Yamaha CK88, CK61 User guide

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COMPLIANCE INFORMATION STATEMENT
(Supplierʼs declaration of conformity procedure)
Responsible Party: Yamaha Corporation of America
Telephone: 714-522-9011
Type of Equipment: STAGE KEYBOARD
Model Name: CK88, CK61
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
(529-M02 FCC sdoc YCA 01)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B”
digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harm­ful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
- Relocate either this product or the device that is being affected by the interference.
- Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
- In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you cannot locate the appropriate retailer, please contact Yamaha Corporation of America, 6600 Orangethorpe Ave., Buena Park, CA90620, USA.
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
CK88 CK61 Owner’s Manual
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(529-M04 FCC class B YCA 01)
For AC adaptor
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(502-M01 UL 60065-1 en 01)
CK88 CK61 Owner’s Manual
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The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid iden­tification in the event of theft.
Model No.
Serial No.
(1003-M06 plate bottom en 01)
Information for users on collection and disposal of old equipment and used batteries:
These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries should not be mixed with general household waste. For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in accordance with your national legislation.
By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
Information on Disposal in other Countries outside the European Union:
These symbols are only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.
Note for the battery symbol (bottom symbol example):
This symbol might be used in combination with a chemical symbol. In this case it complies with the requirement set by the EU Battery Directive for the chemical involved.
(58-M03 WEEE battery en 01)
For Singapore
Users are only allowed to use EN 50075 detachable and interchangeable 2-pin plugs or BS 1363-3 or SS 145-3 detachable and interchangeable 3-pin plugs that are approved and suitable to use in Singapore.
(604-M02 SG adaptor 01)
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This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.
(554-M01)
This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the FCC radio frequency (RF) Exposure Guidelines. This equipment should be installed and operated keeping the radiator at least 20 cm or more away from personʼs body.
(554-M03 FCC mobile SAR 01)
This equipment complies with ISED radiation exposure limits set forth for an uncontrolled environment and meets RSS-102 of the ISED radio frequency (RF) Exposure rules. This equipment should be installed and operated keeping the radiator at least 20 cm or more away from person’s body.
(555-M04 ISED mobile SAR en 01)
This device contains licence-exempt transmitter(s)/receiver(s) that comply with Innovation, Science and Economic Development Canada’s licence-exempt RSS(s). Operation is subject to the following two conditions:
1. This device may not cause interference.
2. This device must accept any interference, including interference that may cause undesired operation of the device.
(555-M13 ISED RSS en 01)
EN
SIMPLIFIED EU DECLARATION OF CONFORMITY / SIMPLIFIED UK DECLARATION OF CONFORMITY
Hereby, Yamaha Music Europe GmbH declares that the radio equipment type [CK88, CK61] is in compliance with Directive 2014/53/ EU and the radio equipment regulations of UK. The full texts of the EU declaration of conformity and the UK declaration of conformity are available at the following internet address:
https://europe.yamaha.com/en/support/compliance/doc.html
FR
DECLARATION UE DE CONFORMITE SIMPLIFIEE
Le soussigné, Yamaha Music Europe GmbH, déclare que l'équipement radioélectrique du type [CK88, CK61] est conforme à la directive 2014/53/UE. Le texte complet de la déclaration UE de conformité est disponible à l'adresse internet suivante :
https://europe.yamaha.com/en/support/compliance/doc.html
DE
VEREINFACHTE EU-KONFORMITÄTSERKLÄRUNG
Hiermit erklärt Yamaha Music Europe GmbH, dass der Funkanlagentyp [CK88, CK61] der Richtlinie 2014/53/EU entspricht. Der vollständige Text der EU-Konformitätserklärung ist unter der folgenden Internetadresse verfügbar: https://europe.yamaha.com/en/support/compliance/doc.html
SV
FÖRENKLAD EU-FÖRSÄKRAN OM ÖVERENSSTÄMMELSE
Härmed försäkrar Yamaha Music Europe GmbH att denna typ av radioutrustning [CK88, CK61] överensstämmer med direktiv 2014/ 53/EU. Den fullständiga texten till EU-försäkran om överensstämmelse finns på följande webbadress:
https://europe.yamaha.com/en/support/compliance/doc.html
IT
DICHIARAZIONE DI CONFORMITÀ UE SEMPLIFICATA
Il fabbricante, Yamaha Music Europe GmbH, dichiara che il tipo di apparecchiatura radio [CK88, CK61] è conforme alla direttiva 2014/ 53/UE. Il testo completo della dichiarazione di conformità UE è disponibile al seguente indirizzo Internet: https://europe.yamaha.com/en/support/compliance/doc.html
ES
DECLARACIÓN UE DE CONFORMIDAD SIMPLIFICADA
Por la presente, Yamaha Music Europe GmbH declara que el tipo de equipo radioeléctrico [CK88, CK61] es conforme con la Directiva 2014/53/UE. El texto completo de la declaración UE de conformidad está disponible en la dirección Internet siguiente: https://europe.yamaha.com/en/support/compliance/doc.html
PT
DECLARAÇÃO UE DE CONFORMIDADE SIMPLIFICADA
O(a) abaixo assinado(a) Yamaha Music Europe GmbH declara que o presente tipo de equipamento de rádio [CK88, CK61] está em conformidade com a Diretiva 2014/53/UE. O texto integral da declaração de conformidade está disponível no seguinte endereço de Internet:
https://europe.yamaha.com/en/support/compliance/doc.html
NL
VEREENVOUDIGDE EU-CONFORMITEITSVERKLARING
Hierbij verklaar ik, Yamaha Music Europe GmbH, dat het type radioapparatuur [CK88, CK61] conform is met Richtlijn 2014/53/EU. De volledige tekst van de EU-conformiteitsverklaring kan worden geraadpleegd op het volgende internetadres:
https://europe.yamaha.com/en/support/compliance/doc.html
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BG
ОПРОСТЕНА ЕС ДЕКЛАРАЦИЯ ЗА СЪОТВЕТСТВИЕ
С настоящото Yamaha Music Europe GmbH декларира, че този тип радиосъоръжение [CK88, CK61] е в съответствие с Директива 2014/53/ЕС. Цялостният текст на ЕС декларацията за съответствие може да се намери на следния интернет адрес:
https://europe.yamaha.com/en/support/compliance/doc.html
CS
ZJEDNODUŠENÉ EU PROHLÁŠENÍ O SHODĚ
Tímto Yamaha Music Europe GmbH prohlašuje, že typ rádiového zařízení [CK88, CK61] je v souladu se směrnicí 2014/53/EU. Úplné znění EU prohlášení o shodě je k dispozici na této internetové adrese:
https://europe.yamaha.com/en/support/compliance/doc.html
DA
FORENKLET EU-OVERENSSTEMMELSESERKLÆRING
Hermed erklærer Yamaha Music Europe GmbH, at radioudstyrstypen [CK88, CK61] er i overensstemmelse med direktiv 2014/53/EU. EU-overensstemmelseserklæringens fulde tekst kan findes på følgende internetadresse: https://europe.yamaha.com/en/support/compliance/doc.html
ET
LIHTSUSTATUD ELI VASTAVUSDEKLARATSIOON
Käesolevaga deklareerib Yamaha Music Europe GmbH, et käesolev raadioseadme tüüp [CK88, CK61] vastab direktiivi 2014/53/EL nõuetele. ELi vastavusdeklaratsiooni täielik tekst on kättesaadav järgmisel internetiaadressil: https://europe.yamaha.com/en/support/compliance/doc.html
EL
ΑΠΛΟΥΣΤΕΥΜΕΝΗ ΔΗΛΩΣΗ ΣΥΜΜΟΡΦΩΣΗΣ ΕΕ
Με την παρούσα ο/η Yamaha Music Europe GmbH, δηλώνει ότι ο ραδιοεξοπλισμός [CK88, CK61] πληροί την οδηγία 2014/53/ΕΕ. Το πλήρες κείμενο της δήλωσης συμμόρφωσης ΕΕ διατίθεται στην ακόλουθη ιστοσελίδα στο διαδίκτυο:
https://europe.yamaha.com/en/support/compliance/doc.html
HR
POJEDNOSTAVLJENA EU IZJAVA O SUKLADNOSTI
Yamaha Music Europe GmbH ovime izjavljuje da je radijska oprema tipa [CK88, CK61] u skladu s Direktivom 2014/53/EU. Cjeloviti tekst EU izjave o sukladnosti dostupan je na sljedećoj internetskoj adresi: https://europe.yamaha.com/en/support/compliance/doc.html
LV
VIENKĀRŠOTA ES ATBILSTĪBAS DEKLARĀCIJA
Ar šo Yamaha Music Europe GmbH deklarē, ka radioiekārta [CK88, CK61] atbilst Direktīvai 2014/53/ES. Pilns ES atbilstības deklarācijas teksts ir pieejams šādā interneta vietnē:
https://europe.yamaha.com/en/support/compliance/doc.html
LT
SUPAPRASTINTA ES ATITIKTIES DEKLARACIJA
Aš, Yamaha Music Europe GmbH, patvirtinu, kad radijo įrenginių tipas [CK88, CK61] atitinka Direktyvą 2014/53/ES. Visas ES atitikties deklaracijos tekstas prieinamas šiuo interneto adresu: https://europe.yamaha.com/en/support/compliance/doc.html
HU
EGYSZERŰSÍTETT EU-MEGFELELŐSÉGI NYILATKOZAT
Yamaha Music Europe GmbH igazolja, hogy a [CK88, CK61] típusú rádióberendezés megfelel a 2014/53/EU irányelvnek. Az EU­megfelelőségi nyilatkozat teljes szövege elérhető a következő internetes címen: https://europe.yamaha.com/en/support/compliance/doc.html
PL
UPROSZCZONA DEKLARACJA ZGODNOŚCI UE
Yamaha Music Europe GmbH niniejszym oświadcza, że typ urządzenia radiowego [CK88, CK61] jest zgodny z dyrektywą 2014/53/ UE. Pełny tekst deklaracji zgodności UE jest dostępny pod następującym adresem internetowym:
https://europe.yamaha.com/en/support/compliance/doc.html
RO
DECLARAȚIA UE DE CONFORMITATE SIMPLIFICATĂ
Prin prezenta, Yamaha Music Europe GmbH declară că tipul de echipamente radio [CK88, CK61] este în conformitate cu Directiva 2014/53/UE. Textul integral al declarației UE de conformitate este disponibil la următoarea adresă internet: https://europe.yamaha.com/en/support/compliance/doc.html
SK
ZJEDNODUŠENÉ EÚ VYHLÁSENIE O ZHODE
Yamaha Music Europe GmbH týmto vyhlasuje, že rádiové zariadenie typu [CK88, CK61] je v súlade so smernicou 2014/53/EÚ. Úplné EÚ vyhlásenie o zhode je k dispozícii na tejto internetovej adrese: https://europe.yamaha.com/en/support/compliance/doc.html
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SL
POENOSTAVLJENA IZJAVA EU O SKLADNOSTI
Yamaha Music Europe GmbH potrjuje, da je tip radijske opreme [CK88, CK61] skladen z Direktivo 2014/53/EU. Celotno besedilo izjave EU o skladnosti je na voljo na naslednjem spletnem naslovu:
https://europe.yamaha.com/en/support/compliance/doc.html
FI
YKSINKERTAISTETTU EU-VAATIMUSTENMUKAISUUSVAKUUTUS
Yamaha Music Europe GmbH vakuuttaa, että radiolaitetyyppi [CK88, CK61] on direktiivin 2014/53/EU mukainen. EU­vaatimustenmukaisuusvakuutuksen täysimittainen teksti on saatavilla seuraavassa internetosoitteessa: https://europe.yamaha.com/en/support/compliance/doc.html
TR
BASİTLEŞTİRİLMİŞ AVRUPA BİRLİĞİ UYGUNLUK BİLDİRİMİ
İşbu belge ile, Yamaha Music Europe GmbH, radyo cihaz tipinin [CK88, CK61], Direktif 2014/53/ AB'ye uygunluğunu beyan eder. AB uyumu beyanının tam metni aşağıdaki internet adresinden edinilebilir: https://europe.yamaha.com/en/support/compliance/doc.html
(559-M01 RED DoC URL 02)
CK88 CK61 Owner’s Manual
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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply
• Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.
• Do not touch the product or the power plug during an electrical storm.
• Use only the correct voltage specified for the product. The required voltage is printed on the name plate of the product.
• Use the specified adaptor (page 69).
• Check the power plug periodically and remove any dirt or dust which may have accumulated on it.
• Insert the power plug firmly all the way into the AC outlet. Using the product when it is not plugged in sufficiently can cause dust to accumulate on the plug, possibly resulting in fire or skin burns.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, as long as the power cord is not unplugged from the wall AC outlet, the product will not be disconnected from the power source.
• Do not connect the product to an electrical outlet using a multi-plug outlet extender. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• When disconnecting the power plug, always hold the plug itself and not the cord. Pulling by the cord can damage it and cause electric shocks or a fire.
• If not using the product for long periods of time, be sure to pull the power plug from the AC outlet.
Do not disassemble
• Do not attempt to disassemble the internal parts or modify them in any way.
Water warning
• Do not expose the product to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings or places where water may drop. A liquid such as water getting into the product may cause a fire, electric shocks, or malfunctions.
• Use the AC adaptor indoors only. Do not use in any wet environments.
• Never insert or remove a power plug with wet hands.
Fire warning
• Do not place any burning items or open flames near the product, since they may cause a fire.
Wireless unit
• Radio waves from this product may affect electro-medical devices, such as a heart pacemaker implant or defibrillator implant.
- Do not use the product near medical devices or inside
medical facilities. Radio waves from this product may affect electro-medical devices.
- Do not use the product within 15 cm (6 in.) of persons
with a heart pacemaker implant or a defibrillator implant.
Handling
• Magnetism from this product may affect electro-medical devices, such as a heart pacemaker implant or defibrillator implant.
- Keep the product away from a heart pacemaker implant
or a defibrillator implant.
Batteries
• Do not dispose of a battery in a fire.
• Do not expose the battery to conditions of extreme low air pressure, cold or heat (such as in direct sunlight or a fire) or excessive dust or humidity. Doing so may result in the battery bursting, causing a fire or injury.
• Follow the precautions below. Failure to do so might result in battery fluid leakage. If the contents of the battery gets on your hands or in your eyes, it can cause blindness, chemical burns, and damage of the product.
- Use the specified battery type (page 69) only.
- Do not use new batteries together with old ones.
- Do not mix battery types.
- Always make sure all batteries are inserted in conformity
with the +/- polarity markings.
- Do not disassemble a battery.
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(DMI-10) 1/2
- When the batteries run out, or if the product is not to be used for a long time, remove the batteries from the product.
- Do not attempt to recharge batteries that are not designed to be charged.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.
• When using rechargeable batteries, follow the instructions that came with the batteries. Use only the specified charger device and within the specified charging temperature range when charging. Charging with an unspecified charger or at a temperature outside the range may cause leakage, overheating, explosion, or malfunction.
• Keep batteries away from children. A child could accidentally swallow a battery. Failure to observe this may also cause inflammation due to battery fluid leaks.
• Do not put batteries in a pocket or bag, or carry or store them together with pieces of metal. Batteries kept in such condition could short, burst, or leak, causing a fire or injury.
If you notice any abnormality
• If any of the following problems occur, immediately turn off the power switch and disconnect the power plug from the outlet. If you are using batteries, remove all batteries from the product. Finally have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- Unusual smells or smoke are emitted.
- Some object, or water has been dropped into the
product.
- There is a sudden loss of sound during use of the product.
- Cracks or other visible damage appear on the product.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the product or other property. These precautions include, but are not limited to, the following:
Location
• Do not place the product in an unstable position or a location with excessive vibration, where it might accidentally fall over and cause injury.
Connections
• Before connecting the product to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the product to set the desired listening level.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the product, or data that is lost or destroyed.
Always turn the power off when the product is not in use. Even when the [P] (Standby/On) switch is in standby status (display is off), electricity is still flowing to the product at the
minimum level. When you are not using the product for a long time, make sure you unplug the power cord from the wall AC outlet. Make sure to discard used batteries according to local regulations.
Handling
• Do not insert foreign materials such as metal or paper into any openings or gaps of the product. Failure to observe this may cause a fire, electric shocks, or malfunctions.
• Do not rest your weight on, or place heavy objects on the product, and do not use excessive force on the buttons, switches or connectors.
• Do not use the product or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
• Remove the power plug from the AC outlet before cleaning the unit. Failure to observe this may cause electric shocks.
(DMI-10) 2/2
CK88 CK61 Owner’s Manual
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NOTICE

To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.
Handling
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• When you use the instrument along with an app on your smart devices, such as a smartphone or tablet, we recommend that you enable “Airplane Mode” on the device to avoid noise caused by communication. When turning on airplane mode, Bluetooth® settings may be turned off. Make sure that the setting is turned on before use.
• Depending on the condition of surrounding radio waves, the instrument may possibly malfunction.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of disfiguration, damage to the internal components, or unstable operation.
• Do not place vinyl, plastic, or rubber objects on the instrument, since this might discolor the instrument.
Maintenance
• When cleaning the instrument, use a soft and dry/slightly damp cloth. Do not use paint thinners, solvents, alcohol, cleaning fluids, or chemical-impregnated wiping cloths.
Saving settings
• Edited settings are lost when you turn off the power to the instrument. This also occurs when the power is turned off by the Auto Power Off function (page 22). Save the settings to the instrument, or a USB flash drive (page 27). However, the settings saved to the instrument may be lost due to some failure, an operation mistake, etc. Save your important settings onto a USB flash drive (page 27). Before using a USB flash drive, make sure to refer to page 23.
• To protect against settings loss through USB flash drive damage, we recommend that you save your important settings onto a spare USB flash drive as a backup file.

Information

About copyrights
The copyright of the “content”*1 installed in this product belongs to Yamaha Corporation or its copyright holder. Except as permitted by copyright laws and other relevant laws, such as copying for personal use, it is prohibited to “reproduce or divert” copyright holder. When using the content, consult with a copyright expert. If you create music or perform with the contents through the original use of the product, and then record and distribute them, the permission of Yamaha Corporation is not required regardless of whether the distribution method is paid or free of charge. *1: The word “content” includes a computer program, audio
data, Accompaniment Style data, MIDI data, waveform data, voice recording data, music score, and score data, etc.
*2: The phrase “reproduce or divert” includes taking out the
content itself in this product, or recording and distributing it without changes in a similar manner.
About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only.
• Unless indicated otherwise, the illustrations and displays as shown in this manual are based on the CK61 (in English).
• iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.
•The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Yamaha Corporation is under license.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
About disposal
When disposing of this product, please contact the appropriate local authorities.
*2
without the permission of the
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Firmware
To implement new functions and improve operability, this keyboard may be shipped with an updated version of the firmware installed. A set of manuals for the updated version of the firmware can be downloaded from the website below.
Yamaha Downloads: https://download.yamaha.com/
The firmware version of your keyboard can be checked from [MENU] Version Info.
MEMO
CK88 CK61 Owner’s Manual
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Welcome

Thank you for purchasing this Yamaha CK88 or CK61 Stage Keyboard! As the name implies, it is an instrument designed especially for live performance. With its high-quality sounds and comprehensive features, the CK is ideal in an exceptionally wide range of situations—from live venues, both indoors and outdoors, to studio rehearsal and recording, as well as practice and enjoyment at home. We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the CK. We also recommend that you keep this manual in a safe and handy place for future reference.

Accessories

Owner’s Manual (this book) × 1 AC adaptor (PA-150B) × 1
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Contents

PRECAUTIONS ............................................................................. 2
NOTICE...........................................................................................4
Information ..................................................................................4
Welcome 6
Accessories 6
About the CK88 and CK61 8
Main features............................................................................... 8
Basic structure............................................................................. 8
Sound management system.................................................. 9
Panel controls 10
Front panel ................................................................................10
Rear panel ..................................................................................18
Setting up 20
Using an AC adaptor...............................................................20
Using batteries..........................................................................21
Turning the power on ............................................................22
Turning the power off ............................................................22
Setting the Auto Power Off function................................22
Connecting headphones ......................................................22
Using a USB flash drive ..........................................................23
Basic operations 24
Advanced settings 28
Live Set (SETTINGS button) ..................................................28
Entire instrument (MENU button) .....................................36
Shortcut operations................................................................42
Effect list......................................................................................43
Using with External Devices 46
Precautions when using the USB [TO HOST] terminal
........................................................................................................46
Using Smart Devices...............................................................46
Connecting to a computer...................................................47
Controlling a synthesizer or tone generator module
from the CK................................................................................47
Controlling the CK from an external keyboard............. 48
Setting the MIDI transmit and receive channels.......... 48
Disabling the internal tone generator sound when the
built-in keyboard is played .................................................. 48
Setting how the MIDI terminals are used (MIDI Port
settings) ......................................................................................48
Data List 49
Live Set Sound List ..................................................................49
Voice List.....................................................................................52
Control Change Number ...................................................... 54
MIDI Data Format ....................................................................56
MIDI Data Table........................................................................58
MIDI Implementation Chart.................................................64
Top screen configuration......................................................24
Creating a Live Set Sound.....................................................24
Saving the Live Set Sound ....................................................24
Other Live Set Sound features 25
Applying effects to audio signals from the A/D INPUT
jacks ..............................................................................................25
Playing back an audio file .....................................................25
Managing Live Set Sounds 26
Editing Live Set Sound names.............................................26
Swapping or copying Live Set Sounds.............................26
Initializing a Live Set Sound .................................................26
Saving the Live Set Sound to a USB flash drive.............27
Changing a previously saved file name...........................27
Loading a Live Set Sound from a USB flash drive.........27
Other information 66
Troubleshooting ......................................................................66
Display messages ....................................................................68
Specifications............................................................................ 69
Index.............................................................................................70
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About the CK88 and CK61

Select a voice and combine voices
Create and adjust the organ voice Applying sound effects

Main features

The CK88 and CK61 are stage keyboards that are ideal for a wide variety of applications and locations.
Uncompromising performance capabilities—on stage, in the studio, even outdoors
• Loaded with authentic keyboard sounds such as pianos, electric pianos, and organs, as well as many other sounds crucial for contemporary keyboard performance.
• Allows various combinations of three independent parts using layer and split functions, and features connectivity to an external keyboard, computer, or smartphone.
• With its built-in stereo speakers and battery operation capability, you can use the CK virtually anywhere you want.
Intuitive controls for instant sound crafting
• Features independent control sections for the filter, EG, and effects blocks. These are essential for dynamic sound-making, letting you tweak the sounds in real time as you perform.
• Built-in drawbars exclusively for real-time Organ Voice control—just as on an actual vintage organ.
• Single-button operation for enabling Portamento or unison sounds.
Extensive support functions for creative performance
• Convenient A/D INPUT jacks let you connect a microphone, and use exclusive built-in effects for the input. This is useful for singing and playing the keyboard in rehearsal or in small-group performances.
• Audio playback function via Bluetooth Audio connection enables performance along with playback of your favorite tunes or using background music from a Bluetooth-equipped device.
• Since the CK88 and CK61 are USB-compatible, connection with a computer or a smartphone is extremely quick and easy—a significant timesaver when setting up for video recording and online live streaming.

