Yamaha CP73, CP88 User Manual

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EN
Owner’s Manual
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SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The exclamation point within the equi­lateral triangle is intended to alert the user to the presence of important oper­ating and maintenance (servicing) instructions in the literature accompa­nying the product.
The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the pres­ence of uninsulated “dangerous volt­age” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic prod­ucts are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and custom­ary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product per­formance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
ENVIRONMENTAL ISSUES: Yamaha strives to pro­duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small non­rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi­cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
92-469- 1 (rear)
CP88/CP73 Owner’s Manual
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Model
Serial No.
Purchase Date
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FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifica­tions not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these require­ments provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the opera­tion of other electronic devices. Compliance with FCC regula-
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party: Yamaha Corporation of America
Address: 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone: 714-522-9011
Type of Equipment: STAGE PIANO
Model Name: CP88, CP73
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
tions does not guarantee that interference will not occur in all installations. If this product is found to be the source of inter­ference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distrib­ute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distrib­uted by Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
Information for users on collection and disposal of old equipment:
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
Information on Disposal in other Countries outside the European Union:
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.
(FCC DoC)
(weee_eu_en_02)
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The above warning is located on the rear of the unit.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
IMPORTANT SAFETY INSTRUCTIONS
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(UL60065_03)
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PRECAUTIONS

Power supply/Power cord
Do not open
Water warning
Fire warning
If you notice any abnormality
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Use only the supplied power cord/plug.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Be sure to connect to an appropriate outlet with a protective grounding connection. Improper grounding can result in electrical shock.
• This instrument contains no user-serviceable parts. Do not open the instrument or attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the instrument.
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
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CAUTION
Power supply/Power cord
Location
Connections
Handling caution
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. Even when the [ ] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the instrument at the minimum
level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
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NOTICE

To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.
Handling
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with an application on your iPad, iPhone or iPod touch, we recommend that you set “Airplane Mode” to “ON” on that device in order to avoid noise caused by communication.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
Maintenance
• When cleaning the instrument, use a soft and dry/ slightly damp cloth. If the panel (front, side and bottom, excepting the controllers and the keyboard) is dirty, wipe the dirt away using a cloth moistened with a neutral detergent solution and tightly wrung out. Following this, wipe away the detergent solution using a cloth soaked in water and tightly wrung out. Do not use paint thinners, solvents, alcohol, or chemical­impregnated wiping cloths.
• During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the instrument. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth.
Saving data
• Edited Live set sound and settings of MENU/ SETTINGS screens are lost when you turn off the power to the instrument. This also occurs when the power is turned off by the Auto Power Off function (page 21). Save the data to the instrument, or to USB flash drive/an external device such as a computer (page 23). However, the data saved to the instrument may be lost due to some failure, an operation mistake, etc. Save your important data onto USB flash drive/an external device such as a computer (page 23). Before using a USB flash drive, make sure to refer to page 24.
• To protect against data loss through USB flash drive damage, we recommend that you save your important data onto spare USB flash drive or an external device such as a computer as backup data.

Information

About copyrights
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
• This product incorporates and bundles contents in which Yamaha owns copyrights or with respect to which Yamaha has license to use others' copyrights. Due to copyright laws and other relevant laws, you are NOT allowed to distribute media in which these contents are saved or recorded and remain virtually the same or very similar to those in the product.
* The contents described above include a computer
program, Accompaniment Style data, MIDI data, WAVE data, voice recording data, a score, score data, etc.
* You are allowed to distribute medium in which your
performance or music production using these contents is recorded, and the permission of Yamaha Corporation is not required in such cases.
About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
• iPhone, iPad, Logic Pro are trademarks of Apple Inc., registered in the U.S. and other countries.
• IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
• Cubase is a registered trademark of Steinberg Media Technologies GmbH.
• Ableton Live is a trademarks of Ableton AG.
• Pro Tools® is a registered trademark of Avid Tec h no l o g y, Inc .
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the rear of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.
Model No.
Serial No.
(rear_en_01)
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We lc o me

Thank you for purchasing the Yamaha CP88 or CP73. This instrument is a Stage Piano designed especially for live performance. Please read this Owner’s Manual carefully before using the instrument in order to take full advantage of its various features. When you have finished reading the manual, keep it in a safe, accessible place, and refer to it when you need to better understand an operation or function.

Accessories

•Owner’s Manual (this book)
•Power cord
•Foot pedal (FC3A)

Main Features

Authentic acoustic- and electric-piano sounds of unparalleled quality
Building on our decades of experience in the production of stage pianos, we have meticulously adjusted the sound of each individual key and realized perfect balance over the full length of the keyboard, creating full-bodied piano tones ideal for solo performances and authentically rich sounds well suited for playing within an ensemble. Furthermore, by analyzing and replicating the sound-producing mechanisms of classic electric pianos using cutting-edge technologies, we have been able to achieve an extremely smooth response in the CP88 and CP73 keyboards.
Weighted hammer-action keyboards
CP series employ a keyboard with a weighted hammer-action design that is virtually indistinguishable from an acoustic piano. The CP88’s NW-GH (Natural Wood Graded Hammer keyboard with synthetic ebony and ivory keytops) keyboard reproduce a touch of grand piano by giving all keys an authentic resistance that increases from the top register to the lower. And the CP73 features a BHS (Balanced Hammer Standard) keyboard with matte black keytops, perfect for performing as an electric piano as well.
Design embodies high-class appearance and portability
Featuring a stylish, finely crafted aluminum exterior in a light, compact package, the CP88 and CP73 project an exceptionally professional appearance and provide convenient portability onstage.
User interface provides direct, intuitive control required for live performance
The three Voice sections—Piano, E.Piano and Sub—are indicated clearly on the top panel, giving you all the controllers you need onstage, allowing you to directly adjust each parameter as you need while you play. The LED indicator lamps show you the selected Voice, letting you fully concentrate on your performance. Moreover, you can enhance sounds on-the-fly, adding various effects to suit your performance as you play.
Connect with other devices and expand your performance potential
Comprehensive MIDI controls and powerful Master Keyboard features make it easy to connect and use the instrument with software synthesizers and external MIDI devices. Moreover, the instrument has a built-in USB Audio/MIDI interface for convenient recording functions in home and professional studios, as well as onstage performance power.
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Contents

PRECAUTIONS..................................................................5
NOTICE ...............................................................................7
Information..........................................................................7
Welcome...............................................................................8
Accessories ...........................................................................8
Main Features ......................................................................8
Controls and Functions 10
Front Panel........................................................................ 10
Settings of LCD and the indicator lamp ........... 10
Live Set......................................................................... 12
Storing a Live Set Sound ..................................... 12
Swapping Live Set Sounds .................................. 13
Copying a Live Set Sound ................................... 13
Piano section............................................................... 14
Copying a section................................................. 14
Electric Piano section ................................................ 15
Sub section .................................................................. 16
Delay section/Reverb section.................................... 16
Master EQ ................................................................... 17
Rear Panel.......................................................................... 18
Setting Up 20
Power Supply .................................................................... 20
Connecting Speakers or Headphones ........................... 20
Turning On and Off......................................................... 20
Auto Power Off Function................................................ 21
Restoring the Factory Default Settings (Factory Reset)
21
Using with a Computer 26
Connecting to a computer .............................................. 26
Connecting an iPhone or iPad ....................................... 27
MENU LIST 28
SETTINGS LIST 33
DATA LIST 37
Live Set Sound List ........................................................... 37
Voice List........................................................................... 39
Control Change Number List......................................... 40
MIDI................................................................................... 43
MIDI Data Format ........................................................... 44
MIDI Data Table .............................................................. 46
MIDI Implementation Chart.......................................... 50
Appendix 51
Display Messages.............................................................. 51
Troubleshooting ............................................................... 52
Specifications .................................................................... 54
Index................................................................................... 55
Basic Structure & Display Content 21
Selecting Voices ................................................................ 21
Exiting from the Current Screen.................................... 21
Display Configuration ..................................................... 21
Editing File Names/Live Set Sound Names .................. 22
Saving / Loading Data 23
Saving the settings to a USB flash drive ........................ 23
Loading the settings from a USB flash drive ................ 23
Using with Other MIDI Devices 25
Controlling a synthesizer or tone generator module from
this instrument ................................................................. 25
Controlling this instrument from an external MIDI
keyboard or synthesizer................................................... 25
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Controls and Functions

1
2
3
4
5
6
7 8 9 )
Live Set
(page 12)
Piano section
(page 14)

Front Panel

1 Pitch bend lever
Use this controller to smoothly raise or lower the pitch of played notes. When you release it, the lever will automatically spring back to the original position, and the pitch will return to normal. The range can be set for each sections from the [SETTINGS] button → “Controllers” → “Bend Range” (page 36).
2 Modulation lever
Use this lever to apply vibrato to the sound. The vibrato depth can be set for each section from the [SETTINGS] button → “Controllers” → “P.Mod Depth” (page 36). When the “Rotary” insertion effect of the Sub section is selected, this lever functions as a controller to switch the rotary speed (Fast, Slow).
3 [MASTER VOLUME] knob
Use this knob to adjust the overall volume of the instrument.
4 LCD
Displays the system messages, parameter settings, and a range of other information depending on the function currently being used.
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Settings of LCD and the indicator lamp

To make the following settings, press the [MENU] button → “Control Panel” → “Display Lights.”
Section
Ins Effect
LCD SW
LCD Contrast
5 Encoder dial/[ENTER] button
Use this dial to display the Live Set view and to edit the currently selected parameter. In the MENU screens and the SETTINGS screens, move the cursor (highlighted) up or down to select an event for editing. Also, pressing this dial is equivalent to pressing the [ENTER] button. Use this button to determine the selected parameter or to execute each operation.
6 [EXIT] button
The MENU screens and the SETTINGS screens are organized according to a hierarchical structure. Press this button to exit from the current screen and return to the previous level in the hierarchy.
For setting “Off” to light the lamps of each section that is linked with the Voice section [ON/OFF] switches, or “On” so that they continuously light.
For setting “Off ” to lig ht each insertion effect lamps linked with the Insertion effect [ON/ OFF] buttons, or “On” to continuously light the lamps.
Set this to “On” to light the Top screen, or “Off” to turn off. However, regardless of this setting, the various setting screens such as the MENU screens and the SETTINGS screens are always lit.
For adjusting the contrast of the LCD.
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Controls and Functions
Illustration shows the CP88.
The keyboard range of the CP88 is A-1 to C7, the keyboard range of CP73 is E1 to E7.
Electric Piano section
(page 15)
Sub section
(page 16)
Delay section (page 17)
Reverb section (page 17)
Master EQ
(page 17)
ABCD
7 [PANEL LOCK] button
Use this button to switch the panel lock function on and off. When this is set to “On,” control panel operations are disabled, ensuring that settings cannot be inadvertently changed. Pressing the button alternates between lock and unlock. While the panel lock is engaged, will appear on the top left corner of the LCD display.
NOTE
Panel lock settings can be made individually for the following areas from the [MENU] button “Control Panel” “Panel Lock Settings.”
A. Live Set B. Piano/E.Piano/Sub C. Delay/Reverb D. M a ste r EQ
8 [TUNE] button
Use this button to set the tuning for the entire instrument (414.72 – 466.78 Hz). Press the [TUNE] button, and then use the Encoder dial to change the value.
NOTE
The default value is 440.00 Hz.
9 [TOUCH] button
Displays the screen to select a curve for determining how the actual velocities will be generated according to the strength with which you play notes on the keyboard. The available settings are as follows. The setting also can be changed from the [MENU] button → “General” → “Keyboard/Pedal” → “Touch Curve” (page 29).
Settings Characteristics
Normal
Soft
Hard
Wide
Fixed
This curve produces velocities in direct proportion to the strength of your keyboard playing. This is the most common type of curve.
This curve makes it easier to produce high velocities across the entire keyboard.
This curve makes it more difficult to produce high velocities across the entire keyboard.
This curve accentuates your playing strength by producing lower velocities in response to softer playing and louder velocities in response to harder playing. You can use this setting to expand the dynamic range of your performances.
This curve produces the same amount of sound change, regardless of how hard or soft you play the keyboard. The fixed velocity can be set from
the [MENU] button
Pedal”
“Fixed Velocity.”
“General”  “Keyboard/
) [MENU] button
Use this button to call up the screens for making overall system settings.
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Controls and Functions
!
@
#
$
%
^
Live Set Sound
Piano
Electric Piano
Sub
Delay
Reverb
SETTINGS
20 pages

Live Set

Live Set
! Live Set Sound [1] – [8] button
Use these buttons to call up the stored Live Set Sounds.
Live Set Sound
This is a combination of Voices/effects, consisting of the sounds of all Voice sections – Piano section (page 14), Electric Piano section (page 15), and Sub section (page 16) and effects of the Delay section (page 17) and the Reverb section (page 17). You can combine sounds and insertion effects, to create and store a custom Live Set Sound. The Live Set feature supports SSS (Seamless Sound Switching), ensuring that the sound does not cut off even when changed, resulting in smoother transitions between Live Set Sounds and a more natural performance.
NOTE
If you wish to mute the sound continued by the effect of SSS, press again the currently selected Live Set Sound button.
Live Set View
Displays a Live Set Page (Live Set Sound [1] – [8]) in a single screen, for convenient overall view of the available sounds. To open the Live Set View, turn the Encoder dial when at the Top screen. The will appear on the left of the currently selected Live Set Sound. To change the Live Set Sound in Live Set View, turn the Encoder dial to select a Live Set Sound, and press the [ENTER] button to return to the Top screen. To have the Live Set view shown on the Top screen, change the settings of “Live Set View Mode” to “Keep” (page 31).
Live Set View Mode
# [STORE] button
Use this button to store the edited Live Set Sound. Settings of the sections listed below and their parameters can be stored. Stored settings will be retained when this instrument is turned off.
• Piano section
• Electric Piano section
•Sub section
•Delay section
•Reverb section
• SETTINGS (includes Split Point and Transpose)
NOTE
The Master EQ settings cannot be stored in Live Set Sound.
@ PAGE [-]/[+] buttons
Use these buttons to switch the Live Set Pages. The Live Set Sound switches accordingly.
Live Set
Combines the Live Set Sounds [1] – [8] into one page. With the default settings (factory settings), the preset Live Set Sounds are installed in from page 1 to page 10.
Storing a Live Set Sound
1.
Press the [STORE] button.
Select a Live Set Sound you wish to store the currently edited Live Set Sound setting into.
2. Press the [ENTER] button to execute.
A “Completed.” message will appear on the screen, and then return to the Top screen.
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Controls and Functions
NOTE
If you wish to store the currently edited settings to another Live Set Sound, use the Encoder dial to select the Live Set Sound which is to be the store destination. Press the keyboard to confirm that the sound has been changed to the edited settings.
NOTICE
• Keep in mind that the settings will be overwritten
when you select an existing Live Set Sound (including one of the preset Live Set Sounds). Proceed with caution.
• The settings currently be edited will be lost if you
select another Live Set Sound before storing, or turn off the power.
NOTE
• Edits made to a Live Set Sound are normally lost if not
stored before selecting a different Live Set Sound; however, by using the “Edit Recall” function, you can recall the last edited condition (page 32).
•You can download the preset Live Set Sounds from
Soundmondo. Soundmondo is an iOS application for storing and managing Voice data.
• Please refer to the following Yamaha web page for more
details on Soundmondo. http://www.yamaha.com/kbdapps/
Swapping Live Set Sounds
1. Select the Live Set Sound you wish to swap.
2. Call up the Swap screen.
[MENU] button → “Job” → “Live Set Manager” → “Swap.”
Copying a Live Set Sound
1. Select the Live Set Sound you wish to copy.
2. Call up the Copy screen.
[MENU] button → “Job” → “Live Set Manager”→ “Copy.”
3. Select the desired Live Set Sound location.
Use the Encoder dial to select the Live Set Sound intended for the store destination, and then press the [ENTER] button. e messages “Executing..” → “Completed.” will appear on the screen, and then return to the Top screen.
$ [SPLIT POINT] button
Use this button to change the Split Point. Turn the Encoder dial or press the key you wish to assign as the Split Point. The setting will be stored in Live Set Sound.
Split
This function allows you to play different Voices with the left and right hands. The point on the keyboard that separates the left hand section and the right hand section of the keyboard is called the “Split Point.”
NOTE
• The default setting is “G2”.
• The lowest note of the right hand section is referred as the Split Point.
• The Split Point can be changed from the [SETTINGS] button “Function”  “Split Point” (page 33).
3. Select a Live Set Sound.
Use the Encoder dial to select a Live Set Sound to swap, and then press the [ENTER] button. The messages “Executing..” → “Completed.” will appear on the screen, and then return to the Top screen.
% [TRANSPOSE] button
Use this button to adjust the pitch of the keyboard up or down in semitone steps. The settings can be stored to the Live Set Sound. The settings can be changed from the [SETTINGS] button → “Function” → “Sound Transpose” (page 33).
^ [SETTINGS] button
Use this button to call up the SETTINGS screens. In the SETTINGS screens, you can make detailed settings for the current selected Live Set Sound (page 33), which will then be stored for the Live Set Sound.
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Page 14
Controls and Functions

