempo
04:~~~~Sync~mode
05:~MIDI~control
This function lets you repeat­edly play back one or more SEQ data files in an endless loop. (page 40)
This function lets you create a program of SEQ data files to be played back in a speci­fied order. (page 41)
This function allows you to change the playback tempo that is recorded for a se­quence data file. (page 43)
This function determines whether the MDF3 runs on its internal clock, or in sync with an external MIDI clock. (page 44)
This function enables or dis­ables the transmission and re­ception of MIDI realtime control messages (i.e., START, CONTINUE, and STOP mes­sages), as well as the trans­mission of MIDI clock sig­nals. (page 45)
01:~~~~~~~Rename
02:~~~~~~~Delete
03:~~~~~~~Append
04:~~~~~~~Backup
05:~~~~~~~Format
06:~~~Disk~info.
This function lets you change the names of MDR or SEQ data files which have been saved to disk. (page 49)
This function lets you delete unneeded MDR or SEQ data files from a disk. (page 51)
This function creates a copy of a file, or appends the data of one file to the end of an­other file. (page 52)
This function lets you copy the entire contents of one disk to another disk. (page
54)
This function is used to for­mat new floppy disks for use by the MDF3. (page 56)
This function displays infor­mation about a disk, includ­ing the amount of disk space that has been used, the amount of available space re­maining, the number of files that have been used, and their respective sizes. (page
57) 21
22
MDR M
ODE
In its MIDI data recorder (MDR) mode, the MDF3 is capable of receiving MIDI bulk data from nearly any MIDI device and saving it to disk as an MDR data file. It can then transmit this data back to the device that originated it, or to any other device capable of accepting the data, at any time.
Receiving bulk data
The bulk data reception function is used to receive bulk data sent from another MIDI device. The MDF3 automatically writes the bulk data it receives to disk as an MDR data file using Standard MIDI File format 0. You can save up to 99 MDR data files on a single disk.
Transmitting bulk data
The bulk data transmission function lets the MDF3 output the data which it has previously saved as an MDR data file to a MIDI device capable of receiving it. The MDF3 is also able to transmit the data from files created by the Yamaha MDF2 and the QX3 in that device’s MDR mode.
MDR
23

Receiving Bulk Data

1.
Check your MIDI connections.
The MIDI IN jack of the MDF3 should be connected to the MIDI OUT jack of the sending device.
MIDI cable
MIDI IN
MDF3
If you have not done so already, place a formatted disk in the MDF3 disk drive.
MIDI OUT
external MIDI device
(keyboard, sequencer, etc)
2.
Enter MDR mode.
Press the MDR key. The LED above the key will light, and the name of the cur­rently selected MDR data file will appear in the LCD.
01~~~MDRå01
~å
3.
Select an empty file.
Using the FILE DATA keys, select the number of the empty file where you want to save the data. (The names of empty files will be blank.)
02
~å
Note:
If you select a file which already con­tains data, that data will be erased when the incoming data is received. If you choose such a file, make sure it does not contain data that you want to keep.
24
4.
Prepare the MDF3 for reception.
While pressing the REC key, press the START/STOP key.
The LEDs above these keys will light, and the following display will appear in the LCD.
5.
Send the bulk data.
Execute the sending device’s bulk dump procedure to begin sending data. Refer to the appropriate operation manual for a description of the correct procedure.
As soon as the MDF3 begins receiving data, the MIDI LED will light and the dis­play will begin changing to indicate the amount of data received.
MDR
MDRå03~~~00-000k
default file name
This display indicates that the MDF3 is ready to begin receiving block data.
current block number
total data received (kilobytes)
MDRå03~~~01-001k
The MIDI LED will go out when all of the bulk data has been received.
Hint:
To stop reception temporarily, press the
PAUSE key. The LED above the key will blink, and the MDF3 will complete the reception of the current data block. Once the block has been received, the PAUSE key LED will light steadily to indicate that the MDF3 has paused. Pressing the PAUSE key again or pressing the foot switch (if connected) will cause the MDF3 to resume reception.
You can cancel reception immediately by pressing the START/STOP key. If you do so, the MDF3 will not create an MDR data file.
25
6.
Send additional data, if any.
You can create MDR data files contain­ing two or more sets of bulk data by ex­ecuting consecutive bulk dumps. Just re­peat step 5 as needed. All of the data you send will be recorded in sequence to the file you selected in step 3.
Hint:
This technique can be used to store multiple data sets for a single MIDI device. In more complex MIDI systems, you can use the same technique to store data (e.g., the settings you will use during a live perfor­mance) for a number of different devices.
7.
End MDF3 reception.
When you’ve finished sending data to the MDF3, make sure that all the data you sent has been received, then press the START/STOP key.
The data you sent will be saved to the MDR data file you selected, using the default file name “MDR_” followed by the file number.
Hint:
If you would like to give the file an­other name, you can do so using the “Re­name” function (page 49)
26

Transmitting Bulk Data

1.
Check your MIDI connectoins.
The MIDI OUT jack of the MDF3 should be connected to the MIDI IN jack of the receiving device.
MIDI cable
MIDI OUT
MDF3
MIDI IN
external MIDI device
(keyboard, sequencer, etc.)
2.
Enter MDR mode.
Press the MDR key. The LED above the key will light, and the name of the cur-
3.
Select a file to transmit.
Using the FILE DATA keys, select the file
to be transmitted. rently selected MDR data file will appear in the LCD.
01~~~MDRå01 03~Pfåsound
~å
MDR
If you have not done already, place a disk containing the bulk data in the MDF3 disk drive.
file number file name
27
4.
Prepare the receiving device.
Prepare the receiving device to receive the bulk data. The preparations to be made vary from device to device. Refer to the appropriate operation manual to check the correct procedure.
5.
Transmit the MDR data.
Press the START/STOP key to begin trans- mitting. While the bulk data is being transmitted, the LCD will display the amount of data that has been sent.
Pfåsound~01-020k
28
file name block number amount of
transmitted data
The file selection display will reappear when the transmission of MDR data is complete.
Hint:
To stop transmission temporarily, press
the PAUSE key. The LED above the key will
blink, and the MDF3 will complete its trans-
mission of the current data block. Once the
block has been transmitted, the PAUSE key
LED will light steadily to indicate that the
MDF3 has paused. The MDF3 will resume
transmission when you press the PAUSE key
again or press the foot switch if it is con-
nected.
You can cancel transmission by pressing the
START/STOP key. The MDF3 will end trans-
mission after it has sent the current data block.

