Yamaha F15, F12, F28, F12M, F25 User Manual

SPEAKER SYSTEMS
EnglishFrançaisDeutschEspañol日本語Additions
F12 F12M F15 F25
SUBW
F28
Owner’s Manual Mode d’emploi Bedienungsanleitung Manual de instrucciones
取扱説明書
Thank you for purchasing a YAMAHA product. To obtain maximum performance from your YAMAHA speaker sys­tem and ensure many years of trouble-free operation, we recommend that you read this Owner’s Manual thoroughly before use and keep it for future reference.
Contents
Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Connection example. . . . . . . . . . . . . . . . . . . . . . . . .3
Hanging installation . . . . . . . . . . . . . . . . . . . . . . . . .4
Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Technical Data . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Precautions

AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRA TION
When choosing a location for your speakers, avoid the following:
• Direct sunlight, high temperatures (such as near heat­ers), or excessively low temperatures.
• High humidity.
• Areas subject to excessive dust accumulation and vibration.
• Non-level or unstable surfaces.

HOW TO POWER UP YOUR SOUND SYSTEM

To avoid damage to your speakers and other parts of your system, when you turn on your system, ALWAYS turn the power amp on last! This will avoid loud, dam­aging pops that will annoy your audience, and blow your speakers. When you power down, the amplifier should ALWAYS be turned off first to avoid the same problems.

To protect your speakers

When choosing a power amplifier to use with your speakers, make sure that its power output matches the speakers’ power capacity (refer to the “Specifica­tions” on page 5). Even if the amplifier’s power out­put is lower than the speakers’ PGM (program) power capacity, the speak ers may be damaged when clipping of a high input signal occurs.
The following may cause damage to speakers:
• Feedback caused when using a microphone.
• Continuous high sound pressure level produced by electronic instruments.
• Continuous high-power output distorted signals.
• Popping noises caused by turning on equipment, or by connecting or disconnecting system components while the amplifier is turned on.
MAKE SURE THE POWER IS OFF BEFORE MAKING OR REMOVING CONNECTIONS
Always turn the power switches of system components OFF prior to connecting or disconnecting cables. Fail­ure to do so may result in damage to speakers as well as to connected equipment.

DISCONNECT CABLES BEFORE MOVING THE SYSTEM

To prevent short circuits or breakage of cables, always disconnect cables prior to moving system equipment.

MATCH CONNECTOR POLARITY

When using two or more speaker systems, be sure match the polarity (+/–) of the speaker system connec­tors to those at the amplifier. If the polarities do not match, the sounds produced by the speakers will inter­fere with each other, making it impossible to achieve a well-balanced sound field.
KEEP THIS OWNER’S MANUAL IN A SAFE PLACE FOR FUTURE REFERENCE
This product, when used in combination with amplification and/or additional loudspeakers, may be capable of produc­ing sound levels that could cause perma­nent hearing loss.
DO NOT operate at high volume le vels or at a level that is uncomfortable. If you experience any discomfort or ringing in the ears, or suspect an hearing loss, you should consult an audiologist.

SPEAKER HANDLES

The handles on your speakers are for transportation. The F12M/F25/F28 models are not designed for sus­pension or hanging. Only the F12/F15 models are designed for suspension. Please consult a qualified engineer for proper hanging techniques.

Fly-Ware

Hang correctly according to the instructions on page 4.
2
Mixer
Full-range position
F12/F12M/ F15/F25
Mixer
Crossover
1.4 kHz (24 dB/oct., Gc=–3 dB)
Bi-amp position
F12/F12M/ F15/F25
HF
LF
Power amp
Polarity
Reversed
Normal
Power amp
Power amp
Crossover
80 Hz (18 dB/oct., Gc=–6 dB)
Polarity Normal
Normal
Full-range position
F12/F15
F28
Mixer
HF
LF
Power amp
Power amp
Polarity
Reversed
Normal
Normal
F28
Power amp
Mixer
Crossover
LF/HF; 1.4 kHz (24 dB/oct., Gc=–3 dB)
SLF/LF; 80 Hz (18 dB/oct., Gc=–6 dB)
Bi-amp position
F12/F15
HF
LF
SLF
Power amp
Power amp

