Toa MX-104 Operating Instructions Manual

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Operating Instruction Manual
TOA POWERED MIXER
Model MX-104
TOA ELECTRIC CO., LTD.
KOBE, JAPAN
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Contents
General Description
Features
Front Panel [Names of components & their usage]
Rear Panel [Names of components & their usage]
Connection Examples
Input Connections
Block and Level Diagrams
Specifications
Characteristics Diagrams
Appearance
2
2
3
4
5
6
7
8
9
9
Precautions
1. XLR Type Audio Connector
The connectors are wired as follows. The pin 1 is ground [shield), the pin 2 cold (low, minus), the pin 3 hot (high, plus).
Various descriptions are applied, depending on each manufacturer. In our Operating and Instruction Manual explanation of components and functions is made according to our usage for them.
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General Description
The TOA MX-104 is a very co mpact, four channel self-powered mixer. It was designed to deliver maximum features and performance in a cost-effective portable PA package.
The MX-104 features four input channels, one program output, and one Foldback
output. The internal amplifier is rated at 100 watts into an 8 ohm load, and 150 watts
into 4 ohms.
Each input channel has an electronically balanced XLR connector, and a high-
impedance unbalanced 1/4" phone jack. In addition, each channel features two-band
EQ, a pre-EQ Foldback send, and post-EQ reverb send.
The master control section features a patchable 5-band graphic equalizer, a quality 3-
spring reverb, a full patch bay with 1/4" phone auxiliary and RCA tape inputs, and
master volume controls for Program, Foldback, and Reverb return to both. The power amp protection circuitry and autocomp compressor, both with LED's, are also located
in this section.
Features
1. Four input channels
2. 100 watts into 8 ohms, 150 watts into 4 ohms
3. Patchable 5-band graphic EQ
4. Auto Comp compression unit w/LED
5. Built-in spring reverb
6. Power amp protection circuitry w/LED
7. Full patch bay
8. Aux input w/level control, RCA jacks and parallel phone 1/4" jacks.
9. Reverb level to PGM and FB
10. Independent Foldback mix.
Each Channel
1. Input level control
2. Two band EQ
3. Pre-EQ Foldback send
4. Post-EQ Reverb send
5. Low-Z electronically balanced XLR input
6. Hi-Z unbalanced 1/4" input
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Front Panel
High Equalizer Control
The high EQ control alters the high frequency response of the input channel, providing ±13dB at 10kHz, and ±15dB at 20kHz of continuously variable active shelving equalization. The "0" detented position provides flat audio response.
Low Equalizer Control
The low EQ control provides ±13dB at 100Hz and ±15dB at 50Hz of continuously variable active shelving equalization. The "0" detented position pro­vides flat audio response.
(HIGH)
(LOW)
Reverb to Foldback
This control adjusts the amount of reverb signal that is returned to the foldback buss and thus the level of reverb contained in the on-stage monitor mix.
Reverb/Control
(REV)
This control determines the
level of signal assigned to the re­verb mixing buss. Rotating the
control clockwise increases the
amount of reverb in that channel.
Foldback Control (FB)
The Foldback control deter­mines the level of signal assign­ed to the foldback mixing buss, thus setting the level of that channel in the on-stage monitor
mix.
Control (REV TO FB)
Graphic Equalizer
The graphic equalizer is 5 inde­pendent active bands (filters), providing 12dB of boost or cut at each center frequency. The "0" detented position provides flat audio response.
Foldback Master Control (FB)
The FB master control adjusts the overall combined signal level of the four independent channel foldback sends, and t hus the level of the entire on-stage moni-
tor
mix.
Aux Level Control (AUX)
This control sets the overall level of the Aux input signal.
(EQUALIZATION)
Power Amp Compression Indicator (COMP)
The Comp LED lights when the internal compressor is activated. The compressor is provided to protect speaker systems by com­pressing the input signal level of the power amplifier when clip­ping occurs in the output stage. Frequent flashing of the LED is not reason for alarm. However, a constant or steady light indicates th at the MX-104 is being over­driven and that the internal power amplifier is possibly "under powered" for that applica­tion. The output level of the MX­104 should be decreased until the LED only flashes intermittently.
