Two Notes Torpedo CAB User manual
TORPEDO C.A.B.
Professional Speaker Simulator
User’s Manual
V 1.11- 07/04/2012
TORPEDO C.A.B. User’s Manual
Manual Version V 1.11- 07/04/2012.
The complete electronic version of this manual, as well as the Two Notes Audio Engineering software and hardware products, are subject to updates. You can download the most recent versions
of the products on the following website: http://www.two-notes.com.
This manual describes the TORPEDO C.A.B. and provides instructions for its operation. It is highly
recommended to read this document before using this product. The contents of this manual have
been thoroughly verified and it is believed, unless stated otherwise, to accurately describe the product at the time of shipment from the factory or download from our website.
Two Notes Audio Engineering is a registered trademark of:
OROSYS SAS
145 rue de la Marbrerie, BAL n°6
34740 Vendargues
France
Tel: +33 (0)484 250 910
Fax: +33 (0)467 595 703
Email: contact@two-notes.com
Support: support@two-notes.com
http://www.two-notes.com
This document is the exclusive property of OROSYS SAS. In the interest of product development,
OROSYS SAS reserves the right to change technical specifications, modify and/or cease production without prior notice. OROSYS SAS cannot be held responsible for any damage, accidental or
otherwise, that results from an inappropriate use of the TORPEDO C.A.B.. Please refer to the safety
instructions included in this manual. The reproduction of any part of this document is strictly forbidden
without the written authorization of OROSYS SAS.
All product names and trademarks are the property of their respective owners. Product names
and trademarks found in this document were used during the development of the TORPEDO C.A.B.
product but are in no way associated or affiliated with OROSYS SAS.
Two Notes Audio Engineering TORPEDO C.A.B. 3
Contents
1 Foreword 7
1 Safety instructions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
1.1 Reader warning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
1.2 Mains power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
1.3 Conditions for safe use . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
1.4 Cleaning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
1.5 Maintenance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
2 Contents of the package . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
3 Disposal of Waste Equipment by Users in Private Household in the European Union . . . . 8
4 Declaration of conformity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
5 Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
2 About the TORPEDO C.A.B. 11
1 Introducing the TORPEDO C.A.B. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
2 C.A.B. overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
3 Only a speaker simulation ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
3.1 Tube Stage Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
3.2 Section EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
3.3 The TORPEDO technology, convolution and Impulse Responses . . . . . . . . . . . . 13
3.4 Third-party impulse responses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
3.5 Create your own IRs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3 Connecting the TORPEDO C.A.B. 15
1 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
2 Using the C.A.B with pedals, preamplifier or amplifier . . . . . . . . . . . . . . . . . . . . . . 15
3 Using the C.A.B with another modeling product . . . . . . . . . . . . . . . . . . . . . . . . . 16
4 Remote control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
4 Configuring and using the TORPEDO C.A.B. 19
1 The TORPEDO C.A.B. interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
2 Level control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
3 Programmable Footswitches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
4 Three modes: PERFORM, EDIT & SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
5 PERFORM mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
6 EDIT mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
6.1 Power Amp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
6.2 Miking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
6.3 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
7 SETUP mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
8 MIDI setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
9 Continuous save, preset save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
10 Want more cabinets? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
10.1 .tsr files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
10.2 .tur files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
10.3 Third-party IRs in .WAV or .AIF format . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
10.4 Uploading new Two Notes cabinets or third-party IRs . . . . . . . . . . . . . . . . . . 27
5 MIDI 29
1 PROGRAM CHANGE (PC) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
2 CONTROL CHANGE (CC) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
6 Specifications 31
1 Power Amplifier list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
2 Microphones list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
3 Cabinets list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
4 Technical data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
7 Technical support 37
1 Two Notes Website . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
2 By e-mail . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Foreword
Part 1
Foreword
1 Safety instructions
Before using the product, it is necessary to carefully read and to bear in mind the following information. Keep this document in a safe place as it is important for the protection of the user and the
product. If any malfunction of the machine is suspected, you should always seek the assistance of a
qualified technician.
1.1 Reader warning
The triangle symbol with an exclamation mark indicates important messages
concerning the correct operation of the machine.
1.2 Mains power
Please verify that the voltage required by the mains power adapter matches the voltage in your
country. If not or if unsure, do not connect the machine to the wall outlet. This could result in damages
to the mains power adapter, the machine and injuries to the user. This product must not be used when
there is lightning present. In case of severe weather with a risk of lightning, unplug the power adapter
to reduce the risk of electric shock and fire.
