YAMAHA DSP-A1 User Manual

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Page 1

OWNER’S MANUAL

MODE D’EMPLOI

OWNER’S MANUAL

MODE D’EMPLOI

U C A

NATURAL SOUND AV AMPLIFIER DSP A1

CINEMA DSP

7ch

VOLUME

INPUT SELECTOR

TAPE 2 MON

/EXT. DECODER

–dB

PHONES BASS

EXTENSION

BASS TREBLE BALANCE

DVD/VCR 3

VIDEO AUX

REC OUT

VCR 1

VCR 2

TV/DBS

SOURCECDMD/TAPE 1

VIDEO AUX

INPUT MODE

SET MENU PROGRAM EFFECT

STANDBY/ON

l0l

Page 2

1 Read Instructions – All the safety and operating

instructions should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc.

6 Carts and Stands – The unit should be used only with a

cart or stand that is recommended by the manufacturer.

6A A unit and cart combination should be

moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn.

7 Wall or Ceiling Mounting – The unit

should be mounted to a wall or ceiling only as recommended by the manufacturer.

8 Ventilation – The unit should be situated so that its

location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.

9 Heat – The unit should be situated away from heat

sources such as radiators, stoves, or other appliances that produce heat.

10 Power Sources – The unit should be connected to a

power supply only of the type described in the operating instructions or as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the inside of the unit.

15 Damage Requiring Service – The unit should be serviced

by qualified service personnel when:

A. The power-supply cord or the plug has been

damaged; or

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or D. The unit does not appear to operate normally or

exhibits a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit

beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel.

17 Power Lines – An outdoor antenna should be located

away from power lines.

18 Grounding or Polarization – Precautions should be taken

so that the grounding or polarization is not defeated.

SAFETY INSTRUCTIONS

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

•

Explanation of Graphical Symbols

CAUTION

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

IMPORTANT

Please record the serial number of this unit in the space below.

Model: Serial No.:

The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference.

Page 3

English

SPECIAL NOTES FOR FCC COMPOSITE DEVICE (for US customers only)

This device is a composite system. The digital device component may not cause harmful interference.

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620. The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (for US customers only)

YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing.

Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels.

We Want You Listening For A Lifetime (for US customers only)

After unpacking, check that the following parts are included.

SUPPLIED ACCESSORIES

Remote Control Transmitter Batteries (size AA, R6, UM-3)

User function stickers

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CONTENTS

Thank you for selecting this YAMAHA AV Amplifier.

SAFETY INSTRUCTIONS

...................................................... Inside of the Front Cover

SUPPLIED ACCESSORIES ............................................... 1

FEATURES ........................................................................... 3

CAUTION .............................................................................. 3

NOTES ABOUT THE REMOTE CONTROL

TRANSMITTER .................................................................... 4

PROFILE OF THIS UNIT ..................................................... 5

SPEAKER SETUP ............................................................... 8

CONNECTIONS ................................................................. 10

CONNECTING AUDIO/VIDEO SOURCE EQUIPMENT

TO THIS UNIT.....................................................................10

CONNECTING SPEAKERS.............................................. 18

PLUGGING IN THIS UNIT................................................. 22

CONTROLS AND THEIR FUNCTIONS ......................... 23

FRONT PANEL................................................................... 23

DISPLAY PANEL ................................................................ 25

ADJUSTMENTS BEFORE USING THIS UNIT ............. 26

SELECTING THE OUTPUT MODES SUITABLE FOR YOUR SPEAKER SYSTEM (IN THE “SET MENU” MODE)

............................................................................................... 26

SPEAKER BALANCE ADJUSTMENT............................. 29

ADJUSTMENTS IN THE “SET MENU” MODE ............ 32

BASIC OPERATIONS ....................................................... 39

TO PLAY A SOURCE......................................................... 39

TO RECORD A SOURCE TO TAPE (OR MD)

(OR DUBBING FROM A TAPE TO ANOTHER)............. 42

FOR SOUND CONTROL ON THIS UNIT........................ 44

USING DIGITAL SOUND FIELD PROCESSOR (DSP)

.............................................................................................. 45

PLAYING A SOURCE WITH AN EFFECT OF THE

DIGITAL SOUND FIELD PROCESSOR (DSP) .............. 45

ADJUSTING OUTPUT LEVEL OF THE CENTER, RIGHT REAR, LEFT REAR, FRONT EFFECT SPEAKERS AND

SUBWOOFER .................................................................... 48

BRIEF OVERVIEW OF DIGITAL SOUND FIELD

PROGRAMS ....................................................................... 50

ON SCREEN DISPLAY .................................................... 55

CREATING YOUR OWN SOUND FIELDS .................... 56

SELECTING AND EDITING PROGRAM PARAMETERS

............................................................................................... 57

DESCRIPTIONS OF THE DIGITAL SOUND FIELD

PARAMETERS ................................................................... 58

SETTING THE SLEEP TIMER ......................................... 61

REMOTE CONTROL TRANSMITTER ........................... 62

BASIC OPERATIONS (When the lid is open) ................. 62

LEARNING NEW CONTROL FUNCTIONS

(When the lid is open).......................................................... 64

USING OPERATION CONTROL KEYS

(When the lid is closed) ...................................................... 66

MACRO OPERATIONS (When the lid is closed) ............ 68

LEARNING A NEW FUNCTION ....................................... 70

MAKING A NEW MACRO ................................................. 71

CLEARING LEARNED FUNCTIONS .............................. 72

TROUBLESHOOTING ...................................................... 73

SPECIFICATIONS ............................................................. 76

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English

●

7 Speaker Configuration Main: 110W + 110W (8Ω) RMS Output

Power, 0.015% THD, 20–20,000 Hz

Center: 110W (8Ω) RMS Output Power,

0.015% THD, 20–20,000 Hz

Rear: 110W + 110W (8Ω) RMS Output

Power, 0.015% THD, 20–20,000 Hz

Front: 35W + 35W (8Ω) RMS Output

Power, 0.05% THD, 1 kHz

●

Digital Sound Field Processor

●

Dolby Digital (AC-3) Decoder

●

Dolby Pro Logic Surround Decoder

●

DTS Decoder

●

CINEMA DSP: Theater-like Sound Experience by the Combination of YAMAHA DSP Technology and Dolby Surround or DTS

●

Automatic Input Balance Control for Dolby Pro Logic Surround

●

Test Tone Generator for Easier Speaker Balance Adjustment

●

Speaker Output Mode Changing Capability

●

“SET MENU” Mode which Provides You with 12 Titles of Setting Changes and Adjustments for Using This Unit in the Best Condition in Your Audio/Video System

● BASS EXTENSION Switch for Reinforcing

Bass Response

● On Screen Display Function Helpful in

Controlling This Unit

●

REC OUT Selector which is Independent of Input Source Selection

● SLEEP Timer

●

Digital Audio Signal Terminals: 5 OPTICAL Inputs, 3 COAXIAL Inputs, 1 DOLBY DIGITAL (AC-3) RF Input, 1 OPTICAL Output

●

6 Channel Audio Signal Input Terminals for Connecting with an External Audio Signal Decoder etc.

● Video Signal Input/Output Capability

(Including S Video Connections)

●

“Learning” Remote Control Transmitter

FEATURES

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.

5. The openings on the cabinet assure proper ventilation of

the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in wellventilated condition. Make sure to allow a space of at least 10 cm behind, 10 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire.

6. The voltage to be used must be the same as that specified

on this unit. Using this unit with a higher voltage than that which is specified is dangerous and may result in a fire or other type of accident causing damage. YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than that which is specified.

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers or TVs. Move this unit farther away from such equipment if interference is observed.

8. Always set the VOLUME control to “–

∞

” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

10.Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that the unit is faulty.

11.When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.

12.To prevent lightning damage, disconnect the AC power

plug and antenna cable when there is an electrical storm.

13.Grounding or polarization – Precautions should be taken

so that the grounding or polarization of an appliance is not defeated.

14.Do not connect an audio equipment to the AC outlet on the

rear panel if the equipment requires more power than the outlet is rated to provide.

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

Page 6

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

Voltage Selector (China and General Models only) The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.

FREQUENCY STEP switch (China and General Models only)

Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area. Before setting this switch, disconnect the AC power plug of this unit from the AC outlet.

FOR CANADIAN CUSTOMERS

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT AND FULLY INSERT.

THIS CLASS B DIGITAL APPARATUS MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCECAUSING EQUIPMENT REGULATIONS.

WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/ON SWITCH IS PRESSED;

The IMPEDANCE SELECTOR switch may not be set to either end closely. If so, set the switch to either end closely.

Battery installation

Battery replacement

If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones.

Notes

●

Use only AA, R6, UM-3 batteries for replacement.

●

Be sure the polarities are correct. (See the illustration inside the battery compartment.)

●

Remove the batteries if the remote control transmitter will not be used for an extended period of time.

●

If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

●

After you change batteries, make sure to press the RESET button inside the battery compartment.

Remote control transmitter operation range

Notes

●

There should be no large obstacles between the remote control transmitter and the main unit.

●

If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting.

30°

Remote control sensor

Within approximately 6 m (19.7 feet)

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

AC OUTLETS

SWITCHED

I00W MAX. TOTAL

200W MAX.