Notes on MDR Data Reception and Transmission

MDR
Reception
MDR file size:
MDR data file can hold up to about 1,200 kilobytes of data. When using a disk that already contains several files, check the amount of available space on the disk (page
57) before you try to receive the bulk data.
Bulk data blocks:
by their header (System Exclusive status: F0H) and footer (End of Exclusive: F7H) values.
Block intervals:
also records timing data at 10 millisecond intervals. If the interval between any two data blocks exceeds one sec­ond, the MDF3 will record it as one second. When re­ceiving data from a MIDI device that will require inter­vals greater than one second between blocks when you attempt to transmit the data back to the device, record the bulk data in SEQ mode. (Refer to “Recording bulk data” on page 38)
On a newly formatted 2HD disk, a single
The MDF3 recognizes bulk data blocks
When the MDF3 creates MDR files, it
Transmission
MDR file formats:
is capable of transmitting bulk data files which other de­vices save to disk using Standard MIDI File format 0. More­over, it can transmit MDR bulk data files written by the Yamaha MDF2 and the QX3 in that device’s MDR mode. It distinguishes between these two types of files by check­ing the header of each file before it begins transmitting the data in the file.
Transmitting QX3 data:
MDR data files written to a disk by the QX3, it will auto­matically insert a 100 millisecond interval after every data block, as well as after each kilobyte of data (when a block is longer than one kilobyte).
In addition to its own files, the MDF3
When the MDF3 transmits
29
30
SEQ M
ODE
The following descriptions of the sequence data recording and playback procedures assume that you will be recording data output by a MIDI key­board. Of course, you can use the same procedures to record sequence data played back by a sequencer, a personal computer, or the like.
Recording Sequence Data
When you record data in SEQ mode, the MDF3 automatically writes this data to disk as a SEQ data file using Standard MIDI File format 0. You can save up to 99 SEQ data files on a single disk.
Playing Back Sequence Data
The MDF3 can of course play back the files it records in SEQ mode. It can also play back files written by other devices using Standard MIDI File format 0 or 1, as well as sequence files written in the ESEQ format used by the QX3 and other Yamaha de­vices. You can also play back the MDF2’s SEQ data files.
Note:
If you will be using the MDF3 to play sequence files written by other devices, be sure to keep these files and your SEQ files on separate disks. If you mix SEQ files with other sequence files on a single disk, the MDF3 will display the names of only the SEQ files. (Please see ”The Standard MIDI File and ESEQ Formats” on page 58 for details.)
SEQ
31

Recording Sequence Data

1.
Check your MIDI connections.
The MIDI IN jack of the MDF3 should be connected to the MIDI OUT jack of the sending device.
MIDI cable
MIDI IN
MDF3
MIDI OUT
2.
Enter SEQ mode.
Press the SEQ key. The LED above the key will light, and the name of the cur­rently selected SEQ data file will appear in the LCD.
01~~~~~~SONGå01
~å
3.
Select an empty file.
Using the FILE DATA keys, select the number of the empty file where you want to record the data. (The names of empty files will be blank.)
02
~å
If you have not done so already, place a formatted disk in the MDF3 disk drive.
32
file number file name
Note:
If you select a file which already con­tains data, that data will be erased when the incoming data is received. If you choose such a file, make sure it does not contain data that you want to keep.
4.
Prepare the MDF3 for recording.
While pressing the REC key, press the PAUSE key.
The LEDs above the REC, PAUSE, and START/STOP keys will light, and the fol-
lowing display will appear in the LCD.
SONGå03~~~~00:00
default file name time
The MDF3 is now in record standby mode.
Hint:
If you prefer, you can press the START/
STOP key instead of the PAUSE key to begin
recording immediately.
5.
Start playing.
Begin playing music on your MIDI key­board. As soon as the MDF3 receives MIDI data from the keyboard, it will can­cel the pause and start recording the data.
Hint:
To pause during recording, simply press
the PAUSE key. The MDF3 will begin record­ing again as soon as it receives any MIDI data (except bulk data), or if you press the PAUSE key once more. You can also resume record­ing by pressing the foot switch if it is con­nected.
If you press the START/STOP key while the recording is paused, the recording will end and the data up to that point will be saved as a SEQ file.
SEQ
33
6.
End the recording.
When you have finished recording data, press the START/STOP key again.
The data you sent will be saved to the SEQ data file you selected, using the de­fault file name “SONG_” followed by the file number.
03~SONGå03
Hint:
If you would like to give the file an­other name, you can do so using the “Re­name” function (page 49).
34

Playing Back Sequence Data

1.
Check your MIDI connections.
The MIDI OUT jack of the MDF3 should be connected to the MIDI IN jack of the receiving device.
MIDI cable
MIDI OUT
MDF3
MIDI IN
2.
Enter SEQ mode.
Press the SEQ key. The LED above the key will light, and the name of the cur­rently selected SEQ data file will appear in the LCD.
01~~~~~~SONGå01
~å
3.
Select a file to transmit.
Using the FILE DATA keys, select the file to be played back.
SEQ
If you have not done so already, place a disk containing the sequence data in the MDF3 disk drive.
file number file name
35
4.
Prepare the receiving device.
Prepare your keyboard or tone genera­tor to receive the sequence data. The preparations to be made vary depend­ing on the instrument, but may include the selection of MIDI channels and sound programs, the adjustment of pitch bend and modulation ranges, and so on. Re­fer to the appropriate operation manual to check the correct procedure.
5.
Start the playback.
Press the START/STOP key. The MDF3 will begin to play back the sequence data file you’ve selected. While the file is play­ing, the LCD will indicate the elapsed performance time.
6.
Change the tempo.
You can use the FILE DATA keys to change the playback tempo while the file is playing. When you press one of the FILE DATA keys, the following display will appear.
36
SONGå01~~~~00:34
file name performance time
Note:
When you press the START/STOP key,
the MDF3 will hesitate for 1 – 15 seconds as it reads data from the disk before it begins to play back the data. If you need to start the playback with greater accuracy, press the
PAUSE key immediately after pressing the START/STOP key and wait until the START/
STOP LED lights. The MDF3 will begin play­ing the file as soon as you press the PAUSE key a second time or press the foot switch if it is connected.
SONGå01~~~~œ=120
file name tempo
Note:
Sequence data files created by devices other than the MDF3 may include tempo change data that will alter the tempo regard­less of the changes you make using the FILE DATA keys. Since the playback tempo is com­monly recorded at the beginning of a file, you may find that the tempo will return to its origi­nal value if you play a file from the top after changing the tempo using the FILE DATA keys.
7.
Advance, rewind, or pause the file.
While the file is playing, you can use the CURSOR keys to fast forward or rewind the file. Also, you can press the PAUSE key to pause the playback temporarily.
8.
Stop the playback.
Playback will stop automatically when the MDF3 reaches the end of the file. If you want to stop the playback before the MDF3 comes to the end of the file, sim­ply press the START/STOP key.
SEQ
rewind
fast forward
When playback ends, the name of the currently selected file will appear.
01~~~~~~SONGå01
Hint:
Files can be played back repeatedly using the “Repeat play” function (page 40). If a disk contains more than one SEQ data file, the files can be played back in a specified order using the “Prog play” function (page
41).
37

