Yamaha EMS 68S, EMS 88S User Manual

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Owner’s Manual
Keep This Manual For Future Reference.
E
Page 2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
• Explanation of Graphical Symbols
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
The above warning is located on the rear of the unit.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magni­tude to constitute a risk of electric shock to persons.
The exclamation point within an equilat­eral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
European Specifications Only
This mark indicates a dangerous electrically live terminal. When connecting an external wire to this terminal, it is necessary either to have “a person who have received appropriate guidance on handling” make the connection or to use leads or a cord that have been manufactured in such a way
that the connection can be made simply and without problem.
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Precautions
WARNING
3
Installation
• Connect this unit’s pow er cord only to an AC outlet of the type stated in this Owner’s Manual or as marked on the unit. F ailure to do so is a fire and electrical shock hazard.
• Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result.
• Do not place a container with liquid or small metal objects on top of this unit. Liquid or metal objects inside this unit are a fire and electrical shock hazard.
• Do not place heavy objects, including this unit, on top of the power cord. A damaged po wer cor d is a fire and electrical shock hazard. In particular, be careful not to place heavy objects on a power cord covered by a carpet.
• Use only the included power cord for this unit. Using other types may be a fire and electrical shock hazard.
• The power to this device is not completely shut off even when the power switch is turned off. Locate the device close to the A C outlet so you can easily reach the power plug.
Operation
• Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a fire and electrical shock hazard.
• Do not remove the unit’s cover. You could receive an electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer.
• Do not modify the unit. Doing so is a fire and electrical shock hazard.
• If lightning begins to occur, turn off the power switch of the unit as soon as possible, and unplug the power cable plug from the electrical outlet.
• If there is a possibility of lightning, do not touch the power cable plug if it is still connected. Doing so may be an electrical shock hazard.
In case an abnormality occurs during operation
• If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a replacement. Using the unit with a damaged power cord is a fire and electrical shock hazard.
• Should this unit be dropped or the cabinet be damag ed, turn the power switch off, remove the power plug from the AC outlet, and contact your dealer. If you continue using the unit without heeding this instruction, fire or electrical shock may result.
• If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Con­sult your dealer for repair. Using the unit in this condition is a fire and electrical shock hazard.
CAUTION
Installation
• Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A damaged power cord is a poten­tial fire and electrical shock hazard.
• Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.
• This unit has ventilation holes at the rear to prevent the internal temperature rising too high. Do not block them. Blocked venti­lation holes are a fire hazard.
• When rack-mounting the unit, allow enough free space around the unit for normal ventilation. This should be10 cm at the sides, 15 cm behind, and 25 cm above. For normal ventilation during use, remove the rear of the rack or open a ventilation hole. If the airflow is not adequate, the unit will heat up inside and may cause a fire.
Operation
• Use only speaker cables when connecting speakers to amplifier outputs. Using other types of cables is a fire hazard.
Maintenance
• Clean the contacts of the phone plug before connecting it to the SPEAKERS jack of this unit. Dirty contacts may generate heat.
PRECAUTIONS FOR OPERATION – FOR CORRECT OPERATION –
Connector pin assignments
• XLR-type connectors are wired as follows: pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Replacing abrasive parts
• The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of deterioration depends on the operating environment and is unavoidable. Consult your dealer about replacing defective components.
Influence on cell phone usage
• Using a cell phone (mo bile telephone) near this unit may induce noise. If noise occurs, use the telephone away from the unit.
Volume level setting
• Do not set all equalizer controls and faders to maximum. Doing so may cause oscillation depending on the condition of the connected unit and speakers, and may damage the speakers.
EMX88S/EMX68S—Owner’s Manual
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4
Precautions
EMX88S/EMX68S—Owner’s Manual
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Introduction

Thank you for purchasing the Yamaha EMX88S/EMX68S Powered Mixer. The EMX88S/EMX68S has the following features. In order to take full advantage of the EMX88S/EMX68S and enjoy long and trouble-fr ee performance, please read this owner’s manual carefully, and keep it in a safe place for future reference.

Features

5
• The EMX88S/EMX68S features eight input channels (EMX88S), six input channels (EMX68S) that support a wide range of audio sources, from microphones to line-level devices. The microphone input for each channel has +15 V phantom power for use with con­denser-type microphones.
• Two powerful main amps are built-in to deliver 400W + 400W (800W monaural when bridged). According to your needs, the output signal to the power amps can be either stereo [MAIN L-R], [MAIN (L+R)] + monitor [MAIN (L+R) - MON], or [MAIN (L+R)] (bridge connection).
Stereo The stereo-mixed main signal will be output from speaker output jacks A and B of the EMX88S/ EMX68S. Either one or two speakers can be con­nected to each set of speaker jacks.
[MAIN (L+R)] + monitor The monaural-mixed main signal will be output from speaker jacks A of the EMX88S/EMX68S, and the monitor signal will be output from speaker jacks B. Either one or two speakers can be con­nected to each set of speaker jacks.
[MAIN (L+R)] (bridge connection) The two power amps will be bridged, and the mon­aural-mixed main signal will be output from the BRIDGE jack. This allows high-volume output when using only one speaker.
• Individual seven-band graphic equalizers are pro vided to the main and the monitor sections. In this way, you can individually adjust the volume level and frequency response of the main speakers and monitor speakers.
• Two limiter circuits are built-in to prevent excessive input levels to the amp.
• The 16 built-in effect types are equivalent in quality to those of the acclaimed Yamaha SPX series of multi­effect units, and allow a variety of effects to be applied to add reverb or ambience to vocals or instruments. The16 types include TAP DELAY, which lets you easily adjust the delay time.
• The EMX88S/EMX68S has implemented “EEEngine”, Yamaha’s epochal amp drive technology to create an unrivaled high-efficiency drive. The EEEngine’s energy-saver/low-heat-generation design has reduced power consumption to 50% or
less, and reduced heat generation to 35% or less (in field applications, compared to Yamaha’s previous models), and has lead to a reduction in energy cost and to less-restrictive installation requirements relat ed to heat generation.
Contents
Introduction........................................................... 5
Features ...............................................................5
EMX88S/EMX68S Quick Guide .................................6
Front and rear panel .................................................10
Control panel ......................................................10
Input/output panel............................................... 14
Rear panel.......................................................... 16
Installation ..........................................................16
Connections .............................................................17
Basic Operation ........................................................20
Connecting microphones and instruments .........20
Sending an independent mix to the monitor speak-
ers ................................................................... 20
Using the digital effect ........................................20
Example setups ........................................................22
As a conference PA system/installed sound
system ............................................................ 22
As a band PA...................................................... 23
Installing an optional rack mount kit .........................25
Troubleshooting .......................................................26
Specifications ........................................................... 27
General specifications ........................................27
Input specifications .............................................28
Output specifications ..........................................28
Dimensions ......................................................... 29
Block and Level diagram ....................................30
EMX88S/EMX68S—Owner’s Manual
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EMX88S/EMX68S Quick Guide