Piano section

*
B
D
C
E
&
& Voice section [ON/OFF] switch
Use these switches to determine whether the corresponding Voice section is enabled (ON) or not (OFF). When these indicator lamps are lit, the corresponding Voice sound is produced when you play the keyboard.
Copying a section
The settings of each Voice section can be copied with the following operation.
1. Select the Voice section you wish to copy.
Select the Live Set Sound which contains the Voice section you wish to copy. Press the [MENU] button → “Job” → “Section Manager” → “Copy,” then select the Voic e s e ct ion you w ish to c opy. A “Section copied.” message will appear on the screen, and then return to the Top screen.
2. Select a Voice section you wish to paste.
Select the Live Set Sound which contains the Voice section you wish to paste the copied section. Press the [MENU] button → “Job” → “Section Manager” → “Paste,” then select the Voice section you wish to paste. A “Section pasted.” message will appear on the screen, and then return to the Top screen.
* Voice category selector
The Voices in each Voice section are divided into four categories. To select a Voice, select a Voice category first.
Voice section Voice c a t e gory
A
(
H
F
I
G
( Voice select switch
Use this switch to select one of the Voices of the category selected with the Voice category selector. For information about the Voices, refer to page 39.
A Voice number display
Displays the currently selected Voice numbers.
B SPLIT [L R] button
Press these buttons to alternate between the keyboard­split settings of each Voice section. The area for which the indicator lamp is lit will sound.
NOTE
The Split Point can be changed from the [SPLIT POINT] button (page 13), also from the [SETTINGS] “Function”  “Split Point” (page 33).
C OCTAVE [-2 -1]/[+1 +2] buttons
Use these buttons to change the octave range of the keyboard. To restore the normal octave setting, press both buttons simultaneously.
D [VOLUME] knob
Use these knobs to adjust the volume of each Voice section.
E [TONE] knob
Use these knobs to adjust the tone of each Voice section. Setting the knob to the center position produces a flat, evenly balanced sound. Turn the knob to the right (clockwise) to boost the higher and lower ranges. Turn the knob to the left (counter-clockwise) to cut the higher range and the lower range.
F DAMPER RESONANCE [ON/OFF] button
Use this button to switch the damper resonance effect on and off. This simulates the rich sound of open strings produced when the damper pedal of a piano is pressed.
G Insertion effect [ON/OFF] button
Use this button to apply the insertion effects.
NOTE
To more easily confirm the setting value when the display light is turned off, you can turn the light on from the [MENU] button “Control Panel” “Display Lights” “Ins Effect” (page 30).
H Insertion effect switch button
Use this button to switch among the following effects. The indicator lamp of the selected effect is lit.
Piano
Electric Piano
Sub
CP88/CP73 Owner’s Manual
14
Grand Piano, Upright Piano, CP, Layered Piano
Rd, Wr, Clv, DX
Pad/Strings, Organ, Chromatic Perc., Others
Effect Description
Compressor
Stereo compressor. To increase the compressor effect, turn the [DEPTH] knob to the right (clockwise).
Page 15
Controls and Functions
*
(
A
B
C
D
E
J
&
G
G
G
K
L
PO
M
N
Effect Description
Distortion
Drive
Chorus
Monaural compressor plus distortion. Settings from the left-most to the center of the [DEPTH] knob applies compression. Turning the [DEPTH] knob from the center to right (clockwise) increases the amount of distortion.
Drive effect. Turning the [DEPTH] knob to the right (clockwise) increases the amount of distortion, with the maximum value producing an AM radio-like tone.
Stereo chorus. Turning the [DEPTH] knob to the right (clockwise) increases the amount of chorus effect.
I [DEPTH] knob
Use this knob to adjust the depth of the selected effect.

Electric Piano section

Effect Description
T. Wa h
P. W a h
Comp
Wah responds to keyboard dynamics. Turn the [DEPTH] knob to adjust the effect strength, and turn the [RATE] knob to adjust the effect amount.
Wah synchronized to an expression pedal connected to the FOOT CONTROLLER [2] jack. Turn the [DEPTH] knob to adjust the amount of distortion, and turn the [RATE] knob to adjust the amount of resonance.
Stereo compressor. Turn the [DEPTH] knob to adjust the effect depth, and turn the [RATE] knob to adjust the sound volume.
L [DEPTH] knob
Use this knob to adjust the depth of the selected effect.
M [RATE] knob
Use this knob to adjust the modulation speed of the selected effect.
N Insertion effect switch button
Use this button to switch among the following effects. The indicator lamp of the selected effect is lit.
J [DRIVE] knob
Use this knob to adjust the amount of the drive effect. Simulates the distortion produced by a tube amp.
K Insertion effect switch button
Use this button to switch among the following effects. The indicator lamp of the selected effect is lit.
Effect Description
A.Pan
Tr em
Auto pan built into vintage electric pianos. Turn the [DEPTH] knob to adjust the effect depth, and turn the [RATE] knob to adjust the effect speed.
Tremolo built into vintage electric pianos. Turn the [DEPTH] knob to adjust the effect depth, and turn the [RATE] knob to adjust the effect speed.
Effect Description
Cho 1
Cho 2
Flang
Pha 1
Pha 2
Pha 3
Traditional Yamaha multiple chorus. Turn the [DEPTH] knob to adjust the effect depth, and turn the [SPEED] knob to adjust the speed.
Simulates a thick detune chorus produced by the vintage TX816 tone generator. Turn the [DEPTH] knob to adjust the effect depth, and turn the [SPEED] knob to adjust the speed.
Stereo flanger. Turn the [DEPTH] knob to adjust the feedback amount, and turn the [SPEED] knob to adjust the speed.
Phaser applies a smooth and unique sweeping effect. The sweeping effect can be changed by turning the [DEPTH] knob to left/right. Turn the [SPEED] knob to adjust the speed.
Standard phaser. Turn the [DEPTH] knob to adjust the effect strength. Turn the [SPPED] knob to adjust the speed.
Features t wo different phaser systems. Turn the [DEPTH] knob to switch the depth of “Pha 1” and “Pha 2.” Turn the [SPEED] knob to adjust the speed.
O [DEPTH] knob
Use this knob to adjust the depth of the selected effect.
R.Mod
Ring modulator. Turn the [DEPTH] knob to adjust the effect depth, and turn the [RATE] knob to adjust the frequency. Depending on the settings of the [RATE] knob, this effect also can be used as tremolo.
P [SPEED] knob
Use this knob to adjust the modulation speed of the selected effect.
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Page 16
Controls and Functions
Piano E. Piano Sub
Ins. Effect
(1 system)
Ins. Effect
(3 systems)
Ins. Effect
(2 systems)
Send
level
Delay / Reverb
Master EQ
b
c
e i
f
g
h
d
j

Sub section

*
B
D
C
E
&
Q [ATTACK] knob
Use this knob to adjust the attack time.
R [RELEASE] knob
Use this knob to adjust the release time.
NOTE
After you change a Live Set Sound, turning the [ATTACK] knob or the [RELEASE] knob does not actually affect the sound until their position reaches the set values of the currently selected Live Set Sound. Until then, the value will be shown in parentheses.
T
A
(
S
Q
R
a
G
T [DEPTH] knob
Use this knob to adjust the depth of the selected effect.
a [SPEED] knob
Use this knob to adjust the modulation speed of the selected effect.
Effect
The CP88 and CP73 feature insertion effects and delay/ reverb effects that can be configured for each Voice section, as well as a master EQ that affects all the Voice sections in the same way. The illustration below shows the audio signal path.
S Insertion effect switch button
Use this button to switch among the following effects. The indicator lamp of the selected effect is lit.
Effect Description
Cho/Fla
Rotary
Tr em
Dist
Chorus/Flanger. Turn the [DEPTH] knob to adjust the effect depth. Turn the [SPEED] knob to adjust the speed. Settings from the left-most to the center of the [DEPTH] knob apply a chorus effect, while settings from the center to the right (clockwise) apply a flanger effect (similar to the sound of jet).
Rotary speaker. Turn the [DEPTH] knob to adjust the balance between rotary speaker and horn speaker. Turn the [SPEED] knob to adjust the rotation speed. Turning the [DEPTH] knob to the left applies the horn speaker, and turning to the right applies the rotary speaker. Turning the [SPEED] knob from the center to left decreases the rotation speed, and turning the knob from the center to right increases the speed. The speed can be changed by using the Modulation lever.
Standard tremolo. Turn the [DEPTH] knob to adjust the effect depth, and turn the [SPEED] knob to adjust the speed.
British hard rock type distortion. Turn the [DEPTH] knob to adjust the amount of distortion, and turn the [SPEED] knob to adjust the presence.

Delay section/Reverb section

b Effect level display switch button
Use this button to select the desired Voice sections for adjusting the send levels to delay and reverb effects. Turn the [DEPTH] knobs of the Delay section and the Reverb section to adjust the send levels from each Voice section.
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Page 17
Controls and Functions
When all the indicator lamps of the Voice sections are lit, the send levels from each Voice section can be adjusted equally. When the send levels of each Voice section are set individually, the indicator lamp of the [DEPTH] knob is unlit. However, when the send levels are readjusted, the indicator lamp of the [DEPTH] knob light, and the send levels are changed from the previously set value.
Delay section
c DELAY [ON/OFF] switch
Use this switch to determine whether to apply (ON) the delay effect or not (OFF). Delay effects create a delayed version of the input signal, and as such, they can be used for many different purposes, such as creating a sense of spaciousness or thickening a sound.
d [Analog/Digital] switch button
Use this button to switch between the analog delay and the digital delay. The indicator lamp of the selected effect is lit.
Effect Description
Reverb section
h REVERB [ON/OFF] switch
Use this switch to determine whether to apply (ON) the reverb effect or not (OFF). Reverb effects create a rich special ambience of various performance environments, such as a concert hall or a night club.
i [DEPTH] knob
Use this knob to adjust the depth of the reverb effect. Also use the Effect level display switch button to adjust the effect level individually for each Voice section.
j [TIME] knob
Use this knob to set the duration of the reverb effect (max. 30 s).

Master EQ

Analog
Digital
Ty p ic a l warm sound of analog delay. Use the [DEPTH] knob to adjust the effect depth, the [FEEDBACK] knob to adjust the number of repeats, and the [TIME] knob to adjust the delay time. The maximum delay time is 800 ms.
Clean digital delay. Use the [DEPTH] knob to adjust the effect depth, the [FEEDBACK] knob to adjust the number of repeats, and the [TIME] knob to adjust the delay time. The maximum delay time is 1,486 ms.
e [DEPTH] knob
Use this knob to adjust the effect depth. Also you can adjust the send level for each Voice section with the Effect level display switch button.
f [FEEDBACK] knob
Use this knob to adjust the feedback level output from the delay that is returned to the input.
NOTE
The sound will be oscillated when the feedback level is set to high levels. To reduce the oscillation, lower the feedback level, or set the DELAY [ON/OFF] switch to OFF. If the Live Set Sound is changed to another while the sound is still oscillating, the controls of the delay section will not be effective in controlling the oscillation. Press the currently selected Live Set Sound button again to stop the oscillation.
g [TIME] knob
Use this knob to set the feedback delay time.
l
m
o
n
k
k MASTER EQUALIZER [ON/OFF] button
Use this button to determine whether to apply (ON) the Master EQ or not (OFF). Master EQ adjusts the overall tone of the sound.
NOTE
The Master EQ settings are a global control and cannot be stored to a Live Set Sound.
l [HIGH] knob
Use this knob to adjust the gain (-12 to +12) of the high EQ band (5 kHz).
m [MID] knob
Use this knob to adjust the gain (-12 to +12) of the mid EQ band (100 to 10 kHz).
n [FREQUENCY] knob
Use this knob to adjust the center frequency of the midrange.
o [LOW] knob
Use this knob to adjust the gain (-12 to +12) of the low EQ band (80 Hz).
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Page 18
Controls and Functions
12
4
53
AC outlet
USB flash drive Computer

Rear Panel

1 [STANDBY/ON] switch
For switching the instrument to standby or turning it on.
2 [AC IN] jack
For connecting the supplied AC power cord.
3 Music stand attachment holes
Use these two holes to attach a music stand (sold separately).
4 USB [TO DEVICE] terminal
Use this terminal to connect a USB flash drive to this instrument, for saving data you have created and loading data you want to restore.
NOTE
Only USB flash drive can be recognized by this instrument. No other USB devices (such as a hard disk drive, CD-ROM drive or USB hub) can be used.
5 USB [TO HOST] terminal
This terminal lets you connect this instrument to a computer, iPhone or iPad via a USB cable, allowing you to transfer MIDI data and audio data between the devices. Unlike MIDI, USB can handle multiple ports via a single cable. For information about how this instrument handles Ports, see page 25.
NOTE
•Audio data sending capability for the instrument is a maximum two channels (one stereo channel) at a sampling rate of
44.1 kHz.
• For details on connecting an iPhone or iPad, refer to page 27.
6 MIDI [IN]/[OUT] terminals
With a standard MIDI cable (available separately), you can connect an external MIDI instrument, and control it from this instrument. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the sounds on this instrument.
7 FOOT SWITCH [SUSTAIN] jack
Use this jack to connect an FC3A Foot Switch (provided) for use as a dedicated sustain pedal.
8 FOOT SWITCH [ASSIGNABLE] jack
Use this jack to connect a separately sold foot switch (FC4A or FC5) in order to perform a range of freely assignable functions such as a soft pedal, sostenuto pedal, and switching Live Set Sounds. With the default settings, “Live Set+” is assigned. You can assign functions from the [MENU] button → “General” → “Keyboard/Pedal” → “Foot Switch Assign” (page 30). Refer to page 40 for a list of the parameters that can be assigned to this instrument.
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Page 19
Controls and Functions
6 7 ! @
3
8 9 )
#
External MIDI keyboard, etc.
FC3A, FC4A, FC5
FC4A, FC5
FC7
External
synthesizer, etc.
Mixer, etc.
Keyboard
amplifier
or
Monitor speakers
Headphones
9 FOOT CONTROLLER [1]/[2] jacks
Use these jacks to connect a separately sold foot controller (FC7) in order to continuously control one of various different assignable functions by foot, such as volume and the tone of Voice sections. With the default settings, “Expression” is assigned to the FOOT CONTROLLER [1], and “Pedal Wah” is assigned to the FOOT CONTROLLER [2]. You can assign functions to the foot controller from the [SETTINGS] button → “Controllers” → “FC1 Assign”/ “FC2 Assign.” Refer to page 40 for a list of the parameters that can be assigned.
) INPUT [L/MONO]/[R] jacks/[GAIN] knob
These jacks allow you to connect an external audio devices and mix the output of that device with that of this instrument. Use the [GAIN] knob to adjust the volume balance with this instrument.
! OUTPUT [L]/[R] jacks
Use these two XLR-type jacks together to output balanced audio signals.
@ OUTPUT [L/MONO]/[R] jacks
Use these two standard 1/4" mono audio jacks together to output unbalanced stereo signals. When using mono output, connect only to the [L/MONO] jack.
NOTE
• Select either jack ! or @ depending on the external audio devices to be connected.
• In case both ! and @ jacks are connected to external audio devices, the audio signals will be output from the both jacks simultaneously.
# [PHONES] jack
Use this standard 1/4" stereo audio jack to connect a pair of headphones.
CAUTION
• To prevent hearing loss, avoid using headphones at high volumes for extended periods of time.
• Whenever connecting other audio equipment, ensure that all devices are turned off.
NOTE
The sound output via the headphones is identical to that output via the OUTPUT [L]/[R] jacks and the OUTPUT [L/MONO]/[R] jacks. Furthermore, plugging in or disconnecting a set of headphones has no effect on the sound being output via these jacks.
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Page 20

Setting Up

[AC IN] jack
Power cord (included)
Rear panel
Keyboard amplifier or monitor speaker
(left) (right)
Headphones
OUTPUT
[L/MONO] jack
OUTPUT [R] jack
[PHONES] jack

Power Supply

Connect the ends supplied AC power cord in the following order. Make sure the [STANDBY/ON] switch on the instrument is set to the STANDBY position.
1. Connect the supplied power cord to the [AC
IN] jack on the instrument’s rear panel.
2. Connect the other end of the power cord to an
AC outlet.
NOTE
Follow this procedure in reverse order when disconnecting the power cord.

Connecting Speakers or Headphones

Since the instrument has no built-in speakers, you will need to monitor the sound of the instrument by using external equipment. Connect a set of headphones, monitor speakers, or other playback equipment as illustrated below. When making connections, be sure that your cables have the appropriate ratings.
WARNING
• Use only the AC power cord supplied with your instrument. The use of an inappropriate replacement can lead to overheating or electric shock.
• The power cord supplied with your instrument must not be used with other electrical equipment. Failure to observe this precaution can result in damage to the equipment or fire.
• Make sure your instrument the voltage requirement for the country or region in which it is being used.
CAUTION
The instrument remains charged and draws a small amount of power even when the [STANDBY/ON] switch is set to the STANDBY position. If you intend not to use it for an extended period of time, therefore, make sure to unplug the power cord from the wall outlet.