Notes on SEQ Data Recording and Playback

Recording
Record tempo:
per minute is recorded for each SEQ data file. You can change the tempo before you begin recording using the Record Tempo function (page 43).
Recording bulk data:
and sequence data as standard MIDI files, it is able to record bulk data as well as sequence data in SEQ mode. To record bulk data in SEQ mode, you must start the re­cording using the REC and START/STOP keys, rather than the REC and PAUSE keys. Also, if you pause the record­ing while the MIDI LED indicates that the MDF3 is re­ceiving data, the PAUSE key will blink and the MDF3 will continue recording until it has finished receiving the current block. Finally, you must press the START/STOP key to stop recording manually. Otherwise, the MDF3 will continue recording even after the sending device has stopped sending data.
A default playback tempo of 120 beats
Since the MDF3 records both bulk
Playback
SEQ file formats:
MDF3 is capable of playing back sequence data files which other devices have written to disk using Standard MIDI File format 0 or 1, a format which is supported by a broad range of computer-based MIDI software. It is also capable of playing back ESEQ sequence data files cre­ated by the QX3 and other Yamaha products. (You can also play back the MDF2’s SEQ data files).
Using MDR and SEQ data:
will play back flawlessly if the receiving instrument’s set­tings (such as its MIDI channel and program selections, volume setting, pitch bend and modulation ranges, and so on) are the same as they were when you recorded the data. If these settings are changed, however, the play­back might not be quite what you expect. Of course, you could make a note of your settings and restore them manu­ally each time you play back the file; but you can save yourself the trouble and make better use of your MDF3’s capabilities by sending them as a bulk dump to the MDF3, then transmitting this data back to the instrument before you play back the sequence data.
In addition to its own SEQ files, the
The SEQ data you record
38
JOB M
The five JOB mode functions are related to the recording and playback of sequence data files. They allow you to play back SEQ data files repeatedly, or in a programmed order; to change the playback tempo that is recorded to sequence data files; and to control how the MDF3 synchronizes recording and playback with other MIDI sequencers.
ODE
Selecting a JOB mode function
To use a JOB mode function, first press the JOB key, then use the FILE DATA keys to select the function. When the name of the desired function is displayed in the LCD, press the START/STOP key.
01:~~Repeat~play
Note that you must place a disk in the disk drive before you select “Repeat play” or “Prog play” in order to use these function.
Exiting a JOB mode function
JOB
When you have finished making settings using one of the JOB mode functions, you can exit the function by pressing any of the mode selection keys.
39

