We are delighted that you have decided to purchase a
your
With the digital surround decoder you can play Dolby Surround, Dolby Digital
grammes, video films and DVDs and experience a genuine “live” atmosphere, complete with exciting sound effects. The
digital surround decoder is also capable of generating artificial sound fields, which enhance the apparent reality of nonencoded programme material. For example, if you are watching a sports programme, you can allow yourself to be
transported into the stadium, or listen to a jazz concert in an authentic simulation of the atmosphere of a typical jazz
club.
Of course, it is essential that all these new facilities should have no detrimental effect on the excellent sound qualities of
your Hi-Fi system, and the design of your new machine has been carefully thought-through from start to finish to ensure
that this is the case.
As you would expect, the digital surround decoder features three high-quality output stages of discrete construction,
offering outstanding sound characteristics and generous reserves of power, and they can cope with impedance-critical
loudspeakers and complex surround effects covering a very wide dynamic range without turning a hair. The unit includes a high-precision digital signal processor which is responsible for precise decoding of the surround material as
well as generating the sound fields.
Naturally, we have remained faithful to our basic design and manufacturing principles in developing the digital surround
decoder. This design philosophy includes an insistence on durability and reliability, the avoidance of materials which are
environmentally harmful, the use of metals instead of plastics, and the exclusive exploitation of high-quality, thoroughly
tested materials. To ensure consistently high product quality we subject everything we make to a comprehensive monitoring process, terminating in a fully automatic computer-controlled final quality check and acceptance procedure.
Hi-Fi system you are expanding it to embrace a completely new dimension:
product. With the addition of the digital surround decoder to
Audio-Vision
1)
and dts
.
2)
encoded television pro-
Optional accessories for this unit include high-quality cables and connectors, together with a range of specialised furniture designed to match the design of our equipment.
We are grateful to you for placing your faith in us, and hope that you will enjoy many hours of pleasure with your
digital surround decoder.
1)Manufactured under licence from Dolby Laboratories. “Dolby”, “Pro Logic“ and the double-D symbol are trade-
2)“dts” is a trademark of Digital Theater Systems, Inc.
elektroakustik GmbH & Co KG
marks of Dolby Laboratories.
All components used in this device meet the current German and European safety norms and standards. For
your own safety please be sure to read right through these operating instructions. It is especially important to
observe the instructions regarding setting up and operating the equipment, and the safety notes.
2
Contents
Operation
Front panel controls ................................................................................................................................................... 4
Remote control .......................................................................................................................................................... 8
Menu control system
• Main menu ......................................................................................................................................................... 10
- Loudspeaker position menu ......................................................................................................................... 16
- Loudspeaker balance menu ......................................................................................................................... 17
- Tone control menu........................................................................................................................................ 18
• Video Setup........................................................................................................................................................ 19
Back panel connections........................................................................................................................................... 24
FCC Information to the user .................................................................................................................................... 28
Installation, using the decoder for the first time ....................................................................................................... 29
Wiring diagrams
1.
Connecting the TV set and surround speakers to the decoder .................................................................... 33
2.
Connecting a
3.
Connecting a DVD player (digital picture source)......................................................................................... 35
4.
Connecting a CD mechanism (digital sound source) ................................................................................... 36
5.
Connecting a set-top box (digital sound and picture source) ....................................................................... 37
6.
Connecting a SAT receiver (analogue sound and picture source)............................................................... 38
7.
SAT receiver (analogue sound and picture source) at the
8.
Video recorder (analogue device with record / playback facilities).............................................................. 40
Variations on standard wiring .................................................................................................................................. 41
Optimising the system ............................................................................................................................................. 42
Pressing the mains button
coder on and off. When the machine is switched on
and ready to use, the green LED glows.
Standby and record ready mode
•
If you hold the
second when the decoder is already switched on, the
machine switches to stand-by mode. Video recorder
recordings can be made with the unit in stand-by
mode; the screen displays the recording source you
have selected (see section
the digital surround decoder'
button pressed in for about one
switches the de-
'VCR recordings using
).
.
.
..
Switching to surround mode.
•
If you are in
switches to
three seconds the screen shows the
or the
Selecting the surround mode and sound field.
•
If you press the
the machine displays the next surround mode or the
next sound field. When the three seconds have
elapsed, the decoder screen returns to the normal display.