Turning On and Off

Make sure the volume settings of the instrument and external devices such as powered speakers are turned to the minimum before turning the power on. When connecting the instrument to monitor speakers, turn on the power switch of each device in the following order.
Tur ni ng on
Turn the [MASTER VOLUME] knob of this instrument to its minimum (le-most setting) → set the [STANDBY/ ON] switch to ON → turn the amplier or speaker power on.
Turning off
Turn the [MASTER VOLUME] knob of this instrument to its minimum (le-most setting) → turn the amplier or speaker power o → set the [STANDBY/ON] switch to STANDBY.
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Page 21

Basic Structure & Display Content

1
23

Auto Power Off Function

The Auto Power Off function automatically turns off this instrument after 30 minutes of inactivity. By default, this is set to “Disable.”
Setting the Auto Power Off function
[MENU] button → “General” → “Auto Power O ” → “Enable” (page 30).
NOTICE
• Since any unsaved data will be lost when the Auto Power Off function turns off this instrument. Make sure to store your work before this occurs.
• Depending on the instrument status, the power may not turn off automatically, even after the specified period of time elapses. Always turn off the power manually when the instrument is not in use.
Basic Structure & Display Content

Restoring the Factory Default Settings (Factory Reset)

The Factory Reset function allows you to restore this instrument to its initial condition. To execute the factory Reset function, press the [MENU] button → “Job” → “Factory Reset.”
NOTICE
When the Factory Reset function is executed, all the Live Set Sounds and the settings of MENU screens and SETTINGS screens will be overwritten with their defaults. It is wise, therefore, to regularly create backup copies of important data on a USB flash drive or the like.
NOTE
Refer to page 37 for information on detailed settings of preset Live Set Sounds.

Selecting Voices

Voices are divided into three Voice sections: Piano, Electric piano and Sub. Use each Voice section [ON/OFF] switch to enable (ON) or disable (OFF) the corresponding Voice section. When the indicator lamp of the Voice section [ON/OFF] switch is lit, the corresponding Voice will sound by playing the keyboard. When the multiple indicator lamps are lit, those Voices will be layered.

Exiting from the Current Screen

The MENU screens and the SETTINGS screens are organized according to a hierarchical structure. Press the [EXIT] button to move one step back to the previous screen. Pressing the [EXIT] button several times will return you to the Top screen — in other words, the first one displayed when the instrument is turned on.

Display Configuration

This section explains the Top screen which appears when this instrument is turned on with its default settings (factory settings).
1 Live Set Sound number
Displays Live Set Sound “1-1” when this instrument is turned on with default settings. You can change which Live Set Sound automatically appears on the Top screen by using the “Power On Sound” function (page 31).
2 Voice section
Indicates Piano section (P), Electric piano section (E), Sub section (S), and displays the currently selected Voices for each of these Voice sections. The Voices of the Voice sections which are set to ON will be layered. Voices of Voice sections which are set to OFF will not sound, and no Voice name will be displayed.
3 Split
Indicates the current split status of each Voice section.
indicates that the Voice is assigned to a range
below the split point.
indicates that the Voice is assigned to a range above
the split point.
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Basic Structure & Display Content
Cursor
Desired character

Editing File Names/Live Set Sound Names

Editing File Names
See “Saving the settings to a USB flash drive” on page 23.
Editing Live Set Sound Names
Select the desired Live Set Sound for which you wish to edit the name → [SETTINGS] button → “Name” → Edit the name → [STORE] button → [ENTER] button.
NOTE
The edited names will not be stored in this instrument unless you perform the Store operation with the [STORE] button.
Use the Live Set Sound [1]/[2] buttons to move the cursor to the position of the character you wish to edit. Use the Encoder dial to select characters, and use the following buttons to edit the name.
Button/Indication Functions
Live Set Sound [1]
Live Set Sound [2]
Live Set Sound [3]
Live Set Sound [4]
Live Set Sound [5]
Live Set Sound [7]
Live Set Sound [8]
[ENTER]/[EXIT]
Moves the cursor to left.
Moves the cursor to right.
Inserts a desired character at the cursor position.
Deletes the character at the cursor position.
Changes the character at the cursor position to the desired one.
Reverts all characters to unedited name.
Deletes all characters.
Terminates the edit operation.
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Saving / Loading Data

File name edit screen
Saving / Loading Data
In the File screens ([MENU] button → “File”) you can transfer entire system settings and data (such as Live Sets and Live Set Sounds) between this instrument and an external USB flash drive connected to the USB [TO DEVICE] terminal. This section explains how to save/load the data to/from the user memory of this instrument.

Saving the settings to a USB flash drive

1. Connect a USB flash drive to the USB [TO
DEVICE] terminal of this instrument.
2. Call up the File screen.
Press the [MENU] button, select “File,” and then press the [ENTER] button.
3. Select the contents you wish to save.
The following file types can be saved to a USB flash drive.
File type Description
Back Up File
Live Set All File
Live Set Page File
Live Set Sound File
4. Call up the Save screen.
Select “Save” and press the [ENTER] button.
Overwriting files
Select the file to be overwritten from the displayed list.
Saving as a new file
Select “New File,” and then the “Save Backup File” screen will appear. For details about how to edit file names, refer to the “Editing the File names/Live Set Sound names.”
All data including the system settings stored in this instrument.
All the Live Set Pages stored in this instrument.
A Live Set Page stored in this instrument.
A Live Set Sound stored in this instrument.

Loading the settings from a USB flash drive

NOTICE
The Load operation overwrites any data previously existing in this instrument. Important data should always be saved to a USB flash drive connected to the USB [TO DEVICE] terminal.
1. Connect a USB flash drive to the USB [TO
DEVICE] terminal of this instrument.
2. Call up the File screen.
Press the [MENU] button, select “File,” and then press the [ENTER] button.
3. Select the contents you wish to load from the
USB flash drive.
File type Description
Back Up File
(Extension: .X9A)
Live Set All File
(Extension: .X9L)
Live Set Page File
(Extension: .X9P)
Live Set Sound File
(Extension: .X9S)
4. Select “Load” and press the [ENTER] button.
Select the folder containing the file you wish to load, and then press the [ENTER] button.
All data including system settings saved to the USB flash drive.
All the Live Set Pages saved to the USB flash drive.
A Live Set Page saved to the USB flash drive.
The file will be loaded to the currently selected Live Set Page.
A Live Set Sound saved to the USB flash drive.
The file will be loaded to the currently selected Live Set Sound.
5. Select a file in the USB flash drive.
e messages “Loading..” → “Completed.” will appear on the screen, and then return to the Top screen. To cancel the loading operation, select “Cancel” and press the [ENTER] button.
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Precautions when using the USB [TO DEVICE] terminal
This instrument features a built-in USB [TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below.
NOTE
For more information about the handling of USB devices, refer to the owner’s manual of the USB device.
Compatible USB devices
Only USB memory devices of the flash drive variety can be used with this instrument. Furthermore, this instrument does not necessarily support all commercially available USB flash drives, and Yamaha cannot guarantee normal operation with every such device on the market. Before purchasing a USB flash drive for use with this instrument, therefore, please visit the following web page to confirm whether or not it is supported:
http://download.yamaha.com/
Although USB devices 2.0 to 3.0 can be used on this instrument, the amount of time for saving to or loading from the USB device may differ depending on the type of data or the status of the instrument.
NOTE
The rating of the USB [TO DEVICE] terminal is a maximum of 5V/500mA. Do not connect USB devices having a rating above this, since they can cause damage to the instrument itself.
Removing USB flash drives
Before removing a USB flash drive from the USB [TO DEVICE] terminal, ensure that this instrument is not currently accessing it in order to save, delete or load data.
NOTICE
Make sure to avoid excessive repeated connecting/ disconnecting of USB flash drives. Failing to follow this may cause this instrument to freeze and stop operating. In addition, a USB flash drive should never be removed before it has been fully mounted or while it is being accessed by this instrument in order to load or save data. Data on the USB flash drive or on the instrument itself may be corrupted as a result of such action, and there is also a danger that the USB flash drive could be permanently damaged.
Connecting a USB device
When connecting a USB device to the USB [TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction.
Formatting a USB flash drive
Certain types of flash drive must be formatted before they can be used with this instrument. Whenever you plug such a device into the USB [TO DEVICE] terminal, and a “Connect USB device” message is shown prompting you to format it, do so.
NOTICE
The format operation overwrites any previously existing data. Make sure that the USB flash drive you are formatting does not contain important data.
Write protection
To prevent important data from being inadvertently erased, apply the write-protect provided with each USB flash drive. If you are saving data to the USB flash drive, make sure to disable write-protect.
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Page 25

Using with Other MIDI Devices

CP88
MIDI [IN] terminal
Synthesizer or tone generator module, etc.
MIDI [OUT] terminal
CP73
MIDI [IN] terminal
Synthesizer or tone generator module, etc.
MIDI [OUT] terminal
Using with Other MIDI Devices
By using standard MIDI cables (sold separately), you can connect other MIDI devices such as synthesizers and sound modules to this instrument via its MIDI [IN]/[OUT] terminals. This type of connection allows you to exchange MIDI data with these devices. The MIDI [IN]/[OUT] terminals and the USB [TO HOST] terminal can be used for MIDI data transmission/reception. The illustrations below show examples of how to use the MIDI [IN]/[OUT] terminals.
NOTE
For instructions on setting the MIDI Port, refer to page 28.

Controlling a synthesizer or tone generator module from this instrument

This connection lets you play the sounds of an external MIDI tone generator (synthesizer, tone generator module, etc.) from this instrument’s keyboard. Use this connection as well when you wish to have both instruments sound.

Controlling this instrument from an external MIDI keyboard or synthesizer

Use an external MIDI keyboard or synthesizer to remotely select and play the Voices of this instrument.
MIDI transmit and receive channels
Make sure to match the MIDI transmit channel of the external MIDI instrument with the MIDI receive channel of this instrument. For details on setting the MIDI transmit channel of the external MIDI instrument, refer to the owner’s manual of that instrument. You can check and change the settings of MIDI transmit channel of this instrument from the [MENU] button → “General” → “MIDI Settings” → “MIDI Channel” → “Tx.” If you wish to sound only the external MIDI instrument, turn down the master volume of this instrument, or set the “Local Control” to “O ” from the [MENU] button → “General” → “Local Control” (page 30). For information on how to set the MIDI Receive Channel of the external MIDI instrument, refer to the owner’s manual of that particular MIDI instrument.
MIDI channels and MIDI ports
MIDI data is assigned to one of sixteen channels, and this instrument is capable of simultaneously playing sixteen separate Parts, via the sixteen MIDI channels. However, the sixteen-channel limit can be overcome by using separate MIDI “ports,” each supporting sixteen channels. While a single MIDI cable is equipped to handle data over up to sixteen channels simultaneously, a USB connection is capable of handling far more—thanks to the use of MIDI ports. Each MIDI port can handle sixteen channels, and the USB connection allows up to eight ports, letting you use up to 128 channels (8 ports x 16 channels) on your computer.
Port 1
The tone generator block in this instrument can recognize and use only this port. When playing this instrument as a tone generator from the external MIDI instrument or computer, you should set the MIDI Port to 1 on the connected MIDI device or computer.
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Using with a Computer

USB terminal
USB cable
USB [TO HOST] terminal
Port 2
This port is used as the MIDI Thru Port, allowing you to re-transmit MIDI data received by this instrument to an external MIDI device. When you use this port, set “MIDI” to “Off ” and “USB” to “On” from the [MENU] button → “General” → “MIDI Settings” → “MIDI Port.” The MIDI data received via the USB [TO HOST] terminal will be re-transmitted to an external MIDI device via the MIDI [OUT] terminal. The MIDI data
received via the MIDI [IN] terminal will be re­transmitted to an external MIDI device via the USB [TO HOST] terminal. When using a USB connection, make sure to match the MIDI transmit port and the MIDI receive port as well as the MIDI transmit channel and the MIDI receive channel. Make sure to set the MIDI port of the external device connected to this instrument according to the above information.
Using with a Computer
By connecting this instrument to your computer, you can use DAW or sequence software on the computer to create your own original songs and record complex arrangements.
2. Install the Yamaha Steinberg USB Driver to
DAW
The acronym DAW (Digital Audio Workstation) refers to music software for recording, editing and mixing audio and MIDI data. The main DAW applications include Cubase, Logic Pro, Ableton Live, and Pro Tools.
Here are some of the creative options you can explore when connecting this instrument to a computer:
• Use the instrument as an external sound source and/or MIDI keyboard for a DAW application.
• Record yourself playing this instrument in MIDI or audio format to a DAW application.
the computer.
For instructions on installing, refer to the online Installation Guide included in the downloaded file package. When connecting this instrument to a computer, connect the USB cable to the USB [TO HOST] terminal of this instrument and the USB terminal of the computer as shown below.

Connecting to a computer

A USB cable and the Yamaha Steinberg USB Driver are necessary to connect this instrument to the computer. Follow the instructions below. Note that both audio data and MIDI data can be transmitted through a USB cable. The following describes how this type of connection can be established:
1. Download the latest Yamaha Steinberg USB
Driver from our website.
After clicking the Download button, extract the compressed file.
http://download.yamaha.com/
NOTE
• Information on system requirements is also available at the above website.
• The Yamaha Steinberg USB Driver may be revised and updated without prior notice. Make sure to check and download the latest version from the above site.
3. Set the MIDI port of this instrument.
[MENU] button → “General” → “MIDI Settings” → “MIDI Port” → “USB” → “On.”
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Using with a Computer
Precautions when using the USB [TO HOST] terminal
When connecting the computer to the USB [TO HOST] terminal, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or losing the data. If the computer or the instrument freezes, restart the application software or the computer OS, or turn the power to the instrument off and then on again.
NOTICE
• Use an AB type USB cable. Do not use a USB 3.0 cable.
• Before connecting the computer to the USB [TO HOST] terminal, exit from any power-saving mode of the computer (such as suspend, sleep, standby).
• Before turning on the power to the instrument, connect the computer to the USB [TO HOST] terminal.
• Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the USB [TO HOST] terminal.
- Quit any open application software on the
computer.
- Make sure that data is not being transmitted from
the instrument. (Note that even playing a key causes data to be sent.)
• When making computer connections, make sure that at least six seconds elapses between the time you turn this instrument on/off and you connect/ disconnect the USB cable.