Repeating Playback

The “Repeat play” function lets you play back one or more SEQ files repeatedly. This function could be used to practice a single song several times, or to create an endless loop of background music.
1.
In JOB mode, select ”01: Repeat play”.
01:~~Repeat~play
When you press the START/STOP key, the current repeat play setting will ap­pear in the LCD.
2.
Select the desired setting.
Use the FILE DATA keys to select one of the three possible repeat settings.
Repeat~=~~~~~~~1
~~~~~~~~~~~~~~~å
3.
Start playback.
Press the SEQ mode key and start play­back. The MDF3 will repeatedly play a single song or all of the songs on the disk, depending on the setting you selected.
Repeat~=~~~~~all
~~~~~~~~~~~~~~~å
Note:
The “Repeat play” function is auto­matically set to “all” whenever you turn on power to the MDF3. When you play files with this setting, the MDF3 repeatedly plays all of the SEQ data files on the disk in numerical order.
40
When you select “1”, the MDF3 will play the SEQ data file you select repeatedly.
Repeat~=~~~~~off
~~~~~~~~~~~~~~~å
This setting turns the repeat function off.
Hint:
You can change the order in which “Repeat=all” plays songs by changing the SEQ file name extensions (see page 59 for details.)
01:~~~~~SONGå01

Creating a Playback Program

The “Prog play” function lets you create a program of up to 99 SEQ files to be played back in a specified order.
1.
In JOB mode, select “02: Prog play”.
02:~~~~Prog~play
When you press the START/STOP key, the following display will appear in the LCD.
Prog:01=..~.....
2.
Select a file.
Using the FILE DATA keys, select the song to be played for the currently dis­played program step.
Prog:01=01~SONGå Prog:02=..~.....
3.
Press the START/STOP key.
Your setting for the step will be registered, and the display will change to the next step.
JOB
program step
file number
file name
41
4.
Program other steps.
Repeat steps 2 and 3 as needed to pro­gram additional steps. Your program may contain up to 99 steps.
Prog:02=07~MissU 01:~~~~~SONGå01
Hint:
If you want to change a step once
you’ve programmed it, press the CURSOR [<<] key to move the cursor to the step num­ber area, then select the step you want to change using the FILE DATA keys. Then press the CURSOR [>>] key and select a different file.
42
5.
Start playback.
When you’ve finished creating your program, press the SEQ mode key and start playback. The MDF3 will play the songs you selected in the programmed order.
Hint:
If you set the “Repeat play” function to either “1” or “all”, you entire program of songs will be repeated indefinitely in the pro­grammed order. If the “Repeat play” function is set to “off”, however, the program will be played only once.
Note:
The program setting is temporary. It will be erased when the MDF3 is turned off, or when you remove the disk from the disk drive.

Changing the Record Tempo

The MDF3 automatically records sequence data at a default tempo of 120 beats per minute. The SEQ data files that you record will be played back at this default tempo unless you change the playback tempo using the FILE DATA keys. If you wish , you can use the “Record Tempo” function to set the tempo setting of a file before you start recording it.
1.
In JOB mode, select “03: Record Tempo”.
03:~Record~Tempo
When you press the START/STOP key, the current record tempo setting will ap­pear in the LCD.
2.
Select the desired tempo.
To increase the tempo, press the FILE DATA [+] key. To decrease it, press the FILE DATA [–] key. The tempo can be
changed within a range from 30 to 250 beats per minute.
Rec~Tempo~~œ=123
3.
Start recording
When you begin recording data in SEQ mode, the tempo you set here will be recorded at the start of the file as the SEQ file’s playback tempo.
JOB
Rec~Tempo~~œ=120
Note:
Whenever the MDF3’s power is turned on, the record tempo value is automatically set to the default value of 120 beats per minute.
SONGå03~~~~00:00
Hint:
When you record sequence data played back by a sequencer, you should set the record
tempo to a value equal to that used by the sequencer.
When recording data from a keyboard or other digital instrument, you can use this function to record fast musical phrases that would otherwise be difficult or impossible to play. This can be done by setting a faster playback tempo.
43

Selecting a MIDI Sync Mode

To synchronize the playback of the MDF3 with that of another MIDI sequencer, rhythm machine, or personal computer, it is not enough to merely set the same tempo value for the two devices. One device must be set to function as the master, while the other functions as a slave, synchronizing playback to the MIDI clock sig­nal output by the master rather than its own internal clock. You can change the synchronization setting using the “Sync mode” function.
1.
In JOB mode, select “04: Sync mode”.
04:~~~~Sync~mode
When you press the START/STOP key, the current sync mode setting will ap­pear in the LCD.
2.
Select the desired setting.
Using the FILE DATA keys, select either setting.
~~~~~~Sync~=MIDI
~~~~~~~~~~~~~~~å
3.
Exit the function.
Press any mode key (MDR, SEQ, JOB, or UTIL) to exit the function.
~~~~~~Sync~=~int
~~~~~~~~~~~~~~~å
Note:
Whenever the MDF3’s power is turned on, the sync mode is automatically set to the internal clock.
44
If you set the sync mode to “int.”, the MDF3 will ignore any clock signals out­put by other devices and run at the tempo set by its internal clock. If you select “MIDI”, the MDF3 will synchronize to an external clock signal, and ignore any tempo settings you have made.
When you next begin recording or play­back, the MDF3 will use the sync mode setting you have selected.

Enabling MIDI Control Messages

The “MIDI control” function lets you enable or disable the MDF3’s transmission and reception of MIDI realtime system control (Start, Continue, and Stop) messages. The setting you make here combines with the sync mode setting described on the previ­ous page to determine how MIDI devices control each other during playback.
1.
In JOB mode, select “05: MIDI control”.
05:~MIDI~control
When you press the START/STOP key, the current MIDI control setting will ap­pear in the LCD.
2.
Select the desired setting.
Using the FILE DATA keys, select either setting.
MIDI~Control=off
~~~~~~~~~~~~~~~å
3.
Exit the function.
Press any mode key (MDR, SEQ, JOB, or UTIL) to exit the function.
JOB
MIDI~Control=on
~~~~~~~~~~~~~~~å
Note:
Whenever the MDF3’s power is turned on, the MIDI control function will automati­cally be set to “on”.
When the MIDI control function is turn on, the MDF3 will transmit and receive Start, Continue, and Stop messages. It will also transmit MIDI clock signals. When this function is turned off, the MDF3 will neither transmit nor receive the MIDI Start, Continue, or Stop messages; nor will it transmit MIDI clock signals.
When you next begin recording or play­back, the MDF3 will use the MIDI con­trol setting you have selected.
45

Notes on MIDI Synchronization

The MIDI clock of a sequencing device to be synchronized with the MDF3 must normally be set to a value opposite that of the MDF3. If you want the MDF3 to control the playback tempo, select the “int.” sync mode and set the other device to use the MIDI clock. If the other device is to be the master, reverse these settings. In either case, you should also use the “MIDI control” function to enable the MDF3’s transmission and reception of MIDI system control messages. When synchronizing the MDF3 to another device, both the “Sync mode” and “MIDI control” functions must be set to appropriate values.
The possibilities for combining these settings are summarized in the table below.
04: Sync mode 05: MIDI control MDF3 operation
MIDI on Functions as a slave device.
int. on Functions as a master device.
MIDI off Cannot be used.
int. off Manual playback; no MIDI synchronization.
Note:
If an external sequencer or other device connected to the MDF3 retransmits the MIDI data it receives (using a MIDI echo function), avoid a looped MIDI connection or set the MDF3’s MIDI control function to “off”. Otherwise, the MDF3 may malfunction.
46
UTILITY M
The UTILITY mode functions let you rename, delete, or copy the files on a disk; append files to one another; or copy the entire contents of one disk to another.
ODE
Selecting a UTILITY mode function
To use a UTILITY mode function, first press the UTIL key, then use the FILE DATA keys to select the function. When the name of the desired function is displayed in the LCD, press the START/STOP key.
01:~~~~~~~Rename
Note:
You must place a disk in the disk drive in order to use the “UTILITY mode” functions.
Exiting a UTILITY mode function
When you have finished using a UTILITY mode function, you can exit the function by pressing any of the mode selection keys.
UTIL
47

File Names in UTILITY Mode

In UTILITY mode, file names appear differently than in other modes. The letter “M” will appear before the file numbers of MDR data files:
Nam:M01~MDRå01
file number file name Selected function Indicates there is no file
SEQ data files, on the other hand, will be indicated by the letter “S”:
Nam:S01~SONGå01
The files will be displayed in numerical order. The MDR files will appear first, and SEQ files will follow.
If there are no files on a disk, the following display will appear when you select a UTILITY mode function.
Nam:xxx~xxxxxxxx
~~~~~~å
When this display appears, you can not utilize any of the UTILITY mode functions.
48

Renaming Files

You can give each MDR or SEQ file you create a unique name of up to eight charac­ters. Doing so will make it much easier for you to select a desired file.
1.
In UTILITY mode, select “01: Rename”
01:~~~~~~~Rename
When you press the START/STOP key, the name of the first file on the disk will appear in the LCD.
2.
Select a file.
Using the FILE DATA keys, select a file to rename.
3.
Move the cursor to the file name.
Press the CURSOR [>>] key to move the cursor to the file name area.
Nam:M03~~~MDRå03Nam:M03~~~MDRå03
~~~~~~å~~~~~~å
Nam:M01~MDRå01
~~~~~~å
cursor
file data
cursor
Hint:
In addition to MDF3 (or MDF2) files, you can also rename MDR files created by the QX3. Other files cannot be renamed.
file data
UTIL
49
4.
Change a character.
Using the FILE DATA keys, change the character where the cursor is located.
5.
Move to the next character.
When the desires character appears, press a CURSOR key to move to the next letter.
6.
Press the START/STOP key.
When you’ve finished changing the name, press the START/STOP key. The MDF3 will write the new name to disk.
Nam:M03~~~TDRå03
~~~~~~~~~~å
Available characters:
Hint:
You can run through the options rap-
idly by holding down the FILE DATA keys.
50
Nam:M03~~~TDRå03
~~~~~~~~~~~å
Repeat steps 4 and 5 as needed until you have changed the entire name.
You can now press the CURSOR [<<] key to move the cursor back to the file num­ber area and select a new file to rename; or press any of the mode keys (MDR,
SEQ, JOB, or UTIL) to exit the function.

