Page 1
Owner’s Manual
MIC MIC MIC MIC MIC MIC MIC MIC
INPUT OUTPUT
LINELINELINE
INS
I/O
GAIN
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
10
15
20
25
30
40
50
∞
INS
I/O
GAIN
–34+10
–16
–16
–60
HIGH
+15–15
MID
+15–15
LOW
+15–15
MONI 1
100
MONI 2
100
EFFECT
100
PAN
L
L
R
PFL
PFL
0
0
5
5
10
15
20
25
30
40
50
∞
2
1
INS
INS
I/O
I/O
GAIN
GAIN
–34+10
–34+10
–60
+15–15
+15–15
+15–15
100
100
100
R
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
10
15
20
25
30
40
50
∞
–16
–16
–60
HIGH
+15–15
MID
+15–15
LOW
+15–15
MONI 1
100
MONI 2
100
EFFECT
100
PAN
L
R
PFL
0
0
5
5
10
15
20
25
30
40
50
∞
3
0dB
INSERT I/O
OUT IN
GAIN
GAIN
GAIN
–34+10
–16
–60
HIGH
+15–15
MID
+15–15
LOW
+15–15
MONI 1
100
MONI 2
100
EFFECT
100
PAN
L
R
PFL
0
5
10
15
20
25
30
40
50
∞
4
–34+10
–34+10
–60
+15–15
+15–15
+15–15
100
100
100
L
R
PFL
5
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
10
15
20
25
30
40
50
∞
–16
–16
–60
PEAK
PEAKPEAKPEAKPEAKPEAKPEAK
HIGH
+15–15
MID
+15–15
LOW
+15–15
MONI 1
100
MONI 2
100
EFFECT
100
PAN
L
L
R
PFL
0
0
5
5
10
15
20
25
30
40
50
∞
6
ST R
MONO
ST
5
VOCAL REVERB 1
6
VOCAL REVERB 2
7
VOCAL REVERB 3
8
VOCAL REVERB 4
FOOT SW
MONO
+4dB
EFFECT
+4dB
PHONES/
C-R OUT
EEEngine
(+4dB)
PEAK
+8
POWER
+5
+3
+4+18
+1
PHANTOM
(+48V)
0
ON
–1
OFF
–3
–5
PHONES/C.R.OUT
–7
–10
–15
100
10
15
20
25
30
40
50
∞
MAXMINPROGRAM
0
5
LR
9
HALL 1
10
HALL 2
11
HALL 3
12
ROOM
AFLAFLAFL
100
–20
ST 2
ST1
100
13
PLATE 1
14
PLATE 2
15
PLATE 3
16
GATE REVERB
8k4k2k1k500250125
+12
6
ON
0
6
–12
0
5
10
15
20
25
30
40
50
∞
R
L
L
REC
–10dBV
0
8
7
6
5
4
3
2
1
16
L
R
1
L
100
L/BRIDGE
MONI 1
MONI 2
10
ON
9
10
VOCAL ECHO 1
1
11
2
VOCAL ECHO 2
12
13
3
VOCAL ECHO 3
14
4
VOCAL ECHO 4
15
0
5
10
15
20
25
30
40
50
∞
ST 1
+4dB
R
ST 2
+4dB
MONIMONI
2
+4dB
PAMP
IN
+4dB+4dB+4dB BRIDGE
POWER AMPTAPE IN
LR
LIMITER
LEVEL
+4+18
ST L
MONO BRIDGE
100
GRAPHIC EQUALIZER
0
5
10
15
20
25
30
40
50
∞
11 L
12 R
GAIN
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
BAL
10
15
20
25
30
40
50
∞
L
11 L
B
TAPE
R
12 R
B
A
A
A
B
–34+10
PEAKPEAKPEAK
+15–15
+15–15
+15–15
100
100
100
L
R
PFL
0
5
11/12
L
L
(MONO)
(MONO)
RR
R
ST
ST
SUB 2
SUB 1
ST
MONI 1
100
MONI 2
PFL
100
MONI 1
ST
100
PFL
DIGITAL EFFECT
ST SUB 1
MONI 1
100
MONI 2
100
+12
ST
6
0
6
100
–12
PFL
ST SUB 2
AFL AFL
0
5
10
15
20
25
30
40
50
∞
MONI 1 MONOST 1EFFECTMONI 2
9 L
B
10 R
B
9 L
LINELINELINELINELINE
87654321
GAIN
–34+10
–16
–60
HIGH
+15–15
MID
+15–15
LOW
+15–15
MONI 1
100
MONI 2
100
EFFECT
100
PAN
L
R
PFL
PFL
0
5
10
15
20
25
30
40
50
∞
8
7
(MONO)
(MONO)
A
10 R
A
11/12
9/10
A
B
GAIN
–34+10
–34+10
–60
HIGH
+15–15
+15–15
MID
+15–15
+15–15
LOW
+15–15
+15–15
MONI 1
100
100
MONI 2
100
100
EFFECT
100
100
BAL
L
R
R
PFL
0
5
10
15
20
25
30
40
50
∞
9/10
E
Page 2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This
product, when installed as indicated in the instructions contained in
this manual, meets FCC requirements. Modifications not expressly
approved by Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or
another product use only high quality shielded cables. Cable/s supplied
with this product MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC authorization to use
this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reasonable
level of assurance that your use of this product in a residential
environment will not result in harmful interference with other
electronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in the
users manual, may cause interference harmful to the operation of other
electronic devices. Compliance with FCC regulations does not
guarantee that interference will not occur in all installations. If this
product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to
eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the
interference. Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s. In the case of radio
or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If
these corrective measures do not produce satisfactory results, please
contact the local retailer authorized to distribute this type of product. If
you can not locate the appropriate retailer, please contact Yamaha
Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA 90620
This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
Page 3
2
Introduction
Thank you for purchasing the Yamaha EMX2000 Powered Mixer. In order to take full
advantage of the EMX2000 and enjoy long, trouble-free performance, please read this
owner’s manual carefully, and keep it in a safe place for future reference.
Features
• The EMX2000 provides versatile inputs, such as
two stereo input channels and two stereo sub
inputs, as well as eight monaural input channels
compatible with mic/line signals. The mixer also
has ample power, with a maximum output of
200 W+200 W (400 W with bridge connection),
and is suitable for a wide range of applications
from installed systems to small-scale PA systems.
• A two-channel power amp is built-in. The signals
output to speakers can be selected as stereo main
(ST L-R), monitor+monaural main (MONI 1MONO), or monaural main (bridge connection).
– Stereo main
The main stereo mix signal is output from
speaker output jacks L and R of the EMX2000.
You can connect one or two speakers to each
speaker output jack.
– Monitor+monaural main
The main monaural mix signal is output from
speaker output jack R, and the monitor signal
from speaker output jack L. You can connect one
or two speakers to each speaker output jack.
– Monaural main (bridge connection)
The two-channel power amp is bridge-connected, and the main monaural mix signal is output from BRIDGE jack. You can connect only one
speaker for a much louder sound.
• In addition to the speaker output jacks, two stereo output channels for line-level signals, two
monitor output channels, one effect output, and
one monaural output are provided. You can easily expand the system by adding a power amplifier or powered speakers.
• The EMX2000 also has a PHONES C-R OUT
jack, which is very useful for checking the sound.
You can monitor only a specific channel or bus
signal through the headphones.
• Two limiter circuits are built-in to prevent excessive input levels to the amp.
• A digital effect with sixteen selectable effect types
is built-in. A variety of effects can be applied to
add reverberation or ambience to vocals or
instrumental sounds.
• The EMX2000 has implemented “EEEngine”,
Yamaha’s epochal amp drive technology to create
an unrivaled high-efficiency drive.
The EEEngine’s energy-saver/low-heat-generation design has reduced power consumption to
50% or less, and reduced heat generation to 35%
or less (in field applications, compared to
Yamaha’s previous models), and has lead to a
reduction in energy cost and to less-restrictive
installation requirements related to heat generation.