Connecting an iPhone or iPad

NOTE
In order to eliminate the risk of noise from other communication when using this instrument with an iPad or iPhone app, be sure to turn on Airplane Mode and then turn on Wi-Fi.
NOTICE
Be sure to place your iPad or iPhone on a stable surface to prevent it from falling over and being damaged.
Apps compatible with this instrument provide many more convenient and creative ways to enjoy music with it. For details on how to connect the devices, refer to the “iPhone/iPad Connection Manual,” which is available from the Yamaha website.
iPhone/iPad Connection Manual
This is downloadable from the Yamaha Downloads website: http://download.yamaha.com/
Details of compatible smart devices and apps can be found on the following page at the Yamaha website. http://www.yamaha.com/kbdapps/
USB Audio
USB Audio receiving/sending capability for the instrument is a maximum 2 channels (1 stereo channel) at a sampling rate of 44.1 kHz. The input signal from the USB [TO HOST] terminal is output via the OUTPUT [L]/[R] jacks (XLR type connector), the OUTPUT [L/ MONO]/[R] jacks and the [PHONES] jack. The input level can be adjusted from the [MENU] button → “General → “USB Audio Volume.” The audio signal output via the USB [TO HOST] terminal is identical to the audio signal output via the OUTPUT [L]/[R] jacks (XLR type connector), the OUTPUT [L/MONO]/[R] jacks, and the [PHONES] jack.
NOTE
The audio signal input via the INPUT [L/MONO]/[R] jacks is output only from the OUTPUT [L]/[R] jacks (XLR type connector), the OUTPUT [L/MONO]/[R] terminal, and the [PHONES] jack of this instrument, and is not sent via the USB [TO HOST] terminal.
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MENU LIST

From the [MENU] button, you can configure various parameters and functions over the whole system of this instrument. The settings will be stored in this instrument.
Operation
1. Press the [MENU] button.
2. Use the Encoder dial and the [ENTER] button to call up the item you wish to edit.
3. Use the Encoder dial to change the value or settings.
4. Press the [ENTER] button to execute the settings. The display will return to the Top screen.
General
Function name Description
Master Tune
MIDI Settings MIDI Port USB
MIDI
MIDI Channel Tx
Rx
MIDI Control
Determines the tuning for the entire instrument.
Settings: 414.72 Hz – 466.78 Hz Default: 440.00 Hz
Determines whether to use (On) the USB [TO HOST] terminal as the input/ output ports for MIDI message, or not (Off).
Default: On
NOTE
The USB port 1 will be used when this is set to “On”.
Determines whether to use (On) the MIDI [IN]/[OUT] terminals as the input/output ports for MIDI messages, or not (Off ). When this is set to “On,” the terminals will be enabled. When this is set to “Off,” MIDI messages received via the MIDI terminals will be output to USB port 2. MIDI messages received via USB port 2 will be output to the MIDI terminals.
Default: Off
Determines the MIDI transmit channel. When this is set to “Off,” MIDI messages are not transmitted.
Settings: 1 – 16, Off Default: 1
Determines the MIDI receive channel. When this is set to “All,” MIDI messages will be received over all channels.
Settings: 1 – 16, All Default: 1
Determines how the instrument performs and responds to MIDI control. When this is set to “On,” control change messages dedicated to the CP88 and CP73 will be transmitted from the effective controls, allowing you to control DAW software or an external MIDI device from this instrument. When these messages are received (for example, from DAW playback), the settings of the relevant, corresponding controls will be changed. Controls that can be changed are indicated by the lit knobs and switches. When this is set to “Invert,” control change messages from the sections not being used can be transmitted or received. For example, when you’ve created a Live Set Sound of Piano and Strings from DAW software, you can assign the Sub section controls to affect the volume or filter of a strings instrument in DAW software.
Default: Off
NOTE
Control change messages corresponding to the controls of this instrument cannot be changed. If you wish to re-assign specific parameters of DAW software for control, set them up on your computer (page 26).
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Function name Description
MENU LIST
MIDI Settings MIDI Control
Tx/Rx Pgm Change
Tx/Rx Bank Select
MIDI Control = On
Control change messages from the enabled controls of this instrument can be transmitted or received.
NOTE
Since the control lights will be lit according to the settings of “Display Lights” (page 30), even when the Voice section [ON/OFF] switches or the Insertion effect [ON/OFF] buttons are set to OFF, the control change messages will be transmitted or received.
MIDI Control = Off
Control change messages cannot be transmitted or received, regardless of the state of the controls.
MIDI Control = Invert
The section lamps are lit and all controls are enabled. Control change messages can be transmitted or received, only when the Voice section [ON/ OFF] switches are set to OFF.
NOTE
When this is set to “Invert,” the section lamps are automatically lit, so the “Display Lights” (“Section” and “Ins Effect” only) settings cannot be made.
Determines whether transmission/reception of program change messages between this instrument and external MIDI devices is enabled (On) or disabled (Off).
Default: On
Determines whether transmission/reception of bank select messages between this instrument and external MIDI devices is enabled (On) or disabled (Off).
Default: On
Keyboard/ Pedal
Controller Reset
Octave
Transpose
To uch Curve
Fixed Velocity
Determines the status of the controllers (Sustain, Modulation lever, Foot Controller, etc.) when switching between Live Set Sounds. When this is set to “Hold,” the controllers are kept at the current setting. When this is set to “Reset,” the controllers are reset to the default states (below).
• Pitch Bend: Center
• Modulation lever: Minimum
• Expression: Maximum
• Pedal Wah: Minimum
• Sustain: OFF
• Sostenuto: OFF
• Soft pedal: OFF
Default: Reset
Shifts the octave range of the keyboard up or down.
Settings: -3 – +3 Default: +0
Transposes the pitch of the keyboard up or down in semitones.
Settings: -12 – +12 Default: +0
Determines how actual note velocities will be generated and transmitted according to the strength of your playing.
Settings: Normal, Soft, Hard, Wide, Fixed Default: Normal
Use this function to send a fixed velocity to the tone generator regardless of how strongly or softly you play the keyboard. This parameter is only available if you select the “Fixed” Touch Curve above.
Settings: 1 – 127 Default: 64
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MENU LIST
Function name Description
Keyboard/ Pedal
Local Control
USB Audio Volume
Auto Power Off
Sustain Pedal Type
Foot Switch Assign
Determines which type of foot switch connected to the FOOT SWITCH [SUSTAIN] jack is recognized. Select “FC3A (HalfOn)” when you wish to use half-damper playing techniques.
Settings: FC3A (HalfOn), FC3A (HalfOff), FC4A/FC5 Default: FC3A (HalfOn)
Determines the Control Change number generated by using the Footswitch connected to the FOOT SWITCH [ASSIGNABLE] jack. Keep in mind that if the same MIDI Control Change messages set here are received from an external device, the internal tone generator also responds to those messages as if the Footswitch of the instrument itself was used.
Default: Live Set +
Determines local control on and off. When “Off ” is selected, this instrument’s tone generator is essentially disconnected from its controllers, and no sound will be produced in response to playing of the keyboard. This instrument does, however, continue to transmit MIDI messages when “Local Control” has been set to “Off,” and the tone generator will continue to produce sound in response to received MIDI messages.
Default: On
Determines the output level of the USB Audio.
Settings: 0 – 127 Default: 64
Determines whether to set the Auto Power Off function to “Enable” or “Disable.”
Default: Disable
Control Panel
Function name Description
Panel Lock Settings Live Set
Piano/E.Piano/Sub
Delay/Reverb
Master EQ
Display Lights Section
Ins Effect
Determines whether to enable (On) or disable (Off) the panel lock for each of the categories listed at left.
Default: On
Determines whether or not the lighting of the indicator lamps for the Piano, Electric piano, Sub, Delay, Reverb sections is linked with each section’s [ON/ OFF] switches. When “Off ” is selected, the corresponding lamps are linked with each of the [ON/OFF] switches; when “On” is selected, the indicator lamps will always be lit. When “MIDI Control” is set to “On,” the transmit/ receive settings of control change messages will be changed according to the state of the indicator lamps (page 28).
Default: Off
Determines whether or not the lighting of the indicator lamps of insertion effects contained in Voice sections is linked with each Insertion effect’s [ON/ OFF] buttons. When “Off” is selected, the corresponding indicator lamps are linked with each of the [ON/OFF] buttons; when “On” is selected, the indicator lamps will always be lit.
Default: Off
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Function name Description
MENU LIST
Display Lights LCD SW
LCD Contrast
Advanced Settings Section Hold
Live Set View Mode
Val ue Indication
Determines whether to show (On) or not show (Off) the Top screen. The various setting screens such as the MENU screens and the SETTINGS screens are always shown regardless of this setting.
Default: On
Adjusts the contrast of this instrument’s LCD.
Settings: 1 – 63 Default: 32
When this is set to “Enable,” you can select another Live Set Sound and still maintain (hold) selected settings of the currently selected Live Set Sound. To maintain the settings of the desired sections, press and hold the section [ON/ OFF] switches until the corresponding indicator lamp flashes. To release Section Hold, press the section [ON/OFF] switches again. For example, to fix the reverb settings during your performance regardless of the Live Set Sound, set “Section Hold” to “Enable” and then push and hold the Reverb section [ON/OFF] switch.
Default: Disable
Determines whether to maintain the Live Set View (Keep) or return to the Top screen (Close) when switching between Live Set Sounds. When this is set to “Keep,” eight sets of Live Set Sounds are displayed in one screen.
Default: Close
Determines whether to display (On) the values of each knobs on LCD, or not (Off).
Default: On
SW Direction
Determines whether to operate the Voice select switches in ascending order (Default) or in descending order (Reverse).
Default: Default
Power On Sound
Determines which Live Set Sound is automatically shown on the Top screen when this instrument is turned on.
Default: 1-1
MIDI Device Number
Determines the MIDI device numbers. The device number of this instrument must match the device number of the external MIDI device when transmitting/receiving bulk data, parameter changes or other system exclusive messages.
Settings: 1 – 16, All, Off Default: All
Job
Function name Description
Live Set Manager Swap
Copy
Initialize
Swaps the currently selected Live Set Sound with an arbitrary Live Set Sound.
Copies the currently selected Live Set Sound and paste it onto arbitrary Live Set Page and the position.
Resets the currently selected Live Set Sound to its default value.
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MENU LIST
Function name Description
Section Manager Copy Piano
E.Piano
Sub
Paste Piano
E.Piano
Sub
Edit Recall Recall
Menu Initialize
Factory Reset
Copies the settings of the currently selected Piano section.
Copies the settings of the currently selected Electric piano section.
Copies the settings of the currently selected Sub section.
Pastes the settings of the previously copied Voice section. This function cannot be executed when no Voice section has been previously copied or when a different Voice section is selected as the paste destination.
If, while editing a Live Set Sound you have not yet stored, you select a different Live Set Sound and then return to the one being edited, the latest stored version will be selected. Using this function, you can restore your latest edits and keep them intact.
NOTICE
Keep in mind that all of your latest edits (unsaved) will be lost when this instrument is turned off.
Resets the settings of MENU screens to the default values.
Restores this instrument to its default (factory) condition.
File
Function name Description
Back Up File Save
Load
Live Set All File Save
Load
Live Set Page File Save
Load
Live Set Sound File Save
Load
File Utility Rename
Delete
Format
Saves all the data stored in this instrument including the system settings to a USB flash drive as a “Back Up File” (with the extension: .X9A).
Loads the data saved as a “Back Up File” from a USB flash drive.
Saves all the Live Set data stored in this instrument to a USB flash drive as a “Live Set All File” (with the extension: .X9L).
Loads the data saved as a “Live Set All File” from a USB flash drive.
Saves a Live Set Page stored in this instrument to a USB flash drive as a “Live Set Page File” (with the extension: .X9P).
Loads the data saved as a “Live Set Page File” from a USB flash drive.
Saves a Live Set Sound stored in this instrument to a USB flash drive as “Live Set Sound File” (with the extension: .X9S).
Loads the data saved as a “Live Set Sound File” from a USB flash drive.
Renames a file name in a USB flash drive.
Deletes a file in a USB flash drive.
Initializes a USB flash drive.
NOTICE
When a USB flash drive is formatted, all of its content will be deleted. Because of this, make sure before formatting that the USB flash drive contains no irreplaceable data.
Version Info
Shows the versions of this instrument’s boot loader and firmware as well as the owner of the copyright for this instrument.
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SETTINGS LIST

Piano
Zone 1
Zone 2
Zone 3
Internal
tone generator
External
tone generator
(Zone)
From the [SETTINGS] button, you can configure and store the various settings of the currently selected Live Set Sound. The settings will be stored in this instrument.
Operation
1. Press the [SETTINGS] button.
2. Use the Encoder dial and the [ENTER] button to call up the item you wish to edit.
3. Use the Encoder dial to change the value or settings.
4. Press the [ENTER] button to execute the settings. The display will return to the Top screen.
Function
Function name Description
Sound Transpose
Split Point
Transposes the pitch in semitones.
Settings: -12 – +12 Default: +0
NOTE
This setting does not affect the MIDI output data.
Determines the note that separates (splits) the left hand section and the right hand section. The Split Point is the lowest note of the right hand section.
Settings: C#-2 – G8 Default: G2
Master Keyboard
With the Master Keyboard function, you can configure this instrument for use as a master keyboard, for complex live performance features. It allows the keyboard to be split into as many as four different zones, each of which can control separate sounds of an external tone generator. For example, you can make a Live Set Sound combining Voices from this instrument and the external tone generators, or Live Set Sound composed with Voices of external tone generators only.
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SETTINGS LIST
Function name Description
Mode SW
Advanced Zone SW
Zone Settings
*: Detailed settings
Zone Switch
Tx Channel
Octave Shift
Transpose
Note Limit Low
Switches the Master Keyboard Mode settings. When “On” is selected, the Master Keyboard Mode is enabled, and the indication appears on the Live Set screen.
Default: Off
Switches the setting range of Master Keyboard Mode. When “On” is selected, you can make detailed settings.
Default: Off
NOTE
When “Off ” is selected, the detailed settings will not be displayed.
Determines whether to enable (On) or disable (Off ) the currently selected zone.
Default: On
Determines the MIDI transmit channel for the currently selected zone.
Settings: 1 – 16 Default: 1
Shifts the pitch of the currently selected zone in units of one octave.
Settings: -3 – +3 Default: +0
Transposes the pitch of the currently selected zone in semitone units.
Settings: -11 – +11 Default: +0
Determines the lowest key in the currently selected zone.
Default: C -2
Note Limit High
Bank MSB*
Bank LSB*
Program Change*
Volume*
Pan*
Tx SW Note*
Determines the highest key in the currently selected zone.
Default: G8
Determines the Bank Select MSB to be sent as a MIDI message from the currently selected zone to the corresponding external instrument upon selection of a Live Set Sound.
Default: 0
Determines the Bank Select LSB to be sent as a MIDI message from the currently selected zone to the corresponding external instrument upon selection of a Live Set Sound.
Default: 0
Determines the Program Change Number to be sent as a MIDI message from the currently selected zone to the corresponding external instrument upon selection of the Live Set Sound.
Default: 0
Determines the volume of the external instrument corresponding to the currently selected zone upon selection of the Live Set Sound.
Default: 100
Determines the stereo panning of the external instrument corresponding to the currently selected zone upon selection of the Live Set Sound.
Default: C
Determines whether to enable (On) or disable (Off) the sending of MIDI note messages from the currently selected zone to the corresponding external instrument.
Default: On
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Tx SW Bank*
Determines whether to enable (On) or disable (Off) the sending of MIDI Bank Select messages from the currently selected zone to the corresponding external instrument.
Default: On
Page 35
Function name Description
SETTINGS LIST
Zone Settings Tx SW Program*
Tx SW Volume*
Tx SW Pan*
Tx SW PB*
Tx SW MOD*
Tx SW Sustain*
Determines whether to enable (On) or disable (Off) the sending of MIDI Program Change messages to the external instrument corresponding to the currently selected zone.
Default: On
Determines whether to enable (On) or disable (Off) the sending of MIDI Volume messages to the external instrument corresponding to the currently selected zone.
Default: On
Determines whether to enable (On) or disable (Off) the sending of MIDI Pan messages to the external instrument corresponding to the currently selected zone.
Default: On
Determines whether to enable (On) or disable (Off) the sending of MIDI Pitch Bend messages to the external instrument corresponding to the currently selected zone.
Default: On
Determines whether to enable (On) or disable (Off) the sending of MIDI Modulation messages to the external instrument corresponding to the currently selected zone.
Default: On
Determines whether to enable (On) or disable (Off) the sending of MIDI Sustain messages to the external instrument corresponding to the currently selected zone.
Default: On
Tx SW FS*
Determines whether to enable (On) or disable (Off) the sending of MIDI messages from the footswitch to the external instrument corresponding to the currently selected zone.
Default: On
Tx SW FC1*
Determines whether to enable (On) or disable (Off) the sending of MIDI messages from FOOT CONTROLLER [1] to the external instrument corresponding to the currently selected zone.
Default: On
Tx SW FC2*
Determines whether to enable (On) or disable (Off) the sending of MIDI messages from FOOT CONTROLLER [2] to the external instrument corresponding to the currently selected zone.
Default: On
Advanced Mode
The Advanced Mode lets you use the Voice select switch to select any Voice from any Voice section, no matter the category. For example, you can combine a Voice of Piano section and Wah (insertion effect) of Electric piano section, or make one Voice to be layered.
Function name Description
Advanced Mode SW Piano
E.Piano
Sub
Determines whether to enable (On) or disable (Off) the Advanced Mode for each Voice section. When this is set to “On,” the indication appears on the Top screen.
Default: Off
NOTE
When this is set to “On,” the Voice number will not be displayed on the Voice number display, but the Voice name will be displayed on the LCD.
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SETTINGS LIST
Controllers
Function name Description
Bend Range Piano
E.Piano
Sub
P.Mod Depth Piano
E.Piano
Sub
FC1 Assign
FC2 Assign
Receive SW Expression Piano
E.Piano
Sub
Determines the maximum Pitch Bend Range in semitones for each Voice section.
Settings: -24 – +0 – +24 Default: +2
Determines the depth of vibrato effect on keyboard sound. This can be set individually for each Voice section.
Settings: 0 – 127
Piano/E.Piano default: 0
Sub default: 10
NOTE
Since the vibrato effect is disabled when a “Rotary” effect of the Sub section is selected, this setting will also be disabled.
MIDI control change numbers produced by operating a foot controller (sold separately) connected via the FOOT CONTROLLER [1] jack.
Default: 11 (Expression)
MIDI control change numbers produced by operating a foot controller (sold separately) connected via the FOOT CONTROLLER [2] jack.
Default: 4 (Pedal Wah)
Determines whether to recognize (On) or ignore (Off) the corresponding MIDI messages received by each Voice section from external devices or the MIDI messages produced by operating a foot switch and foot controller.
Default: On
Sustain Piano
E.Piano
Sub
Sostenuto Piano
E.Piano
Sub
Soft Piano
E.Piano
Sub
Name
Edits the names of Live Set Sounds. For detailed instructions on editing, refer to “Editing File Names/Live Set Sound Names” (page 22) .
NOTE
To store the edited names, you’ll need to use the Store operation (page 12).
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DATA LIST

Live Set Sound List

BANK No Name
1 1 Natural CFX G2 Piano CFX 63 0 1
1 2 NaturalImperial G2 Piano Imperial 63 0 2
1 3 Jazz S700 G2 Piano S700 63 0 3
1 4 Rock Upright G2 Piano U1 63 0 4
1 5 Simple 78 G2 Piano - 63 0 5
1 6 Funky Tines G2 Piano - 63 0 6
1 7 Tremolo Wr G2 Piano - 63 0 7
1 8 Clavi B Amped G2 Piano - 63 0 8
2 1 CFX+DX Legend G2 Piano CFX 63 1 1
2 2 A.Bass/78Rd G2 Piano U1 63 1 2
2 3 80s El Grand G2 Piano CP80 1 63 1 3
2 4 Brite Pop 8ve G2 Piano Digi Piano 63 1 4
2 5 E.Bass/78Rd G2 Piano - 63 1 5
2 6 Driven Wr+Pad G2 Piano - 63 1 6
2 7 Imperial + Str G2 Piano Imperial 63 1 7
2 8 Ghostly U1 G2 Piano U1 63 1 8
3 1 Rock Grand G2 Piano CFX 63 2 1
3 2 S700 + Pad G2 Piano S700 63 2 2
3 3 MonoCmp CFX G2 Piano CFX 63 2 3
3 4 Lo Fi Grand G2 Piano CFX 63 2 4
3 5 Piano Grind Pad G2 Piano Piano Synth 63 2 5
3 6 Lush Love G2 Piano Imperial 63 2 6
Split
Section Voice Name MSB LSB PC
Point
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano 78Rd Sub -
E.Piano 75Rd Funky Sub -
E.Piano Wr Warm Sub -
E.Piano Clavi B Sub -
E.Piano DX Legend Sub -
E.Piano 78Rd Sub A.Bass
E.Piano ­Sub -
E.Piano DX Legend Sub OB Strings
E.Piano 78Rd Sub E.Bass
E.Piano Wr Warm Sub Warm Strings
E.Piano ­Sub Section Str
E.Piano Wr Warm Sub -
E.Piano ­Sub -
E.Piano ­Sub OB Strings
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano 73Rd Sub Mellow Pad
E.Piano 78Rd Sub Brightness
BANK No Name
3 7 Big S700 G2 Piano S700 63 2 7
3 8 Piano Scape G2 Piano Imperial 63 2 8
4 1 Compressed CFX G2 Piano CFX 63 3 1
4 2 Kinda Squashed G2 Piano Imperial 63 3 2
4 3 Layered CFX G2 Piano CFX 63 3 3
4 4 Chorus CFX G2 Piano CFX 63 3 4
4 5 Upright G2 Piano U1 63 3 5
4 6 A Tacky Piano G2 Piano SU7 63 3 6
4 7 HonkyTonk Piano G2 Piano U1 63 3 7
4 8 Old Record G2 Piano U1 63 3 8
5 1 Case 73 G2 Piano - 63 4 1
5 2 Chimin' Tines G2 Piano Digi Piano 63 4 2
5 3 Slow Phase G2 Piano - 63 4 3
5 4 73 Tines OD G2 Piano - 63 4 4
5 5 Fast Phaser G2 Piano - 63 4 5
5 6 Ampy Funk G2 Piano - 63 4 6
5 7 Wet Phase G2 Piano - 63 4 7
5 8 78 & Pad G2 Piano - 63 4 8
6 1 Wr Bright G2 Piano - 63 5 1
6 2 Wr Comp G2 Piano - 63 5 2
6 3 Clavi B G2 Piano - 63 5 3
6 4 Driven S G2 Piano - 63 5 4
Split
Section Voice Name MSB LSB PC
Point
E.Piano 73Rd Sub OB Strings
E.Piano DX Legend Sub Mellow Pad
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano 75Rd Funky Sub Mellow Pad
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano 75Rd Funky Sub Brightness
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano 73Rd Sub -
E.Piano 78Rd Sub Glocken
E.Piano 73Rd Sub -
E.Piano 73Rd Sub -
E.Piano 75Rd Funky Sub -
E.Piano 75Rd Funky Sub -
E.Piano 78Rd Sub -
E.Piano 78Rd Sub Mellow Pad
E.Piano Wr Bright Sub -
E.Piano Wr Warm Sub -
E.Piano Clavi B Sub -
E.Piano Clavi S Sub -
CP88/CP73 Owner’s Manual
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DATA LIST
BANK No Name
6 5 Clavi Wah Dist G2 Piano - 63 5 5
6 6 Squeeze B G2 Piano - 63 5 6
6 7 Long Chorus S G2 Piano - 63 5 7
6 8 Rock Wr w/Ba G2 Piano Digi Piano 63 5 8
7 1 CP80 Comp G2 Piano CP80 1 63 6 1
7 2 Natural CP80 G2 Piano CP80 2 63 6 2
7 3 Chorus Legend G2 Piano - 63 6 3
7 4 Chorus FTine G2 Piano - 63 6 4
7 5 Chorus 7II G2 Piano - 63 6 5
7 6 Legend + Pad G2 Piano - 63 6 6
7 7 SynBass/DXEP G2 Piano - 63 6 7
7 8 Digi DX Pads G2 Piano Digi Piano 63 6 8
8 1 Bright Bars G2 Piano - 63 7 1
8 2 All Bars Out G2 Piano - 63 7 2
8 3 PipeOrgan1 G2 Piano - 63 7 3
8 4 PipeOrgan2 G2 Piano - 63 7 4
8 5 The Red Combo G2 Piano - 63 7 5
8 6 Italian Combo G2 Piano - 63 7 6
8 7 Aggro Syn Pad G2 Piano - 63 7 7
8 8 RdBa/60sCombo G2 Piano - 63 7 8
9 1 Strings1 G2 Piano - 63 8 1
9 2 Strings2 G2 Piano - 63 8 2
9 3 Synth Pad1 G2 Piano - 63 8 3
9 4 Synth Pad2 G2 Piano - 63 8 4
9 5 Vibraphone G2 Piano - 63 8 5
9 6 Nice Bell G2 Piano - 63 8 6
Split
Section Voice Name MSB LSB PC
Point
E.Piano Clavi B Sub -
E.Piano Clavi B Sub -
E.Piano Clavi S Sub -
E.Piano Wr Bright Sub E.Bass
E.Piano ­Sub -
E.Piano ­Sub -
E.Piano DX Legend Sub -
E.Piano DX FTine Sub Mellow Pad
E.Piano DX 7 II Sub -
E.Piano DX Legend Sub OB Strings
E.Piano DX Mellow Sub Syn Bass
E.Piano DX Legend Sub Mellow Pad
E.Piano ­Sub Bright Bars
E.Piano ­Sub All Bars Out
E.Piano ­Sub Pipe Organ 1
E.Piano ­Sub Pipe Organ 2
E.Piano ­Sub 60s Combo
E.Piano ­Sub Compact
E.Piano 78Rd Sub Panther
E.Piano 78Rd Sub 60s Combo
E.Piano ­Sub Natural Str
E.Piano ­Sub Section Str
E.Piano ­Sub Mellow Pad
E.Piano ­Sub Warm Strings
E.Piano ­Sub Vibraphone
E.Piano ­Sub Nice Bell
BANK No Name
9 7 Syn Brass G2 Piano - 63 8 7
9 8 Syn Lead1 G2 Piano - 63 8 8
10 1 Harpsichord G2 Piano - 63 9 1
10 2 Electric Harpsi G2 Piano - 63 9 2
10 3 Pipes Rd PBMW G2 Piano Digi Piano 63 9 3
10 4 Funky w/RdBass G2 Piano CP80 1 63 9 4
10 5 Rough Lead G2 Piano CP80 2 63 9 5
10 6 Clavi Syn Wah G2 Piano - 63 9 6
10 7 Chimin' Crs G2 Piano Digi Piano 63 9 7
10 8 Brite Pop G2 Piano Digi Piano 63 9 8
Split
Section Voice Name MSB LSB PC
Point
E.Piano ­Sub Syn Brass
E.Piano 78Rd Sub Syn Lead 1
E.Piano Harpsichord Sub -
E.Piano Harpsichord Sub -
E.Piano 78Rd Sub Pipe Organ 2
E.Piano 78Rd Sub Marimba
E.Piano 78Rd Sub Back Pad
E.Piano Clavi B Sub Syn Lead 1
E.Piano 75Rd Funky Sub Glocken
E.Piano DX Legend Sub OB Strings
CP88/CP73 Owner’s Manual
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Voic e L ist

Section Category No. Voice
PIANO Grand Piano 1 CFX
2Imperial
3 S700
4 Digi Piano
Upright Piano 5 U1
6SU7
CP 7 CP80 1
8 CP80 2
Special Piano 9 Piano Strings
10 Piano Synth
E.PIANO Rd 11 78Rd
12 75Rd Funky
13 73Rd
Wr 14 Wr Warm
15 Wr Bright
Clv 16 Clavi B
17 Clavi S
18 Harpsichord
DX 19 DX Legend
20 DX Woody
21 DX FTine
22 DX 7 II
23 DX Mellow
24 DX Crisp
SUB Pad/Strings 25 Mellow Pad
26 Spectrum
27 Back Pad
28 Air Choir
29 Natural Str
30 Warm Strings
31 OB Strings
32 Section Str
Organ 33 Bright Bars
34 Click Organ
35 Draw Organ 1
36 All Bars Out
37 Draw Organ 2
38 60s Combo
39 Compact
40 Panther
41 Pipe Organ 1
42 Pipe Organ 2
Chromatic Perc. 43 Glocken
44 Vibraphone
45 Xylophone
46 Marimba
47 Brightness
48 Nice Bell
49 Stack Bell
Others 50 Syn Lead 1
51 Syn Lead 2
52 Syn Bass
53 E.Bass
54 A.Bass
55 Steel Gt
56 Clean Gt
57 Syn Brass
DATA LIST
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DATA LIST

Control Change Number List

LCD indication Panel controls Table*
Piano 12 P: Select
13 P: Volume
14 P: Tone
15 P: Damper Reso
16 P: Effect SW
17 P: Effect Depth
77 P: Delay Depth
81 P: Reverb Depth
102 P: SW
103 P: Split
104 P: Octave
E.Piano 18 E: Select
Sub 29 S: Select
DELAY REVERB
MASTER EQUALIZER
105 P: Effect Type
19 E: Volume
20 E: Tone
21 E: Drive SW
22 E: Drive Depth
23 E: Effect 1 SW
24 E: Effect 1 Depth
25 E: Effect 1 Rate
26 E: Effect 2 SW
27 E: Effect 2 Depth
28 E: Effect 2 Speed
78 E: Delay Depth
82 E: Reverb Depth
106 E: SW
107 E: Split
108 E: Octave
109 E: Effect 1 Type
110 E: Effect 2 Type
30 S: Volume
31 S: Tone
68 S: Effect SW
72 S: Release
73 S: Attack
75 S: Effect Depth
76 S: Effect Speed
79 S: Delay Depth
83 S: Reverb Depth
111 S: SW
112 S: Split
113 S: Octave
114 S: Effect Type
80 Delay Time
85 Reverb Time
91 All Reverb Depth
92 Delay Feedback
93 All Delay Depth
115 Delay SW
116 Delay Effect Type
117 Reverb SW
118 Depth Knob Select
86 Master EQ SW
87 Master EQ High
88 Master EQ Mid
89 Master EQ Freq
90 Master EQ Low
Voice category selector M
*
Voice select switch M
(
[VOLUME] knob A
D
[TONE] knob A
E
DAMPER RESONANCE [ON/OFF]
F
button
Insertion effect [ON/OFF] button B
G
[DEPTH] knob A
I
[DEPTH] knob A
e
[DEPTH] knob A
i
Voice section [ON/OFF] switch B
&
SPLIT [L R] button E
B
OCTAVE [-2 -1]/[+1 +2] buttons F
C
Insertion effect switch button G
H
Voice category selector N
*
Voice select switch N
(
[VOLUME] knob A
D
[TONE] knob A
E
Insertion effect [ON/OFF] button B
G
[DRIVE] knob A
J
Insertion effect [ON/OFF] button B
G
[DEPTH] knob A
L
[RATE] knob A
M
Insertion effect [ON/OFF] button B
G
[DEPTH] knob A
O
[SPEED] knob A
P
[DEPTH] knob A
e
[DEPTH] knob A
i
Voice section [ON/OFF] switch B
&
SPLIT [L R] button E
B
OCTAVE [-2 -1]/[+1 +2] buttons F
C
Insertion effect switch button H
K
Insertion effect switch button I
N
Voice category selector O
*
Voice select switch O
(
[VOLUME] knob A
D
[TONE] knob A
E
Insertion effect [ON/OFF] button B
G
[RELEASE] knob A
R
[ATTACK] knob A
Q
[DEPTH] knob A
T
[SPEED] knob A
a
[DEPTH] knob A
e
[DEPTH] knob A
i
Voice section [ON/OFF] switch B
&
SPLIT [L R] button E
B
OCTAVE [-2 -1]/[+1 +2] buttons F
C
Insertion effect switch button J
S
[TIME] knob A
g
[TIME] knob A
j
[DEPTH] knob A
i
[FEEDBACK] knob A
f
[DEPTH] knob A
e
DELAY [ON/OFF] switch B
c
[Analog/Digital] switch button K
d
REVERB [ON/OFF] switch B
h
Effect level display switch button L
b
MASTER EQUALIZER [ON/OFF]
k
button
[HIGH] knob C
l
[MID] knob C
m
[FREQUENCY] knob D
n
[LOW] knob C
o
P:=Piano, E:=Electric Piano, S:=Sub Parameters shown within parentheses do not affect the sound of this instrument. Only affected by foot switch, and not foot controller. *Parameter value/Controller value Correspondence Table (page 41)
LCD indication Panel controls Table*
PEDAL 1 Modulation
B
B
4Pedal Wah
5 (Portamento Time)
6 (Data Entry MSB)
7 All Volume
10 (Pan)
11 Expression
12 P: Select
13 P: Volume
14 P: Tone
15 P: Damper Reso
16 P: Effect SW
17 P: Effect Depth
18 E: Select
19 E: Volume
20 E: Tone
21 E: Drive SW
22 E: Drive Depth
23 E: Effect 1 SW
24 E: Effect 1 Depth
25 E: Effect 1 Rate
26 E: Effect 2 SW
27 E: Effect 2 Depth
28 E: Effect 2 Speed
29 S: Select
30 S: Volume
31 S: Tone
32 (Bank LSB)
38 (Data Entry LSB)
64 Sustain
65 (Portamento)
66 Sostenuto
67 Soft
68 S: Effect SW
71 (Resonance)
72 S: Release
73 S: Attack
74 (Cutoff)
75 S: Effect Depth
76 S: Effect Speed
77 P: Delay Depth
78 E: Delay Depth
79 S: Delay Depth
80 Delay Time
81 P: Reverb Depth
82 E: Reverb Depth
83 S: Reverb Depth
84 (Portamento Ctrl)
85 Reverb Time
86 Master EQ SW
87 Master EQ High
88 Master EQ Mid
89 Master EQ Freq
90 Master EQ Low
91 All Reverb Depth
92 Delay Feedback
93 All Delay Depth
94 (Effect 4 Depth)
95 (Effect 5 Depth)
96 (Data Increment)
97 (Data Decrement)
98 (NRPN LSB)
99 (NRPN MSB)
100 (RPN LSB)
Voice category selector M
*
Voice select switch M
(
[VOLUME] knob A
D
[TONE] knob A
E
DAMPER RESONANCE [ON/OFF]
F
button
Insertion effect [ON/OFF] button B
G
[DEPTH] knob A
I
Voice category selector N
*
Voice select switch N
(
[VOLUME] knob A
D
[TONE] knob A
E
Insertion effect [ON/OFF] button B
G
[DRIVE] knob A
J
Insertion effect [ON/OFF] button B
G
[DEPTH] knob A
L
[RATE] knob A
M
Insertion effect [ON/OFF] button B
G
[DEPTH] knob A
O
[SPEED] knob A
P
Voice category selector O
*
Voice select switch O
(
[VOLUME] knob A
D
[TONE] knob A
E
Insertion effect [ON/OFF] button B
G
[RELEASE] knob A
R
[ATTACK] knob A
Q
[DEPTH] knob A
T
[SPEED] knob A
a
[DEPTH] knob A
e
[DEPTH] knob A
e
[DEPTH] knob A
e
[TIME] knob A
g
[DEPTH] knob A
i
[DEPTH] knob A
i
[DEPTH] knob A
i
[TIME] knob A
j
MASTER EQUALIZER [ON/OFF]
k
button
[HIGH] knob C
l
[MID] knob C
m
[FREQUENCY] knob D
n
[LOW] knob C
o
[DEPTH] knob A
i
[FEEDBACK] knob A
f
[DEPTH] knob A
e
B
B
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DATA LIST
LCD indication Panel controls Table*
PEDAL 101 (RPN MSB)
102 P: SW
103 P: Split
104 P: Octave
105 P: Effect Type
106 E: SW
107 E: Split
108 E: Octave
109 E: Effect 1 Type
110 E: Effect 2 Type
111 S: SW
112 S: Split
113 S: Octave
114 S: Effect Type
115 Delay SW
116 Delay Effect Type
117 Reverb SW
118 Depth Knob Select
--- Live Set Sound +
--- Live Set Sound -
Voice section [ON/OFF] switch B
&
SPLIT [L R] button E
B
OCTAVE [-2 -1]/[+1 +2] buttons F
C
Insertion effect switch button G
H
Voice section [ON/OFF] switch B
&
SPLIT [L R] button E
B
OCTAVE [-2 -1]/[+1 +2] buttons F
C
Insertion effect switch button H
K
[RATE] knob I
M
Voice section [ON/OFF] switch B
&
SPLIT [L R] button E
B
OCTAVE [-2 -1]/[+1 +2] buttons F
C
Insertion effect switch button J
S
DELAY [ON/OFF] switch B
c
[Analog/Digital] switch button K
d
REVERB [ON/OFF] switch B
h
Effect level display switch button L
b
Correspondence Table
A
Parameter
0-127 0-127 0-127
B
Parameter
Off 0 0 0-63
On 1 127 64-127
C
Parameter
-12dB 52 0-5 0-5
-11dB 53 6-10 6-10
-10dB 54 11-15 11-15
-9dB 55 16-20 16-20
-8dB 56 21-25 21-25
-7dB 57 26-30 26-30
-6dB 58 31-35 31-35
-5dB 59 36-40 36-40
-4dB 60 41-46 41-46
-3dB 61 47-51 47-51
-2dB 62 52-56 52-56
-1dB 63 57-61 57-61
0dB 64 62-66 62-66
1dB 65 67-71 67-71
2dB 66 72-76 72-76
3dB 67 77-81 77-81
4dB 68 82-87 82-87
5dB 69 88-92 88-92
6dB 70 93-97 93-97
7dB 71 98-102 98-102
8dB 72 103-107 103-107
9dB 73 108-112 108-112
10dB 74 113-117 113-117
11dB 75 118-122 118-122
12dB 76 123-127 123-127
Transmitted Recognized
Transmitted Recognized
Transmitted Recognized
Controller
Controller
Controller
D
Parameter
100Hz 14 0-3 0-3
110Hz 15 4-6 4-6
125Hz 16 7-9 7-9
140Hz 17 10-12 10-12
160Hz 18 13-15 13-15
180Hz 19 16-18 16-18
200Hz 20 19-21 19-21
225Hz 21 22-24 22-24
250Hz 22 25-28 25-28
280Hz 23 29-31 29-31
315Hz 24 32-34 32-34
355Hz 25 35-37 35-37
400Hz 26 38-40 38-40
450Hz 27 41-43 41-43
500Hz 28 44-46 44-46
560Hz 29 47-49 47-49
630Hz 30 50-53 50-53
700Hz 31 54-56 54-56
800Hz 32 57-59 57-59
900Hz 33 60-62 60-62
1.0kHz 34 63-65 63-65
1.1kHz 35 66-68 66-68
1.2kHz 36 69-71 69-71
1.4kHz 37 72-74 72-74
1.6kHz 38 75-78 75-78
1.8kHz 39 79-81 79-81
2.0kHz 40 82-84 82-84
2.2kHz 41 85-87 85-87
2.5kHz 42 88-90 88-90
2.8kHz 43 91-93 91-93
3.2kHz 44 94-96 94-96
3.6kHz 45 97-99 97-99
4.0kHz 46 100-102 100-102
4.5kHz 47 103-106 103-106
5.0kHz 48 107-109 107-109
5.6kHz 49 110-112 110-112
6.3kHz 50 113-115 113-115
7.0kHz 51 116-118 116-118
8.0kHz 52 119-121 119-121
9.0kHz 53 122-124 122-124
10kHz 54 125-127 125-127
Transmitted Recognized
E
Parameter
L&R 0 0 0-42
L 1 63 43-85
R 2 127 86-127
Transmitted Recognized
F
Parameter
-2 62 0 0-25
-1 63 31 26-51
0 64 63 52-76
+1 65 95 77-102
+2 66 127 103-127
Transmitted Recognized
G
Parameter
Comp 0 0 0-31
Dist/OD 1 42 32-63
Drive 2 84 64-95
Chorus 3 127 96-127
Transmitted Recognized
Controller
Controller
Controller
Controller
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DATA LIST
H
Parameter
A.Pan 0 0 0-21
Tre m 1 25 2 2- 42
R.Mod 2 50 43-63
T.Wah 3 76 64-85
P.Wah 4 101 86-106
Comp 5 127 107-127
Transmitted Recognized
Controller
I
Parameter
Cho1 0 0 0-21
Cho2 1 25 22-42
Fla 2 50 43-63
Pha1 3 76 64- 85
Pha2 4 101 86-106
Pha3 5 127 107-127
Transmitted Recognized
Controller
J
Parameter
Cho/Fla 0 0 0-31
Rotary 1 42 32-63
Tre m 2 84 6 4- 95
Dist/OD 3 127 96-127
Transmitted Recognized
Controller
K
Parameter
Analog 0 0 0-63
Digital 1 127 64-127
Transmitted Recognized
Controller
L
Parameter
All 0 0 0-31
Piano 1 42 32-63
E.Piano 2 84 64-95
Sub 3 127 96-127
Transmitted Recognized
Controller
M
Parameter
Grand Piano 1 0 1 1
21 2 2
32 3 3
43 4 4
Upright Piano 1 4 5 5
25 6 6
CP 1 6 7 7
27 8 8
Special Piano 1 8 9 9
2 9 10 10
Transmitted Recognized
Controller
N
Parameter
Rd 1 10 11 11
211 12 12
312 13 13
Wr 1 13 14 14
214 15 15
Clv 1 15 16 16
216 17 17
317 18 18
DX 1 18 19 19
219 20 20
320 21 21
421 22 22
522 23 23
623 24 24
Transmitted Recognized
Controller
O
Parameter
Pad/Strings 1 24 25 25
225 26 26
326 27 27
427 28 28
528 29 29
629 30 30
730 31 31
831 32 32
Organ 1 32 33 33
233 34 34
334 35 35
435 36 36
536 37 37
637 38 38
738 39 39
839 40 40
940 41 41
10 41 42 42
Chromatic Perc 1 42 43 43
243 44 44
344 45 45
445 46 46
546 47 47
647 48 48
748 49 49
Others 1 49 50 50
250 51 51
351 52 52
452 53 53
553 54 54
654 55 55
755 56 56
856 57 57
Transmitted Recognized
Controller
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DATA LIST
1
2
2
Weather forecast
News
News
MIDI transmit channel 2
MIDI receive channel 2
MIDI cable