Deleting Files

The “Delete” function lets you remove unnecessary files from a floppy disk.
1.
In UTILITY mode, select “02: Delete”.
02:~~~~~~~Delete
~å
When you press the START/STOP key, the name of the first file on the disk will appear in the LCD.
Del:M01~~MDRå01
~~~~~~å
cursor
file data
2.
Select a file.
Using the FILE DATA keys, select a file to delete.
Del:S01~SONGå01
Note:
You can only delete files created on the MDF3 (or the MDF2) or MDR files cre­ated by the QX3.
3.
Press the START/STOP key.
When you are sure of your selection, press the START/STOP key. The MDF3 will delete the file, and the name of the next file in order will appear in the LCD.
Del:S02~SONGå02
Note:
If you press the START/STOP key at this time, the MDF3 will delete that file as well. Be very careful not to delete important files! If you want, you can now select a new file to delete; or press any of the mode keys (MDR, SEQ, JOB, or UTIL) to exit the func­tion.
UTIL
51

Copying or Appending Files

The “Append” function lets you copy files, or append files to each other. If you select two files which contain data as the source and destination files, the data from the source file will be appended to the end of the destination file. If you select an unused file as the destination file, the source file will be copied. (The copied file will be given the same name as the source file.)
1.
In UTILITY mode, select ”03: Append”.
03:~~~~~~~Append
~å
When you press the START/STOP key, the following display will appear in the LCD.
2.
Select a source file.
Using the FILE DATA keys, select the file to be copied or appended.
3.
Move the cursor to the right.
Press the CURSOR [>>] key to move the cursor to the destination file number.
52
Apn:M01~MDRå~M01
source file
number
source file name
destination file number
Apn:S01~SONG~S01
~~~~~~å
Note:
You can only copy or append files cre-
ated on the MDF3 (or the MDF2).
Apn:S01~SONG~S01
~~~~~~~~~~~~~~~å
4.
Select a destination file.
Using the FILE DATA keys, select the destination file number.
5.
Press the START/STOP key.
The MDF3 will append or copy the source file to the destination you speci­fied.
Apn:S01~SONG~S03
~~~~~~~~~~~~~~~å
Note:
When appending files, the destination file you select must be of the same type (i.e., MDR or SEQ) as the source file. You will not be allowed to append an MDR file to a SEQ file, or vice-versa.
Apn:S01~SONG~S03
~~~~~~~~~~~~~~~å
You can now press the CURSOR [<<] key to move the cursor back to the source file number area and select a new source file to copy or append; or press any of the mode keys (MDR, SEQ, JOB, or UTIL) to exit the function.
UTIL
53

Copying Disks

It is always a good idea to make backup copies of disks containing valuable data. The “Backup” function helps you do this by copying all the data on one disk (which is known as the “source” disk) to another disk (which is called the “target”).
1.
In UTILITY mode, select ”04: Backup”.
04:~~~~~~~Backup
When you press the START/STOP key, the following message will appear in the LCD.
2.
Insert the source disk.
Place the disk to be copied in the disk drive.
3.
Press the START/STOP key.
The following display will appear as the MDF3 reads data from the source disk.
Now~reading...
After a few moments, the following mes­sage will appear.
54
Insert~Source~!
Insert~Target~!
4.
Insert the target disk.
Remove the source disk from the disk drive, and insert a newly formatted disk.
5.
Press the START/STOP key.
The following display will appear as the MDF3 writes data to the target disk.
Now~writing...
After a few moments, the “Insert Source!” message will reappear. Repeat steps 2 through 5 until the completed message appears.
6.
Back up other disks.
If you want to copy another disk, press the START/STOP button; or press the mode keys (MDR, SEQ, JOB, or UTIL) to exit the function.
Hint: The MDF3 can copy approximately 100 kilobytes of data at one time. When you copy a disk containing a large amount of data, you will have to repeat steps 2 through 5 several times.
If you want to estimate the number of times you will have to exchange disks to complete the backup process, use the “Disk Info” func­tion to check how much of the source disk has been used before you execute the function.
If you have a personal computer with two disk drive capable of handling 3.5" 2HD/2DD floppy disks, you may find it easier to back up your MDF3 data disks using the computer!
UTIL
Completed~!
Note: Please use the same type of disks to back up your data. If you attempt to back up your data in 2HD disk to 2DD disk or vice versa, the “Bad Disk” message will appear and the backup will be rejected.
55

Formatting Disks

As we explained earlier in this manual, a new floppy disk must be formatted before the MDF3 can use it to save data.
1.
In UTILITY mode, select ”05: Format”.
05:~~~~~~~Format
When you press the START/STOP key, the following message will appear in the LCD.
2.
Insert a disk.
Insert the disk to be formatted in the disk drive.
3.
Press the START/STOP key.
The LED above the key will light steadily, and the LCD will display a message tell­ing you what percentage of the disk has been formatted. The MDF3 will recog­nize the inserted floppy disk type (2HD or 2DD) and format it automatically in appropriate size, 1,440 kilobytes for 2HD and 720 kilobytes for 2DD.
Formatting~~~93%
56
Format~disk
Note: If you format a disk that has been used before, any data it contains will be erased. Make absolutely sure that a disk does not contain any important data before you for­mat it.
When the disk has been formatted, the START/STOP LED will begin to flash again, and the “Format disk” message will reappear. You can repeat the pro­cess again to format another disk, or press any mode keys (MDR, SEQ, JOB, or
UTIL) to exit the function.

Displaying Disk Information

The “Disk info.” function lets you check the amount of available space remaining on a disk. It also displays other information such as the amount of disk space which has already been used, the number of files on the disk, and their respective sizes.
1.
In UTILITY mode, select “06: Disk info.”.
06:~~~Disk~info.
When you press the START/STOP key, a display showing the amount of disk space which has been used will appear in the LCD.
2.
View other disk information.
Press the FILE DATA [+] key once to dis- play the amount of available memory space remaining on the disk.
3.
Display file information.
Pressing the FILE DATA [+] key additional times will display the name of each file, and its size in kilobytes.
Used~mem~~~****k
total amount of disk memory used (KB)
Free~mem~~~****k
available disk space (KB)
Press the FILE DATA [+] key a second time to display the total number of files on the disk.
Used~file~~~~***
total files on the disk
M01~~~MDRå01~***
. . .
S01~~SONGå01~***
file number file name
Note: You can only see the size of each file created on the MDF3 (or the MDF2) or the MDR files created by the QX3.
file size (KB)
UTIL
57
T
HE STANDARD
MIDI F
ILE AND
ESEQ F
ORMATS
The Standard MIDI File format is a sequence data file format which has been adopted by a number of sequencing soft­ware products for the IBM PC/AT and compatibles, the Apple Macintosh, and a variety of other computers. There are actu­ally two Standard MIDI File formats: Format 0 records all se­quencer data for channels 1 through 16 as a single track, whereas format 1 provides for an unlimited number of tracks, each including data for one or more channels.