UNSWITCHED

IMPEDANCE SELECTOR

: 4ΩMIN. /SPEAKER

A B : 4

Ω

MIN. /SPEAKER

A OR B : 4

Ω

MIN. /SPEAKER

: 4

Ω

MIN. /SPEAKER

EFFECT : 6

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

MAIN

CENTER

REAR

FRONT

: 8ΩMIN. /SPEAKER

A B : 4

Ω

MIN. /SPEAKER

A OR B : 8

Ω

MIN. /SPEAKER

: 8

Ω

MIN. /SPEAKER

EFFECT : 8

Ω

MIN. /SPEAKER

MAIN

CENTER

REAR

FRONT

A B

A OR B

FRONT REAR

(SURROUND)

VOLTAGE SELECTOR

IMPEDANCE SELECTOR

(General model)

Page 7

English

PROFILE OF THIS UNIT

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. This unit has a total of 12 digital sound field processor (DSP) modes. You can create an excellent audio sound field by selecting a suitable sound field (this will, of course, depend on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround decoder and Dolby Digital (AC-3) decoder for multi-channel sound reproduction of Dolby Surround encoded video sources, and a DTS decoder for multi-channel sound reproduction of DTSencoded audio and video sources. The operation of the Dolby Pro Logic Surround, Dolby Digital (AC-3) or DTS decoder can be controlled by selecting a corresponding DSP program including combined operations of DSP and Dolby Pro Logic Surround, DSP and Dolby Digital (AC-3), or DSP and DTS.

This unit also features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.

Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, jazz clubs, theaters, etc. from around the world, to allow you to accurately recreate any one of these live performance environments, all in your own home.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Stereo theater sound in your own home.

Dolby Pro Logic employs a four-channel-five-speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channel (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging.

Dolby Surround is encoded on a lot of sound tracks of prerecorded video tapes, laserdiscs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects.

Dolby Digital (AC-3)

Dolby Digital (AC-3) is a new generation of Dolby Surround sound system which is a spatial sound processing format developed for 35 mm film-movies by employing low bit-rate audio coding.

Dolby Digital (AC-3) is a digital surround sound system that provides completely independent multi-channel audio to consumers. In multi-channel form, Dolby Digital (AC-3) provides five full range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), plus two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “subwoofer channel” or “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total.

Compared to Dolby Pro Logic that is referred to a “3/1” system (left front, center, right front and just one surround channel), Dolby Digital (AC-3) features two surround channels, called stereo or split surrounds, each offering the same full range fidelity as the three front channels.

By using the built-in Dolby Digital (AC-3) decoder, you can experience the dramatic realism and impact of Dolby Stereo Digital theater sound in your own home.

Sound of wide dynamic range reproduced by the five full range channels presents listeners much excitement that has never been experienced before. Precise sound orientation by the discrete digital sound processing expands realism that the original movie possesses.

Page 8

The DTS (Digital Theater Systems) system was developed to replace analog soundtracks of movies with six discrete channels of digital soundtracks, and now, it is installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio.

The DTS technology, through intense research and development, made it possible to deliver a similar encode/decode discrete technology to home audio surroundsound entertainment. The DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically

5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as “0.1”). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems

The DTS Digital Surround algorithm is designed to encode the six channels of 20-bit audio onto any laserdisc or compact disc (or DVD in the near future) with considerably less datacompression.

By using the DTS decoder built into this unit, you can experience the dramatic realism and impact of the DTS installed theater’s high quality sound in your own home.

Laserdisc and compact disc (and DVD in the near future) are home audio format within which DTS can represent its high quality multi-channel audio. (In addition to movies on laserdiscs, many exciting new multi-channel music recordings will also become available in the form of DTS-encoded compact discs.)

Manufactured under license from DTS Technology LLC. Additionally licensed under the following US Patent 5,451,942 & National Patent applications derived from PCT/US95/00959. Additional U.S. and Foreign Patents pending. “DTS”, “digital surround”, and “coherent acoustics” logos are trademarks of DTS Technology LLC. All rights reserved.

Dolby Digital (AC-3) forms 5.1 channels as mentioned on the previous page, and moreover, it can also form fewer channels, for example 2 channel stereo and monaural. You may be able to find some 2 channel stereo and/or monaural sources encoded with the Dolby Digital (AC-3) in a market.

If a 2 channel stereo source encoded with the Dolby Digital (AC-3) is played back as the input source and the DSP program No. 10, 11 or 12 is used at the same time, the source is first decoded with the Dolby Digital (AC-3) decoder into 2 channels, and then decoded with the Dolby Pro Logic decoder. In such a case, only the decoding of Dolby Pro Logic is shown on the display panel of this unit.

Laserdisc and DVD are home audio formats that could benefit from Dolby Digital (AC-3). In the near future, Dolby Digital (AC-

3) will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Stereo Digital theatrical films now underway will provide an immediate source of Dolby Digital (AC-3) encoded video software.

Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Copyright 1992 Dolby Laboratories, Inc. All rights reserved.

DTS Digital Surround

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English

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic Surrounddecoded sound field respectively. They create a wide acoustic environment and emphasize surround-effect in the room, letting you feel much presence as if you were watching a movie in a popular Dolby Stereo theater.

This combination is available when the digital sound field program No. 7, 8, 9, 10, 11 or “PRO LOGIC/Enhanced” of No. 12 is selected, and the input signal of source is analog, PCM audio or encoded with the Dolby Digital (AC-3) in 2channels.

Dolby Digital (AC-3) or DTS + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digital (AC-3)-decoded or the DTS-decoded sound field respectively. They create a wide acoustic environment and much surround effect in the room without losing high channel separation. With wide dynamic range of Dolby Digital (AC-3) or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Stereo Digital theater or DTS installed theater. This will be the most ideal home theater sound at the present time.

This combination is available when the digital sound field program No. 7, 8, 9, 10, 11 or “DOLBY DIGITAL (or DTS DIGITAL SUR.)/Enhanced” of No. 12 is selected, and the input signal of source is encoded with the Dolby Digital (AC-

3) (except in 2-channels) or encoded with the DTS.

CINEMA DSP: Dolby Surround + DSP / DTS + DSP

Dolby Surround sound system and DTS system show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room are much different from those of a movie theater.

Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound or DTS Digital Surround sound.

The YAMAHA “CINEMA DSP” logo indicates those programs are created by the combination of YAMAHA DSP technology and Dolby Surround or DTS.

CINEMA DSP

Page 10

This unit has been designed to provide the best sound field quality with a full seven-speaker system setup, using a pair of main speakers to output main source sounds, two extra pairs of effect speakers to generate the sound field plus one center speaker for dialog. We therefore recommend that you use a seven-speaker setup. A four-speaker system using only one pair of effect speakers for the sound field will still provide impressive ambience and effects, however, and may be a good way to begin with this unit. You can always upgrade to the full seven-speaker system later. In the 4 or 5 speaker system, the Digital Sound Field Processing is still performed, but the main speakers are used for both the main channels and the front effect channels.

Use of the Center Dialog Speaker Is Recommended

When playing back a source with the Dolby Pro Logic decoded, or playing back a source which contains centerchannel signals with the Dolby Digital (AC-3) or the DTS decoded, dialog, vocals etc. are output from the center channel. Therefore, if you want to maximize the performance of your Audio/Video home theater system, it is recommended that you use a center channel speaker.

If for some reason it is not practical to use a center speaker, it is possible to enjoy movie viewing without it. Best results, however, are obtained with the full system.

Use of a Subwoofer Expands Your Sound Field

It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing signals at the subwoofer channel with high fidelity during playing back a source with the Dolby Digital (AC-3) or the DTS decoded. You may wish to choose the convenience of a Yamaha Active Servo Processing Subwoofer System, which has its own builtin power amplifier.

SPEAKER SETUP

Speakers and Speaker Placement

Your full seven-speaker system will require three speaker pairs: the MAIN SPEAKERS (your normal stereo speakers), the FRONT EFFECT SPEAKERS and the REAR SPEAKERS, plus the CENTER SPEAKER. You may also be using a SUBWOOFER.

The MAIN SPEAKERS should be high performance models and have enough power handling capacity to accept the maximum output of your audio system. Other speakers do not have to be equal to the MAIN SPEAKERS. For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in full range for the CENTER SPEAKER, the FRONT EFFECT and REAR SPEAKERS.

Place the MAIN SPEAKERS in the normal position. Place the FRONT EFFECT SPEAKERS further apart than the MAIN SPEAKERS, on either side of and 0.5–1m behind and above the MAIN SPEAKER pair. Place the REAR SPEAKERS behind your listening position. They should be nearly 1.8m up from the floor. Place the CENTER SPEAKER precisely between the two MAIN SPEAKERS. (To avoid interference, keep the speaker above or below the television monitor, or use a magnetically shielded speaker.) If using a SUBWOOFER, such as a Yamaha Active Servo Subwoofer System, the position of the speaker is not so critical because low bass tones are not highly directional.

Setting Up Your Speaker System

Main speaker

Front effect speaker

Center speaker

Rear speaker

Subwoofer

Page 11

English

4 Speaker System

Simplest system.

You can enjoy widely diffused sound by only adding two additional speaker units at the rear.

1E. FRONT MIX—Set to ON-5ch. (See page 27.) 1A. CENTER SP—Set to NONE. (See page 26.)

6 Speaker System

Good for sound fields from 2-channel stereo sources.

When a normal stereo source is played back with the sound field programs No. 1 through No. 6, a sound effect matching that of a 7-speaker system can be obtained. The addition of front left and right effect speakers produces a more effective sound field.

1E. FRONT MIX—Set to OFF-7ch. (See page 27.) 1A. CENTER SP—Set to NONE. (See page 26.)

5 Speaker System

Good for Audio/Video sources.

By the use of center speaker, center sounds (dialog, vocals etc.) are precisely localized.

1E. FRONT MIX—Set to ON-5ch. (See page 27.) 1A. CENTER SP—Set to LRG or SML. (See page 26.)

7 Speaker System

This is the recommended speaker system, providing the best sound effects.

The rear speakers and the front effect speakers produces a 360-degree sound field, and the center speaker provides precise center localization. You can experience the amazing YAMAHA “CINEMA DSP” sound fields completely with the 7 speaker system.