MIDI

Musical Instrument Digital Interface (MIDI) is a global standard designed to allow performance, Voice, and other data to be transferred between musical instruments. As such, reliable data communication is assured even between musical instruments and equipment from different manufacturers. In addition to data generated by playing the keyboard or selecting a Live Set Sound, a wide range of other data types—such as tempo and instrument controls—can also be exchanged via MIDI. Using the powerful functionality provided by this technology, you can not only play other instruments using this instrument’s keyboard and controllers, but you can also adjust the volume or the tone of each section and adjust effect settings. In fact, practically all of the parameters that can be set using the instrument’s control panel can also be remotely controlled from another MIDI device.
MIDI Channels
MIDI data can be transmitted and received on one of sixteen MIDI channels. Therefore, performance data for up to sixteen different instrument parts can be simultaneously exchanged over a single MIDI cable. MIDI channels are very similar in nature to TV channels, in that each TV station transmits its broadcasts over a specific channel. Your TV, for example, receives many different programs at the same time from different broadcasters, and you select which program to watch by choosing the corresponding channel.
In much the same way, multiple transmitting devices in a MIDI system can each be set to send data on a separate channel (i.e., a MIDI transmit channel), which link with the system’s receiving devices via MIDI cables. If a receiving device’s MIDI channel (i.e., a MIDI receive channel) matches a MIDI Transmit channel, the receiving device will produce sound in response to the data sent by the corresponding transmitting device.
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DATA LIST

MIDI Data Format

(1) TRANSMIT FLOW
MIDI <-+--[SW1]--+---------NOTE OFF 8nH OUT | | +---------NOTE ON 9nH | | | +---------CONTROL CHANGE | | MODULATION BnH,01H | | SUSTAIN SWITCH BnH,40H | | ASSIGNABLE CONTROLLER BnH,(01H...76H) | | | | Refer to Correspondence Table of Control | | Change Number List (page 41) for the | | Control Change when the MIDI Control is | | set to “On.” | | | | | +--[SW3]--BANK SELECT MSB BnH,00H | | BANK SELECT LSB BnH,20H | | | +--[SW4]--PROGRAM CHANGE CnH | | | +---------PITCH BEND CHANGE EnH | +-------------------SYSTEM REALTIME MESSAGE | ACTIVE SENSING FEH | +--[SW2]--+---------SYSTEM EXCLUSIVE MESSAGE | | | +---------<BULK DUMP> | | F0H 43H 0nH 7FH 1CH bhH blH 08H ahH amH | | alH ddH...ddH ccH F7H | | | +---------<PARAMETER CHANGE> | F0H 43H 1nH 7FH 1CH 08H ahH amH alH | ddH...ddH F7H | +-------------------SYSTEM EXCLUSIVE MESSAGE IDENTITY REPLY F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH mmH 00H 00H 7FH F7H
dd: Device family number/code CP73: 59H 06H CP88: 5AH 06H
mm: version mm=(version no.-1.0)*10 e.g.)version 1.0mm=(1.0-1.0)*10=0  version 1.5mm=(1.5-1.0)*10=5
[SW1] M IDI Transmit Channel
Complies with Zone Transmit Channel when the Part Zone Switch is set to on. Complies with Part number in any other case.
[SW2] SYSTEM MIDI Device Number
When set to all, transmitted via 1. [SW3] SYSTEM Bank Select Switch [SW4] SYSTEM Program Change Switch
(2) RECEIVE FLOW
MIDI >-+--[SW1]--+---------NOTE OFF 8nH | | | |---------NOTE ON/OFF 9nH | | | +---------CONTROL CHANGE | | MODULATION BnH,01H | | CHANNEL VOLUME BnH,07H | | EXPRESSION BnH,0BH | | SUSTAIN SWITCH BnH,40H | | SOSTENUTO BnH,42H | | SOFT BnH,43H | | PORTAMENTO CONTROL BnH,54H | | | | Refer to Correspondence Table of Control | | Change Number List (page 41) for the | | Control Change when the MIDI Control is | | set to “On.” | | | | | +--[SW3]--BANK SELECT MSB BnH,00H | | BANK SELECT LSB BnH,20H | | | +---------CHANNEL MODE MESSAGE | | ALL SOUND OFF BnH,78H | | RESET ALL CONTROLLERS BnH,79H | | ALL NOTE OFF BnH,7BH | | OMNI MODE OFF BnH,7CH | | OMNI MODE ON BnH,7DH | | | +--[SW4]--PROGRAM CHANGE CnH | | | +---------PITCH BEND CHANGE EnH | +-------------------SYSTEM REALTIME MESSAGE | ACTIVE SENSING FEH |
+--[SW2]--+---------SYSTEM EXCLUSIVE MESSAGE | | | +---------<BULK DUMP> | | F0H 43H 0nH 7FH 1CH bhH blH 08H ahH amH | | alH ddH...ddH ccH F7H | | | +---------<PARAMETER CHANGE> | | F0H 43H 1nH 7FH 1CH 08H ahH amH alH | | ddH...ddH F7H | | | +---------<BULK DUMP REQUEST> | | F0H 43H 2nH 7FH 1CH 08H ahH amH alH | | ddH...ddH F7H | | | +---------<PARAMETER REQUEST> | F0H 43H 3nH 7FH 1CH 08H ahH amH alH F7H | +-------------------SYSTEM EXCLUSIVE MESSAGE IDENTITY REQUEST F0H 7EH 0nH 06H 01H F7H
[SW1] Com plies with MIDI Receive Channel. [SW2] SYSTEM MIDI Device Number [SW3] SYSTEM Bank Select Switch [SW4] SYSTEM Program Change Switch
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) NOTE OFF
STATUS 1000nnnn(9nH) n=0-15 CHANNEL NUMBER NOTE No. 0kkkkkkk k=0(C-2)-127(G8) VELOCITY 0vvvvvvv v=64 Transmit
(3-1-2) NOTE ON/OFF
STATUS 1000nnnn(8nH) n=0-15 CHANNEL NUMBER NOTE No. 0kkkkkkk k=0(C-2)-127(G8) VELOCITY NOTE ON 0vvvvvvv(v≠0) NOTE OFF 0vvvvvvv(v=0)
(3-1-3) CONTROL CHANGE
STATUS 1011nnnn(BnH) n=0-15 CHANNEL NUMBER CONTROL NUMBER 0ccccccc CONTROL VALUE 0vvvvvvv
*TRANSMITTED CONTROL NUMBER c=0 BANK SELECT MSB ;v=0-127 *1 c=32 BANK SELECT LSB ;v=0-127 *1 c=1 MODULATION ;v=0-127 c=64 SUSTAIN SWITCH ;v=0-127 *3 c=1...118 ASSIGNABLE CONTROLLER ;v=0-127 *2
*RECEIVED CONTROL NUMBER c=0 BANK SELECT MSB ;v=0-127 *1 c=32 BANK SELECT LSB ;v=0-127 *1 c=1 MODULATION ;v=0-127 c=7 CHANNEL VOLUME ;v=0-127 c=11 EXPRESSION ;v=0-127 c=64 SUSTAIN SWITCH ;v=0-127 c=66 SOSTENUTO ;v=0-63:OFF, 64-127:ON c=67 SOFT ;v=0-127 c=84 PORTAMENTO CONTROL ;v=0-127
*1 Relation between BANK SELECT and PROGRAM is as follows:
CATEGORY MSB LSB PROGRAM No.
Live Set Page 1 63 0 0..7
:: :
Live Set Page 20 63 19 0..7
*2 The default CONTROL NUMBERs of ASSIGNABLE CONTROLLER are as
follows:
FOOT CONTROLLER 1 11 FOOT CONTROLLER 2 4 FOOT SWITCH Live Set Inc
*3 When Sustain is set to something other than “FC3A (HalfOn),”
operating the foot switch transmits only values of 0 (off) or 127 (on).
Bank Select will be actually executed when a Program Change message is received. Bank Select and Program Change numbers that are not supported by Yamaha will be ignored.
(3-1-4) PROGRAM CHANGE
STATUS 1100nnnn(CnH) n=0-15 CHANNEL NUMBER PROGRAM NUMBER 00000ppp p=0-7
(3-1-5) PITCH BEND CHANGE
STATUS 1110nnnn(EnH) n=0-15 CHANNEL NUMBER LSB 0vvvvvvv PITCH BEND CHANGE LSB MSB 0vvvvvvv PITCH BEND CHANGE MSB Transmitted with a resolution of 7 bits.
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DATA LIST
(3-2) CHANNEL MODE MESSAGES
STATUS 1011nnnn(BnH) n=0-15 CHANNEL NUMBER
CONTROL NUMBER 0ccccccc c=CONTROL NUMBER
CONTROL VALUE 0vvvvvvv v=DATA VALUE
(3-2-1) ALL SOUND OFF (CONTROL NUMBER = 78H, DATA VALUE = 0)
All the sounds currently being played, including channel messages such as note-on
and hold-on of a certain channel, are muted this message is received.
(3-2-2) RESET ALL CONTROLLERS (CONTROL NUMBER = 79H, DATA VALUE = 0)
Resets the values set for the following controllers.
PITCH BEND CHANGE 0 (center)
MODULATION 0 (minimum)
EXPRESSION 127 (maximum)
PEDAL WAH 0 (minimum)
SUSTAIN SWITCH 0 (off)
SOSTENUTO SWITCH 0 (off)
SOFT 0 (off)
PORTAMENTO CONTROL Reserved note number
Doesn’t reset the following data:
PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME
(3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0)
All the notes currently set to on in certain channel(s) are muted when receiving this
message. However, if Sustain or Sostenuto is on, notes will continue sounding until
these are turned off.
(3-2-4) OMNI MODE OFF (CONTROL NUMBER = 7CH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.
(3-2-5) OMNI MODE ON (CONTROL NUMBER = 7DH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.
(3-4) SYSTEM REAL TIME MESSAGES
(3-4-1) ACTIVE SENSING
STATUS 11111110(FEH)
Transmitted ever y 200 msec.
Once this code is received, the instrument starts sensing. When neither status
messages nor data are received for more than approximately 350 ms, the MIDI
receive buffer will be cleared, and the sounds currently being played are forcibly
turned off.
(3-5) SYSTEM EXCLUSIVE MESSAGE
(3-5-1) UNIVERSAL NON REALTIME MESSAGE
(3-5-1-1) IDENTITY REQUEST (Receive only)
F0H 7EH 0nH 06H 01H F7H (“n” = Device No. However, this instrument receives under “omni.”)
(3-5-1-2) IDENTITY REPLY (Transmit only)
F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH mmH 00H 00H 7FH F7H
dd: Device family number/code CP73: 59H 06H CP88: 5AH 06H
mm: version mm=(version no.-1.0)*10 e.g.) version 1.0mm=(1.0-1.0)*10=0 version 1.5mm=(1.5-1.0)*10=5
(3-5-2) UNIVERSAL REALTIME MESSAGE
(3-5-3)PARAMETER CHANGE
(3-5-3-1) NATIVE PARAMETER CHANGE, MODE CHANGE
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 00000010 08 Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0ddddddd ddddddd Data | | 11110111 F7 End of Exclusive
For parameters with data size of 2 or more, the appropriate number of data bytes will be transmitted. See the following MIDI Data Table for Address.
(3-5-4) BULK DUMP
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 0bbbbbbb bbbbbbb Byte Count 0bbbbbbb bbbbbbb Byte Count 00000010 08 Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0 0 Data | | 0ccccccc ccccccc Checksum 11110111 F7 End of Exclusive
See the following MIDI Data Table for Address and Byte Count. Checksum is the value that results in a value of 0 for the lower 7 bits
(3-5-5) DUMP REQUEST
(3-5-6) PARAMETER REQUEST
when the Byte Count, Start Address, Data and Checksum itself are added.
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 00000010 08 Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 11110111 F7 End of Exclusive
See the following DUMP REQUEST Table for Address.
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 00000010 08 Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 11110111 F7 End of Exclusive
See the following MIDI Data Table for Address.
(4) SYSTEM OVERVIEW (Keyboard and Tone Generator)
MIDI Port
Zone Mode SW
Keyboard
Zone Settings
Local Control
MIDI Port
MIDI SW
MIDI IN
USB Port 1
MIDI Port
USB SW
USB Port 2
USB Port 2 is enabled when ‘MIDI Port MIDI SW = OFF’ and ‘MIDI Port USB SW = ON
ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the keyboard and the data via MIDI. ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via MIDI.
MIDI SW
MIDI Port
USB SW
MIDI Out
USB Port 1
Piano Section
E. Piano Section
Sub Section
USB Port 2
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DATA LIST