6
EMX88S/EMX68S Quick Guide
The following steps (1–5) explain the basic con­nection and operation of the EMX88S/EMX68S.
Also, please read “Front and Rear Panel” and “Basic Operation” following this Quick Guide section to learn more about using the EMX88S/ EMX68S.
STEP 1
Connecting speakers

Connection

Using speaker cables, connect each speaker to the SPEAKERS A 1 jack and to the B 1 jack in the SPEAKERS jack section on the rear panel of the EMX88S/EMX68S.
Never connect the speak ers in the manner sho wn below. Otherwise, the EMX88S/EMX68S’s built­in power amplifier will be damaged.
EMX88S (EMX68S)
EMX88S (EMX68S)
• The diagram above shows an example of connecting two main speakers. Refer to pages 17–18 for other connection examples.
• You may connect to either of the two jacks on the speakers.
• Be sure to use a cable designed for speaker connec­tion.
EMX88S (EMX68S)
Setting the power amplifier mode
Set the power amp select switch (located on the right corner on the panel) to MAIN L-R.
EMX88S (EMX68S)
Power amp select switch
• This Quick Guide assumes that two main speakers are connected. Refer to pages 13, 17, 18 for other connections and power amp select switch settings.
• When the power amp select switch is set to the MAIN L-R position, the stereo L signal will be out­put from the SPEAKERS A jacks, and the stereo R signal will be output from the SPEAKERS B jacks.
EMX88S/EMX68S—Owner’s Manual
Page 7
Connecting a microphone
Make sure that the power is turned off to the EMX88S/EMX68S.
Connect a microphone to the Low-Z jack or MIC jack.
EMX88S (EMX68S)
Microphone
EMX88S/EMX68S Quick Guide
Connecting a CD player, MD player, and/or cassette deck
Connect a CD player or MD play er to the 2TR IN jacks. Refer to the operation manual of the corre­sponding device for more information on the input and output of the device.
EMX88S (EMX68S)
7
Using a condenser microphone
Turn on the PHANTOM switch (located in the upper right corner on the panel).
EMX88S (EMX68S)
PHANTOM switch
• Do not connect or disconnect a condenser micro­phone while the power to the unit is on and the PHANTOM switch has been turned on.
CD player
• To connect a second player, use the LINE jack or Hi­Z jack.
• You cannot use the Hi-Z jack and the Low-Z jack for the same channel at the same time. If a microphone has already been connected to the Low-Z jack of a channel, you cannot connect a player to the Hi-Z jack of the channel.
• Connect a recorder to the REC OUT jacks.
Recorder
(Cassette, DAT, MD)
EMX88S/EMX68S—Owner’s Manual
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EMX88S/EMX68S Quick Guide
8
Connecting an electric acoustic guitar or electric bass
Connect an electric acoustic guitar or electric bass to the Super Hi-Z jacks.
EMX88S (EMX68S)
Electric-acoustic
guitar
• If you wish to use a guitar signal processor or bass effect unit, connect them to the Hi-Z jack or LINE jack. You cannot use the Hi-Z jack and the Low-Z jack for the same channel at the same time. If a microphone has already been connected to the Low­Z jack of a channel, you cannot connect the effect unit to the Hi-Z jack of the channel.
Electric
bass
Connecting an electronic musical instrument
To the EMX88S/EMX68S’s LINE jacks, you can connect an electronic musical instrument such as a synthesizer, drum machine, signal processor connected to an electric guitar, etc. Refer to the diagram below to make a stereo co nnection fr om the output jacks (such as L/MONO and R) of an electronic musical instrument to the LINE jacks in stereo.
If you wish to connect multiple instruments, make a monaural connection as shown below.
EMX88S (EMX68S)
• You can also use the Hi-Z jacks and Super Hi-Z jacks to connect multiple instruments. You cannot use the Hi-Z jack and the Low-Z jack for the same channel at the same time. If a microphone has already been connected to the Low-Z jack of a chan­nel, you cannot connect an instrument to the Hi-Z jack of the channel.
STEP 2

Power on

1 Turn on the power to all external devices con-
nected to the EMX88S/EMX68S.
2 Make sure that the MASTER controls in the
MONITOR section and the MAIN section are set to “0,” then press the POWER switch on the EMX88S/EMX68S to turn on the power.
EMX88S (EMX68S)
EMX88S (EMX68S)
Synthesizer, Drum machine, Guitar processor
EMX88S/EMX68S—Owner’s Manual
• Be sure to follow the power up sequence specified above to prevent the speakers from being damaged.
• To correct the low range, turn on the YAMAHA SPEAKER PROCESSING switch in the upper right corner of the panel.
Page 9
STEP 4
STEP 5
STEP 3

Sound output

Set the MASTER control in the MAIN section to
,” then while playing an instrument con­nected to a channel to be checked (or while speaking to a connected microphone), adjust the LEVEL control of the corresponding channel so that the 0 LED of the peak level indicator in the MAIN section will light up momentarily.
• Do not press the PAD switch if sound is input from
the microphone. Otherwise, press the PAD switch on.
• If you are using one of the speakers as a monitor
speaker , use the MASTER c ontrol of the MONITOR section to adjust its volume.
EMX88S (EMX68S)
EMX88S/EMX68S Quick Guide

Applying built-in effects

1 Turn on the ON switch in the DIGITAL EFFECT
section. The ON switch indicator lights up.
2 Using the Program selector, select one of 16 effect
types.
3 Adjust the amount of effect applied by using the
EFFECT control of the target channel and the EFFECT RTN control in the MAIN section.
EMX88S (EMX68S)
9
• Note that if the LIMITER indicator stays lit for a
long time, the built-in amplifier and speakers may be damaged.

Power off

1 Press the POWER switch of the EMX88S/EMX68S
to turn off the power to the unit.
2 Turn off the power to all connected devices.
• Be sure to follow the power off sequence specified above to prevent the speakers from being dam­aged.
• Set the MASTER controls in the MAIN section and the MONITOR section to “0” for use next time (so that a loud noise will not sound the next time you turn on the power to the unit).
EMX88S/EMX68S—Owner’s Manual
Page 10

Front and rear panel

10
Front and rear panel

Control panel

Channel section
Use these controls to adjust factors such as the equalization, (frequency response), volume, effect and monitor output level for the input sig­nal to each channel.
1
2
3
4
MONITOR control
2
For each channel, this c ontrols the amount of sig­nal that is sent to the MONITOR bus.
The signal of the MONITOR bus is sent to the MONITOR jacks (input/output panel 7).
Note: The signal is sent to the MONITOR bus
from a location before the level control ( each channel. This means that it will not be af­fected by the setting of the Level control.
3
EFFECT control
For each channel, this c ontrols the amount of sig­nal that is sent to the EFFECT bus.
The signal of the EFFECT bus is sent to the built­in digital effect, and to the EFFECT OUT jacks (input/output panel 4).
Note: The signal is sent to the EFFECT bus
from a location after the level control ( each channel. This means that the amount of signal that is sent to the EFFECT bus will be af­fected not only by the setting of the effect con­trol, but also by the setting of the level control.
5
5
) of
) of
5
6
Equalizer controls (HIGH, MID, LOW)
1
This is a 3-band equalizer that adjusts the high frequency range, mid frequency range, and low frequency range of each channel. Response is flat when the knobs are in the “ ” position. Rotating it toward the right will boost the corresponding frequency band, and rotating it toward the left will cut it.
The base frequency (or center frequency), range of boost or cut, and equalizer type of each band are as follows.
HIGH: 10 kHz ±15 dB shelving type MID: 2.5 kHz ±15 dB peaking type LOW: 100 Hz ±15 dB shelving type
PAN control (BAL/PAN control for CH7/8
4
(EMX88S), CH5/6 (EMX68S))
This knob adjusts the stereo image (L/R) for each channel. Adjust for equal volume on left and right with a sound source input to the CH7 and 8 (EMX88S), CH5 and 6 (EMX68S) LINE connec­tors (L/R).
LEVEL control
5
This adjusts the output level for each channel.
6
PAD switch (1–6 (EMX88S) only, 1–4 (EMX68S) only)
This switch attenuates the input signal by 30 dB. When connecting a line level device to channels 1–6 (EMX88S), 1–4 (EMX68S), or if the mic input is distorted, turn this switch on (the pressed-in position).
EMX88S/EMX68S—Owner’s Manual
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DIGITAL EFFECT section
This section allows you to turn the built-in digital effect on/off and to select the effect type.
7
8
Control panel
val between the last two presses will be set as the delay time. The specified time will be remem­bered even if the power is turned off.
The LED beside the switch will blink in synchro­nization with the delay time only when the effect type is TAP DELAY.
11
MAIN section
This section allows you to adjust the tone and volume of the stereo (MAIN L, R) bus, the mix level of the built-in effect, and the mix level of the external input.
A
F
9
0
7
PROGRAM selector
This knob selects the effect type for the internal digital effect.
PARAMETER control
8
This knob adjusts the parameter of the internal digital effect.
* If TAP DELAY is selected by the PROGRAM
selector, this adjusts the amount of feedback.
DIGITAL EFFECT ON switch
9
Use this switch to turn the digital effect on and off. When this switch is on, the effect bus signal processed with the built-in digital effect is sent to the stereo (MAIN L, R) bus and MONITOR bus. The mix level of the effect sound is adjusted with the EFFECT RTN control in the MAIN and MONITOR sections.
The LED beside the switch will light when the effect is on.
B
Graphic equalizer
A
The EMX88S/EMX68S has a 7-band graphic equalizer for adjusting the frequency response of the stereo (MAIN L, R) bus signal. This allows you to cut or boost each frequency band by a maximum of ±12dB.
These graphic equalizer settings affect both the stereo (MAIN L, R) bus signal output to the speakers and the line level signal output from the MAIN (STEREO) jack (input/output panel 7).
EFFECT RTN control
B
Use this contr ol to adjust the effect signal sent to the stereo (MAIN L, R) bus from the built-in digital effect.
AUX IN control
C
This control adjusts the amount of signal that is sent from the AUX IN jack to the stereo (MAIN L, R) bus.
C
D
E
0
TAP switch
Only if the PROGRAM selector has selected TAP DELAY as the internal effect type, you can press this switch to set the desired delay time.
Press the TAP switch several times, and the inter-
EMX88S/EMX68S—Owner’s Manual
Page 12
Front and rear panel
12
2TR IN control
D
This adjusts the amount of signal that is sent from the 2TR IN jacks to the stereo (MAIN L, R) bus.
MASTER control
E
This control adjusts the stereo (MAIN L, R) bus signal output level.
This setting is output to the SPEAKERS A, B, BRIDGE jacks and the MAIN (STEREO) jack (input/output panel appears in the stereo (MAIN L, R) bus signal.
Peak level indicator
F
This indicator allows you to monitor the level of the signal which is output from the MAIN (STE­REO) jack (input/output panel 7).
Note: To avoid distortion, adjust the MASTER control (E) so that the 0 indicator lights occa­sionally.
7
) on the rear panel and
MONITOR section
This section allows you to adjust the tone and volume of the MONITOR bus, and specify the mix level of the built-in digital effect.
These graphic equalizer settings affect both the MONITOR bus signal output to the speakers and the line level signal sent from MONITOR jack signal (input/output panel 7).
H EFFECT RTN control
This control adjusts the effect signal level sent to the MONITOR bus from the built-in digital effect.
I 2TR IN control
This control adjusts the amount of signal that is sent from the 2TR IN jacks to the MONITOR bus.
J MASTER control
This control adjusts the MONITOR bus signal output level.
This setting is output to both the front and rear panel MONITOR jacks and appears in the MON­ITOR bus signal.
K Peak level indicator
This indicator allows you to monitor the level of the signal which is output from the MONITOR jack (input/output panel 7).
Note: To avoid distortion, adjust the MASTER control (J) so that the 0 indicator lights occa­sionally.
G
H
I
G Graphic equalizer
The EMX88S/EMX68S has a 7-band graphic equalizer for adjusting the frequency response of the MONITOR bus signal. This allo ws you to cut or boost each frequency band by a maximum of ±12dB. You can use these sliders to reduce the level of frequency bands at which feedback easily occurs. Fr equency response is flat when a slider is in the center position. Moving a slider in the pos­itive direction will boost, and in the negative direction will cut.
PHANTOM switch, indicator
K
L
J
L PHANTOM ON, OFF switch
This switch turns the phantom power supply on/ off for the Low-Z XLR type input jacks of chan­nels 1–6 (EMX88S), 1–4 (EMX68S).
Turn this switch off if you do not use it.
EMX88S/EMX68S—Owner’s Manual
Page 13
Control panel 13
POWER AMP section
Here you can select the operating mode of the power amp. You can also check the operation of the limiter circuit.
M
N
M LIMITER indicator
This indicator lights up when the level of the sig­nal output from the power amp section reaches the maximum and the limiter is activated. Adjust appropriate control so that the indicator lights up for only a short while when the signal reaches the maximum level.
Note: The indicator lights up or flashes for a longer duration if the power amp section is sig­nificantly overloaded, which could result in malfunction. Avoid such a situation.
YAMAHA SPEAKER PROCESSING
O ON/OFF switch
This switch enables you to compensate the low range of the speakers. The low range balance when this switch is on varies depending on the speakers.
First, check the low range balance by auditioning the resultant sound, then set this switch to on or off.
O
STAND-BY
P ON/OFF switch
This switch mutes (silences) the input signals from channels 1–8 (EMX88S) or channels 1–6 (EMX68S). The indicator will blink when this switch is on.
The on/off setting of this switch does not affect the signal from the AUX IN jacks or 2TR IN jacks.
N Power amp select switch
Select one of the following settings to specify the signals to be routed to the corresponding jacks according to the speaker connection at the SPEAKERS jacks 1 on the rear panel.
MAIN L-R The stereo (MAIN L, R) bus signals are output from the SPEAKERS A 1, 2 jacks and the SPEAK­ERS B 1, 2 jacks. The final level of these signals is adjusted by the MAIN MASTER control.
MAIN (L+R)-MON The MONITOR bus signals are output from the SPEAKERS B 1, 2 jacks, and a monaural signal that is a mix of the stereo (MAIN L, R) bus sig­nals is output from the SPEAKERS A 1, 2 jacks. The final level of these signals is adjusted by the MAIN MASTER control and the MONITOR MASTER control.
MONO (BRIDGE) The monaural signal that is a mix of the stereo (MAIN L, R) bus is output from the BRIDGE jack. The final level of this signal is adjusted by the MAIN MASTER control. Set the switch to this position when you connect only a single speaker for high-volume amplification.
P
Power switch and indicator
Q
Q Power ON/OFF switch and indicator
This switch turns the power of the EMX88S/ EMX68S on/off. When the switch is turned on,
the indicator lights up.
Note: Before turning the EMX88S/EMX68S on/ off, turn down the MASTER controls of the MONITOR and MAIN section.
EMX88S/EMX68S—Owner’s Manual
Page 14
14 Front and rear panel

Input/output panel

2
1
1 Channel input jacks (Hi-Z, Low-Z)
1–6 (EMX88S), 1–4 (EMX68S)
These are the input jacks for channels 1–6 (EMX88S), 1–4 (EMX68S).
By using the P AD switches (c ontrol panel 6) you can connect any of the jacks to a wide range of sources from mics to line level devices (synthesiz­ers or rhythm boxes etc.). The Low-Z jacks can provide +15 V phantom power, allowing you to use condenser microphones.
Both Hi-Z and Low-Z are balanced, and are com­patible with microphones of output impedance 50–600 or line level devices of 600. The nom­inal input level is from –40 dB to –10 dB for the Hi-Z jacks, and from –50 dB to –20 dB for the Low-Z jacks.
Pin connections for the Hi-Z and Low-Z jacks are as follows.
Low-Z jacks
(XLR type)
Pin 1: ground Sleeve: ground Pin 2: hot (+) Tip: hot (+) Pin 3: cold (–) Ring: cold (–)
Hi-Z jacks
(TRS phone jacks)
RST
4
3
657
2 Super Hi-Z jacks
These two phone jacks are the input connectors for input channel 5–6 (EMX88S), 3–4 (EMX68S). They are unbalanced, can be used simulta­neously, and their high input impedance makes them ideal for use with instruments such as elec­tric-acoustic guitar and electric bass. They can also be used with line-level sources, such as syn­thesizers and drum machines.
3 Channel input jacks (MIC/LINE)
7–8 (EMX88S), 5–5 (EMX68S)
These are the input jacks for channels 7–8 (EMX88S), 5–6 (EMX68S).
Connect microphones to the MIC jacks. Connect line-level devices, such as synthesizers to LINE L (MONO)/R jacks if the devices are stereo sound sources. Use the LINE L (MONO) jack if the devices are monaural sound sources. The MIC jacks can provide +15 V phantom power, allow­ing you to use condenser microphones.
The MIC jacks are balanced, and are compatible with microphones of output impedance 50– 600.
The LINE jacks are unbalanced, and are compati­ble with line level devices of 600 output imped­ance. Nominal input level is –50 dB for the MIC jacks and –10 dB for the LINE jacks.
+-
GND
GND
Note: It is not possible to simultaneously use both the Hi-Z and Low-Z inputs of a given channel. For each channel, use only one of the inputs as appropriate for the input source.
Phantom power is switched on/off in simulta­neously for channels 1–8 (EMX88S), 1–6 (EMX68S). For this reason, devices which do not require phantom power m ust be c onnect ed to the Hi-Z or LINE jacks if the PHANTOM switch (control panel L) is on.
EMX88S/EMX68S—Owner’s Manual
+-
Note: The MIC and LINE inputs for channel 7 (EMX88S), 5 (EMX68S) can be used simulta­neously but their levels cannot be adjusted sep­arately (Same for channel 8 (EMX88S), 6 (EMX68S).)
Page 15
Input/output panel 15
4 EFFECT OUT jack
The input of an external effect such as a delay or echo can be connected to this jack.
The signal adjusted by the EFFECT control of each channel will be sent to the EFFECT bus, its level adjusted by the EFFECT OUT control, and output from this jack.
The nominal output level and impedance are +4 dB/10 k.
5 FOOT SW jack
You can connect a Yamaha FC5 foot switch (sold separately) to this jack and use it to turn the built-in digital effect on and off. The Digital Effect ON switch on the front panel must always be set to ON in order to use the foot switch.
6 AUX IN/2TR IN-INPUT TO MAIN jacks
These are input jacks that allow the signal from an external device to be added to the MAIN out­put.
AUX IN jacks: Connect these jacks to the output jacks of an external effects processor. If the effects processor has a stereo output, connect it to the AUX IN L (MONO) and R jacks. If it has monaural output, use the AUX IN L (MONO) jack. Signal input to these jacks is sent to the stereo (MAIN L, R) bus.
7 REC OUT/MAIN (STEREO)/MONITOR-
OUTPUT jacks
These are output jacks which send line level sig­nals from the EMX88S/EMX68S to external devices. A stereo recording device such as a cas­sette recorder or MD recorder can be connected to the REC OUT jacks, and a playback device such a power amp can be connect ed to the MON­ITOR and MAIN (STEREO) jacks. The signals sent from each jack are as follows.
REC OUT jacks: The stereo (MAIN L, R) bus signal before it has passed through the MASTER control and graphic equalizer
MONITOR jack: The MONITOR bus signal which has passed through the MONITOR MASTER control and graphic equalizer
MAIN (STEREO) jack: The stereo (MAIN L, R) bus signal which has passed through the MAIN MASTER control and graphic equal­izer
The nominal output level and impedance are –10 dBV/10 k for the REC OUT jacks, and +4 dB/10 k for the MONITOR/MAIN (STE­REO) jacks.
2TR IN jacks: Use these jacks to connect a stereo device, such as a cassette player or a CD player. The signals input to these jacks is sent to the stereo (MAIN L, R) bus.
The nominal input level and impedance are –10 dB/ 600 for the AUX IN jack, and –10 dBV/600 for the 2TR IN jacks.
EMX88S/EMX68S—Owner’s Manual
Page 16
16 Front and rear panel

Rear panel

2 1
1 Speaker output jacks (SPEAKERS)
Connect speakers here. The EMX88S/EMX68S has two internal power amps. There are three ways in which speakers can be connected to the EMX88S/EMX68S.
Two-channel connection
Two-channel parallel connection
Bridge connection At this time, use the power amp select switch N
on the control panel to select a signal sent to the correct jacks.
Refer to the “Connections” section on the next page.
2 AC IN socket
Connect the included power cord to this socket. Connect the plug of the power cord to an A C out­let that meets the requirements stated in the spec­ifications in this document.

Installation

The EMX88S/EMX68S uses a forced cooling system with intake on the bottom of the rear panel and exhaust on the top of the rear panel to avoid blocking the heated air flow.
NO
Front
EMX88S/EMX68S—Owner’s Manual
15cm
or less
Exhaust
Intake
NO
Front
Page 17
Connections 17

Connections

When connecting various devices, make sure the cables and plugs have the correct rating. Be sure to use cables designed for the purpose when you connect speakers to speaker jacks.
Connecting main speakers
There are three ways in which speakers can be connected to the EMX88S/EMX68S. The speaker impedance requirement varies depending on how you connect the speakers. Refer to the dia-
grams below to make sure the speaker impedance will not be lower than the specified value.
When the power amp select switch is set to MAIN L-R or MAIN (L+R)-MON:
• 2-channel connections
Connect either one or two speakers each to jacks A and jacks B. If the power amp select switch is set to MAIN L-R, the signals of the MAIN L and MAIN R buses will be out-
put respectively to the speak ers connected to the A and B jacks. If the power amp select switch is set to MAIN (L+R)-MON, the summed signals of the MAIN L bus + R bus and the signal of the MONITOR bus will be output respectively to jacks A and B.
For either setting of the switch, use speakers with an impedance in the range of 4–8 ohms if you are connect­ing only one speaker to each set of outputs. A maximum output of 400W + 400W will be obtained when 4­ohm speakers are used.
Power amp select switch
or
Not used
4Ω–84Ω–8
• 2-channel parallel connections
If you connect two speakers to each set of outputs, use speak ers with an impedance in the range of 8–16 ohms. A maximum output of 400W + 400W will be obtained when 8-ohm speakers are used.
Power amp select switch
or
8Ω–168Ω–16 8Ω–168Ω–16
Not used
EMX88S/EMX68S—Owner’s Manual
Page 18
18 Connections
When the power amp select switch is set to MAIN (L+R) BRIDGE:
Bridge connection Connect only one 8–16 ohm speaker to the BRIDGE jack. The speaker will output the combined signal of the MAIN L bus + R bus. A maximum output of 800 W will be obtained when an 8-ohm speaker is used.
Power amp select switch
Not usedNot used
8Ω–16
Caution: When using two-channel connection or two-channel parallel connection, do not connect a speaker to the
BRIDGE jack. When using a bridge connection, do not connect a speaker to either the A or B jacks. The BRIDGE jack has a protective cap that prevents a speaker from being accidentally connected to it when
you are using two-channel or two-channel parallel connections. Remove this protective cap only when mak­ing a bridge connection.
Connecting a monitor speaker
You can connect a powered speaker to the MONITOR jack.
VOL
Powered monitor
EMX88S/EMX68S—Owner’s Manual
Page 19
Example connections
Connections 19
Synthesizer, Drum Box
Microphone
CD Player
Foot switch
(YAMAHA FC5)
88
Effect Processor
Cassette Deck
Electric bass
Electric-acoustic
guitar
* Speakers normally connect to the jacks on
the rear panel. When more speaker outputs are needed, use the MAIN (STEREO) jacks are for stereo output and the MONITOR jack is for monaural output.
Main Speakers
Power amp
Monitor Speakers
EMX88S/EMX68S—Owner’s Manual
Page 20
20 Basic Operation

Basic Operation

This section explains basic operation of the EMX88S/EMX68S.

Connecting microphones and instruments

1 Before connecting mics or instruments,
make sure that the power of all equip­ment (where applicable) is turned off. Also make sure that the level controls of each channel of the EMX88S/EMX68S and the MASTER control of the MAIN sec­tion are turned down.
2 Connect cables to your mics and instru-
ments, and insert the other end of the cable rmly into the appropriate Low-Z/ Hi-Z jack or the MIC/LINE jack.
Note: When connecting a line level device to channels 1–6 (EMX88S), 1–4 (EMX68S), turn on the PAD switch.
You cannot use a channel’s Low-Z and Hi-Z jacks, and MIC and LINE jacks at the same time.
3 Turn the power on in the order of periph-
eral devices EMX88S/EMX68S.
Note: When turning the power off, reverse this sequence.
4 Set the MAIN section MASTER control to
the √” position.
Adjusts the stereo image of each channel using the PAN or BAL/PAN controls. (Adjust the bal­ance between the left and right volume levels of the sound sources connected to the LINE con­nectors L/R.)
5 While speaking into the mic (while play-
ing the instrument), adjust the channel LEVEL control so that the 0 LED of the MAIN section peak level meter lights occasionally.
6 If you wish to adjust the tone of each
channel, rotate the equalizer controls as desired.
7 Use the MAIN section graphic equalizer
and MASTER control to adjust the overall volume and tone.

Sending an independent mix to the monitor speakers

1 Set the MONITOR section MASTER con-
trol to the √” position.
2 Adjust the MONITOR control to increase
the level of the channel you want to hear from the monitor speaker, and also adjust so that the peak level meter 0 LED of the monitor section lights up occasionally.
Note: The MONITOR controls ar e not affected by the level settings of each channel. This allows you to create a mix that is independent of the MAIN section.
3 Use the graphic equalizers and MASTER
controls of the MAIN/MONITOR sections to adjust the overall volume and tone.