1E. FRONT MIX—Set to OFF-7ch. (See page 27.) 1A. CENTER SP—Set to LRG or SML. (See page 26.)

Four Possible Types of Speaker System Configurations Recommended

Page 12

CONNECTIONS

Never plug in this unit and other components until all connections are completed.

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

CONNECTING AUDIO/VIDEO SOURCE EQUIPMENT TO THIS UNIT

For connections with audio/video units, use RCA type pin plug cables with the exception described later. * If you have YAMAHA audio/video units numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily only by

connecting the output (or input) terminals of each unit to the same-numbered terminals of this unit.

MAIN

FRONT

VIDEO S VIDEO

TV/DBS

VCR 1

OUT

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

VIDEO SIGNALAUDIO SIGNALAUDIO SIGNAL

GND

PHONO

TUNER

PLAY

REC

MD/TAPE 1

PLAY

REC

TAPE 2

EXTERNAL DECODER INPUT

MAIN

SUB

WOOFER

CENTER

SURROUND

TV/DBS

DVD/

VCR 3

COAXIAL OPTICAL

PLAY

REC

MD/TAPE 1

TV/DBS

DVD/

VCR 3

DIGITAL SIGNAL

PAL NTSC

OUTPUT

GND

OUTPUT

LINE OUT LINE IN

DIGITAL

(AC-3) RF SIGNAL

(General model)

Tuner

Turntable

MD recorder, Tape deck 1, etc.

CD player

Tape deck 2

BASIC CONNECTIONS (for Audio Units)

GND terminal (For turntable use)

Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.

Page 13

English

(General model)

LD player

Monitor TV

BASIC CONNECTIONS (for Video Units)

Video cassette recorder 2

DVD player or video cassette recorder 3

MAIN

FRONT

VIDEO S VIDEO

TV/DBS

VCR 1

OUT

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

VIDEO SIGNALAUDIO SIGNALAUDIO SIGNAL

GND

PHONO

TUNER

PLAY

REC

MD/TAPE 1

PLAY

REC

TAPE 2

EXTERNAL DECODER INPUT

MAIN

SUB

WOOFER

CENTER

SURROUND

TV/DBS

DVD/

VCR 3

COAXIAL OPTICAL

DIGITAL

(AC-3) RF SIGNAL

PLAY

REC

MD/TAPE 1

TV/DBS

DVD/

VCR 3

DIGITAL SIGNAL

PAL NTSC

VIDEO IN

AUDIO IN

VIDEO IN

AUDIO OUT

VIDEO OUT

AUDIO IN

VIDEO IN

AUDIO OUT

VIDEO OUT

AUDIO IN

VIDEO IN

AUDIO OUT

VIDEO OUT

AUDIO OUT

VIDEO OUT

AUDIO OUT

Video cassette recorder 1

TV/Satellite tuner

PAL/NTSC switch (China and General models only)

This unit is designed for use with the NTSC and PAL television formats. Set this switch to the position for the format your monitor TV employs.

PAL: Outputs signals in the PAL format no matter which

format (PAL or NTSC) of video signal is sent from an external video unit to this unit. Set to this position if your monitor TV employs the PAL format.

NTSC: Outputs signals in the NTSC format no matter

which format (PAL or NTSC) of video signal is sent from an external video unit to this unit. Set to this position if your monitor TV employs the NTSC format.

Note

Be sure to input a video signal which employs the same format that your monitor TV employs, otherwise a picture will not be played back normally.

Page 14

For connecting with a monitor TV that uses a 21 pin connector for input (for Europe and U.K. models)

Make a connection as figured below with a commercially available scart-plug connector cable.

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

PLAY

REC

TAPE 2

EXTERNAL DECODER INPUT

MAIN

SUB

WOOFER

CENTER

SURROUND

PLAY

REC

MD/TAPE 1

TV/DBS

DVD/

VCR 3

DIGITAL SIGNAL

VIDEO

AUDIO L

AUDIO R

Monitor TV

No connection

Scart-plug connector cable

Note

If you wish to connect a second monitor TV (or a projector) to this unit, you can switch the DVD/VCR 3 VIDEO OUT terminal (and S VIDEO terminal also) to a second monitor out terminal for the connection with another monitor TV. (Refer to page 38.)

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

PLAY

REC

TAPE 2

EXTERNAL DECODER INPUT

MAIN

SUB

WOOFER

CENTER

SURROUND

PLAY

REC

MD/TAPE 1

TV/DBS

DVD/

VCR 3

DIGITAL SIGNAL

AUDIO OUT

S-VIDEO OUT

VIDEO OUT

S-VIDEO IN

VIDEO IN

DVD player, etc.

Projector

Page 15

English

m Connecting to VIDEO AUX terminals (on the front panel)

These terminals are used to connect any video input source such as a camcorder to this unit.

VIDEO AUX

S VIDEO

VIDEO

VIDEO OUT

S VIDEO OUT

AUDIO OUT L

AUDIO OUT R

Camcorder

Page 16

m Connecting to digital (OPTICAL and COAXIAL) terminals

If your CD player, MD recorder, LD player, DVD player, TV/satellite tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals.

To make a connection between optical digital audio signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly.

Even if you connect an audio/video unit to the OPTICAL (or COAXIAL) terminal of this unit, you must keep the unit connected with the same named analog audio signal terminals of this unit, because digital signal cannot be recorded by a tape deck or VCR connected to only analog audio signal terminals of this unit. You can switch the selection of input signals between “digital” and “analog” easily. (See page 41 for details.) * However, if you connect an MD recorder or DAT to this

unit’s OPTICAL MD/TAPE 1 PLAY and REC terminals, it can record input sources connected to this unit’s OPTICAL digital signal input terminals.

Notes

●

When you connect an audio/video unit to both of the digital and analog terminals of this unit, make sure to connect to both terminals of the same name.

●

Be sure to attach the covers when the OPTICAL terminals are not being used, in order to protect the terminals from dust.

●

All digital audio signal input terminals are applicable to the sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.

●

In order to make this unit perform a successful DTSdecoding, the DTS bitstream must not be altered, manipulated or corrupted in the process that it is sent from the DIGITAL OUT terminal of a unit playing back a source encoded with the DTS to a digital signal input terminal of this unit.

MAIN

FRONT

VIDEO S VIDEO

TV/DBS

VCR 1

OUT

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

VIDEO SIGNALAUDIO SIGNALAUDIO SIGNAL

GND

PHONO

TUNER

PLAY

REC

MD/TAPE 1

PLAY

REC

TAPE 2

EXTERNAL DECODER INPUT

MAIN

SUB

WOOFER

CENTER

SURROUND

TV/DBS

DVD/

VCR 3

COAXIAL OPTICAL

PLAY

REC

MD/TAPE 1

TV/DBS

DVD/

VCR 3

DIGITAL SIGNAL

PAL NTSC

OPTICAL DIGITAL OUT

COAXIAL DIGITAL OUT

OPTICAL DIGITAL IN

COAXIAL DIGITAL OUT

OPTICAL DIGITAL OUT

COAXIAL DIGITAL OUT

DIGITAL

(AC-3) RF SIGNAL

DVD player, etc.

MD recorder, DAT, etc.

CD player

TV/Satellite tuner LD player

(General model)

Page 17

English

If your LD player has a DOLBY DIGITAL (AC-3) RF signal output terminal, connect it to this unit’s DIGITAL (AC-3) RF SIGNAL input terminal. Audio signals encoded with the Dolby Digital (AC-3) are input to this unit by this connection. * To play back an LD source with the Dolby Digital decoded,

set the input mode of LD to “AUTO” or “AC-3 RF”. (Refer to page 41 for details.)

It is also necessary to connect the LD player to this unit’s OPTICAL digital audio signal input terminal and/or analog audio signal input terminals regardless of the DOLBY DIGITAL (AC-3) RF signal connection, for playing back an LD source with the Dolby Pro Logic Surround or the DTS decoded, or in normal stereo (or monaural).

Note

DOLBY DIGITAL (AC-3) RF audio input signal cannot be recorded by a tape deck, MD recorder or VCR. To record an LD source, the LD player must be connected to the OPTICAL digital audio signal input terminal and/or analog audio signal input terminals of this unit.

m Connecting to DOLBY DIGITAL (AC-3) RF output of the LD player

MAIN

FRONT

VIDEO S VIDEO

TV/DBS

VCR 1

OUT

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

VIDEO SIGNALAUDIO SIGNALAUDIO SIGNAL

GND

PHONO

TUNER

PLAY

REC

MD/TAPE 1

PLAY

REC

TAPE 2

EXTERNAL DECODER INPUT

MAIN

SUB

WOOFER

CENTER

SURROUND

TV/DBS

DVD/

VCR 3

COAXIAL OPTICAL

PLAY

REC

MD/TAPE 1

TV/DBS

DVD/

VCR 3

DIGITAL SIGNAL

PAL NTSC

DIGITAL OUT

AUDIO OUT

VIDEO OUT

S-VIDEO OUT

DOLBY DIGITAL

(AC-3) RF

OUTPUT

DIGITAL

(AC-3) RF SIGNAL

LD player

(General model)

Page 18

VIDEO S VIDEO

TV/DBS

VCR 1

OUT

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

VIDEO SIGNALAUDIO SIGNAL

S-VIDEO OUT

VIDEO OUT

S-VIDEO OUT

VIDEO

OUT

S-VIDEO OUT

VIDEO IN

S-VIDEO IN

VIDEO IN

S-VIDEO IN

VIDEO OUT

S-VIDEO OUT

S-VIDEO IN

VIDEO IN

VIDEO OUT

S-VIDEO OUT

VIDEO IN

S-VIDEO IN

m Connecting to S VIDEO terminals

If your video cassette recorder, LD player, etc. and your monitor are equipped with “S” (high-resolution) video terminals, connect them to this unit’s S VIDEO terminals, and connect this unit’s S VIDEO MONITOR OUT terminal to the “S” video input of your monitor. Otherwise, connect the composite video terminals from your video cassette recorder, LD player, etc. to the VIDEO terminals of this unit, and connect this unit’s VIDEO MONITOR OUT terminal to the composite video input of your monitor.

