Superlux DRKK5C2 User Manual

Specifications

PRA218B

Type

Dynamic microphone

Polar pattern

Unidirectional (Super Cardioid),
rotationally symmetrical about
microphone axis, uniform with
frequency. (Figure 1)

Frequency response

30 to 10,000 Hz (Figure 2)

Sensitivity

(at 1,000 Hz Open Circuit Voltage)

-61dBV/Pa (0.8mV/Pa)
1Pa=94dB SPL

Rated impedance

D10C

Type

Dynamic microphone

Polar pattern

Unidirectional (Super Cardioid),
rotationally symmetrical about
microphone axis, uniform with
frequency. (Figure 3)

Frequency response

50 to 16,000 Hz (Figure 4)

Sensitivity

(at 1,000 Hz Open Circuit Voltage)

-57dBV/Pa (1.4mV/Pa)
1Pa=94dB SPL

Rated impedance

D10D

Type

Dynamic microphone

Polar pattern

Unidirectional (Super Cardioid),
rotationally symmetrical about
microphone axis, uniform with
frequency. (Figure 5)

Frequency response

50 to 16,000 Hz (Figure 6)

Sensitivity

(at 1,000 Hz Open Circuit Voltage)

-56dBV/Pa (1.6mV/Pa)
1Pa=94dB SPL

Rated impedance

E102

Type

Back electret condenser microphone

Polar pattern

Unidirectional (Super Cardioid),
rotationally symmetrical about
microphone axis, uniform with
frequency. (Figure 7)

Frequency response

50 to 16,000 Hz (Figure 8)

Sensitivity

(at 1,000 Hz Open Circuit Voltage)

-43dBV/Pa (7.1mV/Pa)
1Pa=94dB SPL

Rated impedance

250 Hz
500 Hz

1000 H z

2000 H z
4000 H z
8000 H z

PRA218B

TYPICAL POLAR PATTERN (Figure 1)

dB

10

0

-10

-20

RELATIVE RESPONSE IN dB

20 50 100 200 500 1000 2000 5000 1000 0 20000 Hz

Frequency Response

FREQUENCY IN Hz

PRA218B

TYPICAL FREQUENCY RESPONSE (Fig ure 2)

DRK K5C2

Complete 7 Mic set

User Guide

G O A N G - F A N N C O . , L T D .

© 2007, SUPERLUX I
LB100K5C201EN (Rev. 1)

Polarity

Connector

3 pin male XLR type

Finish

Metal construction with
black painted finish

Connector

3 pin male XLR type

Finish

Metal construction with
black painted finish

Pin 2 produce a positive voltage
(relative to pin 3 ) when diaphragm
accept a frontal pressure

Connector

3 pin male XLR type

112dB

Power supply

9 to 48 Vdc phantom power

Current consumption

3mA

250 Hz
500 Hz

1000 H z

D10C

TYPICAL POLAR PATTERN (Figure 3)

2000 H z
4000 H z
8000 H z

Finish

Dimension

Dimension

Metal construction with
black painted finish

Weight

330 grams (11.6 oz.),
HM27 mic. clip include.

Weight

230 grams (8.10 oz.)
HM28 mic. clip include.

,

Dimension

Weight

230 grams (8.10 oz.),
HM28 mic. clip include.

nc.

－1

Connector

3 pin male XLR type

Finish

Metal construction with
black painted finish

Dimension

Net weight

140 grams (5.0 oz.)

dB

10

0

-10

-20

RELATIVE RESPONSE IN dB

20 50 100 200 500 1000 2000 5000 1000 0 20000 Hz

Frequency Response

FREQUENCY IN Hz

D10C

TYPICAL FREQUENCY RESPONSE (Fig ure 4)

－3－2

250 Hz
500 Hz

1000 H z

D10D

TYPICAL POLAR PATTERN (Figure 5)

2000 H z
4000 H z
8000 H z

Description

The DRKK5C2 combined 7 professional microphones for picks up a drum
set. These microphones are 1 PRA218B for kick drum, 3 D10C for tom­tom, 1 D10D for snare, and 2 E102 for overheads. These high quality
microphones can also be used for various instruments, such as strings
and winds.

