User Guide
GOANG-FANNCO.,LTD.
2007, SUPERLUX I
LB1HMD66001EN (Rev. 1)
nc.
Specifications
JUST PLAY IT
HMC
HMD
660
660
Headset Microphone
The HMC660/HMD660 series of stereo headset are designed for the
professionals that demand high quality monitoring and communication.
Precision acoustic design integrating drivers, ear padding, and head bend
and incorporating professional condenser/dynamic microphones for
balanced tone, highdynamic range for both listening andtalking.
Suitable for live broadcasting, DJ, desktop videoconference, on-line game,
and multi-media application. The C in the HMC indicates a condenser
microphone in use. And the D in the HMD indicates a dynamic microphone
in use.
Description
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Studio grade headphones.
Pro-audio microphones.
Detent wearing adjustmentmechanism.
Uni-directional microphones, high SPL capable, low distortion and
low noise.
Gooseneck bending, easypositioning adjustment.
Wind screen recommended for outdoor.
Features
TYPICAL FREQUENCYRESPONSE (Figure2)
TYPICAL FREQUENCYRESPONSE (Figure4)
TYPICAL POLARPATTERN (Figure 1)
TYPICAL POLARPATTERN (Figure 3)
Headphone
Dynamic Closed
Type Element
20 to 20,000 Hz
94dB
100 mW 3.5 N
Frequency response Rated impedance
Rated sonic pressure levelTotal harmonic distortion
Power capacity Rated wearing pressure
150Ω
≧0.2%
HMC660 Mic
Condenser
Typ e
Polar pattern
50 to 15,000 Hz (Figure 4)
Frequency response
Super Cardioid (Figure 3)
Rated impedance
200Ω
112dB
Dynamic range
(1 k Load)Ω
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
-40dBV/Pa (10.0mV/Pa) 3dB±
Max. SPL
(1 k load)Ω
136dB SPL (THD 1% 1kHz)≦
Equivalent noise level
(A-weighted)
24dB (IEC/DIN 651)
Mic. Head Dimensions
Φ20mm x 15mm(0.79"x0.59")
-60dBV/Pa (1.0mV/Pa) 3dB±
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
Φ16mm x 12mm(0.63"x0.47")
Max. SPL
(1 k load)Ω
136dB SPL (THD 1% 1kHz)≦
Mic. Head Dimensions
250Ω
Rated impedance
HMD660 Mic
Dynamic
Typ e
Polar pattern
150 to 10,000 Hz (Figure 2)
Frequency response
Cardioid (Figure 1)
2000Hz
4000Hz
8000Hz
250Hz
500Hz
1000Hz
2000Hz
4000Hz
8000Hz
250Hz
500Hz
1000Hz
HMC660 HMD660
FREQUENCY INHz
Frequency Response
RELATIVERESPONSE IN dB
dB
10
-10
-20
20 50 100 200 500 1000 2000 5000 10000 20000 Hz
0
20mm
FREQUENCY INHz
Frequency Response
RELATIVERESPONSE IN dB
dB
10
-10
-20
20 50 100 200 500 1000 2000 5000 10000 20000 Hz
0
20mm
Model
Cable type
Headphone plug Microphone plug
HMC660X
HMD660X
HMC660E
HMD660E
HMC660
HMD660
Spring coilcable/3M Openend Open end
Straight cable/1.5M
Straight cable/1.5M
3.5mm stereoplug
with 6.3mmadapter
3.5mm stereoplug
with 6.3mmadapter
XLR3M
3.5mm stereoplug
wired withmono signal
Wiring diagram
left
_
+
_
right
+
_
+
HMC660
HMD660
left
_
+
_
right
+
_
+
660X 660E -------------------------------------- 6.3
--------------------------------------- S11
， mm adapter
Wind screen
6.3mm
Adapter
S11
Wind screen
6.3mm adapter
3 Pin male XLR
5 Pin male XLR
7 Pin male XLR
Supplied accessories
Related accessories
Knowing your microphone
Superlux provides variety selection of microphones for professionalsand amatures. To
know your microphoneis the first step tosuccessful result.
Extremely light weight diaphragm, very sensitive to sound. Very small versions
available for hiding applications. High performance condenser microphones are
regarded as standard equipment of recording studios for extreme detail capturing.
Operates with power,such as phantom orbattery.
Type of transducer
Condenser
Durable and simple structure, operates in all kinds of environments. A good dynamic
microphone is capable to operate at very high sound pressure level without distortion.
Due to structurelimit, dynamics cannot be builtas small as condenser,but dynamics
doesn requirepower to operate.
Dynamics
Distance to source
Close miking or distant miking sound very differently. Vocal recording or live
performance practice close miking mostly. Suitable proximity effect is one desired
target, andlower feedback problem is anotherfactor for live sound application.
While distant miking is common practice for recording, especially stereo pair
recording withlarge group of performers,such as orchestra or choir.
Distant miking generally picks up less bass section with pressure gradient type of
microphone (cardioid, figure-8, shotgun...) due to acoustic nature and lack of
proximity effects.
Rich bass with distant miking can be recorded with pressure type of microphone
(Omni), which performsthe same frequency responsewith close or distant pick-up.
Using a headphone microphone
4
4
4
4
Avoid violent shock or drop to prevent damagingto the precision vibrating system
in the headphones.
Do not over bending or cable warping that may cause contact problem for long
term use.
To protect your hearing, do not expose to long term high sound pressure level,
keep the volumedown especially wearing the headphones.
Do not use the headphones when driving a vehicle or under similar safety
consideration. Unless theheadphones/headsets were used for communication.
GF
PRO AUDIO
Shanghai Shenzhen Taipei••
Tel 886-2-2693 1323:
Fax 886-2-2694 8990:
E-mail sales@superlux.com.tw:
Http://www.superlux.com.tw
GOANG-FANN CO.,LTD.
3F,No.7,Alley 2,Lane342, Fu-Der1stRoad
Hsichih,Taipei, Taiwan
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