Yamaha M-5000 Owner's Manual

Power Amplifier Amplificateur de Puissance
English
Français
Owner´s Manual Mode d´emploi

English

Thank you and congratulations on your purchase of this Yamaha product.
¡You can enjoy the high-quality stereo sound of this power amplier at home.
¡This Owner’s Manual describes the unit’s features and connection procedures.
¡To use the product properly and safely, we suggest that you read this manual and Safety Brochure
You can download a PDF version of this manual from the following Yamaha website.
https://download.yamaha.com/
(separate booklet) thoroughly. Keep the manual in a safe, accessible place for future reference.

Features

¡Full oating and balanced transmission from input to output
¡High-rigidity lever selectors
¡Stable mechanical grounding construction dramatically lessens the impact of external vibrations
¡Left-right symmetrical design
¡Large power supply with four separate circuits, and large capacitors of 33000 μF Í 4
¡Newly-designed brass spiked feet
¡Powerful 400 W/8Ω output driven in monaural

About this manual

¡The illustrations as shown in this manual are for instructional purposes only.
¡The company names and product names in this manual are the trademarks or registered trademarks of
their respective companies.
¡“
even death.
¡“
¡“
NOTICE
product, or damage to data.
Note
¡“
¡Before starting to use the product, please be sure to read the separate “Safety Brochure”.
2
WARNING
CAUTION
” describes precautions to be followed to avoid the possibility of malfunction/damage to the
” describes supplemental information about the product.
” describes precautions to be followed to avoid the possibility of serious injury or
” describes precautions to be followed to avoid the possibility of injury.

Table of contents

Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
About this manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Supplied accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Maintenance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Mirror-nish side panels. . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Surfaces other than the mirror-nish side panels . . . . . . . . . . . . 4
Part Names and Functions
Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Balanced and unbalanced connections . . . . . . . . . . . . . . . . . 10
Connections
English
Connecting a preamplier. . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Trigger connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Basic speaker connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Connecting speaker cables . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Using standard speaker cables. . . . . . . . . . . . . . . . . . . . . . . 16
Using banana plug cables. . . . . . . . . . . . . . . . . . . . . . . . . . 17
Using Y-shaped lug cables . . . . . . . . . . . . . . . . . . . . . . . . . 17
Bi-wiring connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Bi-amp connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Bridge connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Connecting the power cord . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Reference Materials
General specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Block diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
Audio characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Total harmonic distortion (8Ω). . . . . . . . . . . . . . . . . . . . . . . 28
Total harmonic distortion (4Ω). . . . . . . . . . . . . . . . . . . . . . . 28
Total harmonic distortion (monaural 8Ω) . . . . . . . . . . . . . . . . 29
Frequency response . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
3

Supplied accessories

Please make sure that the following accessories are included in the package.
• Power cord
• System cable
• Owner’s Manual (this book)
• Safety Brochure (separate booklet)
WARNING
Do not use the supplied power cord for other devices.

Maintenance

To use this product for an extended period of time, we recommend that you maintain it regularly.
WARNING
• Check the power cord regularly to see if it is dusty. If so, wipe o the dust completely. Otherwise, re or electric shock might be caused.
• Do not use aerosol or ammable gas spray for cleaning or lubrication. Otherwise, ammable gas will build up inside the unit, causing possible explosion or re.
NOTICE
• Use a dry soft cloth to clean the unit. Using cleaning agents, such as benzene or thinner, detergent, or chemically-treated cloth might cause color changes or deterioration of the surface. If the surface gets very dirty, damp a cloth with detergent (diluted with water), wring the cloth tightly, and wipe o the dirt.
• If you wipe the surface area in the vicinity of the Yamaha logo with force, the logo might peel o or ber from the cloth might stick to the surface.
Mirror-nish side panels
We recommend that you use a cleaning cloth such as those made for pianos. If the surface is very dirty, use a soft cloth that is damp with water and wrung tightly.
Surfaces other than the mirror-nish side panels
Wipe other surfaces using a soft dry cloth. If the surface gets very dirty, dampen a cloth with detergent diluted in water, wring the cloth tightly, and then wipe the dirt from the surface.
4
Mirror-nish side panels