The ESEQ format is a sequence file format particular to Yamaha products. This format is used by a number of popular Yamaha sequencing devices, such as the QX3 and the Clavinova CVP series.
The MDF3 writes its SEQ data files using Standard MIDI File format 0. It is capable of playing back files written by other devices in the Standard MIDI File format 0 or 1, as long as they are stored on a disk which the MDF3 is capable of read­ing (MS-DOS 1,440 kilobytes (2HD) or 720 kilobytes (2DD)).
Moreover, the MDF3 can play ESEQ sequence files while in SEQ mode. It distinguishes between standard MIDI files and ESEQ files by checking the file header. No conversion pro­cess is required to play back ESEQ files.
If you will use the MDF3 to play sequence files recorded by other devices, be sure to keep these files and your MDF3 (or MDF2) SEQ files on separate disks.
When you place a disk containing only non-SEQ files in the MDF3, it will display the full file name (including the exten­sion) of each file. Should you mix SEQ files together with other sequence files on a single disk, however, the MDF3 will display the names of the SEQ files only, making it impossible to play the other files. Hence the need to keep SEQ files and non-SEQ files on separate disks.
If you have a personal computer, you can trick the MDF3 into playing back ESEQ files (or standard MIDI files created by other devices) which you have saved on disks containing SEQ files. To do so, you must use your computer to change the file name extensions of the non-SEQ files. The method for ac­complishing this is described in the following pages.
Note: Files named such as “PIANODIR.FIL”, “MUSIC.DIR”, “NAME.MDA” included in the ESEQ disks are the setup files and cannot be played back.
58
A
DVANCED FILE MANAGEMENT TECHNIQUES

Reading MDF3 Disks with a Computer

The disks you format for use with the MDF3 are compatible with MS-DOS or PC­DOS. This means that you can read the data from your MDF3 disks using an IBM PC/AT -compatible computer. Conversely, the MDF3 will be capable of reading data from 3.5" 2HD/2DD disks formatted by an IBM PC/AT.
Hint:
The Atari ST and Apple Macintosh are also capable of reading data from disks formatted by the MDF3. If you own a Macintosh, use a utility program such as PC Exchange, Apple File Exchange or DOS Mounter to read the data from your MDF3 disks.
Try inserting an MDF3 disk into the disk drive of your PC, then display a directory of the disk’s contents. You will see a display something like the following:
a>dir b: BE-BOP .X01 412 00-00-80 12:00 ROLLING .X02 533 00-00-80 12:00 HOME .B01 256 00-00-80 12:00 LIVE .B02 256 00-00-80 12:00
As you can see, each of the MDF3 file names is followed by a three-character “extension”. The MDF3 uses these extensions to organize the files on its disks.
Extensions beginning with the letter “B” indicate that the file in question contains MDR data, whereas files bearing exten­sions beginning with the letter “X” contain SEQ data.
The second two characters of each extension indicates the file number by which the MDF3 refers to the file. Thus, MDR data file number 01 would have the extension “.B01”, whereas SEQ data file number 01 would have the extension “.X01”.
If you desire, you can use your computer to change these extensions. Doing so will make possible some “tricky” appli­cations that you normally could not achieve using the MDF3 alone. Some examples are given on the next page.
Note: The display somewhat varies depending on the computer’s operating system you are using.
59

Changing MDF3 File Name Extensions

Here are a few examples of advanced techniques that become possible when you use a computer to change the extensions of your MDF3 files.
Reordering songs
You will recall that when you set the “Repeat play” function to “all”, the MDF3 will play back each of the SEQ data files on a disk in order. Now, imagine that you have recorded a number of SEQ files to a disk, and suddenly decide you want to play the first and second files in the opposite order.
You could change their order using the “Append” and “De­lete” function; but this would be pretty troublesome. It would be much easier to simply insert the disk in your computer, change the extension of file 01 to “.X02”, and then change that of file 02 to “.X01”. When you put the disk back in the MDF3, the songs will have changed place just as if you had gone through the trouble of moving them.
Note:
When you are renaming files, be careful not to give two or more files the same extension. If you do so, the MDF3 will only be able to read one of the files.
60
Changing MDR files to SEQ files
The MDF3’s “Prog play” function is handy, so long as the synthesizer or tone generator that plays the data can use the same data setup for all of the songs. But you may find your­self in a situation where you wish you could transmit some bulk data to change the setup between files.
Of course, you can record the bulk data in SEQ mode; but you’d just as soon avoid the trouble this entails. Here’s good news: you can!
Sure, the MDF3 uses extensions to distinguish between MDR and SEQ data files; but this is only done as a matter of conve­nience. Since both types of data are recorded using Standard MIDI File format 0, there’s nothing wrong with changing the extension of an MDR file to “.X??” and playing it (or even appending it to another SEQ file) as though it were a song.
Mixing SEQ files and other files
The MDF3 will display the names of ESEQ files or standard MIDI files written by other devices only when the disk they are on does not contain any files bearing the “.X??” exten­sion. This makes it difficult, for example, to play a mixture of SEQ files and ESEQ files which have been saved on the same disk.
Fortunately, the MDF3 does not need the extensions to check the file format: it is capable of recognizing standard MIDI files and ESEQ files by checking their file headers. This means that you can fool the MDF3 into displaying the names of non­SEQ files in SEQ mode by changing their file name exten­sions to “.X??”. Remember, when you attempt this, that the second and third characters of the extension must be num­bers, and that the extension must be different from those of all other SEQ files.
There’s another way to trick the MDF3 into playing a mixture of SEQ files and other sequence files: you can rename all the SEQ files on the disk so that they have extensions other than “.X??” (e.g. “MID”). The MDF3 will then treat the disk as though it contained no SEQ files, displaying the full file name of every file.
Note:
If you rename ESEQ files using the former method, you will be able to rename, copy, or delete them just as though they were SEQ files. If you try to use the “Append” function with such files, however, the MDF3 will display an error message.
61
MIDI OUT 2
MDF3
MIDI IN
MIDI IN
MIDI IN
MIDI IN
MIDI IN
MIDI IN
MIDI IN
MIDI THRU
MIDI IN MIDI OUT 1
MIDI OUT
A
PPLICATIONS

A Portable MIDI Playback System

The MDF3, when used in combination with a compact MIDI tone generator module, can form the heart of a portable MIDI playback system. In such a system, you would slave the tone generator to the MDF3 in order to play back SEQ data files which you had recorded previously.