Note

If video signals are sent to both S VIDEO input and VIDEO input terminals, the signals will be sent to their respective output terminals.

Notes about the Video superimpose

●

If you watch a video source that is connected to both S VIDEO and VIDEO input terminals of this unit, signals of screen display information are output from only the S VIDEO MONITOR OUT terminal.

●

When no video signal is input to either S VIDEO or VIDEO input terminals of this unit, signals of screen display information are output from both S VIDEO MONITOR OUT and VIDEO MONITOR OUT terminals with a color background. * For China and General models, if the PAL/NTSC switch

on the rear panel is set to “PAL”, nothing will be output from either S VIDEO MONITOR OUT or VIDEO MONITOR OUT terminal in this case.

LD player

DVD player or video cassette recorder 3

TV/Satellite tuner

Video cassette recorder 1

Video cassette recorder 2

Monitor TV

Page 19

English

This unit is equipped with additional 6-channel audio signal input terminals (for left main, right main, center, left rear surround, right rear surround and subwoofer channels) available for inputting signals from your existing amplifier, sound processor, decoder, etc. to this unit. To listen to a sound by reproducing signals input to these terminals, press the TAPE 2 MON/EXT. DECODER button on the front panel once or more so that “EXT. DECODER IN” appears on the display. By doing so, the signals input to these terminals are sent to the corresponding SPEAKERS terminals and OUTPUT terminals of this unit.

Note

When signals input to these terminals are selected, the digital sound field processor cannot be used.

m Connecting an external sound processor, decoder, amplifier, etc. to this unit

MAIN

FRONT

VIDEO S VIDEO

TV/DBS

VCR 1

OUT

VCR 2

OUT

DVD/

VCR 3

OUT

MONITOR

OUT

DVD/VCR 3 OUT CAN BE USED AS A SECOND MONITOR OUT, IF SELECTED BY SET MENU.

VIDEO SIGNALAUDIO SIGNALAUDIO SIGNAL

GND

PHONO

TUNER

PLAY

REC

MD/TAPE 1

PLAY

REC

TAPE 2

EXTERNAL DECODER INPUT

MAIN

SUB

WOOFER

CENTER

SURROUND

TV/DBS

DVD/

VCR 3

COAXIAL OPTICAL

PLAY

REC

MD/TAPE 1

TV/DBS

DVD/

VCR 3

DIGITAL SIGNAL

PAL NTSC

SUBWOOFER OUT

SURROUND OUT

CENTER OUT

MAIN OUT

DIGITAL

(AC-3) RF SIGNAL

External sound processor, decoder, amplifier, etc.

(General model)

Page 20

CONNECTING SPEAKERS

SPEAKERS

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

FRONT

CENTER

REAR

(SURROUND)

A B

A OR B

PRE OUT

MAIN

MAIN CH CENTER SUBWOOFER

OUT MONO

OUT IN

FRONT REAR

(SURROUND)

SPLIT

COUPLER

Center speaker

Front effect speakers

Left

Right

Left

Right

Main speakers

Rear speakers

Subwoofer system

Left

Right

Use speakers with the specified impedance shown on the rear of this unit.

Red: positive (+) Black: negative (–)

➀

Unscrew the knob.

➁

Insert the bare wire. [Remove approx. 5mm (1/4”) insulation from the speaker wires.]

➂

Tighten the knob and secure the wire.

<U.S.A., Canada, China, Australia and General models

only

Banana Plug connections are also possible. Simply insert the Banana Plug connector into the corresponding terminal.

How to Connect:

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or speakers.

Page 21

English

Note on center speaker connection:

One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. When using one center speaker, connect it to either the A or B terminals and set the CENTER SPEAKERS switch to “A OR B” (bottom position). When using two center speakers, connect them to the A and B terminals, and set the switch to “A + B” (top position). If, however, you will not use a center speaker, be sure to set the function “1A. CENTER SP” in the SET MENU mode in the “NONE” position. (See page 26.)

Note on a subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel when reproducing discrete signals. When using one subwoofer, connect the SUBWOOFER MONO terminal of this unit to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer.

If you wish to obtain more presence in your listening room, the use of two subwoofers is recommended. To connect two subwoofers to this unit, connect one SUBWOOFER SPLIT terminal to the INPUT terminal of the amplifier driving a subwoofer, and the other SUBWOOFER SPLIT terminal to the INPUT terminal of the amplifier driving the other subwoofer, and then connect each subwoofer to the corresponding amplifier.

With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit. (Refer to page 21 for details about the SUBWOOFER MONO/SPLIT terminals.)

CENTER SPEAKERS

switch

Subwoofer system

Center speaker

PRE OUT

MAIN

MAIN CH CENTER SUBWOOFER

OUT MONO

OUT IN

FRONT REAR

(SURROUND)

SPLIT

COUPLER

PRE OUT

MAIN

MAIN CH CENTER SUBWOOFER

OUT MONO

OUT IN

FRONT REAR

(SURROUND)

SPLIT

COUPLER

SPEAKERS

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

FRONT

CENTER

REAR

(SURROUND)

A B

A OR B

Page 22

Be sure to switch this only when the power to this unit is not on. Select the position whose requirements your speaker system meets.

WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/ON SWITCH IS PRESSED;

The IMPEDANCE SELECTOR switch may not be set to either end closely. If so, set the switch to either end closely.

(Left position)

Rear: The impedance of each speaker must be 4Ω or

higher.

Center: If you use two center speakers, the impedance of

each speaker must be 4Ω or higher. If you use one center speaker, the impedance of the speaker must be 4Ω or higher.

Main: The impedance of each speaker must be 4Ω or

higher.

Front effect:

The impedance of each speaker must be 6Ω or higher.

(Right position)

Rear: The impedance of each speaker must be 8Ω or

higher.

Center: If you use two center speakers, the impedance of

each speaker must be 4Ω or higher. If you use one center speaker, the impedance of the speaker must be 8Ω or higher.

Main: The impedance of each speaker must be 8Ω or

higher.

Front effect:

The impedance of each speaker must be 8Ω or higher.

m IMPEDANCE SELECTOR switch

AC OUTLETS

SWITCHED

I00W MAX. TOTAL

200W MAX.

UNSWITCHED

IMPEDANCE SELECTOR

: 4ΩMIN. /SPEAKER

A B : 4

Ω

MIN. /SPEAKER

A OR B : 4

Ω

MIN. /SPEAKER

: 4

Ω

MIN. /SPEAKER

EFFECT : 6

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

MAIN

CENTER

REAR

FRONT

: 8ΩMIN. /SPEAKER

A B : 4

Ω

MIN. /SPEAKER

A OR B : 8

Ω

MIN. /SPEAKER

: 8

Ω

MIN. /SPEAKER

EFFECT : 8

Ω

MIN. /SPEAKER

MAIN

CENTER

REAR

FRONT

A B

A OR B

FRONT REAR

(SURROUND)

VOLTAGE SELECTOR

(General model)

IMPEDANCE SELECTOR

Page 23

English

The speaker connections described on page 18 are fine for most applications. If for some reason, however, you wish to drive main, center, front effect and/or rear speakers with your existing amplifier, etc., the following terminals are available for connecting external amplifier(s) to this unit.

1 MAIN CH PRE OUT/MAIN IN terminals

The PRE OUT terminals are for main channel line output, and the MAIN IN terminals are for line input to the built-in main channel amplifier. The PRE OUT and MAIN IN terminals must be connected with jumper bars when the built-in amplifier is used. However, if you drive main speakers with an external stereo power amplifier, first remove the jumper bars, and then connect the input terminals of the external amplifier (MAIN IN or AUX terminals of an amplifier or a receiver) to the PRE OUT terminals. No connection is needed to the MAIN IN terminals. * Output signals from the PRE OUT terminals are

affected by the use of BASS, TREBLE, BALANCE controls and BASS EXTENSION switch.

2 CENTER OUT/IN terminals

The CENTER OUT terminals are for center channel line output, and the CENTER IN terminal is for line input to the built-in center channel amplifier. The lower side of CENTER OUT terminals and the CENTER IN terminal must be connected with a jumper bar when the built-in amplifier is used. However, if you drive one or two center speakers with an external power amplifier (for each), first remove the jumper bar, and then connect the input terminal(s) of the external amplifier(s) to either or both CENTER OUT terminals. No connection is needed to the CENTER IN terminal.

3 SUBWOOFER terminals

SUBWOOFER MONO terminal

When using a subwoofer, connect its amplifier input to this terminal. Frequencies below 90 Hz distributed from the main, center and/or rear channels are output from this terminal. Signals of LFE (low frequency effect) generated when the Dolby Digital (AC-3) or the DTS is decoded are also output if they are assigned to this terminal.

SUBWOOFER SPLIT terminals

When using two subwoofers, connect their amplifier inputs to these terminals. Low bass signals that are output from the SUBWOOFER MONO terminal are also output from these terminals. However, signals from the left main and left rear channels are output to the SPLIT L terminal, and signals from the right main and right rear channels are to the SPLIT R terminal separately.

4 FRONT terminals

These terminals are for front effect channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive front effect speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of an amplifier or a receiver) to these terminals.

5 REAR (SURROUND) terminals

These terminals are for rear channel line output. There is no connection to these terminals when you use the builtin amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of an amplifier or a receiver) to these terminals.

