4.5 Help ..................................................................................................................51
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Chapter 1
Introduction
1.1 Welcome
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take the time to read through this manual.
In conjunction, we also suggest you become familiar with
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1.2 Product Overview
MultiRack is a host platform for Waves audio processing plug-ins, designed especially for
live sound applications. It provides a software equivalent to outboard hardware processing
Racks, and signal flow to and from your console is similar to what you’re accustomed to
with traditional hardware Racks. MultiRack allows you to program up to 1000 Snapshots
per Session, so you can seamlessly change setups between or even within songs.
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Chapter 2
Quickstart Guide
The Quick Start section contains all you need to know to configure your system and to get
up to speed with the application.
We will follow these steps as we get started:
1. Connect your console to the sound card or external I/O
2. Create a new Session and set the preferences
3. Add new Racks and set their audio signal flow
4. Add plug-ins for sound processing
5. Create Snapshots for easy recall of Racks and processors
6. Organize Racks into groups for ease of operation and latency management
7. Set up your MIDI environment for remote control
After the Quick Start chapter is a detailed description of MultiRack’s interface, so if you
have a question about a particular button, function, or feature, this is the place to look. At
the back of this manual, you’ll find details of MultiRack’s application menus.
Follow the steps in the Quick Start guide, and then experiment with a Session of your own.
It won’t be long until you’re managing complex concert setups with much greater ease than
ever before.
Please note: Throughout this manual, keyboard shortcuts indicating Ctrl/Cmd refer to
Windows (Ctrl) and Mac (Cmd) respectively.
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2.1 Connect Your Console to the Sound Card or External I/O
Before starting the application, connect your console to your sound card or external I/O. It’s
useful to make a chart of the connections, so that when you assign Racks to specific I/O
channels, you won’t need to look behind your console.
MultiRack signal flow to and from your console is similar to what you’re used to with
external hardware processors: Some connections will be from aux sends on your console,
with returns on faders; others will be from channel inserts. You may also choose to connect
via a patch bay or router.
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Here are some flowchart examples of MultiRack connections. For more about Rack I/O
configurations, see the detail section “MultiRack Window: Setting up Your Processing
Environment.”
2.2 Create a New Session and Set the Preferences
A Session is a collection of Racks, each of which contains plug-in processors. It holds the
“architecture” of your setup (input and output routing, how many Racks, in what order,
which plug-ins and their order, etc.), as well as Rack I/O levels and plug-in settings.
Normally, a Session will contain the setup for an entire show, while Snapshots are used to
change settings between or within songs.
MultiRack will initially open with a blank Session. Afterward, it will open to the most recent
Session.
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Get started by accessing the Preferences
window: Ctrl+P in Windows/Cmd+, on Mac). Set
the audio I/O device by clicking the Audio
Device dropdown and choosing from the
available devices. (MultiRack supports Windo
ASIO and Mac CoreAudio sound ca
The rest of the Preferences can be set later.
rds.)
ws
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2.3 Add Empty Racks
A Rack is a chain of plug-ins used to process an audio signal, whether mono, stereo, or
mono-to-stereo. In the hardware world, signals flow from a console’s channel insert or aux
track, are processed with a collection of outboard gear, and then returned to the console.
MultiRack follows the same principle, except that processing takes place in virtual Racks
filled with plug-in processors rather than in hardware racks.
The first step in building a MultiRack processing setup is to add empty Racks.
Double click on the area that says Double Click to Add Rack.
This will reveal a dialogue box that asks how many Racks
you want to add, as well as what type of Rack (Mono,
Stereo, or Mono-to-Stereo). Don’t worry about making the
wrong choice; you can always change this setting later.
Now you’ll see one or more empty Racks. Define the
audio input and output channels of each Rack by clicking
on the left (input) and right (output) side rails of the
interface. The Audio I/O pull-down menu will open. T
number of channels available depends on the I/O devic
you are using. Set the channel(s) for both input (left side
rail) and output (right side rail) for each of the Rack
you’ve cr
eated.
he
e
s
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You may decide later to change a Rack’s input
from mono to stereo, or to mono-to-stereo. Use the
Switch Rack Type pull-down to modify the input
and/or output.
As you add Racks, a blank area will appear beneath the newest Rack. Double click in area
to add more Racks, up to a maximum of 64.
Just as it’s important to write on the scribble strip of your console to identify the source of
each channel, it’s equally useful to name the Racks of your MultiRack Session. Label a
Rack by clicking, then typing, in the Rack name text
cell at the top of the Rack. In this example, we’ve
labeled the Rack “Hi Hats.”