EMX2000—Owner’s Manual
Page 4
Precautions
3
1. Avoid excessive heat, humidity, dust and
vibration
Keep the unit away from locations where it is
likely to be exposed to high temperatures or
humidity — such as near radiators, stoves, etc.
Also avoid locations which are subject to excessive dust accumulation or vibration which could
cause mechanical damage.
2. Ventilation
Allow a distance of 30 cm between the unit and
the wall so that heat generated from the unit will
be released effectively. Also, allow enough space
between the unit and other devices. If you mount
the unit in an audio rack, keep a space of 40 cm
on the top panel, and a space of 15 cm to the side
panel. Remove the rear panel of the rack or open
a vent hole. If heat release is inadequate, the unit
will retain heat inside the unit, which may cause a
fire.
3. Avoid physical shocks
Strong physical shocks to the unit can cause damage. Handle it with care.
4. Do not open the case or attempt repairs
or modifications yourself
This product contains no user-serviceable parts.
Refer all maintenance to qualified Yamaha service
personnel. Opening the case and/or tampering
with the internal circuitry voids the warranty.
5. Always power off before making connections
Always turn the power OFF before connecting or
disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.
6. Handle cables carefully
Always plug and unplug cables — including the
AC power cord — by gripping the connector, not
the cord.
7. Clean with a soft dry cloth
Never use solvents such as benzine or thinner to
clean the unit. Wipe clean with a soft, dry cloth.
8. Always use the correct power supply
Make sure that the power supply voltage specified
on the rear panel matches your local AC mains
supply. Also make sure that the AC mains supply
can deliver more than enough current to handle
all equipment used in your system.
9. Do not touch the heatsink when the
EMX2000 is in use. It can get very hot.
Contents
Front and rear panel................................ 4
Control panel ...................................................4
Input/output panel.................................. 9
Rear panel.......................................................11
Connections........................................... 12
Connecting speakers......................................12
Connecting input/output equipment...........12
Basic operation...................................... 13
Connecting microphones and instruments .13
Using the digital effect...................................13
Example setups...................................... 14
As a band PA.................................................. 14
As a conference/entertainment hall sound
system............................................................. 15
Using a subwoofer .........................................16
Specifications......................................... 17
General specifications.................................... 17
Input specifications .......................................18
Output specifications ....................................18
Dimensions............................................ 19
Block/Level Diagram............................. 20
EMX2000—Owner’s Manual
Page 5
4
Front and rear panel
Control panel
■
Channel control section
0
In this section, you can adjust equalization (frequency response), volume level, effect and monitor output levels for the input signal of each
channel.
1
3
4
5
6
7
9
GAIN
–34+10
–16
–60
PEAK PEAK
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
+15–15
+15–15
+15–15
100
100
100
L
R
PFL
0
A
B
GAIN
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
BAL
0
–34+10
+15–15
+15–15
+15–15
100
100
100
L
R
PFL
2
1
3
4
5
6
8
9
A/B switch (Channels 9/10~11/12 only)
2
This switch selects channel 9/10~11/12 connectors.
When the switch is up, the signal will be input
from connectors A (phone jacks on the input/
output panel 3 ).
When the switch is pressed in, the signal will be
input from connectors B (phono jacks on the
input/output panel 3).
PEAK indicator
3
The indicator will light 3 dB before clipping,
warning that clipping level is near.
4
Equalizer controls (HIGH, MID, LOW)
This is a 3-band equalizer that adjusts the high
frequency range, mid frequency range, and low
frequency range of each channel. Response is flat
when the knobs are in the “
▼
” position. Rotating
it toward the right will boost the corresponding
frequency band, and rotating it toward the left
will cut it.
The base frequency (or center frequency), range
of boost or cut, and equalizer type of each band
are as follows:
HIGH: 10kHz, ±15 dB, shelving type
MID: 2.5kHz, ±15 dB, peaking type
LOW: 100Hz, ±15 dB, shelving type
5
10
15
20
25
30
40
50
∞
5
10
15
20
25
30
40
50
∞
0
1
1
GAIN control
Use this knob to adjust the sensitivity according
to the input signal level, so that the input level is
appropriate.
For the best balance of S/N ratio and dynamic
range, adjust this knob so that the peak indicator
3
lights occasionally.
EMX2000—Owner’s Manual
9/10
0
Monitor 1/2 controls (MONI 1/2)
5
For each channel, this controls the amount of signal that is sent to the MONITOR 1/2 buses.
The signal of the MONITOR 1 bus is sent to the
MONI 1 jack (input/output panel 9). If the
power amp select switch V is in the MONI 1MONO position, the signal is also sent to the
speakers connected to the SPEAKERS L1/2 jacks.
The signal of the MONITOR 2 bus is sent to the
MONI 2 jack (input/output panel 9).
Note: The signal sent to the MONITOR 1/2
buses does not pass through the channel fader
(pre-fader send). This means that it will not
be affected by the setting of the channel fader.
Page 6
Effect control (EFFECT)
6
For each channel, this controls the amount of signal that is sent to the EFFECT bus.
The signal of the EFFECT bus is sent to the
EFFECT jack (input/output panel A). It is also
sent to the built-in effect when the ON switch P
in the EFFECT section is turned on.
Note: The amount of signal that is sent to the
EFFECT bus from each channel will be affected not only by the setting of the EFFECT control, but also by the setting of the channel fader
0
(post-fader send).
B ).
5
■
Stereo sub input section
In this section, you can adjust the input level of
external equipment connected to the ST SUB 1/2
jacks on the input/output panel.
MONI 1
100
MONI 2
100
ST
100
A
B
C
PAN (panpot) control (Channels 1~8)
7
The PAN knobs set the stereo position of the signal that is sent to the STEREO bus.
BAL (balance) control (Channels 9/10~
8
11/12)
The BAL knobs set the balance between the left
and right channels, and assign the signals
received at inputs 9/10~11/12 to the STEREO
bus.
9
PFL (pre-fader listen) switch
When the PFL switch is turned on, the signal of
the corresponding channel at the point after the
equalization but before the channel fader is sent
to the PHONES/C-R OUT jack (input/output
panel B). This is useful when you wish to listen
to a particular channel through the headphones.
Note:
You can monitor the signal through the
headphones even if the fader of the corresponding channel is set to the lowest level. The
switch operation does not affect the signal sent
to the STEREO bus, MONITOR 1/2 buses, or
the EFFECT bus.
Channel fader
0
This controls the output level of the input channel signal.
PFL
ST SUB 1
MONI 1
D
A
MONI 2
100
B
ST
100
C
100
PFL
ST SUB 2
A
MONI 1 (monitor 1) control
The MONI 1 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks (input/
output panel 4) to the MONITOR 1 bus.
B
MONI 2 (monitor 2) control
The MONI 2 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks to the
MONITOR 2 bus.
C
ST (stereo) control
The ST knob adjusts the amount of stereo signal
sent from the ST SUB 1 and 2 jacks to the STEREO bus.
Note: The ST control setting does not affect
the level of the signal sent to the MONITOR
1/2 buses (pre-fader send).
D
PFL (pre-fader listen) switch
D
When this switch is turned on, the signal at the
point before the ST control knob C is sent to the
PHONES/C-R OUT jack (input/output panel
EMX2000—Owner’s Manual
Page 7
6
■
Master control section
In this section, you can adjust the final level of
the outputs.
AFL AFLAFLAFLAFL
0
5
10
15
20
25
30
40
50
∞
MONI 1 MONOST 1EFFECTMONI 2
0
5
10
15
20
25
30
40
50
∞
0
5
10
15
20
25
30
40
50
∞
0
5
10
15
20
25
30
40
50
∞
E F G H I
0
5
10
15
20
25
30
40
50
∞
J
MONO (monaural) fader
I
The MONO fader adjusts the final level of the
monaural signal output from the STEREO bus to
the MONO jack (input/output panel 0).
If the Power amp select switch V is set to
MONI 1-MONO, this fader also adjusts the level
of the signal sent from the SPEAKERS R 1/2 jacks
to the speakers.
If the Power amp select switch V is set to MONO
BRIDGE, this fader adjusts the level of the signal
sent from the SPEAKERS BRIDGE jack to the
speaker.
