Superlux PRA-518AS, PRA-518BL, PRA-518AM, PRA-518AL, PRA-518BM User Manual

PRA518 SERIES
User Guide
Gooseneck
Condenser Microphone
GOANG-FANNCO.,LTD.
2007, SUPERLUX I LB10518AB01EN (Rev. 1)
nc.
Max. SPL
(1 k load)Ω
130dB SPL (THD 1% 1kHz)
Dynamic range
at 1 k LoadΩ
104dB
9 to 52 VDC phantom power
Power supply
Current consumption
3mA
Polarity
Integral 3 pin male XLR type
Connector
Black finish
Finish
Net weight
PRA518AS: 130g (4.59 oz.) PRA518AM: 150g (5.29 oz.) PRA518AL: 165g (5.82 oz.) PRA518BM: 150g (5.29 oz.) PRA518BL: 165g (5.82 oz.)
Back Electret Condenser Microphone
Typ e
Pressure gradient, FET preamplifier
Element
Polar pattern
50 to 16,000 Hz (Figure 2)
Frequency response
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
-39dBV/Pa (11mV/Pa) 1Pa=94dB SPL
200Ω
Rated impedance
1000Ω
Minimum load impedance
Equivalent noise level
(A-weighted)
26dB (IEC/DIN 651)
Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency. (Figure 1)
Model (figure 3)
PRA-518AS
Max. 19mm, head 8mm, total length 300mm, all flexible gooseneck.
Φ ¯
PRA-518AM
Max. 19mm, head 8mm, total length 450mm, 2 sections of flexible goosenecks.
ΦΦ
PRA-518AL
Max. 19mm, head 8mm, total length 600mm, 2 sections of flexible goosenecks.
ΦΦ
PRA-518BM
Max. 19mm, head 8mm, total length 450mm, 1 section of flexible gooseneck.
ΦΦ
PRA-518BL
Max. 19mm, head 8mm, total length 600mm, 1 section of flexible gooseneck.
ΦΦ
Frequency Response
FREQUENCY INHz
RELATIVERESPONSE IN dB
dB
10
-10
-20
20 50 100 200 500 1000 2000 5000 10000 20000Hz
0
PRA518 SERIES
TYPICAL POLARPATTERN (Figure 1)
250Hz
500Hz
1000Hz
2000Hz
4000Hz
8000Hz
PRA518 SERIES
TYPICAL FREQUENCYRESPONSE (Figure2)
PRA518BM
PRA518AL
PRA518AM
PRA518AS
PRA518BL
Dimensions (Figure3)
Features
Description
PRA518 series are super-miniature gooseneck back electret condenser
microphones forconferences. They are designedto fit forthe demands of
conferences in tailored frequency response, excellent cardioid polar
pattern, andhigh gain beforefeedback.
PRA-518 features innovatedgoosenecks that hardly have anynoticeable
noise in flexing. Three lengths and three flexible modes are available to
suit differentapplications.
The supplied standard accessories intend for the fixing and installation
of general applications, while optional accessories are availed for
special applications.
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Extended frequency response and wide dynamic range to pick up vocals accurately.
Balanced outputto guarantee thelong cable freeof noise.
Three lengthsand three flexible modesfor different applications.
Unnoticeable headwith diameter of8mm, never blockthe user.
Supplied withstandard base forconference and foam windshield.