If you now press the
the new surround mode or sound field for a further
three seconds; i.e. you can still continue to cycle
through the available modes.
Switching to stereo mode.
•
If you
one second when in
switches back to
stereo mode
surround mode
sound field
.
.
..
hold
the
, pressing this button briefly
, and for a period of about
surround mode
currently set.
button again during this period,
.
.
button, the screen shows
..
.
.
button
..
surround mode
stereo mode
pressed in
.
for about
, the decoder
4
y
y
yy
This button is designed for possible later function expansions.
Opening the '
•
Pressing
This is where you can change the decoder settings
which are only occasionally required in normal daily
listening: perhaps to allow for temporary changes in the
listening room, or to compensate for unique characteristics of a special listening source.
Opening the '
•
Holding
second opens the
the settings and decoder functions which are rarely
needed, such as level and tone adjustments. Dedicated buttons for functions of this sort are not present,
as it is important that the front panel should be uncluttered.
Main Menu
this button
Device Setup
the
'.
briefly
opens the
'.
button
'
Device Setup
pressed in
'
Main Menu
for about one
'
. This menu contains
–
=
The decoder features a digital volume control: every time
you press one of the volume buttons the volume increases
If you hold one of the volume buttons pressed in for
longer than a second, the volume continues to rise or fall
until you release the button again.
'
.
The screen displays
=
==
Note:
The volume and tone controls of the decoder are completely independent of the corresponding controls on
your
the optimum volume setting for each mode.
stereo pre-amplifier. This allows you to select
+
or decreases
'
'
VOLUME
VOLUME
VOLUMEVOLUME
;
;
;;
briefly.
by 1.5 dB.
T
T
TT
Change buttons
Select buttons
x
x
xx
Cycles through the AV inputs
AUX-AV
short press:
long press:
2
2
22
Cycles through the connected AV source devices *) as
follows:
/
U
U
UU
in the menu control system.
(see section entitled
/
!
!
!!
in the menu control system.
(see section entitled
as follows:
next
previous
'
Menu Control system
'
Menu Control system
TV, DVD, SET-TOP BOX,
AV input
AV input
'
)
'
)
short press:
long press:
*)
Note:
This assumes that you have already entered the AV
source devices in the
'
Source Setup
source device
next
previous
source device
'
.
5
Decoder mode display
DIGITAL
RRRR
The decoder
at the input a digital multi-channel signal which is encoded using Dolby Digital. The corresponding LED
glows.
automatically
selects this mode if it detects
Note:
Some Dolby Digital encoded CDs contain sound signals
encoded with Dolby Surround. The decoder automatically detects this, and uses Dolby Pro Logic II for playback.
PRO LOGIC II
RRRR
The decoder automatically switches to this mode for any
analogue stereo source
material is Dolby Surround encoded. For
sources
matically
permits it. The corresponding LED lights up.
The decoder
at the input a digital multi-channel signal which is dts
encoded. The corresponding LED lights up.
or 2.0 programme material the machine
selects PRO LOGIC II if the recorded material
automatically
if it detects that the sound
digital stereo
auto-
selects this mode if it detects
OTHERS
This display is provided for possible expanded functions
which may be developed in the future.
Integral screen
>>>>
The display elements of the digital surround decoder are
grouped together in a clearly laid out screen:
Alpha-numeric display area, showing mes-
DVD 22
DVD 22
DVD 22DVD 22
The following displays light up when the input signal
contains information relating to the corresponding surround channel - provided that a loudspeaker has been
assigned to that channel in the
sages generated by the decoder (AV source,
current volume etc.)
'
Speaker Setup
'
.
Exception:
The LF (Low Frequency) display also lights up if the
bass part of the signal for other channels has been
routed to the low bass channel; this is carried out by
selecting loudspeakers in the
Main speaker, front left
L
Center speaker, front center
C
Main speaker, front right
R
Surround speaker, rear left
LS
Left and right surround speaker (rear) mono
S
Surround speaker, rear right
RS
LFL
ow Frequency effects channel
(low bass channel)
'
Speaker Setup
'
.
Examples:
(the examples assume that a loudspeaker has been
assigned to each channel)
• If the digital input signal is of the
dts 5.1
type, then the letters
'LF'
and
• If the sound signal is a
then the letters
light up.