By adding a portable MIDI keyboard to this arrangement, you can add on-the-spot recording to the playback function of the basic system. Make your MIDI connections as seen in the diagrams below.
For recording
MIDI INMIDI OUT MIDI INMIDI THRU
Tone Generator
MIDI keyboard
For playback
62
MDF3
MIDI INMIDI OUT MIDI INMIDI THRU
MIDI keyboard
Tone Generator
MDF3

An Extended MIDI System

In a complete MIDI system which already includes a per­sonal computer or a sequencer. In such a system, you would normally use the master keyboard and the sequencer to record parts for each of the slave tone generators, then play the data back all at once. If you connect the MDF3 to the system as shown in the illustration below, you can use it to “capture” the completed performance as SEQ data in Standard MIDI File format.
To do this, set the MDF3’s sync mode to “MIDI” and the MIDI control function to “on”. Then, press the REC and PAUSE keys. The MDF3 will wait for incoming sequence data to begin recording, then stop recording as soon as the sequencer trans­mits a MIDI Stop message.
Master keyboard
Slave 1
Slave 2
Sequencer MIDI patch bay
Slave 3
Slave 4
Slave 5
W
HAT ERROR MESSAGES TELL YOU
This appendix describes the error messages that can occur while you’re us­ing the MDF3, and give you advice on how to solve problems as they occur.
Disk access errors:
!~Play~only~disk !~~~~Memory~Full !~~Disk~protect
You have tried to record SEQ data to a disk containing only files created by other devices. As a result, the MDF3 has de­termined that the disk can only be used for playing back sequence data.
Replace the disk with an empty disk, or one which contains sequence data files recorded by the MDF3 (or MDF2).
Note:
The MDF3 will only record sequence data to empty disks or disks that already con­tain files bearing the “.X??” extension. If all of the sequence files on a disk have exten­sions other than “.X??”, the MDF3 will de­cide that the disk can be used for sequence data playback only.
The MDF3 has run out of disk space while recording SEQ data or receiving MDR data.
If this message appears while recording SEQ data, the MDF3 will create a SEQ file containing the data that it receives before the error occurred. If the message appears while receiving MDR data, all of the received data will be lost.
Use a disk with enough available space. Check the amount of space remaining on a disk before receiving or recording.
The disk in the drive is write-protected, and so the MDF3 cannot receive, record, rename, copy, or delete data on that disk.
Move the write-protect tap up to enable the MDF3 to write data to the disk.
!~~No~disk
A floppy disk has not been inserted into the disk drive. Insert a disk which has been formatted by the MDF3 (or MDF2).
63
!~Unformat~disk
Other errors:
!~~No~file
The disk in the disk drive has not been formatted, or has been formatted for a device other than the MDF3. Check the disk, and format it if necessary.
!~~Bad~disk
The MDF3 is unable to read or write data using the disk in the disk drive. The disk is either unformatted, or has been format­ted by a device other than the MDF3 (or MDF2).
If this message appears after you have formatted a disk, the disk is probably bad. Replace it with a new one.
!~~Illegal~file
You have selected a file written using a data format other than those which the MDF3 is capable of reading.
Select another file. The MDF3 can only read standard MIDI files (format 0/1), ESEQ format sequence data files, and MDR data files created by the QX3 in MDR mode.
64
A function cannot be executed because the displayed file cannot be found on the current disk. You have probably changed the disk after selecting a file but before executing the function.
Insert the disk containing the displayed file and execute the function again.
MIDI-related errors:
!~MIDI~data~err
There is something wrong with the MIDI data being received. Check the transmit­ting MIDI device and the MIDI cable.
!~MIDI~data~full
The amount of MIDI data received at one time has exceeded the MDF3’s process­ing capacity. Decrease the amount of data being transmitted to the MDF3.
!~~Battery~Low
The batteries are running low. The MDF3 is not capable of functioning any longer. If you attempt to use the MDF3 after this message appears, the unit will not oper­ate, or the message will appear again af­ter a few seconds.
Connect the AC adapter or replace the batteries with a new set.
Note:
If the “YAMAHA MDF3” initial display appears when you start a playback or record­ing operation, it means the battery power is so low that the MDF3 cannot display the “Bat­tery Low” error message. Connect the AC adapter or replace the batteries quickly.
!~~Disk~eject
A disk has been removed from the disk drive during playback or recording.
Never eject a disk during playback or recording, as doing so can dam­age the disk or the disk drive.
A
BOUT THE
MIDI I
MPLEMENTATION CHART
The MIDI implementation chart is useful for determining the function compatibility of different MIDI devices. The chart is essentially a list of the MIDI functions supported by a MIDI device.
The various possible MIDI functions are listed in the far left column of the chart. The two columns to the right of this list tell you whether the device in question supports the trans­mission and reception, respectively, of MIDI data related to the function. Supported functions are indicated by an “O”, whereas unsupported functions are marked by the letter “X”.
By inspecting a device’s implementation chart, you will get a good idea whether the device is more suitable for use as a master or a slave in your MIDI system. Generally speaking, the more O’s a device has in the transmission column, the better it will perform as a master device; the more O’s it has in the reception column, the better it will serve as a slave.
To determine whether two devices are compatible with re­gard to a specific function, compare their implementation charts. If one device supports transmission of a function and the other supports reception, the two devices can use the operation.
Note:
The MDF3’s MIDI implementation chart is enclosed with this manual as a separate sheet. This sheet also gives a detailed descrip­tion of the MDF3’s MIDI functions.
65
S
PECIFICATIONS
MDR Section:
File Capacity: 99 max. Recording Capacity: approx. 1,200 KB per 1 file
(when using MF2HD) Time Resolution: 10 msec./tempo q = 60 (fixed) Record File Format: Standard MIDI File format 0 Play File Format: Standard MIDI File format 0 or
Yamaha QX3 MDR
Sequencer Section:
File Capacity: 99 max. Number of Tracks: 1 (16 MIDI Channels) Number of Notes: approx. 150,000 notes
(when using MF2HD) Note Resolution (internal): 1/96 of quarter note Note Resolution (MIDI sync): 1/24 of quarter note Tempo (play): q = 30 to 250 Tempo (record): q = 120 (fixed) Simultaneous Record Notes: 64 max. Simultaneous Play Notes: 64 max. Record Mode: Realtime (replace) Record File Format: Standard MIDI File Format 0 Play File Format: Standard MIDI File Format 0/1 or
Yamaha ESEQ
Controls:
Panel Switches: MDR, SEQ, JOB, UTIL, CURSOR [<<],
CURSOR [>>], FILE DATA [+],
FILE DATA [–], REC, PAUSE,
START/STOP
Displays:
LCD: 16 digit liquid crystal display LED: green x 4 (MDR, SEQ, JOB, UTIL),
red x 4 (REC, PAUSE, START/STOP, MIDI)
External Memory:
Medium: 3.5" 2HD/2DD micro floppy disk File Capacity: 112 files/disk max. (2DD)