Notes

•

Output level of signals from all of these terminals are adjusted by the use of VOLUME control on the front panel or MASTER VOLUME keys on the remote control transmitter.

•

If an external power amplifier is connected to the FRONT or REAR output terminals, the corresponding internal amplifier will be turned off and no output will be available at the SPEAKERS terminals.

m To drive main, center, front effect and/or rear speakers with external amplifiers

PRE OUT

MAIN

MAIN CH CENTER SUBWOOFER

OUT MONO

OUT IN

FRONT REAR

(SURROUND)

SPLIT

COUPLER

12345

Page 24

•

After completing all connections, plug the AC power cord into a convenient AC outlet.

•

Unplug the AC power cord from the AC outlet if this unit is not to be used for a long period of time.

AC OUTLETS

SWITCHED

I00W MAX. TOTAL

200W MAX.

UNSWITCHED

IMPEDANCE SELECTOR

: 4ΩMIN. /SPEAKER

A B : 4

Ω

MIN. /SPEAKER

A OR B : 4

Ω

MIN. /SPEAKER

: 4

Ω

MIN. /SPEAKER

EFFECT : 6

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

MAIN

CENTER

REAR

FRONT

: 8ΩMIN. /SPEAKER

A B : 4

Ω

MIN. /SPEAKER

A OR B : 8

Ω

MIN. /SPEAKER

: 8

Ω

MIN. /SPEAKER

EFFECT : 8

Ω

MIN. /SPEAKER

MAIN

CENTER

REAR

FRONT

A B

A OR B

FRONT REAR

(SURROUND)

VOLTAGE SELECTOR

To AC outlet

(General model)

PLUGGING IN THIS UNIT

AC OUTLET(S)

(U.S.A., Canada, China and General models)

.......................................................... 2 SWITCHED OUTLETS

1 UNSWITCHED OUTLET (Europe, U.K. and Australia models)

............................................................. 1 SWITCHED OUTLET

Use these to connect the power cords from your components to this unit.

The power to the SWITCHED outlets is controlled by this unit’s STANDBY/ON switch or the provided remote control transmitter’s SYSTEM POWER ON and STANDBY keys. These outlets will supply power to any connected unit whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is as follows.

●

U.S.A. model: 120W

●

Except U.S.A. model: 100W

The power to the UNSWITCHED outlet is not controlled by this unit’s STANDBY/ON switch or the provided remote control transmitter’s SYSTEM POWER ON and STANDBY keys. This outlet will supply power to the connected unit even if this unit is in the standby mode. The maximum power (total power consumption of components) that can be connected to the UNSWITCHED AC OUTLET is as follows.

●

U.S.A. and Canada models: 180W

●

China and General models: 200W

Voltage Selector (China and General Models only)

The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.

Page 25

English

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

NATURAL SOUND AV AMPLIFIER DSP A1

CINEMA DSP

7ch

VOLUME

INPUT SELECTOR

TAPE 2 MON

/EXT. DECODER

–dB

PHONES BASS

EXTENSION

BASS TREBLE BALANCE

DVD/VCR 3

VIDEO AUX

REC OUT

VCR 1

VCR 2

TV/DBS

SOURCECDMD/TAPE 1

VIDEO AUX

INPUT MODE

SET MENU PROGRAM EFFECT

DIGITAL

PRO LOGIC

DSP

DIGITAL SOURCE AC 3 DTS PCM

STANDBY/ON

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX

SLEEP

LD MD/TAPE 1 TUNER CD PHONO

TAPE 2 MON

l0l

B DCE9 F0G

23 456

7 8A

1 STANDBY/ON switch

Press this switch to turn the power to this unit on. Press it again to turn this unit into the standby mode.

* When you press this switch to turn the power on, you will

hear a click and a sound of the built-in fan rotating for a moment.

Standby mode In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control transmitter.

2 Remote control sensor

Receives signals from the remote control transmitter.

3 Display panel

Shows various information. (For details, refer to page 25.)

4 TAPE 2 MON/EXT. DECODER button

When this button is pressed once or more so that “TAPE2 MONITOR ON” appears on the display, sound source played on the unit connected to the TAPE 2 PLAY/REC AUDIO SIGNAL terminals on the rear of this unit is selected as the input source taking priority of the INPUT SELECTOR’s setting. When this button is pressed once or more so that “EXT. DECODER IN” appears on the display, sound signals input to the EXTERNAL DECODER INPUT terminals on the rear of this unit is selected as the input source taking priority of the INPUT SELECTOR’s setting. When this button is pressed once or more so that the display returns to a normal display mode, the above input sources are canceled.

5 INPUT SELECTOR

Selects the input source that you want to listen to (and watch). The selected source is shown on the display.

6 Master VOLUME control

Simultaneously controls volume level at all outputs: front effect, main, rear, center, and subwoofer. (This does not affect REC OUT level.) * When the volume is decreased by pressing the MUTE key

on the remote control transmitter, the indicator on the master VOLUME control flashes on and off.

7 PHONES jack

Plug in headphones here for private listening. Sound signals from the main channels only are output here. However, if the Dolby Digital (AC-3) or the DTS is decoded, signals at all channels are distributed to the main channels and output here.

PHONES

Page 26

BASS EXTENSION switch

When this switch is pressed inward (ON), boosts bass frequency response at the main left and main right channels while maintaining overall tonal balance. If you do not have a subwoofer, the use of this switch will be effective to reinforce the bass frequencies.

9 SET MENU –/+ button

Performs setting changes and adjustments for functions selected by pressing the NEXT button.

NEXT button

Selects functions in the SET MENU mode whenever pressed.

0 BASS and TREBLE controls

Adjust low and high frequency response respectively for the left main, right main and center channels only.

A PROGRAM selector button

Sequentially selects the digital sound field processing programs in the or direction.

B BALANCE control

This control is effective only for the sound from the main speakers. This control adjusts the balance of the output volume to the left and right main speakers to compensate for sound imbalance caused by speaker location or listening room conditions.

C EFFECT button

Switches on and off the output from the center, rear and front effect speakers. When switched to off, the sound becomes normal 2-channels.

* Even if the output from the center, rear and front effect

speakers is off, when the Dolby Digital (AC-3) or the DTS is decoded, signals at all channels are distributed to the main channels and output from the main speakers.

D REC OUT selector

Selects the source to be recorded to an MD recorder (or tape deck 1) or VCR 1 independently of the setting of the INPUT SELECTOR. However, when set to the SOURCE position, the setting of the INPUT SELECTOR decides the source to be recorded to an MD recorder (or tape deck) or VCR.

E INPUT MODE button

Switches the mode of selecting input signals between “AUTO”, “DTS” and “ANALOG” modes for sources that input two or more types of signals to this unit. (Refer to page 41 for details.) * For LD source, this switches among “AUTO”, “AC-3 RF”,

“DTS”, “DIGITAL” and “ANALOG” modes.

F VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. If the connected video unit has a S video output terminal, connect it to the S VIDEO terminal to obtain a high resolution picture. The source connected to these terminals can be selected by the INPUT SELECTOR and REC OUT selector.

G Control door

When it is not necessary to operate controls inside the control door, close the door.

To open the door

To close the door

Page 27

English

DISPLAY PANEL

DIGITAL

PRO LOGIC

DSP

DIGITAL SOURCE

AC 3 DTS PCM

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX

SLEEP

LD MD/TAPE 1 TUNER CD PHONO

TAPE 2 MON

2 31

546 78

1 indicators

When the built-in DTS decoder is on, either dts indicator lights up. Red “dts” indicator lights up when playing a compact disc or laserdisc encoded with the DTS. Orange “dts” indicator lights up when playing a DVD encoded with the DTS. * On a DVD/LD combi-player, if you play a laserdisc encoded

with the DTS after playing a Video-CD, DVD, etc., the orange “dts” indicator may light up.

2 Multi-information display

Shows the currently selected DSP program, or information for several adjustments or setting changes made on this unit.

3 Input source indicators

Show the currently selected input source by the arrow-shaped cursor.

4 DIGITAL and PRO LOGIC indicators

“ DIGITAL” lights up when the built-in Dolby Digital (AC-3) Decoder is on and the signals of selected source encoded with the Dolby Digital (AC-3) is not in 2-channels. “ PRO LOGIC” lights up when the built-in Dolby Pro Logic Surround Decoder is on.

5 DSP indicator

“DSP” lights up when the built-in digital sound field processor is on.

6 Digital audio input signal indicators

These indicators show the type of digital signal currently input to this unit. When PCM digital audio signals are input to this unit, “PCM” lights up. When digital audio signals encoded with the Dolby Digital (AC-3) are input to this unit, “AC-3” lights up. When digital audio signals encoded with the DTS are input to this unit, “DTS” lights up.

7 SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

8 TAPE 2 MON indicator

Lights up when the tape deck (or MD recorder etc.) connected to the TAPE 2 PLAY/REC AUDIO SIGNAL terminals on the rear of this unit is selected as the input source by pressing the TAPE 2 MON/EXT. DECODER button.

Page 28

1A. CENTER SP

Choices: LARGE (LRG)/SMALL (SML)/NONE Preset position: LRG

LRG: Select this position when your center speaker is

approximately the same size as the main speakers.

SML: Select this position when you use a center speaker

that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) at the center channel are output from the SUBWOOFER terminals (or the main speakers if the MAIN position is selected on “1D. LFE/BASS OUT”).

NONE: Select this position when you do not have a center

speaker. The center channel sound will be output from the left and right main speakers.

1B. REAR SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE: Select this position if your rear speakers have a high

ability for bass reproduction, or a subwoofer is connected to the rear speaker in parallel. In this position, full range signals are output from the rear speakers.