2-channel PCM audio
'L'
This symbol lights up when
ume-dependent tone control) is switched on.
and
'R'
light up.
Dolby Digital 5.1
'L', 'C', 'R', 'LS', 'RS'
type,
LOUDNESS
(vol-
or
SOUND FIELD (simulated sound fields)
You can switch on this mode
wish to generate a simulated sound field to give spatial
effects to any stereo source material. The corresponding
LED lights up.
Note:
If the recorded materials is encoded at 96 kHz, the only
modes available are stereo and mono. See
manually
whenever you
'
Main Menu
AUX AV
????
DD 1530 R
(only
Video input and stereo sound input for connecting an
additional AV source device.
(VIDEO and AUDIO CINCH)
)
Note:
The front panel sockets of this
parallel with the corresponding sockets on the back
panel. The front and rear
'
.
fore not be used at the same time!
6
AUX AV
AUX AV
input are wired in
sockets must there-
VCR-recordings using the digital surround decoder
x
x
The
recording source independently of the current source
device which you are viewing or listening to.
This facility allows you to record an AV source device
(e.g. SAT receiver) while you
listen to another AV source device (e.g. DVD player).
If you wish to make a timer-controlled VCR recording,
you must first select the appropriate recording source
(e.g. SAT receiver) using the
coder.
At the time the recording is to take place, the decoder
must not be completely switched off (i.e. it must be
switched on or in stand-by mode).
In stand-by mode the decoder confirms its actions by
displaying the selected recording source on its screen in
dimmed form:
Caution:
The record select switch on the decoder does not carry
out any picture format conversion. You must set the
recording VCR to the same picture norm as the recording source.
button on the decoder is used to select a
xx
simultaneously
x
'REC'
and source name.
x
xx
button on the de-
watch or
Automatic power-off:
Normally the decoder switches itself off in parallel with
the master device. If the system is switched to stereo
mode, the screen shows:
'
After two minutes in stereo mode the decoder automatically switches to stand-by mode, as it is redundant in
stereo mode.
You can switch on the decoder again at any time by
<
pressing the
stereo mode.
<
button briefly; it then reverts to
<<
PREAMP
PREAMP
PREAMPPREAMP
'
7
Remote control of the Surround Decoder
General information
The digital surround decoder can be controlled using the
F11
remote control handset, or the F1 system remote
control unit. If you are using the F1 handset, it must first
be switched to Hi-Fi mode.
The decoder receives its remote control commands via
R
LINK
the
switch it on; it switches itself off when the Master device
is turned off.
In the drawings some of the buttons are filled in
(
remote control of the decoder. The other buttons have no
effect on this unit.
master device. Press the
); these are the ones which are required for
button to
[
[
[[
#
#
##
N
N
NN
9
9
99
Z
Z
ZZ
g
g
gg
h
h
hh
=
=
==
j
j
jj
)
)
))
ÌÌÌÌ
ËËËË
ÍÍÍÍ
ÎÎÎÎ
F1 only:
Direct source select button
switch the handset to Hi-Fi mode.
Note:
The F1 remote control handset also in-
d
(
F11
d
dd
) and
'
'
cludes the source buttons
f
f
and
ff
select the same source device.
Volume control rocker
Switches all loudspeaker outputs on and off
alternately.
F1 only:
Multi-function button:
Brief press in stereo mode:
Switches over to surround mode.
If the decoder is switched off,
it is automatically switched on again.
Brief press in surround mode:
Switches to the next AV source
which is assigned to the source button
Long press in surround mode:
Switches to the previous AV source
which was assigned to the source button
Brief press in surround mode:
Switches to stereo mode.
Toggles volume-dependent tone correction
LOUDNESS
(
of the decoder always shows the current
status briefly in text form; the
the display window is the permanent indicator that loudness is switched on.
Select button
trol system
Change button
control system
9
9
.
99
Switches all loudspeaker outputs
off.
'
in the
Source Setup
'
in the
Source Setup
) on and off. The display area
in the decoder’s menu con-
in the decoder’s menu
d
d
dd
.
.
symbol in
e
e
,
ee
(F1)
\
\
\\
8
8
88
(F11/F12)
bzw.