Power Indicator LED (POWER)
The indicator LED lights when th e po wer s wi tc h is "on".
Input Level Control
The level control provides con­tinuously variable adjustment of the channel out put to the program mixing buss, thu s determining the level of that channel in the main sound system mix. Since th e reverb signal is "post" this control, an increase in the level of the channel's output will also result in a corresponding increase in the reverb effect of that channel. The nominal level of the input level control is at the "10" posi­tion.
High Impedance Connectors
These connectors are unbal­anced, standard 1/4" phone jacks with an input impedance of 27k ohms, and an input level of
-35dB. Wh en a plug is inserted into the high - Z input, the cor­responding XLR connector is automatically switched out of the input circuitry.
Low Impedance Connectors
The XLR connectors are low im­pedance, electronically balanced inputs with an input impedance of 1k ohms.
(LEVEL)
(HIGH Z)
(LOW
Z)
Reverb to Program Contro1
This control adjusts the amount of reverb signal tha t is return ed to the program buss and thus the level of reverb contained in the main sound system.
The PGM control adjusts the overall combined signal level of the four independent channel level controls, and th us the level of the main sound system.
The phone jack and RCA pin jacks are wired in parallel, with an input level of -20dB. When a plug is inserted into the phone jack, the RCA pin jacks are automatically switched out of the AUX circuitry.
This jack is for connection to external power amplifiers and/ or equalizers for the on-stage monitoring system. Nominal out put level is +4dB with an impedance of 600 ohms. If the internal power amp and equal­izer are to be used for the on­stage monitor system, the FB output should be connected to the GEQ input jack.
(REV
TO
PGM)
Program Master Control
Aux Input Jacks
Foldback Output Jack
(PGM)
(AUX
(FB
IN)
OUT)
Program Output Jack
(PGM OUT)
The PGM Out jack is provided for connection to external equal­izers and/or power amps, deriv­ing its signal prior to the internal GEQ and power amp. Nominal ou tpu t level is +4dB with an impedance of 600 ohms.
Graphic Equalizer Input Jack -
(GEQ
IN)
The GEQ input jack allows the graphic equalizer to be used in­dependently of the MX-104 wi th
other external equipment, or the int ernal power amplifier and the graphic equalizer with external equipment. When a plug is
inserted, the main mix from
the program buss is disconnected
from the graphic equalizer and the power amplifier. The nomi­nal i nput level is +4dB with an input impedance of 50k ohms.
Graphic Equalizer Output Jack
(GEQ OUT)
This jack allows the MX-104 and the internal graphic equal­izer to be used with an external power amplifier, or in conjunc­tion with the GEQ in jack, to be used independently of all other MX-104 circuitry. Nominal output level is +4dB with an impedance of 600 ohms.
Power Amp Protection
Indicator (PROTECT)
The indicator LED lights if the power amplifier output is short­ed, if the temperature of the unit rises above acceptable levels, or if DC is drifted to the speaker outputs. If the LED should light, speaker wiring and ambient temperature of the MX-104 should be checked. If the LED remains lighted, the unit should be referred to qualified service personnel for repair.
Note:
The MX-104 protection circuitry will (1) detect 'faulty conditions' within the power amplifier, (2) give a visual indication, and (3) automatically shut down until the fa ult condition is alleviated. This special circuitry ensures maximum reliability and vir­tually eliminates equipment damage due to unsafe or fault conditions. Please refer to fault protection table on page 4 for ful l explanation of this im­portant feature.
Power A mplifier Input Jack
(PWR
IN)
The PWR Amp input jack allows the internal power amplifier to be used with external equip­ment. When a plug is inserted, the power amp is automatically disconnected from the MX-104 mixer section. The nominal in­pu t level is +4dB w ith an input impedance of 10k ohms.
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Rear Panel
Power Switch (POWER)
The power switch is a three­position type with the middle position being the "off position.
The MX-104 should be operated
in the switch position which produces the lowest amount of system hum.
Speaker Jacks (SPEAKERS)
The speaker outputs are stand­ard 1/4" phone jacks wired in parallel. Speaker cables (recom­mend at least #18 gauge wire) should be connected between the MX-104 and the speake r
systems prior to applying power to the unit.
Caution - The MX-104 should
never be operated into less than
a 4 ohm speaker load.
Earth Terminal (GND)
The power cord is the three-wire
type with proper grounding faci-
lities.
Caution - The ground pin should
not be removed under any cir­cumstances. If the MX-104 must be used without proper ground­ing facilities, a suitable ground­ing adapter should be utilized.
AC Power Cord
Operation of the MX-104 with proper grounding techniques
will result in less system noise
and greatly reduced shock hazard.
Cord Wrap
The cord wrap is provided for convenient storage of the power cord when th e MX-104 is not in use.
Caution - The power cord should
always be completely removed from the cord wrap prior to operation of the unit. This will insure maximum cooling of the MX-104. For the same reason, adequate clearance should be maintained between the rear panel and any other surface (4-6 inches should do). The vents on the bottom and top of the MX­104 are also provided for convec-
tion cooling. These vents should
be kept clear and open. Failure to do so may cause the rmal shut­down of the unit.
Warning - To avoid possible
equipment damage and/or per­sonnel in jur y, th e fuse should always be replaced with same type and rating. Using improper
fuses will also void the warran-
ty . The MX-104 should alway s be disconnected from AC outlet prior to changing fuses. If fuse repeatedly fails, the unit should be referred to qualified service personnel for repair.
Fault
Excessive current due to overloads.
Short circuits (less than 0.4-ohm)
Temperature rise of heat sink (more than 105°C)
DC drift
Fault Protection Table
Protection
Current limiter activates at less t han 2 ohm.
Current limiter activates, input signal is lowered, unit shuts down,
Input signal is lowered. Unit shuts down.
Input signal is lowered. Unit shuts down.
Indication
Compressor LED illuminates.
Amp protection LED illuminates.
Amp protection LED illuminates.
Amp protection LED illuminates.
Action
Remove excessive loads. Minimum speaker loads
4
ohm.
Check speaker lines/systems for shorts.
Check for adequate ventilation.
Refer to qualified service personnel.
Restoration
Automatic restoration
aft er normal loads are obtained.
Turn off power switch. Turn on into operational loads.
Automatic restoration after temperature
lowers (t o 75° - 95° C)
Automatic restoration
after normal bias is regained.
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Connection Examples
MAIN SPEAKER SYSTEM for foldback TOA model SM-25A)
SPEAKER SYSTEM (Self powered speakers
From Speaker jack on Rear Panel
Low Z input should be connected with low impedance (50 ohm ~ 600 ohm) microphones
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KEYBOARD
MUSICAL INSTRUMENT
CASSETTE TAPE DECK
for playback
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Input Connections
Generally speaking, there are two rules to follow when connecting equipment outputs
to the inputs of other equipment.
1. Properly match the impedances of the outputs and inputs.
2. Connect low impedance outputs to high impedance inputs.
It goes without saying that not only input and output impedance matching, but also level matching should be taken into consideration. Each input channel of the MX-104
is provided with an Input Level Control that includes a negative feedback (NF)
circuitry, so the usable signal level range is wide. Input impedances and levels are shown in the following table.
CONNECTION
INPUT
ACTUAL LOAD IMPEDANCE
INPUT SPECIFICATIONS
FOR USE WITH NOMINAL
SENSITIVITY* (PGM OUTPUT
LEVEL +4dB)
CONNECTOR
CH1
CH4
AUX
GEQ
PWR/AMP
LOW Z
HIGH Z
OPEN
MICRO­PHONES
LOWER IMP LINES
LOWER IMP, LINES
LOWER IMP,
LINES
LOWER IMP, LINES
-60dB (0.78mV)
-35dB (13.8m V)
-20dB (77.5mV)
+4dB (1.23V)
+4dB (1.23V)
*Sensitivity is the level required to produce a program out level of +4dB. *0dB is referenced to 0.775V RMS.
All XLR Type connectors are electronic balanced. Phone jack is unbalanced.
If the line going from one piece of equipment to another is long (more than 5m), we
recommend that balanced outputs be connected to balanced inputs.
As is described in the beginning of the Operating Instructions Manual, the connectors
of the MX-104 are wired as follows: Pin 1 is ground (shield). Pin 2 is cold (low, minus).