SMALL: Select this position if your rear speakers do not have

a high ability for bass reproduction. In this position, low bass signals (below 90 Hz) at the rear channels are output from the SUBWOOFER terminals (or the main speakers if the MAIN position is selected on “1D. LFE/BASS OUT”).

SELECTING THE OUTPUT MODES SUITABLE FOR YOUR SPEAKER SYSTEM (IN THE “SET MENU” MODE)

This unit provides you with the following functions to distribute respective output signals to suitable speakers in your audio system. When speaker connections are all completed, select a proper position on each function to make the best use of your speaker system. * For details about the SET MENU mode, refer to pages 32 to 38.

1. SPEAKER SET

1A. CENTER SP 1B. REAR SP 1C. MAIN SP 1D. LFE/BASS OUT 1E. FRONT MIX 1F. MAIN LEVEL

ADJUSTMENTS BEFORE USING THIS UNIT

m DESCRIPTION OF EACH FUNCTION

Page 29

English

1C. MAIN SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE: Select this position if your main speakers have a high

ability for bass reproduction. In this position, full range signals present at the main channels are output from the main speakers.

SMALL: Select this position if your main speakers do not have

a high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) at the main channels are output from the SUBWOOFER terminals (if the SW or BOTH position is selected on “1D. LFE/BASS OUT”).

1D. LFE/BASS OUT

Choices: SW/MAIN/BOTH Preset position: SW

MAIN: Select this position if your system does not include a

subwoofer. In this position, full range signals present at the main channels, signals from the LFE channel and other low bass signals that are selected on “1A. CENTER SP” to “1C. MAIN SP” to be distributed from other channels are output from the main speakers.

SW/BOTH:

Select either the SW or BOTH position if your system includes a subwoofer. In either position, signals at LFE channel and other low bass signals that are selected on “1A. CENTER SP” to “1C. MAIN SP” to be distributed from other channels are output from the SUBWOOFER terminals. When the LARGE position is selected on “1C. MAIN SP”, in the SW position, no signal is distributed from the main channels to the SUBWOOFER terminals, however in the BOTH position, low bass signals from the main channels are output to both of the main speakers and the SUBWOOFER terminals.

1E. FRONT MIX

Choices: OFF-7ch/ON-5ch Preset position: OFF-7ch

OFF-7ch:Select this position if your speaker system includes a

pair of front effect speakers.

ON-5ch: Select this position if your speaker system does not

include a pair of front effect speakers. Sound signals at the left and right front effect channels are distributed to the left and right main channels respectively, and output from the main speakers.

1F. MAIN LEVEL

Choices: Normal/–10dB Preset position: Normal

Normal: Normally, select this position. –10dB: Select this position if the volume levels to the center,

rear and/or front effect speakers are lower than the level to the main speakers even though they are adjusted to maximum. The volume level to the main speakers are decreased by 10 dB, so you can adjust the speaker output level balance properly.

Page 30

m METHOD OF CHANGING SELECTIONS

Operations should be made watching information on this unit’s display panel or the monitor screen.

If you will use the remote control transmitter, set the PARAMETER/SET MENU switch to the SET MENU position on the remote control transmitter. Note: Be sure to use the remote control transmitter with the lid open.

1 Turn the power to this unit on. (If you want to display

information on the monitor, turn the power to the monitor on.)

2 Select the title “1. SPEAKER SET” by pressing the

button figured below once or more (so that the title appears on the display).

4 Press “+” or “–” once or more so that the arrow-shaped

cursor points the position you will select.

5 In the same way, select a proper position on “1B.

REAR SP”, “1C. MAIN SP”, “1D. LFE/BASS OUT”, “1E. FRONT MIX” and/or “1F. MAIN LEVEL”. First select the title of function by following step 2, and then select a proper position by following step 4.

Front panel

Press once.

Remote control

Front panel

Remote control

STANDBY/ON

NEXTSET MENU

PARAMETER

SET MENU

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX

LD MD/TAPE 1 TUNER CD PHONO

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX

LD MD/TAPE 1 TUNER CD PHONO

Front panel

Remote control

NEXTSET MENU

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX

LD MD/TAPE 1 TUNER CD PHONO

NATURAL SOUND AV AMPLIFIER DSP A1

CINEMA DSP

7ch

VOLUME

INPUT SELECTOR

TAPE 2 MON

/EXT. DECODER

–dB

PHONES BASS

EXTENSION

BASS TREBLE BALANCE

DVD/VCR 3

VIDEO AUX

REC OUT

VCR 1

VCR 2

TV/DBS

SOURCECDMD/TAPE 1

VIDEO AUX

INPUT MODE

SET MENU PROGRAM EFFECT

DIGITAL

PRO LOGIC

DSP

DIGITAL SOURCE AC 3 DTS PCM

STANDBY/ON

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX SLEEP

LD MD/TAPE 1 TUNER CD PHONO

TAPE 2 MON

l0l

4554

l0l

EFFECT

ON/OFF

VIDEO 1

THEATER 1

MOVIE

THEATER 2

MOVIE

VIDEO 2 THEATER

789

PARAMETER

SET MENU

SLEEP

ON SCREEN

LEVEL

TEST

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

10 11

MUTE

/DTS SURROUND

3, 4

2, 3, 4

PARAMETER/SET MENU

Remote control

SYSTEM

POWER ON

Cursor

Page 31

English

Set to the “∞” position.

2 Turn the power on.

Set to the “0” position.

Set to the “OFF ( )”.

5 Set the PARAMETER/SET MENU switch on the

remote control transmitter to the PARAMETER position.

6 Press the TEST key on the remote control transmitter

so that “TEST DOLBY SUR.” appears on the display to enter test mode.

This procedure lets you adjust the sound output level balance between the main, center rear and front effect speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital (AC-3) decoder, the Dolby Pro Logic Surround decoder and the DTS decoder.

The adjustment of each speaker output level should be done at your listening position with the remote control transmitter. Otherwise, the result may not be satisfactory. Note: Be sure to use the remote control transmitter with the lid open.

BASS TREBLE BALANCE

l0l

VOLUME

–dB

STANDBY/ON

NATURAL SOUND AV AMPLIFIER DSP A1

CINEMA DSP

7ch

VOLUME

INPUT SELECTOR

TAPE 2 MON

/EXT. DECODER

–dB

PHONES BASS

EXTENSION

BASS TREBLE BALANCE

DVD/VCR 3

VIDEO AUX

REC OUT

VCR 1

VCR 2

TV/DBS

SOURCECDMD/TAPE 1

VIDEO AUX

INPUT MODE

SET MENU PROGRAM EFFECT

DIGITAL

PRO LOGIC

DSP

DIGITAL SOURCE AC 3 DTS PCM

STANDBY/ON

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX SLEEP

LD MD/TAPE 1 TUNER CD PHONO

TAPE 2 MON

l0l

4554

l0l

BASS

EXTENSION

OFF

4 3

SPEAKER BALANCE ADJUSTMENT

TEST

Front panel

Remote control

SYSTEM

POWER ON

CONTINUED

PARAMETER

SET MENU

PRESET

A/B/C/D/E

HALL 1 HALL 2

123

ROCK

JAZZ

CONCERT

CLUB

456

CONCERT

VIDEO 2

VIDEO 1

789

MOVIE

THEATER 1

THEATER 2

10 11

LEVEL

PARAMETER

TEST

SET MENU

SLEEP

ON SCREEN

SYSTEM

POWER ON

VCR

STANDBY

CHURCH

ENTER-

TAINMENT

THEATER

/DTS SURROUND

V-AUX

/EXT. DECODER

TAPE 2 MON

PHONO

EFFECT

ON/OFF

MASTER VOLUME

MUTE

Page 32

7 Turn up the volume.

You will hear a test tone (like pink noise) from the left main speaker, then the center speaker, then the right main speaker, then the right rear speaker, and then the left rear speaker, for about 2.5 seconds each. The display changes as shown below.

* The state of test tone output is also shown on the monitor

screen by an image of audio listening room. This is convenient for adjusting each speaker level.

* If the function “1A. CENTER SP” in the SET MENU mode

is set in the “NONE” position, you will hear the center channel test tone from the left and right main speakers.

8 Adjust the BALANCE control so that the effect sound

output level of the left main speaker and the right main speaker are the same.

9 Adjust the sound output levels of the center speaker

and the rear speakers so that they become almost as same as that of the main speakers.

How to adjust:

Pressing the + or – key adjusts the level to the speaker (except the main speakers) currently outputting the test tone.

* Pressing the + key raises and the – key lowers the

level.

* While adjusting, the test tone is fixed on the selected

speaker.

If desired, you can select a speaker to output the test tone by pressing the or key once or more so that “CENTER”, “RIGHT SURROUND” or “LEFT SURROUND” appears on the display. * While holding the or key pressed, the test tone

is fixed on the selected speaker.

* “CENTER” shows the center speaker is selected,

“RIGHT SURROUND” shows the right rear speaker, and “LEFT SURROUND” shows the left rear speaker.

* The output level of the selected speaker can be

adjusted by the + or – key.

Main (L)

Main (R)

Center

Rear (L)

Rear (R)

Remote control

Front panel

Remote control

TEST DOLBY SUR.