AFL (after fader listen)
J
When this switch is on, the output signal that
passes through the corresponding fader is sent to
the PHONES/C-R OUT jack (input/output panel
B
). Use these switches when you wish to monitor a particular output signal through the headphones.
MONI 1 (monitor 1) fader
E
The MONI 1 fader adjusts the final level of the
signal sent from the MONITOR 1 bus to the
MONI 1 jack (input/output panel 9 ). If the
Power amp select switch V is set to MONI 1MONO, using this fader enables you to adjust the
level of the signal sent from the SPEAKER L 1/2
jacks to the speakers.
MONI 2 (monitor 2) fader
F
The MONI 2 fader adjusts the final level of the
signal output from the MONITOR 2 bus to the
MONI 2 jack (input/output panel 9).
EFFECT fader
G
The EFFECT fader adjusts the final level of the
signal output from the EFFECT bus to the
EFFECT jack (input/output panel A ).
Note: The setting of this fader does not affect
the level of the signal sent from the EFFECT
bus to the built-in effect.
ST 1 (stereo 1) fader
H
The ST 1 fader adjusts the final level of the signal
sent from the STEREO bus to the ST 1 jacks
(input/output panel 8 ). If the Power amp select
switch V is set to ST L-ST R, this fader also
adjusts the level of the signal sent to the SPEAKERS jacks (rear panel 1).
■
Tape in section
In this section, you can adjust the input level of a
cassette deck or a CD player that is connected to
the TAPE jacks (input/output panel 5 ).
TAPE IN
ST
K
100
PFL
K
ST (stereo) control
This knob adjusts the level of the signal sent from
the TAPE jacks to the STEREO bus.
L
PFL (pre-fader listen) switch
When this switch is on, the signal input from the
TAPE jacks is routed at the point before the ST
control to the PHONES/C-R OUT jack (input/
output panel B).
L
Note: The setting of this fader does not affect
the signal output from the STEREO bus to the
ST 2 jacks.
EMX2000—Owner’s Manual
Page 8
7
■ Digital effect section
This section enables you to turn the built-in digital effect on/off and select the effect type.
M N
100
ST
5
VOCAL REVERB 1
6
VOCAL REVERB 2
7
VOCAL REVERB 3
8
VOCAL REVERB 4
100
P
Q
MAXMINPROGRAM
9
10
11
12
HALL 1
HALL 2
HALL 3
ROOM
13
PLATE 1
14
PLATE 2
15
PLATE 3
16
GATE REVERB
MONI 1
0
DIGITAL EFFECT
6
5
4
3
MONI 2
10
ON
8
9
7
10
1
VOCAL ECHO 1
11
2
VOCAL ECHO 2
12
13
3
VOCAL ECHO 3
14
2
1
4
VOCAL ECHO 4
15
16
O
M MONI 1/2 (monitor 1/2) control
This knob adjusts the level of the return signal
that is sent from the built-in digital effect to the
MONITOR 1/2 buses.
N ST (stereo) control
This knob adjusts the level of the return signal
that is sent from the built-in digital effect to the
STEREO bus.
■ Graphic equalizer section
This section enables you to adjust the tone of the
STEREO bus signal.
8k4k2k1k500250125
+12
6
0
6
–12
GRAPHIC EQUALIZER
R Graphic equalizer
This is a 7-band graphic equalizer that allows you
to adjust the frequency response of the STEREO
bus signal, providing a maximum of ±12 dB of
cut/boost for each frequency band.
This graphic equalizer affects both the STEREO
bus signal that is output to the speakers and the
line level signal that is output from the ST 1/2
jacks (input/output panel 8), and MONO jack
(input/output panel 0).
S ON switch
This switch turns the graphic equalizer on/off.
+12
6
ON
0
6
–12
R
S
O Effect selector
This knob selects the effect type for the internal
digital effect.
P ON switch
This switch turns the internal digital effect on/
off.
Q Effect control
This knob adjusts the time parameter of the
internal digital effect.
Note: The master EFFECT fader setting does
not affect the internal digital effect signal.
■ Power amp section
This section allows you to select the signals that
will be input to the built-in two-channel power
amplifier.
POWER AMP
LR
LIMITER
L/BRIDGE
ST L
MONI 1
MONO BRIDGE
LEVEL
+4+18
ST R
MONO
+4+18
T LIMITER indicator
This indicator lights up when the level of the signal output from the power amp section reaches
the maximum and the limiter is activated. Adjust
the LEVEL control U and appropriate fader so
that the indicator lights up for only a short while
when the signal reaches the maximum level.
Note: The indicator lights up or flashes for a
longer duration if the power amp section is significantly overloaded, which could result in
malfunction. Avoid such a situation.
T
U
V
EMX2000—Owner’s Manual
Page 9
8
U LEVEL controls
These knobs enable you to adjust the level of the
signals input from the mixer section to the power
amp section. Rotating the knob clockwise will
raise the level of the input signal. Use a screwdriver of a width of 3mm or less to adjust the
knob.
If an external piece of equipment is connected to
the P.AMP IN jacks (input/output panel 6),
these knobs adjust the input sensitivity of the
power amp (the input level that will provide the
maximum output level in the power amp section). The sensitivity range is +18 dB~+4 dB, and
rotating the knobs clockwise raises the input sensitivity.
Note: If the Power amp select switch V is set
to MONO BRIDGE, only the L/BRIDGE LEVEL control becomes effective.
V Power amp select switch
Select one of the following three settings to specify the signals to be routed to the corresponding
jacks according to the speaker connection at the
SPEAKER jacks 1 on the rear panel.
• ST L-ST R
The STEREO bus signals are output from the
SPEAKERS L 1/2 jacks and the SPEAKERS R 1/2
jacks. The final level of these signals is adjusted by
the master ST 1 fader.
• MONI 1-MONO
The MONITOR 1 bus signals are output from the
SPEAKERS L 1/2 jacks, and a monaural signal
that is a mix of the STEREO bus signals is output
from the SPEAKERS R 1/2 jacks. The final level of
these signals is adjusted by the master MONI 1
fader and the MONO fader.
• MONO BRIDGE
The monaural signal that is a mix of the STEREO
bus is output from the BRIDGE jack. The final
level of this signal is adjusted by the master
MONO fader. Set the switch to this position
when you connect only one speaker to play a loud
sound.
■ Other indicators and controls
PEAK
W
+8
+5
+3
+1
0
–1
–3
–5
–7
–10
–15
–20
LR
ST1
POWER
PHANTOM
(+48V)
ON
OFF
PHONES/C.R.OUT
ST 2
100
100
W Peak level indicator
This indicator allows you to monitor the level of
the signal output from the ST 1 jacks. The “0”
indicator lights up when the ouput level reaches
+4 dB.
X POWER indicator
This indicator will light up when the power of the
EMX2000 is turned on.
Y PHANTOM (+48V) switch and indicator
This switch turns the phantom power supply on/
off for the MIC input jacks for channels 1~8.
When this switch is on, the indicator lights up.
Z PHONES/C.R.OUT (headphones/control
room out) control
This knob adjusts the level of the signal monitored via the PHONES/C-R OUT jack (input/
output panel B).
[ ST 2 (stereo 2) control
This knob adjusts the final level of the signal sent
from the STEREO bus to the ST 2 jacks (input/
output panel 8).
Note: The setting of this control does not affect signals that are sent from the STEREO bus
to the ST 1 jacks and the SPEAKERS jacks.
X
Y
Z
[
EMX2000—Owner’s Manual
Page 10
Input/output panel
9
MIC MIC MIC MIC MIC MIC MIC MIC
INPUT OUTPUT
1
LINELINELINE
INS
I/O
INS
I/O
INS
I/O
INS
I/O
INSERT I/O
OUT IN
0dB
1 Channel input jacks (MIC, LINE) 1~8
These are the input jacks for channels 1~8.
By using the GAIN control (control panel 1)
you can connect any of the jacks to a wide range
of sources, from mics to line-level devices
(including synthesizers and rhythm machines).
The MIC jacks can provide +48V phantom
power, allowing you to use condenser microphones.