Connection example

Connections

Stand alone
1
Use as full-range speaker system
2
Use as bi-amp speaker system
Use combined with subwoofer
1
2-way crossover
• SPEAKER SYSTEMS: F12/F12M/F15/F25
• SUBWOOFER: F28
EnglishFrançaisDeutschEspañol日本語Additions
2
3-way crossover
Speaker system and Neutrik NL4FC connector connections
1+
1–
Neutrik NL4FC connector

Bi-amp drive

The F12/F12M/F15/F25 also support bi-amp drive.
FULL-RANGE BI-AMP
PIN
1±=INPUT 2±=N.C.
2–
2+
PIN
1±=L.F. 2±=H.F.
Full-range operation
1+ 1– 2+ 2–
For bi-amp drive, switch the mode switch from FULL-RANGE to BI-AMP with a flat-bladed screwdriver.
Caution: • Do not switch the mode switch during operation.
+ –
Bi-amp operation
1+ 1– 2+ 2–
LF+ LF– HF+ HF–
Subwoofer 1+ 1– 2+ 2–
+ –
3

Hanging installation

The F12/F15 can be installed hanging. Remove the four countersunk screws on the top or bottom of the speaker system, screw in the four accessory eye bolts and hang with wire.
When hanging the speaker system, carry out the work under the guidance of an expert with a safe method appropri­ate to the actual installation and environment.
Countersunk screw
Warning: • Always use the accessory eye bolts.
• Always hang with four eye bolts on one surface.
• Do not use the handle to hang the speaker system.
Eye bolt (3/8")
Standards and use conditions for flying
1
Always hang from four points. (Figure 1)
2
Use the fittings for the F12/F15 with a total load no greater than 172 kg including the speakers, eye bolts, wires, etc.
3
Use with a hanging angle of no greater than 45 ° . (Figure 2)
4
When hanging in a vertical array, use no more than 4 levels of F12s or 3 levels of F15s.
5
Verify the strength of wire rope, ceiling fittings, and connection fittings.
*
1
5
above are reference values.
45° maximum
(Figure 1: Always hang from four points.) (Figure 2: Retraction angle 45 ° maximum)

Maintenance inspection

Parts can deteriorate due to wear, corrosion, etc. during use. For the sake of safe usage, inspect periodically.
4
4
40 ° 60 °
60 ° 40 °
Specifications

SPEAKER SYSTEMS

Model F12 F12M F15 F25
Frequency Range 55 Hz to 20 kHz 45 Hz to 20 kHz Power Capacity NOISE 350 W (EIA RS-426) 700 W (EIA RS-426)
PRGM 700 W 1400 W
MAX 1400 W 2800 W Nominal Impedance 8 Ω Sensitivity 98 dB (W, m) 99 dB (W, m) 98 dB (W, m)
Nominal Dispersion
Crossover Frequency 1.5 kHz Input Connectors NEUTRIK NL4MPR × 2 Mode Switch Full Range & Bi-Amp Components LF 12" cone (JAY5130) 15" cone (JAY6150) 15" cone × 2 ( JAY6150 )
Enclosure Bass Reflex Type Dimensions (W × H × D) 500 × 714 × 375 mm 705 × 465 × 447 mm 575 × 855 × 435 mm 575 × 1225 × 550 mm Weight 34 kg 32.5 kg 40 kg 63 kg Accessory 3/8" Shoulder Eye
Horizontal 60 °
Vertical 40 °
HF 3" Titanium diaphragm driver (JAY2120)
3/8" Shoulder Eye
Bolts × 4 pcs
Bolts × 4 pcs
EnglishFrançaisDeutschEspañol日本語Additions

SUBWOOFER

Model F28
Frequency Range 35 Hz to 2 kHz Power Capacity NOISE 1000 W (EIA RS-426)
PRGM 2000 W
MAX 4000 W Nominal Impedance 4 Ω Sensitivity 98 dB (W, m) Input Connectors NEUTRIK NL4MPR × 2 Components 18" cone × 2 (JAY7020) Enclosure Bass Reflex Type Dimensions (W × H × D) 1225 × 585 × 655 mm Weight 72.5 kg
Specifications subject to change without notice.
F12M floor mounting angle
471
30°
5
TechnicalData
■F12/F12M
FrequencyResponse/Impedance
110
100
dB
90
80
RESPONSE
70
60
20
FREQUENCY(Hz
F12; HorizontalDirectivity F12M;VerticalDirectivity
• 500Hz
• 1kHz
• 2kHz
270°
300°
50
330°
40 40302010030 20 10 0
°
240
210°
16 8
4 2
10k1k100
0°
30°
• 4kHz
330°
• 8kHz
• 16kHz
60
°
90°
50
°
120
°
180
150°
300°
50
40 40302010030 20 10 0
270°
°
240
210°
0°
°
180
30
°
60
°
90°
50
°
120
°
150
F12; VerticalDirectivity F12M;HorizontalDirectivity
• 500Hz
• 1kHz
• 2kHz
32
300°
50
40 40302010030 20 10 0
270°
°
240
330
°
0°
30°
• 4kHz
330
°
0°
30°
• 8kHz
• 16kHz
60°
90°
50
°
120
°
210
°
180
150°
300°
50
40 40302010030 20 10 0
270°
°
240
°
210
°
180
60°
90°
50
°
120
150°
■F15
0°
330
°
300°
270°
240
°
210
°
180
°
150°
120
°
90°
50
50
60
°
30°
40 40302010030 20 10 0
• 4kHz
• 8kHz
• 16kHz
0°
330
°
300°
270°
240
°
210
°
180
°
150°
120
°
90°
50
50
60
°
30°
40 40302010030 20 10 0
• 500Hz
• 1kHz
• 2kHz
FrequencyResponse/Impedance
110
100
dB
90
80
RESPONSE
70
60
20
HorizontalDirectivity
• 500Hz
• 1kHz
• 2kHz
270°
300°
50
240
FREQUENCY(Hz
330°
40 40302010030 20 10 0
°
210°
16 8
4 2
10k1k100
0°
30°
• 4kHz
330°
• 8kHz
• 16kHz
60
°
90°
50
°
120
°
180
150°
300°
50
40 40302010030 20 10 0
270°
°
240
210°
0°
°
180
30
°
60
°
90°
50
°
120
150°
VerticalDirectivity
日本語
Additions
33
■F25
0°
330°
300°
270°
2
4
0
°
210°
180
°
150
°
120°
90°
50
50
6
0°
30°
40 40302010030 20 10 0
• 500Hz
• 1kHz
• 2kHz
0°
330°
300°
270°
2
4
0
°
210°
180
°
150
°
120°
90°
50
50
6
0
°
30
°
40 40302010030 20 10 0
• 4kHz
• 8kHz
• 16kHz
0°
330°
300°
270°
240
°
210°
180
°
150°
120
°
90°
50
50
60
°
30
°
40 40302010030 20 10 0
• 4kHz
• 8kHz
• 16kHz
0°
330°
300°
270°
240
°
210°
180
°
150°
120
°
90°
50
50
60
°
30°
40 40302010030 20 10 0
• 500Hz
• 1kHz
• 2kHz
FrequencyResponse/Impedance
110
100
dB
90
80
RESPONSE
70
60
20
HorizontalDirectivity
FREQUENCY(Hz
16 8 4 2
10k1k100
VerticalDirectivity
34
■F28
FrequencyResponse/Impedance
110
100
dB
90
80
RESPONSE
70
60
20
FREQUENCY(Hz
16 8
4 2
10k1k100
35
日本語
Additions

Dimensions

F12
242
75°
354.7
W:500
(59)
210
D:375
(106)
H:714
F12M
36
W:705
H:465
500
D:447
471
°
30
60°
F15
297
(85)
245
75°
428
W:575
D:435
(105)
H:855
F25
287
D:550
75°
W:575
日本語
H:1225
37
Additions
F28
H:585
W:1225
D:655
Unit:mm
38
CJY0328 R1 1 AP 40 Pro Audio Division, #18/3
Printed in U.S.A.
P.O. Box 3, Hamamatsu, 430-8651, Japan
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