EFFECT LEVEL CENTER 2dB

NATURAL SOUND AV AMPLIFIER DSP A1

CINEMA DSP

7ch

VOLUME

INPUT SELECTOR

TAPE 2 MON

/EXT. DECODER

–dB

PHONES BASS

EXTENSION

BASS TREBLE BALANCE

DVD/VCR 3

VIDEO AUX

REC OUT

VCR 1

VCR 2

TV/DBS

SOURCECDMD/TAPE 1

VIDEO AUX

INPUT MODE

SET MENU PROGRAM EFFECT

DIGITAL

PRO LOGIC

DSP

DIGITAL SOURCE AC 3 DTS PCM

STANDBY/ON

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX SLEEP

LD MD/TAPE 1 TUNER CD PHONO

TAPE 2 MON

l0l

4554

l0l

EFFECT

ON/OFF

VIDEO 1

CONCERT

THEATER 1

MOVIE

THEATER 2

MOVIE

VIDEO 2

CONCERT

THEATER

789

PARAMETER

SET MENU

SLEEP

ON SCREEN

LEVEL

TEST

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

10 11

MUTE

/DTS

SURROUND

MUTE

BALANCE

l0l

Page 33

English

10 For the front effect speaker level adjustment, press

the TEST key on the remote control transmitter again so that “TEST DSP” appears on the display.

A calibration signal should be heard from the main speakers and the front effect speakers in turn.

11 Adjust the front effect speaker level by pressing the

+ or – key so that it becomes almost as same as that of the main speakers. * While adjusting, the test tone is fixed on the front

effect speaker.

* Pressing the or key makes the test tone fix

on the left front effect speaker and the right front effect speaker respectively. This is helpful for you to check that each speaker is correctly connected to this unit.

12 When the adjustment is finished, press the TEST

key once again to cancel the test tone.

Notes

●

Once you have completed these adjustments, you can adjust whole sound level on your audio system by using the VOLUME control (or the MASTER VOLUME keys on the remote control transmitter) only.

●

If you use external power amplifiers, you may also use their volume controls to achieve proper balance.

●

If the function “1A. CENTER SP” in the SET MENU mode is set in the “NONE” position, in step 9, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right main speakers.

●

If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting the function “1F. MAIN LEVEL” in the SET MENU mode in the “–10dB” position.

Remote control

Disappears

TEST

Remote control

TEST

TAPE 2 MON

PHONO

EFFECT

ON/OFF

123

CLUB

ENTER-

TAINMENT

JAZZ

VIDEO 1

CONCERT

THEATER 1

MOVIE

THEATER 2

MOVIE

VIDEO 2

CONCERT

THEATER

CONCERT

ROCK

456

789

PARAMETER

SET MENU

SLEEP

ON SCREEN

LEVEL

TEST

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

10 11

MUTE

/DTS SURROUND

10, 12

Main

Front effect

Page 34

Operations should be made watching information on this unit’s display panel or the monitor screen. If you want to display information on the monitor, turn on the power to the monitor.

The use of the remote control transmitter is recommended for easier operation. When using the remote control transmitter, set the PARAMETER/SET MENU switch to the SET MENU position on the remote control transmitter. Note: Be sure to use the remote control transmitter with the lid open.

1 Press once or more until the title of function on which you

will make a change appears on the display.

2 Select any desired position or edit parameters on the

function.

3 Repeat step 1 and 2 to make a setting change or

adjustment on any other function.

Note

A detailed adjusting method by using the remote control transmitter’s keys is described for each function on pages 33 to

38. When you make an adjustment on the front panel, note the following.

●

+/– keys on the remote control transmitter are identical with the SET MENU +/– button on the front panel.

●

key on the remote control transmitter is identical with the

NEXT button on the front panel.

In addition, note that the key on the remote control transmitter can be used to change selections in the order reverse to the key.

ADJUSTMENTS IN THE “SET MENU” MODE

1. SPEAKER SET

1A. CENTER SP 1B. REAR SP 1C. MAIN SP 1D. LFE/BASS OUT 1E. FRONT MIX 1F. MAIN LEVEL

2. LOW FREQ. TEST

3. DLBY DGTL SET

3A. LFE LEVEL 3B. D-RANGE

4. DTS SET

4A. LFE LEVEL

5. CENTER DELAY

6. CENTER GEQ

07. CINEMA EQ

08. PARAMETER INI

09. MEMORY GUARD

10. VCR3 VIDEO

11. INPUT MODE

12. DIMMER

Front panel

Remote control

Front panel

Remote control

NEXTSET MENU

PARAMETER

SET MENU

m METHOD OF SETTING CHANGE AND ADJUSTMENT

The following twelve types of functions maximize the performance of your system and expand your enjoyment for audio listening and video watching.

NATURAL SOUND AV AMPLIFIER DSP A1

CINEMA DSP

7ch

VOLUME

INPUT SELECTOR

TAPE 2 MON

/EXT. DECODER

–dB

PHONES BASS

EXTENSION

BASS TREBLE BALANCE

DVD/VCR 3

VIDEO AUX

REC OUT

VCR 1

VCR 2

TV/DBS

SOURCECDMD/TAPE 1

VIDEO AUX

INPUT MODE

SET MENU PROGRAM EFFECT

DIGITAL

PRO LOGIC

DSP

DIGITAL SOURCE AC 3 DTS PCM

STANDBY/ON

TV/DBS

VCR 1 VCR 2

DVD/VCR 3

V-AUX SLEEP

LD MD/TAPE 1 TUNER CD PHONO

TAPE 2 MON

l0l

4554

l0l

EFFECT

ON/OFF

VIDEO 1

CONCERT

THEATER 1

MOVIE

THEATER 2

MOVIE

VIDEO 2

CONCERT

THEATER

789

PARAMETER

SET MENU

SLEEP

ON SCREEN

LEVEL

TEST

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

10 11

MUTE

/DTS SURROUND

1, 2

PARAMETER/SET MENU

Page 35

English

1. SPEAKER SET (Selecting the output modes suitable for your speaker system)

Refer to pages 26 to 28 for details. (Once you have selected proper modes, you do not have to make a setting change until any alteration is made in your speaker system.)

2. LOW FREQ. TEST (Adjusting subwoofer level by using the test tone)

m DESCRIPTIONS OF THE FUNCTIONS

The internal low frequency test tone generator is useful for adjusting subwoofer level to make the subwoofer sound match the sound of other speakers in your audio system.

Operating procedure

1. After selecting this function (title) in step 1 on page 32, press the + or – key to display the mode for adjustment.

2. Press the key so that the arrow points to “TEST TONE

. . . .

OFF”. Next press the + or – key to switch to the “ON” position. The test tone is heard from the selected speaker(s).

3. Press the key so that the arrow points to “OUTPUT

. . . .

”. Next press the + or – key to select the speaker whose sound you want to compare with the subwoofer sound. The test tone is output from the selected speaker.

* Adjust the MASTER VOLUME keys so that the test tone

can be heard at your desired listening level.

* If “SUBWOOFER” is selected, the test tone below 90 Hz

is output from the subwoofer.

* The test tone will not be necessarily output from only the

selected speaker(s). The output mode of the test tone depends on the settings on “1. SPEAKER SET” in the SET MENU mode.

* Even if a source is being played back, the test tone is

output instead of the source sounds.

4. Press the key so that the arrow points to “FREQ.

. . . . . . .

88 Hz”. To confirm that the subwoofer sound matches the sound of other speakers, change the frequency of test tone one by one by pressing the + or – key. (Frequency can be changed from 35 Hz to 250 Hz, and last, all range (35–250 Hz) of frequencies are output.)

Adjust subwoofer level with the control on the subwoofer so that the subwoofer sound matches the

sound of other speakers in any range of low frequencies.

Note

This low frequency test tone can also be applied to check the bass response in your room. For the best bass condition, bass sound must be heard definitely at any position in your room. If not, change the setting of subwoofer or furniture in your room.

3. DLBY DGTL (DOLBY DIGITAL) SET

Adjusting method

After selecting the title “3. DLBY DGTL SET” in step 1 on page 32, press the + or – key to display the title “3A. LFE LEVEL”. To select the title “3B. D-RANGE”, press the

key. (To select the title

“3A. LFE LEVEL” again, press the key.) Then make a

setting change or adjustment with the + or – key.

3A. LFE LEVEL (Adjusting the output level at the LFE (low frequency effect) channel)

●

Control range: –20 dB to 0 dB Preset value: 0 dB

●

This adjustment is effective only when the Dolby Digital (AC-3) is decoded and the signals of selected source encoded with the Dolby Digital (AC-3) contain LFE signals.

Adjusts the output level at the LFE (low frequency effect) channel. If the LFE signals are mixed with signals at other channels to output them from the same speakers, the ratio of LFE signal level to the level of other signals are adjusted. (Refer to page 5 for details about the LFE channel.)

Page 36

●

Choices: MAX/STD/MIN Preset position: MAX

●

This adjustment is effective only when the Dolby Digital (AC-3) is decoded.

MAX: “Dynamic range” is the difference between the

maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital (AC-3) technology can bring the original sound track into a home audio format with this wide dynamic range unchanged. In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the original sound track’s wide dynamic range providing you with powerful sounds like a movie theater. Selecting this position will be more ideal if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment.

STD (Standard):

Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output level as high as a movie theater. However, in a level suitable for listening in your room, the low level parts of source sound cannot be heard well because they will be lost among noises in your environment.

Dolby Digital (AC-3) technology also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the data of sound.

In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the “compressed” dynamic range of the source suitable for low level listening.

If you desire, you can adjust the dynamic range manually only when the STD position is selected.

m H-LEVEL CUT (High Level Cut Scale) Control range: 0.0 to 1.0

Preset value: 1.0

Adjusts the dynamic range of high level signals of source. The larger the value, the more the range is reduced. The smaller the value, the range is more widened.

m L-LEVEL BST (Low Level Boost Scale) Control range: 0.0 to 1.0

Preset value: 1.0

Adjusts the dynamic range of low level signals of source. The larger the value, the more the range is widened. The smaller the value, the range is more reduced.

Adjusting method

Select the title H-LEVEL CUT or L-LEVEL BST by pressing the or key and adjust its value by pressing the + or – key.