Part Names and Functions

This section describes the names and functions of the parts
on the front and rear panel.
English
5

Front panel

AMPLIFIER
NATURAL SOUND
SPEAKERS
OFF
POWER
A
B
A+B
BI
WIRING
A.
STANDBY/ON/OFF (Power) switch/indicator
Turns the power to the unit on or off.
STANDBY/ON
: Turns the power to the unit off.
OFF
On mode Lit brightly
Standby mode Lit dimly
O mode Off
The unit will enter standby mode in one of the following events:
• If the unit is powered on but not operated for eight
hours while the auto power standby function is turned on, or
• If you turn off the power to the device that is connected
to this unit’s TRIGGER IN jack. For more information, refer to “G AUTO POWER STANDBY switch” in the “Rear panel” section (page 9) and to “Trigger connections” (page 13).
: Turns the power to the unit on.
Power status Indicator
Note
After you turn on the unit, it will take a few seconds before the unit can reproduce sound.
NOTICE
If you plan not to use the unit for an extended period of time, be sure to unplug the power cord from the AC outlet. Even when the STANDBY/ON/OFF (Power) switch is turned o (the power indicator is dark), a minimal amount of electric current is still owing to the unit.
B.
SPEAKERS selector
Turns on or off two sets of speakers connected to the SPEAKERS A and B terminals on the rear panel.
: Both sets of speakers are off.
OFF
: The set of speakers connected to the A terminal is on.
A
: The set of speakers connected to the B terminal is on.
B A+B/BI-WIRING
: Both sets of speakers are on.
6
English
NOTICE
Make sure that the impedance of each speaker is appropriate for the system conguration. For more information, refer to “Basic speaker connections” (page14), “Bi-wiring connections” (page18), “Bi­amp connections” (page20), and “Bridge connections” (page22).
C.
Meter display (LEFT/RIGHT)
Indicates the audio output level of the left and right
channels.
D.
METER selector
Switches the meter display type to OFF, PEAK, or VU.
DIMMER
The brightness will change slowly between the brightest
and darkest (off). When you select the meter type by
turning the METER selector, the brightness at that point
will be used for the display.
OFF
: Adjusts the brightness of the meter display.
: Turns off meter operation and display illumination.
DIMMER
OFF
METER
PEAK
VU
: Switches the meter display type to a peak
PEAK
LINE
INPUT
BAL
level meter. The peak level meter shows the highest instantaneous level of an audio output signal.
: Switches the meter display type to a VU (Volume
VU
Unit) level meter. The VU level meter shows an effective audio output value that represents the way sound is perceived by human ears.
E.
INPUT selector
Enables you to select jacks to play back an audio source.
: Audio source input from the LINE jacks will be
LINE
played back.
: Audio source input from the BAL jacks will be
BAL
played back.
7