MIDI Data Table

Bank Select
MSB (HEX) LSB (HEX)
63 3F 0 00 0 – 7 Live Set
1 01 0 – 7 User Live Set Page 2
2 02 0 – 7 User Live Set Page 3
3 03 0 – 7 User Live Set Page 4
4 04 0 – 7 User Live Set Page 5
5 05 0 – 7 User Live Set Page 6
6 06 0 – 7 User Live Set Page 7
7 07 0 – 7 User Live Set Page 8
8 08 0 – 7 User Live Set Page 9
9 09 0 – 7 User Live Set Page 10
10 0A 0 – 7 User Live Set Page 11
11 0B 0 – 7 User Live Set Page 12
12 0C 0 – 7 User Live Set Page 13
13 0D 0 – 7 User Live Set Page 14
14 0E 0 – 7 User Live Set Page 15
15 0F 0 – 7 User Live Set Page 16
16 10 0 – 7 User Live Set Page 17
17 11 0 – 7 User Live Set Page 18
18 12 0 – 7 User Live Set Page 19
19 13 0 – 7 User Live Set Page 20
Program
No.
Type Memory Description
Sound
Parameter Base Address
Parameter Block
High Mid Low
System 20 00 00 System
20 40 00 Master EQ
BULK CONTROL 0E 00 00 Header
STORE TO FLASH 0D 00 00 Store To Flash
Live Set Sound 46 00 00 Common
0F 00 00 Footer
Zone 4A zz 00 Zone (zz: 00 – 03)
Section500p00Common
50 1p 00 Specific
User Live Set Page 1
Group Number = 7F 1C, Model ID = 08
DescriptionTop Address
Bulk Dump Block
“Top Address” indicates the top address of each block designated by the bulk dump operation. “Byte Count” indicates the data size contained in each block designated by the bulk dump operation. The block from the Bulk Header to the Bulk Footer of the Performance can be received regardless of their order; however, they cannot be received if an irrelevant Block is included. To execute 1 Multi/1 Voice bulk dump request, designate its corresponding Bulk Header address. For information about “mm” and “nn” shown in the following list, refer to the MIDI PARAMETER CHANGE TABLE (BULK CONTROL).
Group Number = 7F 1C, Model ID = 08
Parameter Block Description
System System 48 30 20 00 00
Live Set Sound Bulk Header 0 00 0E pp 0n
Message Type Data
Parameter Change F0, 43, 1n, gh, gl, id, ah, am, al, dt, … F7
Parameter Request F0, 43, 3n, gh, gl, id, ah, am, al F7
Bulk Dump F0, 43, 0n, gh, gl, bh, bl, id, ah, am, al, dt, …, cc, F7
Bulk Request F0, 43, 2n, gh, gl, id, ah, am, al, F7
Master EQ 20 14 20 40 00
Contents Unlock 20 70 00
Common 4830460000
Zone Zone 1 16 10 4A 00 00
: :
Zone 4 03
SectionPiano Common 2418500000
E.Piano Common 01
Sub Common 02
Piano Specific 28 1C 50 10 00
E.Piano Specific 11
Sub Specific 12
Bulk Footer 0 00 0F pp 0n
n: Device Number gh: Group Number High gl: Group Number Low bh: Byte Count High bl: Byte Count Low id: Model ID ah: Parameter Address High am: Parameter Address Middle al: Parameter Address Low dt: Data cc: Data Checksum
Byte Count Top Address
Dec Hex High Mid Low
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DATA LIST
MIDI PARAMETER CHANGE TABLE (BULK CONTROL)
Group Number = 7F 1C, Model ID = 08
Address
High Mid Low
0E pp 0n 1 - Bulk Header Live Set Sound User
7F 00 1 - Current Sound Buffer -
0F pp 0n 1 - Bulk Footer Live Set Sound User
7F 00 1 - Current Sound Buffer -
Size
Data
Range
(HEX)
Parameter
Name
Description
(pp = 0 – 19, n = 0 – 7)
(pp = 0 – 19, n = 0 – 7)
Default
(HEX)
-
-
Notes
SYSTEM
System Common
Address
High Mid Low
20 00 00 1 reserved
01 1 reserved
02 4 00 – 00
06 1 3D – 43 Keyboard Octave
07 1 34 – 4C Keyboard
08 1 00 – 01 Controller Reset Hold, Reset 01
09 1 00 – 01 Local Switch Off, On 01
0A 1 00 – 0F, 7FTx Channel 1 – 16, Off 00
0B 1 00 – 10 Rx Channel 1 – 16, All 00
0C 1 00 – 03 MIDI Control Off, Mode 1,
0D 1 reser ved
0E 1 reserved
0F 1 reserved
10 1 00 – 04 Keyboard Velocity
11 1 01 – 7F Keyboard Fixed
12 1 00 – 01 Transmit/Receive
13 1 00 – 01 Transmit/Receive
14 1 reserved
15 1 00 – 01 MIDI In/Out USB Thru, In/Out 01
16 1 00 – 01 USB In/Out Off, On 01
17 1 reserved
18 1 reserved
19 1 00 – 01 Display Lights
1A 1 00 – 01 Display Lights Ins
1B 1 00 – 01 Display Lights
1C 1 reserved
1D 1 reser ved
1E 1 00 – 01 Value Indication Off, On 01
1F 1 reserved
20 1 00 – 01 SW Direction Default, Reverse 00
21 1 reserved
22 1 00 – 3F LCD Contrast 1 – 64 20
23 1 00 – 01 Panel Lock Live
24 1 00 – 01 Panel Lock
25 1 00 – 01 Panel Lock Effect Off, On 01
26 1 00 – 01 Panel Lock Master EQOff, On 01
27 1 reserved
28 1 00 – 01 Section Hold Disable, Enable 00
Size
Data
Range
00 – 07 00 – 0F 00 – 0F
Parameter
Name
Master Tune -102.4 – +102.3
Shift
Transpose
Curve
Velocity
Bank Select
Program Change
Section
Effect
LCD
Set
Section
Group Number = 7F 1C, Model ID = 08
Description
[cent] 1st bit3-0: bit15-12 2nd bit3-0: bit11-8 3rd bit3-0: bit 7-4 4th bit3-0: bit 3-0
-3 – 0 – +3 40
-12 – +12 [semitones]
Mode 2, Mode 3
Normal, Soft, Hard, Wide, Fixed
1 – 127 40
Off, On 01
Off, On 01
Off, On 01
Off, On 01
Off, On 01
Off, On 01
Off, On 01
Default
(HEX)
00 04 00 00
40
00
00
Notes
Address
High Mid Low
29 1 00 – 01 Live Set View
2A 1 00 – 13 Power On Page 1 – 20 00
2B 1 00 – 07 Power On Sound 1 – 8 00
2C 1 00 – 78 FS Control
2D 1 reser ved
2E 1 00 – 7F USB Audio
2F 1 00 – 02 Sustain Pedal
TOTAL SIZE = 48 30 (HEX)
Size
Data
Range
Parameter
Mode
Number
Volume
Select
Name
Description
Close, Keep 00
Off, 1 – 118, 119 (Live Set Inc), 120 (Live Set Dec)
0 – 127 40
FC3 Half On, FC3 Half Off, FC4/5
System MEQ
Address
High Mid Low
20 40 00 1 34 – 4C EQ Gain1 -12dB – +12dB 40
01 1 reserved
02 1 reserved
03 1 reserved
04 1 reserved
05 1 reserved
06 1 reserved
07 1 reserved
08 1 34 – 4C EQ Gain3 -12dB – +12dB 40
09 1 0E – 36 EQ Frequency3 100Hz – 10kHz 1C
0A 1 reserved
0B 1 reserved
0C 1 reserved
0D 1 reserved
0E 1 reserved
0F 1 reserved
10 1 34 – 4C EQ Gain5 -12dB – +12dB 40
11 1 reserved
12 1 reserved
13 1 reserved
TOTAL SIZE = 20 14 (HEX)
Size
Data
Range
Parameter
Name
Description
Default
(HEX)
77
00
Default
(HEX)
Notes
Notes
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DATA LIST
LIVE SET SOUND
Live Set Sound Common
Address
High Mid Low
46 00 00 1 20 – 7F Live Set Sound
01 1 20 – 7F Live Set Sound
02 1 20 – 7F Live Set Sound
03 1 20 – 7F Live Set Sound
04 1 20 – 7F Live Set Sound
05 1 20 – 7F Live Set Sound
06 1 20 – 7F Live Set Sound
07 1 20 – 7F Live Set Sound
08 1 20 – 7F Live Set Sound
09 1 20 – 7F Live Set Sound
0A 1 20 – 7F Live Set Sound
0B 1 20 – 7F Live Set Sound
0C 1 20 – 7F Live Set Sound
0D 1 20 – 7F Live Set Sound
0E 1 20 – 7F Live Set Sound
0F 1 reserved
10 1 reserved
11 1 00 – 01 Zone Mode Switch Off, On 00
12 1 00 – 01 Advanced Zone
13 1 reserved
14 1 reserved
15 1 34 – 4C TG Transpose -12 – +12 40
16 1 01 – 7F Split Point C#-2 – G8 37
17 1 reserved
18 1 reserved
19 1 00 – 76 FC1 Assign 0 – 118 0B
1A 1 00 – 76 FC2 Assign 0 – 118 04
1B 1 reserved
1C 1 reserved
1D 1 reserved
1E 1 reserved
1F 1 reserved
20 1 00 – 03 Depth Knob Section
21 1 reserved
22 1 reserved
23 1 reserved
24 1 00 – 01 Delay Switch Off, On 01
25 1 00 – 01 Delay Type Analog, Digital 00
26 1 00 – 7F Delay Feedback 0 – 127 40
27 1 00 – 7F Delay Time 0 – 127 40
28 1 00 – 01 Reverb Switch Off, On 01
29 1 reserved
2A 1 reserved
2B 1 00 – 7F Reverb Time 0 – 127 40
2C 1 reserved
2D 1 reserved
2E 1 reserved
2F 1 reserved
TOTAL SIZE = 48 30 (HEX)
Size
Data
Parameter Name Description
Range
Name 1
Name 2
Name 3
Name 4
Name 5
Name 6
Name 7
Name 8
Name 9
Name 10
Name 11
Name 12
Name 13
Name 14
Name 15
Mode Switch
Select
Group Number = 7F 1C, Model ID = 08
Default
Notes
(HEX)
32 – 127 (ASCII) 40 'I'
32 – 127 (ASCII) 6E 'n'
32 – 127 (ASCII) 69 'i'
32 – 127 (ASCII) 74 't'
32 – 127 (ASCII) 20 ' '
32 – 127 (ASCII) 53 'S'
32 – 127 (ASCII) 6F 'o'
32 – 127 (ASCII) 75 'u'
32 – 127 (ASCII) 6E 'n'
32 – 127 (ASCII) 64 'd'
32 – 127 (ASCII) 20
32 – 127 (ASCII) 20
32 – 127 (ASCII) 20
32 – 127 (ASCII) 20
32 – 127 (ASCII) 20
Off, On 00
All, Piano, E.Piano, Sub
00
ZONE
Group Number = 7F 1C, Model ID = 08
Address
High Mid Low
4A zz 00 1 00 – 01 Zone Switch off, on 00 – 01 With the
01 1 00 – 0F Transmit
02 1 3D – 43 Transpose
03 1 35 – 4B Transpose
04 1 00 – 7F Note Limit Low C-2 – G8 00 The upper
05 1 00 – 7F Note Limit High C-2 – G8 7F The
06 1 reserved
07 1 00 – 7F MIDI Volume 0 – 127 64
08 1 00 – 7F MIDI Pan L64 – C – R63 40
09 1 00 – 7F MIDI Bank MSB 000 – 127 00
0A 1 00 – 7F MIDI Bank LSB 000 – 127 00
0B 1 00 – 7F MIDI Program
0C 1 00 – 1F Transmit Bank
0D 1 00 – 3F Transmit PB
0E 1 reserved
0F 1 reserved
TOTAL SIZE = 16 10 (HEX)
zz = Zone Number
00 – 03 (HEX)
Size
Data
Range
Parameter
Name
Channel
(Octave)
(Semitone)
Number
Select Tra ns mi t Program Change Transmit Volume Tra nsm it P an Tra nsm it N ote
Tra nsm it M W Transmit FC1 Transmit FC2 Transmit FS Tra nsm it S us
Description
Ch1 – 16 00 – 03 Default
-3 – +3 40
-11 – +11 40
001 – 128 00
bit0: off, on Bank Select bit1: off, on Program Change bit2: off, on Volume bit3: off, on Pan bit4: off, on Note
bit0: off, on PB bit1: off, on MW bit2: off, on FC1 bit3: off, on FC2 bit4: off, on FS bit5: off, on Sus
Default
(HEX)
1F CC#11
3F
Notes
default settings, only the Zone 1 is se to “on.”
settings: Zone1(0) Zone2(1) Zone3(2) Zone4(3)
limit will be deter­mined with “Note Limit High.”
Lower limit will be deter­mined with “Note Limit Low.”
(Expres­sion) will not be transmit­ted when the Vol­ume is set to “off.”
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SECTION
Section Common
Address
High Mid Low
50 0p 00 1 00 – 0B Current Category 00
01 1 00 – 7F Categor y 1 Voice
02 1 00 – 7F Categor y 2 Voice
03 1 00 – 7F Categor y 3 Voice
04 1 00 – 7F Categor y 4 Voice
05 1 00 – 7F Advanced Sound
06 1 00 – 01 Advanced Sound
07 1 00 – 01 Section Switch Off, On 01
08 1 00 – 02 Split Mode L&R, L, R 00
09 1 3E – 42 Octave Shift -2 – 0 – +2 40
0A 1 00 – 7F Section Volume 0 – 127 7F (Piano),
0B 1 00 – 7F Tone 0 – 127 40
0C 1 reserved
0D 1 28 – 58 Pitch Bend Range -24 – 0 – +24 42
0E 1 reserved
0F 1 00 – 7F Pitch Modulation
10 1 reserved
11 1 00 – 01 Receive Expression Off, On 01
12 1 00 – 01 Receive Sustain Off, On 01
13 1 00 – 01 Receive Sostenuto Off, On 01
14 1 00 – 01 Receive Soft Off, On 01
15 1 reserved
16 1 00 – 7F Delay Depth 0 – 127 00
17 1 00 – 7F Reverb Depth 0 – 127 00
TOTAL SIZE = 24 18 (HEX)
Size
Data
Parameter Name Description
Range
Number
Number
Number
Number
Mode Voice Number
Mode Switch
Depth
Group Number = 7F 1C, Model ID = 08
Default
Off, On 00
0 – 127 00 (Piano,
EP), 0A
(HEX)
00
00
00
00
00
40 (EP,
Sub)
(Sub)
Notes
Section Specific
Address
High Mid Low
50 1p 00 1 00 – 01 Piano Damper
01 1 reserved
02 1 reserved
03 1 reserved
04 1 00 – 01 Piano Effect
05 1 00 – 03 Piano Effect
06 1 00 – 7F Piano Effect
07 1 reserved
08 1 00 – 01 E.Piano Effect 1
09 1 00 – 05 E.Piano Effect 1
0A 1 00 – 7F E.Piano Effect 1
0B 1 00 – 7F E.Piano Effect 1
0C 1 00 – 01 E.Piano Effect 2
0D 1 00 – 05 E.Piano Effect 2
0E 1 00 – 7F E.Piano Effect 2
0F 1 00 – 7F E.Piano Effect 2
10 1 00 – 01 E.Piano Drive
11 1 00 – 7F E.Piano Drive 0 – 127 40 Only effective
12 1 reserved
13 1 reserved
14 1 00 – 01 Sub Effect
15 1 00 – 03 Sub Effect Type Cho/Fla,
16 1 00 – 7F Sub Effect
17 1 00 – 7F Sub Effect
18 1 00 – 7F Sub Attack 0 – 127 40 Only effective
19 1 00 – 7F Sub Release 0 – 127 40 Only effective
1A 1 reserved
1B 1 reserved
TOTAL SIZE = 28 1C (HEX)
Size
Data
Range
Parameter
Name
Resonance Switch
Switch
Typ e
Depth
Switch
Typ e
Depth
Rate
Switch
Typ e
Depth
Speed
Switch
Switch
Depth
Speed
DATA LIST
Description
Off, On 00 Only effective
Off, On 00 Only effective
Comp, Dist/ OD, Drive, Chorus
0 – 127 40 Only effective
Off, On 00 Only effective
A.Pan, Trem, R.Mod, T.Wah, P.Wah, Comp
0 – 127 40 Only effective
0 – 127 40 Only effective
Off, On 00 Only effective
Cho1, Cho2, Fla, Pha1, Pha2, Pha3
0 – 127 40 Only effective
0 – 127 40 Only effective
Off, On 00 Only effective
Off, On 00 Only effective
Rotary, Trem, Dist/OD
0 – 127 40 Only effective
0 – 127 40 Only effective
Default
(HEX)
Note
for the Piano Section
for the Piano Section
00 Only effective
for the Piano Section
for the Piano Section
for the E.Piano Section
00 Only effective
for the E.Piano Section
for the E.Piano Section
for the E.Piano Section
for the E.Piano Section
00 Only effective
for the E.Piano Section
for the E.Piano Section
for the E.Piano Section
for the E.Piano Section
for the E.Piano Section
for the Sub Section
00 Only effective
for the Sub Section
for the Sub Section
for the Sub Section
for the Sub Section
for the Sub Section
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DATA LIST
YAMAHA [Stage Piano] Date :29-NOV-2017