Using the digital effect

The EMX88S/EMX68S has a built-in digital effect, allowing reverberation or ambiance to be added to vocals or instrumental sounds.
1 Connect a mic or instrument to the
desired channels, and adjust the volume and tone.
2 Press the DIGITAL EFFECT ON switch of
the DIGITAL EFFECT section.
3 Use the PROGRAM selector of the DIGI-
TAL EFFECT section to select the effect type.
4 Raise the EFFECT control of the channels
to which you wish to apply the digital effect.
5 Use the MAIN/MONITOR section EFFECT
RTN control to adjust the level of the sound processed by the effect.
Note: If the effect sound is distorted even if the EFFECT RTN is turned all the way down, lower the EFFECT controls of each channel.
EMX88S/EMX68S—Owner’s Manual
Page 21
No. Program Description
Using the digital effect 21
Controllable parameter
Parameter Variable range
REVERB HALL
REVERB ROOM
REVERB PLATE
REVERB VOCAL 1
Reverberation simulating a spacious expanse such as a concert hall.
Reverberation simulating the acoustics of a small room.
Simulation of a plate reverb device. Produces a hard-sounding reverberation.
Ideal reverb for vocals. Reverb time 0.3–10.0s
Reverb time 0.3–10.0s
Reverb time 0.3–3.2s
Reverb time 0.3–10.0s
REVERB VOCAL 2 VOCAL ECHO 1
Ideal echo for vocals. Delay time 0–800ms
VOCAL ECHO 2 DELAY 1
Delay effect that delays the signal. Delay time 0–800ms
DELAY 2
EARLY REF.
An effect produced by modifying the early reec­tions. It lets you add depth to the sound, or create
Room size 0.1–10.0
echo-like effects.
GATE REVERB An effect produced by cutting the reverberation. Room size 0.1–5.0
VOCAL DOUBLER
Produces an effect as though two people were singing.
Pitch ne 0–50
SYMPHONIC Gives a richly layered depth to the sound. Depth 0–100%
FLANGE
Adds a sense of pitch to the tone. Effective on sounds that contain numerous overtones.
Modulation frequency
0.05–4.00Hz
DISTORTION The well-known effect used to distort the sound. Drive 0–100
Feedback gain 0–99% Delay time 100ms (600bpm)–
2690ms (22.3bpm)*
TAP DELAY
This effect sets the delay time to the interval at which you actually press the switch. The amount of feedback can be adjusted by the PARAMETER control. The LED will blink in synchronization with the delay time.
* The LED can not blink any faster than an interval of 256 ms (234.3 bpm).
EMX88S/EMX68S—Owner’s Manual
Page 22
22 Example setups

Example setups

This section provides some ways in which the EMX88S/EMX68S can be used, and explains connections and operation.

As a conference PA system/installed sound system

This example shows the EMX88S/EMX68S used as a conference PA system or sound system. A sound mix dif­ferent from that of the main speakers can be sent to the powered monitor speakers connected to the MONI­TOR jack.
Main Speakers
SPEAKERS B1/2
Main Speakers
SPEAKERS A1/2
Microphone
CD Player
Set to MAIN L-R
Powered
monitor
VOL
Cassette Deck

Connections

• Connect mics to channel input jacks.
• If you wish to use an external device such as a CD player or LD player, connect the outputs of the device to the 2TR IN jacks of the EMX88S/ EMX68S.
Note: You can connect a stereo playback device, such as a CD player or an LD player, to channels 7–8 (EMX88S), 5–6 (EMX68S) LINE inputs. The MIC and LINE inputs of channel 7 can be used simultaneously but their levels cannot be separately adjusted. (Same for channel 8 (EMX88S), 6 (EMX68S))
• If you wish to record the audio fr om the mics to a cassette deck, connect the REC OUT jacks of the EMX88S/EMX68S to the input jacks of the cas­sette deck.
EMX88S/EMX68S—Owner’s Manual
• Connect the main speakers to the SPEAKERS B1 or 2 jacks and the SPEAKERS A1 or 2 jacks.
• Connect the powered monitor speakers to the MONITOR jack.

Playing back a CD player

1 Turn the power on in the order of periph-
eral devices EMX88S/EMX68S.
2 Adjust the MASTER control of the MAIN
section to the √” position.
3 Start playback on the CD player, and use
the MAIN section 2TR IN control to adjust the level so that the 0 LED of the MAIN section peak level meter does not light.
Page 23
As a band PA 23

As a band PA

Here is an example of using the EMX88S/EMX68S as a small PA for a band. In this example, an ext ernal effect such as delay or reverb is also being used.

Connections

Main
Speakers
Set to MAIN (L+R) - MON
SPEAKERS A
1
2
SPEAKERS B
1
2
88
Effect Processor
Monitor Speakers
Electric bass
Electric-acoustic
guitar
Microphone
Footswitch
(YAMAHA FC5) (TAP)
*1
Footswitch
(YAMAHA FC5) (EFFECT ON/OFF)
Synthesizer
*1. Although this example shows an external effects pro-
cessor and footswitch, which is used to turn on and off the built-in digital effects processor, connected to the EMX88S/EMX68S, in practice, only one effects process­or, internal or external, will be used at a time, so the footswitch is not required when using external effects.
EMX88S/EMX68S—Owner’s Manual
Page 24
24 Example setups
• Connect mics or instruments, such as keyboards, to the channel input jacks.
• Connect the main speakers to the SPEAKERS A, B 1/2 jacks and the monitor speakers.
• If you will be using an external effect such as delay or reverb, connect the EMX88S/EMX68S’s EFFECT OUT jack to the input jack of the exter­nal effect, and connect the output jack of the external effect to the EMX88S/EMX68S’ s AUX IN jack.
Note: If you are using an external effect, we rec­ommend that you turn down the EFFECT RTN controls of the MAIN and MONITOR sections.
If the external effect has a stereo output, it is possible to connect its output jacks to the LINE jacks. However in this case, be sure that the EFFECT controls are turned all the way down for the channels into which the effect sound is being input. If the EFFECT controls are raised, feedback will occur, and your speakers may be damaged.

Using an external effect

1 Set the EFFECT section EFFECT OUT con-
trol to the √” position.
2 Raise the EFFECT controls for the channels
to which you want the external effect to be applied.
3 Adjust the input level of the external
effect so that the sound is not distorted at the input of the external effect.
4 Use the MAIN section AUX IN control to
adjust the level of the sound processed by the effect.
EMX88S/EMX68S—Owner’s Manual
Page 25
Installing an optional rack mount kit 25

Installing an optional rack mount kit

You can rack-mount the EMX88S/EMX68S using an optional rack mount kit (RK-88).
Rack mount kit RK-88
•Bracket × 2
• Screw × 6
Before you rack-mount the EMX88S/EMX68S, make sure that sufficient ventilation will be maintained. (Never install the unit in a sealed rack.)
If you are going to install multiple devices includ­ing the unit in a rack, keep a 1U space or more between the devices. U se a blank panel with holes for ventilation if you wish to insert a panel between the devices.
You will need a 7U space to install the rack mount. After installation, the unit will project 62 mm from the front surface of the rack.
Installing the rack mount bracket
1 Remove the carrying handle by loosening and
removing four screws.
2 Attach one of the rack mount brackets to the side
of the EMX88S/EMX68S using three included screws.
62
3 Attach the other rack mount bracket in the same
way.
EMX88S/EMX68S—Owner’s Manual
Page 26
26 Troubleshooting

Troubleshooting

The following table describes the possible malfunctions of this device, and the appropriate actions to be taken in each case.
Problem Cause Action
Please wait. When the device cools off, normal operation will resume automatically. However, please check the following three points to prevent the problem from recurring.
If the level setting is excessive, lower it to the nominal level. You can refer to the peak level indicators of the main section when doing so.
If the device is not ventilated sufciently, refer to the cautions given at the beginning of this man­ual and take appropriate measures to insure adequate ventilation.
If the load impedance (including a short) is too low, refer to the chapter on connections (page
15) and change the connections so that the impedance is correct.
Sound is no longer out­put from the speakers.
The POWER indicator is lit.
The load on the amplier of this device was too great, and the protection cir- cuit for the amplifier has operated. Possible reasons for the excessive load are an excessive level setting in the channel control section or main section, insufcient ventilation, or insufcient load impedance of the connected speak­ers.
Connections between devices have come loose.
Other
Other
Inspect the connections, and correct any faulty con­nections.
The device may have malfunctioned. Please con­tact your dealer.

Powered Mixer Q&A

Q: The built-in effect is not effective. A: The ON switch in the DIGITAL EFFECT section may
not be turned on. Or, you have adjusted the EFFECT control in the Channel section or the EFFECT RTN control in the MAIN section.
Q: The monitoring sound from the speakers is not power-
ful enough relative to the level of the input sound.
Q: The signal is sent from the EFFECT OUT jack to the
connected effect processor. Then the effect sound is returned to the AUX IN jack. However , no signal is input to the mixer.
Q: An external powered speaker is connected to the MON-
ITOR-OUTPUT jack. However, the signal is not sent to the speaker even when the MASTER control in the MONITOR section is turned.
A: The equalizer LOW control for each channel may be set
to negative values.
A: The AUX IN control in the MAIN section may not be
rotated to right.
A: The MONITOR controls for input channels may not
have been adjusted.
Q: Can the Low-Z jack and the Hi-Z jack be used at the
same time?
Q: Can a single speaker be connected to the mixer? A: Yes. Use a speaker with an impedance of 4-8 ohms.
EMX88S/EMX68S—Owner’s Manual
A: Y ou cannot use the Lo w-Z jac k and the Hi-Z jack for the
same channel at the same time.
Page 27
Specications
General specications

Specifications 27

Maximum output power
Frequency response
Total harmonic distortion
Hum & noise (Average, Rs=150) (with 20 Hz–20 kHz BPF)
Maximum voltage gain
Crosstalk at 1 kHz 65 dB adjacent input, 65 dB input to output
Input channel equalization
Meters 5 POINTS LED METER (MAIN OUT L/R, MONITOR OUT)
Graphic equalizer
Internal digital effect 16 programs, parameter control, tap delay control
MAIN L, R: 400 W+400 W/4 @0.5% THD at 1 kHz, 270 W+270 W/8 @0.5% THD at 1 kHz MAIN BRIDGE: 800 W/8 @0.5% THD at 1 kHz
20 Hz–20 kHz +1 dB, –3 dB @1 W output into 8 (SPEAKERS OUT) 20 Hz–20 kHz +1 dB, –3 dB @+4 dB output into 10 k (MAIN OUT, MONITOR OUT, EFFECT OUT)
Less than 0.5% @20 Hz–20 kHz, 200 W output into 4 (SPEAKERS OUT) Less than 0.3% @20 Hz–20 kHz, +14 dB output into 10 k (MAIN OUT, MONITOR OUT, EFFECT OUT)
124 dB equivalent input noise, 65 dB residual output noise (SPEAKERS OUT)88 dB residual output noise (MAIN OUT, MONITOR OUT)79 dB (MAIN OUT) Master level control: nominal level, All channel level controls: minimum75 dB (MONITOR OUT) Master level control: nominal level, All channel level controls: minimum69 dB (MAIN OUT) Master level control: nominal level, 1 channel level control: nominal level84 dB (EFFECT OUT) All channel level controls: minimum64 dB (EFFECT OUT) 1 channel level control: nominal level
86 dB CH IN (Lo-Z) to SPEAKERS OUT 66 dB CH IN (Lo-Z) to MAIN OUT, MONITOR OUT 66 dB CH IN (Lo-Z) to EFFECT OUT 48 dB CH IN (Lo-Z) to REC OUT 56 dB CH IN (Hi-Z) to MAIN OUT, MONITOR OUT 46 dB CH IN (Super Hi-Z) to MAIN OUT 26 dB AUX IN to MAIN OUT 24 dB 2TR IN to MAIN OUT 66 dB MIC IN to MAIN OUT 26 dB LINE IN to MAIN OUT
±15 dB Maximum
HIGH 10 kHz shelving MID 2.5 kHz peaking LOW 100 Hz shelving
* Turn over/roll-off frequency of shelving: 3 dB below maximum variable level.
7 bands (125, 250, 500, 1k, 2k, 4k, 8k Hz) ±12 dB Maximum (MAIN OUT, MONITOR OUT)
Phantom power +15 V (balanced input) Limiter Comp. : THD0.5% (SPEAKERS OUT) LIMIT indicators Turns on. : THD0.5% (SPEAKERS OUT) Protection circuit (Power
amp) Fan circuit stop low speed (50°C) variable high speed (70°C) Foot switch (FC5) DIGITAL EFFECT MUTE : on/off, Tap delay Optional accessories RK-88, FC5
Power requirement/ Power consumption
Dimensions (WxHxD) 482×305×328 mm Weight 15.5 kg Supplied accessories AC power cord, Owners Manual
POWER switch on/off mute, DC detection, TEMP (heatsink temp. 90°C)
USA and Canada 120 V AC 60 Hz/300W Europe 230 V AC 50 Hz/350W Other 240 V AC 50 Hz/350W
EMX88S/EMX68S—Owner’s Manual
Page 28
28 Specifications
Input specications
Input connectors PAD
Actual load impedance
Nominal
impedance
Sensitivity
Input level
Connector
*1
Nominal level
Max. before
clipping
type
CH INPUT (Low-Z) (CH1–4/1–6)
CH INPUT (Hi-Z) (CH1–2/1–4)
CH INPUT (Super Hi-Z) (CH3–4/5–6)
MIC INPUT 3 k 50–600 Mics –62 dB (0.616 mV) –50 dB (2.45 mV) –20 dB (77.5 mV) LINE INPUT (L, R) 10 k 600 Line –22 dB (61.6 mV) –10 dB (245 mV) +20 dB (7.75 V) AUX IN (L, R) 10 k 600 Line –22 dB (61.6 mV) –10 dB (245 mV) +20 dB (7.75 V) 2TR IN (L, R) 10 k 600 Line –22 dBV (79.4 mV) –10 dBV (316 mV)
*1. Sensitivity is the lowest lev el that can produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set at maximum gain.
(All level controls are at maximum position.) *2. Balanced. *3. Unbalanced.
0 dB=0.775 Vrms, 0 dBV=1 Vrms.
OFF
3 k
ON 600 Lines –32 dB (19.5 mV) –20 dB (77.5 mV) +10 dB (2.45 V)
OFF
10 k
ON 600 Lines –22 dB (61.6 mV) –10 dB (245 mV) +20 dB (7.75 V)
OFF
470 k 1k
ON –12 dB (195 mV) 0 dB (775 mV) +10 dB (3.16 V)
50–600 Mics –62 dB (0.616 mV) –50 dB (2.45 mV) –20 dB (77.5 mV)
50–600 Mics –52 dB (1.95 mV) –40 dB (7.75 mV) –10 dB (245 mV)
–42 dB (6.16 mV) –30 dB (24.5 mV) 0 dB (775 mV)
+17.8 dBV (7.76 V)
Output specications
Output level
Max. before clipping
Output connectors
Actual source
impedance
Nominal
impedance
Nominal
XLR-3-31
*2
type
Phone jack
*2
(TRS)
Phone jack
XLR-3-31 type Phone jack Phone jack Phono jack
Connector
*3
*3
*3
type
*2
SPEAKERS OUT
MAIN OUT (L, R) 600 10 k Lines +4 dB (1.23 V) +20 dB (7.75 V) Phone jack EFFECT OUT 600 10 k Lines +4 dB (1.23 V) +20 dB (7.75 V) Phone jack MONITOR OUT 600 10 k Lines +4 dB (1.23 V) +20 dB (7.75 V) Phone jack REC OUT (L, R) 600 10 k Lines –10 dBV (316 mV) +10 dBV (3.16 V) Phono jack
All output jacks are unbalanced.
0 dB=0.775 Vrms, 0 dBV=1 Vrms.
A, B (1, 2) 0.1 4/8 Speaker 80 W/4 (400 W/4) Phone jack BRIDGE 0.1 8 Speaker 160 W/8 (800 W/8) Phone jack
Specifications are subject to change without prior notice.
For European Model Purchaser/User Information specified in EN55103-1 and EN55103-2. Inrush Current: 75A Conformed Environment: E1, E2, E3 and E4
EMX88S/EMX68S—Owner’s Manual
Page 29

Dimensions

Dimensions 29
328
482
305
Unit: mm
EMX88S/EMX68S—Owner’s Manual
Page 30
30 Specifications

Block and Level diagram

LED METER (5 point)
(CH1-6)
(CH1-8)
STAND-BY
[–6dB]
PAN
EFFECT
[0dB]
BA
LEVEL
[–16dB]
[–10dB]
3-Stage EQ
PAD
[–10dB]
HA
+15V
OFF
ON
PHANTOM
Low-Z
[–50/–20dB]
MAIN L
[+4dB]
BA
MASTER
7-Stage GEQ
[0dB]
INV
SUM SUM
[–16dB]
MONITOR
Hi
Mid
Lo
(30dB)
[–10dB]
Hi-Z
[–40/–10dB]
[+4dB]
[–6dB]
LEVEL
A [400W/4Ω]
SPEAKERS OUT
1
212
MAIN R
8kHz
8kHz
4kHz
4kHz
2kHz
2kHz
1kHz
1kHz
500Hz
500Hz
250Hz
250Hz
125Hz
125Hz
[–6dB]
PAN
EFFECT
[0dB]
BA
[–16dB]
[–10dB]
Hi
Lo
3-Stage EQ
SUM
[–10dB]
HA
Low-Z
[–50/–20dB]
2
1
[+4dB]
MONO BRIDGE
[+4dB]
BA
7-Stage GEQ
[0dB]
SUM
INV
SUM
[–16dB]
MONITOR
Mid
PAD
(30dB)
BA
Super Hi-Z
[–30/0dB]
MONO
[–6dB]
YSP ON/OFF
STEREO
L
MIC
2
LIMITER
[–10dBV]
REC OUT
BAL
[0dB]
LEVEL
[–10dB]
[–10dB]
HA
[–50dB]
BRIDGE [800W/8Ω]
1
INV
SUM
[–7.8dB]
R
BA
[–16dB]
3-Stage EQ
BA
L/MONO
[–6dB]
EFFECT
Hi
Mid
Lo
LINE
B [400W/4Ω]
1
212
STEREO
MONO (BRIDGE)
MAIN (L+R)-MON
[–6dB]
[–16dB]
[–16dB]
MONITOR
[0dB]
BA
[–16dB]
3-Stage EQ
BA
R
[–10dB]
2
1
LIMITER
YSP ON/OFF
[0dB]
[–16dB]
AUX IN
[+4dB]
BA
MASTER
7-Stage GEQ
[0dB]
INV
SUM SUM
SUM
L/MONO
MONITOR
[+4dB]
[–6dB]
[0dB]
SUM
[–16dB]
[–10dB]
AUX IN
LED METER (5 point)
8kHz 4kHz 2kHz 1kHz
500Hz 250Hz 125Hz
[–13.8dB]
2TR IN
R
+40dB
+30dB
+20dB
+10dB
0dB
10dB
20dB
[400W/4Ω]
SPEAKERS OUT (80W/4Ω)
MAXIMUM OUTPUT POWER
EFF OUT
[+4dB]
MAIN OUT [+4dB]
MONITOR OUT [+4dB]
EFFECT OUT [+4dB]
[+4dB]
BA
AUX, 2TR [0dB]
MAIN [0dB]
Super Hi-Z PAD:ON [0dB]
0dB
+10dB
EFFECT [–6dB]
2TR IN [–10dBV]
[–10dB]
LINE IN
Hi-Z PAD:ON [–10dB]
REC OUT [–10dBV]
MONITOR [–16dB]
AUX IN [–10dB]
–10dB
LEVEL
Lo-Z PAD:ON [–20dB]
–20dB
Super Hi-Z [–30dB]
–30dB
Hi-Z PAD:OFF [–40dB]
–40dB
Lo-Z PAD:OFF [–50dB]
MIC [–50dB]
–50dB
[–6dB]
INV
SUM SUM
MAIN L
[0dB]
[0dB]
BA
BA
[–13.8dB]
[–13.8dB]
2TR IN
[–13.8dB]
IN
R
L
[–10dBV]
[–7.8dB]
2TR IN
[–12dB]
EFF RTN
L0
PROGRAM
EFF RTN
DIGITAL EFFECT ON
R0
EFFECT DIGITAL
PARAMETER
[–12dB]
TAP
TAP SW
FOOT SW
EFFECT
MAIN R
MONITOR
+40dB
MONITOR (NON-MUTE)
MAIN R (NON-MUTE)
MAIN L (NON-MUTE)
Clip Level [+20dB]
+30dB
+20dB
CH INPUT
(CH1-2)
(CH1-4)
CH INPUT
(CH3-4)
(CH5-6)
EMX88S/EMX68S—Owner’s Manual
CH INPUT
(CH5-6)
(CH7-8)
Page 31
Page 32
YAMAHA CORPORATION
V832100 R0 1 AP 32 Pro Audio & Digital Musical Instrument Division
NP Printed in Taiwan
P.O. Box 3, Hamamatsu, 430-8651, Japan
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