Confirmation button
menu control system
Call up menu function
Brief press:'
Long press:'Device Setup'
in the decoder’s
Main menu
'
(F1)
8
Menu control system
To keep the control panel of the digital surround decoder
as compact and uncluttered as possible, the panel does
not include dedicated buttons for controlling the decoder
functions of tone and level adjustment directly; instead a
menu control system (
'
The
Main Menu
for everyday use of the decoder. You can call it up at any
time by briefly pressing one of the remote control buttons
8
8
88
panel of the decoder.
When you install your surround system, it is important to
set up all the audio and video components and adjust
them to match each other correctly, and to match the
acoustic qualities of your listening room. These tasks are
carried out in the
If a television is connected to the decoder, all the menus
are displayed page by page on the television screen; at
the same time they are displayed line by line on the
decoder’s integral screen.
or
'
Main Menu
'
contains all the functions you will need
, or the
'
Device Setup
'
) is used.
button on the front
'
.
The following table shows how the menu control system
is operated using the remote control buttons, or the buttons on the decoder’s front panel.
Open Main Menu
(press button briefly)
F11/F12F1Front panel
8
8
88
F11/F12F1Front panel
/
ËËËË
ÌÌÌÌ
F11/F12F1Front panel
/
ÍÍÍÍ
ÎÎÎÎ
F11/F12F1Front panel
\
\
\\
Select buttons
/
ËËËË
ÌÌÌÌ
Change buttons
/
ÍÍÍÍ
ÎÎÎÎ
Confirmation buttonsr
\
\
\\
T
T
TT
/
!
!
!!
/
U
U
UU
select buttons
• The
tions where you can enter information.
change buttons
• The
tion.
confirmation button
• The
The following section describes the menu points and
explains the adjustment facilities and their effects.
are used to move to pre-set posi-
alter the value at the input posi-
closes the
'
Main Menu
'
.
9
Main Menu
'
The
Main Menu
decoder which are only occasionally required for daily
listening; perhaps to allow for temporary changes in the
listening room, or to compensate for unique characteristics of a special listening source.
'
is designed for adjustments to the
Listening mode:
At this menu point you can select the decoder’s playback
mode or sound field which you wish to use.
'remembers' your chosen setting for each input, and
selects it every time you switch to that input.
Surround
multi-channel signal, decodes it and passes it to all the
output channels. The front panel screen displays the
current decoder mode. If the signal is
decoder always uses Dolby Pro Logic II decoding.
Stereo
decoder converts it into a stereo signal, i.e. all channel
information is mixed down and sent to the main left and
right loudspeakers.
Mono
loudspeaker channel.
Mono I
Generally
The signal from Channel I is reproduced via the Centre
loudspeaker *);
sed.
Mono II
Generally
signal from Channel II is reproduced via the Centre
loudspeaker *);
sed.
Note:
*) If no Centre speaker is present (see
Menu
right main speakers.
Not all signal sources (DVDs, CDs etc.), which are Dolby
Digital or dts Digital Surround encoded contain full 5.1
information. Even if the screen indicates that a particular
channel is present, this does not necessarily mean that
the loudspeaker in question will always produce sound.
In every playback mode signals may be present on the
subwoofer channel; this depends on the loudspeaker
arrangement you have selected in the
The decoder detects an encoded
Even if a multi-channel signal is detected, the
All channels are mixed down onto the center
Mode for two-channel TV sound
Channel I
Mode for two-channel TV sound
Channel II
'
), the Centre channel is mixed onto the left and
transmits the synchronised sound.
Channel II
Channel I
(original sound) is suppres-
transmits the original sound. The
(original sound) is suppres-
The decoder
digital
analogue
'
Loudspeaker
'
Speaker Setup
, the
'.
or
'
Main Menu
To open the
8
8
88
decoder’s front panel.
'
press the remote control button
briefly, or the
button on the
Sound fields:
Disco
viding an even spread of sound over a dance floor, using
the front and surround loudspeakers. The sound signal is
mixed and passed to the front and surround speakers
without reflections and delays, and with equal power.
The strongly concentrated sound reproduction generates
an immediate, energy-charged atmosphere which is a
great choice for any party.
Hall
from all directions. Ideal for playing back recordings of
large orchestras, or simulating the live atmosphere of a
large rock concert hall - an excellent choice for very
dynamic rock music.
Theatre
tion with the full sound of an orchestra, but without exaggerated reverberation. The spatial sound towards the
rear is slightly limited, in the interests of better orientation.
Stadium
ence” in the front area, helping to localise commentators
and dialogues on the screen. Sound from the rear is
designed to give the impression of being amongst the
spectators in the stadium. This sound field is also suitable for TV shows and music programmes.
Club
club, with a pattern of reflections dominated by large
floor and wall surfaces. Also good for simulating small
halls.
Church
church, with long reverberation times. This sound field is
an excellent choice for sacred organ music.
This sound field is particularly suitable for pro-
Reverberant concert hall with sound reflections
This program combines clear voice reproduc-
This sound image concentrates the “pres-
The characteristic atmosphere of a cellar jazz
Simulation of the acoustic conditions in a large
10
ProLogic II mode:
This menu point enables you to set the Dolby ProLogic II
decoder to suit varying programme material.
Movie
Music
Matrix
for films
for music
for mono programme material
Balance left/right and front/surround:
These two menu points allow you to set a temporary
change in the balance between the left/right and
front/rear loudspeakers, in order to compensate for a
temporary listening position which is less than perfect.
You can alter the balance in 1 dB increments, and the
current value is displayed in the following form:
10L
(left) . . . . . . . .
10R
(surround) . . .
Center
(neutral position)
10R
10F
(right)
(front)
Note:
It is important to start by setting the correct balance for
the “standard” listening position, adjusting the volume of
the front, surround and center channels. This task is
carried out in the
'
Speaker Balance Setup
'
.
Tone: treble and Tone: bass:
These two menu points allow you to set a temporary
change in the treble and bass settings in order to compensate for tonal differences in the recorded material.
The setting affects all channels, and the range of adjustment is +/- 6dB in 1 dB increments. The current value
is displayed on the screen; 00
ting'
.
dB means
'Linear set-
Subwoofer level:
'
off
, in
. You
If you switch on the subwoofer in the 'Speaker Setup
this menu point you can adjust its level within the range 10 (dB) to +10 (dB) in order to match its volume to the
acoustic conditions in your listening room, and to match
the volume of the other channels.
If the subwoofer is switched off in the
this menu point in the
cannot adjust the subwoofer level in this situation.
'
Main Menu
'
Speaker Setup
'
shows
Note:
It is important to start by setting the correct balance between the other channels (front, rear and center). This
task is carried out in the
'
Speaker Balance Setup
'
.
Dynamic range:
The dynamic range is the difference in volume between
the quietest and loudest passages of a recording. The
original sound track of a film usually features a very wide
dynamic range, and the decoder is capable of reproducing the full range.
Unfortunately not every listening room can cope with the
full dynamic range which the decoder is capable of reproducing. You also have to consider your neighbours,
especially in the late evening.
To cope with these problems it is possible to reduce the
dynamic range of Dolby Digital encoded sound material
in three stages. The result is that quiet passages (e.g.
low-level conversations) are reproduced slightly louder
when the volume is set low, whereas loud passages (e.g.
gigantic explosions) are slightly reduced in volume.
The following dynamic ranges are available:
standard
highly compressed dynamic range, e.g. for
playing at night-time.
'
,
Note:
It is important to start by establishing the correct tone
settings for your room, to allow for imperfect loudspeaker
positioning or room influences. This task is carried out in
'
the
Tone Control Menu
'.
Loudness:
Toggles volume-dependent tone correction
LOUDNESS
(
coder always shows the current status briefly in text
form; the
manent indicator that loudness is switched on.
) on and off. The display area of the de-
symbol in the display window is the per-
high
standard setting, moderate compression of
dynamic range.
full
exploits the full dynamic range which the
sound source makes available.
Note:
Any adjustment to the dynamic range only affects Dolby
Digital encoded sound sources.
11
System Configuration
'
In the
Device Setup
the audio and video components of your surround system so that they match each other perfectly, and at the
same time set them to suit the acoustic characteristics of
your listening room.
'
you can adjust the settings for all
Summary of ‘Device setup‘
This procedure only needs to be carried out when you
are installing the system, or when you are adding or
replacing individual components of the system. The
following diagram shows the menu structure.
Open Device Setup
(hold button pressed in)
F11/F12F1Front panel
8
8
88
F11/F12F1Front panel
/
ËËËË
ÌÌÌÌ
F11/F12F1Front panel
/
ÍÍÍÍ
ÎÎÎÎ
F11/F12F1Front panel
\
\
\\
Select buttons
/
ËËËË
ÌÌÌÌ
Change buttons
/
ÍÍÍÍ
ÎÎÎÎ
Confirmation buttons
\
\
\\
T
T
TT
/
!
!
!!
/
U
U
UU
The table on the left shows how the menu system can be
controlled using the remote control buttons or the buttons
on the front panel of the decoder.
select buttons
• The
tions where you can enter information.
change buttons
• The
tion.
• If there is a further menu name at the data input position, then pressing the
the corresponding sub-menu. Otherwise the
tion button
All menus are displayed page by page on the screen of a
television set (if connected), and at the same time line by
line on the decoder’s integral screen.
The following section describes the menu points and
explains the adjustment facilities and their effects.
closes the menu.
are used to move to pre-set posi-
alter the value at the input posi-
confirmation button
calls up
confirma-
12
Device Setup
You can call up the
mote control button
'Device Setup'
8
8
88
or
by pressing the re-
, or the
Screen brightness:
The brightness of the screen can be set to suit your
personal preference. Three brightness levels are available:
off
soft
the screen is completely switched off.
subdued setting, for dark locations.
button on the front panel of the decoder; in either case
hold the button pressed in for about two seconds.
On-screen language:
The on-screen menus can be displayed on the TV
screen in German or English.
deutsch
english
The on-screen menus appear in German.
The on-screen menus appear in English.
normal
If you set either of brightness levels 1 and 2, the screen
switches briefly to normal brightness every time you give
a command, so that you can check the settings easily
even from a distance. After about four seconds the
screen automatically switches back to your preferred
brightness level. If you change the brightness level, this
also means that the new value only becomes effective
after about four seconds.
clearly legible, even in sunlight.
Switching the on-screen main menu on
and off:
If you just wish to make a temporary change to the balance or tone, it is not absolutely necessary to call up the
'
Main Menu
on what you are watching; in most cases the display on
the decoder’s screen is quite adequate. At this menu
point you can switch the TV on-screen main menu display on and off.
off
on
'
on the television screen and superimpose it
'
The
Main Menu
decoder’s screen, but not on the TV screen.
'
The
Main Menu
and also line by line on the decoder’s
screen.
'
appears line by line on the
'
appears on the TV screen
Loudspeaker
'
The
Speaker Setup
output signals to the loudspeakers in your surround system. At the same time you can adjust the output of the
speakers accurately to suit the acoustic and spatial
characteristics of your listening room.
:
'
provides the means to balance the
Picture norm:
'
In the
Video Setup
to match the picture sources connected to all the decoder’s video inputs and outputs.
Source
The purpose of the
sources connected to the decoder into the overall operating system of the typical ‘R’ system. This is done by
assigning a name to every AV source which is connected
to the decoder; those names are then used from that
point on in all the decoder’s on-screen messages. You
can then define the
sockets
nected. Finally it is possible to assign every AV source to
a
the various machines can be selected when the system
is set to
:
) on the decoder to which each device is con-
source button
surround mode
'
you can set the correct picture norm
'
Source Setup
audio / video input socket (or
on the remote control handset, so that
.
'
is to integrate the AV
13
Speaker Setup
The first purpose of the
to distribute the output signals correctly to the loudspeakers which form part of your surround system.
If your system does not include a “full set” of supplementary loudspeakers (center, rear and subwoofer), it is
important to mark the missing items as
'
Speaker Setup
The corresponding sound signal is then mixed down onto
those channels which are present (
'.
'
Speaker Setup
'
is to allow you
Downmix
none
).
in the
The last three menu points enable you to adjust the
loudspeakers to suit the acoustic and spatial characteristics of your listening room.
Adjustments should only be made to these settings when
you are installing the system, if you are adding, replacing
or moving individual loudspeakers, or if the acoustic
conditions in your listening room are changed (e.g.
changes to the furniture, carpets, curtains etc.).
Main size:
Defines the size and bass capacity of the main left and
right front loudspeakers. Select one of the following settings: *)
satellite
full range
for small speakers whose bass reproduction is necessarily restricted. The low bass
content (below 80 Hz) of the main channel
signals is mixed down onto the subwoofer,
if present.
for larger speakers. The full frequency
range is passed on to the main speaker
channels without restriction.