MIDI Implementation Chart

Model CP88/CP73 MIDI Implementation Chart Version : 1.0
TransmittedFunction... Recognized Remarks
Basic Channel
Mode
Note Number : True voice
Velocity
After Touch
Pitch Bend
Control
Change
Default Changed
Default Messages Altered
Note ON Note OFF
Key's Ch's
0,32
7,11,67,84
64 66
12-31
68,72,73
75-83,85-93
102-118
1-118
1 - 16 1 - 16
3 X **************
0 - 127 **************
O 9nH,v=1-127 X 8nH,v=64
X X
O
O *2
1
O X O X O *1 O *1 O *1 O *1 O *3
1 - 16 1 - 16
3 X X
0 - 127 0 - 127
O 9nH,v=1-127 O 9nH,v=0 or 8nH
X X
O
O *2 O O O *2 O *2 O *1 O *1 O *1 O *1 X
Memorized
Memorized
Bank Select
Sustain Sw Sostenuto
Prog Change : True #
System Exclusive
: Song Pos. Common : Song Sel. : Tune
System : Clock Real Time : Commands
: All Sound Off Aux : : Local ON/OFF Mes- : All Notes OFF sages: Active Sense : Reset
Notes:
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO
Reset All Cntrls
*1 receive/transmit if MIDI control mode is on. *2 receive/transmit if switch is on. *3 transmit if assigned to foot controllers.
O 0 - 127 *2
O
X X X
X X
X X X X O X
O 0 - 7 *2
O
X X X
X X
O (120) O (121) X O (123-125) O X
O : Yes X : No
CP88/CP73 Owner’s Manual
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Appendix

Display Messages

LCD indication Description
Auto power off disabled. This message appears when Auto Power Off is disabled.
Completed. The specified load, save, format, or other Job has been completed.
Connecting to USB device… Currently recognizing the USB flash drive connected to the USB [TO DEVICE]
terminal.
Device number is off. Bulk data cannot be transmitted/received because the device number is off.
Device number mismatch. Bulk data cannot be received because the device numbers do not match.
File or folder already exists. A file/folder having the same name as the one you are about to save already exists.
File or folder path is too long. The file or folder you tried to access cannot be accessed because the maximum amount
of characters indicating the path has been exceeded.
Illegal bulk data. An error occurred while receiving a Bulk data or Bulk Request message.
Illegal file name. The specified file name is invalid. Try entering a different name.
Illegal file. The specified file is unusable by this instrument or cannot be loaded.
Incompatible USB device. USB device which cannot be used with this instrument has been connected to the USB
[TO DEVICE] terminal.
MIDI buffer full. Failed to process the MIDI data because too much data was received at one time.
MIDI checksum error. An error occurred when receiving bulk data.
No device. Device is not connected.
No read/write authority to the file. Indicates that you do not have the authority to read/write the file.
Now receiving MIDI bulk data… Indicates this instrument is receiving MIDI bulk data.
Now transmitting MIDI bulk data… Indicates this synthesizer is transmitting MIDI bulk data.
Please reboot to maintain internal memory.
Push [PANEL LOCK] Button. Push the [PANEL LOCK] button to disengage panel lock.
Unsupported USB device. This message appears if the plugged-in USB flash drive is either unformatted or
USB connection terminated. A break in the connection with the USB flash drive has occurred because of an abnormal
USB device is full. The USB flash drive is full and no more data can be saved. Use a new USB flash drive, or
Please reboot this instrument to restore the internal memory (NAND).
formatted in a way that this instrument does not support. Please format the USB device using this instrument.
electric current.
make space by erasing unwanted data from the storage device.
USB device is write-protected. This message appears when you have attempted to write to a protected USB flash drive.
USB device read/write error. An error occurred while reading or writing to/from a USB flash drive.
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Appendix

Troubleshooting

No sound? Wrong sound? When a problem like this occurs, please check the following points before assuming that the product is faulty. Many problems can be solved by executing the Factory Reset operation (page 21). If the problem persists, consult your Yamaha dealer.
Issue Suspected cause Solution
The instrument turns off unexpectedly.
No sound is produced. Related external equipment (e.g., amplifier,
This is normal when the Auto Power Off function is enabled.
speaker, headphones) is not properly connected to this instrument via audio cables.
Power to this instrument or the connected external audio equipment are not turned on.
The volume of this instrument and the connected external audio equipment are turned fully down.
All the Voice section [ON/OFF] switches are set to OFF.
The volume of Voice sections are turned fully down.
Local Control is set to “Off.” When the Local Control is set to “Off ”, the
If necessary, you can deactivate the Auto Power Off function to prevent it turning off the instrument again (page 21).
Since this instrument has no built-in speakers, you will need an external audio system or a set of stereo headphones to properly monitor it (page 20).
Check the power to this instrument and the connected external audio equipment are turned on.
Adjust the volume. Use the [MASTER VOLUME] knob to adjust the volume. If a foot controller has been connected to the FOOT CONTROLLER [1]/[2] jacks, try using it to increase the volume.
Set the Voice section [ON/OFF] switch to ON.
Use the [VOLUME] knobs of each Voice section to adjust the volume.
internal tone generator will not sound. Set the Local Control to “On” (page 30).
MIDI volume or expression has been set to a very low level by an external MIDI controller.
A sound continues to play without end.
Sounds are distorted. Effect settings are not appropriate. Sound will be distorted depending on the effect
Sound output is intermittent and stuttered.
No effect is applied. The depth is turned to the minimum level. Use the [DEPTH] knob to adjust the effect
Data communication between the computer and this instrument does not work properly.
Effect sound such as delay continues. Lower the feedback level or set the DELAY [ON/
Volume is set too high. Adjust the volume.
Volume of this instrument and the external audio equipment are set too high.
The entire sound exceeded the maximum polyphony (128 notes).
The Port settings on the computer is not appropriate.
Select other Live Set Sound. If a foot controller has been connected to the FOOT CONTROLLER [1]/[2] jacks, try using it to increase the volume.
OFF] switch to OFF. If other Live Set Sound is selected during a sound continues to play, press again the Live Set Sound button currently selected.
types and the settings. Change the effect types and the settings.
Adjust the volume of an external audio equipment, or use the INPUT [GAIN] knob of this instrument. You can also adjust the volume from the “USB Audio Volume.”
Keep in mind not to exceed the maximum polyphony.
depth.
Check the port settings on the computer.
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Issue Suspected cause Solution
Appendix
MIDI bulk data transmission
Using wrong terminals (MIDI, USB). Check the connection.
does not work properly.
Wrong MIDI device number. Check the MIDI device number.
Cannot save data to the external USB flash drive.
The USB flash drive is write protected. Unlock the write protect.
The USB flash drive is not formatted
Format again.
properly.
A pedal has no effect. The pedal is not correctly connected. Ensure that the pedal’s cord is fully plugged in.
The Voice numbers not displayed.
Nothing is displayed on the
The “Advanced Mode SW” is enabled (On). Disable (Off ) the “Advanced Mode SW”
(page 35).
“Display Lights” → “LCD SW” is set to “O ”. Set the “LCD SW” to “On” (page 31). LCD, even the instrument’s power is on.
“Display Lights” → “LCD Contrast” value is
set too low.
Adjust the contrast from “LCD Contrast” (page 31).
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Appendix

Specifications

Item Details
CP88 CP73
Keyboard
Tone Generation
Tone Generation Technology
Polyphony (max.)
Voic es N umber of Live Set
Sounds
Number of Voices
Effects
Display Type
Connectors
88-key NW-GH (Natural Wood Graded Hammer) keyboard: synthetic ebony and ivory keytops
160 (Preset Live Set Sounds: 80)
57 (PIANO: 10 / E.PIANO: 14 / SUB: 33)
Insertion Effect:
PIANO 2 systems (1: Damper Resonance 2: Compressor, Distortion, Drive, Chorus) E.PIANO 3 systems (1: Drive 2: Auto Pan, Tremolo, Ring Modulator, Touch Wah, Pedal Wah, Compressor 3: Chorus1, Chorus2, Flanger, Phaser1, Phaser2, Phaser3)
SUB 1 system (Chorus/Flanger, Rotary Speaker, Tremolo, Distortion) Delay: 2 types (Analog, Digital) Reverb 3 band EQ (with sweepable Mid)
Full Dot LCD (128 x 64 dots)
OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, UNBALANCED) OUTPUT [L]/[R] (XLR jacks, BALANCED) [PHONES] (6.3 mm, standard stereo phone jack) INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) FOOT CONTROLLER [1]/[2] FOOT SWITCH [SUSTAIN]/[ASSIGNABLE] MIDI [IN]/[OUT] USB [TO HOST]/[TO DEVICE] [AC IN]
73-key (E1-E7) BHS (Balanced Hammer Standard) keyboard: matte black keytops
AWM2
128
Size/Weight Dimensions
(W x D x H)
Weight
Included Accessories
1298 mm x 364 mm x 141 mm
(51-1/8" x 14-5/16" x 5-9/16")
18.6 kg (41 lb, 0 oz) 13.1 kg (28 lb, 14 oz)
Owner’s Manual (this book) x 1 Power cord x 1 Foot pedal (FC3A) x 1
1086 mm x 355 mm x 144 mm
(42-3/4" x 14" x 5-11/16")
The contents of this manual apply to the latest specifications as of the printing date. Since Yamaha makes continuous improvements to the product, this manual may not apply to the specifications of your particular product. To obtain the latest manual, access the Yamaha website then download the manual file.
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Index

Appendix
A
Auto Power Off ..................................................................21
C
Computer ...........................................................................26
D
DAW (digital audio workstation) ...................................26
Delay section ......................................................................17
E
Effect ...................................................................................16
Electric Piano section ........................................................15
External MIDI keyboard ..................................................25
F
Factory Reset ......................................................................21
File type ...............................................................................23
I
iPad ......................................................................................27
iPhone .................................................................................27
T
Tone generator module ....................................................25
U
USB Audio ..........................................................................27
USB flash drive ..................................................................23
USB [TO DEVICE] ...........................................................24
USB [TO HOST] ...............................................................27
Y
Yamaha Steinberg USB Driver ........................................26
L
Live Set ................................................................................12
Live Set Sound ....................................................................12
Live Set View ......................................................................12
M
Master EQ ...........................................................................17
MENU .................................................................................28
MIDI channel .....................................................................43
MIDI device .......................................................................25
MIDI port ...........................................................................25
MIDI receive channel .......................................................25
MIDI transmit channel .....................................................25
P
Piano section ......................................................................14
R
Reverb section ....................................................................17
S
SETTINGS ..........................................................................33
Split ......................................................................................13
SSS (Seamless Sound Switching) .....................................12
Sub section ..........................................................................16
Synthesizer .........................................................................25
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MEMO
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MEMO
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LIMITED 3-YEAR WARRANTY ON
DIGITAL PIANOS
(P, CP, YDP & DGX600 SERIES)
Thank you for selecting a YAMAHA product. YAMAHA products are designed and manufactured to provide a high level of defect­free performance. Yamaha Corporation of America (“YAMAHA”) is proud of the experience and craftsmanship that goes into each and every YAMAHA product. YAMAHA sells its products through a network of reputable, specially authorized dealers and is pleased to offer you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from YAMAHA’s authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area) and (2) used exclusively in the Warranted Area. YAMAHA suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized YAMAHA dealer or YAMAHA Customer Service if you have any questions.
Coverage: YAMAHA will, at its option, repair or replace the product covered by this warranty if it becomes defective,
malfunctions or otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor or materials. Repairs may be performed using new or refurbished parts that meet or exceed YAMAHA specifications for new parts. If YAMAHA elects to replace the product, the replacement may be a reconditioned unit. You will be responsible for any installation or removal charges and for any initial shipping charges if the product(s) must be shipped for warranty service. However, YAMAHA will pay the return shipping charges to any destination within the USA if the repairs are covered by the warranty. This warranty does not cover (a) damage, deterioration or malfunction resulting from accident, negligence, misuse, abuse, improper installation or operation or failure to follow instructions according to the Owner’s Manual for this product; any shipment of the product (claims must be presented to the carrier); repair or attempted repair by anyone other than YAMAHA or an authorized YAMAHA Service Center; (b) any unit which has been altered or on which the serial numb or
removed; (c) normal wear and any periodic maintenance; (d) deterioration due to perspiration, corrosive atmosphere or other exter nal causes such as extremes in temperature or humidity; (e) damages attributable to power line surge or related electrical abnormalities, lightning damage or acts of God; or (f) RFI/EMI (Interference/noise) caused by improper grounding or the improper use of either certified or uncertified equipment, if applicable. Any evidence of alteration, erasing or forgery of proof-of-purchase documents will cause this warranty to be void. This warranty covers only the Original Owner and is not transferable.
In Order to Obtain Warranty Service: Warranty service will only be provided for defective products within the Warranted
Area. Contact your local au thorized YAMAHA dealer who will advise you of the procedures to be followed. If this is not successful, contact YAMAHA at the address, telephone number or website shown below. YAMAHA may request that you send the defective product to a local authorized YAMAHA Servicer or authorize return of the defective product to YAMAHA for repair. If you are uncertain as to whether a dealer has been authorized by YAMAHA, please contact YAMAHA’s Service Department at the number shown below, or check Yamaha’s website at www.usa.yamaha.com must be accompanied by a detailed explanation of the problem(s) requiring service, together with the original or a machine reproduction of the bill of sale or other dated, proof-of-purchase document describing the product, as evidence of warranty coverage. Should any product submitted for warranty service be found ineligible therefore, an estimate of repair cost will be furnished and the repair will be accomplished only if requested by you and upon receipt of payment or acceptable arrangement for payment.
. Product(s) shipped for service should be packed securely and
Limitation of Implied Warranties and Exclusion of Damages: ANY IMPLIED WARRANTIES, INCLUDING
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES THEREOF. YAMAHA’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO REPAIR OR REPLACEMENT OF THE PRODUCT, AT YAMAHA’S OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. This is the only express warranty applicable to the Product specified herein; Yamaha neither assumes nor authorizes anyone to assume for it any other express warranty.
If you have any questions about service received or if you need assistance in locating an au thorized YAMAHA Servicer, please contact:
er has been defaced, modified
Do not return any product to the above address without a written Return Authorization issued by YAMAHA.
CP88/CP73 Owner’s Manual
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CUSTOMER SERVICE
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, California 90620-1373
Telephone: 800-854-1569
www.usa.yamaha.com
© 2017 Yamaha Corporation of America.
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Manual Development Group © 2018 Yamaha Corporation
Published 04/2018 MWMA*.*-**B0
VAW6080
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