Rear panel

B
Note
For information regarding the connection procedure, refer
to “Connections” (page11).
A.
SPEAKERS R CH output terminals
B.
SPEAKERS L CH output terminals
Use the included speaker cables to connect speakers to the terminals. For information regarding the connection procedure, refer to “Connections” (page 11).
C.
BAL input jacks
These are XLR-type balanced input jacks. Connect your
preamplier here. Set the PHASE selector appropriately for the connected preamplier.
D.
PHASE selector
Sets the position (polarity) of the HOT pin at the BAL
input jacks according to the connected preamplier. For
more information, refer to “Balanced and unbalanced connections” (page 10).
NORMAL INVERTED
Refer to the instruction manual for the connected
component to nd out the position of the HOT pin at the
balanced output jacks on the component.
E.
These are RCA-type unbalanced input jacks. Connect
your preamplier here.
: Pin #2 is specied as HOT.
: Pin #3 is specied as HOT.
LINE input jacks
8
English
B
F.
MODE selector
Switches the speaker output between stereo and
monaural. For more information, refer to “Basic speaker
connections” (page 14), “Bi-wiring connections”
(page 18), “Bi-amp connections” (page 20), and
“Bridge connections” (page 22).
NORMAL
the standard setting.
DUAL MONO/BRIDGE
amplier. Select this setting for bi-amp or bridge
connections.
G.
ON
is powered on but not operated for eight hours. This
function is disabled if the system cable is connected to
the TRIGGER IN jack.
OFF
: The unit is used as a stereo amplier. This is
: The unit is used as a monaural
AUTO POWER STANDBY switch
: The unit enters standby mode automatically if it
: The unit does not enter standby mode automatically.
H.
TRIGGER IN jack
I.
TRIGGER OUT jack
Used to connect a component that supports the trigger function so that you can control the unit’s power on and off from that component. For more information, refer to “Trigger connections” (page 13).
J.
SERVICE jack
This jack is used to test the product.
K.
AC IN jack
Connect the supplied power cord here. For more information, refer to “Connecting the power cord” (page 24).
L.
Feet
If the unit is unstable, adjust the height of the feet as needed by rotating them.
9
Balanced and unbalanced connections
This unit features balanced input jacks (BAL) and unbalanced input jacks (LINE).
If the PHASE selector is set to NORMAL, pin #2 becomes HOT.
Lever
NOTICE
Do not use balanced and unbalanced connections between two components simultaneously. Doing so would create a ground loop that could generate static and noise.
Balanced connection
A balanced connection is a great advantage against external noise. For a balanced connection, use a cable with male XLR connectors. When connecting a cable, be sure to align the pins on the connector with the holes on the jack, and then insert the connector into the jack until you hear a click. To remove the cable, while pressing and holding down the lever on the BAL jack, pull out the male XLR connector from the jack.
Pin #2 Pin #3
Pin #1
When making a balanced connection, you must set the polarity correctly. To set the polarity, use the PHASE selector on the rear panel.
2: hot
3: cold
1: ground (earth)
If the PHASE selector is set to INVERTED, pin #3 becomes HOT.
Lever
2: cold
3: hot
1: ground (earth)
Note
Select NORMAL (pin #2 is HOT) for a Yamaha player or preamplier.
Unbalanced connection
For an unbalanced connection, use RCA-type pin cables. They do not transmit phase information.
10
B
PHASE
NORMAL
INVERTED
B

Connections

This section explains how to connect the unit
to a preamplier and speakers.
English
CAUTION
Turn o the power to all components before making any connections.
NOTICE
Before you connect external components, read and follow the instruction manuals for those components. Otherwise, this unit or external components might malfunction.
11
Connecting a preamplier
Connect your preamplier to the unit’s input jacks. For this connection, use XLR-type balanced cables or RCA-type
unbalanced cables.
Balanced connection
M-5000
Front panel
XLR-type balanced cable
Preamplier
LINE
INPUT
BAL
B
BAL
R
B
Unbalanced connection
RCA-type pin cable
Preamplier
NOTICE
The unit’s volume level is xed. Do not connect a component that does not feature volume adjustment to the unit’s input jacks. Otherwise, a loud sound might be emitted, resulting in malfunction of the unit or damage to the speakers.
Front panel
INPUT
BAL
LINE
M-5000
B
LINE 1
R
B
Note
• If the preamplier supports both balanced and unbalanced connections, use a balanced connection.
• Do not use balanced and unbalanced connections between two components simultaneously. Doing so would create a ground loop that could generate static and noise.
12

Trigger connections

B
B
M-5000
M-5000M-5000
You can control the unit’s power on and off in sync with a connected Yamaha component, such as a preamplier or AV
receiver.
Use the supplied system cable to make connections as shown in the following diagram.
Example (one M-5000 unit is used)
Preamplier, etc.
B
System cable
Example (two M-5000 units are used)
B
English
B
B
System cable
Preamplier, etc.
To control the unit in a trigger connection conguration,
set the STANDBY/ON/OFF (Power) switch to STANDBY/ON.
When the power to the connected component is turned on, the power to this unit is also turned on. When the power to the connected component is turned off, this unit enters standby mode.
System cable
B
B
Note
When the power switch on this unit is turned OFF, the power to the unit will not be triggered.
13

