WAVES
JJP DRUMS
User Guide
TABLE OF CONTENTS
CHAPTER 1 – INTRODUCTION..........................................................................3
1.1 WELCOME .....................................................................................................3
1.2 PRODUCT OVERVIEW......................................................................................3
1.4 A FEW WORDS FROM JJP...............................................................................4
CHAPTER 2 – QUICKSTART GUIDE..................................................................5
CHAPTER 3 – CONTROLS, CONCEPTS, AND TERMINOLOGY ...................... 6
CHAPTER 4 – THE WAVESYSTEM....................................................................9
4.1 THE WAVESYSTEM TOOLBAR..........................................................................9
4.2 PRESET HANDLING.........................................................................................9
4.3 INTERFACE CONTROLS .................................................................................12
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User Guide
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Chapter 1 – Introduction
1.1 Welcome
Thank you for choosing Waves! In order to get the most out of your Waves processor,
please take the time to read through this manual.
In conjunct
There you will find an extensive Answer Base, the latest Tech Specs, detailed
Installation guides, new Software Updates, and current information on Authorization
and Registration.
By signing up at www.wavesupport.net
your registered products, reminders when updates are available, and information on
your authorization status.
ion, we also suggest that you become familiar with www.wavesupport.net
, you will receive personalized information on
.
1.2 Product Overview
The Waves Signature Series is our exclusive line of application-specific audio
processors, created in collaboration with the world’s top producers, engineers, and
mixing engineers. Every Signature Series plug-in has been precision-crafted to capture
the artist’s distinct sound and production style. For experienced and aspiring audio
professionals alike, the Waves Signature Series allows you to dial up the sound you’re
looking for quickly, without interrupting the creative flow.
The JJP Collection consists of 6 plug-ins, each designed to handle a specific mixing
task.
• JJP Vocals
• JJP Drums
• JJP Bass
• JJP Guitars
• JJP Cymbals & Percussion
• JJP Strings & Keys
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1.3 Components
WaveShell technology enables us to split Waves processors into smaller plug-ins, which
we call com
you the flexibility to choose the configuration best suited to your material.
The Waves JJP Drums has several components:
• JJP Drums Mono – Mono in to Mono out component
• JJP Drums m>s – Mono in to Stereo out component
• JJP Drums Stereo – Stereo in to Stereo out component
Please note: In order to maximize performance while optimizing the correct processing
for different application
• JJP Drums for kicks, snares, and toms
• JJP Cymbals & Percussion, for hi-hats, overheads, room, and loops
ponents. Having a choice of components for a particular processor gives
s, we split the drums into two separate plug-ins:
1.4 A Few Words from JJP
"There are certain things you usually just take for granted when you’re mixing drums.
Sure, the snare has to snap. Or maybe you want
drum has to have a nice bottom. But beyond that, there’s a whole other range of things
you need to consider to really make the song come alive. Maybe there’s some tonality in
the drum kit that you want to emphasize. How do the drums relate to the rest of the
song? And once you figure all that out—how do you get there? Well, what’s really great
is, JJP Drums is a plug-in that can do it all."
Waves JJP Drums
User Guide
it to have a woodier sound. The bass
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Chapter 2 – Quickstart Guide
• Insert the JJP Drums plug-in on the track you wish to process.
• Choose the Drum Type:
KICK IN – For main kick/bass drum tracks.
KICK OUT– If your kick was recorded using two microphones, use for the
mic position
SNR TOP – For main snare track. If your snare was recorded using two
microphones, use this to process th
SNR BOT – If your snare was recorded using two microphones, use this
to process the bottom mic.
ed further away fro
m the drum.
e top mic.
TOMS – For both mounted and floor
• Adjust the Sensitivity control until you achieve proper (yellow) levels, as indicated
by the Sensitivity LED.
• Adjust the various Main Section controls located below the Sensitivity knob to
shape your sound.
• Use the Center Section faders to adjust the sonic color.
• If the Clip LED lights up repeatedly or stays lit, lower the Output level fader
accordingly.
JJP has optimized the default settin
require additi
gs for each Type. These settings may or may not
onal adjustment once optimal Sensitivity has been achieved.
toms.
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Chapter 3 – Controls, Concepts, and Terminology
Types
The JJP Drums plug-in includes five Types to address a range of source materials:
Kick In, Kick Out, Snr Top, Snr Bot, and Toms.
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Sensitivity Section
The Sensitivity LED’s 3 colors indicate when appropriate levels are reached:
o LED Off (too low)
o Green (good)
o Yellow (optimal)
o Red (very hot)
Turn the Sensitivity Control until the
your track with the highest peaks.
In most cases, the Sensitivity LED in
that will give you the intended output result. However, it’s important to kee
optimal results for your source material may be achieved even when the Sensitivity LED
does not display “optimal” levels (yellow). As always, trust your ears.
LED lights up. For best results, use the section of
dicates that your levels hit the processor in a way
p in mind that
Main Section
The Main Section gives you control over basic dynamics & EQ. All processing is
influenced by this section. The JJP Drums plug-in also includes a Phase reversal
switch.
Please note: Since the EQ ranges of certain drums differ from the default settings, they
are labeled “Low 2” and “High 2” for automation purposes.
Main Fader
The Main Fader controls the Main Section direct level.
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Center Section Faders
The Center Section faders represent auxiliary returns with additional processing, sent
from the main fader pre-fader. Above each fader, there is a dedicated mute button.
It may help to think of each plug-in as a mini-mixing console.
Please note: Certain faders may change, depending on the selected Type. This is
intentional, and represe
nts the actual processing JJP uses for that source or instrument.
Master Fader
The Master fader controls the master output signal level.
Meter Section
The Meter switch toggles meter monitoring between input and output modes. The Clip
LED lights up when levels reach 0 dBFS; click to reset.
Signal Flow
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Chapter 4 – The WaveSystem
4.1 The WaveSystem Toolbar
All Waves processors feature the WaveSystem toolbar which takes care of most
administrative functions you will encounter while working with your Waves software. The
features of the WaveSystem toolbar are the same on practically all Waves processors,
so familiarity with its features will be helpful whichever processor you are using.
Toolbar Functions
Undo Undoes the last 32 actions.
Redo Redoes the last 32 undone actions.
Setup A/B Toggles bet
different parameter settings
Copy A->B Copies the current settin
Load Recalls presets from file
Save Saves presets in the Wa
? Opens the manual for the processor you are using
ween two presets. This is useful for close comparison of
gs to the second preset register
ves file formats
4.2 Preset Handling
Preset Types
Factory Presets are permanent presets in the Load menu. Factory presets cannot be
over-written or deleted. When applicable, different component plug-ins may have
different factory presets.
User Presets are your favorite settings of the plug-in saved as a preset in the Load
menu, under ‘User Presets’. User Presets can b
Setup Files may contain more than one preset. For example
the presets for a session. When you open a Setup File, all its setups become part of
your Load pop-up menu for fast access. This can be particularly useful with multiple
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User Guide
e over-written and deleted.
, a single file can contain all
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instances of a plug-in in a single session. By saving all the settings you create into a
single Setup File, they can all be quickly available for every instance of that plug-in.
Loading Presets and Setups
Click-and-hold on the Load button to see the Load pop-up menu. The menu is divided
into four sections. If a se
up menu.
Open Preset File… Select to op
‘Filename.xps’: Displays any currently loaded Setup File and its presets.
Factory
User Presets: Displays any loaded User Presets.
Presets: Displays the default Factory Presets.
ction is not currently available it will not appear in the Load pop-
en any setup or preset file, whether from the Library or
your own creations.