Features

Supplied accessories

1 x HM27 Mic. clip for PRA218B
4 x HM28 Mic. clip for D10C and D10D
2 x HM10B Mic. clip for E102
4 x HM12A drum clamps
7 balanced XLR3M-XLR3F cables. One of the cable equiped with 90
degrees angle female plug for kick drum microphne (see the
attached figure).

dB

10

0

-10

-20

RELATIVE RESPONSE IN dB

20 50 100 200 500 1000 2000 5000 1000 0 20000 Hz

Frequency Response

FREQUENCY IN Hz

D10D

TYPICAL FREQUENCY RESPONSE (Fig ure 6)

250 Hz
500 Hz

1000 H z

2000 H z
4000 H z
8000 H z

E102

TYPICAL POLAR PATTERN (Figure 7)

dB

10

0

-10

-20

RELATIVE RESPONSE IN dB

20 50 100 200 500 1000 2000 5000 1000 0 20000 Hz

Frequency Response

FREQUENCY IN Hz

E102

TYPICAL FREQUENCY RESPONSE (Fig ure 8)

PRA218B

! Control boost at 60~100Hz and 2.5KHz for rich and punch sound.
! High SPL, large dynamic range, and low distortion
! Suitable for low frequency instruments, such as kick, floor tom,

timpani, bass guitar…

D10C

! Unique mid bass response for strong and realistic drum sound that

emphasis drum characteristics.

! Large dynamic range, low distortion.
! Suitable for mid-bass instruments, such as tom-tom, floor-tom or

guitar.

D10D

! Unique mid high band response for reach sound.
! Clean, bright and crisp penetrated sound characteristic.
! For high SPL, large dynamic and low distortion.
! Suitable for winds and electric guitar.

E102

! Very good response for high frequency instruments such as cymbal

and hi-hat.

! High SPL, large dynamic and low distortion
! Suitable for piano, harp, cymbal, and percussions.

Package

Large deluxe aluminum carrying case.

XLR3F-XLR3M Mic. cable,

XLR3F-XLR3M Mic. Cable

90 degrees angle female plug

Optional accessories

Adjustable boom stand --------------------------------------- MS131
Elastic shock mount ------------------------------------------ HM32
Table stand --------------------------------------------------- HM6

Type of transducer

Condenser

Extremely light weight diaphragm, very sensitive to
sound. Very small versions available for hiding
applications. High performance condenser microphones
are regarded as standard equipment of recording studios
for extreme detail capturing. Operates with power, such as
phantom or battery.

Super Cardioid

Narrower than cardioid pattern. Suitable for multiple microphone setup. Least sensitive angle pointing toward side to rear
where most stage monitors are located. Same proximity effect as cardioid microphone.

Mounting the microphone

Pressure gradient microphone is very sensitive to vibration. Suitable shock mount for high performance microphone is
necessary for extreme low noise recording. Sturdy stand can set the microphone excatly at the sweet spot and keep it
there. Choose heavy duty microphone stand for studio condenser microphone which weights much more than handle
microphone.

Superlux provides wide range of microphone stands for various demands. Big Foot Willie is specially developed for large
condenser microphones that able to support 2 large microphones with stereo bracket for single point stereo recording.

Extension foot on all the 'E' versions serve to mount heavy studio microphone in limit space live sound applications.

Maintainence

Condenser microphone shall be kept in low humidity environment for best sound performance. Store the condenser
microphones in airconditioned room or dehumidifier to keep away form moisture. Clean air is another important factor.
Keep away from smoking environment to avoid tar residuals.

Dynamics

Durable and simple structure, operates in all kinds of
environments. A good dynamic microphone is capable to
operate at very high sound pressure level without
distortion. Due to structure limit, dynamics cannot be
built as small as condenser, but dynamics

doesn require power to operate.

－6－5－4

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