198 files/disk max. (2HD) Disk Format: MS-DOS standard Disk Volume: 1,440 KB (2HD), 720 KB (2DD)
Terminals:
MIDI terminals: IN, OUT Power Adapter Terminal: DC IN Foot Switch Terminal: FOOT SW
Power Supply:
Adapter: Yamaha PA-3B Batteries: Size “AA” or LR6 (AM3) alkaline batteries x 6
Dimensions: 162 (W) x 50 (H) x 220 (D) mm
(6-3/8" x 2" x 8-5/8")
Weight: 1.0 kg (batteries and disk not included)
(2 lbs. 3 oz.)
Accessories: 3.5" 2HD floppy disk x 1
MIDI cable x 1
66
*Specifications are subject to change without notice.
I
NDEX
A
AC Adapter, connecting 14, DC IN jack 13 Append, file 52 Apple Macintosh 59 Atari ST 59
B
Backup, disk 54 Batteries 14 Block, bulk data 10, headers and footers 29,
interval 29
Bulk data, definition 10, recording in SEQ mode
38. See also MDR data.
Bulk dump, definition 10
C
CURSOR key 12 Connection, AC adapter 14, MIDI 15, 62 Continue message 45 Copy, disk 54, file 52
D
DC IN jack 13 Delete, file 51 Disk, access LED 13, backup 54, capacity 7, 29,
drive 13, format 56, handling 4, 18, info. 57, write protect 5, 19
Display 12 DOS Mounter 59
E
Eject button 13 Error messages 63 ESEQ files, format 58, playback 38
F
Fast forward, during playback 37 File, appending 52, copying 52, deleting 51,
ESEQ format 58, MDR data 29, renaming 49, SEQ data 38, standard MIDI file 58
FILE DATA keys 12 File name, extensions 59, file management
techniques 59, renaming files 49, UTILITY mode display 48
Floppy disk, see Disk. Foot Switch 13 Format, disk 56, ESEQ 58, MDR file 29, SEQ file
38, standard MIDI file 58
Front panel 12
I
IBM PC/AT 59 Indicator, disk access LED 13, MIDI LED 12 Internal clock 44
J
JOB mode, description 20, 39, entering 39,
exiting 39, functions 21
K
Keywords 10
L
LCD 12 LED, disk access 13, MIDI 12
67
M
Master device, MIDI synchronization 44, 46,
selecting a master device 65
MDF3 Mode Overview 20 MIDI, applications 62, connections 15,
definition 10, data 10, device 10, implemen­tation chart 65, LED 12, MIDI control 45, 46, realtime control messages 45, synchroniza­tion 44, 46, sync mode 44, 46, terminals 13
MDR data, definition 11, file format 29, playback
as SEQ file 60, reception 24, transmission 27
MDR mode, definition 11, description 20, 23 Mode keys 12
R
REC key 12 Realtime control messages 45 Reception, definition 11, procedure 24, realtime
control messages 45
Recording, bulk data 38, definition 11,
procedure 32
Record tempo 43 Rename, file 49 Repeat play, all songs 40, one song 40,
program 41
Rewind 37
Start message 45 Stop message 45 Synchronization, see MIDI synchronization. Sync mode 44 System exclusive data, see Bulk data.
T
Tempo, changing during playback 36,
record tempo 43
Terminology 10 Transmission, definition 11, procedure 27,
realtime control messages 45
P
Pause, during playback 37, during recording 33,
during reception 25, during transmission 28, to start recording 33
PAUSE key 12 Personal computers, file management tech-
niques 59, using MDF3 data files 59
Playback, changing tempo during 36, definition
11, fast forward 37, MDR files 60, procedure 35, programmed 41, record tempo 43, repeated 40, rewind 37
Playback tempo, see Record tempo. Program play 41 Power, AC adapter 14, batteries 14, switch 13
68
S
SEQ data, definition 11, file format 38,
playback 35, recording 32
SEQ mode, definition 11, description 20, 31 Sequence data, definition 10. See also SEQ data. Slave device, MIDI synchronization 44, 46,
selecting a slave device 65
Song data 11. See also SEQ data. Specifications 66 Standard MIDI files, format 58, MDR data 29,
mixing with ESEQ files 61, SEQ data 38
START/STOP key 12
U
UTILITY mode, description 20, 47, entering 47,
exiting 47, file name display 48, functions 21
W
Write protect, disk 5, 19
For details of products, please contact your near­est Yamaha or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez­vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste sui­vante.
Die Einzelheiten zu Produkten sind bei Ihrer un­ten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011
MIDDLE & SOUTH AMERICA
MEXICO
Yamaha De Mexico S.A. De C.V., Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33
BRASIL
Yamaha Musical Do Brasil LTDA.
Ave. Reboucas 2636, São Paulo, Brasil Tel: 011-853-1377
PANAMA
Yamaha De Panama S.A.
Edificio Interseco, Calle Elvira Mendez no.10, Piso 3, Oficina #105, Ciudad de Panama, Panama Tel: 507-69-5311
OTHER LATIN AMERICAN COUNTRIES AND CARIBBEAN COUNTRIES
Yamaha Music Latin America Corp.
6101 Blue Lagoon Drive, Miami, Florida 33126, U.S.A. Tel: 305-261-4111
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
GERMANY/SWITZERLAND
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
SY12
AUSTRIA
Yamaha Music Austria
Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900
THE NETHERLANDS
Yamaha Music Nederland
Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411
BELGIUM
Yamaha Music Belgium
Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220
FRANCE
Yamaha Musique France, Division Professionnelle
BP 70-77312 Marne-la-Valée Cedex 2, France Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A., Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
SPAIN
Yamaha-Hazen Electronica Musical, S.A.
Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270
PORTUGAL
Valentim de Carvalho CI SA
Estrada de Porto Salvo, Paço de Arcos 2780 Oeiras, Portugal Tel: 01-443-3398/4030/1823
GREECE
Philippe Nakas S.A.
Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00
FINLAND
Warner Music Finland OY/Fazer Music
Aleksanterinkatu 11, P.O. Box 260 SF-00101 Helsinki, Finland Tel: 0435 011
NORWAY
Narud Yamaha AS
Grini Næringspark 17 N-1345 Østerås, Norway Tel: 67 14 47 90
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
OTHER EUROPEAN COUNTRIES
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
Yamaha Corporation, International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312
AFRICA
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
OTHER COUNTRIES
Yamaha Corporation, International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312
ASIA
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 730-1098
INDONESIA
PT. Yamaha Music Indonesia (Distributor) PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
KOREA
Cosmos Corporation
#131-31, Neung-Dong, Sungdong-Ku, Seoul Korea Tel: 02-466-0021~5
HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
16-28, Jalan SS 2/72, Petaling Jaya, Selangor, Malaysia Tel: 3-717-8977
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
Blk 17A Toa Payoh #01-190 Lorong 7 Singapore 1231 Tel: 354-0133
TAIWAN
Kung Hsue She Trading Co., Ltd.
No. 322, Section 1, Fu Hsing S. Road, Taipei 106, Taiwan. R.O.C. Tel: 02-709-1266
THAILAND
Siam Music Yamaha Co., Ltd.
865 Phornprapha Building, Rama I Road, Patumwan, Bangkok 10330, Thailand Tel: 2-215-3443
THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES
Yamaha Corporation, International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation, International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2445
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
ENVIRONMENT AL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approxi­mately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being
charged. When installing batteries, do not mix batteries with
new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Model Serial No. Purchase Date
92-BP
PLEASE KEEP THIS MANUAL
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