To delete a Rack, right click on it and choose Delete Rack from the menu, or choose
Delete Selected Racks from the Edit menu.
This is a good time to Save your Session. Look in the File menu for the command, or type
Ctrl/Cmd+S.
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2.4 Add Plug-ins for Sound Processing
Once you’ve created Racks and assigned their I/O channels, it’s time to add plug-ins to
each Rack. A Rack can hold up to eight plug-in processors, and the signal will always flow
from left-to-right.
Click on the small arrow near the Input Fader to add a plug-in from the pull-down list. Plugins are organized by type of processor. Add another plug-in by clicking on the arrow to the
right of the first plug-in, and so forth. You can always rearrange the plug-in order by clicking
on a processor and dragging it to the desired position.
To view a plug-in and adjust its parameters, double click on the box representing it. The
plug-in’s interface will appear below the Rack. This view is called Rack View. Set the plugin as desired. At the top of the interface of all Waves plug-ins is the WaveSystem toolbar,
which is used to load or save your favorite settings for that plug-in. Learn more about the
WaveSystem Toolbar in this manual’s section entitled “Rack View: Using Your Plug-ins.”
To exit Rack View and return to MultiRack window, double click on any empty area at the
top of the Rack, or click the red [X] button on the right. To move to another plug-in interface,
simply double click on the plug-in you’d like to see. You can also navigate between the
plug-ins in a Rack by using the left/right arrows on your keyboard. To delete a plug-in, right
click on it and choose Remove Plug-in. (This action is undo-able.)
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2.5 Snapshots
With MultiRack, you can easily store and recall Snapshots of the Racks and the plug-ins
they contain. A Snapshot is sort of a “super preset,” a picture of all of the Racks in your
MultiRack Session. It contains the following parameters:
• Rack input and output gain
• Rack in/out and mute states
• Current plug-in parameters
Snapshots are contained and saved as part of a Session file. A single Session file can
contain up to 1000 Snapshots. Snapshots can also be exported to or imported from files in
order to integrate them into a Session.
Use Snapshots to change the state of Racks (mute/out), levels, and most importantly, the
settings for the plug-ins. Snapshots do not change the physical configuration of a Session,
so you cannot use a Snapshot to change the audio I/O, the Rack order, or the plug-ins in a
Rack. However, since Snapshots can take plug-ins in and out of the processing path, you
can insert several plug-ins into a Rack, and then control which are in use in specific
Snapshots.
Snapshots are stored, recalled, and managed in the
Snapshot Pane. To open this window, click the Snapshots
button.
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Here, you can store up to 1000 Snapshots. We’ll discuss the
Snapshots Pane in greater detail later in this manual. For
now, it’s sufficient to know that first you should set your I/O
levels and plug-in parameters as desired, then click on a
Snapshot register where you want to store the information.
Click Store As…. This will reveal the Store Snapshot As
window.
Type a name for this Snapshot and click Store. In the image
to the left, we’re adding a Snapshot for the chorus of “Song
#2,” and storing it into Snapshot slot #0004.
To recall a Snapshot, double click on a defined Snapshot in
the Snapshot Pane, or select the desired Snapshot, then
click on Recall. The functions in the Snapshot Pane are
pretty logical, so you can learn how it works th
experimentation. Refer to the next section of this manual,
“MultiRack Windows and Controls,” for more details about
these features.
rough
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2.6 Create Processing Groups
Since MultiRack allows you to build Sessions of up to 64 Racks, each of which are specific
processing chains, you may choose to organize related Racks into groups to better manage
your Session. Grouping Racks offers a few advantages:
• Group related Racks together (such as all drum channels), and they will share a
common group name.
• Groups are color-coded, making visual identification of similar Racks much easier.
• Grouped tracks can be latency-aligned, offsetting unequal delays caused by each
channel’s chain of plug-ins, which may have different latencies.
Create a group by clicking on the grouping pull-down menu and choosing Open Group
Close the window.
Properties window. Here you create Rack
groups and determine if and how Racks
within the group will be latency-aligned.
In this example, we named the group
“Drums.” Each new group is automatically
assigned a color. (We will discuss latency
alignment in more detail in the section
“Group Properties Window: For
Organization and Latency Alignment.”) For
now, choose Auto, which sets the latency
of all Racks in the group to match that of
the Rack with the greatest latency.
To add more Racks to a group, click on the grouping pull-down menu, where the group
name will appear, and then select the
group that you want the Rack to belo
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ng to.
2.7 Saving in MultiRack
MultiRack offers four different levels of “Save,” enabling you to quickly and confidently store
and recall needed Session information. From most specific to most general, here are your
options for saving information:
• Per Plug-in: Each plug-in has its own WaveSystem Toolbar, so you can load and save
your favorite plug-in settings without affecting the rest of the processing environment.
Say you have a C4 preset that you’d like to use for the bass. Simply load the preset
from the C4’s WaveSystem Toolbar’s Load menu.
• Per Rack: There’s a WaveSystem Toolbar at the top of each Rack, so you can load and
save settings for an entire Rack, independent of the Snapshots.
• Snapshots are used to store your plug-in and Rack settings.
• Sessions hold the settings for every plug-in, Rack and Snapshot, and contain the
information about the architecture and signal flow for the entire setup.
2.8 Recall Safe Mode
There are times when you don’t want certain Racks or specific plug-ins to be affected by
Snapshot changes. The Recall Safe Mode allows you to select the Racks and/or plug-ins
that won’t be affected as you change Snapshots that would normally affect them. The
recall-safe option applies within the Session (not a specific Snapshot).
To set a Rack or plug-in to Recall Safe:
• Select Recall Safe in the Snapshots menu, or type Ctrl/Cmd+Shift+R.
• Racks: Select a Rack or multi-select several Racks, then right click in any empty area of
the Rack. Select Recall Safe from the pull-down menu. A Rack’s blue input/output rails
indicate that it is in Recall Safe.
• Plug-ins: Select the plug-in or plug-ins you want to set to Recall Safe. Right click on any
of the selected plug-ins and choose Recall Safe from the pull-down menu. Recall Safe
plug-ins glow blue.
• To remove a Rack or plug-in from Recall Safe mode, de-select Recall Safe from the
right click menu in Recall Safe mode.
• Plug-ins or Racks that are set to Recall Safe can be edited. However, their Recall Safe
status can be viewed only while in Recall Safe mode.
• Selecting Recall Safe in the Snapshots menu does not activate or de-activate Recall
Safe. Rather, it only allows you to see plug-ins and Racks and set them to Recall Safe.
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When you turn Recall Safe mode off, Racks and plug-ins which have been Recall Safe
remain so; they just don’t glow blue.
2.9 Overview Window: Viewing the Status of All of Your Racks
Once you’ve filled several Racks, you’ll want a convenient way to keep track of everything
happening within your processing environment. To get an overview of your Racks, select
Overview from the View menu. This will reveal the Overview Window, where you’ll see a
condensed view of each Rack.
The Overview Window tells you if a Rack or an individual plug-in is functioning, and it
enables you to turn on or off, bypass, or mute a Rack. Clipping is also indicated for each
Rack.
Use the Overview Window when you want to keep an eye on the entire processing setup.
Since each mini-Rack in the Overview Window displays clipping information, you can easily
watch out for over-level clipping across your entire setup.
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2.10 Controlling MultiRack with MIDI
Since FOH situations demand that you keep your hands on the console and your eyes on
the show, you may not always want to control MultiRack using a mouse and a computer
display. Instead, you may choose to control MultiRack using your digital console or other
familiar MIDI hardware controller for greater efficiency.
The following MultiRack functions can be controlled via MIDI:
• Navigation between Racks and between plug-ins
• Global controls such as Rack or Plug-in On/Off, Mute, etc.
• Selected Plug-in parameter controls
• Snapshot recall
How is MIDI Used with MultiRack?
Important MultiRack functions can be assigned to a MIDI hardware controller using the
Remote Controller Editor, which is supplied with MultiRack. Assigning is simple: On the
Editor’s interface, select the MultiRack function you wish to control, and move the desired
knob or press the desired button on your MIDI controller to establish an assignment. Even
when you have Racks full of processors, you can only control the plug-in that’s currently
being displayed. This way, you always know which plug-in parameter you’re adjusting. So
when controlling MultiRack via MIDI, you will always first select the Rack and plug-in you
want to address, and then adjust its parameters.
The Controller Strip
A MultiRack Session can have up to 64 Racks, each containing up to eight plug-ins. Since
every plug-in has several parameter controls, remote control of so many different variables
could be a logistically complex task, and would require users to re-map MIDI links each
time the configuration changes. MIDI mapping is simplified in MultiRack by using a matrix
that sits between the plug-in and the MIDI controller. This matrix assigns key parameter
control knobs and buttons to fixed matrix positions so that MIDI assignments always make
sense, regardless of type of processor. For example, when using dynamics processors, the
matrix usually assigns the first variable MIDI position to Threshold, the second to Ratio, the
third to Attack, and so forth. With EQ processors, the first variable position is usually Input
Gain, followed by Band One Gain, Band One Frequency, etc. The matrix is reflected in the
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