MIN: In this position, dynamic range is more reduced than

in the STD position. Selecting this position will be effective when you must listen to a source in extremely low level. * In this position, it may happen that sound is output

faintly or not output normally depending on a source. In that case, select the MAX or STD position.

3B. D-RANGE (Adjusting dynamic range)

4. DTS SET

Adjusting method

After selecting the title “4. DTS SET” in step 1 on page 32, press the + or – key to display the title “4A. LFE LEVEL”. Then adjust its level with the + or – key.

4A. LFE LEVEL (Adjusting the output level at the LFE (low frequency effect) channel)

●

Control range: –10 dB to 10 dB Preset value: 0 dB

●

This adjustment is effective only when the DTS is decoded and the signals of selected source encoded with the DTS contain LFE signals.

Adjusts the output level at the LFE (low frequency effect) channel. If the LFE signals are mixed with signals at other channels to output them from the same speakers, the ratio of LFE signal level to the level of other signals is adjusted. (Refer to page 6 for details about the LFE channel.)

Page 37

English

5. CENTER DELAY (Adjusting the delay of center sounds (dialog etc.))

●

Control range: 0 ms to 5 ms (in 1 ms step) Preset value: 0 ms

●

This adjustment is effective only when the Dolby Digital (AC-3) or the DTS is decoded and the signals of selected source encoded with the Dolby Digital (AC-3) or the DTS contain center channel signals.

Adjusts the delay between the main sounds (at the main channels) and dialog etc. (at the center channel). The larger the value, the later the dialog etc. is generated. In your audio system, the distance from the center speaker to your listening position may be shorter than the distance from the left or right main speaker to your listening position. In that case, sounds from the left main, center and right main speakers can reach your listening position at the same time by delaying the sound from the center speaker.

6. CENTER GEQ (Adjusting the Center Channel Graphic Equalizer)

The built-in five band graphic equalizer is used to tailor, over a ±6 dB range, the overall output frequency response of the center channel. The five bands cover the complete audible sound spectrum and are centered on 100 Hz, 300 Hz, 1 kHz, 3 kHz and 10 kHz frequencies. Adjustment should be done to each frequency individually.

Adjusting method

After selecting the function (title) in step 1 on page 32, press the + or – key to display the condition of the equalizer. Then select a frequency with the or key and adjust its level with the + or – key.

* Adjustment can be made by monitoring sounds using the

test tone. To use the test tone, press the TEST key so that “TEST DOLBY SUR.” appears on the display before making adjustment. The test tone is output from the center speaker(s).

It is difficult to balance tonal quality of the main, center, front effect and rear effect speakers, because they may be different in type and size, and their setting positions and heights are also different. The built-in CINEMA Equalizer enables you to balance tonal quality of the speakers easily by adjusting tonal quality of the main/center, front effect and rear effect channels individually.

This is also useful to compensate for loss of tonal response of the main and center speakers when these speakers are placed behind the projection screen (if you use a projector in place of a TV).

The CINEMA Equalizer consists of the High-shelving equalizer (HIGH) and the Parametric equalizer (PEQ). The High-shelving equalizer changes high frequency characteristics smoothly, and the Parametric equalizer boosts or cuts any selected frequency smoothly.

Adjusting method

1. After selecting this function (title) in step 1 on page 32, press the + or – key.

2. Select the channels on which you will make adjustments by pressing the or key so that the arrow points the corresponding title.

L, C, R ............... Left main, center and right main channels

FRNT EFCT ....................................... Front effect channels

REAR EFCT ................................................ Rear channels

3. Press the + or – key to turn the equalizer for the selected channels to “ON”.

4. Press the key repeatedly until the title of adjusting mode (7A. L,C,R EQ/7B. FRNT EFCT EQ/7C. REAR EFCT EQ) for the channels on which you will make adjustments is displayed. * The adjusting mode will not be displayed for the channels

that are set to “OFF” in step 2.

5. Make adjustments for the selected channels. Select the item with the or key and change the value with the + or – key.

HIGH: FRQ..................... Selects a turnover frequency of

the High-shelving equalizer.

GAIN ............................. Adjusts the maximum equalizing

level.

PEQ: FRQ...................... Selects a frequency you will

boost or cut.

GAIN .............................. Adjusts the equalizing level on

the selected frequency.

* Adjustment can be made by monitoring sounds using the

test tone. To use the test tone, press the TEST key so that “TEST DOLBY SUR.” or “TEST DSP” appears on the display. The test tone is fixed on the channels on which you make an adjustment and output from the corresponding speakers.

It is recommended to make these adjustments together with the tonal quality adjustment of the center speaker on the function “6. CENTER GEQ”.

Note

Excessive increase of the GAIN level may cause an overload. It is recommended to adjust the GAIN level so that it becomes lower than the preset value.

7. CINEMA EQ (Adjusting the tonal balance of speakers)

Page 38

m Preset value of the CINEMA Equalizer

L, C, R EQ

HIGH: FRQ ..................... 12.7 kHz

GAIN .................................... –3 dB

PEQ: FRQ ....................... 12.7 kHz

GAIN .................................... –4 dB

FRONT, REAR EFCT EQ

HIGH: FRQ ..................... 12.7 kHz

GAIN ...................................... 0 dB

PEQ: FRQ ......................... 8.0 kHz

GAIN .................................... –3 dB

m Frequency characteristics

The following curves show frequency characteristics when the High-shelving equalizer (HIGH) is adjusted at the indicated values.

HIGH: FRQ ....................... 1.0 kHz

GAIN ..................... +6 dB to –9 dB

HIGH: FRQ .... 1.0 kHz to 12.7 kHz

GAIN ......................... +6 dB/–9 dB

GAIN (dB)

–

20 50 100 200 500 1k 2k 5k 10k 20k

HIGH

PEQ

–

20 50 100 200 500 1k 2k 5k 10k 20k

PEQ HIGH

HIGH + PEQ (OVERALL)

Frequency (Hz)

GAIN (dB)

Frequency (Hz)

GAIN (dB)

–

20 50 100 200 500 1k 2k 5k 10k 20k

Frequency (Hz)

GAIN (dB)

–

20 50 100 200 500 1k 2k 5k 10k 20k

FREQ. POINTS

1.0k

1.2k

1.6k

2.0k

2.5k

3.2k

4.0k

5.0k

5.7k

6.3k

7.1k

8.0k

9.0k

10.1k

11.3k

12.7kH

Frequency (Hz)

Page 39

English

The following curves show frequency characteristics when the Parametric Equalizer (PEQ) is adjusted at the indicated values.

PEQ: FRQ ........................... 1.0 kHz

GAIN ........................ +6 dB to –9 dB

PEQ: FRQ ........ 1.0 kHz to 12.7 kHz

GAIN ............................ +6 dB/–9 dB

–

20 50 100 200 500 1k 2k 5k 10k 20k

–

20 50 100 200 500 1k 2k 5k 10k 20k

Frequency (Hz)

GAIN (dB)

Frequency (Hz)

GAIN (dB)

8. PARAMETER INI (Initializing parameters on a DSP program)

You can initialize all parameter settings on a DSP program. Note that a DSP program has two or three subprograms; all parameters on both subprograms are initialized by this operation.

Initializing method

After selecting this function (title) in step 1 on page 32, press the + or – key to display the DSP program numbers (1 – 12). A program number whose parameters has been changed is marked with “

”. Press a DSP program selector key corresponding to the program number of which parameters you want to initialize. When initialized, the “

” mark will

disappear.

9. MEMORY GUARD (Locking DSP parameters and other adjustments)

If you wish to prevent accidental alteration to DSP parameters or other adjustments on this unit, select “ON”. In this position, they are locked and cannot be changed. The following functions on this unit can be locked by this operation.

• DSP parameters

• Other functions in the “SET MENU” mode

• ON SCREEN display key

• LEVEL key

• TEST key

FREQ. POINTS

1.0k

1.2k

1.6k

2.0k

2.5k

3.2k

4.0k

5.0k

5.7k

6.3k

7.1k

8.0k

9.0k

10.1k

11.3k

12.7kH

Page 40

11. INPUT MODE (Selecting the initial input mode of the sources connected to the TV/DBS and DVD/VCR 3 input terminals)

For the sources connected to the TV/DBS and DVD/VCR 3 input terminals of this unit only, you can designate the input mode that is automatically selected when the power of this unit is switched on.

AUTO: In this position, the AUTO input mode is always

selected when the power of this unit is switched on.

LAST: In this position, the input mode you have selected the

last time is memorized and will not be changed even if the power of this unit is switched on.

* Refer to page 41 for details about switching the input mode.

Operating method

After selecting this function (title) in step 1 on page 32, press the + or – key. Next select the input source TV/DBS or DVD/VCR 3 by pressing the or key so that the arrow points to its name, and then select the AUTO or LAST mode by pressing the + or – key.

12. DIMMER (Changing brightness of the display panel)

You can adjust brightness of the display panel in five degrees.

10. VCR 3 VIDEO (Switching the DVD/VCR 3 VIDEO OUT terminal to a second monitor out terminal.)

If you wish to connect a second monitor TV (or a projector) to this unit, select “MONTR” position. The DVD/VCR 3 VIDEO OUT terminal (and S VIDEO terminal also) is switched to a second monitor out terminal, so you can connect this terminal to the video input terminal of another monitor TV.

Notes

• Even in the “MONTR” position, the DVD/VCR 3 VIDEO IN terminal can be used as a normal video signal input terminal and the DVD/VCR 3 AUDIO SIGNAL IN/OUT terminals as normal audio input/output terminals.

• If using the DVD/VCR 3 terminals for connecting a third video cassette recorder only, be sure to select “REC OUT” position. If the picture on the monitor is disturbed while the third video cassette recorder is functionning, “MONTR” position may be selected. If so, select “REC OUT” position.

YAMAHA DSP-A1 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual