Yamaha AN1X Data List

Factory-set Voice List

The following voices are preset at the factory. Each voice has different settings which you can change by moving the CONTROL knobs and other controllers. Each controller is assigned with its own unique settings. In general, AEG or FEG is assigned to knobs 1 and 2, VCF Cutoff to knob 5, Resonance to knob 6, and Effects-related parameters to knobs 7 and 8, respectively. Parameters assigned to other knobs were carefully selected for maximum effect. Depending on the settings for each parameter, changes you make may not be distinctive.

No. DescriptionVoice NameCat. No. DescriptionVoice NameCat.

Relaxx

Combination of arpeggio synth & synthpad. Use [ASSIGN] knobs to control the arpeggio voice.

Earth

Sound effect layered with arpeggiated melody line and human voice-type pad.

Terraform

Celluloid

MajorBrass

Soar

Hardcore

Uni-Bass

MegaDrone

SyncLead

Legato

Alan

Mini

Hard sequence voice with pattern select. Keys C#1 to B2 correspond to User Patterns No. 1 to 23.

Dual voice layered with full-bodied bass and metallic sounds. SINGLE mode is suitable for original tunes. Also try MONO and LEGATO. Also good for Synth lead in the upper register.

Powerful analog brass sound. Use [RIBBON] controller to change VCF Cutoff (horizontal) and Resonance (pressure).

Ethereal pad sound using arpeggiator.

Hard core acid sound. Use [RIBBON] controller for distortion control.

Fat bass sound using DUAL UNISON with Legato.

Fat lead sound with moving filter.

Lead sound using "Sync." Try the [RIBBON] controller for effect.

Pad strings sound with slow attack.

Standard British progressive rock sound.

Classic analog synth bass with various sequence patterns. Keys C#1 to B2 are correspond to User Patterns No. 25 to 47.

Vinnie

Detroit

Plastik

ChinaTech

Silence

Dog Bass

Slum

Loud

MiniLow

Kickbass

Sub Sub

Nice Split of vintage arpeggio & synth lead.

Combination analog bass and analog effect sound.

Combination synth sound layered with analog drum sound and its perfect fourth. Step Sequencer playes only while you hold the keys since the Hold function is set to OFF.

Combination analog pad and analog lead sound.

Fat hip hop saw bass. Slide the edge back with the [MODULATION] wheel.

Heavy analog bass with a characteristic attack. Select Scene 2 for a variation.

Hybrid analog and FM bass sound.

Analog bass sound with short filter decay. Use [ASSIGN] knobs to change the envelope and filter settings.

Bass sound with a characteristic attack. Select Scene 2 to produce a sharp bass drum attack.

Hollow sub bass sound.

Chemical

SyncSweep

Caner

MorphEP

Doves

BPF Morph

Seismic

AURAL EXCITER® is a registered trademark of and used under license from Aphex Systems, Ltd.

Diving sweep sound. The rhythm in Scene 1 is created with the FreeEG. This is disabled for Scene 2.

Use [RIBBON] or [MODULATION] wheel for sync pitch control.

Fat hook-line voice for dance & techno music. Try scene 2 with [MODULATION] wheel.

Continuously changes between electric piano sound and pad sound using "Sync" by Scene Control function.

Spacey sequence voice. Use [RIBBON] controller and [ASSIGN] knobs for effect.

Sequence voice with band pass filter for special atmosphere.

Step Sequencer plays a combination of analog drum and analog bass sounds. Free EG adds modulation for unique atmosphere.

Hardstep

Wonder

Duck Bass

Prophetic

Harmosync

Kangaroo

Acid 1

Slippery drum and bass sound. Use the [RIBBON] to control the slip.

Analog bass sound suitable for melodic riffs.

Analog bass sound with wide dynamic range created by velocity.

Vintage analog style bass sound.

Contemporary acid sound. In Scene 2 the compressor drive is on the [RIBBON]. Try Scene1 for a more harmonic effect.

Bouncey soft acid sound. Get happy with this one.

Hard acid sound number 1. Note that the feedback parameter (knob 7) interacts with the resonance (knob 6).

No. DescriptionVoice NameCat. No. DescriptionVoice NameCat.

Acid 2

Acid sound number 2. Twiddle those knobs for ultimate experience.

OB-8

Thick detuned wave.

Acid 3

Soft Brass

Hard Brass

Bronze

Fatty

Quincy

CS80 Brass

Tangiers

Brassmorph

Analog

Lush

Chocolate

Harder acid sound. [RIBBON] controls distortion amount. Watch the resonance.

Soft analog brass sound. Try the [RIBBON] controller. Sensitive synth lead voice. Use [RIBBON], [PITCH] wheel and

Bright & fat analog sawtooth synth sound. Scene 2 is a square wave variation.

Unison brass sound with short decay changes. Open filter brass with the [MODULATION] weel. The same voice with the oscillators in octaves is in Scene 2.

Fat 70s style synth brass. Typical 80s Stevie Winwood type lead sound.

Gentle and cool synth brass sound. Use velocity to control brightness.

Emulation of classic CS80 brass patch. Dangerous lead sound also great for percussive sequence lines.

Brass sound with fast attack. Great for house stabs. Soft sweep with tons of resonance.

[MODULATION] wheel gradually changes the sound between filtrated brass sound (Scene 1) and projected brass sound (Scene 2).

Bright analog synth strings. Use [MODULATION] wheel or [RIBBON] for dark strings.

Rich PWmod string pad. Use the [RIBBON] to control brightness. A slight variation, up an octave in pitch, is in Scene 2.

Orchestral sound layered with strings in different octaves. Pad with arpeggiated bells on top. Use the [RIBBON] to control

Lucky

Earth Lead

HardSync

Chick

Stevie

Floyd75

Synchromes

High Sweep

Ice Pad

Sprinkler

GreatMorph

Church Bel

Portamento lead sound created with a typical square wave. Turn knob 3 to change the pulse width.

[MODULATION] wheel.

Fat synth lead sound with sync-envelope.

Dark analog synth lead. Turning knob 5 makes the sound brighter.

Stacked over 4 octaves! Pink Floyd's "Wish You Were Here" revisited.

Synth pad using Free EG for subtle trembles. A typical example of how easy it is to create a voice by using Edge and Ring Modulator.

Layered sound with fast arpeggiated sound and soft pad. The soft pad can be changed drastically with [MODUALTION] wheel and [RIBBON] controller.

Powerful pad sound suitable for progressive rock. Check the drastic changes between Scene 1 and 2 using the [MODULATION] wheel.

the volume of the bells.

Stringz

String Pad

Billy

Fetish

P-5 Compy

Stakka

Dust

WarmPoly

Rhubarb

Susy

Analog PWmod synth string pad. Scene 2 is a square wave variation, with pulse width controlled by the [RIBBON].

Soft pad great for backing. Dark and thick analog synth pad sound. Scene 2 is an LFO

70s style poly synth sound. Use [ASSIGN] knobs for neat sound variations.

Wasp-like sound for soundtracks with the sweet pleasure of pain. Modulated pluck sound with high string pad fading in over it. Use

Emulation of the classic Prophet 5 sound. Clear portamento pad sound.

Voice stacked with a major third. Analog strings pad sound with chorus effect.

Pizzicato synth sound. Powerful synth pad sound.

70s style poly synth. Use [ASSIGN] knobs for sound variations. Vocal type pad sound.

Fat portamento hook-voice for dance & techno. Sweep pad which can morph to Sample & Hold using the

Warm vintage "mini" synth lead voice. Thin pad which sits behind fat drums.

Deep Blue

Da Padd

Water Pad

Night Sky

Oberweich

PolyTen

PortPad

Sacred

Sweep&S/H

Slip

Synth pad sound with great sound projection.

sweep with BEF variation. The [RIBBON] controls LFO sweep speed in Scene 2 over a wider range than knob 3 for a "watery" effect.

Pad with upward BPF sweep. Use the [MODULATION] wheel to change between the original version of the pad and a variation. Use the [RIBBON] to control the brightness.

the [MODULATION] wheel to change the pitch of the pluck sound. Middle positions include great voice variations. Use the [RIBBON] to control volume of the strings.

[MODULATION] wheel.

+ 7 hidden pages