Yamaha DXlOO User Manual

-

THE OFFICIAL PUBLICATION

-

OF

THE YAMAHA USERS

--

-

GROUP

-

~TM

-

SEPTEMBER

1987

C)

YAMAHA®

Editor

Tom Darter

Operations

Sibyl Darter

Editorial Board

Bob Frye Bill Hinely Mark Koenig

Jim Smerdel

-

September

-

1987

---

-

~

--

-

~

Volume

3,

Number Issue

-

~

-

#24

9

Cover Photograph

Jim Hagopian

4

5

6

Bacon

A new

FingrBrass

A new

BASH!

A new

7 DXLollipop

A new

8

Flauter

A new

9 Panner

A new

10

12

WX7

DX21

An

introduction to

How to simulate drawbar organ sounds with the DX21. By

Louis

DXlOO

TX81Z Performance setup created

voice created

Zednik,

by

Ken Como.

by

David Barton.

by

Stephen

by

J.

Fritz Orzelek.

Yamaha's new MIDI Wind Controller.

Jr.

Cooper.

by

David Forbus.

by

David Forbus.

AFTERTOUCH lished monthly. Third class postage paid Prairie,

MN and additional points of entry. SUBSCRIPTIONS: Address subscription respondence to TOUCH, Northridge,

7938.

POSTMASTER: Send form 3579 to P.O. Box

7938, Northridge,

91327-7938.

2

AFTERTOUCH!Vol. 3 No. 9

at

P.O.

CA

is

pub-

Long

corAFTERBox 7938,

91327-

Free.

CA

13

14

16

18

electronically, mechanically, photocopying, recording,

DX7 II

RX5

Questions Hot Tips

Yamaha Music Corporation

How to change the voice combinations in memories.

Panning techniques for the RXS.

Answers to questions from readers.

Reader tips for the

USA.

No

part of this publication may

By

Tom Darter.

or

otherwise,

DX7

By

Hank

By

SPX90, YMClO,

be

reproduced, stored in a retrieval system, or transmitted in any form or

without

the

prior written permission

RXll,

of

Yamaha

Hehmsoth.

Tom Darter.

and more.

International Corporation.

II

Performance

by

any means,

From

LISTENING

FTER

A

our June 1987 issue, many

.1""\..sheet wrote to request more information new MIDI guessed from tains a more detailed introduction to beginning requests, this issue also features more 4-operator patches (all from readers), covering two tions TX81Z. readers, plus answers month surprises!

Keep your suggestions,

questions, and articles coming in. Keep letting

know

us our best to get it into

In closing, here tion for AfterTouch readers. have seen before, read all know how to get

most efficient

the

New new mailing address, beginning with address

7938, Northridge,

Foreign received many requests for AfterTouch from outside Yamaha tried to support these requests. fortunately,

in

Controller. As you may have

Wind

cover photo, this issue

the

10.

page

on

instruments-

of

are also articles

There

will have more

you want

what

is

but

these items carefully,

of

the way.

Address:

as follows:

is

the

Please

July 1987 issue.

the

CA

Correspondents:

United

the

States. For a short time,

costs

The

Evatone

the

to

In answer to

DX

the

and

reader questions.

to

same, plus a

the

of

hot

need, and we'll do

and

Touch for you.

After

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Some

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AfterTouch, 91327-7938.

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current

Our

P.O.

We

you

of

conWX7, reader

the

it you Please

have a

Box

have

Un-

Editor

sup-

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erature lines must be sent directly to Yamaha. address P.O. AfterTouch are happy to receive specific ques-

tions concerning

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AFTERTOUCH

9/

3 No.

Vol.

every

abso,

on

3

DXlOO

Bacon.

DXlOO

By

Ken Como.

Notes: This

sound to

wreak

people.

be

achieved

values

effects

engineers

Different

for

sure recording nical can

LFO

andAMD.

ANew

Voice

patch

and

by

altering

Speed,

is

with

tech-

effects

PMD,

havoc

the

S/H

WAVE

I

POLY

PCl.YiMONOI

99

SPEED

I

PMS

I 6 I

I

PB

RANGE

I l

0

I

PITCH

AMP!.

WHEEL

RANGE

FREQUENCY

AR

17

EGBIAS

01'0

FREQUENCY

AR

20

EGBIAS

01'0

8.00

ID1R

31

7

~

3.00

r1R 1D1L

31

7

~

IIJET\.NE

ENVELOPE

ID1L

15 10 15

KEYBOARD

RATE

0 0 0 0

QUTPUTLEVEL

98

l

~~E

ENVELOPE

15

KEYBOARD

RATE

0 0 0

QUTPUTLEVEL

99

LFO &

RJCTlCNi

0

99

99 I ON

I

3

NIB

I

POATAMENlO

0

I

IRR

0

IRR15

0

PM)

I

KEY

0

TNE

0 0

AMP!.

BREAlH

fWD

SYNC

C5

I

TIWISPOSE

I

PORT

SUSTAN

FOOTSWITCH

I

PITCH

BIAS

9.00

11

7

7.85

7

EGBIAS

ENVELOPE

I~R

25

RATE

QUTPUTLEVEL

ENVB.OPE

rR

25

RATE

CUTPUT

RANGE

FREQUENCY

AR

EGBIAS

01'0~

FREQUENCY

AR

EGBIAS

01'0~

..J

0

I

DElUNE

I~L

15

KEYBOARD

99

I

DE1\JNE

ID1L

15

KEYBOARD

99

DELAY

I

0

I

OFF

MODE

0

I

PITCH

INIBo

0

DATA

1-

SCALING LEVEL

VELOCirY

INIBo

DATA

_

6 5

1

SCALING

LEVEL

VELOCirY

I I

ALGORITHM

115

I

•

-3

DATA

1-

I

~

-1

DATA

~-

LEVEL

NIB

0

IRR15

3

SCALNG

LEVEL

VELOCirY

0

NIB

0

r

3

SCALOIG

LEVEL

0

VELOCITY

0

1~1

15

4 AFTERTOUCH/Vol. 3 No. 9

DXlOO

FingrBrass.

ANewDXlOO

David

Voice

Barton.

LFO&RJNC1'k:»r6

OFF

15

0

I

0

DElAY

I

PM>

I

INC

I

SVNC

I

12

SPEED

TRI

WAVE

I

By

POLY

I

PQ.YIMONO

0

I

PITCH

VhiEB.

I

FREQUENCY

6.00

ID1R

AR

31 31

EGBIAS

0

~

DPII

FREQUENCY

6.00

ID1R

AR

17

EGBIAS

0

OPII

11

0

TIME

0

AMPL

BREATH

I

TRANSPOSE

KEY

PORT

PITCH RANGE

FREQUENCY

AR

31

EGBIAS

OPO

FREQUENCY

AR

17

EGBIAS

OPt

F1

I

FOOTSWITCH

0

I

BIAS

6.00

101R

31

0

~

6.00

01R

I

31

0

~

SUSTAN

EGBIAS

I

ENVB.OPE

RATE

OUTPUT

ENVB.OPE

RATE

OUTPUT

0

PMS

I

2

I

RANGE

PB

I

AMPL

RANGE

OETLNE

I

ENVELOPE

ID1L

15

KEYBOARD

RATE

0 0 0 0

OUTPUT

73

0

+3

LEVB.

I

DATA

ln>A

3

IWS

OFF

MODE

PORTAMENTO

0

PITCH

IWS

1

IM

0

SCAu.G

B.

LEV

VELOCITY

0

I

5

l

OETLNE

ENVB.OPE

31

RATE

OUTPUT

I

+3

ID1L

15

KEYBOARD

2

LEVB.

99

DATA

IOOR

0

1/WS

IM

3 5

SCALING

B.

LEV

99

VB.DCITY

0

I I

ALGORITHM

15

..J

I

0

I

•

DETUNE

-3

ID1L

15

KEYBOARD

LEVB.

73

I

~

DETUNE

I

-3

ID1L

15

KEYBOARD

2

LEVB.

99

DATA

ItER

DATA

tEA

I

IWS

1

IM

0

SCAI.NG

LEVEL

VELOCITY

0

1/WS

IM

3 5

SCALI'IG

LEVEL

99

VB.OCITY

0

5

lFE~~

Notes:

patch

This carrier

detuning

with rus-like

"thickness"

the sound

the

of

ratios

effect,

must

eter

equals

C

non-standard

uses

frequencies

create

to

that

effect

of

dramatically.

frequency

unusual

create

to

used

Transpose

the

so

set

be Fl.

combined

cho-

a

increases

DX

the

Because

this

param-

middle

that

100

---~~----

Vol.

3 No.

AITERTOUCH

9/

5

DXlOO

BASH!

DXlOO

By

Stephen

Cooper.

Notes: This

is

definitely

to

use

as

an

best

or

of

the

results, octaves

the

keyboard.

orchestral

way

is

useful

is

useful-as a

accent. For

notes

half

ANew

Voice

not a

sound

pad!

a gong

sound

rhythmic

play

single

in

the

lower

lFO I

FIMCTIONB

TRI

WAVE

It

33

SPEED

DELAY

6 0

FREOUENCY I DETLNE

AR

4 5 8

EGBIAS

OPt

FRBlUENCY

AR

20

EGBIAS

OPt

19

8.65

ID1R

0

~

2.00

ID1R

0

~

7 0 OFF

C1

-3

ENVELOPEO.r.TA

ID1L

1-

12

kEYBOARD

44

2

LEVEL

SCALNG

VaociTY

RATE

OUTPUT

1

I

DETLNE

-3

ENVELOPE

Dot.

T A

ID1L

KEYBOARD

RATE

OUTPUT

14

84

2

LEVEL

1-

2 8

SCALN;

LEVEL

VELOCITY

13

NIB

LEVEL

N>/6

IRR

99 0

IRR

99 0

SYNC

0

8

0

FRECUENCY

18.84

AR

.l~R

16

EG

BIAS

0

OPt

~

l~

ENVB..OPE

ID1L

7 2

K~RO

RATE

CUTPUTLEVEL

•

2

89

DATA

I~

12

SCALING

LEVEL

VELOCITY

NIB

0

IRR

99

0

8

I FEEt6ACk I

LEVEL

3

6 AITERTOUCH!Vol. 3 No. 9

---~------

FRBlUENCY

1.00

ENVELOPE

AR

ID1R

20

18

EGBIAS

RATE

0

OPt

CUTPUTLEVEL

~

ALGORITHM #3

------------------

l

I~E

O.O.TA

ID1L

1-

15

7 9

kEYBOARD

2

84

~

N>/6

0

IRR

SCALNG

LEVEL

99

VELOCITY

0