Basic speaker connections

SPEAKERS
OFF
A
B
R channel
High
Low
R channel
Preamplier
R channel L channel
R channel signal L channel signal
B
Shorting bar
Turn o the power to the unit and all
1
connected components.
Set the MODE selector on the rear panel to
2
NORMAL.
Set the SPEAKERS selector on the front
3
panel to A, B, or A+B BI-WIRING.
The diagram shows the selector set to A.
MODE selector
MODE: NORMAL
CAUTION
Be sure to use speakers that feature the impedance shown in the table below.
Speaker impedance
SPEAKERS selector A B A+B
Basic connection/ Bi-wiring connection
Bi-amp connection 4Ω or higher 8Ω or higher Bridge connection 8Ω or higher 16Ω or higher*
4Ω or higher 8Ω or higher
Connect the power amplier to the “+” and
4
“−” terminals of the speakers.
14
* Excluding models for U.S.A. and Canada
M-5000
+
+
L
R
+
+
L
R
L channel
English
L channel
High
B
SPEAKERS selector
(front panel)
SPEAKERS
A
OFF
B
A+B
BI
WIRING
CAUTION
Before turning the power back on to the source component, rst lower the volume level on that component.
NOTICE
• Do not let the bare speaker wires touch each other, nor let them touch any metal part of this unit. Otherwise, the unit and/or the speakers might be damaged.
• Do not connect an active subwoofer to this unit. Connect the subwoofer to the preamplier.
Low
Shorting bar
Note
• All connections must be correct: L (left) to L, R (right) to R, “+” to “+”, and “−” to “−”. If the connections are faulty, no sound will be heard from the speakers. Also, if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.
• Because this power amplier is of the oating balanced type, the following types of connections are not possible.
- Connecting between two “+” (or two “−”) terminals of the left and right channels (Fig. 1).
- Connecting each “−” terminal of the unit’s left and right channels to the opposite channel speakers (cross connection, Fig. 2).
- Connecting the left/right channel “−” terminals (or accidentally allowing them to come in contact) with the metal part of the rear panel of this unit.
Figure
1
+
L
Figure
2
+
L
R
+
R
+
15

Connecting speaker cables

Using standard speaker cables
Remove approximately 10 mm (0.4 in) of
1
insulation from the end of each speaker cable, and twist the exposed wires together tightly to prevent short circuits.
10 mm (0.4 in)
Unscrew the knob on each SPEAKERS
2
terminal, and then insert the bare wire into the side hole on the terminal.
CAUTION
• Do not loosen the knob excessively. Otherwise, the knob might come o and a child might swallow it accidentally.
• To reduce the risk of electric shock, do not touch the SPEAKERS terminals while the power to the unit is on.
NOTICE
If the SPEAKERS terminals come into contact with a metallic rack, a short circuit might occur, resulting in damage to this unit. When installing the unit in a rack, maintain a sucient clearance to prevent the SPEAKERS terminals from coming into contact with the rack.
Tighten the knob.
3
Diameter of the speaker cable wire hole: 6.0 mm (0.24 in)
16
Using banana plug cables
First, tighten the knob, and then insert the banana plug into the head of the knob.
Using Y-shaped lug cables
Unscrew the knob, and then sandwich the
1
Y-shaped lug between the ring part and base of the terminal.
Diameter of the banana plug hole: 5.5 mm (0.22 in)
Y-shaped lug
English
Slide
Thickness of the terminal core: 5.0 mm (0.20 in)
Tighten the knob.
2
17
SPEAKERS
OFF
A
B
R channel
High

