Yamaha D24V2 User Manual

DIGITAL MULTITRACK RECORDER
ENGLISH
V2.0 Supplement Supplément: V2.0 de mise à jour V2.0-Anhang Suplemento V2.0
D24 V2.0 Supplement
This document explains how to upgrade the D24 and RC-D24 to Version 2.0 and the new features and functions provided by the upgrade.
Upgrading the D24
The following procedure explains how to upgrade the D24. Be sure to use the MO disk labelled “Ver. 2.00 DISK.”
Turn off the D24.
1
Turn on the D24.
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3
Insert the MO disk labelled “Ver. 2.00 DISK” into the D24.
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When the message “UNFORMATTED” appears on the 2nd line of the display (which takes about 10 seconds), press the [UTILITY] button.
5
Use the JOG/DATA dial to select “UPDATE,” and then press the [ENTER] but­ton.
When the message “UPDATE – D24” appears, press the [ENTER] button.
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Warning: Do not press the [ENTER] button more than once.
After about 10 seconds, the message “WAITING” appears. After a further 60 seconds the message changes to “TURN OFF.” The upgrade procedure is now complete.
Warning: Do not turn off the D24 before the message “TURN OFF” appears.
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To check the version number, first turn off the D24, and then, while pressing the [UTILITY] button, turn on the D24. The version number appears on the display as follows: “V1 200.”
M
2
Upgrading the RC-D24
The following procedure explains how to upgrade the D24’s remote controller, the RC-D24. Be sure to use the MO disk labelled “Ver. 2.00 DISK.”
1
Turn off the D24.
Connect the RC-D24 to the D24.
2
Turn on the D24.
3
Turn on the RC-D24.
4
Confirm that “00:00:00.00” is shown on the RC-D24 display.
5
Insert the MO disk labelled “Ver. 2.00 DISK” into the D24.
6
When the message “UNFORMATTED” appears on the 2nd line of the display
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(which takes about 10 seconds), press the [UTILITY] button.
Use the JOG/DATA dial to select “UPDATE,” and then press the [ENTER] but-
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ton.
When the message “UPDATE – D24” appears, use the JOG/DATA dial to select
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“RCU,” and then press the [ENTER] button.
The message “WAITING” appears. The RC-D24 and D24 counters count up from 1/374” to “374/374,” which takes about 120 seconds. After a further 20 seconds the RC-D24 transport buttons start flashing. The upgrade procedure is now complete.
Warning: Do not turn off the D24 or RC-D24 before the transport buttons start flashing.
To check the version number, first turn off and on the D24, and then, while
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pressing the RC-D24’s [RTN TO ZERO] button, turn on the RC-D24.
The RC-D24 version number appears on the display as follows: “200 xxxxxx”.
D24—Version 2.0 Supplement
Seamless Punch Out Monitoring
At the punch-out point, the monitor circuits now switch from input to playback seam­lessly. (Previously, monitoring was muted for an instant as the punch-out occurred.)
The number of tracks with which seamless punch out monitoring can be used simul­taneously is limited by the following factors: recording media (MO or hard disk), sam­pling rate (48 kHz or 44.1 kHz), and recording resolution (16-, 20-, or 24-bit), as shown in the following table.
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Media Sampling Rate
48 kHz
MO
44.1 kHz
48 kHz
Hard Disk
44.1 kHz
Recording
Resolution
24-bit 8 20-bit 9 16-bit 11 24-bit 9 20-bit 10 16-bit 12 24-bit 12 20-bit 15 16-bit 16 24-bit 15 20-bit 16 16-bit 16
Max. No. of Tracks for
Seamless Punch Out
The maximum number of tracks for seamless punch out consists of the number of tracks previously recorded (i.e., the number of tracks playing back) and the number of tracks selected for punch in/out recording. For example, the maximum number of tracks for seamless punch out using an MO disk at 48 kHz/24-bit is eight, so if four tracks have already been recorded, up to four tracks can be selected for seamless punch out.
If the maximum number of tracks for seamless punch out is exceeded (i.e., a greater number tracks are selected for recording), punch out monitoring will not be seamless. Audio recorded to disk is always seamless.
D24—Version 2.0 Supplement
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Crossfade Modes
Two new Crossfade modes, with variable fade times, are now available for use with punch in/out recording and part editing. Previously, a variable fade in/out time could be set to smooth the transition between new and existing material at the punch in/out points, and the part editing edit points. This option has been kept because it has the advantage that it affects only playback and the fade time can be changed at anytime, since the fades are not recorded to disk. With the new Crossfade modes, however, the fades are recorded to disk, so once recorded, they cannot be changed.
The following procedure explains how to select a Fade mode and fade time.
Press the [UTILITY] button.
1
The UTILITY indicator lights up.
2
Use the JOG/DATA dial to select “FADE MODE,” and then press the [ENTER] button.
The current mode setting appears on the display.
Use the JOG/DATA dial to select a Fade mode:
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FADE IN/OUT
CROSS FADE1
—Same as previous version.
—Signal levels are at –3 dB at the crossover point (suitable
for music).
CROSS FADE2
—Signal levels are at –6 dB at crossover point (suitable for
sounds consisting essentially of a single, simple tone (e.g., flute, recorder).
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Press the [ENTER] button to activate your selection, or the [CANCEL] button to cancel the Fade Mode function.
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To set the fade time, with the UTILITY indicator still lit, use the JOG/DATA dial to select “FADE I/O,” and then press the [ENTER] button.
The currently set fade time appears on the display.
Use the JOG/DATA dial to select a fade time: 2, 5, 10, 25, 50, or 100 ms.
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The default setting is 2 ms.
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Press the [ENTER] button to activate your selection, or the [CANCEL] button to cancel the Fade I/O function.
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Press the [UTILITY] button again to leave utility.
The UTILITY indicator goes out. Note that if a project that was recorded in the Fade I/O mode is played back in one of
the new Crossfade modes, it will play without the fade in/outs at the punch in/out points, or part edit points. Therefore, such projects are best played back with the Fade I/O mode selected.
D24—Version 2.0 Supplement
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