The mains power adapter provided with the machine complies with the standards of the country
where you purchased the product. If replacement is needed, please use a standard compliant
mains power adapter.
1.3 Conditions for safe use
The TORPEDO C.A.B. must never be used near a heat source, near a flame, in the rain, in damp
areas, near any liquid of any sort. When transporting the unit, care needs to be taken to avoid any
shocks that could cause damage that would require the assistance of a qualified technician.
1.4 Cleaning
Always use a piece of dry and soft cloth with no alcohol or solvents for cleaning. Please keep the
unit clean and free from dust.
Two Notes Audio Engineering TORPEDO C.A.B. 7
Foreword
1.5 Maintenance
All maintenance operations must be done by service centers approved by OROSYS SAS or by
qualified technicians. Never try to repair the machine by yourself.
2 Contents of the package
The shipped package contains:
1. One TORPEDO C.A.B. unit in a protecting sleeve,
2. One mains power adapter,
3. One USB cable,
4. One user’s manual.
The complete electronic version of this manual, as well as the TORPEDO Remote and TORPEDO
Capture software are subject to updates. You can download the most recent versions of these
products on the following website: http://www.two-notes.com.
3 Disposal of Waste Equipment by Users in Private Household in the
European Union
This symbol on the product or on its packaging indicates that this product must not be disposed of with your other household waste. Instead,
it is your responsibility to dispose of your waste equipment by handing it
over to a designated collection point for the recycling of waste electrical and electronic equipment. The separate collection and recycling
of your waste equipment at the time of disposal will help to conserve
natural resources and ensure that it is recycled in a manner that protects human health and the environment. For more information about
where you can drop off your waste equipment for recycling, please
contact your local city office, your household waste disposal service or
the shop where you purchased the product.
4 Declaration of conformity
Manufacturer: OROSYS SAS
Category of product: digital audio signal processor
Product: TORPEDO C.A.B.
Test Manager: Guillaume Pille
The Two Notes TORPEDO C.A.B. and the provided mains power adapter are certified to be compliant to the CE and FCC standards:
• EN 55103-1 : 1996 and EN 55103-2 : 1996.
• EN 60065 05/2002 + A1 05/2006.
8 Two Notes Audio Engineering TORPEDO C.A.B.
Foreword
• EMC directive 89/336/EEC and Low Voltage Directive 73/23/EEC.
• FCC Part 15 : 2008.
• ICES-003 : 2004.
• AS/NZS 3548 class B for Australia and New Zealand.
• IEC : 2008 - CISPR 22 class B.
5 Warranty
OROSYS SARL warrants that this TWO NOTES AUDIO ENGINEERING product shall be free of defects
in parts and workmanship when used under normal operating conditions for a period of two (2) years
from the date of purchase. This warranty shall apply to the original purchaser when purchased from
an Authorized TWO NOTES AUDIO ENGINEERING dealer.
IMPORTANT: PLEASE RETAIN YOUR SALES RECEIPT, AS IT IS YOUR PROOF OF PURCHASE COVERING
YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT YOUR SALES RECEIPT.
Defective products that qualify for coverage under this warranty will be repaired or replaced,
(at OROSYS SAS’s sole discretion) with a like or comparable product, without charge. In the event
that warranty service be required, Please contact your authorized TWO NOTES AUDIO ENGINEERING
dealer in order to obtain an RMA to return the complete product to the Authorized TWO NOTES
AUDIO ENGINEERING Service Center closest to you, with proof of purchase, during the applicable
warranty period.
Transportation costs to the service center ARE NOT INCLUDED in this limited warranty. OROSYS SAS
will cover the cost of standard ground return transportation for repairs performed under this warranty.
This limited warranty becomes void if the serial number on the product is defaced or removed,
or if the product has been damaged by alteration, misuse including connection to faulty or unsuitable ancillary equipment, accident including lightning, water, fire, or neglect; or if repair has been
attempted by persons not authorized by OROSYS SAS.
Any implied warranties, including without limitation, any implied warranties of merchantability or
fitness for any particular purpose, imposed under state or provincial law are limited to the duration
of this limited warranty. Some states or provinces do not allow limitations on how long an implied
warranty lasts, so the above limitations may not be applicable.
OROSYS SAS ASSUMES NO LIABILITY FOR PROPERTY DAMAGE RESULTING FROM ANY FAILURE OF THIS
PRODUCT NOR ANY LOSS OF INCOME, SATISFACTION, OR DAMAGES ARISING FROM THE LOSS OF USE
OF SAME DUE TO DEFECTS OR AVAILABILITY OF IT DURING SERVICE.