Both MIC and LINE are balanced.
They are compatible with microphones of output
impedance 50~600Ω or line level devices of
600Ω. The nominal input level is –34 dB~+10 dB
for the LINE jacks, and –60 dB~–16 dB for the
MIC jacks.
Pin connections for the MIC and LINE jacks are
as follows:
MIC jacks
(XLR type)
Pin 1: ground Sleeve: ground
Pin 2: hot (+) Tip: hot (+)
Pin 3: cold (–) RIng: cold (–)
* You can also connect a normal unbalanced phone plug.
LINE jacks
(TRS phone jacks) *
57
9 L
B
10 R
B
11 L
(MONO)
10 R
9/10
9 L
(MONO)
12 R
11/12
A
A
A
A
LINELINELINELINELINE
87654321
11 L
B
12 R
B
(MONO)
ST
SUB 1
TAPE
L
R
L
R
3 426
Note: It is not possible to simultaneously use
both the MIC and LINE inputs of a given
channel. For each channel, use only one of the
inputs as appropriate for the input source.
Phantom power is switched on/off simultaneously for channels 1~8. For this reason, devices (in particular, unbalanced devices) other
than condenser microphones must be connected to the LINE jacks of channels 1~8 or
channel 9/10~11/12 input jacks if the PHANTOM +48V switch (control panel Y) is on.
2 INS I/O (insert) jacks 1~4
These are TRS phone jacks that enable you to
insert an external effect processor, such as a compressor/limiter, between the equalizer and fader
of input channels 1~4. These connections require
a special “Y” cable, such as shown in the following diagram. The nominal input/output levels are
0 dB.
to the INS I/O jack
L
REC
–10dBV
R
L
(MONO)
RR
ST
SUB 2
ST 1
+4dB
L
R
ST 2
+4dB
MONIMONI
2
1
+4dB
L
PAMP
IN
+4dB+4dB+4dB BRIDGE
R
L
to the input jack of
the external processor
C8
FOOT SW
0
MONO
+4dB
A
EFFECT
+4dB
PHONES/
C-R OUT
(+4dB)
B9
+-
GND
GND
RST
+-
Tip
Ring
Sleeve
Sleeve
Tip
to the output jack of
the external processor
EMX2000—Owner’s Manual
Page 11
10
3 Channel input jacks 9~12A
Channel input jacks 9~12B
These are the input jacks for channels 9/10~11/12
and are used to connect to the stereo output jacks
of electronic instruments, cassette decks, or CD
players.
Use the A/B switch (control panel 2) to select
phone jacks (A) or phono jacks (B). The nominal
input level –34 dB~+10 dB.
Note: Use only the L phone (A) jacks to connect a monaural device that has phone jacks.
4 ST SUB 1 (stereo sub 1) jacks
ST SUB 2 (stereo sub 2) jacks
These phone jacks are used to connect stereo outputs of a sub mixer. The signal input here can be
routed to the MONITOR 1 bus, MONITOR 2
bus, and STEREO bus. The nominal input level is
+4 dB.
Note: Use only the L jack to connect a monaural output device.
5 TAPE jacks
These are input jacks that allow the signal from
an external device, such as a tape deck and CD
player, to be added to the STEREO bus. The
nominal input level is –10 dBV.
6 P.AMP IN (power amp input) jacks
These phone jacks are used to input line-level signals to the two-channel built-in power amplifier.
Connect an external mixer output here. The
nominal input level is +4 dB.
Note: If you insert a plug into this jack, the
corresponding channel of the power amplifier
will be isolated, and no signals will be sent
from the mixer section. Use the LEVEL control
(control panel U) to adjust the level of the signal input to the power amplifier.
7 REC (record) jacks
These phono jacks are used to connect to the
inputs of a recording device, such as a tape deck,
to record the signal from the STEREO bus. The
nominal output level is –10 dBV.
Note: The setting of the graphic equalizer or
LEVEL control on the control panel does not
affect the signals output from these jacks. Adjust the recording level on the recording device.
8 ST 1 (stereo 1) jacks
ST 2 (stereo 2) jacks
These phone jacks output the line-level signals of
the STEREO bus. Connect an external mixer or
additional PA system to these jacks.
Use the ST 1 fader (control panel H) to adjust
the final output level at the ST 1 jacks, and use
the ST 2 control (control panel [) to adjust the
final output level at the ST 2 jacks. The nominal
output level is +4 dB.
9 MONI 1 (monitor 1) jack
MONI 2 (monitor 2) jack
These phone jacks output the line-level signals of
the MONITOR 1/2 buses. Connect stage-monitoring amplifiers or powered speakers here. Use
the MONI 1 fader (control panel E) and the
MONI 2 fader (control panel F) respectively to
adjust the final level of the signals output from
these jacks. The nominal output level is +4 dB.
0 MONO (monaural) jack
This phone jack mixes the STEREO bus signals
and output a monaural signal. Connect an additional PA system here. Use the MONO fader
(control panel I) to adjust the final level of the
signal output from this jack. THe nominal output level is +4 dB.
A EFFECT jack
The input of an external effect unit such as a
delay or echo can be connected to this jack.
The signal adjusted by the EFFECT control of
each channel will be sent to the EFFECT bus, its
level adjusted by the EFFECT fader (control
panel G), and output from this jack.
The nominal output level is +4 dB.
B PHONES/C-R OUT (headphones/control
room out) jack
This is a stereo phone type output jack, and is
used to monitor the channels selected by the PFL
switches on the front panel and the buses selected
by the AFL switches. Connect the headphones
here, or use a “Y” cable to connect to a monitor
system.
The nominal output is 3mW when headphones
are connected, and +4 dB when a line-level
device of a monitor system is connected.
C FOOT SW (foot switch) jack
A separately sold Yamaha FC5 foot switch can be
connected to this jack so you can use your foot to
switch the built-in digital effect on/off. The digital effect ON switch on the front panel must be
set to ON in order to use a foot switch.
EMX2000—Owner’s Manual
Page 12
Rear panel
11
1
R
SPEAKERS
BRIDGE
L
2121
POWER
ON OFF
2
1 SPEAKERS (speaker output) jacks
Speakers can be connected to these jacks.
The type of signals output, the number of speak-
ers you can connect, and acceptable impedance
differ depending on the setting of the Power amp
select switch (control panel V).
• When the Power amp select switch is set to ST
L-ST R or MONI 1-MONO:
You can connect one or two speakers to each of
the L and R jacks.
When the Power amp select switch is set to ST LST R, the speakers connected to the L and R jacks
will output the ST L and ST R bus signals. When
the switch is set to MONI 1-MONO, the speakers
will output the MONITOR L signal and the monaural signal respectively.
Whichever way the switch is set to, connect 4~8Ω
speakers if you use one speaker per channel. The
maximum output is 200W+200W with two 4Ω
speakers.
If you wish to use two speakers per channel, use
8~16Ω speakers. The maximum output is
200W+200W with 8Ω impedance.
Caution:
When using a bridge connection, do not connect anything to the SPEAKERS L or SPEAKERS R jacks.
Likewise, when using the SPEAKERS L and/
or SPEAKERS R jacks, do not connect anything to the BRIDGE jack.
2 POWER switch
This switch turns on/off the power to the
EMX2000.
Note: Before turning on the power to the
EMX2000, be sure to turn down the LEVEL
control U on the control panel.
• When the Power amp select switch is set to
MONO BRIDGE:
If you are connecting a single speaker to the
BRIDGE jack, use a 8~16Ω speaker. The speaker
outputs the MONO bus signal, and the maxi-
mum output is 400W with 8Ω impedance.
If the signal output from the BRIDGE jack is the
signal input to the P.AMP IN jack, be sure to
input the signal to the P.AMP IN L jack.
EMX2000—Owner’s Manual
Page 13
12
Connections
When connecting various devices, be sure to use cables and plugs of the appropriate standard.
Connecting speakers
There are three ways in which speakers can be connected to the EMX2000.
1 Connecting a single speaker to each of
the L and R jacks:
A single speaker each can be connected to either
jack 1 or jack 2 of SPEAKERS L and of SPEAKERS R.
2 Connecting two speakers to each of the L
and R jacks:
Two speakers can be connected in parallel to both
jack 1 and jack 2 of SPEAKERS L and
SPEAKERS R.
Connecting one speaker to
each of the L/R jacks
R
Main speaker
SPEAKERS
BRIDGE 2 121
Main/monitor
speaker
L
Connecting two speakers to
each of the L/R jacks
R
Main speakers
3 BRIDGE connection:
A single speaker can be connected to the BRIDGE
jack.
For each of these, the required speaker impedance will differ. Refer to the following diagram,
and make sure that the speaker impedance is not
less than the specified value.
SPEAKERS
BRIDGE 2 121
Main/monitor
L
speakers
Connecting a single speaker to
the BRIDGE jack
R
SPEAKERS
BRIDGE 2 121
8Ω~16Ω4Ω~8Ω 4Ω~8Ω 8Ω~16Ω 8Ω~16Ω
L
Main speaker
Connecting input/output equipment
Microphone
Foot switch
CD player
Cassette recorder
Power
amplifier
MIC MIC MIC MIC MIC MIC MIC MIC
LINELINELINE
INS
INS
I/O
INS
I/O
I/O
INPUT OUTPUT
INS
I/O
INSERT I/O
OUT IN
0dB
R
L
L
–10dBV
ST 1
+4dB
REC
R
L
ST 2
R
+4dB
MONIMONI
2
1
+4dB
L
PAMP
IN
+4dB+4dB+4dB BRIDGE
9 L
B
10 R
B
11 L
9 L
LINELINELINELINELINE
87654321
(MONO)
9/10
(MONO)
A
12 R
10 R
A
11/12
L
11 L
B
TAPE
R
12 R
B
A
A
L
L
(MONO)
(MONO)
RR
R
ST
ST
SUB 2
SUB 1
FOOT SW
MONO
+4dB
EFFECT
+4dB
PHONES/
C-R OUT
(+4dB)
Headphones
Synthesizer
88
Effect processor (compressor)
Drum machine
88
Effect processor (reverb)
• An additional or alternative PA system can be connected to the ST 1/2, MONO, and MONI 1/2 jacks on the front panel.
Main speakers
Monitor speakers
Additional/alternative
PA system
EMX2000—Owner’s Manual
Page 14
Basic operation
13
Connecting microphones and instruments
1 Before connecting mics or instruments,
make sure that the power of all equipment (where applicable) is turned off.
Also make sure that each channel fader
and the faders in the master section are
turned down. Check to see if the Power
amp select switch on the control panel is
set to ST L-ST R.
2 Connect cables to your mics and instru-
ment, and insert the other end of the
cables firmly into the appropriate MIC/
LINE jacks (channels 1~8) or the 9~12
jacks (channels 9/10~11/12).
Note: You cannot use channel 1~8 MIC and
LINE jacks at the same time.
3 Turn on the power to the peripheral
devices, then turn on the power to the
EMX2000.
Note: When turning the power off, reverse
this sequence.
4 While speaking into the mic (or while
playing the instrument), adjust the channel GAIN control so that the channel
PEAK indicator lights occasionally at the
maximum volume.
5 Raise the ST1 fader in the master section
to the “10” position, and while speaking
into the mic (or while playing the instrument), adjust the channel fader so that
the 0 LED of the peak level indicator lights
occasionally. Use the LEVEL control to
adjust the maximum level of the speakers.
6 If you wish to adjust the tone of each
channel, rotate the equalizer controls as
desired.
7 Use the graphic equalizer and the ST
fader in the master section to adjust the
overall volume and tone.
Using the digital effect
The EMX2000 has a built-in digital effect, allowing reverberation or ambiance to be added to
vocals or instrumental sounds.
1 Connect a mic or instrument to the
desired channels, and adjust the volume
and tone.
2 Press the ON switch of the digital effect
section.
3 Use the Effect selector to select the type
of effect you wish to apply.
VOCAL ECHO 1~4 ....... Echo appropriate for
vocals.
VOCAL REVERB 1~4.... Reverb appropriate for
vocals.
HALL 1~3............ Reverb typical of a large hall.
ROOM................. Reverb typical of a small room.
PLATE 1~3 ..........Plate echo-like reverberation
GATE REVERB ... Special effect of truncating
reverberation
4 Raise the EFFECT control of the channels
to which you wish to apply the digital
effect.
5 Use the ST control of the digital effect
section to adjust the level of the effect
sound.
Note: You can send the effect sound to the
MONITOR 1/2 bus by raising the MONI 1/2
control in the digital effect section. If the effect
sound is distorted even though the ST control
and the MONI 1/2 controls in the digital effect
section are turned all the way down, lower the
EFFECT controls of the digital effect section.
6 Raise the EFFECT control of the digital
effect section to the desired level.
Note: The setting of the EFFECT fader in the
master section does not affect the internal effect.
Note: The volume level is affected by the settings of the channel equalizers and the graphic
equalizer. When you set the equalizers, check
the peak level indicator and adjust the ST fader
if necessary.
EMX2000—Owner’s Manual
Page 15
14
Example setups
This section provides some ways in which the EMX2000 can be used, and explains connections and operation.
As a band PA
Here is an example of using the EMX2000 as a small PA for a band. In this example, the monitor speakers are
being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is
also being used.
■ Connections
• Connect mics or instruments, such as keyboards,
to channel input jacks 1~8.
• Connect the main speakers to the SPEAKERS R
1/2 jacks, and connect the monitor speakers to
the SPEAKERS L 1/2 jacks. Set the Power amp
select switch to “MONI 1-MONO.”
• If you use an external effect such as delay or
reverb, connect the EMX2000’s EFFECT jack to
the input jack of the external effect, and connect
the output jack of the external effect to the
EMX2000’s ST SUB 1.
Note: If you are using an external effect, we
recommend that you turn down all the EFFECT controls of the digital effect section.
You can connect the output of an external effect to channels 9/10 and 11/12 to apply the
equalizer to the effect return signal. However
in this case, make sure that the EFFECT controls are turned all the way down for the channels into which the effect sound is being input.
If the EFFECT controls are raised, feedback
will occur, and your speakers may be damaged.
Microphone
Bass guitar
D.I.* D.I.*
MIC MIC MIC MIC MIC MIC MIC MIC
LINELINELINE
INS
INS
I/O
GAIN
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
10
15
20
25
30
40
50
∞
INS
I/O
I/O
GAIN
GAIN
–34+10
–34+10
–16
–16
–16
–60
–60
HIGH
HIGH
+15–15
+15–15
MID
MID
+15–15
+15–15
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
EFFECT
100
100
PAN
PAN
L
L
R
R
PFL
PFL
0
0
0
5
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
2
1
Guitar
* Direct box,
effect unit,
pre-amp, etc.
INPUT OUTPUT
INS
0dB
I/O
INSERT I/O
OUT IN
GAIN
GAIN
GAIN
GAIN
–34+10
–34+10
–16
–60
–60
HIGH
+15–15
MID
+15–15
LOW
+15–15
MONI 1
100
MONI 2
100
EFFECT
100
PAN
L
L
R
R
PFL
PFL
0
5
10
15
20
25
30
40
50
∞
4
3
–34+10
–34+10
–16
–16
–16
–60
–60
PEAKPEAKPEAKPEAKPEAKPEAK
HIGH
HIGH
HIGH
+15–15
+15–15
+15–15
MID
+15–15
LOW
+15–15
MONI 1
100
MONI 2
100
EFFECT
100
PAN
10
15
20
25
30
40
50
∞
MID
MID
+15–15
+15–15
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
EFFECT
100
100
PAN
PAN
L
L
R
R
PFL
PFL
0
0
0
5
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
6
5
Keyboard
FOOT SW
R
L
L
9 L
10 R
BBB
9 L
LINELINELINELINELINE
(MONO)
A
10 R
A
9/10
87654321
B
GAIN
GAIN
–34+10
–34+10
–16
–60
–60
PEAK
HIGH
HIGH
+15–15
+15–15
MID
MID
+15–15
+15–15
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
EFFECT
100
100
BAL
PAN
L
L
L
R
R
PFL
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
9/10
8
7
L
11 L
B
TAPE
R
12 R
L
11 L
(MONO)
(MONO)
A
R
12 R
A
ST
SUB 1
11/12
ABA
MONI 1
GAIN
–34+10
–34+10
PEAKPEAKPEAK
MONI 2
HIGH
+15–15
+15–15
MID
ST
+15–15
+15–15
LOW
PFL
ST SUB 1
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
ST
100
100
BAL
PFL
L
R
R
ST SUB 2
PFL
PFL
0
5
10
15
20
25
30
40
50
∞
11/12
ST 1
+4dB
L
R
ST 2
R
+4dB
MONIMONI
L
2
1
(MONO)
+4dB
L
RR
ST
PAMP
IN
SUB 2
+4dB+4dB+4dB BRIDGE
POWER AMPTAPE IN
LR
LIMITER
ST
LEVEL
+4+18 +4+18
100
100
L/BRIDGE
ST L
ST R
MONI 1
PFL
100
MONI 1
0
100
DIGITAL EFFECT
7
6
5
4
3
100
2
1
16
100
+12
6
0
6
100
–12
AFL AFL
0
5
10
15
20
25
30
40
50
∞
MONI 1 MONOST 1EFFECTMONI 2
MONO
MONO BRIDGE
MONI 2
ST
100
100
10
ON
VOCAL ECHO 1
1
2
VOCAL ECHO 2
VOCAL ECHO 3
3
VOCAL ECHO 4
4
GRAPHIC EQUALIZER
10
15
20
25
30
40
50
∞
MAXMINPROGRAM
5
VOCAL REVERB 1
6
VOCAL REVERB 2
7
VOCAL REVERB 3
8
VOCAL REVERB 4
AFLAFLAFL
0
0
5
5
10
15
20
25
30
40
50
∞
8
9
10
11
12
13
14
15
0
5
10
15
20
25
30
40
50
∞
MONO
+4dB
EFFECT
+4dB
PHONES/
C-R OUT
(+4dB)
PEAK
+8
+5
+3
+1
0
–1
–3
–5
–7
–10
–15
–20
LR
ST1
9
HALL 1
10
HALL 2
11
HALL 3
12
ROOM
88
EEEngine
POWER
PHANTOM
(+48V)
ON
OFF
PHONES/C.R.OUT
ST 2
13
PLATE 1
14
PLATE 2
15
PLATE 3
16
GATE REVERB
8k4k2k1k500250125
+12
6
ON
0
6
–12
0
5
10
15
20
25
30
40
50
∞
100
100
Effect processor
MONI 1
ST L
MONO BRIDGE
ST R
MONO
EMX2000—Owner’s Manual
Monitor speakers
SPEAKERS jacksL 1 L 2 R 1 R 2
Main speakers
Page 16
As a conference/entertainment hall sound system
Here is an example of using the EMX2000 as a conference or entertainment hall sound system.
15
Cassette recorder (for paly back)
Microphone
CD player
MIC MIC MIC MIC MIC MIC MIC MIC
LINELINELINE
INS
INS
I/O
GAIN
–16
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
0
5
10
15
20
25
30
40
50
∞
INS
I/O
I/O
GAIN
GAIN
–34+10
–34+10
–16
–60
–60
HIGH
HIGH
+15–15
+15–15
MID
MID
+15–15
+15–15
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
EFFECT
100
100
PAN
PAN
L
L
R
R
PFL
PFL
0
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
2
1
INPUT OUTPUT
INS
0dB
I/O
INSERT I/O
OUT IN
GAIN
GAIN
GAIN
GAIN
–34+10
–34+10
–16
–16
–60
–60
HIGH
+15–15
+15–15
MID
+15–15
+15–15
LOW
+15–15
+15–15
MONI 1
100
100
MONI 2
100
100
EFFECT
100
100
PAN
L
L
R
R
PFL
PFL
0
0
5
5
10
15
20
25
30
40
50
∞
∞
4
3
–34+10
–34+10
–16
–16
–16
–60
–60
PEAKPEAKPEAKPEAKPEAKPEAK
HIGH
HIGH
HIGH
+15–15
+15–15
MID
MID
MID
+15–15
+15–15
LOW
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
MONI 1
100
100
MONI 2
MONI 2
MONI 2
100
100
EFFECT
EFFECT
EFFECT
100
100
PAN
PAN
PAN
L
L
R
R
PFL
PFL
0
0
0
5
10
15
20
25
30
40
50
∞
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
6
5
Cassette recorder (for recording)
Effect processor
88
FOOT SW
R
L
L
9 L
B
10 R
B
9 L
LINELINELINELINELINE
(MONO)
A
10 R
A
87654321
9/10
B
GAIN
GAIN
–34+10
–34+10
–16
–60
–60
PEAK
HIGH
HIGH
+15–15
+15–15
MID
MID
+15–15
+15–15
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
EFFECT
100
100
BAL
PAN
L
L
L
R
R
PFL
7
PFL
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
9/10
8
L
11 L
B
TAPE
R
12 R
B
L
11 L
(MONO)
(MONO)
A
R
12 R
A
ST
SUB 1
11/12
ABA
MONI 1
GAIN
100
–34+10
–34+10
PEAKPEAKPEAK
MONI 2
HIGH
100
+15–15
+15–15
MID
ST
+15–15
+15–15
+15–15
100
100
100
R
100
LOW
PFL
ST SUB 1
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
ST
100
100
BAL
PFL
L
R
ST SUB 2
PFL
0
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
11/12
ST 1
+4dB
L
R
ST 2
R
+4dB
MONIMONI
L
2
1
(MONO)
+4dB
L
RR
ST
PAMP
SUB 2
0
5
IN
+4dB+4dB+4dB BRIDGE
POWER AMPTAPE IN
LR
ST
MONI 1
LIMITER
LEVEL
+4+18 +4+18
100
L/BRIDGE
ST L
ST R
MONI 1
9
10
10
11
12
13
14
0
5
10
15
20
25
30
40
50
∞
MONI 2
ON
VOCAL ECHO 1
1
2
VOCAL ECHO 2
3
VOCAL ECHO 3
4
VOCAL ECHO 4
MONO BRIDGE
ST
100
5
VOCAL REVERB 1
6
VOCAL REVERB 2
7
VOCAL REVERB 3
8
VOCAL REVERB 4
GRAPHIC EQUALIZER
0
5
10
15
20
25
30
40
50
∞
MONO
100
MAXMINPROGRAM
9
10
11
12
AFLAFLAFL
0
5
10
15
20
25
30
40
50
∞
PFL
0
DIGITAL EFFECT
8
7
6
5
4
3
2
1
15
16
+12
6
0
6
–12
AFL AFL
MONI 1 MONOST 1EFFECTMONI 2
MONO
+4dB
EFFECT
+4dB
PHONES/
C-R OUT
(+4dB)
PEAK
+8
+5
+3
+1
0
–1
–3
–5
–7
–10
–15
–20
LR
ST1
HALL 1
HALL 2
HALL 3
ROOM
8k4k2k1k500250125
+12
–12
0
5
10
15
20
25
30
40
50
∞
EEEngine
POWER
PHANTOM
(+48V)
ON
OFF
PHONES/C.R.OUT
ST 2
13
PLATE 1
14
PLATE 2
15
PLATE 3
16
GATE REVERB
6
ON
0
6
ST L
MONI 1
ST R
MONO
MONO BRIDGE
100
100
SPEAKERS jacks R 1 R 2L 1L 2
Main speakers
■ Connections
• Connect mics to channel inputs 1~8.
• A CD player/LD player/cassette deck can also be
connected to the input jacks of channels 9/10 and
11/12.
• To record a meeting or a party, connect the REC
jacks of the EMX2000 to the input jack of a
recording cassette deck, and to monitor the
recording on the EMX2000, connect the TAPE
jacks of the EMX2000 to the output of the
recording cassette deck.
• Connect the main speakers to the SPEAKERS L
1/2 jacks and the SPEAKERS R 1/2 jacks, and set
the Power amp select switch to ST L-ST R.
■ Playing back a CD player
1 Turn on the power to the peripheral
devices, then to the EMX2000.
2 Start playback on the CD player. Use the
GAIN control of channel 9/10 so that the
PEAK indicator below the GAIN control
will light occasionally. Then, raise the ST 1
fader to the “10” position, and adjust the
channel 9/10 fader so that the 0 LED of
the peak indicator will light occasionally.
EMX2000—Owner’s Manual
Page 17
16
■ Sending an independent mix to
the monitor speakers
1 Set the MONI 1 or MONI 2 fader to the
“10” position.
2 Raise the MONI 1 or MONI 2 controls for
the channels that you wish to hear from
the monitor speakers.
Note: The MONI controls are not affected by
the level settings of each channel. This allows
you to create a mix that is independent of the
main speakers.
3 Use the MONI 1 or MONI 2 fader of the
master section to adjust the overall volume.
Using a subwoofer
■ Using an external effect processor
You may sometimes want to use an external effect
processor, such as an echo machine or a multieffect unit. In this case, refer to the diagram on
page 13 for connection information and follow
the steps below.
1 Set the EFFECT fader of the master sec-
tion to the “10” position.
2 Raise the EFFECT controls for the channels
to which you want the external effect to
be applied.
3 Use the EFFECT fader in the master sec-
tion to adjust the level of the signal output to the external effects processor so
that the sound will not be distorted at the
input of the external effects processor.
4 Use the control of the ST SUB channel to
which the processed signal is input from
the external effects processor to adjust
the level of the effect sound.
Here is an example of using a subwoofer in the speaker system.
MIC MIC MIC MIC MIC MIC MIC MIC
LINELINELINE
INS
INS
I/O
GAIN
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
10
15
20
25
30
40
50
∞
INS
I/O
I/O
GAIN
GAIN
–34+10
–34+10
–16
–16
–60
–60
HIGH
HIGH
+15–15
+15–15
MID
MID
+15–15
+15–15
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
EFFECT
100
100
PAN
PAN
L
L
R
R
PFL
PFL
0
0
5
5
10
15
20
25
30
40
50
∞
2
1
INPUT OUTPUT
INS
0dB
I/O
INSERT I/O
OUT IN
GAIN
GAIN
GAIN
GAIN
–34+10
–34+10
–16
–16
–60
–60
HIGH
+15–15
+15–15
MID
+15–15
+15–15
LOW
+15–15
+15–15
MONI 1
100
100
MONI 2
100
100
EFFECT
100
100
PAN
L
L
R
R
PFL
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
4
3
–34+10
–34+10
–16
–16
–16
–60
–60
PEAK
PEAKPEAKPEAKPEAKPEAKPEAK
HIGH
HIGH
HIGH
+15–15
+15–15
MID
MID
MID
+15–15
+15–15
LOW
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
MONI 1
100
100
MONI 2
MONI 2
MONI 2
100
100
EFFECT
EFFECT
EFFECT
100
100
PAN
PAN
PAN
L
L
R
R
PFL
PFL
0
0
0
5
10
15
20
25
30
40
50
∞
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
6
5
L
L
9 L
10 R
BBB
9 L
LINELINELINELINELINE
(MONO)
A
10 R
A
87654321
9/10
B
GAIN
GAIN
–34+10
–34+10
–16
–60
–60
HIGH
HIGH
+15–15
+15–15
MID
MID
+15–15
+15–15
LOW
LOW
+15–15
+15–15
MONI 1
MONI 1
100
100
MONI 2
MONI 2
100
100
EFFECT
EFFECT
100
100
BAL
PAN
L
L
L
R
R
PFL
PFL
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
9/10
8
7
L
11 L
B
TAPE
L
R
12 R
11 L
(MONO)
A
12 R
A
11/12
ABA
GAIN
–34+10
–34+10
PEAKPEAKPEAK
HIGH
+15–15
+15–15
MID
+15–15
+15–15
LOW
+15–15
+15–15
MONI 1
100
100
MONI 2
100
100
EFFECT
100
100
BAL
L
R
R
PFL
0
5
10
15
20
25
30
40
50
∞
11/12
R
L
L
1
(MONO)
(MONO)
ST
SUB 1
MONI 1
MONI 2
ST
MONI 1
MONI 2
ST
L
R
RR
ST
SUB 2
ST
100
100
L/BRIDGE
MONI 1
PFL
100
MONI 2
MONI 1
10
0
100
PFL
ST SUB 1
PFL
ST SUB 2
ON
DIGITAL EFFECT
8
9
7
10
6
VOCAL ECHO 1
1
11
5
2
VOCAL ECHO 2
12
4
13
3
3
VOCAL ECHO 3
14
100
2
4
VOCAL ECHO 4
1
15
16
100
+12
6
0
6
100
–12
AFL AFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
MONI 1 MONOST 1EFFECTMONI 2
R
ST 1
+4dB
R
ST 2
+4dB
MONIMONI
2
+4dB
P.AMP
IN
+4dB+4dB+4dB BRIDGE
POWER AMPTAPE IN
LR
LIMITER
LEVEL
+4+18 +4+18
ST L
ST R
MONO
MONO BRIDGE
ST
100
100
5
VOCAL REVERB 1
6
VOCAL REVERB 2
7
VOCAL REVERB 3
8
VOCAL REVERB 4
GRAPHIC EQUALIZER
0
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
∞
∞
FOOT SW
MONO
+4dB
EFFECT
+4dB
PHONES/
C-R OUT
(+4dB)
PEAK
+8
+5
+3
+1
0
–1
–3
–5
–7
–10
–15
–20
LR
ST1
MAXMINPROGRAM
9
HALL 1
10
HALL 2
11
HALL 3
12
ROOM
8k4k2k1k500250125
+12
–12
AFLAFLAFL
0
0
5
5
10
15
20
25
30
40
50
∞
EEEngine
PHANTOM
ON
OFF
PHONES/C.R.OUT
ST 2
13
PLATE 1
14
PLATE 2
15
PLATE 3
16
GATE REVERB
6
ON
0
6
POWER
Yamaha
Crossover network PN90
LEFT
INPUTS
RIGHT
ST L
(+48V)
100
100
MONI 1
MONO BRIDGE
ST R
MONO
TO POWER
AMP INPUTS
HIGH
LEFT RIGHT
LOW
LEFT RIGHT
Power AMP
Subwoofer
EMX2000—Owner’s Manual
SPEAKERS jacks R 1/2L 1/2
Main speakers
Page 18
Specifications
■ General specifications
17
Maximum output power
Frequency response
Total harmonic distortion
Hum & noise
(Average, Rs=150Ω)
(with 20 Hz~20 kHz BPF)
Maximum voltage gain
Crosstalk at 1 kHz –70 dB adjacent input, –70 dB input to output
STEREO: 200 W+200 W/4Ω @0.5% THD at 1 kHz
BRIDGE: 400 W/8Ω @0.5% THD at 1 kHz
20 Hz~20 kHz +1 dB, –3 dB
@1 W output into 8Ω
(SPEAKER OUT)
20 Hz~20 kHz +1 dB, –3 dB
@+4 dB output into 600Ω
(ST OUT, MONO OUT, EFFECT
SEND, MONITOR OUT)
Less than 0.5% @20 Hz~20 kHz, 100 W output into 4Ω (SPEAKER OUT)
Less than 0.3% @20 Hz~20 kHz, +14 dB output into 600Ω
(ST OUT, MONO OUT, EFFECT SEND, MONITOR OUT)
–128 dB equivalent input noise
–63 dB residual output noise (SPEAKER OUT)
–95 dB residual output noise (ST OUT, MONO OUT, EFFECT SEND, MONITOR OUT)
–87 dB
(ST OUT, MONO OUT)
–64 dB (68 dB S/N)
(ST OUT, MONO OUT)
–80 dB
(EFFECT SEND, MONITOR OUT)
91 dB MIC IN to SPEAKER OUT (CH 1~8)
64 dB MIC IN to ST OUT (CH 1~8)
38 dB LINE IN to ST OUT (CH 1~8)
38 dB ST IN to ST OUT (CH 9/10, 11/12)
70 dB MIC IN to EFFECT SEND (CH 1~8)
64 dB MIC IN to MONITOR OUT (CH 1~8)
All channel Gain controls at minimum.
All channel Gain controls at minimum.
ST master/MONO master fader at maximum level and all
channel fader at minimum.
ST master/MONO master fader and 1 channel fader at maximum level. And 1 channel Gain control at maximum.
Master fader at maximum level and all channel level controls
at minimum.
MIC IN gain control 44 dB variable
HIGH 10 kHz shelving*
Input channel equalization
Meters 13 points LED meter
CH peak indicators Red LED on each channel lits when POST EQ signal reaches the level –3 dB below clipping.
Limiter Comp. : THD≥0.5%
LIMIT indicators Lit when THD≥0.5%
Graphic equalizer 7 bands (125, 250, 500, 1k, 2k, 4k, 8k Hz), ±12 dB Maximum
Internal digital effect 16 programs
Foot switch Digital effect mute: on/off
Phantom power +48 V is supplied to electrically balanced inputs.
Option FC5
Power requirement
Power consumption 210 W
Dimensions (WxHxD) 480×125×454 mm
MID 2.5 kHz peaking
LOW 100 Hz shelving*
* Turn over/roll off frequency of shelving: 3 dB below maximum variable level.
USA and Canada 120 V AC 60 Hz
Europe 240 V AC 50 Hz
Other 230 V AC 50 Hz
Weight 14 kg
EMX2000—Owner’s Manual
Page 19
18
■ Input specifications
Input terminals
MIC INPUT
(1–8)
LINE INPUT
(1–8)
ST INPUT
(9–12)
ST SUB IN (1, 2) 10 kΩ 600Ω Lines +4 dB (1.23 V) +20 dB (7.75 V)
TAPE IN (L, R) 10 kΩ 600Ω Lines –10 dBV (316 mV) +10 dBV (3.16 V) PHONO JACK
CH INSERT IN (1–4) 10 kΩ 600Ω Lines 0 dB (775 mV) +20 dB (7.75 V)
POWER AMP IN (L, R) 10 kΩ 600Ω Lines +4 dB (1.23 V) +18 dB (6.16 V)
1. Sensitivity is the lowest level that can produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set at maximum gain.
2. XLR type connectors and PHONE JACKS (TRS) (T=HOT, R=COLD, S=GND) are balanced.
3. PHONE JACKS are unbalanced.
• In these specifications when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms, 0 dBV is referenced to 1 Vrms.
Gain
trim
MAX
MIN
MAX
MIN
MAX
MIN
Actual load
impedance
5 kΩ 50~600Ω Mics
50 kΩ 600Ω Lines
10 kΩ 600Ω Lines
For use with
nominal
Sensitivity
–60 dB (775 µV)
–16 dB (123 mV)
–34 dB (15.5 mV)
+10 dB (2.45 V)
–34 dB (15.5 mV)
+10 dB (2.45 V)
Input level
1
Max. before clip
–40 dB (7.75 mV)
+4 dB (1.23 V)
–14 dB (155 mV)
+30 dB (24.5 V)
–14 dB (155 mV)
+30 dB (24.5 V)
Connectors on mixer
XLR-3-31 type
PHONE JACK (TRS)
PHONE JACK
PHONE JACK (I/O)
PHONE JACK
■ Output specifications
Output level
Connectors on
Output terminal
Actual source
impedance
For use with
nominal
Nominal Max. before cliping
2
2
3
3
3
mixer
ST OUT 1, 2 (L/R) 75Ω 600Ω Lines +4 dB (1.23 V) +20 dB (7.75 V)
MONO OUT 75Ω 600Ω Lines +4 dB (1.23 V) +20 dB (7.75 V)
EFFECT SEND 75Ω 600Ω Lines +4 dB (1.23 V) +20 dB (7.75 V)
MONITOR OUT 1, 2 75Ω 600Ω Lines +4 dB (1.23 V) +20 dB (7.75 V)
REC OUT (L/R) 600Ω 10 kΩ Lines –10 dBV (316 mV) +10 dBV (3.16 V) PHONO JACK
CH INSERT OUT (1–4) 600Ω 10 kΩ Lines 0 dB (775 mV) +20 dB (7.75 V)
PHONES/
C. R. OUT
SPEAKER OUT 1, 2 (L/R) 0.1Ω 4/8Ω Speaker 200 W/4Ω 200 W/4Ω
BRIDGE OUT 0.1Ω 8Ω Speaker 400 W/8Ω 400 W/8Ω
1. PHONE JACKS are balaned.
• In these specifications when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms, 0 dBV is referenced 1 Vrms.
for PHONES
100Ω
for C. R. OUT 10 kΩ Lines +4 dB (1.23 V) +20 dB (7.75 V)
40Ω Phones 3 mW 100 mW
PHONE JACK
PHONE JACK
ST PHONE JACK
PHONE JACK
Specifications are subject to change without prior notice.
1
1
1
1
EMX2000—Owner’s Manual
Page 20
Dimensions
19
H: 125
277.7
D: 454
W: 480
167.6
Unit: mm
EMX2000—Owner’s Manual
Page 21
20
Block/Level Diagram
INPUT 1–4
INPUT 5–8
9L,11L
(MONO)
A
10R,12R
INPUT 9/10
11/12
9L,11L
B
10R,12R
(MONO)
ST SUB 1,2
TAPE
+48V
PHANTOM
MIC
LINE
MIC
LINE
L
R
L
R
HA
PAD
GAIN
INS I/O
HA
PAD
GAIN
HA
A/B
HA
PAD
PAD
3 Band EQ
3 Band EQ
LOW MID HIGH
3 Band EQ
LOW
GAIN
3 Band EQ
PEAK
PAN
HIGHMIDLOW
PEAK
PEAK
MID
HIGH
ON
EFFECT
MONI 1
MONI 2
PFL
PAN
EFFECT
MONI 1
MONI 2
PFL
BAL
EFFECT
MONI 1
MONI 2
PFL
ST
MONI 1
MONI 2
PFL
ST
PFL
ST
MONI 1
MONI 2
MONITOR
AFL/PFL
ST
LR21LR
EFFECT
P AMP IN
L/BRIDGE
P AMP
IN R
L
ST 1
R
L
ST 2
R
MONO
1
MONI
2
PHONES/C.R.OUT
EFFECT
LEVEL
L/BRIDGE
LEVEL
ST L,ST R
MONI 1,MONO
MONO BRIDGE
LIMITER
LIMITER
L
R
1
L
2
BRIDGE
1
R
2
SPEAKERS
GRAPHIC EQUALIZER
250
125
GRAPHIC EQUALIZER
PAD
DSP
AFL
from
MONI 1
(ST 1)
ON
8k
4k
from
MONO
L
REC
R
AFL
AFL
AFL
AFL
1
15
16
PHONES/C.R.OUT
2
3
PROGRAM
14
(MIN MAX)
FOOT SW
ST 2
to
P AMP R
to
P AMP L
dB dB
+40
+30
+20
ST IN
LINE IN (+10dB)
+10
0
–10
–20
–30
–40
–50
ST SUB IN (+4dB)
TAPE IN (–10dBV)
MIC IN
(GAIN: min, –16dB)
ST IN
LINE IN (–34dB)
MIC IN
(GAIN: max, –60dB)
CH INS I/O (0dB)
C.R.MONITOR
EFFECT
REC OUT (–10dBV)
ST, MONO, MONITOR, EFFECT, C.R.OUT, P AMP IN (+4dB)
PHONES/C.R.OUT
PHONES (3mW/40Ω)
BRIDGE
L, R
EMX2000—Owner’s Manual
+40
+30
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0
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–60–60
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YAMAHA CORPORATION
VZ42360 R1 1 IP 24 Pro Audio Division, #18/3
P.O. Box 3, Hamamatsu, 430-8651, Japan
NP Printed in Taiwan
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