Bi-wiring connections

PreamplierR channel
R channel L channel
R channel signal L channel signal
Low
Remove the shorting bar.
To bi-wire your speakers, separate cables are used to connect the mid/high-frequency speaker driver (tweeter) and the low-frequency driver (woofer) on each bi-
wireable speaker to the amplier. Running separate cables from the amplier can have a profound impact on relieving the tweeter circuit from the back ush of EMF
(electromotive force) generated by the woofer’s voice coil, resulting in less interference between HF and LF ranges and better sound quality.
You need to use speakers that feature two sets of terminals (total of four) that allow each speaker to be split into two sections (low-frequency and mid/high-frequency ranges).
B
MODE selector
MODE: NORMAL
Remove the shorting bars or bridges on
2
the speakers.
The LPF (low pass lter) and HPF (high pass lter) crossovers will be separated.
Turn o the power to the unit and all
1
connected components.
18
M-5000
L channel
English
L channel
High
B
SPEAKERS selector
(front panel)
SPEAKERS
A
OFF
B
A+B
BI
WIRING
Connect the power amplier to the
3
speakers.
For each channel speaker, connect the cables from the speaker’s mid/high range terminals
to the amplier’s SPEAKERS A jacks of the
corresponding channel, and from the speaker’s
low range terminals to the amplier’s SPEAKERS
B jacks of the corresponding channel respectively.
Set the MODE selector on the rear panel to
4
NORMAL.
Low
Remove the shorting bar.
CAUTION
Be sure to use speakers that feature the impedance shown in the table below.
Speaker impedance
SPEAKERS selector A B A+B
Basic connection/ Bi-wiring connection
Bi-amp connection 4Ω or higher 8Ω or higher Bridge connection 8Ω or higher 16Ω or higher*
* Excluding models for U.S.A. and Canada
4Ω or higher 8Ω or higher
Set the SPEAKERS selector on the front
5
panel to A+B BI-WIRING.
CAUTION
Before turning the power back on to the source component, rst lower the volume level on that component.
19

Bi-amp connections

B
MODE: DUAL MONO/BRIDGE
PreamplierR channel
R channel L channel
R channel signal L channel signal
R channel
High
Low
Remove the shorting bar.
M-5000
B
MODE selector
MODE: DUAL MONO/BRIDGE
SPEAKERS selector
(front panel)
SPEAKERS
OFF
B
A
B
A+B
BI
WIRING
To congure a bi-amp stereo system, you need two
M-5000 units.
The M-5000 features two built-in ampliers. Each of
these amps is connected to the mid/high-frequency speaker driver (tweeter) and the low-frequency driver (woofer) on the speaker of the corresponding channel. You need to use speakers that feature two sets of terminals (total of four) that allow each speaker to be split into two sections (low-frequency and mid/high-frequency
ranges). Bi-amping speakers can prevent the back ush of
EMF (electromotive force) generated by the woofer from affecting the signal, resulting in improved sound quality in some cases.
Connect the input source to the L-channel input jacks on both M-5000 units.
20
Turn o the power to the unit and all
1
connected components.
Remove the shorting bars or bridges on
2
the speakers.
The LPF (low pass lter) and HPF (high pass lter) crossovers will be separated.
L channel
English
B
MODE selector
MODE: DUAL MONO/BRIDGE
SPEAKERS selector
(front panel)
SPEAKERS
A
OFF
B
A+B
BI
WIRING
B
M-5000
L channel
High
Low
Remove the shorting bar.
Set the MODE selector on the rear panel to
3
DUAL MONO/BRIDGE.
Set the SPEAKERS selector on the front
4
panel to A, B, or A+B BI-WIRING.
The diagram shows the selector set to A.
Connect the power amplier (this unit) to
5
the speakers.
For each channel speaker, connect the cables from the speaker’s mid/high range terminals to
the amplier A jacks for the SPEAKERS R CH,
and from the speaker’s low range terminals to the
amplier A jacks for the SPEAKERS L CH.
CAUTION
Be sure to use speakers that feature the impedance shown in the table below.
Speaker impedance
SPEAKERS selector A B A+B
Basic connection/ Bi-wiring connection
Bi-amp connection 4Ω or higher 8Ω or higher
Bridge connection 8Ω or higher 16Ω or higher*
* Excluding models for U.S.A. and Canada
4Ω or higher 8Ω or higher
CAUTION
Before turning the power back on to the source component, rst lower the volume level on that component.
21
Loading...
+ 47 hidden pages