Basic structure

The front panel of this keyboard is divided into three areas. Combining the settings in each of these areas gives you enormous flexibility in creating sounds.
Select a Voice for each of the three keyboard Parts A to C, as well as the On/Off settings and volume balance of each Part, the keyboard split, and effect settings, and then save these settings. You can call up these settings freely as you play and perform.
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About the CK88 and CK61
1 2 3 4 5 6 7 8
Live Set
Live Set Sound
Live Set Page
20 pages
Part A Part B Part C EQREVERBDELAY
SETTINGS

Sound management system

The sound you create by combining these settings is managed through the Live Set function. Within each Live Set you can save a group of settings. One group of settings saved in the Live Set is called a “Live Set Sound.”
Live Set Sounds can be switched instantly by using eight Live Set buttons on the front panel, even during a performance. Also, eight Live Set Sounds can be registered on a Live Set Page, and you can call up other Live Set Pages by pressing the PAGE buttons. There are 20 Live Set Pages, allowing you to use a total of 160 voices through this function.
As a factory default, Live Set Pages 1 to 10 contain preset Live Set Sounds.
Live Set Sounds can be saved to the internal memory of the keyboard or the USB flash drive, or through Soundmondo for backup and sharing.
• Internal memory
•USB flash drive
• Soundmondo (sound management and sharing service) https://www.yamaha.com/2/soundmondo
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Panel controls

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Front panel

1 Pitch Bend Wheel
For use as the Pitch Bend controller. The Pitch Bend range can be set from the [SETTINGS] button ControllersPitch Bend Range for each Part (page 31).
2 Modulation Wheel
For applying modulation to the sound. The modulation can be applied to pitch, amplitude, or filter. You can change the Con trol Change number assigned to the wheel. Change the setting from the [SETTINGS] button ControllersMod Wheel Assign (page 31).
NOTE
• Change the modulation depth and speed from the [SETTINGS] button Sound (Part) Modulation (page 29).
• Modulation can be assigned to a different controller.
3 [MASTER VOLUME] slider
For adjusting the overall volume of the CK.
4 ROTARY [STOP] button
For stopping the rotation effect of the rotary speaker.
5 ROTARY [SPEED] button
For changing the rotation speed of the rotary speaker. When the DRIVE is off, or the Drive Type other than Rotary A and Rotary B is selected, pressing the ROTARY [SPEED] button will activate the function and select Rotary A.
6 TRANSPOSE buttons
For adjusting the pitch of the entire keyboard in semitones. The value is transmitted as a MIDI message, but not saved for the Live Set Sound. Simultaneously press the [−] and [+] buttons to restore the value to “0.”
NOTE
Simultaneously press one of the TRANSPOSE buttons and the [ENTER] button to set the Sound Transpose for the Live Set Sound (page 42). The Sound Transpose setting is stored in a Live Set Sound.
7 OCTAVE buttons
For changing the range of the keyboard in octaves. The value is transmitted as a MIDI message, but not saved for the Live Set Sound. Simultaneously press the [−] and [+] buttons to restore the value to “0.” The octave setting can be set independently for each part by using the Note Shift function. Pressing the OCTAVE button while holding down the PART button will make the OCTAVE button light in the corresponding part color (page 42). The octave setting for the part (Note Shift setting) can be stored in a Live Set Sound.
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Panel controls
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VIBRATO/CHORUS [ON/OFF] button VIBRATO/CHORUS [TYPE] button
For setting the Vibrato/Chorus effects for the Organ voice. These buttons can be used when the Organ Voices using the Organ Flutes tone generator (H, V, F, A, and Y) are selected (page 13). Use the [ON/OFF] button to turn the Vibrato/Chorus effects on or off, and the [TYPE] button to select a vibrato or chorus type. Pressing the button alternates sequentially between V (vibrato) 1 to 3 and C (chorus) 1 to 3.
NOTE
Simultaneously press the [ENTER] and VIBRATO/CHORUS [TYPE] buttons to show the list of VIBRATO/CHORUS types in reverse order. This is convenient for selecting a previous type on the list (page 42).
9 PERCUSSION [ON/OFF] button
PERCUSSION [Soft] button PERCUSSION [Fast] button PERCUSSION [2nd 3rd] button
For setting up the percussion sounds for Organ voice. These buttons can be used when the Organ Voices using the Organ Flutes tone generator (H, V, F, A, and Y) are selected. Use the [ON/OFF] button to turn the percussion sounds on or off, the [Soft] button to lower the volume, and the [Fast] button to set the faster decay speed for the Percussion sounds. Use the [2nd 3rd] button to change the pitch of the percussion sounds.
) ORGAN FOOTAGE sliders
For setting the component elements of the Organ Voice. These sliders can be used only when the Organ Voices using the Organ Flutes tone generator (H, V, F, A, and Y) are selected. Just as with the drawbars on a vintage organ, moving the sliders downwards (toward you) increases the volume of the component elements to make the overall organ tone louder. To create the organ tone you desire, you can move each of these sliders to change the component elements of the sound.
NOTE
• No organ sound will be produced if all the ORGAN FOOTAGE sliders are moved up.
• In many cases when calling up a setting from LIVE SET [1]–[8], the actual position of the sliders and the value of the setting do not match. Once you move a slider, its position is reflected in the settings. For changing the settings so that the values for the positions of all the sliders are immediately reflected in the settings without having to move the sliders, change the setting from the [MENU] button GeneralControl PanelController Mode (page 39).
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Panel controls
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The component tones produced by moving each of the sliders are shown below.
1234 56789
Sliders To ne
16' 8 scale degrees below
1
5 1/3' 5 scale degrees above
2
8' Fundamental tone
3
4' 8 scale degrees above
4
2 2/3' 12 scale degrees above
5
2' 15 scale degrees above
6
1 3/5' 17 scale degrees above
7
1 1/3' 19 scale degrees above
8
1' 22 scale degrees above
9
! Part Volume Sliders
For setting the volume for each Part.
@ Part [ON/OFF] buttons
For switching each Part on or off.
# Part [A]–[C] select buttons
For selecting the desired Part for changing the settings. When the Part is enabled here, you can control the following settings from the front panel.
• Voice category selection
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• Organ voice settings
• MONO and UNISON settings
•Filter
•EG
•Drive
•Effect1 and Effect2
By pressing multiple Part select buttons, you can set the same filter and effects for those selected Parts at once.
NOTE
By simultaneously holding down two of the Part select buttons, you can swap the settings for those Parts (page 42). This is convenient when you wish to switch the right- and left-hand Parts for the Split setting.
$ Display (LCD)
For displaying the system messages, parameter settings, and other information depending on the function currently being used.
% [SETTINGS] button
For calling up the screens for making detailed settings for the currently selected Live Set Sound (page 28). You can make various settings, including the Part sound and controller customizations, Audio Trigger function, and the effects for A/D Input. After editing the settings, press the [STORE] button to store the settings. Settings made here are stored in the Live Set Sound.
NOTE
Simultaneously press the [ENTER] and [SETTINGS] buttons to instantly initialize the Live Set Sound (page 42).
^ [EXIT] button
While using the MENU and SETTINGS screens, press this button to exit from the current screen and return to the previous level. Holding down the [EXIT] button returns to the Top screen.
Panel controls
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& [MENU] button
For calling up the screens for making overall settings (page 36). Simultaneously press the [ENTER] and [MENU] buttons to switch the panel lock on or off (page 42).
* [ENTER] button
For confirming the parameter value or each operation. By holding down the [ENTER] button and operating other buttons or knobs, you can use shortcut operations (page 42).
( VALUE buttons
Encoder dial
For changing the currently selected parameter value. In the MENU and SETTINGS screens, use the encoder dial to move the cursor (or highlight) up and down.
A [SPLIT] button
For selecting the Split settings. Pressing the button turns on the Split function, and each time you press the button, the settings change alternately in the order listed below.
The lamp is on while the Split setting is selected, and the lamp is off while the Split setting is deselected, and the Layer setting is selected.
Settings Descriptions
A/BC
AB/C
A/B/C
ABC
The Split setting can be changed from the [SETTINGS] button SoundCommonLayer/SplitMode (page 30).
Part A on the left section and Part B and C on the right section of the keyboard
Part A and B on the left section and Part C on the right section of the keyboard
Part A on the left section, Part B on the center section, and Part C on the right section of the keyboard
Voices on Part A, B, and C are layered
B [SPLIT POINT] button
For viewing the screen for changing the Split Point or the lowest note on the right section. Turn the Encoder dial or simply press the key you wish to assign as the Split Point. Settings made here are stored in the Live Set Sound.
NOTE
• The Split Point can be set by simultaneously pressing the [SPLIT POINT] button and the key you wish to assign as a Split Point.
• The Split Point can be changed from the [SETTINGS] button Sound Common Layer/Split Split Point (page 30).
C CATEGORY buttons
For selecting a Voice from the Voice Category to use for the Part. Every time you press the same button, the cursor moves to the next Voice in the same Category. Quickly pressing the button twice displays the Voice list. The Organ voices using the Organ Flutes tone generator (H, V, F, A, and Y) are available from the [Organ] button. These voices can be set using the ORGAN FOOTAGE sliders, PERCUSSION buttons, and VIBRATO/CHORUS buttons.
Typ es Descriptions
H
V
F
A
A distinctive electric organ from the 1960s, characterized by sine-like waveforms that are simple yet warm. This type of organ was used in many genres of music, such as rock, pop, and jazz.
A transistor organ from the 1960s. With harmonic content very close to that of a square wave, it had a sound of great presence. This type of organ was often used in psychedelic rock and ska.
A transistor organ from the 1960s. This type of organ is notable for its thick sound with the sawtooth components boosted in volume. It was often used in 60s pop music and alternative pop of the 90s.
A transistor organ made in Japan during the 1970s. This type of organ was notable for a bright sound similar to that produced by the sawtooth waveforms of a synthesizer.
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Typ es Descriptions
Y
D MONO-TYPE buttons
For setting the tone generation mode for the selected Part. Use the [MONO] button to switch between Mono and Poly. The Mono mode is for playing a single note at a time and the Poly mode is for playing chords. Use the MONO [TYPE] button to select the Mono mode type. This also features Portamento types commonly used for classic pitch slides in synth lead sounds.
Typ e Descriptions
Normal
Fingered Port amento
Full-Time Port amento
NOTE
• The time and mode for Portamento can be changed from the [SETTINGS] button SoundPartMono/Portamento (page 28).
• Simultaneously press the [ENTER] and MONO [TYPE] buttons to view the screen for the Portamento time setting (page 42).
E UNISON-TYPE buttons
For setting Unison for the selected Part. Use the [UNISON] button to turn the Unison mode on or off, and the UNISON [TYPE] button to select a Unison type. When the Unison mode is on, the Part sounds are layered to make them sound richer and thicker. In this Unison function, the Part sounds including the Insertion Effects are layered.
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A Yamaha transistor organ released in 1972. With harmonic content very close to that of a square wave, it was characterized by significant presence in the high range and extreme sound clipping with increased distortion.
Simple Mono mode without Portamento
Mono mode with Portamento used only while playing legato
Mono mode with Portamento used even when lifting your fingers from the keyboard
Typ e Description
Multi Layer
Harmonics
Sub Harmonics
Unison that layers the Part sound played on
the keyboard
Unison that layers the Part sound played on the keyboard at one octave higher
Unison that layers the Part sound played on the keyboard at one octave lower
Change the Unison volume and Detune setting from the [SETTINGS] button SoundPartUnison (page 28).
NOTE
Simultaneously press the [ENTER] and UNISON [TYPE] buttons to view the screen for the Unison Detune setting (page 42).
F [STORE] button
For saving (storing) the edited Live Set Sound. When storing, the following settings are saved to the internal memory of the keyboard. Stored settings will be retained when the CK is turned off.
• Voices on Part A–C
• Organ voice settings (Rotary Speaker, Vibrato/ Chorus, and Percussion)
•Filter
•EG
•Drive
•Effect1 and Effect2
•Delay
• Reverb
• [SETTINGS] (including Split and Transpose)
NOTE
EQUALIZER settings are stored to a Live Set Sound if Live Set EQ is set to On (page 30).
G [INPUT] button
For setting the volume and effects for the audio input from the A/D INPUT jack. Pressing this button shows the same screen as pressing the [SETTINGS] button A/D Input.
Panel controls
Volu me
Cutoff Frequency
Frequ ency (pitch)
Cutoff range
These frequencies are “passed” by the filter
Volu me
Frequ ency (pitch)
Resonance
Level
Key on Key off
Time
Attack Release
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H PAGE buttons
For switching the Live Set Page. The Live Set Sound changes accordingly. Simultaneously press the [l] and [r] buttons to call up the Live Set View. In the Live Set View, you can use the VALUE buttons and the Encoder Dial to select a Live Set Sound from a different Live Set Page. To go back to the Top screen, press the [EXIT] button.
I LIVE SET [1]–[8] buttons
For calling up a Live Set Sound from the eight of the Live Set Sounds in the currently selected Live Set Page. Change the Live Set Page using the PAGE button.
J FILTER [ON/OFF] button
FILTER [CUTOFF] knob FILTER [RESONANCE] knob
For applying a filter to the currently selected Part. By setting the [ON/OFF] button to off, the filter is instantly reset to the initial value for the Voice.
[CUTOFF] knob
For setting the cutoff frequency of the low-pass filter. The sound can be brightened by moving the knob to the right or darkened by moving it to the left.
[RESONANCE] knob
For setting the resonance, which changes the character of the sound. This effect can be made more pronounced by moving the knob to the right and less pronounced by moving it to the left.
K EG [ON/OFF] button
EG [ATTACK] knob EG [RELEASE] knob
For applying an EG (Envelope Generator) to the currently selected Part. By setting the [ON/OFF] button to off, the EG is instantly reset to the initial value for the Voice.
[ATTACK] knob
For adjusting the attack for the EG. Turn the knob to the left to make the attack faster, and to the right to make the attack slower.
NOTE
How the filter is applied varies depending on the Voice being used.
[RELEASE] knob
For adjusting the release for the EG. Turn the knob to the left to make the release faster, and to the right to make the release slower.
NOTE
How the EG is applied varies depending on the Voice being used.
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L DRIVE [ON/OFF] button
DRIVE [DEPTH] knob Drive type select buttons
For setting Drive, which applies on overdrive effect to the currently selected Part. Use the [ON/OFF] button to turn Drive on or off, and use the [DEPTH] knob to adjust values. Use the Drive Type select buttons to select a type.
Typ e Description
O.Dr ive
Dist
Rotary A
Rotary B
Comp
M EFFECT 1 [ON/OFF] button
EFFECT 2 [ON/OFF] button EFFECT [DEPTH] knob EFFECT [RATE] knob EFFECT [TYPE] knob EFFECT1–EFFECT2 select button
For applying Insertion Effects to the currently selected Part. The Insertion Effects are applied in a path to Effect 1 and then to Effect 2.
Use the [ON/OFF] button to turn the Effect on or off, and use the EFFECT1–EFFECT2 select button to select EFFECT1 or EFFECT2. The [TYPE] knob is used to select a type, the [DEPTH] knob to adjust the Insertion Effect depth, and the [RATE] knob to adjust the Insertion Effect rate.
NOTE
Simultaneously press the [ENTER] and EFFECT1–EFFECT2 select buttons to swap the EFFECT 1 and EFFECT 2 settings. This conveniently lets you change the order of the applied effects (page 42).
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Warm distortion effect (overdrive)
Hard rock distortion
Standard rotary speaker for organ.
The rotary speaker connected to a transistor preamplifier with strong distortion.
Versatile compressor controlled by a single knob
There are various types of Insertion Effects with different characteristics. There are 10 effect type categories available. The category lamp for the selected effect type lights up.
Category Description
Chorus
Flanger
Phaser
Trm /Rt r
Dist
Comp/EQ
Wah
Delay
Reverb
Others
Adds spaciousness and thickness to the sound, as if multiple sounds are played at once.
Creates metallic sweeping sounds like a jet plane.
Creates a phase-shifting effect that uses feedback circuitry as well as phase shift circuitry that mixes the phase-shifted sound with the original sound.
Trm (Tremolo) is an effect that cyclically modulates the volume. Rtr (Rotary Speaker) is an effect that simulates a rotary speaker, which is popular for Organ sounds.
An effect that distorts sounds.
Comp (compressor) is an effect that compresses loud sounds or boosts soft sounds to even out the dynamics of the audio signal. EQ is an effect that changes the tonal character of the sound.
Creates a characteristic “wah-wah” sound by changing the frequency response of the filter.
Creates echo effects by delaying the time of the input sound.
Creates a sense of space and ambience by artificially producing complex echoes.
Other types of effects that are not included in the above categories.
For more information on the effect types, see the “Effect list” on page 43.
NOTE
By holding down the [ENTER] button and operating the EFFECT [TYPE] knob, you can select the first item of the previous or the next category. This is convenient for quickly finding the category you wish to use (page 42).
Panel controls
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N DELAY [ON/OFF] button
DELAY [TYPE] button DELAY [DEPTH] knob DELAY [TIME] knob
Use the [ON/OFF] button to turn the Delay on or off. Use the [TYPE] button to select a type, the [DEPTH] knob to set the delay depth, and the [TIME] knob to adjust the delay length.
Typ e Description
Digital Delay
Analog Delay
Cross Delay
Tem po Delay
Clean digital delay Use the [DEPTH] knob to adjust the depth and feedback level, and the [TIME] knob to adjust the delay time.
Delay with warm analog sound Use the [DEPTH] knob to adjust the feedback level and the [TIME] knob to adjust the delay time.
Delay that crosses the delay sound from left to right and from right to left Use the [DEPTH] knob to adjust the depth and feedback level, and the [TIME] knob to adjust the speed.
A special delay that syncs to the tempo of the song. The delay is applied by specifying the Tempo (Te mp o Delay Time) and the note length. The initial value is 1/4 (quarter note).
Use the [DEPTH] knob to change the delay depth and feedback level, and the [TIME] knob to adjust the delay tempo. Another intuitive way of setting the tempo is to tap the [ENTER] button at least three times.
Tempo Delay Time can be set by using the [TIME] knob while holding down the [ENTER] button (page 42), or from the [SETTINGS] button  SoundCommonTempo Delay Time.
O REVERB [ON/OFF] button
REVERB [TYPE] button REVERB DEPTH knob
Use the [ON/OFF] button to turn the Reverb on or off. Use the [TYPE] button to select a type and the REVERB DEPTH knob to adjust the reverb depth.
Typ e Description
Hall Reverb
Room Reverb
Plate Reverb
Simulates the sound of a concert hall.
Simulates the sound of a room.
Simulates the sound of a plate reverb.
P EQUALIZER slider
For adjusting the Master EQ. The lamp turns on when the slider value is set to a value other than 0.
Set the Frequency for each type from the [MENU] button General System Master EQ (page 36).
[HIGH] Gain for the high-frequency band (500 Hz–16 kHz)
[MID] Gain for the mid-frequency band (100 Hz–10 kHz)
[LOW] Gain for the low-frequency band (32 Hz–2 kHz)
EQUALIZER settings are stored to a Live Set Sound if Live Set EQ is set to On (page 30).
The Live Set EQ setting is changed from the [SETTINGS] button Sound Common Live Set EQ (page 30).
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Panel controls
AC adaptor
Keyboard amplifier
or
Monitor speakers
External
synthesizer
Dynamic mic
FC3A,
FC4A
AC outlet
FC7 FC5

Rear panel

1 2
3 4 5 6
1 [DC IN] jack (page 20)
For connecting the included AC adaptor.
2 [P] (STANDBY/ON) switch (page 22)
For switching the CK to standby (N) or turning it on (O).
3 OUTPUT jacks
Standard phone (unbalanced) jacks for outputting audio signals. For output in mono, connect only to the [L/MONO] jack.
4 A/D INPUT jacks
Standard phone jacks (1/4" mono phone plug) for receiving audio from the external audio device. Musical instruments such as synthesizers, audio devices, such as portable music players, as well as dynamic microphones can be connected to these jacks, and the audio input signals can be played as an audio Part. In addition, the effects can be applied to external audio signals. The effect type can be set from the [INPUT] button.
To switch the input source (to Line or MIC), use the [MENU] button GeneralAudioA/D Input Type.
NOTE
The CK does not support phantom-powered condenser microphones.
6 FOOT PEDAL jacks
For connecting a separately sold sustain pedal. The compatible pedals are Foot Pedal FC3A, Footswitch FC4A, Footswitch FC5, and Foot Controller FC7. Set the pedal type from the [MENU] button General Foot Pedal.
NOTE
When the pedal connected to the jack and the Foot Pedal setting do not match, the pedal may not work properly or may malfunction. Make sure to select the correct pedal type for the pedal connected to the jack.
You can assign functions such as sustain or sostenuto from the [SETTINGS] button ControllersFoot Pedal 1 or Foot Pedal 2 Assign (page 31).
7 SPEAKERS switch
For tuning the built-in speakers on or off. If this switch is on and the Speaker Mute is set to Auto, the built-in speakers will automatically be muted when the headphones are connected.
To change the Speaker Mute setting, set from the [MENU] button GeneralSystemSpeaker Speaker Mute.
5 A/D INPUT [GAIN] knob
The external audio source input via these jacks is mixed in with the sounds played by the CK. Use this knob to adjust the balance between the external audio and the CK sounds.
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Panel controls
7 8 9 )
!
USB flash drive
MIDI device
Computer
Headphones
Headphones
8 MIDI terminals
With a standard MIDI cable (commercially available), you can connect an external MIDI instrument, and control it from the CK. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the internal tone generator on the CK.
9 USB [TO DEVICE] terminal
For connecting a USB flash drive to the CK, allowing you to save a Live Set Sound you have stored, load a Live Set Sound back to the CK, or play audio files.
NOTE
• Only a USB flash drive can be connected to the USB [TO DEVICE] jack. No other USB devices such as a hard disk drive, CD-ROM drive, or USB hub can be used.
• You cannot record your performance onto a USB flash drive.
) USB [TO HOST] terminal
For connecting the CK to a computer, iPhone, or iPad via a USB cable for using the MIDI and audio capability. With the USB [TO HOST] terminal, two MIDI ports (page 48) can be used simultaneously.
NOTE
The USB [TO HOST| terminal has the capacity for handing two mono channels (or one stereo channel) of 24-bit audio at a sampling rate of
44.1 kHz.
! [PHONES] jack
For connecting a 6.3-mm standard stereo phone jack to connect headphones. When the Speaker Mute is set to Auto, the built-in speakers will be muted when the headphones are connected.
CAUTION
• To prevent hearing loss, avoid using headphones at high volumes for extended periods of time.
• Whenever connecting external audio devices, ensure that all devices are turned off.
NOTE
The sound output via the headphones is identical to that output via the OUTPUT jacks. The sound is output via OUTPUT jacks regardless of whether or not the headphones are connected.
The [PHONES] jack on the CK88 can be found on the front side.
For CK88
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Setting up

Cord hook
AC outlet
AC adaptor
DC IN jack (page 69)
Plug
Slide the plug as indicated.
The shape of the plug differs depending on your area.
Although the CK will run either from an AC adaptor or batteries, Yamaha recommends the use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
NOTICE
It is recommended to use the AC adaptor when executing USB flash drive operations, since battery power may not be reliable enough to last through these crucial operations.