In case you have to send your TWO NOTES AUDIO ENGINEERING product to any other location,
it is of vital importance to retain the original packing materials. It is very difficult to avoid damage
when shipping the product without these materials. OROSYS SAS is not responsible for damages to
the product due to improper packaging and reserves the right to charge a reboxing fee for any unit
returned for service without the original packing materials.
THE FOREGOING CONSTITUTES THE ONLY WARRANTY MADE BY OROSYS SAS WITH RESPECT TO THE
PRODUCTS AND IS MADE EXPRESSLY IN LIEU OF ALL OTHER WARRANTIES EXPRESSED OR IMPLIED
Two Notes Audio Engineering TORPEDO C.A.B. 9
Part 2
About the TORPEDO C.A.B.
1 Introducing the TORPEDO C.A.B.
Two Notes Audio Engineering is proud to introduce the TORPEDO C.A.B. (Cabinets in A Box), a version of the critically acclaimed TORPEDO hardware series, optimized for live playing. This product has
been developed through years of technical research, with great attention to the needs of guitarists,
bassists and sound technicians confronted to the challenges of miking instrument amplifiers, on stage
or in the studio. Our goal is to provide ease of use, reliability, versatility and, above all, perfect audio
quality.
The TORPEDO technology was created as an answer to the high pressure musicians have to deal
with: lack of time, limited gear availability, loud amplifiers that cannot be played at desired volume,
as well as bulky and heavy cabinets to carry. In addition, many musicians are more comfortable with
their analog amplifier and effect pedals, and do not want to perform using digital modeling systems,
which may compromise their playing style and sound.
For them, the TORPEDO C.A.B. offers a "virtual" alternative to traditional miking, using a technology
derived from the convolution reverberation, to achieve a degree of realism never experienced with
a simulator previously. The TORPEDO C.A.B. is the perfect line output everybody should have at the
final stage of their pedalboard to send the sound directly to a PA or a recorder.
You can use the TORPEDO C.A.B. on stage or in the studio, after your favorite distortion pedal or
a rack preamplifier, or even after an amplifier modeling unit (with the speaker simulation turned off).
You will be able to explore the unlimited possibilities of the best speaker miking simulator.
The TORPEDO C.A.B. comes with a large library of 45 cabinets (32 factory cabinets + other cabinets
available for download) and 8 microphones among the most commonly used models in the world.
The virtual miking is achieved by choosing one cabinet and one microphone, and fine-tuning the
position of the microphone in front of the cabinet. The TORPEDO allows the user to assume the role
of the sound engineer in a professional studio.
The TORPEDO Technology: to bring you realism and playing comfort, Two Notes has developed a
unique technology based on an adaptation of convolution techniques. Starting with the measurement of an actual cabinet + microphone setup, the TORPEDO C.A.B. can accurately reproduce the
system as it was measured, as well as the microphone’s position in space. In order to take full advantage of these digital algorithms, the highest-quality audio design assures a perfect analog-to-digital
conversion and a huge dynamic range to retain the ultimate playing experience.
This product has been thoroughly tested in professional studio and stage environments and is
the alternative many musicians were waiting for, to achieve a professional sound capture of their
amplified instruments. The TORPEDO C.A.B. will give you the elusive sound of the greatest recording
studios and producers, anytime, anywhere.
Two Notes Audio Engineering TORPEDO C.A.B. 11
About the TORPEDO C.A.B.
2 C.A.B. overview
Figure 2.1: Front panel of the TORPEDO C.A.B.
1 Input level selector 5 Phones output 9 Display screen 13 A function footswitch
2 GTR/Line input 6 MIDI IN 10 EDIT/SAVE button 14 B function footswitch
3 Output level selector 7 USB 11 PRESET/PARAMETER encoder
4 AMP/Line output 8 Mains power adapter connector 12 OUT LEVEL/VALUE encoder
3 Only a speaker simulation ?
The TORPEDO C.A.B. is a standalone unit you can bring with you in any situation, whenever silent
playing is needed.
The role of the TORPEDO C.A.B. is to replace the following elements of the traditional guitar or bass
setup:
• the guitar/bass power amplifier
• the speaker cabinet
• the microphone
• the microphone preamplifier
to provide a signal that is the closest possible to a traditional guitar/bass miking in a professional
studio environment.
The miking is achieved in 3 steps with the TORPEDO C.A.B.:
1. choose a power amplifier (or switch it off if you are using a loadbox), a speaker cabinet and a
microphone,
2. place the microphone in the virtual studio,
3. shape the signal (Eq).
12 Two Notes Audio Engineering TORPEDO C.A.B.
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