Center size:
Defines the size and bass capacity of the center
speaker. Select one of the following settings: *)
none
satellite
full range
Note:
If your system does not include a center speaker, the
main loudspeakers should be set up not too far away
from the TV set, and ideally should be arranged symmetrically about it, otherwise it will be very difficult to localise
dialogues on the television screen.
if no center loudspeaker is present. The
center channel is mixed down onto the left
and right main loudspeakers.
for small speakers whose bass reproduction is necessarily restricted. The low bass
content (below 80 Hz) of the main channel
signals is mixed down onto the subwoofer,
if present.
for a center speaker of about the same
size as the main loudspeakers. The full
frequency range is passed on to the center
channel without restriction.
14
Rear Size:
Subwoofer:
Defines the size and bass capacity of the rear surround
loudspeakers. Select one of the following settings: *)
none
if no surround loudspeakers are present. The
surround channels are mixed down onto the
left and right main loudspeakers.
Note:
Genuine surround reproduction is not possible without
rear speakers!
satellite
full range
for small speakers whose bass reproduction
is necessarily restricted. The low bass content
(below 80 Hz) of the main channel signals is
mixed down onto the subwoofer, if present.
for speakers which offer very good bass
reproduction. The full frequency range is
passed on to the surround channels without
restriction.
*) Note:
To avoid nonsensical settings, the system does not allow
you to set all the possible combinations (
ter
Rear LS
and
dard combinations, but you can modify them individually
1. Main, center and rear size: .......
). The following list shows all the stan-
Standard combinations
Subwoofer: ...............................
Front LS, Cen-
Satellite
on
In this menu point you set whether a subwoofer is present in your loudspeaker system. Select one of the following settings:
on
If a subwoofer is present. The signals in the
Low Frequency effect channel (
other low-frequency bass signals (below
80 Hz) which are not within the compass of
the full-range loudspeakers, are passed to the
subwoofer channel.
off
If no subwoofer is present. The signals from
the Low Frequency effect channel (
all other low-frequency bass signals (below 80
Hz) are mixed down onto the main loudspeakers.
Note:
Provided that you have
'
the
Speaker Setup
'
Main Menu
that the volume of the subwoofer matches the volume of
the other channels.
'
within the range -10 (dB) to +10 (dB), so
switched on
'
, then you can adjust its level in the
the subwoofer in
Speaker position:
Activating this menu point leads to a further menu in
which you can define the position of the loudspeakers,
.
i.e. you can enter the distance from the listening position
to each loudspeaker separately. This enables the decoder to compensate for timing discrepancies due to
differences in speaker location (see
'
).
Setup
'
Speaker Position
LFE
), and all
LFE
) and
2. Main size: .................................
Center and rear size: ...............
Subwoofer: ...............................
3. Main and rear size: ...................
Center size: ..............................
or ........................
Subwoofer: ...............................
Full range
Satellite
off
Full range
Full range
Satellite
on
Noise sequencer:
Activating this menu point leads to a further menu in
which you can set the balance between the volume of all
the loudspeakers (see
'
Speaker Balance Setup
'
).
Tone adjust:
Activating this menu point leads to a further menu in
which you can adjust the tonal balance of the loudspeakers (see
'
Tone Control Menu
'
).
15
Speaker Position Setup
'
In the
Speaker Position Setup
tance from the listening position (in 0.3 m increments) for
each loudspeaker separately.
'
you can enter the dis-
This enables the decoder to compensate for timing discrepancies due to differences in speaker location.
As the illustration shows, you use the select buttons to
move to the input positions in the following sequence.
Output channels not in use (see
not be edited.
• Main loudspeaker front left(FL)
• Center loudspeaker front center(
• Main loudspeaker front right(FR)
• Surround loudspeaker rear right(SR)
• Surround loudspeaker rear left(SL)
• Active subwoofer (any position)(
'
Speaker Setup
'
) can-
Center
Sub
)
)
Measure the distance between the listening position and
the loudspeakers in your surround system, and enter the
measured distances.
Use the change buttons to enter the measured distance
in increments of 0.3 m.
Note:
The maximum distance of a loudspeaker to the listening
position is 12 m. For acoustic reasons greater distances
cannot be recommended, and the system cannot compensate for timing errors over a range greater than 12 m.
16
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