Using an AC adaptor

Make sure that the [P] (Standby/On) switch is in a standby position (the switch is up), then connect the AC adaptor in the order shown in the illustration.
1. Wrap the DC output cable of the AC adaptor
around the cord hook (as shown below), and then connect the plug of the adaptor to the DC IN jack on the rear panel.
NOTICE
Use of the cord hook prevents accidental unplugging of the cable during operation. Make sure to avoid tightening the cord more than necessary or pulling on the cord strongly while it is wrapped around the cord hook, in order to prevent wear on the cord or possible breakage of the hook.
2. Connect the other end of the AC adaptor to
an AC outlet.
1
WAR NI NG
• Use the specified AC adaptor (page 69) only. Using the wrong AC adaptor can result in damage to the instrument or overheating.
• When using the AC adaptor with a removable plug, make sure to keep the plug attached to the AC adaptor. Using the plug alone can cause electric shock or fire.
• If the plug is accidentally removed from the AC adaptor, never touch the metallic section when attaching the plug. To avoid electric shock, short circuit, or damage, also be careful that there is no dust between the AC adaptor and plug.
CAUTION
When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn the power off and disconnect the plug from the outlet.
NOTE
• Follow the order shown above in reverse when disconnecting the AC adaptor.
• When the AC adaptor is connected, the adaptor is used for supplying power to the instrument regardless of whether or not the batteries are installed to the instrument.
• Do not insert or remove the DC plug with the [P] (Standby/On) switch set to the On position (O). Failure to observe this precaution can lead to malfunction.
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2
Setting up
The bottom of the CK
Battery compartment cover
CK61
Battery compartment cover
CK88

Using batteries

The CK requires eight “AA” size, Alkaline (LR6) or rechargeable nickel-metal hydride batteries (rechargeable Ni-MH batteries). Use of the AC adaptor is recommended when keeping the CK on for an extended time.
1. Make sure that the CK is turned off.
2. Turn the CK over and place the top side on a
soft cloth.
4. Insert the eight new batteries, being careful
to follow the polarity markings on the inside (or next to) the compartment.
CK61
CK88
3. Open the battery compartment cover.
5. Close the compartment cover until it clicks
into place.
6. Turn the CK face up.
Do not leave the CK with the front panel side down.
NOTICE
• Connecting or disconnecting the AC adaptor with batteries installed may turn the power off, resulting in loss of data being edited at the time.
• When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries with new ones or already recharged ones.
NOTE
• This instrument cannot be used to charge the batteries. Use only the specified charger device when charging.
• Power will be automatically drawn from the AC adaptor if an AC adaptor is connected while batteries are installed in the instrument.
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21
Setting up
Standard stereo phone plug
Remaining battery power indication
Indication Description
Indicates that the remaining power is sufficient.
Indicates that the remaining power is insufficient for operation. The built-in speakers will be turned off after this indication is shown. Save the settings you are editing and replace all the batteries with new ones.
Turning the power on Turning the power off
Make sure the volume settings of the CK and external devices such as powered speakers are turned down to the minimum before turning the power on. When connecting the CK to monitor speakers, turn on the power switch on each device in the following order.
Turning on
Turn the [MASTER VOLUME] slider of the CK to its minimum set the [P] (STANDBY/ON) switch to on (O). turn the amplifier or speaker power on.
Turning off
Turn the [MASTER VOLUME] slider of the CK to its minimum turn the amplifier or speaker power off set the [P] (STANDBY/ON) switch to standby (N).

Setting the Auto Power Off function

The Auto Power Off function automatically turns off the CK after 30 minutes of inactivity. As a factory default, Auto Power Off is set to Auto. With the Auto setting, the Auto Power Off function is disabled while the AC adaptor is being used, and enabled while the batteries are being used.
NOTICE
• The setting will revert to its default value if not backed up before the power is turned off. Make sure to store the settings before the Auto Power Off function becomes activated (page 24).
• When the instrument is not operated for a specified period of time while connected to an external device such as an amplifier, speaker, or computer, make sure to follow the instructions in the Owner’s Manual to turn off the power to the instrument and the connected devices in the proper sequence, in order to protect the devices from damage. If you do not want the power to turn off automatically when a device is connected, disable Auto Power Off.
Auto Power Off setting
Change the setting from the [MENU] button  General SystemAuto Power Off (page 36).

Connecting headphones

Connect a pair of headphones to the [PHONES] jack.
When a set of headphones are connected while the Speaker Mute is set to Auto, the built-in speakers will be muted. When set to Manual, the built-in speakers will be muted by setting the SPEAKERS switch on the rear panel to OFF. The setting can be changed from the [MENU] button  GeneralSystemSpeaker. While the built-in speakers are muted, the output from the [PHONES] jack will also be output from OUTPUT jacks.
CAUTION
• Do not use the headphones for a long period of time at a high volume level, since this can cause permanent hearing loss.
• Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to a minimum. Otherwise, damage to the components or electrical shock may occur.
NOTICE
To avoid possible damage to the external device, first turn on the power to the instrument, and then to the external device. When turning off the power, do so in reverse order: first turn off the power to the external device, and then to the instrument.
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Setting up

Using a USB flash drive

By connecting a USB flash drive to the USB [TO DEVICE] terminal on the rear panel, you can save the Live Set Sounds as backup files or load settings back from the backup files.
Precautions when using the USB [TO DEVICE] terminal
When connecting a USB flash drive to the USB [TO DEVICE] terminal, be sure to follow the important precautions shown below.
NOTE
For more information on the handling of the USB flash drives, refer to the Owner’s Manual of your USB flash drive.
Compatible USB devices
• USB flash drives only
Other USB devices such as a USB hub, computer keyboard, or mouse cannot be used. The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee the operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please visit the following web page: https://download.yamaha.com/
Formatting the USB flash drive
Some USB flash drives should be formatted with this instrument before they can be used (page 36). The USB flash drives formatted on other instruments or devices may not work properly.
NOTICE
The format operation erases any existing files. Make sure that the USB flash drive you are formatting does not contain any important files.
To protect your files (Write Protection)
To prevent important files from being inadvertently erased, write-protect the USB flash drive. When you are saving files to the USB flash drive, make sure you disable the write-protection first.
Turning off the instrument
When turning off the instrument, make sure that the instrument is NOT accessing the USB flash drive by file management (such as during Save, Copy, Delete and Format operations). Failure to do so may corrupt the USB flash drive and the files.
Although USB 1.1 and 2.0 devices can be used on the CK, the amount of time for saving to or loading from the USB flash drive may differ depending on the type of data or the status of the instrument.
NOTICE
The rating of the USB [TO DEVICE] terminal is a maximum of 5 V / 500 mA. Do not connect USB devices having a rating above this, since this can cause damage to the instrument itself.
Connecting a USB flash drive
When connecting a USB flash drive to the USB [TO DEVICE] terminal, make sure that it is connected in the proper direction.
NOTICE
• Avoid connecting or disconnecting the USB device during file management operations (such as Save, Copy, Delete, and Format), or when accessing the USB flash drive. Failure to observe this may result in “freezing” of the operation of the instrument or corruption of the USB flash drive.
• When connecting then disconnecting the USB flash drive (and vice versa), make sure to wait a few seconds between the two operations.
• Do not use cables for connecting the USB flash drive.
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Basic operations

1
4 5 6 7 8 9 )
2
@ #
3
!
Select a voice and combine voices
Adjust the organ sound Apply sound effects
Select a Live Set Sound

Top screen configuration

This section explains the Top screen which appears when the CK is turned on.
1 Live Set Sound number
Shows the currently selected Live Set Sound number. With the initial setting, number 1-1 will be called up at startup. To use a different Live Set Sound number for startup, change the setting from the [MENU] button General System Power on Sound (page 36).
2 Voice
Shows the Voice name when the Part is on. With some Organ voices, the Voice name and the Drawbar settings will be shown.
External Keyboard for the Part is set to ExtOnly
@
#
Play the external keyboard to sound the internal tone generator.
Note Shift for the Part is set to a value other than 0 (±24) When the note value is −24, −12, +12, and +24, it is shown as OCT−2, OCT−1, OCT+1, and OCT+2

Creating a Live Set Sound

Use the Live Set Sound for sound-making.
The basic sound-making procedures are as shown below.
3 Split and Layer
Shows the current split and layer status of each Part. The split point is the lowest key on the right keyboard range.
Other icons
Panel lock is on. The setting can be changed by
4
5
6
7
8
9
)
!
24
(For Part A)
CK88 CK61 Owner’s Manual
simultaneously pressing both the [ENTER] and [MENU] buttons.
Sound Transpose for the Live Set Sound is set to a value other than 0 (−12 to +12).
Live Set EQ is set to on.
Audio Trigger is set to ON.
Master Keyboard is set to ON.
Connected via Bluetooth.
Battery level (shown only during battery operation).
Touch Sensitivity for the Part has been changed.
1. Select a Live Set Sound.
2. Select a Voice for each Part.
3. Set a combination of these Voices.
4. Creating an Organ voice.
5. Modify sounds using EG, Filter, Effects,
MONO, and Unison settings.
6. Save the Live Set Sound.

Saving the Live Set Sound

Edited Live Set Sounds are saved to the internal memory of the CK by pressing the [STORE] button.
1. Press the [STORE] button.
A screen for selecting the Live Set Sound to be stored appears.
2. Use the Encoder dial to select the desired
Live Set Sound number for saving to.
You can audition the Voice already saved to the Live Set Sound number by playing the keyboard before saving the new one.
NOTICE
• The settings will be overwritten if you select the same number as an existing Live Set Sound.
• The settings currently editing will be lost if you select a different Live Set Sound or turn off the power before storing the settings.
3. Press the [ENTER] button to store.
When the store operation is complete, the message “Completed” will appear and operation returns to the Top screen. If a different Live Set Sound Number was selected when saving the currently editing Live Set Sound, the Live Set Sound before the edit will be kept unchanged in the original Live Set Sound Number.
NOTE
If you have accidentally changed to a different Live Set Sound causing your edits to be lost, you can use the Edit Recall function to recall the last edited status (page 40).

Other Live Set Sound features

These powerful and convenient features for Live Set Sound let you apply effects to the audio input via A/D input or play back an audio file while performing on the keyboard.

Applying effects to audio signals from the A/D INPUT jacks

You can connect another electronic musical instrument, guitar, or a microphone to the A/D INPUT jacks, and apply dedicated effects to those external audio sources.
Here, we’ll cover how to use a dynamic microphone.
1. Connect a dynamic mic to the A/D Input [L/
MONO] jack on the rear panel.
Example for a dynamic mic

Playing back an audio file

While playing the Live Set Sound, you can play back an audio file saved on a USB flash drive using a single key on the keyboard.
1. Save the desired audio file (.wav) to the USB
flash drive from a computer.
The supported audio file is in .wav format (44.1 kHz, 16-bit, Stereo). Files of .wav format in 48-kHz or mono cannot be played back on the CK.
2. Insert the USB flash drive to the USB [TO
DEVICE] terminal on the rear panel.
3. Select from the [SETTINGS] button
Function Audio Trigger.
4. Change the settings.
Switch: Set to ON
File: Select the audio file to play back
Volume: Set the playback volume
Key Assign: Select the rightmost key or the leftmost key to start or stop playback.
Play Mode: Sets the mode for playback
2. Select Mic from the [MENU] button
General Audio A/D Input Type.
3. Press the [INPUT] button.
The A/D Input screen appears.
4. Select an effect type from the Input Effect1
or Input Effect2 TYPE.
This completes the setup. Press the [STORE] button to save the A/D Input settings to the Live Set Sound.
5. Press the key specified in Key Assign to start
playback at the desired timing.
Playback then starts. Set the mode for playing back audio files from Play Mode. The Play Mode setting can be changed from the [SETTINGS] button FunctionAudio Trigger Play Mode (page 32).
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Managing Live Set Sounds

Cursor
Character selected for entry

Editing Live Set Sound names

Select the desired Live Set Sound for which you wish to edit the name [SETTINGS] button Name Edit the name [ENTER] button Select Store.
NOTE
If “Do not store now” is selected, the Live Set Sound will not be stored, but the edited name will be retained.
Operations during name edit
Use the Live Set Sound [1] and [2] buttons to move the cursor to the position of the character you wish to edit. Use the VALUE buttons and Encoder dial to select characters, and then use other buttons as listed below to edit the name.

Swapping or copying Live Set Sounds

1. Call up the Live Set Sound you want to swap
from or copy from.
2. Use the [MENU] button JobLive Set
Manager Swap or Copy.
3. Use the Encoder dial to select the desired
Live Set Sound to swap to or to copy to.
4. Press the [ENTER] button.
When the operation is completed, the message “Completed” appears on the screen, and then operation returns to the Top screen.
Buttons Functions
LIVE SET [1] Moves the cursor to left.
LIVE SET [2] Moves the cursor to right.
LIVE SET [3] Inserts a highlighted character at the cursor
position.
LIVE SET [4] Deletes the character at the cursor position.
LIVE SET [5] Changes the highlighted character at the
cursor position to the desired one.
LIVE SET [7] Reverts all characters to the unedited
name.
LIVE SET [8] Deletes all characters.
[ENTER] Saves the name and ends editing.
[EXIT] Ends editing without saving the name.

Initializing a Live Set Sound

When initializing a Live Set Sound, only Part A is enabled (set to ON), and the first Voice in the Piano category will be selected. All settings for Filters, EG, and effects will be reset to their initial values.
1. Call up the Live Set Sound you want to
initialize.
2. Select from the [MENU] button Job
Live Set Manager Initialize.
3. Use the Encoder dial to select Live Set Sound
Init.
4. Press the [ENTER] button.
When initialization is complete, the message “Completed” appears on the screen, and then operation returns to the Top screen.
NOTE
If you want to reset the Live Set Sound to the default settings, simultaneously press the [EXIT] and [SETTINGS] buttons (page 42). This operation does not overwrite the stored Live Set Sound.
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26
Managing Live Set Sounds

Saving the Live Set Sound to a USB flash drive

The Live Set Sound stored in the internal memory of the CK can be saved to a USB flash drive as a backup file.
Before using a USB flash drive, be sure to read “Precautions when using the USB [TO DEVICE] terminal” (page 23).
1. Connect a USB flash drive to the USB [TO
DEVICE] terminal of the CK.
2. Select the [MENU] button File.
3. Select the type of file you wish to save.
File type Description
Back Up File All Live Set Sounds including the
settings for the entire instrument.
Live Set All File All Live Set Pages.
Live Set Page File Currently selected Live Set Page.
Live Set Sound File Currently selected Live Set Sound.
4. Select Save and press the [ENTER] button to
call up the screen for selecting the destination.
When saving as a new file
Select New File.
When overwriting an existing file
Select the desired file from the displayed list.
5. Press the [ENTER] button.
The Save *** File screen for editing file name appears. For details on name editing operations, see “Operations during name edit” (page 26).
6. Press the [ENTER] button to save.
When the save operation is complete, a “Completed” message appears in the display, and then operation returns to the Top screen.
Changing a previously saved

Loading a Live Set Sound from a USB flash drive

For file types other than a Live Set Sound File, you can select and load a single desired Live Set Sound included in the file. To do this, select Load Live Set Sound in step 6 to call up the screen for selecting a specific Live Set Sound in the file. Then select the desired Live Set Sound to load. The setting is loaded into the currently selected Live Set Sound number.
NOTICE
The Load operation overwrites the Live Set Sounds stored in the CK. Important settings should always be saved to a USB flash drive.
1. Connect a USB flash drive to the USB [TO
DEVICE] terminal of the CK.
2. Select the [MENU] button File.
3. Select the type of file you wish to load from
the USB flash drive.
File type Description
Back Up File
(Extension .Y1A)
Live Set All File
(Extension .Y1L)
Live Set Page File
(Extension .Y1P)
Live Set Sound File
(Extension .Y1S)
4. Select Load and press the [ENTER] button.
5. Select the file in the USB flash drive.
To cancel the load operation, select Cancel and press the [ENTER] button.
6. Select Load All or Load to *** and then press
the [ENTER] button.
When the load operation is complete a “Completed” message appears in the display, and then operation returns to the Top screen.
All Live Set Sounds including the settings for the entire instrument.
All Live Set Pages.
One Live Set Page. The file will be loaded to the currently selected Live Set Page.
One Live Set Sound. The file will be loaded to the currently selected Live Set Sound.
file name
[MENU] button FileFile Utility Rename Select the desired file for which you wish to edit the name Edit the name [ENTER] button to save the file.
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27

Advanced settings

Live Set (SETTINGS button)

From the [SETTINGS] button, you can configure and store the various settings of the currently selected Live Set Sound. After editing, make sure to save the settings by pressing the [STORE] button. The changes made here will be stored to the Live Set Sound.
Operation
1. Press the [SETTINGS] button.
2. Use the VALUE buttons and Encoder dial to select an item, and then press the [ENTER] button.
NOTE
You can also use the LIVE SET buttons [1] to [6] to select the item. The LIVE SET buttons [1] to [6] correspond to the items shown on the display in order from the top. The buttons light up when this feature is available.
3. Use the VALUE buttons or Encoder dial to change the value, and then press the [ENTER] button.
When the setting has been changed, the operation goes back to the previous screen for selecting the settings item.
Sound
Function name Description
Part A Part B Part C
Mono/ Portamento
Unison Switch
Mono/Poly
Type
Portamento Time
Portamento Time Mode
Type
Selects whether to play the Part as monophonic (Mono) or polyphonic (Poly).
Default:
Determines how the portamento effect is used depending on how you play the keys.
Normal: The normal mono sound is played. Portamento is not used.
Fingered: Portamento is used only when you play legato (playing a key while
Full-time: Portamento is always used.
Default:
Determines the speed or time that takes for the portamento pitch change.
Settings:
Determines the time standard for portamento pitch change.
Rate: The pitch changes at the specified speed.
Time: The pitch changes over the specified time.
Default:
Enables or disables the Unison function.
Selects a Unison type.
Multi Layer: The Part sound played on the keyboard is layered
Harmonics: The Part sound played on the keyboard is layered at one octave
Sub Harmonics: The Part sound played on the keyboard is layered at one
Default:
Poly
still holding the previous key).
Normal
0–127
Rate
higher
octave lower
Multi Layer
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28
Volu me
Detune
Adjusts the Part volume layered with the Unison function.
Settings:
Sets the amount of detuning between the Parts layered with the Unison function. By layering the detuned sounds, you can achieve a chorus-like effect.
Settings:
0–127
0–127
Function name Description
127
0
127
When Offset (below) is set to 64
Actual resulting
velocity (affecting
the tone generator)
Velocity with which you play a note
Depth = 127
Depth = 64
Depth = 32
Depth = 0
Advanced settings
Part A Part B Part C
Note Shift
Modulation P.Mod Depth
F.Mod Depth
A.Mod Depth
Modulation Speed
Tou ch
Depth
Sensitivity
Shifts the keyboard pitch in semitones.
Settings:
−24–+24
Default: +0
NOTE
The value is not transmitted as a MIDI message.
Pitch Modulation cyclically changes the pitch. P.Mod Depth determines the pitch modulation depth.
Settings:
0–127
Filter Modulation cyclically changes the cutoff frequency. F.Mod Depth determines the filter modulation depth.
Settings:
0–127
Amplitude Modulation cyclically changes the volume. A.Mod Depth determines the amplitude modulation depth.
Settings:
0–127
Determines the modulation speed. This setting is applied commonly to P. M o d , F.M o d , and A.Mod.
Settings:
−64–+0–+63
Determines the degree to which the resulting volume of the tone generator responds to your playing strength. The higher the value, the more the volume changes in response to your playing strength (as shown below).
Settings:
0–127
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29
Advanced settings
127
012764
127
64
127
0
12764
127
0
When Depth = 64
and Offset = 32
Actual resulting
velocity (affecting
the tone generator)
Velocity with which you play a note
Actual resulting
velocity (affecting
the tone generator)
Velocity with which you play a note
Actual resulting
velocity (affecting
the tone generator)
Velocity with which you play a note
When Depth = 64
and Offset = 64
When Depth = 64
and Offset = 96
Function name Description
Part A Part B Part C
Tou ch Sensitivity
Offset
Determines the amount by which played velocities are adjusted for the actual resulting velocity effect. This lets you raise or lower all velocities based on this setting value—allowing you to automatically compensate for playing too strongly or too softly. However, because of automatic compensation, the value will be set to 1 when the result is smaller than 1, and the value will be set to 127 when the result is larger than 127.
Common Transpose
Layer/Split Mode
Live Set EQ Mode SW
Split Point
EQ Settings
High Gain
High Frequency
Settings:
0–127
Changes the pitch up or down in semitones.
Settings:
−12–+12
Default: +0
NOTE
This setting does not affect MIDI output messages.
Selects the combination of Layer and Split. You can also use the [SPLIT] button for this setting.
Settings:
ABC, A/BC, AB/C, A/B/C
Default: ABC
Sets the Split Point or the lowest note on the right keyboard range using a note name. When using the split mode A/B/C, two Split Points are needed. You can also use the [SPLIT] button to set the split point.
Settings:
C#-2–G8
Default: G2
C3 is MIDI note number 60.
Turns the Live Set EQ Mode on/off.
Default:
Off
Sets the EQ for the Live Set Sound.
Sets the gain for the high band.
Settings:
−12 dB–0–+12 dB
Sets the frequency for the high band.
Settings:
500 Hz–16 kHz
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Function name Description
Advanced settings
Common Live Set EQ EQ
Settings
Tempo Delay Time
Mid Gain
Mid Frequency
Low Gain
Low Frequenc y
Sets the gain for the mid-band.
Settings:
Sets the frequency for the mid-band.
Settings:
Sets the gain for the low band.
Settings:
Sets the frequency for the low band.
Settings:
When Temp o D ela y is selec ted for Delay, this sets the delay time in note lengths to match the tempo.
Settings:
Default: 1/4
NOTE
The tempo should be set with the [TIME] knob or with Tap Tem po using the [ENTER] button.
Controllers
Function name Description
Pitch Bend Range Part A
Part B
Part C
Determines the pitch bend range in semitones.
Settings:
Default: +2
−12 dB–0–+12 dB
100 Hz–10 kHz
−12 dB–0–+12 dB
32 Hz–2.0 kHz
1/32 Tri.–1/2
−24–+0–+24
Mod Wheel Assign
Foot Pedal 1
Assign
Foot Pedal 2
Limit Low
Limit High
Receive SW Expression Part A
Sustain
Part B Part C
Sostenuto
Determines the function to be assigned to the Modulation wheel. You can assign the Modulation wheel to Control Change numbers 1 to 119 or the USB Audio volume.
Settings:
Default: 1 (Modulation)
Determines the Control Change number to be assigned to a pedal connected to the FOOT PEDAL jack. You can assign each Foot Pedal to Control Change numbers 1 to 119, or to control the USB Audio volume.
Settings:
Default:
Foot Pedal 1: 64 (Sustain) Foot Pedal 2: 11 (Expression)
Determines the lowest value for the foot controller (FC7) connected to the FOOT PEDAL jack.
Settings:
Default: 0
Determines the highest value for the foot controller (FC7) connected to the FOOT PEDAL jack.
Settings:
Default: 127
Determines whether each Part receives (On) or ignores (Off) the corresponding MIDI messages received from external devices or the messages generated by operating the footswitch or foot controller.
Default:
Off, 1–119, USB Audio Volume
Off, 1–119, USB Audio Volume
0–127
0–127
On
Soft
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Advanced settings
CK61
MX88
MIDI [IN] terminal
MIDI [OUT] terminal
Function
Function name Description
Part Color Par t A
Part B
Part C
Audio
Switch
Tri gg er
File
Volum e
Key Assign
Play Mode
External Keyboard
Determines how the Parts are played when the CK receives performance information (key-on, key-off) MIDI messages from an external MIDI device. You can set up the CK with an external keyboard like a two-manual organ, or set up only a specific Part to play from the external keyboard.
NOTE
For Parts that are played only from an external keyboard, the Split setting shown on the Top screen changes from to .
Sets the LED color for the Part.
Settings:
Switches the Audio Trigger function.
Default:
Selects the audio file to use with the Audio Trigger function.
Sets the playback volume for the audio file.
Settings:
Selects the key for starting playback of the audio file.
Settings:
Default: Highest
Sets the playback mode for the audio file.
One Shot: Plays back the audio file from the beginning every time the key is
Play/Stop: Starts or stops the playback of the audio file each time the key is
Play/Pause: Starts or pauses the playback of the audio file each time the key is
Default:
Red, Orange, Yell ow , Lime, Green, Spring, Cyan, Azure, Blue, Violet, Magenta, Rose
Off
0–127
Lowest , Highest
pressed.
pressed. The playback starts from the beginning of the file.
pressed. The playback resumes from the paused place.
One Shot
Part A Part B Part C
Ext+Int: Internal tone generator plays sounds with both key-on signals received from an external MIDI device and performance on the CK’s keyboard.
ExtOnly: Internal tone generator plays sounds only for key-on signals received from an external MIDI device. No sound is played when the keyboard on the CK is played.
Off: Internal tone generator does not play sounds for key-on signals received from an external MIDI device. Sound is played only when the keyboard on the CK is played.
Default:
Ext+Int
Connection example (for setting up the piano for Part A on the CK61 to be played only on the MX88)
Part A = ExtOnly, Part B = Off, Part C = Off
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Function name Description
Internal
tone
generator
External
tone
generator
(Zone)
Zone 1
Zone 2
Zone 3
Advanced settings
Master Keyboard
This function is for using the CK as a master keyboard. It allows you to assign different areas of the keyboard to up to four zones, each of which can control a separate tone generator. For example, you can make a Live Set Sound combining Voices from both the CK and the connected external tone generators, or a Live Set Sound composed entirely with Voices of external tone generators.
Example for combining the internal tone generator and Zones 1 to 3
Mode SW
Switches the Master Keyboard mode. When On is selected, the Master Keyboard mode is enabled, and the indication appears on the Top screen.
Default:
Off
Advanced Zone SW
Zone Settings
Zone1 Zone2 Zone3 Zone4
Zone Switch
Tx Channel
Octave Shift
Tra nsp os e
Note Limit Low
Note Limit High
Bank MSB *
Bank LSB *
Changes the settings shown for Master Keyboard mode. When On is selected, the items with an asterisk (*) will be shown on the display.
Default:
Determines whether to enable (On) or disable (Off) the zone.
Default:
Determines the MIDI transmit channel for the zone.
Settings:
Default: Zone 1 = 1, Zone 2 = 2, Zone 3 = 3, Zone 4 = 4
Shifts the pitch of the zone in octaves.
Settings:
Default: +0
Changes the pitch of the zone in semitones.
Settings:
Default: +0
Sets the lowest key in the zone.
Default:
Sets the highest key in the zone.
Default:
Determines the Bank Select MSB sent as a MIDI message to the external tone generator played by the zone.
Default:
Determines the Bank Select LSB sent as a MIDI message to the external tone generator played by the zone.
Default:
Off
Zone 1 = On, Zone 2–4 = Off
1–16
−3–+3
−11–+11
C−2
G8
0
0
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Advanced settings
Function name Description
Master Keyboard
Zone Settings
Zone1 Zone2 Zone3 Zone4
Program Change *
Volume *
Pan *
Tx S W Note *
Tx S W Bank *
Tx S W Program *
Tx S W Volume *
Tx S W Pan *
Determines the Program Change Number sent as a MIDI message to the external tone generator played by the zone.
Default:
Determines the volume sent as a MIDI message to the external tone generator played by the zone.
Default:
Determines the panning sent as a MIDI message to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI note messages to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI Bank Select messages to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI Program Change messages to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI volume messages to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI Pan messages to the external tone generator played by the zone.
Default:
1
100
C
On
On
On
On
On
Tx SW PB *
Tx S W Mod *
Tx S W Foo t Pedal 1 *
Tx S W Foo t Pedal 2 *
Determines whether to transmit (On) or not transmit (Off) MIDI Pitch Bend messages to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI Modulation messages to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI messages for FOOT PEDAL [1] to the external tone generator played by the zone.
Default:
Determines whether to transmit (On) or not transmit (Off) MIDI messages for FOOT PEDAL [2] to the external tone generator played by the zone.
Default:
On
On
On
On
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A/D Input
Function name Description
Advanced settings
Volu me
Input Effect 1 Input Effect 2
Input EQ
Type
Depth
Rate
High Gain
High Frequency
Mid Gain
Mid Frequency
Adjusts the volume of the audio signal input from the A/D INPUT jack for the Live Set Sound.
NOTE
Adjust the overall volume with the A/D INPUT [GAIN] knob.
Settings: 0–127
Selects the type of Effect applied to the audio.
Settings:
Default: Thru
Adjusts the depth of the Effect applied to the audio.
Settings:
Adjusts the rate of Effect applied to the audio.
Settings:
Sets the 3-band EQ for the audio.
Sets the signal level for the high band.
Settings:
Sets the frequency for the high band.
Settings:
Sets the signal level for the mid-band.
Settings:
Sets the frequency for the mid-band.
Settings:
Thru, Effect type (see “Effect list” on page 43)
0–127
0–127
−12 dB–0–+12 dB
500 Hz–16 kHz
−12dB–0–+12dB
100 Hz–10 kHz
Low Gain
Low Frequency
Noise Gate Switch
Threshold
Sets the signal level for the low band.
Settings:
Sets the frequency for the low band.
Settings:
Turns the noise gate for the audio on/off.
Settings:
Default: Off
Sets the threshold for the noise gate for the audio.
Settings:
Default: −45 dB
−12 dB–0–+12 dB
32 Hz–2.0 kHz
Off, On
−73 dB–−30 dB
Name
Determines the name of a Live Set Sound. For details on editing Live Set Sound names, see Editing Live Set Sound names (page 26).
To store the edited Live Set Sound names, you’ll need to use the Store operation (page 10).
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Advanced settings

Entire instrument (MENU button)

From the [MENU] button, you can configure various parameters and functions that affect the entire instrument. The changes made here will be stored in the CK.
NOTICE
After the value has been changed, the setting will be saved when the operation goes back to the Top screen. Changes will not be saved if the CK has been turned off before the operation has gone back to the Top screen.
Operation
1. Press the [MENU] button.
2. Use the VALUE buttons and Encoder dial to select an item, and then press the [ENTER] button.
NOTE
You can also use the LIVE SET buttons [1] to [6] to select the item. The LIVE SET buttons [1] to [6] correspond to the items shown on the display in order from the top. The buttons light up when this feature is available.
3. Use the VALUE buttons and Encoder dial to change the value, and then press the [ENTER] button.
When the setting has been changed, the operation goes back to the previous screen for selecting the menu item.
General
Function name Description
System Master Tune
Master EQ
High Frequency
Mid Frequency
Low Frequenc y
Speaker Speaker EQ
Speaker Mute
Determines the tuning for the entire instrument.
Settings:
Default: 440.00 Hz
Sets the Master EQ.
Sets the frequency for the high band.
Settings:
Sets the frequency for the mid-band.
Settings:
Sets the frequency for the low band.
Settings:
Selects the optimal sound quality of the built-in speakers for setting the CK on a keyboard stand where the bottom of the CK is open (Normal) or for setting on the table where the bottom of the CK is covered (Tab le ).
Settings:
Default: Normal
Selects to mute the built-in speakers automatically (Auto) or to mute the built-in speakers manually using the SPEAKERS switch (Manual) when the headphones are connected.
Settings:
Default: Auto
414.72 Hz–466.78 Hz
500 Hz–16 kHz
100 Hz–10 kHz
32 Hz–2.0 kHz
Normal, Tab l e
Auto, Manual
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Auto Power Off
Power On Sound
Switches the Auto Power Off function setting.
Disable: The CK is not automatically turned off.
Enable: The CK is turned off automatically after being inactive for 30 minutes.
Auto: The Auto Power Off function is disabled while the AC adaptor is being used, and enabled while batteries are being used.
Default:
Selects which Live Set Sound is automatically called up when the CK is turned on.
Default:
Auto
1-1
Function name Description
Advanced settings
MIDI MIDI Port MIDI
USB
MIDI
Tra ns mit
Channel
Receive
MIDI Control
Determines whether to use the MIDI terminals for transmitting or receiving MIDI messages with the internal tone generator.
On: Used as Port 1 (transmit or receive MIDI messages with the internal tone generator).
O: Used as Port 2 (USB-MIDI interface). In this case, MIDI messages received by the MIDI [IN] terminal are sent to USB Port 2 (MIDI OUT 2). MIDI messages received by the USB Port 2 (MIDI IN 2) are sent to the MIDI [OUT] terminal.
Default:
Determines whether to use (On) the USB [TO HOST] terminal for transmission/ reception of MIDI messages, or not (Off).
Default:
Determines the MIDI transmit channel. When this is set to Off, MIDI messages are not transmitted.
Settings:
Default: 1
Determines the MIDI receive channel. When this is set to All, MIDI messages will be received over all channels.
Settings:
Default: 1
Sets the MIDI control message to be sent out when using knobs and sliders on the front panel. For MIDI Control, the keyboard, Pitch Bend, Modulation, and pedals are excluded.
On: MIDI messages are transmitted when the corresponding controllers such as
Off: MIDI messages are not transmitted when the corresponding controllers are used.
Default:
NOTE
• When MIDI messages corresponding to knobs and sliders are received from the DAW, the settings
• The MIDI message assignment for each knob or the slider is fixed. If you want to control the
On
On
1–16, Off
1–16, All
knobs and sliders are used, allowing you to use a DAW and external MIDI devices to receive and record the operation information.
Off
for those knobs and sliders are changed.
parameters in the DAW from the knobs and sliders on the CK, set up the computer to receive messages from the knobs and sliders. For details on MIDI messages, see page 54.
Local Control
Controller Reset
Determines whether Local Control is on or off. When this is set to Off, the CK’s tone generator is disconnected from the keyboard, and no sound will be produced when the keyboard is played. However, regardless of the setting here, performance information from the CK’s keyboard is transmitted as MIDI messages, and the CK’s tone generator will continue to produce sound in response to the MIDI messages received from MIDI input, depending on the MIDI settings.
Default:
Determines whether to keep (Hold) or initialize (Reset) the values of controllers (such as Modulation wheel and Foot Controller) when switching to a different Live Set Sound. When this is set to Reset, the controllers are reset to the default as shown below when switching to a different Live Set Sound.
•Pitch Bend: Center
•Modulation: Minimum
• Expression: Maximum
• Pedal Wah: Minimum
Default:
On
Reset
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Advanced settings
Function name Description
MIDI Advanced Device Number
Control Delay
Tx/ Rx Pg m Change
Tx/ Rx Bank Select
Audio Output Gain
A/D Input Type
Determines the MIDI device number. The device number of the CK must match the device number of the external MIDI device when transmitting or receiving Bulk Dump, Parameter Changes, or other System Exclusive messages.
Settings:
Default: All
Adjusts the transmission timing for MIDI control messages transmitted when switching to a different Live Set Sound. Adjust the setting when the application on your computer does not receive messages correctly.
Settings:
Default: 0 msec
Determines whether transmission/reception of Program Change messages between the CK and external MIDI devices is enabled (On) or disabled (Off).
Default:
Determines whether transmission/reception of Bank Select messages between the CK and external MIDI devices is enabled (On) or disabled (Off).
Default:
Adjusts the overall final output level of the CK.
Settings:
Default: +0 dB
Selects a line input (Line) or a dynamic mic (Mic) for use as the input source from the A/D INPUT jack.
Default:
1–16, All, Off
0–1500 msec
On
On
−24 dB–+0 dB–+24 dB
Line
Control Panel
USB Audio Volume
USB Audio Loopback
Panel Lock Settings
Live Set
Organ
Filte r/EG
Drive/Effect
Delay/Reverb
Equalizer
Display Value Indication
LCD Switch
Determines the volume of the USB Audio input.
Settings:
Default: 64
Determines whether to mix the USB Audio input to the USB Audio Output (On) or not (Off).
Default:
Determines whether to enable (On) or disable (Off) the panel lock for each item.
Default:
Determines whether to show (On) or not show (Off) the values on the display (LCD) when the values for the controllers of each Part are changed.
Default:
Determines whether to show (On) or not show (Off) the Top screen on the display (LCD). The MENU and SETTINGS screens are always shown on the display regardless of the settings selected here.
Default:
0–127
Off
On
On
On
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LCD Contrast
Adjusts the contrast of the Display (LCD).
Settings:
Default: +0
-10–+10
Function name Description
Advanced settings
Control
Controller Mode
Panel
Filter/EG Reset
Effect On/Off Reset
Keyboard Touch Curve
Sets the conditions for a controller position to be reflected when the controllers’ actual position and values called up with the LIVE SET [1] to [8] buttons do not match.
Jump: The position of a controller is reflected immediately when that controller is moved.
Catch: The current setting will be held until the controller’s position matches (catches) values called up with the LIVE SET [1] to [8] buttons. Once the values have matched, the controller’s position will be reflected.
Default:
Determines whether to reset (On) or maintain without resetting (Off) the EG and FILTER parameters when a Voice for the Part has been changed.
Default:
Determines whether to reset (On) or maintain without resetting (Off) the Effect parameters when a Voice for the Part has been changed.
Default:
Determines how actual velocities will be generated according to the strength with which you play notes on the keyboard.
Normal: This linear “curve” produces one-to-one correspondence between the
Soft: This curve provides an increased response, especially for lower velocities.
Hard: This curve provides an overall decreased response, especially for higher
Wide: This curve accentuates your playing strength by producing lower velocities in
Fixed : This setting produces the same amount of sound change, no matter what your
Default:
Jump
On
On
strength of your keyboard playing (velocity) and the actual sound change.
velocities, meaning that greater strength is needed to produce louder sound.
response to softer playing and louder velocities in response to harder playing. As such, you can use this setting to expand your dynamic range.
playing strength. The velocity of the notes you play is fixed at the value set here.
Normal
Fixed Velocity
Foot Pedal Pedal 1
Pedal 2
Pedal Type
Live Set Inc/Dec
When Touch Cur ve above is set to Fixe d, this lets you set the desired fixed velocity, letting you keep the same, regardless of how hard or soft you play the keyboard.
Settings:
Default: 64
Sets the type of pedal connected to the FOOT PEDAL [1] jack or the FOOT PEDAL [2] jack. Select FC3A (HalfOn) when using a Half Damper pedal.
Settings:
Default:
Pedal 1: FC3A (HalfOn) Pedal 2: FC7
Sets the type of operation for using the pedals connected to the FOOT PEDAL [1] jack or the FOOT PEDAL [2] jack.
Off: Operates the control change assigned to the Live Set Sound.
Live Set Inc: Selects the next Live Set Sound when operating the pedal.
Live Set Dec: Select the previous Live Set Sound when operating the pedal.
Default:
1–127
FC3A (HalfOn), FC3A (HalfOff ), FC4A/FC5, FC7
Off
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Advanced settings
Job
Function name Description
Live Set Manager
Part/Effect Manager
Swap
Copy
Initialize
Copy Part A
Part B
Part C
Delay
Reverb
Paste Par t A
Part B
Part C
Delay
Reverb
Swap Par t Part A  B
Part B  C
Swaps the currently selected Live Set Sound with another user-specified Live Set Sound.
Copies the currently selected Live Set Sound to another user-specified Live Set Sound.
Resets all parameters of the currently selected Live Set Sound to their defaults.
Copies the Part A settings of the Live Set Sound.
Copies the Part B settings of the Live Set Sound.
Copies the Part C settings of the Live Set Sound.
Copies the Delay settings of the Live Set Sound.
Copies the Reverb settings of the Live Set Sound.
Pastes the copied settings. The paste function cannot be used when nothing has been copied.
Swaps the Part A settings and the Part B settings of the Live Set Sound.
Swaps the Part B settings and the Part C settings of the Live Set Sound.
Edit Recall
Menu Initialize
Factory Reset
Swap EFFECT 1/2
Part C  A
Part A
Part B
Part C
Swaps the Part C settings and the Part A settings of the Live Set Sound.
Swaps the EFFECT 1 settings and the EFFECT 2 settings of a specified Part in the Live Set Sound.
Recalls the last edited but not yet stored Live Set Sound settings. If, while editing a Live Set Sound, you select a different Live Set Sound and then return to the one currently being edited, the latest stored version will be called up instead of the current one. If this occurs, use this function to restore the Live Set Sound setting you are currently editing.
NOTICE
The latest edited Live Set Sound will be lost when the CK is turned off.
Resets the settings of MENU screens to the default values.
Restores the CK including all Live Set Sounds to its factory default.
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File
Function name Description
Advanced settings
Back Up File Save
Load (*)
Live Set All File Save
Load (*)
Live Set Page File Save
Load (*)
Live Set Sound File Save
Load
File Utility Rename
Delete
Forma t
* You can load a single Live Set Sound you choose from a file containing multiple Live Set Sounds such as Backup file, Live Set All file, and Live Set
Page f ile.
Saves all the Live Set settings and other settings for the entire instrument stored in the CK to a USB flash drive as a backup file (with the extension .Y1A).
Loads the settings to the CK from a backup file saved on a USB flash drive.
Saves all the Live Set settings stored in the CK to a USB flash drive as a Live Set All File (with the extension .Y1L).
Loads the settings to the CK from a Live Set All File saved on a USB flash drive.
Saves the currently selected Live Set Page stored in the CK to a USB flash drive as a Live Set Page File (with the extension .Y1P).
Loads the settings to the CK from a Live Set Page File saved on a USB flash drive.
Saves the currently selected Live Set Sound stored in the CK to a USB flash drive as a Live Set Sound File (with the extension .Y1S).
Loads the settings to the CK from a Live Set Sound File saved on a USB flash drive.
Changes the name of a file in a USB flash drive.
Deletes a file in a USB flash drive.
Formats (initializes) a USB flash drive. Formatting is required when using a new USB flash drive.
NOTICE
When a USB flash drive is formatted, all of its content will be deleted. Make sure before formatting that the USB flash drive contains no irreplaceable data.
Bluetooth
Function name Description
Switch
*1
Volu me
*1
Pairing
*1 When the Switch is set to Off, Volu me and Pairing will be hidden.
Switches the Bluetooth function on/off.
Settings:
Default: Off
Adjusts the Bluetooth audio volume.
Settings:
Default: 64
Pairs with the Bluetooth-equipped device.
Off, On
0–127
Version Info
Shows the version of the CK’s firmware.
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41
Advanced settings

Shortcut operations

By using the buttons or knob, while holding down the [ENTER] button, you can use the shortcut operations to access the functions in the Live Set Sound SETTINGS.
Locations Operations Descriptions
Transpose & Octave
Organ [ENTER] button + VIBRATO/CHORUS
Live Set Pressing two or three Part select buttons
[ENTER] button + TRANSPOSE [−] button Transposes the pitch of the keyboard up or down in semitones.
[ENTER] button + TRANSPOSE [+] button
TRANSPOSE buttons [−] + [+] (together) Keyboard Transpose is set to “0.”
Part select button ([A]–[C]) + OCTAVE [−] button
Part select button ([A]–[C]) + OCTAVE [+] button
OCTAVE buttons [−] + [+] Keyboard Octave is set to “0.”
[TYPE] button
([A]–[C]) at once
Holding down two of the Part select buttons ([A]–[C]) at once
[ENTER] button + [SETTINGS] button Resets the Live Set Sound currently being edited to its default state. This
This operation is the same as Sound Transpose.
NOTE
The value is not transmitted as a MIDI message.
Shifts the octave range of the specified Part up or down. This operation is the same as setting the Note Shift to “+12” or “−12.” The Note Shift range is from −12 to +12.
NOTE
The value is not transmitted as a MIDI message.
Switches the Vibrato/Chorus type in reverse order. This is useful when you want to return to the previous type.
Selects multiple Parts at once. Useful for selecting the same settings for Filter, EG, and Insertion Effects.
Swaps the settings of the selected Parts. This operation is the same as [MENU] button JobPart/ Effect Man ager Swap Part.
operation does not overwrite the stored Live Set Sound. This operation is useful when you want to reset all values to start over.
NOTE
To reset both the Live Set Sound currently being edited as well as the stored Live Set Sound, use the [MENU] button JobLive Set ManagerInitialize (page 40).
[ENTER] button + [MENU] button Determines whether the panel lock function is enabled (On) or disabled (Off).
[ENTER] button + MONO [TYPE] button Opens the Portamento Time setting screen.
[ENTER] button + UNISON [TYPE] button Opens the Unison Detune setting screen.
PAG E button s [l] + [r]
Effect [ENTER] button + EFFECT1–EFFECT2
select button
[ENTER] button + Effect [TYPE] knob Moves to the beginning of the next or previous category. This operation is
When using Tempo Delay for DELAY
Operations Descriptions
[ENTER] button Use the [ENTER] button as a Tap button. Press the button at least three times to
[ENTER] button + DELAY [TIME] knob
Shows the Live Set View. To close the Live Set View, press the [EXIT] button.
Swaps the settings of EFFECT 1 and EFFECT 2 in the selected Part. This operation is useful when you want to change the order in which the two Insertion Effects are applied. This operation is the same as the [MENU] button JobPart/Effect Manager Swap EFFECT 1/2.
useful when you want to quickly switch to the desired type. For more information on Insertion Effect Types, see the “Effect list” (page 43).
set the tempo.
Changes the Tempo Delay Time.
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Advanced settings
*
* Available only for the Organ Voices using the Organ Flutes tone generator (H, V, F,
A, and Y).
Send Level is the same for all parts
EQUALIZER
Delay
Reverb
Voice Dri ve Effect1 Effect2
Vibrato/
Chorus
A/D
Input
Noise
Gate
Input
EQ
Input
Effect 1
Input
Effect 2
Audio Trigger
Part A
Part C
Part B

Effect list

Effect diagram
Category Typ e Description Stereo/
Mono
Chorus G Chorus
SPX Chorus
Symphonic
816 Chorus
Flanger VCM Flanger
Cross FB Flanger
Phaser VCM Stereo
Phaser
Small Phaser
Max90
Chorus effect that produces a deep sound with complex modulation. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the speed.
Chorus effect that uses a three-phase LFO to create a richer and warmer sound, with a wider stereo spread. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the speed.
Chorus effect that features multiple sound modulations to give a greater sense of spaciousness. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the speed.
Chorus effect that simulates the detuned FM chorus of the TX816. Turn the [DEPTH] knob to adjust the modulation depth, and the [RATE] knob to adjust the speed.
Vintage flanger effect featuring a warm analog sound. Turn the [DEPTH] knob to adjust the depth and feedback level, and the [RATE] knob to adjust the speed.
Vintage flanger effect featuring a complex sound by cross feedback. Turn the [DEPTH] knob to adjust the depth and feedback level, and the [RATE] knob to adjust the speed.
Vintage phaser effect featuring a warm analog sound. Turn the [DEPTH] knob to adjust the depth and feedback level, and the [RATE] knob to adjust the speed.
Vintage phaser effect that features a smooth and unique sweeping effect. Turn the [DEPTH] knob to switch the modulation type—which differs depending on whether the knob is set to the left or the right—and turn the [RATE] knob to adjust the speed.
Classic vintage phaser effect. Turn the [DEPTH] knob to switch the feedback level type—which differs depending on whether the knob is set to the left or the right—and turn the [RATE] knob to adjust the speed.
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Mono
Mono
Dual Phaser
Trm/Rtr Tremolo
Vintage phaser effect that features two phasers with different characteristics. Turn the [DEPTH] knob to adjust the speed of the phaser 1, and the [RATE] knob to adjust the speed of the phaser 2.
A modulation effect that changes the volume cyclically. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the speed.
Auto Pan
Simple Rotary
A modulation effect that moves the sound in the stereo field cyclically left and right. Turn the [DEPTH] knob to adjust the width for the stereo field, and the [RATE] knob to adjust the speed.
Simple rotary speaker effect. Turn the [DEPTH] knob to adjust the volume and distortion level, and the [RATE] knob to adjust the rotation speed.
CK88 CK61 Owner’s Manual
Mono
Stereo
Stereo
Mono
43
Advanced settings
Category Typ e Description Stereo/
Mono
Dist British Combo
British Lead
Small Stereo
Comp/EQ Compressor
Tone Control
1 Band EQ Narrow
1 Band EQ Wide
Wah Auto Wah
Tou ch Wah
Warm distortion effect (overdrive). Turn the [DEPTH] knob to adjust the distortion level, and the [RATE] knob to adjust the brilliance (brightness of the sound).
Hard rock type distortion effect. Turn the [DEPTH] knob to adjust the distortion level, and the [RATE] knob to adjust the treble (attack for the high band).
Stereo distortion effect. Turn the [DEPTH] knob to adjust the distortion level, and the [RATE] knob to adjust the presence (clearness of sound).
Stereo compressor. Turn the [DEPTH] knob to adjust the threshold, and the [RATE] knob to adjust the output volume.
Shelving equalizer. Use the [DEPTH] knob to adjust the low band, and the [RATE] knob to adjust the high band.
Peaking equalizer with narrow Q (bandwidth). Use the [DEPTH] knob to adjust the gain, and the [RATE] knob to adjust the center frequency.
Peaking equalizer with wide Q (bandwidth). Use the [DEPTH] knob to adjust the gain, and the [RATE] knob to adjust the center frequency.
Wah modulation effect that changes cyclically. Turn the [DEPTH] knob to adjust the resonance level, and the [RATE] knob to adjust the speed.
Wah effect that responds to volume changes by keyboard touch. Turn the [DEPTH] knob to adjust the sensitivity, and the [RATE] knob to adjust the resonance level.
Mono
Mono
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Pedal Wah
Delay Digital Delay
Analog Delay
Cross Delay
Reverb Hall Reverb
Room Reverb
Reverse Reverb
Others Ring Modulator
Slicer
LP Filter
Wah effect that is pedal-controlled. Turn the [DEPTH] knob to adjust the distortion level, and the [RATE] knob to adjust the resonance level. The pedal wah effect can be controlled with a pedal if Foot Pedal Assign is set to 4 (Pedal Wah).
Clean digital delay. Turn the [DEPTH] knob to adjust the depth and feedback level, and the [RATE] knob to adjust the delay time.
Delay featuring a warm analog sound. Turn the [DEPTH] knob to adjust the feedback level, and the [RATE] knob to adjust the delay time.
Delay that alternates between the left and right. Turn the [DEPTH] knob to adjust the depth and feedback level, and the [RATE] knob to adjust the delay time.
Simulates the reverberation of a hall. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the reverb time (reverberation length).
Simulates the reverberation of a room. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the reverb time (reverberation length).
The effect that simulates reverse playback Gated Reverb. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the reverb time (reverberation length).
An effect that changes the sound in metallic and wildly distorting synth ways. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the frequency.
An effect that slices the input sound into rhythmically interrupted segments. Turn the [DEPTH] knob to adjust the gate time (length for the sliced note), and the [RATE] knob to adjust the fineness of slicing.
Filter that cuts sounds at frequencies higher than the cutoff frequency. Turn the [DEPTH] knob to adjust the cutoff frequency, and the [RATE] knob to adjust the resonance.
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
Stereo
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HP Filter
Filter that cuts sounds at frequencies lower than the cutoff frequency. Turn the [DEPTH] knob to adjust the cutoff frequency, and the [RATE] knob to adjust the resonance.
Stereo
Advanced settings
Category Typ e Description Stereo/
Mono
Others Lo-Fi
Damper Resonance
Harmonic Enhancer
An effect that re-samples and degrades the input sound.Turn the [DEPTH] knob to adjust the coarseness of the sound, and the [RATE] knob to adjust the sampling frequency. Turn each knob clockwise to make them sound more degraded and less clear.
An effect that reproduces the sound produced by open strings of a piano while the damper pedal is pressed. Turn the [DEPTH] knob to adjust the depth, and the [RATE] knob to adjust the damper openness.
An effect that adds harmonic overtones to the input sound to makes the sound stand out. Turn the [DEPTH] knob to adjust the cutoff frequency of the high-pass filter, and the [RATE] knob to adjust the effect level.
Mono
Stereo
Stereo
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45

Using with External Devices

By connecting external devices, you can take advantage of various convenient and powerful features of the CK.
For example, you can:
• Play the CK along with the songs played on your smartphone or a portable music player.
• Use smart device apps to manage the Live Set Sounds, create videos, and post videos on social media.
• Play the CK using sounds on external sound modules or other synthesizers.
• Play the CK sounds from an external keyboard.

Precautions when using the USB [TO HOST] terminal

When connecting the computer to the USB [TO HOST] terminal, make sure to observe the following points to avoid freezing the computer/ instrument and corrupting or losing the edited settings in SETTINGS.
NOTICE
• Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
• Perform the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the USB [TO HOST] terminal.
- Quit any open application software on the
computer.
- Make sure that MIDI data is not being transmitted
from the instrument. (MIDI data is transmitted when the notes on the keyboard are played.)
• While the computer is connected to the instrument, you should wait for six seconds or more between these operations: (1) when turning the power of the instrument off then on again, or (2) when alternately connecting/disconnecting the USB cable.
If the computer or the instrument freezes, restart the application software or the computer OS or turn the power to the instrument off then on again.
Connecting via Bluetooth audio
Bluetooth capability
Depending on the country in which you purchased the product, the CK may not have Bluetooth capability.
By using the Bluetooth audio function, you can connect a Bluetooth-equipped device such as a smartphone and portable audio player wirelessly to the CK and use the speakers on the CK to play back the audio from the Bluetooth device.
NOTE
• Bluetooth headphones or speakers cannot be connected.
• There is no Bluetooth MIDI capability on the CK.
Pairing with a Bluetooth-equipped
device
“Pairing” means registering Bluetooth-equipped smart devices on the CK and establish mutual recognition for wireless communication between the two. Once the device is paired with the CK, it is not necessary to pair the two again (unless you’ve disabled pairing.)
1. Select the setting from the [MENU] button
BluetoothSwitch to On.
The CK will be paired, and the “Bluetooth pairing...” message will appear on the display.

Using Smart Devices

There are two ways of connecting a smart device: wireless connection via Bluetooth Audio and wired connection using a USB cable.
For more information on smart device applications that you can use with the CK, refer to the following website. https://www.yamaha.com/kbdapps/
NOTICE
Be sure to place your smart device on a stable surface to prevent it from falling over and being damaged.
NOTE
To eliminate the risk of interference due to noise by your smart device when used in combination with the CK, turn on the Airplane Mode and then turn on Wi-Fi.
CK88 CK61 Owner’s Manual
46
To cancel the pairing, press the [EXIT] button.
2. Turn the Bluetooth setting ON on the
Bluetooth-equipped device and select CK61 or CK88 from the list.
• Make sure to complete the settings on the smart device within a minute. After that, the pairing mode ends automatically.
• If you are required to enter a passkey, enter the numerals “0000.”
When the pairing is completed, the (Bluetooth) mark appears on the top screen.
Use the Bluetooth-equipped device to adjust the volume of the sound input via Bluetooth. To adjust the volume balance between the sound input via
Using with External Devices
MIDI [IN] terminal
Synthesizer or tone generator module, etc.
MIDI [OUT] terminal
Bluetooth and your performance on the CK, you can also use the [MENU] button Bluetooth Volume.
3. Playback audio on the Bluetooth-equipped
device to confirm that the built-in speakers or the headphones connected to the CK can output the audio sound.
When you turn on the CK the next time, the last connected smart device will be connected to the CK automatically if the Bluetooth function of the smart device and the CK are set to on. If it is not connected automatically, select the model name of the CK from the connection list on the smart device.
Switching the Bluetooth off
Select the setting from the [MENU] button  BluetoothSwitch to Off.
Connecting using the USB [TO HOST] terminal
For more information on how to connect a device to the USB [TO HOST] terminal, refer to the “Smart Device Connection Manual.”
Smart Device Connection Manual
Access the website below and then open “Manual Library.” Select your language, and then enter “smart device” in the “Model Name or Keyword” field and finally click “Search.” https://download.yamaha.com/
For setting the sound input from the USB audio to output to the computer or smart device connected to the USB [TO HOST] jack of the CK, set from the [MENU] button GeneralAudioUSB Audio Loopback (page 38).
Before connecting the USB [TO HOST] terminal to a computer, be sure to read “Precautions when using the USB [TO HOST] terminal” on page 46.
1. Download the latest Yamaha Steinberg USB
Driver from the URL below. https://download.yamaha.com/
NOTE
• For more information on the system requirements for the Yamaha Steinberg USB Driver, refer to the URL above.
• The Yamaha Steinberg USB Driver may be revised and updated without prior notice. For details and the latest information, refer to the URL above.
2. Install the Yamaha Steinberg USB Driver on
your computer.
Refer to the Installation Guide included in the downloaded file.
3. Change the settings from the [MENU]
button GeneralMIDIMIDI Port USB to On to set the CK to send and receive MIDI through the USB [TO HOST] terminal.

Controlling a synthesizer or tone generator module from the CK

You can play the sounds of an external MIDI tone generator by playing on the CK’s keyboard. By setting the [MENU] button GeneralMIDI MIDI Control to On (page 37), you can use the ORGAN FOOTAGE sliders and knobs for Filter and EG, for example, for controlling an external device.

Connecting to a computer

By connecting the CK to your computer, you can expand your musical possibilities by using music production software or DAWs. Here are some of the creative options you can explore.
• Recording your performance to a DAW
• Playing the software synthesizer from the CK
• Playing the internal sound generator of the CK from a DAW
A USB cable and the Yamaha Steinberg USB Driver are necessary to connect the CK to the computer. Follow the instructions below to make the connection.
CK61
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Using with External Devices
CK61
MIDI [IN] terminal
External keyboard
MIDI [OUT] terminal
CK61
MIDI [IN] terminal
External MIDI device such as tone generator
USB [TO HOST] terminalMIDI [OUT] terminal
USB cable
USB terminal
Computer

Controlling the CK from an external keyboard

By combining with another keyboard, you can have the two connected instruments function like a two­manual organ. For example, if you wish to play both the CK and the other instrument by setting the [SETTINGS] button Function External Keyboard (page 32) to Ext+Int, or to play only the other instrument by setting to ExtOnly.

Setting the MIDI transmit and receive channels

To control a device using MIDI, you must set the transmit channel on the controlling device and the receive channel on the controlled device to match. You can change the transmit channel (Tx) and receive channel (Rx) on the CK from the [MENU] button General MIDI MIDI Channel.
NOTE
For details on setting the transmit channel of an external MIDI keyboard or the receive channel of an external MIDI tone generator, refer to the owner’s manual of that device.

Setting how the MIDI terminals are used (MIDI Port settings)

The CK provides two MIDI ports, each with different purposes.
• Port 1: For communication between the CK and a computer.
• Port 2: For communication between a computer and an external MIDI device by using the CK.
You can set whether to use the MIDI terminals as Port 1 or Port 2, from the [MENU] button GeneralMIDI MIDI Port MIDI (page 37). Initially, it is set to Port 1.
Port 1
Use this Port to control the tone generator of the CK from an external device, or to control an external tone generator from the CK. Set the value under the [MENU] button General
MIDIMIDI PortMIDI to On.
Port 2
Use this port when you want to connect an external MIDI device to a computer via the CK. Set the values under the [MENU] button General MIDI MIDI Port as follows.
• MIDI: Off
• USB: On
Example

Disabling the internal tone generator sound when the built-in keyboard is played

If you want only the external tone generator connected to the MIDI [OUT] terminal or USB [TO HOST] terminal to produce sound when the keyboard of the CK is played, you can lower the CK’s volume, or turn off all Parts, or set the value for Local Control under the [MENU] button GeneralMIDILocal Control to Off (page 37). The last method is especially convenient when recording with a DAW.
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Data List

Live Set Sound List

CK88
Page No. Name
1 1 CFX Grand G2 A CFX Stereo 63 0 1
1 2 Mono U1 G2 A U1 63 0 2
1 3 CF3 Pad G2 A Live CF3 63 0 3
1 4 Acoustic Split G2 A Acoustic Bass 63 0 4
1 5 Panning Tines G2 A 78Rd 63 0 5
1 6 Warm Reeds G2 A Wr Warm 63 0 6
1 7
1 8 Orchestra G2 A Orchestra 2 63 0 8
2 1 S700 Grand G2 A S700 63 1 1
2 2 Rock Piano G2 A Live CF3 63 1 2
2 3 80’s Layer G2 A CFX St Bright 63 1 3
2 4 DX/Minilead G2 A DX 7 II 63 1 4
2 5 78Rd Chorus G2 A 78Rd 63 1 5
2 6 Funky Land Clav G2 A Clavi S 63 1 6
2 7 Rock Rotary G2 A H 63 1 7
2 8 Brass Section G2 A BrassSection5 63 1 8
Jazz Split
Split
Part Voice Name MSB LSB PC
Point
B– C–
B– C–
B Back Pad C–
BU1 CH
B– C–
B– C–
C3 A H 63 0 7
BH C–
B Concert Str C Horn Section
B– C–
B– C–
B 73Rd Studio C–
B Classic Mini C–
B– C–
B– C–
B– C–
B– C–
Page No. Name
3 1 CP80 Dirty Funk G2 A CP80 1 63 2 1
3 2 Phasing 73 G2 A 73Rd Studio 63 2 2
3 3 Fusion Layer G2 A 73Rd Studio 63 2 3
3 4 EDM Pluck Split G2 A Synth Bass 2 63 2 4
3 5 Amped Tines G2 A 73Rd Studio 63 2 5
3 6 The Red Organ G2 A V 63 2 6
3 7 JP Strings G2 A JP Strings 63 2 7
3 8 Soft Synth Lead G2 A Wire Lead 63 2 8
Split
Part Voice Name MSB LSB PC
Point
B– C–
B– C–
B OB Brass 1 C–
B Popcorn CSky Walk
B– C–
B– C–
B– C–
B– C–
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Data List
CK61 CK88 CK61
Page No. Name
1 1 CFX Grand G2 A CFX Stereo 63 0 1
1 2 Panning Tines G2 A 78Rd 63 0 2
1 3 Warm Reeds G2 A Wr Warm 63 0 3
1 4 80’s Layer G2 A CFX St Bright 63 0 4
1 5 Funky Land Clav G2 A Clavi S 63 0 5
1 6 Brass Section G2 A BrassSection5 63 0 6
1 7
1 8 Soft Synth Lead G2 A Wire Lead 63 0 8
2 1 S700 Grand G2 A S700 63 1 1
2 2 78Rd Chorus G2 A 78Rd 63 1 2
2 3 CP80 Dirty Funk G2 A CP80 1 63 1 3
2 4 CF3 Pad G2 A Live CF3 63 1 4
2 5 Amped Tines G2 A 73Rd Studio 63 1 5
2 6 JP Strings G2 A JP Strings 63 1 6
2 7 Rock Rotary G2 A H 63 1 7
2 8 Orchestra G2 A Orchestra 2 63 1 8
3 1 Mono U1 G2 A U1 63 2 1
3 2 Rock Piano G2 A Live CF3 63 2 2
3 3 Phasing 73 G2 A 73Rd Studio 63 2 3
3 4 DX/Minilead G2 A DX 7 II 63 2 4
3 5 Acoustic Split G2 A Acoustic Bass 63 2 5
3 6 Fusion Layer G2 A 73Rd Studio 63 2 6
3 7 The Red Organ G2 A V 63 2 7
3 8 EDM Pluck Split G2 A Synth Bass 2 63 2 8
Jazz Split
Split
Part Voice Name MSB LSB PC
Point
B– C–
B– C–
B– C–
B 73Rd Studio C–
B– C–
B– C–
C3 A H 63 0 7
BH C–
B– C–
B– C–
B– C–
B– C–
B Back Pad C–
B– C–
B– C–
B– C–
B Concert Str C Horn Section
B– C–
B– C–
B– C–
B Classic Mini C–
BU1 CH
B OB Brass 1 C–
B– C–
B Popcorn CSky Walk
Page No. Name
4 1 Live CF3 Grand G2 A Live CF3 63 3 1
4 2 Pretty Upright G2 A U1 63 3 2
4 3 Honky Dogs G2 A S700 63 3 3
4 4 House Piano G2 A Digi Piano 2 63 3 4
4 5 Bubble Rds C4 A 78Rd 63 3 5
4 6 Bright Reeds G2 A Wr Bright 63 3 6
4 7 Clavi S G2 A Clavi S 63 3 7
4 8 Trippy DX G2 A DX Legend 63 3 8
5 1 Comping Drawbar G2 A H 63 4 1
5 2 Jazz Swish G2 A H 63 4 2
5 3 Gospel Layers G2 A H 63 4 3
5 4 Lead Organ G2 A H 63 4 4
5 5 British Organ G2 A V 63 4 5
5 6 Aged Tone Organ G2 A A 63 4 6
5 7 Concert Organ G2 A Concert Organ 63 4 7
5 8 Big Pipes G2 A Organo Pleno 63 4 8
6 1 Echo Guitar G2 A Nylon Guitar1 63 5 1
6 2 Acoustic Steel G2 A Steel Gt 2 63 5 2
6 3 Clean El-Gtr G2 A Clean Gt 1 63 5 3
6 4 Overdrive Gtr G2 A Clean Gt 3 63 5 4
6 5 Slap Bass G2 A Slap Bass 63 5 5
6 6 101 Bass G2 A Synth Bass 3 63 5 6
6 7 Mini Bass G2 A Unison Bass 63 5 7
6 8 Click Syn Bass G2 A Click SynBass 63 5 8
Split
Part Voice Name MSB LSB PC
Point
B– C–
B– C–
BU1 C–
B– C–
B– C–
B– C–
B– C–
B– C–
B– C–
B– C–
BH C–
B– C–
B– C–
BA C–
B Church Organ1 C Church Organ1
B Concert Organ C–
B– C–
B– C–
B– C–
B– C–
B– C–
B Fundamental C–
B– C–
B– C–
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Data List
Page No. Name
7 1 Quartet Strings G2 A Quartet 63 6 1
7 2 Ancient Sampler G2 A Tron Strings 63 6 2
7 3 On top G2 A Orchestra 1 63 6 3
7 4 2310 Orchestra G2 A Alto Flute 63 6 4
7 5 Party Brass G2 A BrassSection2 63 6 5
7 6 Sax Section G2 A Sax Section 2 63 6 6
7 7 Flute G2 A Flute 1 63 6 7
7 8 Epic Calliope G2 A Calliope Ld 1 63 6 8
8 1 Comp and Solo G2 A 73Rd Studio 63 7 1
8 2 Nu Saw Lead C3 A – 63 7 2
8 3 Arena Lead G2 A Dancy Hook 63 7 3
8 4 Vx Based PolyLd C4 A – 63 7 4
8 5 Analog Pad G2 A Soft Pad 2 63 7 5
8 6 Zen Pad C4 A Atmosphere 63 7 6
8 7 Magic Bells Pad G2 A Bell Pad 1 63 7 7
8 8 Slow Choir G2 A Slow Choir 63 7 8
9 1 OB Brass G2 A OB Brass 1 63 8 1
9 2 Synth F.Horns G2 A Analog Brass1 63 8 2
9 3 Jumping Synths G2 A Jump Brass 63 8 3
9 4 Synth Strings G2 A Analog Str 63 8 4
9 5 Warm Analog Str G2 A Lite Strings2 63 8 5
9 6 Mallet Lead G2 A Marimba 1 63 8 6
9 7 Dream Vibes G2 A Vibraphone 63 8 7
9 8 Enchantment G2 A Glocken 1 63 8 8
Split
Part Voice Name MSB LSB PC
Point
B– C–
B– C–
B Oboe C French Horn
B Orchestra 2 C Section Str 2
B Forte Brass C BrassSection3
B– C–
B– C–
B– C–
BDynmic Mini C–
B Saw Lead 1 C–
B– C–
B– CV
B– C–
B ZEN C–
B Slow Choir C Glocken 1
B– C–
B– C–
B– C–
B– C–
B Syn Strings 1 C–
B Back Pad C–
B– C–
B– C–
B– C–
Page No. Name
10 1 Sweet Piano G2 A S700 63 9 1
10 2 BrghtPianoLayer G2 A CFX Stereo 63 9 2
10 3 80’s CP Brassy G2 A CP80 1 63 9 3
10 4 Gtr Pad Strings G2 A Classic Gt 63 9 4
10 5 Slow Piano Pad G2 A Live CF3 63 9 5
10 6 Cinematic G2 A High Brass 63 9 6
10 7 Ambient Piano G2 A CFX St Warm 63 9 7
10 8 Tricky Piano G2 A CFX Stereo 63 9 8
Split
Part Voice Name MSB LSB PC
Point
B Warm Strings C–
B CP80 1 C DX Woody
B Synth Brass 2 C–
B Soft Pad 2 C Warm Strings
BV C Ring Pad
B Orchestra 1 C–
BCFX St Warm CBalimba
B– C–
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Data List

Voice List

Category
Piano Grand 1 CFX Stereo 0
E.Piano Rd 1 78Rd 13
Organ
Brs/Wind (Brass/ Woodwind)
Sub
Category
Upright 11 U1 10
CP 12 CP80 1 11
Wr 3 Wr Warm 15
Clavi 5 Clavi B 17
FM 9 DX Legend 21
Tone Wheel
Combo 2 V 28
Pipe 6 Pipe Organ 1 32
Accordion 19 Accordion 45
Ensemble 1 BrassSection1 47
No Name
2 CFX St Bright 1
3CFX St Warm 2
4 CFX Mono 3
5 CFX Mn Bright 4
6 CFX Mn Warm 5
7 S700 6
8Live CF3 7
9 Digi Piano 1 8
10 Digi Piano 2 9
13 CP80 2 12
2 73Rd Studio 14
4 Wr Bright 16
6Clavi S 18
7 Harpsi 1 19
8 Harpsi 2 20
10 DX Woody 22
11 DX FTine 23
12 DX 7 II 24
13 DX Mellow 25
14 DX Crisp 26
1H 27
3F 29
4A 30
5Y 31
7 Pipe Organ 2 33
8 Concert Organ 34
9 Grand Jeu 35
10 FondsEtAnches 36
11 Organo Pleno 37
12 Diapason 38
13 Claribel&Flut 39
14 Soft Reeds 40
15 Church Organ1 41
16 Church Organ2 42
17 Church Organ3 43
18 Church Organ4 44
20 Musette 46
2 BrassSection2 48
3 BrassSection3 49
4 BrassSection4 50
5 BrassSection5 51
6 Sfz Brass 52
7 Forte Brass 53
8 SforzandoFall 54
9 High Brass 55
10 Mellow Brass1 56
11 Mellow Brass2 57
12 Soft Brass 58
13 Tp&Tb Section 59
14 Trb. Section 60
15 Horn Section 61
16 Horn Strings 62
17 Brass Strings 63
Parameter
Value
Category
Brs/Wind (Brass/ Woodwind)
Gtr/Bass (Guitar/ Bass)
Sub
Category
Solo 18 Sweet Trumpet 64
Saxophone 23 Sax Section 1 69
Woodwind 32 Oboe 78
Synth 48 Synth Brass 1 94
Guitar 1 Classic Gt 109
No Name
19 Trumpet 65
20 Trombone 66
21 French Horn 67
22 Horn 68
24 Sax Section 2 70
25 Sax Section 3 71
26 Sweet Alto 72
27 Alto Sax 73
28 Tenor Sax 1 74
29 Tenor Sax 2 75
30 Soprano Sax 76
31 Baritone Sax 77
33 Bassoon 79
34 Clarinet 80
35 Flute 1 81
36 Flute 2 82
37 Alto Flute 83
38 Tape Flute 84
39 Recorder 85
40 Pan Flute 1 86
41 Pan Flute 2 87
42 Bottle 88
43 Shakuhachi 89
44 Ocarina 90
45 Harmonica 1 91
46 Harmonica 2 92
47 Bagpipe 93
49 Synth Brass 2 95
50 Synth Brass 3 96
51 Synth Brass 4 97
52 Jump Brass 98
53 OB Brass 1 99
54 OB Brass 2 100
55 OB Brass 3 101
56 OB Brass 4 102
57 OB Brass 5 103
58 SoftSynBrs 1 104
59 SoftSynBrs 2 105
60 Big Squish 106
61 Analog Brass1 107
62 Analog Brass2 108
2 Nylon Guitar1 110
3 Nylon Gt Harm 111
4 Nylon Guitar2 112
5 Steel Gt 1 113
6 Steel Gt 2 114
7 Steel Gt 3 115
8 12 Str Gt 1 116
9 12 Str Gt 2 117
10 Clean Gt 1 118
11 Clean Gt 2 119
12 Clean Gt 3 120
13 60's Clean Gt 121
14 Funk Guitar 122
15 12 Str Clean 123
16 Dist Guitar 1 124
17 Dist Guitar 2 125
18 Over The Top 126
19 Crunch Guitar 127
20 Crunch Oct 128
21 Mute Dist 129
22 Jazz Guitar 130
23 Hawaiian Gt 131
Parameter
Value
Category
Gtr/Bass (Guitar/ Bass)
Strings Ensemble 1 Section Str 1 167
Sub
Category
Bass 24 Acoustic Bass 132
Bass +Drum
Synth 39 Synth Bass 1 147
Solo 27 Sweet Violin 193
Pizzicato 30 Pizzicato 1 196
No Name
25 Upright Bass 133
26 Finger Bass 1 134
27 Finger Bass 2 135
28 Finger Bass 3 136
29 Finger Bass 4 137
30 Pick Bass 1OM 138
31 Pick Bass 1 M 139
32 Pick Bass 1 O 140
33 Pick Bass 2 141
34 Slap Bass 142
35 Fretless Ba 1 143
36 Fretless Ba 2 144
37 A.Bass + Cym 145
38 E.Bass + Cym 146
40 Synth Bass 2 148
41 Synth Bass 3 149
42 Synth Bass 4 150
43 Synth Bass 5 151
44 Big Bass 152
45 101 Bass 153
46 Competitor 154
47 Perc Punch 155
48 Trance Bass 156
49 Dark Bass 157
50 Click SynBass 158
51 Acid Bass 159
52 Square Bass 160
53 Long Spit 161
54 Fundamental 162
55 One Voice 163
56 Fat Sine 164
57 Fat Sine Res 165
58 Unison Bass 166
2 Section Str 2 168
3 Section Str 3 169
4 Strings 1 170
5 Strings 2 171
6 Orchestra 1 172
7 Orchestra 2 173
8 Arco String 174
9 Fast Strings 175
10 Marcato Str 176
11 Concert Str 177
12 Legato Str 178
13 Warm Strings 179
14 Slow Str 1 180
15 Slow Str 2 181
16 Slow Str 3 182
17 60's Strings 183
18 70's Strings1 184
19 70's Strings2 185
20 SlwAtkTremolo 186
21 Tremolo Str 187
22 Velo Strings 188
23 Quartet 189
24 Tron Strings 190
25 Tape Strings 191
26 Flute Strings 192
28 Violin 194
29 Cello 195
31 Pizzicato 2 197
32 Harp 198
Parameter
Value
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Data List
Category
Strings Synth 33 Syn Strings 1 199
Pad Pad 1 Bell Pad 1 209
Sub
Category
No Name
34 Syn Strings 2 200
35 Syn Strings 3 201
36 Analog Str 202
37 Lite Strings1 203
38 Lite Strings2 204
39 JP Strings 205
40 Pop Syn Str 206
41 Unison Str 207
42 Oct Syn Str 208
2 Bell Pad 2 210
3 BrightPadBell 211
4 Sharp Teeth 212
5 Ring Pad 213
6 Anlg Rez Pad 214
7 LFO Pad 215
8 Chill Scap 216
9 Strings Pad 217
10 Back Pad 218
11 Planet 219
12 Atmosphere 220
13 Click Pad 221
14 Pad 80 222
15 Poly Pad 223
16 Glass Harp 224
17 Digi Stuff 225
18 New Age Pad 226
19 Darklight 227
20 Neo Crystal 228
21 Vapor 229
22 Soft Pad 1 230
23 Soft Pad 2 231
24 VP Soft 232
25 Glass Pad 233
26 Sine Pad 234
27 Echoes 235
28 Ambient Pad 236
29 Pan Pad 237
30 Sci-Fi 238
31 Big Pan 239
32 Goblins 240
33 Sweep Pad 1 241
34 Sweep Pad 2 242
35 Nowhere 243
36 Goblins Synth 244
37 Celestial 245
38 Converge 246
39 Creation 247
40 Ancestral 248
41 Soundtrack 249
42 Echo Pad 250
43 Rain 251
44 Analog Pad 252
45 Dark Light 253
46 Digi Pad 254
47 Noble Pad 255
48 Pop Pad 256
49 Fat Saw 257
50 Angel Pad 258
Parameter
Value
Category
Pad Choir 51 Choir 1 259
Lead Analog 1 Dancy Hook 274
Sub
Category
Sound FX 61 Twist 269
Digital 45 Digital Lead 318
No Name
52 Choir 2 260
53 Choir 3 261
54 Air Choir 262
55 Choir Aah 263
56 Voice Oohs 264
57 Slow Vox 265
58 Slow Choir 266
59 Itopia 267
60 Mystic Pad 268
62 Da Pad 270
63 Dark Star 271
64 Mind Bell 272
65 ZEN 273
2 Faaat Dance 275
3 Techno Brass 276
4 After 1984 277
5 Analog Lead 1 278
6 Analog Lead 2 279
7 Analog Lead 3 280
8 Analog Lead 4 281
9 Saw Lead 1 282
10 Saw Lead 2 283
11 Saw Lead 3 284
12 Wire Lead 285
13 Classic Mini 286
14 Big Lead 1 287
15 Big Lead 2 288
16 Early Lead 289
17 Troy 290
18 Sync Saw Lead 291
19 Punch Lead 292
20 Soft RnB 293
21 Popcorn 294
22 Synth Trumpet 295
23 Dynmic Mini 296
24 Crying 297
25 Funky Mini 298
26 Funky Poly 299
27 Mini Three 300
28 Nu Mini 301
29 Sky Walk 302
30 Mini Soft 303
31 Mini Lead 304
32 Inda Night 305
33 Sine Lead 306
34 Tiny Lead 307
35 Synth Whistle 308
36 Raplead 309
37 Funk Lead 1 310
38 Funk Lead 2 311
39 Rezz Punch 312
40 Square Lead 1 313
41 Square Lead 2 314
42 Square Lead 3 315
43 Soft Square 316
44 5th Lead 317
46 Voice Lead 319
47 Wind Lead 320
48 Calliope Ld 1 321
49 Calliope Ld 2 322
50 Orchestra Hit 323
51 Impact 324
Parameter
Value
Category
Chr.Perc (Chromatic Percussion)
Others Ethnic 1 Kalimba 351
Sub
Category
Mallet 1 Marimba 1 325
Bell 12 Soft Crystal 336
Synth Bell 16 Digi Bell 1 340
Percussion 10 Timpani 360
No Name
2 Marimba 2 326
3 Xylophone 1 327
4 Xylophone 2 328
5 Balimba 329
6 Vib ST 330
7 Vibraphone 331
8 Hard Vibes 332
9 Glocken 1 333
10 Glocken 2 334
11 Music Box 335
13 Tinkle Bell 337
14 Tubular Bell 338
15 Carillon 339
17 Digi Bell 2 341
18 Digi Bell 3 342
19 Nice Bell 343
20 Stack Bell 344
21 Bell Harp 345
22 Harp Vox 346
23 Round Glock 347
24 Air Bells 348
25 Star Dust 349
26 Heaven Bell 350
2 Kanoon 352
3 Shamisen 353
4 Sitar 1 354
5 Sitar 2 355
6 Banjo 356
7 Mandolin 357
8 Dulcimer 358
9 Koto 359
11 Steel Drums 361
12 Agogo 362
Parameter
Value
CK88 CK61 Owner’s Manual
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Data List

Control Change Number

* CC numbers A, B, and C correspond to each of Part A, B, and C. The parameters shown in parenthesis will not affect the internal tone generator. For parameter values, see tables A to C on the next page.
CC No.
A B C
Rotary 9
9
Organ 18 77 111
19 78 112 ) ORGAN FOOTAGE slider [5 1/3'] D
20 79 113 ) ORGAN FOOTAGE slider [8'] D
21 80 114 ) ORGAN FOOTAGE slider [4'] D
22 81 115 ) ORGAN FOOTAGE slider [2 2/3'] D
23 82 116 ) ORGAN FOOTAGE slider [2'] D
24 83 117 ) ORGAN FOOTAGE slider [1 3/5'] D
25 85 118 ) ORGAN FOOTAGE slider [1 1/3'] D
26 86 119 ) ORGAN FOOTAGE slider [1'] D
Volume 12 Volume
27 ! Part Volume slider [B] A
87 ! Part Volume slider [C] A
Filter 74 30 104 Cutoff
71 31 105 Resonance
EG 73 28 102 Attack
72 29 103 Release
Drive 13 68 106 Depth
Effect1 14 69 107 Depth
15 70 108 Rate M EFFECT [RATE] knob A
Effect2 16 75 109 Depth M EFFECT [DEPTH] knob A
17 76 110 Rate M EFFECT [RATE] knob A
Delay 93 Depth
92 Time N DELAY [TIME] knob A
Reverb 91 Depth
Equalizer 90 Equalizer GainPEQUALIZER slider [LOW] B
89 P EQUALIZER slider [MID] B
88 P EQUALIZER slider [HIGH] B
CC
Foot Pedal 1, Foot Pedal 2, Modulation Wheel
No.
10 (Pan) 11 Expression 12 A: Volume 13 A: Drive Depth 14 A: Effect1 Depth 15 A: Effect1 Rate 16 A: Effect2 Depth 17 A: Effect2 Rate 18 A: Drawbar 16' 19 A: Drawbar 5 1/3 20 A: Drawbar 8' 21 A: Drawbar 4' 22 A: Drawbar 2 2/3 23 A: Drawbar 2' 24 A: Drawbar 1 3/5' 25 A: Drawbar 1 1/3' 26 A: Drawbar 1'
Display Controllers Table
ROTARY [STOP] button C
4
ROTARY [SPEED] button C
5
ORGAN FOOTAGE slider [16'] D
)
Part Volume slider [A] A
!
FILTER [CUTOFF] knob A
J
FILTER [RESONANCE] knob A
J
EG [ATTACK] knob A
K
EG [RELEASE] knob A
K
DRIVE [DEPTH] knob A
L
EFFECT [DEPTH] knob A
M
DELAY [DEPTH] knob A
N
REVERB DEPTH knob A
O
Display* Controllers Table
1 Modulation 4Pedal Wah 5 (Portamento Time) 6 (Data Entry MSB) 7All Volume 9 Rotary Slow/Fast
ROTARY [STOP] button C
4
ROTARY [SPEED] button C
5
Part Volume slider [A] A
!
DRIVE [DEPTH] knob A
L
EFFECT [DEPTH] knob A
M
EFFECT [RATE] knob A
M
EFFECT [DEPTH] knob A
M
EFFECT [RATE] knob A
M
ORGAN FOOTAGE slider [16'] A
)
ORGAN FOOTAGE slider [5 1/3'] A
)
ORGAN FOOTAGE slider [8'] A
)
ORGAN FOOTAGE slider [4'] A
)
ORGAN FOOTAGE slider [2 2/3'] A
)
ORGAN FOOTAGE slider [2'] A
)
ORGAN FOOTAGE slider [1 3/5'] A
)
ORGAN FOOTAGE slider [1 1/3'] A
)
ORGAN FOOTAGE slider [1'] A
)
Foot Pedal 1, Foot Pedal 2, Modulation Wheel
CC
Display* Controllers Table
No.
27 B: Volume 28 B: Attack 29 B: Release 30 B: Cutoff 31 B: Resonance 32 (Bank LSB) 38 (Data Entry LSB) 64 Sustain 65 (Portamento) 66 Sostenuto 67 Soft 68 B: Drive Depth 69 B: Effect1 Depth 70 B: Effect1 Rate 71 A: Resonance 72 A: Release 73 A: Attack 74 A: Cutoff 75 B: Effect2 Depth 76 B: Effect2 Rate 77 B: Drawbar 16' 78 B: Drawbar 5 1/3 79 B: Drawbar 8' 80 B: Drawbar 4' 81 B: Drawbar 2 2/3 82 B: Drawbar 2' 83 B: Drawbar 1 3/5' 84 (Portamento Ctrl) 85 B: Drawbar 1 1/3' 86 B: Drawbar 1' 87 C: Volume 88 Equalizer High 89 Equalizer Mid 90 Equalizer Low 91 Reverb Depth 92 Delay Time 93 Delay Depth 95 (Effect5 Depth) 96 (Data Increment) 97 (Data Decrement) 98 (NRPN LSB)
99 (NRPN MSB) 100 (RPN LSB) 101 (RPN MSB) 102 C: Attack 103 C: Release 104 C: Cutoff 105 C: Resonance 106 C: Drive Depth 107 C: Effect1 Depth 108 C: Effect1 Rate 109 C: Effect2 Depth 110 C: Effect2 Rate 111 C: Drawbar 16' 112 C: Drawbar 5 1/3 113 C: Drawbar 8' 114 C: Drawbar 4' 115 C: Drawbar 2 2/3 116 C: Drawbar 2' 117 C: Drawbar 1 3/5' 118 C: Drawbar 1 1/3' 119 C: Drawbar 1'
USB Audio Volume
Part Volume slider [B] A
!
EG [ATTACK] knob A
K
EG [RELEASE] knob A
K
FILTER [CUTOFF] knob A
J
FILTER [RESONANCE] knob A
J
DRIVE [DEPTH] knob A
L
EFFECT [DEPTH] knob A
M
EFFECT [RATE] knob A
M
FILTER [RESONANCE] knob A
J
EG [RELEASE] knob A
K
EG [ATTACK] knob A
K
FILTER [CUTOFF] knob A
J
EFFECT [DEPTH] knob A
M
EFFECT [RATE] knob A
M
ORGAN FOOTAGE slider [16'] A
)
ORGAN FOOTAGE slider [5 1/3'] A
)
ORGAN FOOTAGE slider [8'] A
)
ORGAN FOOTAGE slider [4'] A
)
ORGAN FOOTAGE slider [2 2/3'] A
)
ORGAN FOOTAGE slider [2'] A
)
ORGAN FOOTAGE slider [1 3/5'] A
)
ORGAN FOOTAGE slider [1 1/3'] A
)
ORGAN FOOTAGE slider [1'] A
)
Part Volume slider [C] A
!
EQUALIZER slider [LOW] B
P
EQUALIZER slider [MID] B
P
EQUALIZER slider [HIGH] B
P
REVERB DEPTH knob A
O
DELAY [DEPTH] knob A
N
DELAY [TIME] knob A
N
EG [ATTACK] knob A
K
EG [RELEASE] knob A
K
FILTER [CUTOFF] knob A
J
FILTER [RESONANCE] knob A
J
DRIVE [DEPTH] knob A
L
EFFECT [DEPTH] knob A
M
EFFECT [RATE] knob A
M
EFFECT [DEPTH] knob A
M
EFFECT [RATE] knob A
M
ORGAN FOOTAGE slider [16'] A
)
ORGAN FOOTAGE slider [5 1/3'] A
)
ORGAN FOOTAGE slider [8'] A
)
ORGAN FOOTAGE slider [4'] A
)
ORGAN FOOTAGE slider [2 2/3'] A
)
ORGAN FOOTAGE slider [2'] A
)
ORGAN FOOTAGE slider [1 3/5'] A
)
ORGAN FOOTAGE slider [1 1/3'] A
)
ORGAN FOOTAGE slider [1'] A
)
CK88 CK61 Owner’s Manual
54
Table A
Parameters
0-127 0-127 0-127
Transmitted Recognized
Table B
Parameters
-12dB 52 0-5 0-5
-11dB 53 6-10 6-10
-10dB 54 11-15 11-15
-9dB 55 16-20 16-20
-8dB 56 21-25 21-25
-7dB 57 26-30 26-30
-6dB 58 31-35 31-35
-5dB 59 36-40 36-40
-4dB 60 41-46 41-46
-3dB 61 47-51 47-51
-2dB 62 52-56 52-56
-1dB 63 57-61 57-61
0dB 64 62-66 62-66
1dB 65 67-71 67-71
2dB 66 72-76 72-76
3dB 67 77-81 77-81
4dB 68 82-87 82-87
5dB 69 88-92 88-92
6dB 70 93-97 93-97
7dB 71 98-102 98-102
8dB 72 103-107 103-107
9dB 73 108-112 108-112
10dB 74 113-117 113-117
11dB 75 118-122 118-122
12dB 76 123-127 123-127
Transmitted Recognized
Data List
Controller Value
Controller Value
Table C
Table D
Parameters
Slow 0 0-63
Stop 64 64
Fast 127 65-127
Parameters
000
1 1-18 1-18
2 19-36 19-36
3 37-54 37-54
4 55-72 55-72
5 73-90 73-90
6 91-108 91-108
7 109-126 109-126
8 127 127
Controller Value
Transmitted Recognized
Controller Value
Transmitted Recognized
CK88 CK61 Owner’s Manual
55
Data List

MIDI Data Format

1 Scope
The specifications described herein apply to transmission and reception of MIDI data by a CK88 or CK61 Stage Keyboard.
2 Compliance
The specifications described herein comply with the MIDI 1.0 standard.
(1) TRANSMIT FLOW
MIDI <-+--[SW1]--+---------NOTE OFF 8nH OUT | | +---------NOTE ON 9nH | | | +---------CONTROL CHANGE | | SUSTAIN BnH,40H | | ASSIGNABLE CONTROLLER BnH,(01H...77H) | | | | | | | | | | | +--[SW3]--BANK SELECT MSB BnH,00H | | BANK SELECT LSB BnH,20H | | | +--[SW4]--PROGRAM CHANGE CnH | | | +---------PITCH BEND CHANGE EnH | +-------------------SYSTEM REALTIME MESSAGE | ACTIVE SENSING FEH | +--[SW2]--+---------SYSTEM EXCLUSIVE MESSAGE | | | +---------<BULK DUMP> | | F0H 43H 0nH 7FH 1CH bhH blH 0BH ahH amH
| | alH ddH....ddH ccH F7H
| | | +---------<PARAMETER CHANGE> | F0H 43H 1nH 7FH 1CH 0BH ahH amH alH | ddH...ddH F7H | +-------------------SYSTEM EXCLUSIVE MESSAGE IDENTITY REPLY F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH mmH 00H 00H 7FH F7H
dd: Device family number/code CK61: 62H 06H CK88: 63H 06H
mm: version mm =(version no.-1.0) * 10 e.g.)version 1.0mm =(1.0-1.0) * 10 = 0  version 1.5mm =(1.5-1.0) * 10 = 5
[SW1] MIDI Transmit Channel
Complies with Zone Transmit Channel when the Master Keyboard Mode SW is set to on. Complies with MIDI Transmit Channel in any other case.
[SW2] SYSTEM MIDI Device Number
When set to “all,” transmitted via “1.” [SW3] SYSTEM Bank Select Switch [SW4] SYSTEM Program Change Switch
See the following information for the Control Change to be valid when MIDI Control is set to On.
(2) RECEIVE FLOW
MIDI >-+--[SW1]--+---------NOTE OFF 8nH | | | |---------NOTE ON/OFF 9nH | | | +---------CONTROL CHANGE | | MODULATION BnH,01H | | PEDAL WAH BnH,04H | | CHANNEL VOLUME BnH,07H | | EXPRESSION BnH,0BH | | SUSTAIN BnH,40H | | SOSTENUTO BnH,42H | | SOFT BnH,43H | | PORTAMENTO CONTROL BnH,54H | | | +--[SW3]--BANK SELECT MSB BnH,00H | | BANK SELECT LSB BnH,20H | | | +---------CHANNEL MODE MESSAGE | | ALL SOUND OFF BnH,78H | | RESET ALL CONTROLLERS BnH,79H | | ALL NOTES OFF BnH,7BH | | OMNI MODE OFF BnH,7CH | | OMNI MODE ON BnH,7DH | | | +--[SW4]--PROGRAM CHANGE CnH | | | +---------PITCH BEND CHANGE EnH | +-------------------SYSTEM REALTIME MESSAGE | ACTIVE SENSING FEH |
+--[SW2]--+---------SYSTEM EXCLUSIVE MESSAGE | | | +---------<BULK DUMP> | | F0H 43H 0nH 7FH 1CH bhH blH 0BH ahH amH | | alH ddH...ddH ccH F7H | | | +---------<PARAMETER CHANGE> | | F0H 43H 1nH 7FH 1CH 0BH ahH amH alH | | ddH...ddH F7H | | | +---------<BULK DUMP REQUEST> | | F0H 43H 2nH 7FH 1CH 0BH ahH amH alH F7H | | | +---------<PARAMETER REQUEST> | F0H 43H 3nH 7FH 1CH 0BH ahH amH alH F7H | +-------------------SYSTEM EXCLUSIVE MESSAGE IDENTITY REQUEST F0H 7EH 0nH 06H 01H F7H
[SW1] Complies with MIDI Receive Channel. [SW2] SYSTEM MIDI Device Number [SW3] SYSTEM Bank Select Switch [SW4] SYSTEM Program Change Switch
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) NOTE OFF
STATUS 1000nnnn(9nH) n = 0–15 CHANNEL NUMBER NOTE No. 0kkkkkkk k = 0(C-2)–127(G8) VELOCITY 0vvvvvvv v = 64 Transmit
(3-1-2) NOTE ON/OFF
STATUS 1000nnnn(8nH) n = 0–15 CHANNEL NUMBER NOTE No. 0kkkkkkk k = 0(C-2)–127(G8) VELOCITY NOTE ON 0vvvvvvv(v≠0) NOTE OFF 0vvvvvvv(v=0)
(3-1-3) CONTROL CHANGE
STATUS 1011nnnn(BnH) n = 0–15 CHANNEL NUMBER CONTROL NUMBER 0ccccccc CONTROL VALUE 0vvvvvvv
*TRANSMITTED CONTROL NUMBER c = 0 BANK SELECT MSB ; v = 0 - 127 *1 c = 32 BANK SELECT LSB ; v = 0 - 127 *1 c = 64 SUSTAIN ; v = 0 - 127 *3 c = 1..119 ASSIGNABLE CONTROLLER ; v = 0 - 127 *2
*RECEIVED CONTROL NUMBER c = 0 BANK SELECT MSB ; v = 0 - 127 *1 c = 32 BANK SELECT LSB ; v = 0 - 127 *1 c = 1 MODULATION ; v = 0 - 127 c = 4 PEDAL WAH ; v = 0 - 127 c = 7 CHANNEL VOLUME ; v = 0 - 127 c = 11 EXPRESSION ; v = 0 - 127 c = 64 SUSTAIN ; v = 0 - 127 c = 66 SOSTENUTO ;v=0-63:OFF, 64-127:ON c = 67 SOFT ; v = 0 - 127 c = 84 PORTAMENTO CONTROL ; v = 0 - 127
*1 Relation between BANK SELECT and PROGRAM is as follows:
CATEGORY MSB LSB PROGRAM No.
Live Set Page 1 63 0 0..7
:: :
Live Set Page 20 63 19 0..7
*2 The default CONTROL NUMBERS of ASSIGNABLE CONTROLLER are as
follows:
MODULATION WHEEL 1 FOOT PEDAL 1 64 FOOT PEDAL 2 11
Foot Pedal Type
*3
pedal operation transmits the value 0 (off) or 127 (on).
Bank Select will be actually executed when a Program Change message is received. Bank Select and Program Change numbers that are not supported by this instrument will be ignored.
(3-1-4) PROGRAM CHANGE
STATUS 1100nnnn(CnH) n = 0–15 CHANNEL NUMBER PROGRAM NUMBER 00000ppp p = 0–7
(3-1-5) PITCH BEND CHANGE
STATUS 1110nnnn(EnH) n = 0–15 CHANNEL NUMBER LSB 0vvvvvvv PITCH BEND CHANGE LSB MSB 0vvvvvvv PITCH BEND CHANGE MSB
Transmitted with a resolution of 7 bits.
(3-2) CHANNEL MODE MESSAGES
STATUS 1011nnnn(BnH) n = 0–15 CHANNEL NUMBER CONTROL NUMBER 0ccccccc c = CONTROL NUMBER CONTROL VALUE 0vvvvvvv v = DATA VALUE
is set to
FC3A (HalfOff)
or
FC4A/FC5
, the foot
CK88 CK61 Owner’s Manual
56
Data List
USB Port 2 is enabled when ‘MIDI Port MIDI SW = OFF’ and ‘MIDI Port USB SW = ON’
Keyboard
MIDI Out
USB Port 1
Part A
USB Port 2
MIDI IN
USB Port 1
USB Port 2
Zone Settings
Zone Mode SW
Local Control
MIDI Port
MIDI SW
MIDI Port MIDI SW
MIDI Port USB SW
Part A External Keyboard SW
Part B External Keyboard SW
Part C External Keyboard SW
MIDI Port
USB SW
Part B
Part C
(3-2-1) ALL SOUND OFF (CONTROL NUMBER = 78H, DATA VALUE = 0)
All the sounds currently being played, including channel messages such as note-on
of a certain channel, are muted this message is received.
(3-2-2) RESET ALL CONTROLLERS (CONTROL NUMBER = 79H, DATA VALUE = 0)
Resets the values set for the following controllers.
PITCH BEND CHANGE 0 (center)
MODULATION 0 (minimum)
PEDAL WAH 0 (minimum)
EXPRESSION 127 (maximum)
SUSTAIN 0 (off)
SOSTENUTO 0 (off)
SOFT 0 (off)
PORTAMENTO CONTROL Clear the reserved note number
Doesn’t reset the following data:
PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME
(3-2-3) ALL NOTES OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0)
All the notes currently set to on in certain channel(s) are muted when receiving this
message. However, if Sustain or Sostenuto is on, notes will continue sounding until
these are turned off.
(3-2-4) OMNI MODE OFF (CONTROL NUMBER = 7CH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.
(3-2-5) OMNI MODE ON (CONTROL NUMBER = 7DH, DATA VALUE = 0)
Performs the same function as when receiving ALL NOTES OFF.
(3-3) SYSTEM REAL TIME MESSAGES
(3-3-1) ACTIVE SENSING
STATUS 11111110(FEH)
Transmitted every 200 msec.
Once this code is received, the instrument starts sensing. When neither status
messages nor data are received for more than approximately 350 ms, the MIDI
receive buffer will be cleared, and the sounds currently being played are forcibly
turned off.
(3-4) SYSTEM EXCLUSIVE MESSAGE
(3-4-1) UNIVERSAL NON REALTIME MESSAGE
(3-4-1-1) IDENTITY REQUEST (Receive only)
F0H 7EH 0nH 06H 01H F7H (“n” = Device No. However, this instrument receives under “omni.”)
(3-4-1-2) IDENTITY REPLY (Transmit only)
F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH mmH 00H 00H 7FH F7H
dd: Device family number/code CK61: 62H 06H CK88: 63H 06H
mm: version mm = (version no. - 1.0) * 10 e.g.) version 1.0 mm = (1.0 - 1.0) * 10 = 0 version 1.5 mm = (1.5 - 1.0) * 10 = 5
(3-4-2) UNIVERSAL REALTIME MESSAGE
(3-4-3)PARAMETER CHANGE
(3-4-3-1) NATIVE PARAMETER CHANGE, MODE CHANGE
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 00001011 0B Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0ddddddd ddddddd Data | | 11110111 F7 End of Exclusive
For parameters with data size of 2 or more, the appropriate number of data bytes will be transmitted. See the following MIDI Data Table for Address.
(3-4-4) BULK DUMP
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 0bbbbbbb bbbbbbb Byte Count 0bbbbbbb bbbbbbb Byte Count 00001011 0B Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 0 0 Data | | 0ccccccc ccccccc Check-sum 11110111 F7 End of Exclusive
See the following MIDI Data Table for Address and Byte Count. Checksum is the value that results in a value of 0 for the lower 7 bits when the Byte Count, Start Address, Data and Checksum itself are added.
(3-4-5) DUMP REQUEST
(3-4-6) PARAMETER REQUEST
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 00001011 0B Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 11110111 F7 End of Exclusive
See the following MIDI Data Table for Address.
11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01111111 7F Group ID High 00011100 1C Group ID Low 00001011 0B Model ID 0aaaaaaa aaaaaaa Address High 0aaaaaaa aaaaaaa Address Mid 0aaaaaaa aaaaaaa Address Low 11110111 F7 End of Exclusive
See the following MIDI Data Table for Address.
(4) SYSTEM OVERVIEW (Keyboard and Tone Generator)
ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the keyboard and the data via MIDI. ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via MIDI.
CK88 CK61 Owner’s Manual
57
Data List

MIDI Data Table

Bank Select
MSB LSB
DEC HEX DEC HEX
63 3F 0 00 0–7 Live Set
1 01 0–7 User Live Set Page 2
2 02 0–7 User Live Set Page 3
3 03 0–7 User Live Set Page 4
4 04 0–7 User Live Set Page 5
5 05 0–7 User Live Set Page 6
6 06 0–7 User Live Set Page 7
7 07 0–7 User Live Set Page 8
8 08 0–7 User Live Set Page 9
9 09 0–7 User Live Set Page 10
10 0A 0–7 User Live Set Page 11
11 0B 0–7 User Live Set Page 12
12 0C 0–7 User Live Set Page 13
13 0D 0–7 User Live Set Page 14
14 0E 0–7 User Live Set Page 15
15 0F 0–7 User Live Set Page 16
16 10 0–7 User Live Set Page 17
17 11 0–7 User Live Set Page 18
18 12 0–7 User Live Set Page 19
19 13 0–7 User Live Set Page 20
Program
No.
Typ e Memory Description
Sound
User Live Set Page 1
Parameter Base Address
Group Number = 7F 1C, Model ID = 0B
Parameter Block
High Mid Low
System 20 00 00 Common
20 40 00 Master EQ
00 7F 00 Soundmondo Format Version
BULK CONTROL 0E 00 00 Header
STORE TO FLASH 0D 00 00 Store To Flash
Live Set Common 46 00 00 Common
Live Set Part 50 0p 00 Part
0F 00 00 Footer
46 40 00 Live Set EQ
46 10 00 Audio Trigger Path
4A zz 00 Zone (zz: 00–03)
Bulk Dump Block
“Top Address” indicates the top address of each block designated by the bulk dump operation. “Byte Count” indicates the data size contained in each block designated by the bulk dump operation. The block from the Bulk Header to the Bulk Footer of the Live Set Sound can be received regardless of their order; however, they cannot be received if an irrelevant Block is included. To execute 1 Live Set Sound bulk dump request, designate its corresponding Bulk Header address. For information about “pp” and “n” shown in the following list, refer to the MIDI PARAMETER CHANGE TABLE (BULK CONTROL).
Group Number = 7F 1C, Model ID = 0B
Parameter Block Description
System Common 5638200000
Live Set Sound Bulk Header 0 00 0E pp 0n
Master EQ 20 14 20 40 00
Soundmondo Format Version 4 04 00 7F 00
Common Common 83 53 46 00 00
Live Set EQ 20 14 46 40 00
Audio Trigger 255 FF 46 10 00
Zone Zone 1 16 10 4A 00 00
: :
Zone 4 03
Part Part A 105 69 50 00 00
Part B 01
Part C 02
Bulk Footer 0 00 0F pp 0n
Message Type Data
Parameter Change F0, 43, 1n, gh, gl, id, ah, am, al, dt, … F7
Parameter Request F0, 43, 3n, gh, gl, id, ah, am, al F7
DescriptionTop Address
Bulk Dump F0, 43, 0n, gh, gl, bh, bl, id, ah, am, al, dt, …, cc, F7
Bulk Request F0, 43, 2n, gh, gl, id, ah, am, al, F7
n: Device Number gh: Group Number High gl: Group Number Low bh: Byte Count High bl: Byte Count Low id: Model ID ah: Parameter Address High am: Parameter Address Middle al: Parameter Address Low dt: Data cc: Data Checksum
Byte Count Top Address
DEC HEX High Mid Low
CK88 CK61 Owner’s Manual
58
Data List
MIDI PARAMETER CHANGE TABLE (BULK CONTROL)
Group Number = 7F 1C, Model ID = 0B
Address
High Mid Low
0E pp 0n 1 - Bulk Header Live Set Sound User
7F 00 1 - Current Sound Buffer -
0F pp 0n 1 - Bulk Footer Live Set Sound User
7F 00 1 - Current Sound Buffer -
Size
Data
Range
(HEX)
Parameter
Name
Description
(pp = 0–19, n = 0–7)
(pp = 0–19, n = 0–7)
Default
(HEX)
-
-
SYSTEM
Common
Address
High Mid Low
20 00 00 1 reserved
01 1 reserved
02 4 00–00
06 1 3D–43 Keyboard Octave
07 1 34–4C Keyboard
08 1 00–01 Controller Reset Hold, Reset 01
09 1 00–01 Local Control Off, On 01
0A 1 00–0F, 7FTx Channel 1–16, Off 00
0B 1 00–10 Rx Channel 1–16, All 00
0C 1 00–01 MIDI Control Off, On 00
0D 1 reserved
0E 1 38–48 Output Gain −24–0–+24 [dB] 3E
0F 1 reserved
10 1 00–04 Keyboard Touch
11 1 01–7F Keyboard Fixed
12 1 00–01 Transmit/Receive
13 1 00–01 Transmit/Receive
14 1 reserved
15 1 00–01 MIDI In/Out Off, On 01
16 1 00–01 USB In/Out Off, On 01
17 1 reserved
18 1 reserved
19 1 reserved
1A 1 reser ved
1B 1 00–01 Value Indication Off, On 01
1C 1 00–01 Controller Mode Jump, Catch 00
1D 1 reserved
1E 1 00–01 LCD Switch Off, On 01
1F 1 36–4A LCD Contrast −10–0–+10 40
20 1 00–01 Panel Lock
21 1 00–01 Panel Lock Organ Off, On 01
22 1 00–01 Panel Lock Filter/EGOff, On 01
23 1 00–01 Panel Lock Drive/
24 1 00–01 Panel Lock Delay/
25 1 00–01 Panel Lock
26 1 reserved
27 1 reserved
Size
Data
Range
00–07 00–0F 00–0F
Master Tune
Shift
Transpose
Curve
Velocity
Bank Select
Program Change
Live Set
Effect
Reverb
Equalizer
Parameter
Name
Group Number = 7F 1C, Model ID = 0B
Description
414.72–466.78 [Hz] 1st bit3-0: bit15-12 2nd bit3-0: bit11-8 3rd bit3-0: bit 7-4 4th bit3-0: bit 3-0
−3–0–+3 40
−12–+12 [semitones]
Normal, Soft, Hard, Wide, Fixed
1–127 40
Off, On 01
Off, On 01
Off, On 01
Off, On 01
Off, On 01
Off, On 01
Default
(HEX)
00 04 00 00
40
00
Notes
Notes
Excluded from the save operation
Excluded from the save operation
Address
High Mid Low
28 1 00–13 Power On Page 1–20 00
29 1 00–07 Power On Sound 1–8 00
2A 1 00–03 Foot Pedal 1–
2B 1 00–02 Foot Pedal 1–Live
2C 1 00–03 Foot Pedal 2–
2D 1 00–02 Foot Pedal 2–Live
2E 1 00–01 Filter/EG Reset Off, On 01
2F 1 00–01 Effect On/Off
30 1 00–02 reserved
31 1 USB Audio
32 1 00–7F Bluetooth Volume 0–127 40
33 1 00–7F A/D Input Type Mic, Line 01
34 1 00–01 USB Audio
35 1 reserved
36 1 00–01 Speaker EQ Normal, Table 00
37 1 00–01 Speaker Mute Auto, Manual 00
TOTAL SIZE = 56 38 (HEX)
Size
Data
Range
Parameter
Name
Pedal Type
Set Inc/Dec
Pedal Type
Set Inc/Dec
Reset
Volume
Loopback
Description
FC3A (Half On), FC3A (HalfOff), FC4A/FC5, FC7
Off, Live Set Inc, Live Set Dec
FC3A (Half On), FC3A (HalfOff), FC4A/FC5, FC7
Off, Live Set Inc, Live Set Dec
Off, On 01
0–127 40
Off, On 00
Master EQ
Address
High Mid Low
20 40 00 1 34–4C Low Gain −12dB–+12dB 40
01 1 04–28 Low Frequency 32Hz–2.0kHz 0C
02 1 reserved
03 1 reserved
04 1 reserved
05 1 reserved
06 1 reserved
07 1 reserved
08 1 34–4C Mid Gain −12dB–+12dB 40
09 1 0E–36 Mid Frequency 100Hz–10kHz 22
0A 1 reserved
0B 1 reserved
0C 1 reserved
0D 1 reserved
0E 1 reserved
0F 1 reserved
10 1 34–4C High Gain −12dB–+12dB 40
11 1 1C–3A High Frequency 500Hz–16kHz 30
12 1 reserved
13 1 reserved
TOTAL SIZE = 20 14 (HEX)
Size
Data
Range
Parameter
Name
Description
Soundmondo Format Version
Address
High Mid Low
00 7F 00 1 00–7F Soundmondo Format
TOTAL SIZE = 4 4 (HEX)
Data
Size
1 00–7F Soundmondo Format
1 00–7F Soundmondo Format
1 reserved 00
Parameter Name Description
Range
Version Major
Version Minor
Version Bugfix
Default
(HEX)
00
00
03
00
Default
(HEX)
Default
(HEX)
01
00
00
Notes
Notes
Excluded from the save oper­ation
Excluded from the save oper­ation
Excluded from the save oper­ation
Notes
CK88 CK61 Owner’s Manual
59
Data List
Live Set Common
Common
Address
High Mid Low
46 00 00 1 20–7E Live Set Sound
01 1 20–7E Live Set Sound
02 1 20–7E Live Set Sound
03 1 20–7E Live Set Sound
04 1 20–7E Live Set Sound
05 1 20–7E Live Set Sound
06 1 20–7E Live Set Sound
07 1 20–7E Live Set Sound
08 1 20–7E Live Set Sound
09 1 20–7E Live Set Sound
0A 1 20–7E Live Set Sound
0B 1 20–7E Live Set Sound
0C 1 20–7E Live Set Sound
0D 1 20–7E Live Set Sound
0E 1 20–7E Live Set Sound
0F 1 reserved
10 1 00–01 Live Set EQ Mode
11 1 00–01 Master Keyboard
12 1 00–01 Advanced Zone
13 2 00–12
15 1 34–4C Sound Transpose −12–+12 40
16 1 00–03 Layer Split Mode ABC, A/BC,
17 1 reserved
18 1 01–7F Split Point C#−2–G8 37
19 1 01–7E Split Point A-B C#−2–F#837
1A 1 02–7F Split Point B-C D−2–G8 4F
1B 1 reser ved
1C 1 00–78 Modulation Wheel
1D 1 reserved
1E 1 reserved
1F 1 00–78 Foot Pedal 1 Assign 0–119, 120
20 1 00–7F Foot Pedal 1 Limit
21 1 00–7F Foot Pedal 1 Limit
Size
Data
Parameter Name Description
Range
Name 1
Name 2
Name 3
Name 4
Name 5
Name 6
Name 7
Name 8
Name 9
Name 10
Name 11
Name 12
Name 13
Name 14
Name 15
Switch
Mode Switch
Switch
Tempo 42.0–240.0
00–7F
Assign
Low
High
Group Number = 7F 1C, Model ID = 0B
Default
Notes
(HEX)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
32–126 (ASCII)
Off, On 00
Off, On 00
Off, On 00
1st bit6-0 bit13-7 2nd bit6-0 bit6-0
AB/C, A/B/C
0–119, 120 (USB Audio Volume) For more information, see “Control Change Number” (page 54).
(USB Audio Volume) For more information, see “Control Change Number” (page 54).
0–127 00
0–127 7F
49 'I'
6E 'n'
69 'i'
74 't'
20 ' '
53 'S'
6F 'o'
75 'u'
6E 'n'
64 'd'
20
20
20
20
20
09 30
00
01
40
Only for splitting in two
Only for splitting in three
Only for splitting in three
Address
High Mid Low
2A 1 00–7F Delay Time 0–127 40
2B 1
2C 1 00–01 Reverb Switch Off, On 01
2D 1 00–02 Reverb Type Hall Reverb,
3A 1 0E–36 A/D Input–EQ Mid
3B 1 34–4C A/D Input–EQ Mid
3C 1 1C–3A A/D Input–EQ High
3D 1 34–4C A/D Input–EQ High
Data
Size
22 1 00–78 Foot Pedal 2 Assign 0–119, 120
23 1 00–7F Foot Pedal 2 Limit
24 1 00–7F Foot Pedal 2 Limit
25 1 reserved
26 1 reserved
27 1 00–01 Delay Switch Off, On 00
28 1 00–03 Delay Type Digital Delay,
29 1 00–7F Delay Depth 0–127 40
2E 1 00–7F Reverb Depth 0–127 14
2F 1 reserved
30 1 00–01 Rotary Speaker
31 1 00–01 Rotary Speaker
32 1 reserved
33 1 00–01 Audio Trigger
34 1 00–7F Audio Trigger
35 1 00–01 Audio Trigger Key
36 1 00–02 Audio Trigger Play
37 1 reserved
38 1 04–28 A/D Input–EQ Low
39 1 34–4C A/D Input–EQ Low
3E 1 00–01 A/D Input–Noise
3F 1 36–61 A/D Input–Noise
40 1 reserved
41 1 reserved
42 1 reserved
43 1 reserved
44 1 reserved
45 1 00–22 A/D Input–Effect 1
46 1 00–7F A/D Input–Effect 1
47 1 00–7F A/D Input–Effect 1
48 1 reserved
49 1 00–22 A/D Input–Effect 2
Parameter Name Description
Range
Low
High
00–0E
Delay Tempo Delay Time
Slow/Fast
Stop
Switch
Volume
Assign
Mode
Freq
Gain
Freq
Gain
Freq
Gain
Gate Switch
Gate Threshold
Typ e
Depth
Rate
Typ e
(USB Audio Volume) For more information, see “Control Change Number” (page 54).
0–127 00
0–127 7F
Analog Delay, Cross Delay, Tempo Delay
1/32 Tri., 1/64 Dot., 1/32, 1/16 Tri., 1/32 Dot., 1/16, 1/8 Tri., 1/16 Dot, 1/8, 1/4 Tri., 1/8 Dot., 1/4, 1/2 Tri., 1/4 Dot., 1/2
Room Reverb, Plate Reverb
Slow, Fast 00
Off, On 00
Off, On 00
0–127 40
Lowest, Highest
One Shot, Play/Stop, Play/Pause
32 Hz–2.0 kHz 12
−12 dB–+12 dB40
100 Hz–10 kHz 29
−12 dB–+12 dB40
500 Hz–16 kHz 34
−12 dB–+12 dB40
Off, On 00
−73 dB–−30 dB52
*1 00
0–127 40
0–127 40
*1 00
Default
(HEX)
Notes
0B
00
0B
00
01
00
CK88 CK61 Owner’s Manual
60
Data List
Address
High Mid Low
4A 1 00–7F A/D Input–Effect 2
4B 1 00–7F A/D Input–Effect 2
4C 1 00–7F A/D Input–Volume 0–127 7F
4D 1 reserved
4E 1 reserved
4F 1 reserved
50 1 reserved
51 1 reserved
52 1 reserved
TOTAL SIZE = 83 53 (HEX)
*1: G Chorus, SPX Chorus, Symphonic, 816 Chorus, VCM Flanger, Cross FB Flanger, VCM Stereo Phaser, Small Phaser, Max90, Dual Phaser, Tremolo, Auto Pan, Simple Rotary, British Combo, British Lead, Small Stereo, Compressor, Tone Control, 1 BandEQ Narrow, 1 BandEQ Wide, Auto Wah, Touch Wah, Cross Delay, Digital Delay, Analog Delay, Room Reverb, Hall Reverb, Reverse Reverb, Ring Modulator, Slicer, LP Filter, HP Filter, Lo-Fi, Harmonic Enhancer
Size
Data
Parameter Name Description
Range
Depth
Rate
Default
(HEX)
0–127 40
0–127 40
Notes
Live Set EQ
Address
High Mid Low
46 40 00 1 34–4C Low Gain −12 dB–+12 dB 40
01 1 04–28 Low Frequency 32 Hz–2.0 kHz 0C
02 1 reserved
03 1 reserved
04 1 reserved
05 1 reserved
06 1 reserved
07 1 reserved
08 1 34–4C Mid Gain −12 dB–+12 dB 40
09 1 0E–36 Mid Frequency 100 Hz–10 kHz 22
0A 1 reser ved
0B 1 reser ved
0C 1 reser ved
0D 1 reserved
0E 1 reserved
0F 1 reserved
10 1 34–4C High Gain −12 dB–+12 dB 40
11 1 1C–3A High Frequency 500 Hz–16 kHz 30
12 1 reserved
13 1 reserved
TOTAL SIZE = 20 14 (HEX)
Size
Data
Range
Parameter
Name
Description
Default
(HEX)
Notes
ZONE
Zone
Address
High Mid Low
4A zz 00 1 00–01 Zone Switch Off, On 00–01
01 1 00–0F Transmit
02 1 3D–43 Transpose
03 1 35–4B Transpose
04 1 00–7F Note Limit Low C−2–G8 00
05 1 00–7F Note Limit High C−2–G8 7F
06 1 reserved
07 1 00–7F MIDI Volume 0–127 7F
08 1 00–7F MIDI Pan L64–C–R63 40
09 1 00–7F MIDI Bank MSB 000–127 00
0A 1 00–7F MIDI Bank LSB 000–127 00
0B 1 00–7F MIDI Program
0C 1 00–1F Transmit Bank
0D 1 00–3F Transmit PB
0E 1 reserved
0F 1 reserved
TOTAL SIZE = 16 10 (HEX)
zz = Zone Number 00–03 (HEX)
Size
Data
Range
Parameter
Name
Channel
(Octave)
(Semitone)
Number
Select Tra ns mi t Program Change Transmit Volume Tra nsm it P an
Tra nsm it M od Transmit Foot Pedal 1 Transmit Foot Pedal 2
Group Number = 7F 1C, Model ID = 0B
Description
1–16 00–03
−3–+3 40
−11–+11 40
001–128 00
bit0: Off, On Bank Select bit1: Off, On Program Change bit2: Off, On Volume bit3: Off, On Pan
bit0: Off, On PB bit1: Off, On Mod bit2: Off, On Foot Pedal 1 bit3: Off, On Foot Pedal 2
Default
(HEX)
1F
0F
Notes
With Default, only Zone 1 is ON.
With Default, Zone 1 is 0, Zone 2 is 1, Zone 3 is 2, and Zone 4 is 3.
The highest value is defined with
Note Limit
.
High
The lowest value is defined with
Note Limit Low
.
When the
Volume
is
Off
, CC#11 (Expres­sion) will not be transmitted.
Audi o Trigger
Address
High Mid Low
46 10 00 255 at
TOTAL SIZE = 255 FF (HEX)
Size
the maxi­mum
Data
Range
Parameter
Name
Wave File Path 32–127 (ASCII)
Description
Default
(HEX)
Notes
CK88 CK61 Owner’s Manual
61
Data List
Live Set Part
Part
Address
High Mid Low
50 0p 00 1 00–09 Current Category 00
01 2 00–7F
03 2 00–7F
05 2 00–7F
07 2 00–7F
09 2 00–7F
0B 2 00–7F
0D 2 00–7F
0F 2 00–7F
11 2 00–7F
13 2 00–7F
15 1 reserved
16 1 28–58 Note Shift −24–0–+24 40
17 1 00–7F Part Volume 0–127 7F
18 1 00–0B Part Color 0: Red,
19 1 00–01 Part Switch Off, On A: 01,
1A 1 00–01 Part Selected Off, On A: 01,
1B 1 00–01 Effect Select 0: Effect1,
1C 1 reser ved
1D 1 reserved
1E 1 reserved
1F 1 reserved
20 1 00–01 Mono/Poly Mono, Poly 01
21 1 00–02 Mono Type Normal, Fingered
22 1 reserved
Size
Data
Range
(HEX)
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
00–7F
Parameter
Name
Category 1 Voice Number
Category 2 Voice Number
Category 3 Voice Number
Category 4 Voice Number
Category 5 Voice Number
Category 6 Voice Number
Category 7 Voice Number
Category 8 Voice Number
Category 9 Voice Number
Category 10 Voice Number
Group Number = 7F 1C, Model ID = 0B
Description
0–12 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
13–26 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
27–46 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
47–108 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
109–166 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
167–208 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
209–273 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
274–324 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
325–350 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
351–362 1st bit6-0  bit13-7 2nd bit6-0 bit6-0
1: Orange, 2: Yellow, 3: Lime, 4: Green, 5: Spring, 6: Cyan, 7: Azure, 8: Blue, 9: Violet, 10: Magenta, 11: Rose
1: Effect2
Portamento, Full­time Portamento
Default
Notes
(HEX)
00 00 Piano
00 00 E.Piano
00 00 Organ
00 00 Brs/
Wind
00 00 Gtr/Bass
00 00 Strings
00 00 Pad
00 00 Lead
00 00 Chr.Perc
00 00 Others
A: 02, B: 08, C: 04
B: 00, C: 00
B: 00, C: 00
00
Invalid for
00
Organ Flute voice
Address
High Mid Low
2A 1 reserved
2B 1 reserved
2C 1 00–01 Unison Switch Off, On 00
2D 1 00–02 Unison Type Multi Layer,
3A 1 00–7F Touch Sensitivity
3B 1 00–7F Touch Sensitivity
3C 1 reserved
3D 1 reserved
4A 1 00–01 Percussion Type 3rd, 2nd 00
4B 1 00–01 Percussion Decay Slow, Fast 00
4C 1 00–01 Percussion
4D 1 reserved
Data
Size
(HEX)
23 1 00–7F Portamento Time 0–127 14
24 1 00–01 Portamento Time
25 1 reserved
26 1 reserved
27 1 reserved
28 1 reserved
29 1 reserved
2E 1 00–7F Unison Volume 0–127 7F
2F 1 00–7F Unison Detune 0–127 40
30 1 28–58 Pitch Bend Range −24–0–+24 42
31 1 00–7F Pitch Modulation
32 1 00–7F Amplifyer
33 1 00–7F Filter Modulation
34 1 00–7F Modulation Speed −64–0–+63 40
35 1 00–01 Receive
36 1 00–01 Receive Sustain Off, On 01
37 1 00–01 Receive Sostenuto Off, On 01
38 1 00–01 Receive Soft Off, On 01
39 1 00–02 External Keyboard Ext+Int, ExtOnly,
3E 1 reserved
3F 1 reserved
40 1 00–7F Drawbar 16' 0–127 7F
41 1 00–7F Drawbar 5 1/3' 0–127 7F
42 1 00–7F Drawbar 8' 0–127 7F
43 1 00–7F Drawbar 4' 0–127 00
44 1 00–7F Drawbar 2 2/3' 0–127 00
45 1 00–7F Drawbar 2' 0–127 00
46 1 00–7F Drawbar 1 3/5' 0–127 00
47 1 00–7F Drawbar 1 1/3' 0–127 00
48 1 00–7F Drawbar 1' 0–127 00
49 1 00–01 Percussion Switch Off, On 00
4E 1 00–01 Vibrato/Chorus
4F 1 00–05 Vibrato/Chorus
50 1 00–01 Filter Switch Off, On 01
51 1 00–7F Filter Cutoff 0–127 40
52 1 00–7F Filter Resonance 0–127 40
53 1 00–01 EG Switch Off, On 01
54 1 00–7F EG Attack 0–127 40
55 1 00–7F EG Release 0–127 40
Name
Mode
Depth
Modulation Depth
Depth
Expression
Depth
Offset
Volume
Switch
Typ e
Description
Rate, Time 00
Harmonics, Sub Harmonics
0–127 0A
0–127 00
0–127 00
Off, On 01
Off
0–127 40
0–127 40
Normal, Soft 00
Off, On 00
V1, C1, V2, C2, V3, C3
Parameter
Range
Default
(HEX)
Notes
Invalid for Organ Flute voice (for both
Porta­mento
and
Time Porta­mento Time
)
Mode
00
00
Correla­tion between the draw­bar posi­tions and parameter values 0: 0 1: 1–18 2: 19–36 3: 37–54 4: 55–72 5: 73–90 6: 91–108 7: 109– 126 8: 127
05
CK88 CK61 Owner’s Manual
62
Data List
Address
High Mid Low
56 1 00–01 Drive Switch Off, On 00
57 1 00–04 Drive Type O.Drive, Dist,
58 1 00–7F Drive Depth 0–127 40
59 1 00–01 Effect 1 Switch Off, On 00
5A 1 00–23 Effect 1 Type *2 00
5B 1 00–7F Effect 1 Depth 0–127 40
5C 1 00–7F Effect 1 Rate 0–127 40
5D 1 00–01 Effect 2 Switch Off, On 00
5E 1 00–23 Effect 2 Type *2 00
5F 1 00–7F Effect 2 Depth 0–127 40
60 1 00–7F Effect 2 Rate 0–127 40
61 1 reserved
62 1 reserved
63 1 reserved
64 1 reserved
65 1 reserved
66 1 reserved
67 1 reserved
68 1 reserved
TOTAL SIZE = 105 69 (HEX)
p = Part number 0–2 0: A, 1: B, 2: C
*2: G Chorus, SPX Chorus, Symphonic, 816 Chorus, VCM Flanger, Cross FB Flanger, VCM Stereo Phaser, Small Phaser, Max90, Dual Phaser, Tremolo, Auto Pan, Simple Rotary, British Combo, British Lead, Small Stereo, Compressor, Tone Control, 1 BandEQ Narrow, 1 BandEQ Wide, Auto Wah, Touch Wah, Pedal Wah, Cross Delay, Digital Delay, Analog Delay, Room Reverb, Hall Reverb, Reverse Reverb, Ring Modulator, Slicer, LP Filter, HP Filter, Lo-Fi, Damper Resonance, Harmonic Enhancer
Size
Data
Range
(HEX)
Parameter
Name
Description
Rotary A, Rotary B, Comp
Default
(HEX)
00
Notes
CK88 CK61 Owner’s Manual
63
Data List
YAMAHA [Stage Keyboard] Date :16-JUL-2021

MIDI Implementation Chart

Model CK88 CK61 MIDI Implementation Chart Version : 1.0
TransmittedFunction... Recognized Remarks
Basic Channel
Default Changed
Default
Mode
Messages Altered
Note Number : True voice
Velocity
Note On Note Off
After Touch
Key's Ch's
Pitch Bend
0,32
7,11,67,84
64
Control
66
9,12-31
Change
68-83 85-93
102-119
1-119
1 - 16 1 - 16
3 X **************
0 - 127 **************
O 9nH,v=1-127 X 8nH,v=64
X X
O
O *2
1
O X O X O *1 O *1 O *1 O *1 O *3
1 - 16 1 - 16
3 X X
0 - 127 0 - 127
O 9nH,v=1-127 O 9nH,v=0 or 8nH
X X
O
O *2 O O O *2 O *2 O *1 O *1 O *1 O *1 X
Memorized
Memorized
Bank Select
Sustain Sw Sostenuto
Prog
O 0 - 127 *2
O 0 - 7 *2
Change : True #
System Exclusive
: Song Pos. Common : Song Sel. : Tune
System : Clock Real Time : Commands
: All Sound Off Aux :
Reset All Cntrls : Local On/Off Mes- : All Notes Off sages: Active Sense : Reset
Notes:
*1 receive/transmit if MIDI control mode is on.
O
X X X
X X
X X X X O X
O
X X X
X X
O (120) O (121) X O (123-125) O X
*2 receive/transmit if switch is on.
*3 transmit if assigned to controllers.
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO
O : Yes X : No
CK88 CK61 Owner’s Manual
64
Data List
Apache License 2.0
Copyright (c) 2009-2018 Arm Limited. All rights reserved.
SPDX-License-Identier: Apache-2.0
Licensed under the Apache License, Version 2.0 (the License); you may not use this le except in compliance with the License. You may obtain a copy of the License at www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an AS IS BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specic language governing permissions and limitations under the License.
The Clear BSD license
The Clear BSD License Copyright 1997-2016 Freescale Semiconductor, Inc. Copyright 2016-2018 NXP All rights reserved.
Redistribution and use in source and binary forms, with or without modication, are permitted (subject to the limitations in the disclaimer below) provided that the following conditions are met:
Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
Modified BSD license
COPYRIGHT(c) 2016 STMicroelectronics
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. Neither the name of STMicroelectronics nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
Neither the name of the copyright holder nor the names of its contributors may be used to endorse or promote products derived from this software without specic prior written permission.
NO EXPRESS OR IMPLIED LICENSES TO ANY PARTY'S PATENT RIGHTS ARE GRANTED BY THIS LICENSE. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
CK88 CK61 Owner’s Manual
65

Other information

Troubleshooting

If the CK does not behave as expected—for example, not producing the correct sound or producing no sound at all—you can try to resolve the issue as described below. Many issues can also be resolved by carrying out the Fac tory Reset (page 67) operation. If any specific issue should persist, please contact your Yamaha dealer or a service center (see the back of this booklet).
Issue Suspected cause Solution
The CK turns off unexpectedly. This is normal when the Auto Power Off
function is enabled.
No sound is produced. All the Part [ON/OFF] buttons are OFF. Set the desired Part [ON/OFF] button to ON.
The Part volume is turned fully down. Use the Part Volume sliders to adjust the
Local Control is set to Off. When Local Control is set to Off, the internal
MIDI volume or expression has been set to a very low level by an external MIDI controller.
No sound is produced from the built-in speakers.
SPEAKERS switch is set to OFF. Set the SPEAKERS switch to ON.
When the headphones are connected, the built-in speakers may be muted in certain settings as shown below.
• When the [MENU] button General System Speaker Speaker Mute is set to Auto.
• When the [MENU] button General
System Speaker Speaker Mute is set to Manual and the SPEAKERS switch is set to
OFF.
If necessary, you can disable the Auto Power Off function to prevent it from turning off the CK again (page 36).
volume.
tone generator will not play a sound when you play the keyboard. Set Local Control to On (page 37).
Try changing a Live Set Sound. If a pedal has been connected to the FOOT PEDAL jacks, move the pedal to change the volume.
Disconnect the headphones.
Set the SPEAKERS switch to ON.
No sound is produced from the connected external device.
A sound continues to play indefinitely. An Effect (such as delay) continues. Lower the [DEPTH] knob or set the EFFECT1
Sounds are distorted. Effect settings are not appropriate. Sound will be distorted depending on the
CK88 CK61 Owner’s Manual
66
Power to the CK or the connected external audio device is not turned on.
The volume of the CK and the connected external audio equipment are turned fully down.
Volume is set too high.
tpu
t Gain is set too high.
Ou
Check the power to the CK and the connected external audio device is turned on.
Adjust the volume. Use the [MASTER VOLUME] slider to adjust the volume. If a pedal has been connected to the FOOT PEDAL jacks, try moving the pedals.
or EFFECT2 [ON/OFF] button to OFF. If a Live Set Sound has been changed while a sound continues to play, try selecting a different Live Set Sound.
effect types and the settings. Change the effect types and the settings.
Adjust the volume. To adjust the overall volume of the CK, move the [MASTER VOLUME] slider. Or, use the [MENU] button  GeneralAudioOutput Gain (page 38).
Issue Suspected cause Solution
Other information
Sounds are distorted.
Sound output is intermittent and stutters. The total number of notes has exceeded the
No effect is applied. Effects are set to OFF. Set the effects ON with the EFFECT 1 [ON/
Moving the Pitch Bend Wheel or Modulation Wheel does not change the sound.
Nothing is shown on the Display (LCD). The [MENU] button GeneralControl
A pedal does not work. The pedal type is not correct. Set from the [MENU] button General
The Volume of the connected external audio device is set too high.
maximum polyphony (128 notes).
The depth is turned to the minimum level. Use the [DEPTH] knob to adjust the effect
The value is set to “0.” Change the value.
Panel Display LCD Switch is set to Off.
Adjust the volume of the connected external audio device or use the A/D INPUT [GAIN] knob of the CK. Or, you can also adjust the volume from the [MENU] button  GeneralAudioUSB Audio Volume (page 38).
Be careful not to exceed the maximum polyphony.
OFF] button or the EFFECT 2 [ON/OFF] button.
depth.
Make sure to set the [MENU] button
General Control Panel Display LCD Switch to On (page 38).
If the menu items are not visible, adjust the contrast from the [MENU] button  General Control PanelDisplayLCD C ontra st (page 38).
2 (page 39).
Foot Pedal
Pedal 1 or Pe
dal
The pedal is not correctly connected. Make sure that the pedal’s plug is fully and
firmly inserted.
Receive SW is turned off. From the [SETTINGS] button  Controllers
Receive SW, select a pedal and set it to ON
(page 31).
Cannot save files to the external USB flash drive. The USB flash drive is write-protected. Disable the write protection.
The USB flash drive is not formatted properly.
Communication between the computer and the CK does not work properly.
MIDI bulk data transmission does not work properly.
The Port settings on the computer are not appropriate.
Use of the wrong terminals (MIDI or USB). Check the settings.
Wrong MIDI device number. Check the MIDI device number.
Restoring the Factory Default Settings (
Factory Reset
)
Format the USB flash drive again.
Check the port settings on the computer.
The Factory Reset function allows you to restore the CK to its initial condition.
NOTICE
When the Factory Reset function is carried out, all the Live Set Sounds you have stored, as well as the settings of MENU screens and SETTINGS screens will be overwritten with their defaults. It is wise, therefore, to regularly save backups of important settings on a USB flash drive.
Carrying out the Factory Reset
To reset all values to the factory defaults, press the [MENU] button JobFactory Reset (page 40).
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Other information

Display messages

Messages Description
Auto power off disabled.
Bluetooth pairing...Press [EXIT] button to cancel pairing.
Change [Pedal Live Set Inc/Dec] to [Off].
Completed.
Connect a USB device.
Connecting to USB device…
Device number is off.
Device number mismatch.
File or folder already exists.
File or folder path is too long.
Illegal bulk data.
Illegal file name.
Illegal file.
Incompatible USB device.
Low Battery!
MIDI buffer full.
MIDI checksum error.
No read/write authority to the file.
Now receiving MIDI bulk data…
Now transmitting MIDI bulk data…
Please reboot to maintain internal memory.
Press both [ENTER]+[MENU] buttons.
Speaker EQ is set to [Table].
Split Point does not exist.
Unsupported USB device.
USB connection terminated.
USB device is full.
USB device is write-protected.
USB device read/write error.
This message appears when Auto Power Off is disabled.
The Bluetooth device and the CK are being paired. Press the [EXIT] button to cancel pairing.
Before changing the foot pedal assignment from the [SETTINGS] button, you need to set the Live Set Inc/Dec parameter to off from the [MENU] button.
The specified operation (Load, Save, Format or another Job) has been completed.
There is no connected USB device.
Currently recognizing the USB flash drive connected to the USB [TO DEVICE] terminal.
Bulk data cannot be transmitted or received because the device number is off.
Bulk data cannot be received because the device numbers do not match.
A file or a folder having the same name as the one you are about to save already exists.
The file or folder cannot be accessed because the maximum length for the file name or the pathname has been exceeded.
An error occurred while receiving a Bulk data or Bulk Request message.
The specified file name is invalid. Try entering a different name.
The specified file is unusable by the CK or cannot be loaded.
A USB device that cannot be used with the CK has been connected to the USB [TO DEVICE] terminal.
The batteries are low. Replace the batteries.
Failed to process the MIDI data because too much data was received at one time.
An error occurred when receiving bulk data.
Indicates that you do not have the authority to read or write to the file.
Indicates the CK is receiving MIDI bulk data.
Indicates the CK is transmitting MIDI bulk data.
Reboot the CK to restore the internal memory.
Press the [ENTER] button and the [MENU] button simultaneously to disable the panel lock.
Speaker EQ has been set to Tab l e.
Cannot change the Split Point because it has not been set.
This message appears when the connected USB flash drive is either unformatted, or formatted in a way that the CK does not support. Please format the USB flash drive using the CK.
Communication with the USB flash drive has been shut down due to overcurrent to the USB flash drive. Disconnect the USB flash drive from the USB [TO DEVICE] terminal, and then reboot the CK.
The USB flash drive is full and no more data can be saved. Use a new USB flash drive, or make space by erasing unwanted data from the USB flash drive.
This message appears when you have attempted to write to a protected USB flash drive.
An error occurred while reading from or writing to a USB flash drive.
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Other information

Specifications

Item Details
CK88 CK61
Keyboard Type GHS keyboard: matte black keytops FSB keyboard, initial touch
Number of Keys 88 61
Ton e Generation
Voices Number of Live Set Sounds 160 (Preset Live Set Sounds: 80)
Display Type Full Dot LCD (128 × 64 dots)
Connectivity OUTPUT [L/MONO]/[R] (6.3 mm, standard phone jacks, unbalanced)
Bluetooth (May not have this functionality depending on the country in which you purchased the product.)
USB audio interface
Sound System Amplifiers 6 W × 2
Power Supply Power Supply AC adaptor PA-150B or an equivalent recommended by Yamaha (Output: DC 12V, 1.5 A)
Size/Weight Dimensions (W × D × H)
Included Accessories AC adaptor*, Owner’s Manual
The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.
Tone Generation Technology AWM2, AWM (Organ Flutes)
Polyphony (max.) 128
Number of Voices 363
Effects Insertion Effect Drive 1 system (5 types)
Delay 4 types
Reverb 3 types
Master EQ 3-band
Bluetooth version 4.1
Supported profile A2DP
Compatible codec SBC
Wireless output Bluetooth class 2
Maximum communication distance
Radio Frequency (Operational Frequency)
Maximum output power (EIRP) 4 dBm
Type of modulation FHSS
Sampling Frequency 44.1 kHz
Channels In: 2 channels (1 stereo channel)
Speakers (12 cm × 6 cm) × 2, Switchable ON/OFF
Batteries Eight “AA” size alkaline (LR6) or Ni-MH rechargeable batteries
Power Consumption
1333 mm × 354 mm × 148 mm
(52-1/2 inch × 13-15/16 inch × 5-13/16 inch)
Weight 13.1 kg (28 lb 14 oz)
(not including batteries)
Effect 2 systems (1: 36 types, 2: 36 types)
A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
[PHONES] (6.3 mm, standard stereo phone jack)
FOOT PEDAL [1]/[2]
MIDI [IN]/[OUT]
USB [TO HOST]/[TO DEVICE]
[DC IN]
about 10 m
2401–2481 MHz
Out: 2 channels (1 stereo channel)
11 W (When using PA-150B AC adaptor)
910 mm × 291 mm × 109 mm
(35-13/16 inch × 11-7/16 inch × 4-5/16 inch)
5.6 kg (12 lb 6 oz)
(not including batteries)
*May be included depending on your locale
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Other information

Index

Symbols
.wav ..........................................................................................................25
.wav See also audio file
A
audio file ..................................................................................19, 25, 32
Audio Trigger ................................................................................12, 24
B
Backup ....................................................................................................27
Bluetooth pairing ................................................................................ 46
built-in speakers ..................................................................................36
E
Edit Recall .......................................................................................25, 40
External Keyboard ..............................................................................32
F
Factory default. See also Factory Reset
Factory Reset .................................................................................40, 67
File type ..................................................................................................27
Foot Controller ......................................................................18, 31, 37
Foot Pedal ..............................................................................................18
S
Save
saving settings to a USB flash drive ....................................27
saving settings to the CK. See also Store
Speaker EQ .............................................................................................36
Speakers
built-in speakers .........................................................................18
Store ..................................................................................................14, 24
Sustain ..............................................................................................18, 31
T
Touch Sensitivity ..........................................................................29, 30
U
USB Audio .......................................................................................31, 38
USB MIDI .................................................................................................19
Y
Yamaha Steinberg USB Driver ........................................................47
I
Initialize
factory reset ................................................................................67
Live Set Sound ............................................................................ 26
MENU .............................................................................................40
L
Live Set Overview ................................................................................. 9
Load
Backup File ...........................................................................27, 41
M
Master Keyboard ..........................................................................24, 33
Master Tune ..........................................................................................36
Mic input .........................................................................................25, 38
Modulation .......................................................................10, 29, 31, 37
N
Note Shift ...............................................................................................29
P
Panel lock .................................................................................24, 38, 42
Portamento ....................................................................................14, 28
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Important Notice:
U.S. LIMITED WARRANTY for Customers in the United States
For detailed information about this Yamaha product and warranty service, please either
visit the following website address (printable file is available at our website) or contact
Customer Service at the address or telephone number identified below.
Website Address:
Yamaha.io/SynthAndStageWarranty
Customer Service:
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620-1273
Telephone: 800-854-1569
Manual Development Group
© 2022 Yamaha Corporation
10-1 Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650 Japan
P
ublished 06/2022 MWMA-B0
VGD1900
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