Tandberg TD-20-ASE User Manual

1978 Tandberg TD 20A/20A-SE

Tandberg TD20A / 20A-SE
Test Report (Hi Fi Choice number 22, 1979)
Two samples of this deck were submitted, quarter-track stereo
9.5/19cm/s, and half-track 19/38cm/s. Measurements will be quoted for the low speed version, but comments also generally apply to the high speed model.
This deck has three heads, source/tape monitoring being selectable. Other switches include
Selsync*, edit, play-back mode (L/R or stereo),
left and right record track selection and mike input attenuator. Pushbuttons select mains on/off, low/high speed, low/high tape tension and normal tape deck functions, the latter being logic controlled and allowing transfer from one function to another quite safely. Independent rotary pots are provided for left and right outputs. Four
separate record controls adjust inputs separately for left and right line 1 and 2 inputs, the latter also being used to control mike/DIN input levels, allowing additional mixing when in mono. A master stereo-ganged control having a centre indented marker lever allows for easy master fading. A seven-pin DIN socket is provided for remote control. Deck functions all worked extremely well, but tape threading was slightly awkward, and the NAB adaptors poor. Two large VU meters worked rather better than usual, but were equalised slightly (HF boosted). All types of headphone were amply driven from a '/4-inch stereo jack socket.
The mike inputs were very sensitive with a good clipping margin (attenuation provided) and with very low noise. The DIN input worked extremely well, with no noise degradation, and at a sensible impedance. The two separate pairs of line inputs were very sensitive, and both had a good though not excellent clipping margin, input noise being minimal. Replay amplifier noise was excellent on the high speed version, but just slight hum was noted on the left channel on the low speed model. The replay clipping margin was very good on the low speed version but only adequate on the high speed one. Replay amplifier distortion measured very well. Replay responses were excellent on the low speed model, but 38cm/sec showed a slight loss of EHF due to a time constant error. Maxell UDXL was extremely flat overall at 9.5 cm/sec, and was surprisingly good at high levels. At 19cm/sec responses were virtually a straight line to 20kHz, and again excellent at high-levels. (The high speed model was also superb overall). MOLs on both models were excellent for the tape type. A/B levels were extremely accurately set, and the sound quality was exceptionally good at all speeds and under all conditions, the Tandberg 'actilinear' record head driving circuits being very free from distortion. Overall noise levels were very good on the low speed model, and extremely good on the high speed one, 38cm/sec sensibly following the IEC curve, which helps further.
Overall wow and flutter measured quite well at 9.5cm/sec and well at 19cm/sec. The high speed machine was slightly better at 19cm/sec, and superb at 3 8 cm/sec. No wow was ever heard on programme at any speed on either deck. Speed accuracy was good throughout and spooling was quite fast and satisfactory. Stability was excellent, and erase particularly good. Crosstalk measured excellently throughout. In operation the decks run very quietly, and the ergonomics were well liked. Back tension on NABs was slightly low, and an accidental jog caused slight judder. Drop-in and out of record worked very well. Record quality at very high levels was surprisingly clean on both versions, the record head obviously being of very good design. The electronics did take several seconds to warm up after switch on, and this could be slightly annoying.
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1978 Tandberg TD 20A/20A-SE
Cueing worked well, and the brakes can be held off for editing. User bias adjustments allow accurate setting up for many tape types.
The quarter-track version gave an overall out-standing performance, and can be recommended very strongly indeed, no drop-outs being noted, and very wide dynamic ranges being possible. The high speed version was also very well liked, and my only reservation is that the replay clipping margin is not quite good enough to enable the highest quality professional studio recordings on very high output tapes to play back without very slight clipping. (Tandberg have promised to improve on this.)
Both versions will provide excellent quality recordings, and show European design at its best. The price is reasonable, and it is interesting to see Tandberg enter the semi-professional tape recording world with so much success, their domestic recorders over the years having been very successful.
GENERAL DATA
Mike i/p: sens/clipping/noise .................... 180uV/370mV/-60dB
Line i/p: sens/clipping .................................... 50mV/7.3V
DIN i/p: sens/clipping/impedance.............-24dB/>26dB/21.5kohm
DIN i/p noise ref DL+4dB (CCIR/ARM)...................... 77.3dB
Meter quality .................................................. good
Worst replay hum component ......................... -63dB [150Hz|
Replay hiss (CCIR/ARM ref DL) 9.5/19/38cm/s ...... -60/-64.5/-dB
Replay amp clipping (ref DL)/distortion. ................ +16dB/v. good
Max line output (DL) ........................................ 580mV
Dist point (333Hz 3 3rd MOL ref DL)
9.5/19/38cm/s.................................. +11.2/+11.5/-dB
Overall noise (CCIR/ARM ref DL) 9.5/19/38cm/s .... -52.5/-55/-dB
Worst erase figure ..........................................> -80dB
Overall wow and flutter (DIN) av/worst 9.5cm/s......... 0.09/0.098
19cm/s ......... 0.04/0.044
Speed accuracy (worst) ....................................... +0.5
Approx dimensions (W/H/D)............................. 44/46/20cm
Approx weight................................................. 18kg
Approx typical price ........................................... £550
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