Superlux CMH8C, CMH8B, CMH8A, PRO238MKII, CMH8CH User Manual

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-10dB PAD
H8B H8C
LowFrequency
Off-Roll
H8B H8C
Converting
polar patterns
H8C
Specifications
Typ e
Pressure gradient, FET preamplifier
Element
CMH8A/CMH8B: Cardioid (Figure 1) CMH8C: Cardioid / /
(Figure 2)
Figure 8
Omnidirectional
Polar pattern
30 to 20,000 Hz (Figure 3)
Frequency response
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
CMH8A/CMH8B:
-34dBV/Pa (20mV/Pa) CMH8C: Cardioid: -31dBV/Pa (28mV/Pa) Figure 8: -35dBV/Pa(17mV/Pa) Omni.: -35dBV/Pa (17mV/Pa) 1Pa=94dB SPL
200Ω
Rated impedance
1000Ω
Minimum load impedance
Equivalent noise level
(A-weighted)
CMH8A/CMH8B: 18dB CMH8C: Cardioid: 14dB Figure 8: 18dB Omni.: 18dB
Dynamic range
at 1 k LoadΩ
CMH8A: 114dB CMH8B/CMH8C: 124dB
48 Vdc phantom power
Power supply
Current consumption
CMH8A/CMH8B: 2.7mA CMH8C: 4mA
Polarity
3 pin male XLR type
Connector
Finish
Dimensions
Φ54.0mm(2.13in.) X 209.0mm (8.23in.) (Figure 4)
Net weight
CMH8A/CMH8B: 550g(19.40oz.) CMH8C: 565g(19.93oz.)
Description
CMH8A/CMH8B are condenser cardioid microphones with large
diaphragm of 1" in diameter; while CMH8C features convertible polar
patterns of cardioid, figure-of-8 and omni. Their tailored frequency
response makethem ideal candidate forthe recording of musicprogram.
They are also suitable for general recording, broadcasting, stage
reinforcement, etc.
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Large-diaphragm capsule of gold-evaporated membrane 1" in diameter and3 min thickness.
Low-noisetransformer circuit.
Wide frequencyresponse.
has anextezrnal switch forlow-cut filter and -10dB roll-off.
has adual-membrane capsule withexternal switches forlow­cut filterand -10dB roll-off. Atthe back ofthe body, thereis a switch for convertingpolar patterns amongcardioid, figure-of-8and omni.
μ
·
·
CMH8A has built-in low-cutfilter.
CMH8B
CMH8C
Features
Max. SPL
(1 k load)Ω
CMH8A: 132dB SPL CMH8B: 142dB SPL CMH8C: Cardioid: 138dB SPL Figure 8: 142dB SPL Omni.: 142dB SPL (THD 0.5% 1kHz)
CMH8C 8B 8ACMH8C 8B 8A
User Guide
JUST PLAY IT
Large-diaphragm
Condenser Microphone
2008, SUPERLUX Inc.
GOANG-FANNCO.,LTD.
CMH8C
CARDIOID TYPICALPOLAR PATTERN
CMH8C Omni
TYPICAL POLARPATTERN
CMH8C Figure8
TYPICAL POLARPATTERN
(Figure 2)
FREQUENCYIN Hz
CM-H8A
TYPICAL FREQUENCYRESPONSE (Figure 3)
CM-H8B
FREQUENCYIN Hz
CMH8A/H8B
TYPICAL POLARPATTERN igure 1(F )
Pin 2 output positivevoltage (related to pin 3) when diaphragm receives positive pressure. (Diaphragm moving inward)
Champagne finish
RELATIVERESPONSE INdB
dB
10
-10
-20
20 50 100 200 500 1000 2000 5000 10000 20000Hz
0
CM-H8C
FREQUENCYIN Hz
RELATIVERESPONSE INdB
dB
10
-10
-20
20 50 100 200 500 1000 2000 5000 10000 20000Hz
0
RELATIVERESPONSE INdB
dB
10
-10
-20
20 50 100 200 500 1000 2000 5000 10000 20000Hz
0
(Figure 4)
PS2A
Phantom
power supply
HM48B
Desktop holder
HM58B
Desktop holder
HM7
Shock mount
Phantom power supply ------------------------------------- PS2A Windscreen foam ------------------------------------------- S65 Shock mount ----------------------------------------------- HM7 Desk holder ------------------------------------------------- HM48B Desk holder ------------------------------------------------ HM58B
Accessories
Standard rotatable connector ------------------- ------------ HM8 Metal screw adaptor ----------------------------- ----------- YA1
--
--
Supplied accessories
Optional accessories
Package
Large crash-proof carrying case ---------- -------- A3 carrying case---
A3
Carrying case
HM8 Rotatable
connector
YA1 screw
adaptor
Extremely light weight diaphragm, very sensitive to sound. Very small versions available for hiding applications. High performance condenser microphones are regarded as standard equipment of recording studios for extreme detail capturing. Operates with power,such as phantom orbattery.
