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Specifications
JUST PLAY IT
CMH8C 8B 8ACMH8C 8B 8A
Large-diaphragm
Condenser Microphone
User Guide
GOANG-FANNCO.,LTD.
2008, SUPERLUX Inc.
Type
Condenser Microphone
Element
Pressure gradient,
FET preamplifier
Polar pattern
CMH8A/CMH8B:
Cardioid (Figure 1)
CMH8C: Cardioid / /
Omnidirectional
Figure 8
(Figure 2)
Frequency response
30 to 20,000 Hz (Figure 3)
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
CMH8A/CMH8B:
-34dBV/Pa (20mV/Pa)
CMH8C:
Cardioid: -31dBV/Pa (28mV/Pa)
Figure 8: -35dBV/Pa (17mV/Pa)
Omni.: -35dBV/Pa (17mV/Pa)
1Pa=94dB SPL
Rated impedance
200Ω
Minimum load impedance
1000Ω
Equivalent noise level
(A-weighted)
CMH8A/CMH8B: 18dB
CMH8C:
Cardioid: 14dB
Figure 8: 18dB
Omni.: 18dB
Max. SPL
(1 k load)Ω
CMH8A: 132dB SPL
CMH8B: 142dB SPL
CMH8C:
Cardioid: 138dB SPL
Figure 8: 142dB SPL
Omni.: 142dB SPL
(THD 0.5% 1kHz)≦
Dynamic range
at 1 k LoadΩ
CMH8A: 114dB
CMH8B/CMH8C: 124dB
Power supply
48 Vdc phantom power
Current consumption
CMH8A/CMH8B: 2.7mA
CMH8C: 4mA
Polarity
Pin 2 output positive voltage
(related to pin 3) when diaphragm
receives positive pressure.
(Diaphragm moving inward)
Connector
3 pin male XLR type
Finish
Champagne finish
Dimensions
Φ54.0mm(2.13in.) X 209.0mm
(8.23in.) (Figure 4)
Net weight
CMH8A/CMH8B: 550g(19.40oz.)
CMH8C: 565g(19.93oz.)
TYPICAL POLARPATTERN igure 1(F )
CARDIOID TYPICALPOLAR PATTERN
CMH8C Omni
TYPICAL POLARPATTERN
dB
10
0
-10
-20
RELATIVE RESPONSEIN dB
20 50 100 200 500 1000 2000 5000 10000 20000 Hz
dB
10
0
-10
-20
RELATIVE RESPONSEIN dB
20 50 100 200 500 1000 2000 5000 10000 20000 Hz
dB
10
0
-10
-20
RELATIVE RESPONSEIN dB
20 50 100 200 500 1000 2000 5000 10000 20000 Hz
TYPICAL FREQUENCYRESPONSE (Figure 3)
CMH8A/H8B
CMH8C
(Figure 2)
FREQUENCY INHz
FREQUENCY INHz
FREQUENCY INHz
CMH8C Figure 8
TYPICAL POLARPATTERN
CM-H8A
CM-H8B
CM-H8C
(Figure 4)
Description
CMH8A/CMH8B are condenser cardioid microphones with large
diaphragm of 1" in diameter; while CMH8C features convertible polar
patterns of cardioid, figure-of-8 and omni. Their tailored frequency
response make them ideal candidate for the recording of music program.
They are also suitable for general recording, broadcasting, stage
reinforcement, etc.
Features
·
Large-diaphragm capsule of gold-evaporated membrane 1" in
diameter and 3 m in thickness.
·
Low-noise transformer circuit.
·
Wide frequency response.
CMH8A has built-in low-cut filter.
·
CMH8B
·
CMH8C
·
cut filter and -10dB roll-off. At the back ofthe body, there is a switch
for converting polarpatterns among cardioid, figure-of-8 andomni.
μ
has an extezrnal switch for low-cut filter and -10dB roll-off.
has a dual-membrane capsule with external switches for low-
Converting
polar patterns
H8C
Low Frequency
Off-Roll
H8B H8C
-10dB PAD
H8B H8C
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Package
Large crash-proof carrying case ---------- -------- A3 carrying case---
Accessories
Supplied accessories
Standard rotatable connector ------------------- ------------ HM8
Metal screw adaptor ----------------------------- ----------- YA1
A3
Carrying case
HM8 Rotatable
connector
Optional accessories
Phantom power supply ------------------------------------- PS2A
Windscreen foam ------------------------------------------- S65
Shock mount ----------------------------------------------- HM7
Desk holder ------------------------------------------------- HM48B
Desk holder ------------------------------------------------ HM58B
--
--
YA1 screw
adaptor
Knowing your microphone
Superlux provides variety selection of microphones for professionals and amatures. To
know your microphone is the first step to successful result.
Type of transducer
Condenser
Extremely light weight diaphragm, very sensitive to sound. Very small versions
available for hiding applications. High performance condenser microphones are
regarded as standard equipment of recording studios for extreme detail capturing.
Operates with power, such as phantom or battery.
Powering microphone
Condenser microphones work with power. Professional standard is 48VDC phantom
power. Some microphones work with lower voltage as low as 1.5VDC, such as battery
power model. CMH8C/B/A work with 48VDC phantom only. Please make sure your
sound system provide adaquate power to the microphone.
About Frequency Response
Flat
Suitable for working at controlled environment, or for acoustic measurements.
Although people persuit flatness, but for none-professionals, it is a challenge to makes
it works asexpectation.
Popular cur ve response
Based on years of practical experience of pro users. There are curves to be build for
various applications, so that it is very simple to use the microphone for the purpose.
Limiting bandwidth, andemphasing are typical skill.
Cardioid
Picks up most signal on axis. Rejects side and picks up least to the back. Suitable for
live sound re-inforcement. Apparent proximity effect and most singer likes to take this
bass boost advantageswhich is notgood for speech.
Figure 8, bi-directional
Equal sensitive to both ends, and rejects the sides. Good to noisy environment to reject
distant noise and low frequency. Also a good choice for stereo recordings, such as
Blumlein. Typical pressure gradient characteristic.
CMH8C polar variation
Double diaphragm structure with cardioid acoustic nature, CMH8C can be set at OMNI,
Cardioid, and Figure-8 polar mode.
Distance to source
Close miking or distant miking sound very differently. Vocal recording or live
performance practice close miking mostly. Suitable proximity effect is one desired
target, and lower feedback problemis another factorfor live soundapplication.
While distant miking is common practice for recording, especially stereo pair
recording withlarge groupof performers, suchas orchestra or choir.
Distant miking generally picks up less bass section with pressure gradient type of
microphone (cardioid, figure-8, shotgun...) due to acoustic nature and lack of
proximity effects.
Rich bass with distant miking can be recorded with pressure type of microphone
(Omni), which performsthe same frequency response with close or distant pick-up.
PS2A
Phantom
power supply
HM48B
Desktop holder
S65
Windscreen foam
HM7
Shock mount
HM58B
Desktop holder
Variable response
Incorporating switchable filters to elliminates interference, such as sub-sonic filter to
cut air-conditioner and floor vibrations. And allows full flat when used in controlled
environment.
Directivity
Select or set the directivity of your microphone for stereo recording, for various music
instrument, vocal, speech, and environmental sound pick-up. Pair of spaced omni for
A/B stereo, pair of near coincident cardioid for ORTF, and pair of coincident XY for
Blumlein stereo.
Omni
directivity Equal sensitivity to all direction, so that the microphone doesn’t need to
point toward the sound source. It’s low handling and wind noise are welcomed by news
gathering and musicrecording applications.
Mounting the microphone
Pressure gradient microphone is very sensitive to vibration. Suitable shock mount for
high performance microphone is necessary for extreme low noise recording. Sturdy
stand can set the microphone excatly at the sweet spot and keep it there. Choose heavy
duty microphone stand for studio condenser microphone which weights much more
than handle microphone.
Superlux provides wide range of microphone stands for various demands. Big Foot
Willie is specially developed for large condenser microphones that able to support 2
large microphoneswith stereo bracket for single point stereo recording.
Extension foot on all the 'E' versions serve to mount heavy studio microphone in limit
space live soundapplications.
Maintainence
Condenser microphone shall be kept in low humidity environment for best sound
performance. Store the condenser microphones in airconditioned room or dehumidifier
to keep away form moisture. Clean air is another important factor. Keep away from
smoking environment to avoid tar residuals.
PRO AUDIO
GF
Shanghai Shenzhen Taipei••
GOANG-FANN CO.,LTD.
3F, No.7,Alley2, Lane 342, Fu-Der 1st Road
Hsichih, Taipei,Taiwan
Tel 886-2-2693 1323:
Fax 886-2-2694 8990:
E-mail sales@superlux.com.tw:
Http://www.superlux.com.tw