Pin 3 is hot (high, plus).
XL R T YPE NC3F
PHONE JACK
RCA PIN JACK
PHONE JACK
PHONE JACK
PHONE JACK
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Block and Level Diagrams
BLOCK DIAGRAMS
LEVEL DIAGRAM
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Page 9
Specifications
MIXER SECTION
Frequency Response
+0, -3dB 60Hz~20kHz (input LEVEL at "5" position)
Total Harmonic Distortion
0.05% +4dB* at 1kHz.
Hum and Noise (Open)
Equivalent Input Noise -130dB* (20Hz ~ 20kHz) Equivalent Input Noise -133dB* (IHF A)
All level Controls Minimum -110dB* (IHF A)
PGM Master at MAX and all
input level controls minimum -90dB* (IHF A)
PGM Master at MAX and one
input level control at MAX -70dB* (I HF A)
CONNECTION
CH1
CH4
AUX
INPUT
LOW Z
HIGH Z
ACTUAL
LOAD IMPEDANCE
OPEN
Maximum Voltage Gain
INPUT to PGM out 64dB IN PUT to FB ou t 64d B INPUT to GEQ out 64dB
AUX to PGM out 24dB
Input EQ
50Hz ±15dB Shelving 20kHz ±15dB Shelving
Equalization
63Hz ±12dB Peaki ng 2kHz ±12dB Peaking
250kHz ±12dB Peaking 8kHz ±12dB Peaking
1kHz ±12dB Peaking
INPUT SPECIFICATIONS
FOR USE WITH NOMINAL
MICRO­PHONES
LOWER IMP LINES
LOWER IMP, LINES
SENSITIVITY* (PGM OUTPUT
LEVEL +4dB)
-60dB(0.78mV)
-35dB (13.8m V)
-20dB (77.5mV)
CONNECTOR
XLR TYPE NC3F
PHONE JACK
RCA PIN JACK PHONE JACK
GEQ
PWR/AMP
CONNECTION
ACTUAL SOURCE IMPEDANCE
PGM
GEQ
FB
POWER AMPLIFIER SECTION
Frequency Response
+0, -1dB 15Hz to 3 0kHz (150W RMS
Rated Power & Load
150W
RMS
Power Output at Clipping
1%
THD,
160W
RMS
Total Harmonic Distortion
Less than 0.1% (200mW ~ 150W RMS, 20Hz~20kHz, 4
Typically below 0.05%
Compresser Dynamic Range
Greater th an 26dB
Hum and Noise
At least 105dB S/N ratio, 20H/~20kHz
At least 109dB S/N r at io IHF-A we igh te d
Damping Factor
Greater than 200
1kHz
HOW RMS
115W
RMS
OUTPUT SPECIFICATIONS
FOR USE WITH
NOMINAL
LOWER IMP, LINES
LOWER IMP, LINES
+4dB [1.23V]
+4dB (1.23V)
+4dB (1.23V)
+4dB (1.23V)
+4dB (1.23V)
PHONE JACK
PHONE JACK
OUTPUT LEVEL*
lbs)
MAX. BEFORE CLIP
+20dB (7.75V)
+20dB (7.75V)
+20dB (7.75V)
NOMINAL
Input Sensitivity
+4dB* (1.23V)
Input Impedance
Output Connector
Phone Ja ck x2
Power Requirement
294 W 120V AC 6 0Hz
Dimensions
494(W) X 184(H) X 304 (D) (19.44 X 7.24 X 11.97) in s.
Weight
10 kg (22
*0dB is referenced to 0.775V RMS.
* Specifications are subject to change without notice.
CONNECTOR
PHONE JACK
PHONE JACK
PHONE JACK
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Characteristics Diagrams
LOW Z HIGH Z IN & INPUT EQ (LEVEL Control)
HIGH Z IN. & INPUT EQ (set at "5")
GEQ
POWER AM P POWER BAN D WIDTH
POWER AM P COMPRESSOR
POWER AMP T.H.D. vs POWER OUTPUT
REVERBERATION FREQUENCY RESPONSE
Appearance
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Page 11
TOA ELECTRIC CO., LTD.
KOBE, JAPAN
Printed in Japan
133-02-690-80
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