Knowing your microphone
Superlux provides variety selection of microphones for professionalsand amatures. To know your microphoneis the first step tosuccessful result.
Type of transducer
Condenser
Condenser microphones work with power. Professional standard is 48VDC phantom power. Some microphones work with lower voltage as low as 1.5VDC, such as battery power model. CMH8C/B/A work with 48VDC phantom only. Please make sure your sound system provideadaquate power to the microphone.
Powering microphone
About Frequency Response
Suitable for working at controlled environment, or for acoustic measurements. Although people persuitflatness, but for none-professionals, it is achallenge to makes it works asexpectation.
Flat
Based on years of practical experience of pro users. There are curves to be build for various applications, so that it is very simple to use the microphone for the purpose. Limiting bandwidth, andemphasing are typical skill.
Popular curve response
Incorporating switchable filters to elliminates interference, such as sub-sonic filter to cut air-conditioner and floor vibrations. And allows full flat when used in controlled environment.
Variable response
Directivity
Select or set the directivity of your microphone for stereo recording,for various music instrument, vocal, speech, and environmental sound pick-up. Pair of spaced omni for A/B stereo, pair of near coincident cardioid for ORTF, and pair of coincident XY for Blumlein stereo.
directivity Equal sensitivity to all direction, so that the microphone doesn’t need to point toward thesound source. It’s low handling and windnoise are welcomed by news gathering and musicrecording applications.
Omni
Picks up most signal on axis. Rejects side and picks up least to the back. Suitable for live sound re-inforcement. Apparent proximity effect and most singer likes to take this bass boost advantageswhich is not good forspeech.
Equal sensitive toboth ends, and rejects the sides.Good to noisy environment to reject distant noise and low frequency. Also a good choice for stereo recordings, such as Blumlein. Typicalpressure gradient characteristic.
Double diaphragm structurewith cardioid acoustic nature, CMH8C can be setat OMNI, Cardioid, andFigure-8 polar mode.
Cardioid
Figure 8, bi-directional
CMH8C polar variation
Distance to source
Mounting the microphone
Maintainence
Close miking or distant miking sound very differently. Vocal recording or live performance practice close miking mostly. Suitable proximity effect is one desired target, andlower feedback problem is anotherfactor for live sound application.
While distant miking is common practice for recording, especially stereo pair recording withlarge group of performers,such as orchestra or choir.
Distant miking generally picks up less bass section with pressure gradient type of microphone (cardioid, figure-8, shotgun...) due to acoustic nature and lack of proximity effects.
Rich bass with distant miking can be recorded with pressure type of microphone (Omni), which performsthe same frequency responsewith close or distant pick-up.
Pressure gradient microphone is very sensitive to vibration. Suitable shock mount for high performance microphone is necessary for extreme low noise recording. Sturdy stand can set themicrophone excatly at the sweet spot andkeep it there. Choose heavy duty microphone stand for studio condenser microphone which weights much more than handle microphone.
Superlux provides wide range of microphone stands for various demands. Big Foot Willie is specially developed for large condenser microphones that able to support 2 large microphoneswith stereo bracket for singlepoint stereo recording.
Extension foot on all the 'E' versions serve to mount heavy studio microphone in limit space live soundapplications.
Condenser microphone shall be kept in low humidity environment for best sound performance. Storethe condenser microphones in airconditioned roomor dehumidifier to keep away form moisture. Clean air is another important factor. Keep away from smoking environmentto avoid tar residuals.
GF
PRO AUDIO
Shanghai Shenzhen Taipei••
Tel 886-2-2693 1323: Fax 886-2-2694 8990: E-mail sales@superlux.com.tw: Http://www.superlux.com.tw
GOANG-FANN CO.,LTD.
3F,No.7,Alley 2,Lane342, Fu-Der1stRoad Hsichih,Taipei, Taiwan
S65
Windscreen foam
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