Saving Presets and Setups
Click-and-hold on the Save button to see the Save pop-up menu. Four options are
available. If an option is
Save to New File… Select this t
not currently available it will be grayed out and inaccessible.
o start a ne
w Setup file. There are two
prompts - first for the setup filename, then for the
preset name. You must provide a name for both the
setup file and the preset. Click OK (ENTER) to
complete the save. It is a good idea to create a
folder in which to save several setup files for a
project.
Save ‘File Name’ – “Preset Name” Overwrites the settings of the loade
(whether a User Preset or a preset from a Setup
File) with the current settings. If a Setup File is
currently loaded, the name of the Setup File is
displayed followed by the name of the preset itself.
If a User Preset is loaded, its name is displayed.
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d preset
Save to ‘File Name’ As… Saves the current settings as a new preset into the
Setup file that is open (if one is not open, the option
is grayed out). You will be prompted to give the
preset a name.
Put into Preset Menu As… Save the current setting
will always be in your Load menu (until deleted).
You will be prompted to give this preset a name.
User Presets are stored in the plug-in’s preference
file.
s into a User Preset that
Deleting Presets
You may delete User Presets and presets within a Setup File. Factory Presets and
Setup Library files cannot be deleted or overwritten.
1. Hold the Command (Mac)/Control (PC) key down.
2. Click-and-hold the Load button to see the pop-up menu.
3. While still holding the Command/Control key, select the preset or setup to delete.
4. A confirmation box will appear, allowing you to cancel or ‘OK’ the deletion.
A/B Comparison and Copying
The Setup A/Setup B button may be clicked to compare two settings. If you load a preset
in the Setup B position, t
and vice-versa.
If you want to slightly modify the settings in Setup A, you can copy them t
clicking on the Copy to B button, then alter Setup A and compare with the original Setup
B.
The name of the current setup will be shown in the title bar (on platforms which support
it), and will switch as you change fro
Note: an asterisk will be added to the preset name when a change is made to the preset.
his will not affect the preset loaded into the Setup A position,
o Setup B by
Setup A to Setup B.
m
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4.3 Interface Controls
Controls can be in one of three states:
• Not Selected where the control is
• Selected where the con
• Selected and Active where the control is the tar
keyboard entry
trol is the target of mouse control entry only
not the target of any user entry
get for both mouse and
Toggle Buttons
Toggle buttons display the state of a control, and allow switching between two or more
states. Single-click to change the control’s state. Some toggle buttons have a text
display which updates with the current setting, and others (bypass, solo, or monitoring
toggles) illuminate when the control is active.
Some processors have l
and-drag adjustment while retaining t
ink buttons between a pair of toggle buttons, allowing click-
he offset between the controls.
Value Window Buttons
Value windows display the value of a control and allow click-and-drag adjustment, or
direct control via the keyboard.
• Using the mouse, click-and-drag on the value window to adjust. Some value
windows support left/rig
will appear to let you know which direction of movement that button supports).
• Using the arrow key
up/down – left/right (depending on the direction supported by that button) to
move in the smallest incremental steps across the button’s range (holding down
the arrow keys will move faster through the range).
• Using key
directly enter the value from your keyboard. If you enter an out of range number,
the button stays selected but remains at the current setting (system beeps? If
system sounds are on?)
entry, double click on the button to open the value window, and
ht, some up/down (as you hover over a button, arrows
s, click once with mouse to select the button, and then use
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Some processors have link buttons between a pair of value windows, allowing click-
and-drag adjustment while retaining t
he offset between the controls.
Sliders
Click on the slider itself or anywhere within the sliders track. The numerical value of the
slider settings is displayed in a hover window above the slider path.
Hover Box
Hovering boxes will appear and display the control value when hovering with the mouse
over the control.
TAB Functions
TAB moves the ‘selected’ status to the next control, with shift-TAB moving in the reverse
direction.
Additionally, the Mac has an option-TAB function for ‘down’ movement and shift-optionTAB for ‘up’ movement
If you have several Value Window Buttons selected, TAB functions will take you through
the selected
controls on
where applicable.
ly.
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