HM22
Standardbase
S04
Foam windshield
Accessories
Supplied accessories
Optional accessories
Standard base ------------------- HM22 Foam windshield --------------- S04-
Gooseneck microphone base --------------- ------------ DS002 XLRF embedding socket with naked cable ends --- ---HM24 XLRF embedding socket with XLRM input ---------- -------HM24C Anti-shock cover with lock-in device ----------- ------- HM23 XLR3F socket ------------------------------- -------- K3F2 XLR3F fixing base ---------------------- -------------- GT6F
------
---------
----
-------
---------
----
HM23
Anti-shock cover
with lock-indevice
K3F2
DS002
Gooseneck
microphonebase
JUST PLAY IT
Pin 2 output positivevoltage (related to pin 3) when diaphragm receives positive pressure. (Diaphragm moving inward)
HM24
XLRF embedding
socket withnaked cable ends
GT6F
XLR3F fixingbase
HM24C
XLRF embedding
socket withXLRM input
HM22
HM24
HM23
HM24C
12
3
12
3
RED(+)
SHIELD
BLACK(-)
12
3
12
3
RED(+)
SHIELD
BLACK(-)
RED(+)SHIELD
BLACK(-)
20mm
74mm
15mm
74mm
20mm
50mm
60mm
50mm
HM23 HM22
Assembling Diagram
Assemble dimensions
Extremely light weight diaphragm, very sensitive to sound. Very small versions available for hiding applications. High performance condenser microphones are regarded as standard equipment of recording studios for extreme detail capturing. Operates with power,such as phantom orbattery.
Knowing your microphone
Superlux provides variety selection of microphones for professionalsand amatures. To know your microphoneis the first step tosuccessful result.
Type of transducer
Condenser
Condenser microphones work with power. Professional standard is 48VDC phantom power. Some microphones work with lower voltage as low as 1.5VDC, such as battery power model. PRA518 SERIES work with 9~52VDC phantom only. Please make sure your sound systemprovide adaquate power to themicrophone.
Powering microphone
About Frequency Response
Suitable for working at controlled environment, or for acoustic measurements. Although people persuitflatness, but for none-professionals, it is achallenge to makes it works asexpectation.
Flat
Based on years of practical experience of pro users. There are curves to be build for various applications, so that it is very simple to use the microphone for the purpose. Limiting bandwidth, andemphasing are typical skill.
Popular curve response
Incorporating switchable filters to elliminates interference, such as sub-sonic filter to cut air-conditioner and floor vibrations. And allows full flat when used in controlled environment.
Variable response
Directivity
Picks up most signal on axis. Rejects side and picks up least to the back. Suitable for live sound re-inforcement. Apparent proximity effect and most singer likes to take this bass boost advantageswhich is not good forspeech.
Cardioid
Maintainence
Uni-directional condenser microphone features very high sensitivity at -39dBV/Pa for high intelligible speech application. Reduced off-axis sensitivity to keep lower background noise and maximized on-axis sensitivity for highest gain before feedback in live soundsystem.
User shall keep 15 cm to 40 cm frommicrophone, and maintain average speech level. Up close willresult excessive bass due toproximity effect which interfere intelligibility. Maintain their speakingin front of the microphonefor high gain beforefeedback.
Quality conference microphone incorporating built-in limiter to prevent distortion due to exciting useror close up speaker.
Choices of gooseneck for various demands. For aesthetic, single or double bend goosenecks are better choice over fully bend design. Low bending noise is another important feature of good gooseneck microphone. User shall not bend the gooseneck to hardor rush which may generate excessivenoise which disturbs the audience.
In most cases, each attendee has his own microphone or share a microphone every 2 attendee. Although thereare numbers of microphones inone space which is not agood criterion for feedback problem,system operator shall keep as less turn-on microphone as possible for best result. Auto-mixer is a good choice for multiple microphones installation which limit the number of turn-on microphone at the one time. Advanced auto mixer features dynamic threshold and auto gain reduction according to the number of turn-onmicrophones to keep the samesystem gain.
Wind screen isvital for windy environment such asoutdoor or close to air-conditioning fan.
Keep capsuleand wind screen clean forgood audio performance.
Condenser microphone shall be kept in low humidity environment for best sound performance. Storethe condenser microphones in airconditioned roomor dehumidifier to keep away form moisture. Clean air is another important factor. Keep away from smoking environmentto avoid tar residuals.
Using condenser gooseneck microphone
GF
PRO AUDIO
Shanghai Shenzhen Taipei••
Tel 886-2-2693 1323: Fax 886-2-2694 8990: E-mail sales@superlux.com.tw: Http://www.superlux.com.tw
GOANG-FANN CO.,LTD.
3F,No.7,Alley 2,Lane342, Fu-Der1stRoad Hsichih,Taipei, Taiwan
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